Through the Wilderness of Worlds | Ed Frazier Davis | MusicSpoke

Ed Frazier Davis

Through the Wildernesses of Worlds for double chorus (SATB|SATB) a cappella

Performance duration: ca. 10 min Commissioned by Mark Tomasino and the Wicker Park Choral Singers.

Dedicated to my fellow peregrinos, and to all who find themselves on a difficult journey.

Copyright Š 2018 Ed Frazier Davis (ASCAP). All Rights Reserved.

Manuscript EFD0054 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

Program Notes:

I composed Through the Wildernesses of Worlds after returning home from walking the Camino de Santiago, a 400-mile pilgrimage in Spain beginning in Pamplona and ending in Santiago de Compostela. While it was certainly physically demanding, it proved to be an equally challenging journey of inward reflection. Nine months before embarking on the Camino, I attempted to take my own life, and those ensuing months were filled with difficult questions, including: How did I get here? What does true happiness look like? What, exactly, am I doing with my life? I may not have been able to answer all these questions, but even attempting to do so as I walked the Camino brought me closer than ever before to finding mental clarity, spiritual contentedness, and inner peace.

Wildernesses is my attempt to translate this complex, turbulent, incredibly rewarding journey into art. I used a poem from Rabindranath Tagore's Gitanjali as my primary text, and supplemented it with responses from fellow pilgrims in Santiago when I asked them why they decided to walk the Camino. Additionally, the mysterious words “for you, kiddo” appear a few times; I found this phrase scribbled on at least a dozen signposts and stones. These three texts form a single narrative which attempts to answer why we tackle such seemingly insurmountable challenges, whether that challenge is walking halfway across the country or simply finding the will to live.

—EFD Full Text:

The time that my journey takes is long, and the way of it long.

I came out on the chariot of the first gleam of light, 1 to prove to myself that I could… 2 for you, kiddo… 3 and pursued my voyage through the wildernesses of worlds, 1 because I needed time to think… to find myself… 2 leaving my track on many a star and planet. 1 because she always wanted to do this… 2 for you, kiddo… 3 I have knocked at every alien door, 1 to seek the truth… to rekindle my love with God… 2 for you, kiddo… 3 and wandered through all the outer worlds, to reach the innermost shrine, 1 to celebrate beating cancer… because we got engaged… because I want to live… 2 to reach the innermost shrine at the end. 1 because I want to LIVE… 2 for you, kiddo… 3 Excerpts from the twelfth poem in Rabindranath Tagore’s Gitanjali, translated into English by William Rothenstein (public domain since 1992), adapted and altered by the composer.

1

2

Responses from different pilgrims in Santiago de Compostela when asked why they walked the Camino de Santiago.

3

Anonymous words found scribbled on numerous signposts and stones while walking the Camino de Santiago.

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

3

Commissioned by Mark Tomasino and the Wicker Park Choral Singers.

Dedicated to my fellow peregrinos, and to all those who find themselves on a difficult journey.

Through the Wildernesses of Worlds for double chorus a cappella ED FRAZIER DAVIS Completed November 2018 Adagio (q = c. 66); mysterious, as if approaching from a distance Soprano 1

Alto 1 CHOIR I

Tenor 1

3 &4 Œ 3 &4 Œ

∑

∑

∑

∑

∑

time

? 43 Œ

œ œ.

J

that my jour - ney

∑

∑ ∏ almost imperceptible

Œ Œ

∏ almost imperceptible .

3 V 4 œ œ œ Jœ œ ˙ The

Bass 1

1

œ

The

time

œ

œ

bœ

œ.

that

Œ

takes,

∑

∑

Soprano 2

Alto 2

3 &4 Œ

1

∑

∑

∏ almost imperceptible 3 & 4 Œ Œ Œ œ œ . œ œj œ ˙ The

CHOIR II

Tenor 2

Bass 2

∑

V 43 Œ

∑

? 43 Œ

∑

time

that my jour - ney

Œ

∑

time

that my

∑

Œ

j œ œ.

takes,

∏ almost imperceptible Œ Œ œ œ . # œ Jœ # œ The

my

˙

jour - ney

∑

Œ

˙

j œ bœ.

jour - ney

œ.

œ

the

time

that

œ J

my

The

∏ almost imperceptible The

time

œ

œ

œ

The

œ

œ

˙

jour - ney

∏ almost imperceptible œ œ. nœ œ J Œ

Œ

œ

∏

Œ

takes,

œ

∑

Adagio (q = c. 66); mysterious, as if approaching from a distance

j œ bœ

∑

j œ nœ

nœ

œ.

that

Œ

œ #œ.

J

takes,

time

my

the

time

œ

œ

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Please visit MusicSpoke.com to purchase performance Copyright © 2018 Ed Frazier Davis (ASCAP).

All Rights Reserved. copies.

my

˙

jour - ney

œ

∑

that

œ.

j œ

œ

that

Œ ∑

my

œ the

4

Davis | Through the Wildernesses of Worlds

7 S. 1

& œ.

nœ

time

A. 1

T. 1

B. 1

j œ

Œ

& Aœ

that

œ

˙

jour

-

A. 2

ney

T. 2

-

.

V œ

ney

#œ

p & nœ -

12 S. 1

that

? Œ

Œ

bœ

time

T. 1

B. 1

that

V œ

Œ

∏ œ

my

œ

p j bœ œ -

my

the

? œJ œ .

œ J

π #œ

nœ

S. 2

A. 2

T. 2

& œ & œj œ . pV #œ

takes,

time

that

B. 2

?

œ.

nœ

œ- .

the

time

œ

œ

œ

that

Œ

œ

the

nœ

œ.

that

Œ

œ œ.

J -

p n œ-

œ.

the

time

œ

œ

takes,

b˙

œ J

œ-

π nœ

takes,

jour

-

Œ

j œ n œ- .

