Conductor Score
Redemption Mass
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SATB Choir, Wind Quintet, Piano, and Percussion
Julian David Bryson
“Woe to me!” I cried. “I am ruined! For I am a man of unclean lips, and I live among a people of unclean lips, and my eyes have seen the King, the LORD Almighty.” Isaiah 6:5
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Text and Translation I. Kyrie
Kyrie eleison Christe eleison Kyrie eleison
Lord, have mercy. Christ, have mercy. Lord, have mercy.
II. Gloria
Gloria in excelsis Deo. Et in terra pax hominibus bonae voluntatis. Laudamus te. Benedicimus te. Adoramus te. Glorificamus te. Gratias agimus tibi propter magnam gloriam tuam. Domine Deus, Rex caelestis, Deus Pater omnipotens. Domine Fili unigenite, Iesu Christe. Domine Deus, Agnus Dei, Filius Patris. Qui tollis peccata mundi, miserere nobis. Qui tollis peccata mundi, suscipe deprecationem nostram. Qui sedes ad dexteram Patris, miserere nobis. Quoniam tu solus Sanctus. Tu solus Dominus. Tu solus Altissimus, Iesu Christe. Cum Sancto Spiritu, in gloria Dei Patris. Amen.
Glory to God in the highest, and, peace to his people on earth. We worship you, we give you thanks, We adore you, we glorify you. We give you thanks for your great glory. Lord God, heavenly King, God the Father almighty. Lord, the only-begotten Son, Jesus Christ. Lord God, Lamb of God, Son of the Father You who takes away the sins of the world, Have mercy upon us. You who takes away the sins of the world, Receive our prayer. You who sits at the right hand of God the father, Have mercy on us. For you alone are holy. You alone are the Lord. You alone are the highest, Jesus Christ With the Holy Spirit in the glory of God the Father. So be it.
III. Credo
Credo in unum Deum. I believe in one God, Patrem omnipotentem, factorem caeli et terrae, The Father almighty, maker of heaven and earth, visibilium omnium et invisibilium. And of all things visible and invisible; Et in unum Dominum Jesum Christum, And in one Lord, Jesus Christ, Filium Dei unigenitum, Only begotten Son of God, Et ex Patre natum ante omnia saecula. Begotten of his Father before all ages. Deum de Deo, lumen de lumine, God from God, light from light, Deum verum de Deo vero. True God from true God, Genitum, non factum, Begotten, not made, consubstantialem Patri: Of one substance with the Father, per quem omnia facta sunt. By Whom all things were made. Qui propter nos homines et propter nostram salutem Who for us and for our salvation descendit de caelis. descended from the heavens. Et incarnatus est de Spiritu Sancto And was made flesh by the Holy Spirit ex Maria Virgine: et homo factus est. of the Virgin Mary, and was made man. Crucifixus etiam pro nobis sub Pontio Pilato: Crucified also for us under Pontius Pilate: passus, et sepultus est. Suffered, and was buried. Et resurrexit tertia die, And he rose the third day, Et ascendit in caelum: And ascended into Heaven; sedet ad dexteram Patris. He sits at the right hand of the Father, Et iterum venturus est cum gloria And will come again with glory judicare vivos et mortuos: To judge the living and the dead, Cujus regni non erit finis. Of Whose kingdom there will be no end. Et in Spiritum sanctum Dominum, And in the Holy Spirit, Lord, et vivificantem: And Life-giver, Qui ex Patre, Filioque procedit. Who from the Father and Son proceeds, Qui cum Patre, et Filio simul adoratur, Who with Father and Son, together is adored et conglorificatur: And glorified, Qui locutus est per Prophetas. Who spoke through the prophets, Et unam, sanctam, catholicam And one holy, catholic, et apostolicam Ecclesiam. and apostolic church. Et expecto resurrectionem mortuorum And I expect the resurrection of the dead, Et vitamPlease venturi And lifetotopurchase come of age. This score is not licensed for performance. visitsaeculi. MusicSpoke.com performance copies. Amen. So be it.
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IV. Sanctus
Sanctus, Sanctus, Sanctus, Dominus Deus Sabaoth. Pleni sunt coeli et terra gloria tua. Osanna in excelsis. Benedictus qui venit in nomine Domini. Osanna in excelsis.
Holy, holy, holy Lord God of Hosts. Heaven and earth are full of your glory. Hosanna in the highest. Blessed is he who comes in the name of the Lord. Hosanna in the highest.
V. Agnus Dei
Erwäge, wie sein blutgefärbter Rücken In allen Stücken Dem Himmel gleiche geht, Daran, nachdem die Wasserwogen Von unsrer Sündflut sich verzogen, Der allerschönste Regenbogen Als Gottes Gnadenzeichen steht! Agnus Dei, qui tollis peccata mundi, miserere nobis. Agnus Dei, qui tollis peccata mundi, dona nobis pacem.
Consider, how His blood-stained back in every aspect is like Heaven, in which, after the watery deluge was released upon our flood of sins, the most beautiful rainbow as God's sign of grace was placed! Lamb of God, who take away the sins of the world, have mercy on us. Lamb of God, who take away the sins of the world, grant us peace.
Praise God from Whom all blessings flow! Praise Him, all creatures here below. Praise Him above, ye Heavenly hosts. Praise Father, Son, and Holy Ghost. Amen!
Winner, 2013 American Choral Directors Association Brock Student Composition Competition
Gloria and Credo premiered by the University of Louisville Cardinal Singers at the 2013 ACDA National Conference under the direction of Dr. Kent Hatteburg
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Kyrie and Sanctus premiered by the University of Kentucky Chorale, April 20, 2012 under the direction of Dr. Jefferson Johnson, conducted by the composer.
I. Kyrie
Julian David Bryson
h = 40
A.
T.
0
S.
S.
B.
Fl
1 (Lord, have mercy.)
Solo
mf Ky - ri - e,
Ky - ri - e,
Ky - ri - e,
e
Ob
Cl
Hn
Bsn
Pno
P1
Bowed Vibraphone
P2
mp
Chimes Please visit MusicSpoke.com to purchase This score is not licensed for performance. performance copies. P3
SC
h = 40
This part can be played by a singing member of the choir, if they are capable of mild multi-tasking (singing and cymbal rolling). © Copyright 2008 Julian David Bryson All Rights Reserved. Licensed through MusicSpoke.com. License is non-transferrable. Director should have a copy of the license to legally use this music. All Rights Reserved. Use without a license is stealing and is ILLEGAL.
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6
4
S.
p
Ky - ri - e,
e
Ky - ri - e,
Ky - ri - e,
-
e
le - i - son,
-
Ky - ri - e,
e
-
le - i - son,
Cl
p
Hn
Pno
p
p
To B.D.
P2
ThisP3score is not for performance. Please licensed visit MusicSpoke.com to purchase performance copies.
SC
le - i - son,
Ob
P1
T.
Bsn
Ky - ri - e,
Ky - ri - e,
-
Ky - ri - e,
Ky - ri - e,
A.
Fl
p
le - i - son.
B.
Ky - ri - e,
S.
p
7
p 9
9
S.
Ky - ri - e,
S.
T.
B.
Fl
Bsn
Ky - ri - e,
Ky - ri - e,
Ky - ri - e,
Ky - ri - e,
Ky - ri - e,
-
le - i - son,
Ky - ri - e,
e
Ky - ri - e,
e
-
le - i - son,
Ky - ri - e,
e
-
le
Ky - ri - e,
e
-
le
e
-
le
i - son,
e -
i - son,
e -
-
-
Ky - ri - e,
i - son,
e -
-
p
p
p
9
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Pno
P2
P1
Ky - ri - e,
p
Hn
Ky - ri - e,
p
Cl
p
p
Ob
Ky - ri - e,
Ky - ri - e,
A.
8
13
S.
le
S.
le
A.
B.
le
le
Fl
Ob
Cl
Hn
Bsn
Pno
P1
P2
-
le
T.
-
i - son,
e
i - son,
e
-
i - son,
-
-
e
e
i - son,
e
-
-
-
i - son,
-
le
le
le
le
-
i - son,
i - son,
-
i - son,
-
le
e - le
i - son,
e - le
e - le
i - son,
-
e - le
-
e - le
-
-
-
-
-
-
i - son.
pp
pp
pp
pp
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pp
i - son.
pp
i - son.
pp
i - son.
pp
i - son.
pp
9
(Christ have mercy.) 16
S.
S.
A.
16
pp
Chris pp
(leave out notes that are too low) Chris pp
T.
Chris - te, pp
B.
Chris
Chris - te,
Fl
Chris
pp
Ob
Cl
Hn
pp
Bsn
pp
Pno
P1
P2
-
te,
-
-
-
te,
-
le - i - son.
e
-
le - i - son.
e
-
le - i - son.
p
p
p
p
le - i - son.
-
e
le - i - son.
Chris - te
e
Chris - te
-
Chris - te
te,
e
Chris - te
te,
pp
pp
Chris te, Chris - te (leave out notes that are too low) pp
(leave out notes that are too low)
p
for performance.Pleasevisit MusicSpoke.comto purchaseperformance copies. ThisP3score is not licensed
SC
mp
16
10
mp
20
S.
Chris - te, mp
S.
Chris - te,
A.
Chris - te,
T.
B.
Fl
Cl
-
te,
-
te,
Chris mp
Chris
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te,
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te,
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te,
Bsn
mp
Pno
P1
P2
Chris
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te
e
te
-
e
Chris
le - i - son,
Chris
-
Chris
-
e
te
-
-
-
e
te
-
le - i - son, mf
Chris
e
-
-
le - i - son,
mf
mf
mf
mf
-
le - i - son,
performance copies. for performance. Please visit MusicSpoke.com to purchase ThisP3score is not licensed SC
Chris
-
Chris
te
-
le - i - son, mf
mf
mp
Hn
Chris
mf
mp
Ob
Chris mp
Chris
Chris - te,
Chris
Chris - te, mp
mp
mf
11
24
S.
-
S.
T.
B.
Fl
te,
mf
-
Chris
-
Chris
-
A.
te,
mf
te,
mf
-
Chris
-
Chris - te,
te,
Chris
-
te,
Chris
-
te,
Chris
mf
Cl
Bsn
Pno
P1
mf
mf
P2
te
te
e
Chris
e
-
te
-
le - i - son,
-
le - i - son,
e - le - i - son,
mf
le - i - son,
mf
mf
-
mf
Hn
e
mf
Ob
-
te
Chris - te,
rit.
mf
S.C.
for performance. copies. ThisP3score is not licensed Pleasevisit MusicSpoke.com to purchase performance
SC
mf
f
12
f sempre 27
S.
27 h = 35
Ky - ri - e,
Ky - ri - e,
f sempre
S.
Ky -- ri - e, f sempre
Ky -- ri - e,
Ky - ri - e,
Ky - ri - e,
A.
Ky
f sempre
T.
- ri - e,
B.
