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The Wayfaring Stranger | SSAA | Keane Southard | MusicSpoke

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Keane Southard

The Wayfaring Stranger for

Solo Female Voice and

a cappella SSAA Choir

(2020) (Duration: c. 5 min.)

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


Program Notes: This setting of the American folk song The Wayfaring Stranger was composed over the course of a week in May 2020 during the COVID-19 pandemic. A few nights after seeing the film “1917” during which a British soldier sings this song to his fellow soldiers before heading into a battle, I had a dream where I was singing the song in a choir, creating this rhythmic, hocketed and hummed accompaniment, reminiscent of African-American work songs, for a soloist who sang the words. I woke up and was intent on recreating this effect by completing a setting of this song. This setting is also inspired by Percy Grainger’s setting of the English folk song “Brigg Fair” for solo high male voice and mixed chorus, particularly in his use of making the choir hum as an accompanist for the soloist singing the words. Keane Southard 2020

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


Performance instructions: 1. On the 2nd and 3rd verses (but not the 1st!), the soloist may add some tasteful ornamentation of the melody, including slightly altering the prosody, if desired. Several ornaments are already written in the notation for these verses and they should be generally followed, but some may be altered or added to but this shouldn’t be overdone. The first verse should be performed as notated, which is the melody in its simplest form without ornamentation. 2. For the 1st verse and the ending, the choir is asked to hum and breathe in rhythm while keeping the mouth closed. This includes an audible inhale lasting a quarter-note before each hummed quarter-note pitch. Each hummed pitch begins with an accented “H” sound. For the other two verses, rhythmic and audible breaths are not necessary and normal breaths should be taken as necessary to maintain a legato texture.

Keane Southard/Spindrift Pages Email: keane.southard@hotmail.com Website: keanesouthard.instantencore.com

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


The Wayfaring Stranger Keane Southard Solo Female Voice

  

q = 52

mp espress.

      

    

I am a

  

poor



way far - ing stran - ger

  

 

a trav - 'lin'

  

SOPRANO 1

Hmm

Hmm

Hmm

Hmm

Hmm

Hmm



Hmm

SOPRANO 2

  



  





  



Hmm

Hmm

Hmm

Hmm

Hmm

Hmm

Hmm

   

   



Hmm

Hmm

Hmm

 

Hmm

Hmm

p closed mouth, audible quarter-note-long inhale through nose before each hummed note

       

ALTO 1

Hmm



Hmm

Hmm





Hmm

Hmm



Hmm



Hmm



Hmm

       Hmm

Piano Reduction (rehearsal only)

6

 Solo  

 

  

      Hmm

Hmm

    



Hmm

Hmm

mp

   

A1

Hmm

Hmm

   

Hmm

sick







Hmm

-







ness, toil or

  

p

Hmm

p



Hmm

Hmm

  

Hmm

   

dan ger



   

Hmm

 

Hmm



 

 

Hmm

 

  

Hmm



Hmm

 

world

Hmm



to which I

   



Hmm

Hmm

Hmm



Hmm

 

   

Hmm

   

Hmm

 

Hmm

go.

I'm go - in'

   

   



Hmm

Hmm

Hmm



Hmm



Hmm



Hmm

 

 

 

 



Hmm

Hmm

  



   

Hmm

Hmm









    

 

Hmm

 

 



Hmm

Hmm

 

Hmm



Hmm

in that fair

Hmm



Hmm



    

Hmm

   p

Hmm

 



      

  

 



Hmm



Hmm

Pno.





p

mp

A2

Hmm

Hmm

mp

   



Hmm

Yet there's no

mp

S2



Hmm

    

woe,

S1

q = 52

   

Hmm

Hmm

p closed mouth, audible quarter-note-long inhale through nose before each hummed note

ALTO 2

this world of

p closed mouth, audible quarter-note-long inhale through nose before each hummed note

       

through

    

p closed mouth, audible quarter-note-long inhale through nose before each hummed note

      

   

  

   

©2020 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.