Œ

œ #œ.

J

my

œ

n˙

jour - ney

œ

œ J

œ

takes,

œ

n˙

jour - ney

Œ

œ

œ J

nœ J

my

œ

œ œ œ- .

J

j œ

that

Œ

œ

my

œ

œ

nœ

time

that

œ.

the

time

œ

œ

jour

that

œ

that

Œ

my

œ

the

œ œ- .

J

pœ

#œ J

œ

my

jour

œ.

œ

takes,

n˙

-

-

œ

takes,

œ

jour - ney

œ-

that

Œ

the

time

œ

˙

œ

œ

œ

that

Œ

the

œ

œ

my

that

my

that

my

œ

œ.

œ

œ J

‰ œ

the

time that

œ

bœ

œ

œ-

Œ

œ j œ œ- .

jour - ney

n œ- .

j œ

œ

the

Œ

j œ œ- . takes, P j œ #œ #˙ -

œ

takes,

time

œ

my

œ

œ- .

œ

Œ

œ J

the

takes,

jour - ney

# œ- .

ney

j nœ bœ.

nœ

œ œ- .

J

˙

˙

œ >œ .

J

jour - ney

time

œ

#œ

œ

˙

j b œ- n œ

ney

time

œ

Pœ

œ

the

œ.

takes,

œ

my

takes,

the

œ nœ.

J

Œ

that

j œ nœ.

j œ

œ

Œ

π nœ

my

n˙

œ

œ J

œ J

jour - ney

takes,

œ

time

˙

œ.

π nœ

j œ nœ.

˙

the

j œ

nœ

œ.

jour - ney

my

# œ- .

my jour - ney

time

my

œ

takes,

œ

ney

˙

that

the

that

œ

time

œ- .

nœ

œ

nœ

œ J

j œ

time

œ.

j œ bœ.

the

the

my jour - ney

œ

œ

Œ

œ

b˙

œ

takes,

p j œ œ-

œ

that

œ

n˙

œ.

time

œ

Œ

ney

time

jour - ney

takes,

12

takes,

j œ n œ- .

#˙

& œ.

n˙

-

œ.

œ

j œ œ.

The

jour - ney

A. 1

œ

jour

the

Œ

œ

˙

time

B. 2

œ

takes,

jour

Œ

my

œ

takes,

takes,

& œj n œ . & œ

that

œ nœ.

J

7 S. 2

bœ

œ

takes,

? nœ

π j œ bœ

jour - ney

time

œ

j œ nœ.

#˙

œ.

the

œ.

V œJ

my

π nœ

œ J

that for my performance. jour - ney Please visit MusicSpoke.com takes, the performance time that my This score istime not licensed to purchase copies.

P n œ-

takes,

n˙

jour - ney

nœ

my

œ

the

œ

5

Davis | Through the Wildernesses of Worlds

18 S. 1

A. 1

&

˙

P & œ- .

B. 1

V

-

œ-

œ

jour - ney,

? œ- .

time

S. 2

18 P

& nœ

jour - ney

A. 2

& œ -

time

T. 2

B. 2

œ

? œ n œJ

takes,

pb˙ 4 &4

22 S. 1

A. 1

p& 44 b ˙

T. 1

B. 1

V 44

p -̇

long,

p? 4 b˙ 4

long,

p4 &4 w

S. 2

œ. œ.

a tempo

p 4 & 4 w-

44

œ

long,

T. 2

B. 2

p 4 V 4 bw long, p ?4 4 b wlong,

-̇

jour

-

F ‰ b˙ long, F-̇ ‰

œ.

long,

‰

œ.

long,

œ. œ. œ. œ.

‰

nœ J

the

F -̇

F ‰ b ˙-

long,

long,

F‰ b˙ F‰ b˙

long,

long,

‰

˙

œ

that

my

˙

F 5 >˙ 4

time

that

my

that

my

˙

the

j œ

the

time

f 32 b œ-

Ó

‰

long,

long,

π j œ ‰ Œ

poco rit.

˙ ˙ ˙ ˙

π j œ ‰ Œ π j‰ Œ œ π œ ‰ Œ J

π œ ‰ Œ J

pbw

long

Ó

nœ

*

j bœ

45

3

œ > bœ

45 ˙

œ

œ

˙.

way of it

a tempo; dark, vaguely funereal

p n w-

long

Ó

p n w-

long

p

45 # ˙

˙

˙ is

>˙ .

œ

4 4

molto

œ

is

molto

˙. >

œ

is

molto

œ

˙. > takes

44

œ

molto

is

>. ˙

œ

4 4

is

poco rit.

œ

œ

molto

is

44 44

˙.

w-

44 w

P 4 # w4

(ng).

long

œ nœ

is

wP 44 n ˙-

b˙

˙.

44

(ng).

44 ˙

3

5 4 ˙

44

n˙.

j 45 œ nœ bœ > bœ œ œ ˙ and the way of it is p ∑ 45 Ó ˙. ‰

molto

is

>. ˙

44 œ

˙.

> p b œ 5 œ b œ3 œ œ n œ ‰ J 4 and the

œ

jour - ney

that my

b˙

π j œ ‰ Œ

f 32 b œ -

-̇

π 54 ˙

44

œ

jour - ney takes

my

˙

π j œ ‰ Œ

f 32 b œ-

œ

that

time

œ b >˙ .

44

œ

is

jour - ney takes

that my

bœ

is

jour - ney takes

w-

P ‰ b˙ -

f 3 œ2

-̇

n˙

œ

jour - ney takes

that my

œ

molto

molto

˙. > takes

f 3 œ- n œ 2

œ n ˙-

F 54 n˙ > time F 54 ˙ > time F 54 >˙

>˙ .

jour - ney takes

a tempo; declamatory

a tempo; dark, vaguely funereal

P ‰ b˙ long, P ‰ b˙ -

f 32 œ-

œ

jour - ney

my

poco rit.

long

f 32 œ -

œ

that

œ

poco rit.

jour - ney takes

œ

˙

time

f32 œ

œ

b˙

F 5 >˙ 4

the

œ.