Fl
Hn
Bsn
Pno
P1
f
P2
B.D.
sempre
f
e
Ky - ri - e,
e
-
-
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SC
27 h = 35
le - i - son.
le - i - son.
le - i - son.
le - i - son.
-
sempre
f sempre
le - i - son.
-
e
sempre
e
Ky - ri - e,
sempre
f
-
sempre
f
f
f
e
Ky - ri - e,
f
Cl
Ky - ri - e,
Ky - ri - e,
Ob
Ky - ri - e,
Ky - ri - e,
Ky - ri - e,
f sempre
13
31
S.
Ky
Ky
Ky
-
Ky - ri - e,
-
ri - e,
Ky
Ky - ri - e,
e -
Ky
Hn
Bsn
e,
Cl
To S.C.
e -
-
ri
-
Ky - ri - e
e -
mp
-
Ky - ri - e
Restrike individual notes periodically as they die away.
e
Ky - ri - e
Ob
Pno
ri - e,
Ky - ri - e,
Ky
-
Ky - ri - e,
Ky - ri - e,
ri - e,
Ky - ri - e,
T.
ri - e,
A.
Fl
-
S.
B.
-
ri
-
e
e
-
for performance. ThisP3score is not licensed Please visit MusicSpoke.com to purchase performance copies.
P1
P2
To S.D.
To Vibraphone
SC
14
S.
34
le - i - son.
S.
e
B.
e
e
le - i - son,
-
-
e
le - i - son.
Fl
le - i - son,
le - i - son,
T.
-
- le - i - son,
A.
e
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-
le - i - son,
le - i - son,
le - i - son,
le - i - son,
e
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le
e
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le
e
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le
e
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le
e
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le
-
i - son,
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i - son,
e
e
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-
le - i - son.
le - i - son.
i - son,
i - son,
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i - son,
e
e
e
-
-
-
le - i - son.
le - i - son.
le - i - son.
Ob
Cl
Hn
Bsn
Pno
P1
P2
pp
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SC
15
38
S.
38
solo p
S.
Chris
B.
Fl
te
p
solo
tutti
solo
solo p
tutti
e
-
Ky - ri - e
tutti
e
tutti
-
-
le
i
-
so
-
(n).
pp
-
e
-
Ky - ri - e
le
-
i
-
so
-
(n).
le -
i
-
so
-
(n).
pp
Chris - te
Attaca
pp
pp
e
p
T.
-
A.
Ky - ri - e solo p
tutti
e
-
le -
le
i
-
i
-
so
-
pp
-
so
-
(n).
(n).
Ob
Cl
Hn
Bsn
Pno
P1
Bowed Vibraphone
P2
mp
for performance. Please visit MusicSpoke.com ThisP3score is not licensed to purchase performance copies.
SC
mp
38
16
(pp)
(-son)
42
S.
II. Gloria
h = 70
(-son) (pp)
S.
(-son) (pp)
A.
(-son) (pp)
T.
(pp)
B.
(-son)
Ob
Cl
Hn
Fl
Bsn
Pno
P1
p
p
S.D.
pp
P2
licensed for performance. ThisP3score is not to purchase Please visit MusicSpoke.com performance copies.
SC
h = 70
© Copyright 2008 Julian David Bryson © Copyright 2008 Julian David Bryson All Rights Reserved. Licensed through CadenzaOne.com. License is non-transferrable. Director should have a copy of the license to legally use this music. All Rights Reserved. Use without a license is stealing and is ILLEGAL.
17
45
S.
S.
A.
T.
B.
Fl
Ob
Cl
Bsn
Pno
P1
p
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SC
p
P2
p
p
Hn
18
48
S.
S.
A.
T.
B.
Fl
Ob
mf
mf
Cl
mf
Hn
Bsn
mf
mf
mf
Pno
P1
mf
Sus Cym
pp
P2
f
ThisP3score is not Please visit MusicSpoke.com to purchase performance copies. licensed for performance.
SC
p
19
S.
A.
52
S.
52 (Glory in the highest to God.)
p
Glo - ri - a,
T.
B.
Fl
p
glo - ri - a,
glo - ri - a
in ex - cel - sis De - o.
glo - ri - a,
Glo - ri - a,
Glo - ri - a,
glo - ri - a,
glo - ri - a
Ob
Cl
Hn
Bsn
Pno
P1
sost
To B.D.
P2
pp
f
performance copies. for performance. Please visitMusicSpoke.com ThisP3score is not to purchase licensed
SC
mp
52
20
S.
A.
55
S.
T.
B.
Fl
glo - ri_a in ex - cel - sis De - o.
p
Glo - ri - a,
Glo - ri - a,
glo - ri - a,
Glo - ri - a,
in ex - cel - sis De - o.
glo - ri - a,
glo - ri - a,
glo - ri_a in ex - cel - sis De - o.
glo - ri - a
glo - ri - a
in ex - cel - sis De - o.
in ex - cel - sis De - o.
Ob
Cl
Hn
Bsn
Pno
P1
P2
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SC
21
58
S.
S.
A.
T.
B.
Fl
mp
Glo
-
ri
-
a
Glo - ri - a,
Glo - ri - a,
Glo - ri - a,
in
glo - ri - a,
glo - ri - a,
glo - ri - a,
ex
-
cel
-
sis
De
glo - ri_a in ex - cel - sis
glo - ri
glo - ri - a
-
-
o.
De
-
o.
a
in ex - cel - sis
De
in ex - cel - sis
De
-
-
o.
o.
Ob
Cl
Hn
Bsn
Pno
P1
P2
performance ThisP3score is not copies. licensed for performance. Please visit MusicSpoke.com to purchase
SC
22
mp
60
S.
Glo
S.
A.
-
ri - a
in
Glo - ri - a
Glo - ri - a,
T.
B.
Fl
Ob
Cl
Glo - ri - a,
in
glo - ri - a,
glo - ri - a,
ex - cel
ex
glo - ri - a,
Glo - ri - a,
62
-
cel
-
(And on earth, peace to
mf
-
sis
mf men of good will.)
sis De - o.
et in ter - ra pax
De - o.
et in ter - ra pax
mf
glo - ri_a in ex - cel - sis De - o.
glo - ri - a
glo - ri - a
et in ter - ra pax
mf
in ex - cel - sis De - o.
mf
in ex - cel - sis De - o.
Bsn
mf
mf
mf
mf
mf
B.D.
mf
mf
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Pno
P2
P1
mf
Hn
p
mf
62
23
bo - nae vol - un - ta - tis,
bo - nae vo - lun - ta - tis,
63
S.
et in ter - ra pax ho - mi - ni - bus
S.
et in ter - ra pax ho - mi - ni - bus
A.
bo - nae vol - un - ta - tis,
bo - nae vol - un - ta - tis,
et in ter - ra pax ho - mi - ni - bus
T.
B.
Fl
Ob
Cl
Hn
Bsn
Pno
P1
bo - nae vo - lun - ta - tis,
f
f
f
f
ThisP3score is not Please visit MusicSpoke.com to purchase performance copies. licensed for performance.
SC
f
P2
bo - nae vo - lun - ta - tis,
f
24
f
66
S.
Glo - ri - a!
S.
B.
Fl
f
mf
mf
Hn
mf
mf
mf
Depress keys silently, then depress sostenuto pedal.
Pno
sost
f
P2
p
mf
mf
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SC
A - do-
f
Cl
P1
te, be - ne - di - ci - mus te.
Ob
Bsn
Lau - da - mus te, lau - da - mus te, lau - da - mus
Glo - ri - a! f
T.
p
f
Glo - ri - a!
A.
67
S.C.
67
mf
mp
25
69
S.
ra muste,
A - do-ra muste,
a - do-ra muste
Glo - ri fi ca
-
mus te, Gra ti as
S.
A.
a gi mus
B.
Fl
Ob
Cl
Hn
Bsn
p
A do ra muste,
A do ra muste,
mp
a do - ra muste, glo ri fi ca muste.
a gi mus
ti -
Gra ti as
a gi mus
Pno
P1
ti - bi.
Gra ti as
T.
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P2
SC
26
72
S.
S.
- bi.
T.
B.
Fl
Cl
Hn
Gra - ti - as a gi - mus ti - bi.
Prop - ter
Gra - ti -as mp
mag
mag
-
Gra - ti - as
-
nam
a - gi - mus
Prop - ter
ti - bi.
nam
Gra - ti - as a gi - mus ti - bi.
glo - ri - am
ti
-
bi.
tu - am.
Gra - ti - as a gi - mus ti - bi.
glo - ri - am
tu - am.
a - gi - mus
ti - bi.Gra - ti - as a gi - mus ti - bi.
mp
P2
a - gi - mus
mp
ti - bi.Gra - ti - as a gi - mus ti - bi.
Pno
P1
Gra - ti - as
Ob
Bsn
Gra - ti - as a gi - mus ti - bi.
A.
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SC
27
75
S.
Gra - ti - as
S.
A.
Prop
T.
B.
Fl
Gra - ti - as
mag
-
-
ter
mag
-
-
bi.
nam
glo
ti
nam
a - gi - mus
Hn
Bsn
P1
P2
bi.
ri
gi - mus ti
-
am
bi.
tu -
am.
ri
a - gi - mus ti
-
am
-
tu -
bi
am.
a
gi - mus ti
-
bi
mf
performance copies. ThisP3score is notlicensed for performance. Please visit MusicSpoke.com to purchase
SC
-
Gra - ti - as
-
a
Pno
-
ti - bi, Gra - ti - as
mp
Cl
-
glo
Gra - ti - as
-
a - gi - mus
Gra - ti - as
ti
Ob
a - gi - mus
Prop - ter
-
e=e
e=e
28 q. q + q q
77 f
77 (Lord God, King of Heaven.)
S.
Do - mi - ne
De - us,
f
S.
Do - mi - ne
f
A.
Do - mi - ne
Do - mi - ne
B.
Fl
De - us,
Do - mi - ne
De - us,
coe - les - tis,
Do - mi - ne
Rex
coe - les - tis,
Do - mi - ne
coe - les - tis,
Do - mi - ne
Rex
Rex
De - us,
De - us,
Rex
coe - les - tis,
De - us,
Rex
coe - les - tis,
De - us,
SC
77 q. q + q q
f
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f
Rex
coe - les - tis,
Rex
coe - les - tis,
coe - les - tis,
f
Rex
De - us,
f
Do - mi - ne
f
coe - les - tis,
Do - mi - ne
Rex
coe - les - tis,
P2
f
P1
Rex
Pno
f
De - us,
f
Bsn
De - us,
f
Hn
Cl
f
Ob
f
T.
29
S.
rit. (God, Father, Almighty.)
mp
mp De - us Pa - ter om - ni - po - tens.
p
De - us
Pa - ter
om
Pa - ter
om
mp
-
-
ni - po - tens.
ni - po - tens. mp
A.
De - us
T.
B.
Pa - ter
Cl
ni - po - tens
Do - mi - ne
om
-
ni - po - tens.
mp
mp
mp
p
mp
p
p
sost
p
rit.