 


A

2

Solo

  

there

     Hmm

Hmm

Hmm

       

A1

mf



Hmm

A2



Hmm

A

   

-

in' o - ver

      Hmm

Hmm

   



 



Hmm





Hmm

  

Hmm

 

Hmm





Hmm



   

  





     pp

    

  

B

(audible Hmm breath)

pp

 



 

mp

f



(audible Hmm breath)

pp

 



(audible Hmm breath)

 

mp



(audible Hmm breath)

 



Hmm



   

 

    will gath - er

   mf

Hmm p Opened mouth, breathe as needed

Hmm

mp



Hmm

clouds

end audible nose breaths on rests

 Hmm

Hmm

 

mp

  

 

Hmm

 

Hmm

  

   

Hmm

I know dark

pp





Hmm

  

Hmm

I'm on - ly

Hmm

Hmm

p

Hmm



mf espress.

Hmm

 

Hmm

p



Hmm

A tempo

home.

A tempo

in' o- ver Jor dan,

p

Hmm

Hmm

     



Hmm

Hmm

poco rit.



    

Hmm

     

-

p

Hmm

Hmm

go

 

Oo

still hummed, breathe as needed f

p

       

       

mm ... still hummed, breathe as needed f

p

       

        ...

B

   

                         Please visit   This score is not licensed for performance. MusicSpoke.com to purchase performance copies.  





Hmm

Hmm

(q = 40)

rit.



Hmm

Hmm

Pno.

Hmm

Hmm

Hmm

     Hmm

A2

Hmm

    

A1

Hmm



      

I'm on- ly

   

Hmm

Hmm

(q = 40) A tempo pp

 Solo  

S2

 



rit. 17

S1

Hmm

Hmm

     

go



    

    

no more to roam,

  

Hmm





Hmm



Hmm

Pno.

Hmm



Hmm



Hmm

mf

 



there

A tempo

mp

    

Hmm

Hmm



Hmm

Hmm

Hmm

I'm go - in'

  



mf

S2

    

to see my fa - ther,

mf

S1

poco rit.

      

mf

11

  


22

Solo

3

      3

  

'round me,

I know my



 

S1

  way

 

    

  

is rough and

  

Hmm

S2



steep,



   

Yet gold - en

Hmm







fields

Hmm

lie there be

  

    

Hmm

...

mf

 

A1

    

mf

A2

Pno.

        

  

        

 



 

    

mf

     

p

    

 

p



   

mf

     

   

       



     

p

          p

          

  

 

       

q = 46

poco rit.

C  Solo   26



fore

me,

  

S1

 

S2



 

 

Where wea - ry

eyes

          no more will

  

Hmm



  

Hmm

     

     

       

I'm go - in'

there

ff       

 

 

       

 

Pno.

     

   

    

  

I'm

 

  

      



go - in'

I'm







q = 46      







 



  

ff





gradually open mouth to bright, ah, forward "ah" (a la "sacred harp") poco rit.



 

C     

 

gradually open mouth to bright, ah, forward "ah" (a la "sacred harp")

        

to see my

I'm go - in' there

ff

p

     

  

gradually open mouth to bright, ah, forward "ah" (a la "sacred harp") p ff

mf

A2

  

Hmm (ah) gradually open mouth to bright, forward "ah" (a la "sacred harp")

mf A1

weep.



ff



  licensed     for  performance.   This score is not Please visit MusicSpoke.com to purchase performance copies.

I'm



go - in'

go - in'


4

3

30

Solo

      

  



moth - er,

S1





She said she'd

    

S2

there

there

A2

my moth - er

see



there

 



to see

 my

    

      

 

my moth

-



 

moth

-

 

  Solo    Jor - dan,

  

S1

I'm on - ly

go

Hmm

 

S2

-



    

she'd

-

 

said

me

p breathe as needed

Hmm Oo ... fp hummed, breathe as needed p

            



she'd

  

in' o - ver

Hmm

  

 

meet

meet





me

said

she'd

Hmm

mm



p

me

Hmm

          

molto rit.