F-̇

œ.

˙

œ.

long,

the

the

time,

F ‰ b˙ -

œ

the

j œ œ.

time,

F 45 ˙ > time F 54 >˙

œ

j œ œ > ney takes,

44 >˙

long,

A. 2

‰

‰ œj 44 ˙ >

the

long,

22

4 œ.

4

‰ œ

œ.

‰

takes,

ritard

the

œ.

>œ J

œ

jour - ney

that my

a tempo

long,

my

takes,

V ˙

is,

4 œJ4

#œ J

3

œ

œ J

time that my journey takes, -

>œ

œ

bœ

> > > 44 œ œ3 œ œ 3œ œ œ

the

that

time

44 œ > takes

‰ Jœ

œ

F 54 >˙

the

œ.

ney

a tempo; declamatory

44 n w

œ ‰ J

jour

T. 1

ritard

4 4

P

(ng).

long

long

4 4 w

* This is optional, but it may be preferable for some (or all, depending on the ensemble size) altos from Choir I to join the Choir II altos in mm. 25-28 for the sake of balance;

This scorethey is should not licensed performance.

MusicSpoke.com to purchase performance copies. be as evenly for balanced with the Choir IPlease basses as visit possible.

6

Davis | Through the Wildernesses of Worlds

S. 1 A. 1

T. 1

B. 1

& Ó &

Quite faster (q = c. 114); with a bit of pomp

U

28

Ó

œ

π A V œ. π ? aœ

Œ

‰ Ó

U

‰ Ó

(ng).

S. 2

πU ˙

A. 2

T. 2

B. 2

& #˙ &

π

?

A. 1

T. 1

B. 1

S. 2

A. 2

T. 2

B. 2

I came

out

b >œ ˙

on the

I came

out on

the

œ

-

char

i - ot

Ó

j‰ Ó œ

∑

∑

∑

Ó

‰ Ó

∑

∑

∑

Ó

U

(ng).

V 44

∑

U

F > bœ œ œ œ of the first

F œ œ œ œ > of the first

F œ œ b >œ œ of

∑

34

& 44 ˙

> b˙

& 44 ˙

˙ >

could…

could…

>˙

could…

b >˙

gleam,

œ

gleam,

œ

gleam,

of the first

gleam,

˙ ˙ ˙ ˙

the first

œ

> œ œ œ

F bœ

? 44

? 44 ˙

œ

∑

∑

I

the

i - ot

∑

& 44

V 44 b ˙

œ

-

∑

∑

I

œ ˙ > out on >˙ œ

p œ bœ œ œ œ w > char i - ot p > œ œ œ œ. bœ w J char i - ot p > bœ œ œ œ œ œ œ w J J char

Ó

& 44

I

on the

p w

œ œ bœ œ J

∑

(ng).

S. 1

out

> œ œ J

∑

(ng).

34

œ bœ

w

U

π œ.

came

>˙

Quite faster (q = c. 114); with a bit of pomp

j‰ Ó œ

œ π V œ

I

F- >˙ Œ œ

œ ‰ UÓ J

28

b >œ

F > Œ bœ -̇ I came F- > Œ œ n˙

U

j œ

Fn˙

bœ

π œ ‰ Œ J π j œ ‰ Œ π œ J ‰ Œ π œ J ‰ Œ

> œ ‰ œ bœ œ œ œ œ J bœ J the

‰

œ

the

first

j œ œ œ œ œ œ > first

> ‰ œ bœ œ œ œ œ œ J the

‰ œ

the

œ œ œ œ nœ J

first

>œ œ œ n œ œ œj b œ J first

bœ œ

œ bœ œ œ

œ œ J

œ

4 œ J ‰ ‰ 4

78 ˙

œ ‰ ‰ 44 J

j 4 œ ‰ ‰ 4

7 8 ˙

7 ˙ 8

œ J ‰ ‰ 44

P distant, like an>echo 78 œ œ3 œ b œ˙

P distant, like an echo 3 78 ˙ œ œ œ œ> to prove to my - self P distant, like an>echo 78 œ œ3 b œ œ˙ prove to my-self

to

P distant, like an>echo ˙ 78 œ œ3 œ œ-

œ 4 J 4

that

j 4 œ 4

that

œ 44 J

to

prove to my - self

that

to

prove to my - self

that

œ b ˙-

j œ b˙

œ œ J

7 ˙ 8

bœ n˙

œ

gleam

of

œ- œ

gleam of

-̇

gleam

œ

of

œ- œ

gleam of

f >˙ . light,

f> ˙.

f> b˙.

light,

f >˙ .

light,

light,

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

could…

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œ 4 J 4

Œ

43

Œ

43

Œ

43

Œ

43

Í b˙

light…

Í b˙

light…

Í ˙

light…

Í ˙

light…

43 43 43 43

7

Davis | Through the Wildernesses of Worlds

poco rit.

p 3 & 4 ˙.

40 S. 1

p 3 V 4 b˙.

4 4

p ? 3 ˙.

4 of

B. 1

of

poco rit.