S.C. qq + q q + q q
p
p
p
mp
84
h = 70 mf
ThisP3score is not performance copies. licensed visit MusicSpoke.com topurchase for performance. Please SC
Pa - ter
mp
Pa - ter
mf
P2
De - us
Pno
Hn
P1
-
Ob
Bsn
om
mp
De - us
Fl
84 h = 70
De - us
S.
qq+qq+qq
81
30
85
S.
S.
A.
(Lord, Son, only begotten, Jesus Christ.)
om - ni - po - tens, Do-mi - ne, (cresc.)
T.
B.
Fl
Do- mi - ne
fi - li
fi - li
un - i - gen- i - te
un - i - gen -i - te
Je - su Chris - te.
Je
-
su Chris - te.
Cl
Hn
Pno
P1
Ob
Bsn
p
Perc1
visit licensed ThisP3score is not for performance. Please MusicSpoke.com to purchase performancecopies.
SC
31
(Who takes away sins of the world...)
88
S.
S.
(Lord God, Lamb of God, Son of the Father.) (cresc.)
A.
Do mine (cresc.)
T.
B.
Fl
De-us
tol - lis
(cresc.)
De - us
(cresc.)
Agnus
De - i Fi - li us Pa - tris.
Domine
Fi - li us Pa - tris. Do mine
AgnusDei Fi li us Pa - tris. (cresc.)
AgnusDe - i
De us
De us
Pa - ter
Do mi ne
De - us
Pa -
Hn
mp
Perc1
licensed ThisP3score is not to purchase performance copies. for performance. Please visit MusicSpoke.com SC
De us
Do mi ne
Qui
(cresc.)
Cl
P1
Ob
Pno
Domine
mp
mp
Bsn
mp
32
(cresc.)
91
S.
pec - ca - ta mun - di.
S.
mp
-
om ni - po tens, Do mi ne (cresc.)
(cresc.)
B.
- ter
Fl
Cl
P1
ni - po tens,
Do mi ne
Do- mi - ne
mun - di.
un - i gen i - te
Je su Chris - te.
un-i gen - i
-
te
Je
-
su
Chris - te.
fi - li
un - i - gen i - te
Je - su
Chris - te.
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mun - di.
pec - ca - ta
fi - li
fi - li
pec - ca - ta
Perc1
tol - lis
Pno
-
Hn
Bsn
om
Ob
ni - po tens,
(cresc.)
Pa - ter om
T.
tol - lis
Qui
A.
Qui
33
(cresc.)
94
S.
Qui
Qui
(cresc.) Do-mi-ne
T.
B.
Fl
Ob
Cl
Bsn
Pno
P1
Perc1
De - us
Do - mi - ne
pec - ca - ta mun - di.
pec - ca - ta mun - di.
Ag-nus De-i Fi-li -us Pa - tris.
Ag nus De - i
Fi
-
li -us Pa - tris.
Ag nus
De - i Fi
-
li -us Pa - tris.
mf
Mi - se - re - re,
mf
Mi - se - re - re,
mf
Mi - se - re mf
re,
Mi - se - re - re,
mf
mf
mf
mf
mf
mf
mf
licensed ThisP3score is not performance copies. for performance. Please visit MusicSpoke.com to purchase SC
re,
Mi - se - re mf
mf
De - us
De - us
Hn
Do-mi-ne
(cresc.)
tol - lis
(cresc.)
A.
tol - lis
(cresc.)
S.
96 (...have mercy on us.)
To Cym.
96
34
re,
97
S.
Mi - se - re
S.
A.
-
Mi - se - re
-
Mi - se - re
-
Cl
Hn
Pno
P1
Perc1
-
Ob
Bsn
re,
Mi - se - re
Fl
re,
Mi - se - re re,
T.
B.
(Who takes away sins, receive our supplication.)
re,
no - bis.
no - bis.
p
mp
p
mf
Qui tol - lis
pec - ca - ta
p
p
mp
su - sci - pe mf
Qui tol - lis
pec - ca - ta
p
p
mp
su - sci - pe mf
no - bis. Qui tol - lis mp (falsetto) p
pec - ca - ta p
su - sci - pe mf
no - bis.
pec - ca - ta p
su - sci - pe mf
pec - ca - ta
su - sci - pe
no - bis.
Qui tol - lis p mp (falsetto)
Qui tol - lis
q=q
qqq+qqq
de - pre - ca - ti -
p
de - pre - ca - ti -
p
de - pre - ca - ti p
de - pre - ca - ti p
de - pre - ca - ti -
To Chimes ThisP3score is not licensed Please to purchase for performance. visitMusicSpoke.com performance copies. Crash Cymbals
SC
p
q=q
qqq+qqq
35
q=q
103
S.
o
S.
o
o
o
T.
nem
-
nem
-
nem
Qui
nos - tram.
Qui
nos - tram.
Qui
nos - tram.
Qui
se - des
ad
dex - te - ram
se - des
ad
dex - te - ram
ad
dex - te - ram
f
f
se - des
f
f
Perc1
f
f
f
mf
f
f
mf
licensed ThisP3score is not performance Please visit MusicSpoke.com copies. to purchase for performance.
SC
Chimes
S.C.
f
q=q
Qui
Pa - tris
f
Qui
Pno
Pa - tris
f
Qui
Qui
f
Pa - tris
nos - tram.
Hn
Cl
P1
-
nos - tram.
f
Ob
Bsn
nem
o
Fl
-
nem
A.
B.
-
(Who sits at the right hand of the Father, have mercy on us.) e = e q. q q + q q q. q + q q
p
e = e
f
q. q q + q q
q. q + q q
f
36
S.
no - bis,
se - des ad dex - te - ram
S.
se - des ad dex - te - ram
A.
se - des ad dex - te - ram
T.
B.
Fl
P1
Pa - tris mi - se
-
-
re - re
re - re
re - re
Hn
Pno
Pa - tris mi - se
-
Cl
Bsn
Pa - tris mi - se
Ob
Perc1
mf
q q + qq+qq
rit.
106
no - bis,
mp
no - bis. mp
mp
no - bis,
no - bis.
mp
mp
mp
mp
SC
mf
mp
rit.
f
mp
f
mp
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mp
f
mp
q q + qq+qq
mp
37
(For Thou alone art holy.) 111
S.
111 q = 80 q q q + q q
S.
A.
(For Thou alone art Lord.)
mp
Quo - ni - am, mp
quo - ni - am tu so - lus Sanc - tus Quo - ni - am,
T.
B.
Fl
mp
Ob
Cl
Hn
Quo - ni - am,
quo - ni - am tu
so - lus Sanc - tus
quo - ni - am tu
mp
mp
licensed for performance. ThisP3score is not Please visit copies. MusicSpoke.com to purchase performance
Bsn
Pno
P1
Perc1
mp
111 q = 80 q q q + q q
SC
38
114
S.
B.
Fl
tis - si - mus,
Quo - ni - am, quo - ni - am tu sol - us,
tu sol - us,
tis - si - mus,
Al-
ff
tu sol - us,
Al
mf
Al
-
mf
Quo - ni - am, quo - ni - am tu sol - us,
Al
mf
Al
-
tis - si - mus,
Al-
ff
-
tis - si - mus, Al -
ff
-
tis - si - mus, Al -
mf
Hn
Pno
Perc1
ff
mf
mp
ff
mf
ff
mf
ff
mf
mf
ff
ff
B.D. f
S.C. rit.
mf
q q + qq q
f
ff
performance ThisP3score is not Please visit MusicSpoke.com to purchase copies. licensed for performance. SC
Al-
Cl
P1
-
Ob
Bsn
Al
ff
so - lus Do - mi - nus
T.
tu sol - us,
mf
(Most High, Jesus Christ!) ff
Quo - ni - am, quo - ni - am tu sol - us,
A.
q q + qq q
S.
rit.
mf
39
119
S.
ti- si-mus,
S.
A.
Al - tis - si-mus!
ti- si-mus,
Al - tis - si-mus!
ti- si-mus,
T.
B.
Fl
Al - tis - si-mus!
ti- si-mus,
Al
ti- si-mus,
Al
-
-
tis - si-mus!
tis - si-mus!
Ob
Cl
Hn
Bsn
Pno
P1
Perc1
sub. p 122 h = 70
Je - su Chris
-
sub. p
Je - su Chris
-
p
p
SC
S.C.
f
-
-
te,
Je - su Chris
-
sub. pp
ThisP3score is not licensed to purchase performance copies. for performance. Please visit MusicSpoke.com
Je - su Chris
Je - su Chris
sost fff
te,
te,
-
p
f
Je - su Chris
sub. p
te,
sub. pp
122 h = 70
fff
40 (cresc.)
(With the Holy Spirit in the glory of God, Father.)
123
S.
S.
A.
T.
B.
te, in ex cel - sis De - o,
Je suChris - te,
Cl
Pno
P1
te,
in ex cel - sis De - o,
sanc to,
cum
cum
sanc to,
cum
sanc to,
cum
Je suChris - te,
Je suChris
-
sanc to in ex cel - sis De
o,
sanc to in ex cel - sis De
o,
te,
in ex cel - sis De - o,
mp
Perc1
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SC
Hn
Bsn
-
sanc to,
Cum mp
Je suChris
Je suChris - te,
Je suChris - te,
Ob
mp
Cum (cresc.)
te, in ex cel - sis De - o,
Fl
41
126
S.
(cresc.)
(So be it.)
Je - su Chris - te,
S.
mf In
(cresc.)
A.
In
(cresc.)
T.
glo - ri - a
Cum
sanc- to,
glo - ri - a
Fl
Ob
cum
sanc- to,
De - i
Hn
Bsn
Pno
P1
Perc1
tris,
-
-
(cresc.)
(cresc.)
f
f
SC
f
licensed ThisP3score is not performance copies. for performance. Please visit MusicSpoke.com to purchase
A-
A-
A - men,
A - men,
A-
in ex -cel - sis De - o,
A - men,
te,
in ex -cel - sis De - o,
A-
(cresc.)
A - men,
in ex -cel - sis De - o,
A-
tris,
A - men,
sanc -to in ex -cel - sis De - o,
in ex -cel - sis De - o,
(cresc.)
Je -su Chris
cum
Pa
mf
Cl
te,
-
Je - su Chris - te,
-
Pa
Je - su Chris - te,
Je -su Chris
De - i
(cresc.)
B.
Je - su Chris - te,
(cresc.)
42
ff
129
S.
men,
A -
ff
S.
men,
A -
A.
men!
men! f
men!
T.
B.
Fl
men!
Ob
men!
Glo- ri - a,
f
Glo- ri - a,
glo ri a,
glo ri a,
Hn
fff
f
Bsn
Pno
P1
Perc1
f
f
sost
mp
f
in ex cel - sis De - o.
glo- ri - a
in ex cel - sis De - o.
glori_a in ex cel - sis De - o.
fff
ff
fff
glo ri - a
ff
f
in ex cel - sis De - o.
fff
glo - ri - a,
Glo ri a, f
ff
Cl
fff
in ex cel - sis De - o.
ff
ff
ff
ff
ff fff`
fff
ff
fff
ToGlock. ThisP3score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. SC
ff
f
ff
fff
fff
43
169
S.