   



...

accel.

   mm

Slowly

3



 



meet 3

  





A tempo

...

A tempo

  

(q = 46)

       



in' o - ver home.

   p

  

Hmm

           

Hmm

 





She

mp

A1

 

Hmm



me

said



er

-

go

   

fp hummed, breathe as needed p

  

  

 3      3  

        

  

I'm on - ly



fp hummed as before mp





She

poco rit. 34

A tempo (q = 46)

fp hummed

She

er

  

 

  

see

 

there,

Pno.

to

to

  

   

   

 

A1

come.

She said she'd meet

  

Slowly

 mp      

me when I

         

to see my moth er,



    

meet

molto rit.

  

Hmm

Opened mouth



Oo



p Opened mouth, breathe as needed

                       Oo

mp

A2

           

... Opened mouth, breathe as needed p

   

Pno.

  

 

 

          



poco rit.

  

A tempo

 



Oo

 

...

accel.

  

 

 

       

                       This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

 


D

q = 72

39

Solo

(e = 52) molto rit. mp espress.

  

      f

 

mm

...

f

f

mm

mm

f

      

A1

A2

 

           

from eve - ry tri - al,

p hummed, breathe as needed







  

p hummed, breathe as needed



  Solo    ni - al

 

S1

be- neath the sod.



    

A1

  

 

  

 

...

D Tempo I







(q = 52)





 

 



   



 in



      the house of

 

pp

God. pp



  

(e = 60)

pp

   



q = 46

   

I'm go - in'





E 

ff

   

there

to



there

ff



there

to

to

ff



there



to

ff



there

q = 46 E           Pno.                 This score is not licensed for performance. Please visit MusicSpoke.com to purchase  performance copies.

 



     

I'm go - in'

rit.



 

      



         

    



ff

I'm go - in'

pp

pp

 

 

 

I'm go - in'

A2

of self de

p hummed, breathe as needed

and en - ter

I'll drop the cross

 

I'm go - in'

S2

         

...

    

rit. 45

   

...

mm (e = 52)

This form shall rest

p hummed, breathe as needed



molto rit.

q = 72

Pno.

          

free

    

S2

I'll soon be

S1

5

Tempo I (q = 52)

 to

(e = 60)



 

see my


(e = 60)

rit.

6

     

49

  Solo   sav - ior

I'm

     

S1

see

my

   

S2

 

see my

sav

no

 

-



ior,

my sav

 



     

   

 -

ior,

   

 

more to roam,

no

more to roam,

  

 more,

no

more,

no



no

  

   

     

  



pp

 



 

pp

 

 

A1

pp A2

more to roam,

   

 

 

       

Oo p breathe as needed

...

Oo p breathe as needed

...

 

 

Oo

...

p breathe as needed







...

A Tempo

molto rit.

     









     







 

(e = 52)

rit.

 

home.

(mm)

closed mouth, audible quarter-note-long inhale through nose before each hummed note p mp p





Hmm



Hmm



Hmm

  

Hmm

closed mouth, audible quarter-note-long inhale through nose before each hummed note p







 

 

Hmm Hmm Hmm Hmm closed mouth, audible quarter-note-long inhale through nose before each hummed note p p mp





Hmm



Hmm

 

Hmm

  

Hmm

closed mouth, audible quarter-note-long inhale through nose before each hummed note p



Hmm



Hmm



Hmm

 

 

Hmm

(q = 52) rit.               Pno.                       This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

  

Tempo I

(e = 52)

I'm on - ly

close mouth

Hmm

   

  

Oo (e = 60)

         o - ver

   rit.

 

more to roam,

molto rit.

       

go in' o - ver Jor - dan, p breathe as needed

  

no

Hmm

S2

I'm on - ly

more,



in'

pp

S1

no

   

  

more,



roam,

Tempo I (q = 52)

   go

-

no

to

p

      

 

oir,

  

  see

 

-

54

Solo

ior,

 

see my sav

Pno.

-

no more

 

      

A1

A2

go - in' there

sav

    

A Tempo

 


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