40 S. 2

A. 2

T. 2

B. 2

T. 2

B. 2

4 4 w -

P w

light,

F Œ œ

∑

Ó

V 43 œ . ‰ Œ

44

∑

Ó

F Œ œ

? 3 œ. ‰ Œ 4

44

∑

Ó

Œ

p

& ˙

p & #˙. p V ˙. p ? b˙ & ˙ & ˙ V ˙ ? ˙

-̇

pur

-

molto

molto

pur

F Œ œ

for

for

F bœ

for

œ >

ƒ>appassionato ˙. œ

# ˙-

sued

voy - age,

œ >

my

ƒ>appassionato n˙ ˙

pur - sued

-̇

Ó

w

Ó

w

Ó

w

Ó

for

˙

my

ƒ>appassionato ˙. œ

pur - sued

-

π j œ‰ Œ

π j œ‰ Œ π j œ‰ Œ π œ‰ Œ J

F j œ- ‰ Œ

light,

Íw

Fœ ‰ Œ J of

light,

p j œ ‰

you,

˙

you,

˙

you,

b˙

œ œ œ ˙. > kid - do, > œ b œ3 œ ˙ .

3

> œ œ3 œ ˙ . kid - do,

kid - do,

you,

my

œ- ˙ .

voy - age,

-̇

pur - sued

voy - age,

sued

voy - age,

b œ- ˙ .

for you,

P œ œ

for you,

P œ œ

for you,

for you,

˙.

my

voy - age

through

œ

my

œ

my

F > œ ‰ >œ œ œJ b œ .

pur-sued my

abruptly tough, opposite of "tender" section

Ó

P œ œ-

f n œ- b ˙ .

pur-sued

pur - sued

Ó

P bœ œ

˙

F œ ‰ b >œ >œ œ

F > > bœ ‰ œ b˙.

J

Ó

p œ ‰ J p œ ‰ J

fœ ˙

œ

voy - age

f-̇

n˙

voy - age

voy - age

˙.

through

∑

˙.

Œ

∑

˙.

Œ

∑

∑

∑

Ó

∑

∑

∑

∑

Ó

∑

∑

∑

∑

Œ

∑

∑

∑

∑

π

π œ.

œ n >œ ˙ π

œ

the

wil

œ

wil

π œ

the

œ.

π œ

π -̇ .

œ œ

b˙

j j nœ œ œ.

-

œ

œ

-

œ

-

-

wil

π œ œ.

J

-

œ-

der -

bœ

wil

-

œ -

j j œ bœ œ œ œ œ nœ

wil

j œ -̇

through the

π Œ ˙

˙

kid - do…

through the wil

˙

w

kid - do…

the

Œ

#w

œ œ ˙ >

œ

through

∑

œ nœ ˙ > kid - do…

the

˙.

w

kid - do…

œ

through

∑

œ œ ˙ >

the

˙.

f œ- œ œ œ

Œ

light,

Ó

p j œ ‰

kid - do,

∑

˙.

Íbw

of

Œ

˙.

light,

Fbœ ‰ Œ J of

Í # w-

Í w-

of

3

F n œ ‰ j >˙ œ >

ƒ>appassionato ˙ b˙ my

Fj œ- ‰ Œ

œ œ œ ˙. >

abruptly tough, opposite of "tender" section

molto

molto

w

a tempo; very tender, but maintaining momentum

44

48

A. 2

˙

& 43 œ . ‰ Œ

and

S. 2

-̇ light, F

P bw

Ó

and

B. 1

light,

∑

and

T. 1

F

4 4

and

A. 1

P w

& 43 œ . ‰ Œ

48 S. 1

P w

light,

of

T. 1

F 44 b w-

F 44 œ- ˙ .

p 3 & 4 ˙. of

A. 1

a tempo; very tender, but maintaining momentum

œ

wil

œ.

through the wil This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

-

-̇

-

œ

-

-

-

der

-

œ bœ œ.

J J

-

bœ.

-

j œ

8

Davis | Through the Wildernesses of Worlds

ritard

55 S. 1

œ. & œ œ bœ œ -

A. 1

-

&œ -

T. 1

.

V˙ -

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60 S. 1

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Più andante (q = c. 90); rich in tone, contemplative

5 &4 5 V4 ? 45

∑ ∑ ∑ ∑

44 Ó 44 Ó 4 Ó 4 44 Ó

œ- .

be - cause

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need - ed

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time

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time

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to

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of

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π ˙.

π ˙. of

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worlds,

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π j œ ‰ Œ

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think…

F ˙ ˙ > think…

F b˙ ˙ >think…

F > œ #˙.

π j œ ‰ Œ

˙

π œ ‰ Œ J

˙

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think…

mmm

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w

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45

worlds,

w

p w

45

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w

p w

45

worlds,

of

p w p

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worlds,

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5 &4 Ó

45

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of

of

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45

worlds,

of

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of

wil - der - ness - es

the

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78 œ -

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wil - der - ness - es

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9

Davis | Through the Wildernesses of Worlds

P ˙

66 S. 1

A. 1

T. 1

B. 1

& Ó

>œ ˙

to

find

P ˙

& Ó

>˙

P ˙

V Ó

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find

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to

find

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>˙

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Í & n w-

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to

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& V

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w

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worlds,

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72 S. 1

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&

∑

45 Ó

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∑

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p j œ ‰ Œ

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star

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2

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66 S. 2

self…

π j œ ‰ Œ

4 4 ˙

plan

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star licensed andfor performance. plan - et,Please visit MusicSpoke.com man - y a purchase star performance and copies. plan This score is not to

-

-

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10 78 S. 1 solo S. 1

A. 1 solo A. 1

T. 1 solo T. 1

B. 1 solo

B. 1

S. 2

poco rit.

a tempo

∑

&

& A˙

Ó

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˙

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& ˙

π w

˙

this…

mmm

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V ˙

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this…

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et.

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π

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et.

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V

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p ghostly -̇ Œ nœ for

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w

w

for

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w

kid - do…

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Ó

w œ.

kid - do…

‰ Ó

kid - do…

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Ó

w

p ghostly #˙ for

ohh

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for

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w

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for

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w >3 #œ ˙

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w p ghostly -̇ Œ nœ

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B. 2 solo

w

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∑

>3 #œ ˙

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π V œ ˙

?

w

a tempo

∑

π & w

you,

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mmm

poco rit.