S.
A.
T.
B.
Fl
q. = 80
f
q. q. + q q (I believe in one God.)
Cl
Bsn
Pno
P1
Perc1
-
um,
Cre -do in u - num De
f
f
To Tri.
f
f
um,
Tri.
q. q. + q q
Cre-do in u - num
f
Glockenspiel
SC
-
S.D.
q. = 80
f
Please visit MusicSpoke.com performance ThisP3score is not to copies. licensed purchase for performance.
De
f
f
f
f
f
f
Hn
Cre-do in u - num
Cre -do in u - num De- um,
q. q.
f
f
Ob
Cre -do in u - num De- um,
III. Credo
q. q.
© Copyright 2008 Julian David Bryson © Copyright 2008 Julian David Bryson All Rights Reserved. Licensed through CadenzaOne.com. License is non-transferrable. Director should have a copy of the license to legally use this music. All Rights Reserved. Use without a license is stealing and is ILLEGAL.
44
174
S.
S.
A.
Cre- do in
Cre - do in u - num mp
Cre - do in
u - num De
Cre - do in u - num De
mp
B.
De
Fl
Cl
Bsn
-
um,
um,
mp
Cre - do in u - num De- um, Cre - do in u - num De - um,
f
f
sub. mf
f
sub. mf
sub. mf
sub. mf
f
f
sub. mf
mp
f
To Vibraphone
SC
mp
f
performance Please to purchase MusicSpoke.com ThisP3score is not copies. licensed visit for performance.
sub. mf
mp
f
Cre - do in u - num De- um, Cre - do in u - num De - um,
f
f
De - um,
mp
Cre - do in u - num De- um, Cre - do in u - num De - um,
De - um,
mp
f
De - um,
Cre - do in u - num De- um, Cre - do in u - num De - um,
Perc1
De
f
P1
um,
um,
q. q q
Cre - do in u - num De- um, Cre - do in u - num De - um,
um,
Pno
-
-
mp
Hn
-
De
mp
Ob
-
-
f
u - num De - um,
mf
mp
T.
q. q. q.
mf
f
q. q. q.
q. q q
45
(Maker of heaven and earth,)
S.
181 q. q. + q q
(Father almighty,)
179
Pa -trem om- ni - po- ten - tem, Pa- trem om - ni -po - ten - tem,
S.
Pa -trem om- ni - po- ten - tem, Pa- trem om - ni -po - ten - tem,
A.
sub. p
fac - to - rem coe - li et ter - rae,
Pa -trem om- ni - po- ten - tem, Pa- trem om - ni -po - ten - tem,
Pa -trem om- ni - po- ten - tem, Pa- trem om - ni -po - ten - tem,
Fl
Pa -trem om- ni - po- ten - tem, Pa- trem om - ni -po - ten - tem,
Ob
sub. mp
Cl
sub. mp
Bsn
sub. mp
Perc1
sub. p
sub. p
sub. p
sub. pp
SC
sub. pp
sub. pp
ThisP3score is not for performance. Please visit MusicSpoke.com licensed to purchase performance copies.
sub. pp
sub. p
sub. mp
Pno
P1
sub. mp
Hn
fac- to -rem coe - li et ter - rae,
T.
B.
181 q. q. + q q
46
(of all things visible and invisible.)
183
S.
Fl
Vi - si - bi - li - um om - ni - um,
et
Et
SC
mp
mp
mp
ThisP3score is not for performance. Please visit MusicSpoke.com to purchase performance copies. licensed
mp
sum Christum,
mp
p
Perc1
Je mp
mp
Je - sum Christum,
Pno
in u - num Do - mi - num,
in u - num Do - mi - num,
mp
Hn
in - vi - si - bi - li - um.
in u - num Do - mi - num,
Et
Cl
P1
mp
Ob
Bsn
T.
p
A.
mp
Et
S.
B.
(And in one Lord, Jesus Christ,)
47 (Only begotten Son of God.)
187
S.
p
Fi - li - um De - i
B.
ex Pa - tre
Fi - li - um De - i u - ni - ge ni tum. Et ex Pa - tre na - tum an - te om - ni sae - cu - la. p
p
u - ni - ge ni tum. Et
u - ni - ge ni tum. Et
om - ni sae - cu - la.
na - tum an - te
om - ni sae - cu - la.
p
Pno
na - tum an - te
p
Bsn
ex Pa - tre
om - ni sae - cu - la.
p
Hn
ex Pa - tre
na - tum an - te
p
Cl
u - ni - ge ni tum. Et
p
Ob
om - ni sae - cu - la.
Fi - li - um De - i
Fl
na - tum an - te
Fi - li - um De - i p
T.
ex Pa - tre
Fi - li - um De - i
A.
u - ni - ge ni tum. Et
q. + q q
p
S.
(And born of the Father before all ages.)
187 q. q.
p
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Perc1
P1
S.C.
pp
To Chimes
p
SC
187 q. q.
q. + q q
To S.D. choke
mf
48 q. q.
S.
S.
A.
T.
q.. q. q. (light from light,)
q. q. (true God from true God.)
192
mf sempre (God from God,)
De-um de De - o, De-um de De - o, mf sempre
Lu-men de lu - mi- ne,
De - um ve-rum de De - o ve- ro,de
De-o ve - ro.
De-um de De - o, De-um de De - o, mf sempre
Lu-men de lu - mi- ne,
De - um ve-rum de De - o ve- ro,de
De-o ve - ro.
De-um de De - o, De-um de De - o, mf sempre
Lu-men de lu - mi- ne,
De - um ve-rum de De - o ve- ro,de
De-o ve - ro.
De-um de De - o, De-um de De - o, Lu-men de lu - mi- ne, De - um ve-rum de De - o ve- ro,de De-o ve - ro. mf sempre
B.
Fl
De-um de De - o, De-um de De - o,
Lu-men de lu - mi- ne,
De - um ve-rum de De - o ve- ro,de
De-o ve - ro.
Ob
Cl
Hn
Bsn
Pno
P1
P2
mf
Vibraphone (Can be played by Perc. 3)
Chimes (Can be played by Perc. 2) for performance. Please visit MusicSpoke.com performance to purchase copies. ThisP3score is not licensed mf
mf
SC
q. q.
q.. q. q.
q. q.
49 (Begotten, not made,) q. q. q.
198
S.
Ge - ni - tum,
S.
non fac - tum,
non fac - tum,
B.
Fl
Ob
Cl
Hn
Bsn
P1
P2
quem
om - ni
-
con - sub - stan - ti - a - lem Pa - tri,
p
non fac - tum,
Cre - do in u - num De
con - sub - stan - ti - a - lem Pa - tri,
con - sub - stan - ti - a - lem Pa - tri,
Ge - ni - tum,
p
p
S.D.
mp sempre
mf
To Triangle
for performance. performance copies. Please MusicSpoke.com ThisP3score is not visit licensed to purchase To Glock.
p
SC
q. q. q.
a
Cre - do in u - num De - um.
Ge - ni - tum, non fac - tum, con - sub - stan - ti - a - lem Pa - tri,
non fac - tum,
Pno
per
Ge - ni - tum,
T.
con - sub - stan - ti - a - lem Pa - tri,
sub. p
Ge - ni - tum,
A.
(of one substance with the Father,) Whom all things were made.) q. q. + q q 200 q q q (by mp
q. q. + q q
200 q q q
50
202
S.
mf
fac
S.
A.
(Who for us men, and for our salvation descended from the heavens,)
-
ta
sunt.
B.
Fl
Ob
Cl
Hn
Qui
Pno
P1
P2
prop - ter
no
ho
Cre do in u numDe - um.
-
mi -
Cre do in u numDe - um.
mp
p
Cre do in u numDe
p
p
p
p
mp
p
et
Cre do in u numDe - um.
nes,
Cre do in u numDe
Cre do in u numDe - um.
p
Cre do in u numDe - um.
mp
Cre do in u numDe - um.
Cre do in u numDe - um.
p
p
Bsn
mf
Cre do in u numDe - um.
um. p
T.
mp
p
mp
p
p
mp
mp
Tri.
mp sempre
Glockenspiel visit ThisP3score is not for to purchase performance copies. licensed performance. Please MusicSpoke.com
mp sempre
SC
51
208
S.
prop
S.
-
ter
um.
A.
nos - tram
Cre - do in
B.
Fl
Ob
Cl
Hn
Bsn
P1
P2
-
um.
Cre - do in
Cre - do in
p
de - scen - dit mf
de
cae
u - num De - um.
u - num De - um.
u - num De - um.
Cre - do in
-
lis,
Cre - do in u - num De - um. mf
Cre - do.
Cre - do in u - num De - um.
Cre - do.
Cre - do in
mf
u - num De - um.
mf
u - num De - um.
Cre - do in
mf
u - num De - um.
u - num De - um.
f
lu - tem
Cre - do in
Cre - do in u - num De - um. Cre - do in
Pno
sa
u - num De - um.
Cre - do in u - num De - um.
T.
mf
To Tam-tam
To B.D.
To Tam-tam ThisP3score is not licensed forperformance. copies. to purchase performance Please visit MusicSpoke.com SC
52
S.
qqq
mf
213
qqq q
mf
de
-
scen - dit
de
cae
-
lis,
mf
S.
qqq
p
p
de - scen - dit de cae - lis, de - scen - dit de cae - lis,
mf
A.
de
T.
B.
Fl
-
scen - dit
de
cae
p
-
lis,
de
scen - dit
de
cae
-
lis.
mf
mf
-
de - scen - dit de cae - lis, de - scen - dit de cae - lis,
p
Ob
Cl
Hn
Bsn
S.D.
Pno
P1
Tam-tam To S.D.
mf
B.D. To
P2
mf
mf
p
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SC
qqq
qqq q
qqq
53
218
S.
mp
p
Et in -car -na- tus,
S.
et in- car -na- tus,
Spi - ri-tu Sanc - to,
Spi - ri-tu Sanc - to,
mf
et in- car -na- tus,
p
f
et in -car -na-tus est de
Spi - ri-tu Sanc- to,
p
mf
p
f
p
mp
p
mf
p
f
et in -car -na-tus est de
Spi - ri-tu Sanc- to,
Spi - ri-tu Sanc - to,
p
Bsn
Spi - ri-tu Sanc- to,
mp
p
Hn
et in -car -na-tus est de
p
p
Cl
Spi - ri-tu Sanc- to,
Et in -car -na- tus, et in- car -na- tus, et in -car -na-tus est de Spi - ri-tu Sanc- to, Spi - ri-tu Sanc - to,
p
Ob
et in -car -na-tus est de
p
Et in -car -na- tus,
Fl
f
Et in -car -na- tus,
B.
p
mp p mf p f mp
T.
mf
et in- car -na- tus,
Et in -car -na- tus,
A.
q. + q q q
(And was made flesh by the Holy Spirit of the Virgin Mary.)