&

for

mmm

∑

? ˙

p ghostly -̇ Œ nœ

mmm

∑

&

78 S. 2 solo

Davis | Through the Wildernesses of Worlds

Ó

w

p ghostly #˙ for

32

∑

32 w .

32 # ˙-

you,

32 w.

32

44

Œ #œ œ ˙ > 3

kid - do…

∑

32 w .

32 # ˙

you,

32 w .

32

>3 Œ #œ œ ˙ kid - do…

∑

32 w.

32 # ˙-

32

you,

3 #˙ 2

32

Œ #œ œ ˙ > 3

kid - do…

∑

3 w.

2

you,

w.

This score is not Please visit MusicSpoke.com to purchase et. licensed for performance. mmm ohhperformance copies.

44

44

44

44

44

44 44

44

w.

32

44

>3 # Œ œ œ ˙ kid - do…

44

44

44

4 4

4 4

44

11

Davis | Through the Wildernesses of Worlds

suddenly warm, with a bit more motion

P 4 & 4 #w

84 S. 1

n˙.

P 4 &4 w

ahh

A. 1

ahh

T. 1

P 4 ˙ V4

ahh

B. 1

P ? 44 # w

#˙

ahh

A. 2

4 &4

ahh

P

w

P 4 V 4 #˙

ahh

B. 2

˙

#˙

w

#˙

w

w

œ

w

#w

˙

#œ

-̇ #˙

P ? 44 #˙.

n˙

#˙ #œ

œ

#˙

œ

˙

nw

˙

˙

7 &8

∑

∑

& 78

∑

∑

#w

w

w

˙

o

w

∑

w

eve - ry

o

U

∑

o

U

w

o

Ó

∑

I

œ- . œ œ

a - li - en

-̇

U

78

U

78

U

78

U

78

w

have knocked at

door,

7 8

w

w

œ- . œ œ

eve - ry

a - li - en

∑

œ.

Allegro (q = c. 138); buoyant and crisp

A. 2

& 78

˙

œ.

˙

œ.

˙

œ.

˙

œ.

˙

œ.

V 78 # ˙

œ.

˙

œ.

˙

œ.

˙

œ.

˙

œ.

? 78

œ.

˙

œ.

˙

œ.

˙

œ.

˙

œ.

mmm

T. 2

mmm

B. 2

˙

mmm

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

7 8

∑

w

#˙

7 8

U

∑

w ˙

7 8

∑

π but with "fortissimo energy" throughout j œ œ œ- œ œ- œ

∑

have knocked at

#œ ˙

#˙

#˙

U

∑ w

œ # ˙-

w

π but with "fortissimo energy" throughout j œ œ œ- œ œ- œ I

Ó

#w

#w

˙

nw

#˙

o

ritard

œ # ˙-

91 Allegro (q = c. 138); buoyant and crisp

A. 1

˙

w

œ n ˙-

ahh

S. 1

˙

w

w

ahh

T. 2

˙

#˙

suddenly warm, with a bit more motion

P 4 &4 w

84 S. 2

#œ

ritard

o

˙

œ. ∑

˙

œ.

o

12

Davis | Through the Wildernesses of Worlds

97 S. 1

A. 1

&

door,

& œ I

T. 1

œ

A. 2

∑

∑ ∑

&

∑

∑

∑

∑

∑

œ.

˙

&œ &

#œ

œ-

V

j œ œ-

have knocked at

-̇

œ.

door,

eve - ry

-̇

eve - ry

a - li - en

door,

œ.

∑

œ.

door,

∑

p œ

j œ œ-

œ-

œ

I

∑

˙

œ.

door,

œ

œ

a - li - en

Œ

‰

œ

œ-

j œ

œ-

#œ

eve - ry

œ- . œ œ

# œ-

œ

œ-

Œ

#œ

have knocked

Œ

at

j œ # >œ

I have

œ

eve - ry

œ- .

œ œ

a - li - en

door,

œ œ.

I

at

œ

œ-

œ J

# ˙-

a - li - en

j œ

eve - ry

œ.

#œ

œ-

j œ

I

have knocked at

-̇

œ.

eve

have knocked at

knocked at

œ. ∑

∑

knocked

a - li - en

˙

∑

˙

have knocked,

have knocked at

œ- . œ œ

have knocked at eve - ry

-̇

œ- . œ œ

have knocked at eve - ry

have

p but with "fortissimo energy" throughout œ œ œœ œJ I

I

I

œ œ- .

have knocked at

p but with "fortissimo energy" throughout j œ œ œœ œ- œ

∑

œ.

a - li - en

p but with "fortissimo energy" throughout œ œ. œ œ œJ

p but with "fortissimo energy" throughout j œ œ œœ œ- œ I

œ- . œ œ

œ

have knocked at eve - ry

Ó

∑

# ˙-

I

I

∑

a - li - en

∑

œ- . œ œ

-̇

œ- . œ œ

#œ

œ

Vœ

&

o

I

103

T. 2

door,

door,

∑

∑

œ.

-̇

a - li - en

œ.

-̇

∑

&

œ- . œ œ

œ

have knocked at eve - ry

∑

S. 1

A. 2

a - li - en

j œ œ-

œ-

&

103 p

S. 2

I

œ

I

B. 2

T. 1

œ œ. œ œ

œ

∑

V

?

A. 1

œ-

j œ œ-

have knocked at eve - ry

97 S. 2

∑

œ.

-̇

-

ry

œ

œ- . œ œ

eve - ry

a - li - en

# ˙-

œ.

œ-

door,

œ- .

œ- œ œ

a - li - en

door,

˙

œ

door,

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

‰

13

Davis | Through the Wildernesses of Worlds

108 S. 1

&œ -

#œ

eve - ry

A. 1

a - li - en

&œ œ œ -

door,

V

Œ

œ- .

a - li - en

T. 1

-̇

door,

108 S. 2

A. 2

T. 2

œ.

&˙

Œ

I

œ

I

have

113 S. 1

S. 2

B. 2

have

knocked,

œ

#œ

œ-

Ó

‰

œ.

‰

œ.

˙

knocked,

P œ

Œ

œ.

˙

œ.

V œ #œ œ ? Ó 113P

& #œ & # œV

-̇

door,

? Ó

œ- .

I

door,

f robust and resonant >œ >œ . to

œ- .

knocked,

Œ

Œ

‰

œ.

-̇

have knocked

at

I

nœ

I

have knocked

œ

#œ

œ-

have

I

œ.

˙

knocked

œ-

œ

œ

œ- . œ œ

have knocked at

a - li - en

eve - ry

j œ #˙

œ.

# ˙-

œ.

˙

Œ

‰

œ-

œ J

a - li - en

door,

∑

f robust and resonant œ œ > >.

seek

‰

œ

P œ I

œ.

œ

door,

œ

œ J

at

nœ

œ.

P œ œ

j œ # œ-

at

œ J

>œ .

œ J

ry

# œ-

j œ

have knocked

at

nœ.

œ

œ œ

a - li - en

œ.

door,

#œ œ œ œ œ >

eve - ry

a

œ

-

œ- .

li - en,

œœ

a - li - en

eve - ry

>˙

œ.

truth…

œ.

∑ Ó

œ- . œ œ

-̇

eve - ry

a - li - en

door,

œ >.

˙ >

the

-

œ-

eve - ry

œ

˙

œ

a - li - en

∑ œ-

œ-

œ

œ œ œ -

have knocked at

˙

have knocked at

œ-

I

the

œ

œ.

∑

œ.

ry

P #œ

∑

œ

#œ

eve

a - li - en

eve

œ

-

eve - ry

-̇

œ œ

œ- .

I have knocked at

Œ

-̇

#œ

ry

œ.

˙

# œ-

-

> ‰ œ #œ

eve

P œ.

Ó

œ

at

j œ #˙

œ-

j œ #œ -

œ-

to

œ

j œ

knocked

a - li - en

#˙

have

œ.

Ó

œ-

‰

li - en,

-

seek

œ

œ.

œ.

œ

#œ

j #œ œ

-̇

œ.

eve - ry

I

a

have

˙

œ >

˙

door,

I

knocked at

# œ- . œ.

˙

j œ # œ-

œ- .

eve - ry

T. 2

I

& œ œ œ -

I

A. 2

#œ

œ

a - li - en

B. 1

œ

œ.

have

‰

œ.

a - li - en

T. 1

Œ

& n ˙-

door,

A. 1

Œ

œ ‰

&Ó

Vœ

door,

∑

œ.

# ˙-

œ- . œ œ

truth…

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

œ-

eve

œ. œ.

-

j œ

ry

14

Davis | Through the Wildernesses of Worlds

118 S. 1

A. 1

T. 1

B. 1

&˙

Œ

&Ó

œ.

˙

œ.

˙

F ?œ

A. 2

Œ

&Œ

B. 2

&œ œ œ V

F ?œ & œ

T. 1

B. 1

T. 2

B. 2

‰ Œ

œ

‰

V

œ.

˙

?

œ

& œ

Œ

Œ

#œ

œ.

?˙

#œ. >

œ

eve - ry

a - li - en

V ˙

œ

I

ƒ

#˙ >

œ

f> ˙

>œ .

n >˙

to

re

-̇

œ.

œ

œ

j œ- œ

œ

œ

œ.

have

door,

œ.

œ-

have

knocked at

f ˙ >

to

a - li - en

∑

œ

∑

knocked

F #œ I

œ

-

dle

Œ

Œ

‰

œ

# œ-

j nœ

at

œ

n˙ >

kin

j œ # œ-

at

-

œ

œ

œ-

œ- œ œ

œ- .

I

a - li - en

˙

-

# œ- . œ œ

a - li - en

∑

F

I

œ.

˙

œ.

˙

œ.

˙

œ.

˙

# œ-

j œ # œ-

-̇

œ.

# ˙-

have knocked

∑

œ.

at

eve - ry

˙

∑

a - li - en

œ.

door,

#œ

œ

œ-

œ J

I

have knocked at

˙

œ.

-

door,

˙

eve

# œ-

love

-

F #œ

œ.

>œ .

œ

-̇

˙

œ- . œ # œ

#œ.

my

œ.

œ

door

-̇

œ

eve

j œ

have knocked at

œ. > œ.

F

a - li - en

love

#œ

dle

∑

>œ .

my

door,

eve - ry

œ. œ œ

œ œ

a - li - en

œ

li - en

eve - ry

nœ. œ œ

eve - ry

j œ #œ.

-

#œ

eve - ry

œ

# œ-

have knocked

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15

Davis | Through the Wildernesses of Worlds

128 S. 1

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16

Davis | Through the Wildernesses of Worlds

p 4 w &4

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17

Davis | Through the Wildernesses of Worlds

151 S. 1

A. 1

T. 1

B. 1

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18

Davis | Through the Wildernesses of Worlds

162 S. 1

A. 1

T. 1

B. 1

S. 2

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19

Davis | Through the Wildernesses of Worlds

ƒ>sempre 4 ˙ ˙ &4

173 S. 1

Presto (q = c. 180 / h = c. 90); a burst of vibrant color

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w

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Davis | Through the Wildernesses of Worlds

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Ó

for

œ œ œ > 3

kid - do, 3

kid - do,

w

w

w

w

w

-̇

for

˙

Ó

you,

you,

-̇

#˙

for

you,

w

w

w

? #w

w

˙

end.