218
p
mp
mp
mp
et in- car -na- tus,
p
p
p
mp
p
mp
p
mf
mf
mf
mf
mf
p
f
f
p
f
p
p
Spi - ri-tu Sanc - to,
p
f
f
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Pno
P1
P2
mp
mf
f
Tam-tam
mp
SC
218
mf
S.C. f
q. + q q q
f
54
q. + q q
223
S.
Spi - ri - tu Sanc - to
S.
A.
T.
B.
Spi - ri - tu Sanc - to
Spi - ri - tu Sanc - to
Spi - ri - tu Sanc - to
Fl
Ob
Cl
Hn
Bsn
Pno
P1
P2
mf
ex Ma - ri - a
Vir - gi - ne.
Et
ho - mo fac - tus
Et
Et
ex Ma - ri - a
Vir - gi - ne.
ex Ma - ri - a
Vir - gi - ne.
ex Ma - ri - a
est.
mf
ho - mo fac - tus
Et
Vir - gi - ne.
est.
ho - mo fac - tus
est.
mf
ho - mo fac - tus
est.
Et
est.
mf
mf
To Tri.
S.D.
f
mf
mf
mf
q. + q q
q. + q q q
mf
for performance. ThisP3score is not licensed Please visit to purchase performance copies. MusicSpoke.com SC
ho - mo fac - tus
mf
Vir - gi - ne.
ex Ma - ri - a
mf
Spi - ri - tu Sanc - to
(And was made man.) molto rit.
q. + q q q
molto rit.
55 (Crucified also for us under Pontius Pilate.)
228 p
S.
Cru-ci-fix - us
S.
B.
p
Ob
mf
e-tiam mf
e-tiam
Bsn
p
P1
P2
mf
p
pro no-bis
sub
mf
p
pro no-bis mf
sub p
pro no-bis
mf
Pon-ti - o Pi-la - to,
pas- sus,
mf
p
Pon-ti - o Pi-la - to,
pas- sus,
mf
p
Pon-ti - o Pi-la - to, pas- sus, mf mf p
p
p
p
mf
mf
mf
mf
Pon-ti - o Pi-la - to,
mf
mf
mf
mf
mf
mf
sub
mf
Pno
sub
p
Hn
pro no-bis
mf
Cru-ci-fix - us e-tiam pro no-bis sub Pon-ti - o Pi-la - to, pas- sus, p mf mf p mf mf p
p
Cl
p
mf
Cru-ci-fix - us
Fl
mf
e-tiam
Cru-ci-fix - us p
T.
mf
mf
Cru-ci-fix - us
A.
mf
e-tiam
p
(Suffered, and was buried.)
p
mf
mf
p
p
p
pas- sus, mf p
pas- sus,
mf
mf
mf
mf
mf
mf
mf
pas- sus, mf
pas- sus, mf
p
p
p
p
p mf
p
p mf
p
mf
p mf
senza cresc. mp
pas- sus,
p mf
ThisP3score is not licensed copies. for performance. Please visit MusicSpoke.com to purchase performance
SC
pas- sus,
p mf
mf
pas- sus,
p mf
mf
pas- sus, mf p
p
mf
mf
p
pas- sus,
mf
mf
mf
p
pas- sus,
p
p
pas- sus,
p
56
S.
S.
et mf
B.
Fl
Ob
P2
est. pp
est. pp
et
se - pul - tus
mf
pp
est.
pp
est.
p
P1
est. pp
pp
pp
pp
mf
pp
mf
Pno
pp
mf
mf
Bsn
se - pul - tus
mf
Hn
se - pul - tus
et
se - pul - tus
mf
Cl
et mf
T.
se - pul - tus
et mf
A.
236 A tempo q. q. + q q
mf
234
pp
p
p
pp
p
Tri.
p
To Glock. ThisP3score is not licensedfor performance. Please visit MusicSpoke.com to purchase performance copies.
p
SC
236 A tempo q. q. + q q
57
238
S.
S.
A.
T.
B.
Fl
Ob
Cl
Bsn
P2
p
mp
p
di
a - scen - dit in cae - lum,
-
e,
p
p
p
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SC
p
p
Et re - sur - rex - it ter - ti - a
p
P1
Et
mp
Pno
(And He ascended into Heaven,)
mp
Hn
(And He rose the third day,)
To S.C.
58
242
S.
S.
q. q. (He sits at the right (And will come hand of the Father.) again with glory.)
Et
Se - det ad dex - ter - am
T.
B.
Fl
Pa
i - ter - um ven - tu - rus est
P2
Pa
-
-
tu
-
rus
cum glo - ri - a,
tris.
ju - di - ca - re
ju - di - ca - re vi - vos et
mp
vi - vos et mor - tu - os,
vi - vos et mor - tu - os,
mp
vi - vos et mor - tu - os,
mp
mp
mp
mp
p
forperformance. purchase performance to This score is not licensed MusicSpoke.com copies. Please visit Glock. p
SC
est ju s - di -
-
mp
ju - di - ca - re
Hn
P1
tris,
Pno
ju - di - ca - re
Cl
Bsn
-
mp
Ob
i - ter - um ven
p
p
A.
Et
(to judge the living and the dead,)
p
q. q.
mp
mf
59
q. q. q.
247
S.
ca
-
q q. + q q
(of Whose kingdom
f sempre there will be no end.)
re vi - vos et mor - tu - os,
cu - jus reg - ni non e - rit
fi - nis.
cu - jus reg - ni non e - rit
fi - nis.
f sempre
S.
vi - vos et mor - tu - os, mor - tu - os,
cu - jus reg - ni non e - rit
fi - nis.
cu - jus reg - ni non e - rit
fi - nis.
f sempre
A.
cu - jus reg - ni non e - rit
mor - tu - os, vi - vos et mor - tu - os,
fi - nis.
cu - jus reg - ni non e - rit
fi - nis.
vi - vos et mor - tu - os, mor - tu - os, cu - jus reg - ni non e - rit fi - nis. cu - jus reg - ni non e - rit fi - nis. f sempre
T.
B.
Fl
Ob
Cl
Hn
Bsn
Pno
P1
P2
f sempre
vi - vos et mor - tu - os, mor - tu - os,
cu - jus reg - ni non e - rit
f sempre
f sempre
f sempre
f sempre
S.C.
f sempre
To B.D.
f
To Tam-tam This score is not for performance. to purchase performance copies. licensed Please visit MusicSpoke.com Glock. f
SC
fi - nis.
f sempre
cu - jus reg - ni non e - rit
f sempre
fi - nis.
q. q. q.
q q. + q q
60
250
S.
S.
sub. mf
cu - jus reg - ni non e - rit fi - nis.
Et
B.
Fl
Ob
cu - jus reg - ni non e - rit fi - nis. cu - jus reg - ni non e - rit fi - nis.
P1
P2
sub. mp
sub. mp
sub. mp
sub. p
sub. mf
sub. mp
To S.C.
sub. p
B.D. p
To Glock. Tam-tam This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. Glock. p
SC
mp
Et
in Spi - ri - tum Sanc - tum Do - mi - num,
Et
sub. mf
Pno
in Spi - ri - tum Sanc - tum Do - mi - num,
sub. mf
Bsn
Et
sub. mf sub. p sub. mp
sub. mf
Hn
sub. p
sub. mf
Cl
sub. mp cu - jus reg - ni non e - rit fi - nis. cu - jus reg - ni non e - rit fi - nis. Et in Spi - ri - tum Sanc - tum Do - mi - num, sub.mf
T.
mp
sub. mf sub. mp sub. p
cu - jus reg - ni non e - rit fi - nis. cu - jus reg - ni non e - rit fi - nis.
A.
(And in the Holy q. q. + q. q. Spirit, Lord and Life-giver,)
252
252
q. q. + q. q.
61
(Who from Father and Son proceeds.)
253
S.
vi vi fi can tem,et vi vi fi can tem,quiex Pa tre Fi - li - o quepro
S.
A.
T.
B.
Fl
Ob
Cl
Hn
vi vi fi can tem,et vi vi fi can tem,quiex Pa tre Fi - li - o quepro
Pno
P1
P2
-
ce dit.
mp
si mula dor - a tur,etcon mp
mp
Qui cumPa treetFi li o, si mula dor - a tur,etcon
-
ce dit.
mp
si mula dor - a tur,etcon tutti mp
mp
Qui cumPa treetFi li o, si mula dor - a tur,
sub. mp
vi vi fi can tem,et vi vi fi can tem,quiex Pa tre Fi - li - o quepro
mp
Bsn
(Who with Father and Son, together
q. q. + q q is adored and glorified,)
-
ce dit.
tutti mp
si mula dor - a tur,
mp
mp
mp
mp
mp
performance ThisP3score is not licensed for performance. Please visit MusicSpoke.com copies. to purchase Glockenspiel
mp
SC
q. q. + q q
62 (Who spoke through the prophets) (And one holy, catholic, and apostolic church.) q. q. + q. q.
p 257
S.
mp
glo - ri - fi - ca - tur, qui lo - cu - tus est per
et u - nam, sanc - tam, ca - tho - li - cam, et a - pos - to - li - cam Ec
p
S.
glo - ri - fi - ca - tur, qui lo - cu - tus est per
A.
mp
et u - nam, sanc - tam, ca - tho - li - cam, et a - pos - to - li - cam Ec
p
mp
glo - ri - fi - ca - tur, qui lo - cu - tus est per Pro - phe - tas, et u - nam, sanc - tam, ca - tho - li - cam, et a - pos - to - li - cam Ec p mp
T.
B.
Fl
per Pro - phe - tas, et u - nam, sanc - tam, ca - tho - li - cam, et a - pos - to - li - cam
mp p
per Pro - phe - tas, et u - nam, sanc - tam, ca - tho - li - cam, et a - pos - to - li - cam
Cl
Hn
Pno
P1
Ob
Bsn
P2
mp
mp
p
mp
mp
mp
p
ThisP3score is not PleasevisitMusicSpoke.com purchase performance copies. licensed to for performance.
SC
p
q. q. + q. q.
63
(And I expect the resurrection of the dead.)
260
S.
cle - si - am,
S.
cle - si - am,
A.
cle - si - am,
T.
B.
Fl
Bsn
P1
Ec - cle - si - am. Ec - cle - si - am.
Ec - cle - si - am. Ec - cle - si - am.
mf Ec - cle - si - am. mf
Ec - cle - si - am.