#w

& w

w

& #w

w

w

V w

w

w

w

w

? w

end.

kid - do…

kid - do…

F> œ œ3 œ F> œ # œ3 œ

kid - do…

kid - do…

U ˙

w

at

the

at

the

w

π 4 w 4

˙

n˙

at

the

Ó

π 44 #w

#w

Ó

44 w

#w

at

the

π

at

the

π 44 w

Ó

p

the

π 44 w

Ó

F molto pU 32 #˙ ˙ > kid - do…

F molto pU 32 ˙ ˙ > kid - do… p U 32 ˙ ˙ 32 ˙

at

Ó

U ˙

w

π 44 w

Ó

p

3 ˙ 2

π 44 w

Ó

w

at

the

π 44 # w

Ó

w

at

the

F 34 ˙.

˙

F 3 ˙.

4 F 3 ˙.

4

˙.

molto

molto

π œ

π œ

˙.

Œ

Œ

Œ

Œ

˙.

* p sempre

.. œ

to

œ- œ œ œ prove to my-self

œ œ œ-

that I could…

∑

..

˙.

Largo (q = c. 56); serene, but deliberate

ritard

end.

F œ >œ3 œ

F .

43 ˙

w

w

V

F> œ # œ3 œ

F molto p U 32 # ˙ ˙ > kid - do…

F molto pU 32 ˙ ˙ > kid - do… p U 32 ˙ ˙

Largo (q = c. 56); serene, but deliberate

w

end.

B. 2

-̇

Ó

w

end.

T. 2

w

kid - do,

& w

194

A. 2

w

ritard

end.

S. 2

w

3

Ó

a˙

end.

T. 1

œ #œ œ >

kid - do,

V

end.

A. 1

w

œ #œ œ >

194 S. 1

w

& -̇

you,

T. 2

> œ œ3 œ

F 34 ˙ .

F 3 4 ˙.

F 34 ˙ .

F 3 ˙.

4

˙.

molto

molto

π œ π œ

˙.

˙.

Œ

Œ

∑

Œ

Œ

∑ ˙.

* Enter one singer at a time (everyone in the section should enter before beat 3) and repeat the notated phrase ad lib, relatively quickly, independent of other singers and

This score not licensed performance.

Please visit MusicSpoke.com purchase performance copies. the is conductor.

Tone herefor should be slightly breathy, quasi-whisper (but still with pitch), theto words hazy; sonic texture, not the text, is most important.

21

Davis | Through the Wildernesses of Worlds

200 S. 1 A. 1 T. 1

B. 1

& & V

A. 2 T. 2 B. 2

&

œ œ J

œ.

œ J

œ œ J

œ.

U

œ

œ

Œ

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~ I

*. p sempre

have

knocked at eve - ry

* pœ sempre œ-

..

∑

π œ

& . œ V

P plain, almost no phrasing œ œ œ

Œ

π ? œ 200

S. 2

π œ

Œ Œ

P plain, almost no phrasing œ œ #œ

I

I

have

have

œ œ œ œ œ- œ œ-

..

∑

I

have

li - en

door

(U)

and

.. . œ œ- # œ œ œ œ- œ . the truth…

(U)

œ ..

my - self…

œ œ J

œ J

#œ.

œ œ J

œ J

œ.

a

-

œ œ J

œ.

li - en

door

j œ œ

œ.

U

œ

Œ

#œ

and

U

Œ

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~

knocked at eve - ry

∑

P plain, almost no phrasing œ œ œ œ #œ J

Œ

-

to seek

knocked at eve - ry

be - cause I need-ed time to think…

π ? œ

to find

P plain, almost no phrasing œ œ œ

œ

a

a

-

li - en

* p sempre .. œ # œ œ œ œ

œ

door

œ œ œ œ-

be- cause she al-ways want-ed to do

j œ

œ.

knocked at eve - ry

a

-

j œ œ

li - en

(U)

œ

and

(U)

œ ..

this…

œ.

U

Œ

œ

door

œ

and

* Enter one singer at a time (everyone in the section should enter before beat 3) and repeat the notated phrase ad lib, relatively quickly, independent of other singers and the conductor. Tone here should be slightly breathy, quasi-whisper (but still with pitch), the words hazy; sonic texture, not the text, is most important.

204 S. 1

A. 1

T. 1

B. 1

& & V

?

204

S. 2

A. 2

&

œ.

œ

œ J

œ

œ

all

the

œ

œ Uœ

-

wan

#œ.

dered

#œ

œ.

-

B. 2

?

œ J

œ

œ.

œ J

œ œ J

through

œ J

out - er worlds (U)

U

to reach

Œ

Œ

(U) - (U) .. œ œ œ œ œ œ œ œ œ œ œ ..

to re-kin-dle my love with God…

œ #œ

dered

through

all

the

œ

j œ

œ

œ

œ

œ #Uœ

U

U

U

out - er worlds

œ

œ #œ

Œ Œ

œ J

p œ-

the

in

unison, in rhythm

(off on downbeat)

be

œ

to reach

j #œ œ

-

-

ner - most

œ- œ- œ- .

cause I want

to

**

œ J

œ.

the

in

j œ

#œ.

-

-

dered

through

all

the

out - er worlds

. œ œ # œ- œ œ œ .

œ.

wan

-

œ

dered

j œ

through

œ

all

œ

the

œ

œ

(U)

(U)

(U)

(U) .. œ # œ

U

œ

out - er worlds

to reach

œ œ J

ner - most

j œ œ

Œ

in

-

ner - most

**

** œ œ œ œ œ œ œ œ œ ..

be-cause we got

U

the

j œ œ

en - gaged…

to reach

j œ

the

œ.

in

-

44

j 4 # œ- 4

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~ wan

& .. œ œ œ œ V

Œ

~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~ wan

- can - cer… to cel-e-brate beating

T. 2

U

j œ œ

ner - most

This score ** is not licensed for performance. visit times) MusicSpoke.com tosinger purchase performance copies.