Et
ex
-
pec - to
Et
ex
-
pec - to
f
Et
ex
Et
ex
-
-
re - sur -
re - sur -
pec - to
re - sur -
mf
mf
mf
mf
S.C.
mf
mf
pec - to f
To S.D.
q. q. q. pp
f
f
ToS.C. ThisP3score is not licensed for copies. performance. Please visit MusicSpoke.com to purchase performance
re - sur -
pp
SC
mf
pp
P2
f
mf
re - sur -
mf
pec - to
-
ex
Ec - cle - si - am,
mf
Et
f
f
263 q. q.
mf
mf
Pno
mf
mf
Hn
Ec - cle - si - am, mf
mf
Cl
Ec - cle - si - am. Ec - cle - si - am.
mf
mf
Ob
q. q. q.
mf
q. q. 263 f
64
q. q. q.
265
S.
rec - ti
S.
-
o - nem
mor - tu
rec - ti
-
nem
(And life to q. q. come of age.)
q. q. + q. q.
-
o - rum,
mf
et
vi - tam
q. q. + q. q.
ven
-
tu - ri
sae - cu - li.
ven
-
tu - ri
sae - cu - li.
mf
mor - tu
-
o - rum,
et
vi - tam
mf
A.
rec - ti
T.
B.
Fl
Ob
Cl
rec - ti
rec - ti
-
nem
mf
mor - tu
-
o - rum,
et
vi - tam
ven
-
o - nem
mor - tu
-
o - rum,
et
vi - tam mf
-
o - nem
mor - tu
-
o - rum,
et
vi - tam
ven
-
tu - ri
sae - cu - li.
-
tu - ri
sae - cu - li.
tu - ri
sae - cu - li.
mf
mf
mf
Hn
Bsn
Pno
P1
P2
S.D.
pp
f
S.C. To Glock. ThisP3score is not Please visit MusicSpoke.com copies. licensed for performance. to purchase performance pp
f
pp
SC
q. q. q.
f
q. q. + q. q.
q. q.
q. q. + q. q.
65
rit. q. q. + q q q
q. q. + q q
274
(So be it.)
S.
A
S.
-
A.
-
B.
A A
Fl
Ob
-
-
-
-
-
-
-
-
-
-
men,
-
-
men,
-
men,
-
f
men,
Bsn
P1
P2
-
A - men, a sempre
-
f
A - men, a sempre
-
f
f
A - men, a sempre
-
men, a - men.
-
men, a - men.
mp
A -
men, a
sempre
sempre
sempre
sempre
sempre f sempre
f
f
men, a - men.
f
men, a - men.
men, a - men.
f
Pno
A - men, a sempre
mp
Hn
sempre
f
mp f
mp
Cl
-
A
T.
-
A
273
S.D. To Tri.
f
f
copies. ThisP3score is not licensed for performance. Please visit MusicSpoke.com to purchase performance Glockenspiel
f
SC
rit. q. q. + q q q
274
q. q. + q q
66
275
S.
A - men, a -
S.
A - men, a -
A.
A - men, a -
T.
B.
Fl
men, a - men.
men, a - men.
men, a - men.
sub. p
A - men, a -
men, a - men.
men, a - men.
Ob
Cl
men, a - men.
A - men,
a - men,
a - men,
sub. p
A - men, a -
men, a - men.
A - men, a - men, a - men. A - men, a - men, a - men. A - men, a -
A - men,
sub. p
A - men, a -
A - men, a -
men, a - men.
A - men,
sub. p
A - men,
sub. p
A - men,
a - men,
a - men,
a - men,
a - men,
a - men,
a - men,
a - men,
a - men,
sub. p
f
sub. p
f
sub. p
Hn
Bsn
Pno
P1
P2
f
sub. p
sub. p
To S.D. Tri.
sub. p
SC
f
f
sub. p
for performance. Please to purchaseperformance ThisP3score is not licensed copies. visitMusicSpoke.com
f
S.D.
S.C.
sub. p
67
f a tempo q. q.
q. + q q
280
S.
Cre - do in u - num
De - um,
A -
Cre - do in u - num
De - um,
A -
Cre - do in u - num
De - um,
A -
B.
Fl
Ob
Cl
Cre - do in u - num
De - um,
A -
men!
Cre - do in u - num De - um, A - men! f
Cre - do in u - num De - um, Cre - do in u - num De - um,
f
T.
men!
Cre - do in u - num De - um, Cre - do in u - num De - um,
f
A.
men!
f
S.
Cre - do in u - num De - um, Cre - do in u - num De - um,
Cre - do in u - num De - um, Cre - do in u - num De - um,
men!
Cre - do in u - num De - um, Cre - do in u - num De - um,
mf
mf
mf
Hn
Bsn
Pno
P1
f
mf
mf
mf
mp
ThisP3score is not copies. licensed Please to purchase performance for performance. visit MusicSpoke.com
f
mp
To S.C.
f
SC
a tempo
f
q. q.
Choke
f
P2
q. + q q
68
285
S.
S.
A.
T.
B.
Fl
Cre ff
Cre -
Cre -
ff
Cl
fp
Hn
ff
fp
Bsn
ff
fp
Pno
P1
ff
ff
do!
ff
f
p
f
ff
f
f
f 16th notes in either or both hands may be omitted.
f
ff
3
ff
ff
licensed for performance. This score is not Please visit MusicSpoke.com to purchase performance copies. P3 f
f
ff
S.C.
p
SC
ff
p
q. + q q
ff
ff
ff
1
ff
f
f
P2
Cre -
fp
do!
do!
do!
do!
q. + q q
ff
Cre -
fp
Ob
ff
To Tri.
ff
69
IV. Sanctus
q. = 80 q. q. + q q
290
S.
S.
A.
T.
B.
Fl
p
Hn
Pno
P2
f
mf
mf
S.D.
mf B.D.
P3
SC
p
f
f
f
mf
for performance. This score is not licensed to purchase performance copies. Please visit MusicSpoke.com Triangle
f
mf
q. = 80 q. q. + q q
f
f
mf
f
mp
Cl
P1
mf
Ob
Bsn
© Copyright 2008 Julian David Bryson
© Copyright 2008 Julian David Bryson All Rights Reserved. Licensed through CadenzaOne.com. License is non-transferrable. Director should have a copy of the license to legally use this music. All Rights Reserved. Use without a license is stealing and is ILLEGAL.
70
295
S.
S.
A.
(Holy, holy, holy.)
(Lord, God of Hosts.)
Sanc tus,sanc- tus, sanc - tus.
Sanc tus,sanc - tus, sanc- tus. Sanc tus,sanc- tus, sanc - tus.
Sanc tus,sanc- tus, sanc - tus. Sanc tus,sanc - tus, sanc- tus. Sanc tus,sanc- tus, sanc - tus.
T.
B.
Fl
Ob
Cl
Hn
Bsn
Pno
P1
P2
Do - mi - nus De - us,
Do - mi - nus De - us,
Do - mi - nus De - us,
mf
mf
mf
To S.C.
p
mf
Sa - ba - oth!
ThisP3score is not licensed Please to purchase performance copies. for performance. visit MusicSpoke.com
SC
Sa - ba - oth!
mf
71
f 299
S.
300
Do - mi - nus De - us,
S.
f
f
Do - mi - nus De - us,
T.
B.
Fl
Cl
Bsn
Pno
P1
P2
mp
f
Sa - ba - oth!
f
Sa - ba - oth!
p sempre
p sempre
Hn
Sanc - tus, sanc - tus, sanc - tus,
p sempre
Ob
mp
Sanc - tus, sanc - tus, sanc - tus,
Sanc - tus, sanc - tus, sanc - tus,
Do - mi - nus De - us,
A.
mp
f
f
p sempre
p
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SC
300
72
303
S.
S.
A.
Do - mi - ne
Do - mi - ne
Sanc - tus, sanc - tus, sanc - tus,
Sanc - tus, sanc - tus, sanc - tus,
Fl
Ob
Cl
Hn
Bsn
Pno
P1
P2
-
De - us,
Sa
-
De - us,
Sa
-
Do - mi - ne
mp
B.
Sa
Do - mi - ne
De - us,
mp
T.
De - us
Sa
Do - mi - ne
De - us
Sa
-
-
ba - oth,
ba - oth,
ba - oth,
ba - oth,
ba - oth,
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SC
73
307
S.
mp
Sanc - tus, sanc - tus, sanc - tus.
S.
A.
B.
Fl
Ob
Cl
Hn
Bsn
Pno
P1
P2
Sanc - tus, sanc
Do - mi - ne
De - us,
mp
Sanc - tus, sanc - tus, sanc - tus.
T.
De - us,
- tus, sanc - tus.
Do - mi - ne
Sanc - tus, sanc - tus, sanc - tus. mp
Do - mi - ne
Do - mi - ne
Sanc - tus, sanc - tus, sanc - tus.
De - us
mp
Do - mi - ne
De - us
De - us
mp
Do - mi - ne
De - us
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SC
De - us
Sanc - tus, sanc - tus, sanc - tus.
Do - mi - ne mp
74 q = 100
rit.
313
311
S.
Sa - ba - oth,
S.
Sa - ba - oth,
A.
T.
B.
Fl
Ob
Cl
Hn
Bsn
Pno
P1
P2
Sa - ba - oth,
Sa - ba - oth,
Do - mi - nus De - us.
Do - mi - nus De - us.
Sa - ba - oth,
Ple - ni sunt coe - li et
Ple - ni sunt coe - li et
ter - ra,
Ple - ni sunt
Bell tones
pp
Bell tones
pp
mp
rit.
ThisP3score is not licensed for performance. Please performance to purchase visit MusicSpoke.com copies.
S.C.
SC
ter - ra,
p
Ple - ni sunt
p
p
Do - mi - nus De - us.
Do - mi - nus De - us.
Sa - ba - oth,
(Full are heaven and earth of Thy glory.)
313
q = 100
75
318
S.
S.
p
Ple - ni sunt coe - li
coe - li et
A.
T.
B.
Fl
ter - ra,
Ple
Ple - ni sunt coe - li
et
et
ter - ra,
ni
Ple
-
et
ni
Cl
Hn
Bsn
Pno
P1
P2
Ple - ni sunt coe - li mp
-
ni
sunt
pp
coe - li
et
et
ter - ra, et
ter - ra, et
ter - ra, et
ter - ra, et
coe - li
et
ter
-
ra,
et
p
ThisP3score is not licensed Please for performance. visit MusicSpoke.com to purchaseperformance copies.
SC
ter - ra, et
p
ter - ra, et
et
sunt
p
Ob
coe - li
ter - ra,
sunt
Ple
-
Ple - ni sunt coe - li
ter - ra,
coe - li et ter - ra,
et
76 rit.
329
327
S.
ter
mf
-
q q= q100 +qq
ra,
Ple
-
mf
S.
ter - ra, et
A.
ter
T.
B.
Ob
Cl
Hn
Bsn
Pno
P1
P2
ra,
Ple
-
-
ra,
Ple mf
ra,
Ple
ni sunt
coe
ni sunt
coe
-
ni sunt
coe
-
-
ni sunt
coe
-
-
mf
-
-
li
et
ter
li
et
ter
ter
-
ra, et
ter
et
ra, et
li
ter
ra, et
ra, et
-
ter
ter
-
ra, et
et
mf
-
li
-
mf
ter
mf
et
mf
li
-
coe
mf
ni sunt
mf
ter - ra, et ter - ra, Ple mf ter
Fl
-
ter -
h. + h.
ter
ter
-
SC
q = 100
Ho
f
-
ra.
Ho
f
-
ra.
Ho f
-
ra.
-
ra.
Ho f
Ho
h. + h.
f
f
f
f
f
f
pp
mf
329 q q q + q q
f
ra.
ThisP3score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. rit.
77 h. + h. + h. (Praise to Thee in the highest!)
333
S.
san - na!
S.
B.
Ob
Cl
Hn
Bsn
P1
Ho - san
-
Ho - san
Ho - san - na!
Ho - san - na!
san - na!
Ho - san - na!
f
-
-
-
-
-
-
pp
SC
h. + h. + h.
-
-
-
ff
ff
-
ff
h. + h.
ff
ff
ff
f
-
ThisP3score is not licensed forperformance. Please visit MusicSpoke.com topurchase performance copies. f
ff
ff
pp
-
Ho - san
-
Ho - san
ff
Ho - san
Ho - san - na!
f
P2
Pno
san - na!
Fl
san - na!
T.
Ho - san - na!
san - na!
A.
h. + h.
ff
ff
78
S.
- na!
S.
Ho
- na!
A.
Ho
B.
Ob
Cl
Hn
Bsn
Pno
P1
P2
-
- na!
-
Ho
-
Ho
san
-
san
-
-
-
san
san
san
-
Ho
na!
Ho
na!
Ho
-
na!
Ho
Ho
-
-
-
san
-
san
-
-
-
san
-
-
-
san
-
na!
na!
-
na!
mf
ThisP3score is not licensed Please for performance. visit MusicSpoke.com copies. to purchase performance f
f
SC
mp
Ho mp
Ho
na!
Ho
Ho
na!
Ho
mp
-
mp
mp
-
san
f
na!
h. + h. + h.
mp
na!
-
Ho
- na!
Fl
-
- na!
T.
337
h. + h. + h.
79 accel.
342
S.
san - nah!
S.
q. = 80 q. q. + q q
343
san - nah!
A.
san - nah!
T.
B.
san
- nah!
san - nah!
Fl
p
Ob
Cl
p
p
Hn
Bsn
Pno
P1
P2
mp
p
ThisP3score is not licensed for performance. Please to purchase performance visit MusicSpoke.com copies. SC
accel.
q. = 80 q. q. + q q
343
80
f
f
347
S.
Do - mi - nus De - us,
S.
Do - mi - nus De - us,
Do - mi - nus De - us, f
A.
f
T.
f
B.
Fl
Do - mi - nus De - us,
Pno
P1
P2
De - us,
De - us, Do - mi - nus
Do - mi - nus
De - us,
De - us, Do - mi - nus
De - us,
De - us,
mf
f
mf
mf
- us, Do - mi - nus
performance ThisP3score is not licensed to purchase copies. for performance. Please visit MusicSpoke.com
q. + q.
f
f
To Chimes
SC
De - us,
De - us, Do - mi - nus
f
Bsn
Sa ba - oth.
f
Hn
Do - mi - nus
f
Cl
De - us, Do - mi - nus
Do - mi - nus
Sa ba - oth.
Sa ba - oth. Do - mi - nus De
f
Ob
Sa ba - oth.
q. + q.
Do - mi - nus
Do - mi - nus De - us,
Do - mi - nus De - us,
81 351 ff
ff
q. + q. + q
S.
Do - mi - nus
De - us,
Ho - san - na! ff
S.
Do - mi - nus
A.
Do - mi - nus
De - us,
Ho - san - na!
De - us,
Ho - san - na!
Do - mi - nus De - us, Ho - san - na! ff Do - mi - nus De - us, Ho - san - na! ff
T.
B.
Fl
P1
P2
mf ff To S.C.
Pno
ff
Bsn
ff
Hn
ff
Cl
ff
Ob
ff
ff
ff
ff
ff
Chimes To Tam-tam ThisP3score is not licensed for performance. Please topurchase performance copies. visit MusicSpoke.com
SC
q. + q. + q
fff
ff
82
355
S.
V. Agnus Dei
(Consider,) q = 70 h + h + h
A.
T.
mp
B.
Solo
Er - wä - ge.
Fl
Cl
Hn
Bsn
P2
-
-
-
-
-
ThisP3score is notlicensed for performance. copies. Please visit MusicSpoke.com to purchase performance
q = 70 h + h + h
SC
ge:
p
p
Pno
P1
Er - wä
Ob
© Copyright 2008 Julian David Bryson
© Copyright 2008 Julian David Bryson All Rights Reserved. Licensed through CadenzaOne.com. License is non-transferrable. Director should have a copy of the license to legally use this music.
p
p
83
363
S.
A.
364 (how his blood-stained back, in every detail...)
pp
wie
B.
Fl
Cl
Hn
wie
sein
pp
sein
pp
wie
Ob
Bsn
sein
pp
wie
T.
blut - ge - färb - ter
blut - ge - färb - ter
blut - ge - färb - ter
sein
blut - ge - färb - ter
Rück - en in
all - en Stück - en
Rück - en in
all - en Stück - en
Rück - en in
all - en Stück - en
Rück - en in
all - en Stück - en
Pno
P2
pp
P1
p
ThisP3score is notlicensed performance copies. Please for performance. visitMusicSpoke.com to purchase
SC
364
84
371
S.
Dem
Dem
B.
Fl
Cl
glei - che
Him - mel
geht!
Dem
glei - che
Him - mel
geht!
glei - che
geht!
p
Bsn
mp
da - ran, (n) mp
da -
sub. p
p
pp
376
ThisP3score is not licensed visit copies. for performance. Please MusicSpoke.com to purchase performance
SC
P2
Pno
P1
p
Hn
mp
Da - ran, (n)
geht!
Dem
Ob
glei - che
Him - mel
T.
Him - mel
A.
376 (Where, after the flood-waves...)
(...the sky is the same!)
85
S.
Fl
nach - dem, nach - dem, nach - dem die was - ser - wo
-
mp
gen, was - ser - wo - gen, was - ser - wo - gen,
nach - dem, nach - dem, nach - dem die was - ser - wo - gen, was - ser - wo - gen, was - ser - wo - gen, was
mp
T.
B.
A.
mp
379
ran,(n) mp
nach - dem, nach - dem, nach - dem die was - ser - wo mp
-
gen,
was - ser - wo - gen, was - ser - wo-
da - ran, (n)
nach - dem, nach - dem, nach - dem die was - ser - wo - gen, was - ser - wo - gen, was - ser - wo - gen, was - ser -
Ob
Cl
mp
mp
Hn
Bsn
Pno
P1
S.C.
pp
P2
p
mp
ThisP3score is not licensed for Pleasevisit MusicSpoke.com performance. to purchase performance copies.
SC
86
391 (...of our sin subside,) pp
389
S.
was - ser - wo - gen
Von
B.
Fl
gen,was - ser - wo - gen.
Von
un - ser - er Sünd - flut sich
ver - zo - gen, ver - zo
-
-
-
-
p
Pno
ThisP3score is not licensed Please for performance. visit MusicSpoke.com to purchase performance copies.
391
h + h.
SC
-
Hn
P2
ver - zo - gen, ver - zo p mp
-
mp
P1
p
un - ser - er Sünd - flut sich p
ver - zo -- gen, ver -- zo
mp
-
Cl
Sünd - flut sich p
-
p
Von pp
wo - gen.
un - ser - er
Ob
Bsn
Von
mp
ver - zo - gen, ver - zo
pp
Sünd - flut sich p
ser - wo - gen.
T.
un - ser - er
pp
A.
p
h + h.
p
87
(the most beautiful rainbow...)
398
S.
gen.
A.
B.
Fl
Bsn
P2
mp
mp
Der al - ler - schön - ste Re p
Der al - ler - schön - ste Re -
p
gen - bo
mp
mp
-
-
gen, der
al - ler - schö - ste
gen, der
al - ler - schö - ste
gen - bo
-
gen, der
Re - gen
Re - gen
al - ler - schö - ste
Der al - ler - schön - ste Re -
gen - bo
Re - gen
p
mp
p
ThisP3score is not licensed to purchase copies. for performance. Please visit MusicSpoke.com performance
SC
Re - gen
Pno
P1
al - ler - schö - ste
p
p
Hn
gen, der
Cl
-
-gen.
Ob
gen - bo
-gen.
mp
Der al - ler - schön - ste Re -
-gen.
T.
p
88
406
S.
mf
bo
-
gen. Als
f
bo mf
-
mf
gen. Als
steht,
mf
mf
Got - tes, Got - tes Gna - den - zei - chen steht, steht, mf f f
bo
Ob
f
-
Cl
gen. Als
mf
f
Got - tes, Got - tes Gna - den - zei - chen steht,
mf
mf
f
mf
steht,
steht,
mp
mp
mp
mp
Bsn
steht,
steht,
steht. p
steht,
steht. p
steht.
mp
mp
S.C.
mf
To S.D.
f
mp
ThisP3score is notlicensedfor performance. Please visit MusicSpoke.com to purchase performance copies.
SC
ppp
P2
steht.
Pno
P1
p
p
mf
Hn
mp
bo - gen. Als Got - tes, Got - tes Gna - den - zei - chen steht, steht,
T.
Fl
f
A.
f
Got - tes, Got - tes Gna - den - zei - chen steht,
mf
B.
(As a sign of God's mercy, [it] stands.)
f
p
89 (Consider...)
418
S.
A.
pp
pp
pp
B.
Fl
T.
Er - wä -
ge,
pp
Er - wä -
ge,
pp
Er - wä -
ge,
pp
p
Er - wä -
pp
Ob
pp
421
pp
Bsn
Pno
P2
-
-
ge,
-
p
pp
-
-
-
-
Er - wä
-
Er - wä
-
-
-
-
ge:
-
ge:
-
ge:
-
ge:
pp
pp
p
pp
p
pp
Tam-tam Tam-tam
ThisP3score is not licensed for performance. Please visit MusicSpoke.com topurchaseperformance copies. pp
SC
-
P1
Er - wä
p
Hn
Er - wä
p
Cl
421
90
428
S.
(Gradually and smoothly transition from most closed lip vowel to open "ah" of Agnus.) ppp
A.
(u,oo,o,aw,ah) ppp
B.
Fl
Cl
Bsn
p
pp
p
(u,oo,o,aw,ah)
p
p
pp
Hn
pp
(u,oo,o,aw,ah) -
pp
Ob
p
ppp
ppp
pp
(u,oo,o,aw,ah)
T.
p
pp
pp
pp
Pno
P1
P2
S.D.
ppp
pp
p
This score is notlicensed for performance. Please visit MusicSpoke.com to purchase performance copies. Perc3 ppp
SC
pp
pp
91
mp
435
S.
Fl
T.
mf
mp
mp
mf
mf
mp
Cl
Ob
mp
A.