At some point (everyone should try to do Please this at different during m. 207, each finishes their phrase and holds their final note until the next measure.

44 44 44 44 44 44

22 208 S. 1 solo

S. 1

4 &4

Davis | Through the Wildernesses of Worlds

poco rit.

∑

F 3 4 œ œ- œ œ- œ&4

shrine at the

A. 1 solo

A. 1

4 &4

∑

P 4 & 4 # w-

live…

T. 1 solo

T. 1

B. 1 solo

B. 1

4 V4

V 44

w

S. 2

A. 2

& 44

T. 2

F3 4 & 4 œ œ œ n œ- œ& 44

∑

& 44 # w V 44

∑

V 44 w

B. 2

? 44

∑

end.

F 3 ? 44 œ œ- œ œ- œ-

I

shrine at the

∑

π j œ ‰ Œ ˙

be

-

∑

π œ ‰ Œ ˙ J

p

Ó

˙

be

-

be - cause I

∏ œ Œ Ó

∑

Ó

œ

œ ˙

cause I

p ˙

be

-

cause

˙.

want

F Œ ˙.

œ

I

F ˙.

œ

I

˙

˙

I

Œ

bœ I

-̇

œ.

œ-

n œ-

to

œ J

to…

˙

to

œ.

œ J to…

w

to

F ˙.

œ

I

œ

˙ œ

bw

to

œ

I

-̇

want

w œ

˙

œ-

to

œ-

œwant

˙

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

˙.

œ J

to…

œ.

œ J

to…

œ.

want

I

want

œ.

want

F ˙.

F ˙.

œwant

I

Œ

œ-

œ J

to…

want

want

w-

œ.

want

w

b˙.

œ-

to

œ-

˙

œ J

to…

want

F Œ ˙.

∑

˙.

w-

want

˙ ∑

œ

Œ

œ.

b˙.

ritard

∑

want,

∑

want

I

bw

œ n˙.

œ

œwant

F Œ ˙.

Œ

cause I

∑

I

want

w

want,

∑

I

∑

œ- b ˙ .

œ

w

bw

˙

œ ˙

∑

I

I

∑

∑

nœ

˙.

œ ∑

p ˙

F ˙.

I

want,

b˙

Ó

∑

want

n ˙- .

∑

Œ Ó

∑

end.

I

want,

∏ œ Œ Ó

end.

w-

nœ

w-

∑

w-

∑

cause I

∑

˙

œ

œ b˙

Slightly faster (Tempo I; q = c. 66)

∑

∑

-

Œ

∑

want,

∑

∏ œ

˙

be

-̇ .

I

˙

p

ritard

∑

∑

n˙

˙

∑

π œ ‰ Œ ˙ J

Ó

∑

be - cause

(-gaged…)

B. 2 solo

π j œ ‰ Œ ˙

∑

(-cer…)

T. 2 solo

∑

poco rit.

shrine at the

A. 2 solo

end.

∑

∑

∏ œ Œ Ó

w-

F œ œ- œ œ-3 œ- # w?4 4 208

∑

be - cause

(God…)

shrine at the

S. 2 solo

∑

be - cause

∑

?4 4

Slightly faster (Tempo I; q = c. 66)

œ J

to…

œ.

œ J to…

œ-

to

Davis | Through the Wildernesses of Worlds

215 S. 1 solo S. 1 A. 1 solo A. 1

&

a tempo; gently fading away

˙.

Œ

Fw

&

w

LIVE…

˙.

&

Œ

F & # w-

T. 1

˙.

V

F V # ˙- .

LIVE…

B. 1 solo B. 1 Ossia *

˙.

?

F ? w?

S. 2 solo S. 2

F

A. 2

Ó

#œ

w

Œ

Ó

#˙

-̇

LIVE…

&

a tempo; gently fading away

˙.

Œ

F & w-

. & ˙

Œ

F & w -

T. 2 solo T. 2

.

V ˙

F V œ

˙.

B. 2 solo

?

B. 2

?

Œ

#œ

F w

* w-

LIVE…

Ossia *

F ? w-

LIVE…

to

-̇

LIVE…

Œ

-̇ .

for

you,

P #˙

#˙.

for

w

you,

w

P #˙

# ˙- .

for

you,

# >œ

kid

œ >

kid

>œ

kid

-

-

#w

w

w

w

w

# ˙- .

>œ

for

you,

kid

w -

w

w

w

Ó

Ó

#w Ó w

P ˙

-̇ .

for

you,

P ˙

-̇

for

P ˙ for

P ˙ for

w

.

you,

w

-̇ .

you,

> œ

kid

#œ >

kid

# >œ

kid

-

-

-

you,

w

w

#w

#w

kid

-

do…

w

w

w

w

w

w

w

∑

U

U

w

∑

U

∑

w

U

∑

w w

o o

U

U

w

U

o

w

U

o

∑

U

∑

U

∑

w

U

U w

w

U

w

o o o

o o

U

do…

#w

U w

U

do…

w # >œ

o

do…

w

w

-̇ .

w

U

U

do…

w

Ó

o

do…

w

P #˙

o

do…

w -

o

do…

w

w

LIVE…

P ˙

w

w

LIVE…

A. 2 solo

Œ

* LIVE…

215

Ó

w

LIVE…

T. 1 solo

Ó

23

∑

o o

o

o o

* As many Choir II basses as possible (ideally, all of them!) sing the low D; those who are unable, sing an octave above it. If no Choir II basses, or not enough to

This score is notbelicensed for performance.

Please to ossia purchase performance sufficiently heard, can sing a low D, all basses invisit bothMusicSpoke.com Choirs sing their respective lines instead, but if the low Dcopies. is acceptably present then ignore ossias.