B.
mf
mp
mp
Hn
Bsn
p
Flute cue
mp
Pno
P1
P2
p
mp
mp
p
mp
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. Perc3 SC
92 (Lamb of God,)
443
441
S.
A.
Fl
Ob
Hn
Bsn
Pno
P2
Ag - nus
mf
De
-
-
i,
qui
to
i,
qui
to
i,
qui
to
f
f
f
f
lispec - ca
-
-
-
-
ta
-
ta
lispec - ca
ta
lispec - ca
-
lispec - ca
-
ta
mf
sost
-
De
to
f
f
-
f
De
qui
i,
f
-
Ag - nus
De
f
mf
P1
Ag - nus
Cl
f
Ag - nus
T.
B.
(Who takes away the sins of the world,)
h+h+h
f
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. Perc3
mf
SC
443
h+h+h
93 (have mercy on us.)
S.
Fl
mun
mun
-
-
mun
Ob
-
T.
B.
mun
A.
447
di,
di,
di,
di,
Cl
mi
-
mi
mi
mi
-
se - re
-
re
-
-
se - re
-
se - re
-
se - re
-
re
no
-
re
no
re
no
bis.
Ag
-
bis.
Ag
-
ff
-
-
ff
-
no
ff
-
bis.
Ag
-
ff
bis.
Ag
-
nus
De
nus
De
nus
De
nus
De
-
-
-
-
ff
ff
ff
Hn
Bsn
Pno
P1
P2
ff
ff
ff
f
ff
ff
Perc3 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. f
SC
ff
94
454
S.
456
(grant us peace.)
pp
i,
A.
do -
i,
T.
B.
Fl
Ob
qui
Solo mp
i,
tol - lis pec - ca
-
ta
do
Bsn
do
-
mun - di,
do -
mun - di,
pp
pp
no -
Tutti
na
-
pp
pp
Hn
no - bis
pp
mun - di,
pp
Cl
na
mun - di,
i,
pp
Pno
Perc3 This score is not licensed for performance. Please topurchase performance copies. visit MusicSpoke.com
P1
P2
SC
pp
To S.C.
p
ff
456
95
rit.
462
S.
pa
A.
-
-bis
T.
B.
Fl
pa
do -
-
- na
no
na
no
-
no
cem,
na
-
cem,
do
-
-
na
-
bis
pa
-
cem, do - na
no
-
bis
pa
-
cem,
bis
pa
-
cem,
bis
pa
-
-
-
no
pa - cem.
-
bis
mf
do - na
no - bis
pa - cem.
cem,
do
-
na.
do
-
mf
-
na
mf
no - bis.
mf
mf
Cl
mf
S.C.
mf
This score is not licensedfor performance. Please to purchase performance copies. Perc3 visit MusicSpoke.com
SC
mf
pp
P2
Pno
P1
Hn
Bsn
Ob
rit.
96 A tempo
467
S.
B.
Fl
sub. p
sub. p
sub. p
sub. p
sub. p
Hn
Bsn
P2
mp
mp
mp
Praise Him,all crea - tures here be - low.
mp
mp
mp
p
p
467
A tempo
p
mp
mp
This score is not licensed to purchase performance Perc3 for performance. Please visit MusicSpoke.com copies.
SC
Praise Him,all crea - tures here be - low.
Pno
P1
Praise Him,all crea - tures here be - low.
Praise God fromWhom all bless - ings flow!
Cl
sub. p
Ob
Praise God fromWhom all bless - ings flow!
mp
Praise Him,all crea - tures here be - low.
Praise God fromWhom all bless - ings flow!
T.
Praise God fromWhom all bless - ings flow!
A.
sub. p
467
97
S.
Fl
Praise
Him
a bove, yeheav'n - ly
mf
Praise mf
Him
a bove, yeheav'n - ly
Praise
Him
a bove, yeheav'n - ly
Bsn
hosts.
f
hosts.
Praise
mf
mf
mf
rit.
Fa ther,Son,and
Ho
Fa ther,Son,and
Ho
Fa ther,Son,and
Ho
Fa ther,Son,and
Ho
ly
-
ly
-
ly
-
ly
f
f
f
f
f
-
h+h+h
This score is not licensed for performance. Please to purchase performance copies. Perc3 visit MusicSpoke.com
SC
f
mf
f
Praise
Pno
P2
Praise
P1
hosts.
f
f
mf
h+h+h
Praise
mf
Hn
hosts.
Praise
Cl
a bove, yeheav'n - ly
Ob
Him
mf
T.
B.
A.
mf
475
rit.
98
480
S.
483
mf
mp
Ghost.
Ghost.
B.
Fl
Bsn
Pno
P1
P2
mf
mf
mf
-
-
-
-
-
men! mf
men!
A
A
A
A
pp
pp
-
-
-
-
-
-
men!
men!
mp
mp
p
p
mp
mp
p
mp
mf
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SC
men!
-
men!
-
p
pp
pp
p
pp
mf
-
men!
men!
mf
A
mf
Hn
mp
A mp
Cl
Ghost.
Ob
-
mp
Ghost. mf
-
A
mf
T.
A
mf
A.
h+h+h
mf
483
h+h+h
Program Notes Redemption Mass relates to the visions described in Isaiah chapter 6 and Revelation chapter 4. The opening measures of the Kyrie depict a person who has just been surprised and humbled by a new understanding of infinity. The initial motive, an ascending minor third, forms one of the two intervals upon which the entire composition is constructed. Sometimes known as the “calling interval,” it represents reaching out to a source of strength and hope and the simultaneous recognition of a need for redemption. As the movement progresses, the interval is inverted, filled, twisted, and stretched, but it ultimately returns to its original configuration for a final request, “Lord have mercy.” Gloria presents a musical interpretation of the continual activity that fills the heavenly throne room, as described by Isaiah and the Apostle John. The lower neighbor tone, a major second, forms the second foundational construct for the Mass. Overlapping, swirling rhythms imitate angel wings in flight and voices in praise, growing into a cacophony of independent but simultaneous worship. Contrasting sections provide both textual and musical commentary, leading to a climactic conclusion. In Isaiah’s vision, one of the seraphim cleanses the prophet’s tongue with hot coals, giving him confidence to proclaim the message of God despite his own personal shortcomings. Likewise, Credo is a statement of faith in the power of redemption. Beginning with a triumphant fanfare outlined in a cascade of seconds and thirds, this movement explores the joys, challenges, and excitement of faith in action. The opening phrase appears regularly in inversion and fragmentation, representing the various ways in which faith colors and influences one’s life. Sanctus returns to the scene in Revelation 4, where holy creatures around the throne of God call out repeatedly, “Holy, holy, holy, Lord God Almighty.” Textual growth from unison to duet to trio recreates this sacred assembly. The contrasting section, characterized by imitation, depicts the coming together of heaven and earth as the theme ascends and descends. This idea is built on divided fourths—the result of combining the intervals of a second and third. Agnus Dei provides both a description and culmination of redemption. Beginning with Erwäge, wie sein blutgefärbter Rücken, the classic poem famously included in Bach’s St. John Passion, we see and hear a weighty metaphor comparing the stripes on Christ’s back (also referenced in Isaiah 53) to the rainbow given to Noah as a sign of healing, security, and salvation. Again, the minor third calls us to “consider” (erwäge) the powerful symbol. Building on the wall of sound first presented briefly in Sanctus, the choir sustains a static harmony through a lengthy crescendo, beneath which the instruments recall themes from previous movements. These themes represent memories and experiences that lead us to and through redemption. Tension breaks into an impassioned description of the “Lamb of God Who takes away the sins of the world,” contrasted by a solo voice in a plea for mercy. The Gloria motive returns in augmentation, but this time amidst overlapping requests for peace. These calls culminate in a hymn of praise, the traditional Doxology (Old Hundredth), reharmonized with extended chords built on both seconds and thirds. This type of sweet dissonance represents a joyful life that is not devoid of conflict, but that is filled with contentment and rest regardless of circumstance.
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
Cover image, Weary Hiker taken by the composer in Kentucky’s Red River Gorge, August 26, 2011
If you enjoyed Redemption Mass, please also consider the following works from my catalog, available at or coming soon to MusicSpoke.com: Commissioned to celebrate the ordination of a deacon, All Things New (SATB Choir and String Quartet or Piano) speaks to the human desire to improve ourselves and our world. Built upon a handful of symbolic musical motives, this piece yearns, grows, and eventually comes to rest transformed and inspired. Fire and Ice (SSATB, a cappella) along with Quibbles and Quirks for wind quintet and Conflictions for brass quintet, began as exercises in counterpoint. Though I didn’t conceive of them as a set, upon further reflection, I see them as having remarkable similarities. All are for five voices, involve imitation, and represent conversations. Fire and Ice, in particular, takes the well-known poem and weaves it into a dialogue—at times an argument—inviting both choir and audience to take sides. Because the text is so familiar, I didn’t concern myself with clarity in its setting, instead focusing on the similar vowel sounds central to key words. This leaves the conclusion up to the audience’s decision, even as late as the final chord, where both fire and ice sound simultaneously. Lacrimas (SATB with mezzo-soprano solo, a cappella) weaves the familiar Psalm text, "They that sow in tears will reap in joy" into a poignant moment from St. Augustine's confessions: "And sending out tears, where I was holding them in, so that they should flow so smoothly, they spread out beneath my heart and it rests on them." Musically, the piece develops in waves that emanate from the opening “sobbing” gesture. The University of Alabama in Huntsville Chamber Choir premiered the work under the direction of Dr. Erin Colwitz-Dehning as part of the Huntsville New Music Festival of 2011. Thomas Moore’s Minstrel Boy (SATB or TTBB with piano) describes an iconic “warrior bard,” committed to defending not only land, but ideals. For him, freedom of thought, speech, and art was more important than his life, and this strong and creative soul preferred death to oppression. While this tune has long been associated with memorials for first responders, I also see it as a call to arms for artists. Join us on the battlefield of ideas with harp and song and voices. O nata lux (SATB, a cappella): On September 12, 2001, members of the University of Tennessee Concert Choir walked into our choir room in a state of shock. Reeling from the previous day’s attacks, none of us really wanted to rehearse, but somehow we knew it was exactly where we needed to be. After warm-ups, we sang Morten Lauridsen’s setting of O nata lux, which we had just begun to learn. Suddenly, the music took on a new meaning and ushered in a memorable hour of sharing, crying, and healing. Something about the line, “for the sake of the lost ones” stuck with me, and over the next several days, I developed my own musical response to both the tragedy and text that had invaded all of our lives. I am humbled by so many beautiful settings of this prayer and in some ways feel ill-equipped to offer yet one more. However, I continue to count it among my favorite compositions. This accessible setting of We Are the Music Makers (SATB and piano) brings O'Shaughnessy's famous text to life through lush harmonies, word painting, and exciting fanfares. Dedicated to the Randolph High School Class of 2011, it was premiered by their Concert Choir during their Commencement ceremonies.
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.