My Sun and Song and Spring | Ed Frazier Davis | MusicSpoke

Ed Frazier Davis

My Sun and Song and Spring for mixed chorus, div. a 8, a cappella

Performance duration: ca. 3 min 50 sec Written for Timm Adams and the Chicago Chamber Choir, for their “Burst Out Singing!” concert series.

Copyright © 2013-2016 Ed Frazier Davis (ASCAP). All Rights Reserved.

EFD0015 — Distributed digitally through MusicSpoke This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

Program Notes My Sun and Song and Spring is a highly colorful, madrigalian setting of a sonnet by Sara Teasdale, one of my all-time favorite poets. It compares the author's newfound love to the coming of spring; a change that is welcomed and celebrated through song, e.g: “Great spring came singing upward from the south.” Music, words, and love sprout and grow like nature, bubbling up like a song bursting forth, e.g: “Your words like winged seeds took root and grew. And all the world caught music from your mouth.” Using melodies built on a whole tone scale, more than a couple of complex harmonic shifts, and various rhythmic patterns of 2s against 3s, I hope to match the richness of this gorgeous text and illustrate the poet's joy of finding her “sun and song and spring.” I also emply some extended vocal techniques (such as whispering, speaking, humming, and glissandi) which work to further enhance the text, and bring it to life.

—EFD Full Text As kings, seeing their lives about to pass, Take off the heavy ermine and the crown, So had the trees that autumn-time laid down Their golden garments on the dying grass, When I, who watched the seasons in the glass Of my own thoughts, saw all the autumn's brown Leap into life and wear a sunny gown Of leafage fresh as happy April has.

Great spring came singing upward from the south; For in my heart, far carried on the wind, Your words like winged seeds took root and grew, And all the world caught music from your mouth; I saw the light as one who had been blind, And knew my sun and song and spring were you.

—Sara Teasdale (1911)

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3

My Sun and Song and Spring for mixed chorus, div. a 8 (SSAATTBB), a cappella

Text by SARA TEASDALE (1884-1933)

Grand, declamatory (q = c. 90)

P Ó c & ˙

Soprano

P Ó c ˙ &

As

Alto

P Ó c ˙ V

As

Tenor

P ?c Ó ˙

As

Bass

As

F >˙ F

œ ‰ #œ J

kings,

œ œ œ œ 3

see

œ ˙ >

F> ˙

kings,

œ.

F> ˙˙ . .

kings,

ing

see

œœ ‰ œ œ œ œ .

J 3

Piano (rehearsal only)

˙

?c Ó

˙

6 S

A

T

& & Œ

F

œ

take

V œ.

B

6

Pno.

& Œ

œ

their lives

#œ

j œ œ- N œ

#œ

off

the

- y

bout

to

Œ

‰ œj œ

a - bout

a - bout

er

-

˙

-

#œ # œ

œ

mine

-

œ

œ.

‰ # œj œ # œ- œ er

Œ

mine

Œ

(n)…

and

œ œ

Œ

f >œ ( bœ ) b ˙>.

J

the

crown

Œ

y…

˙œ .

‰ # œj œ # œ œ

œ. œ œ

‰ N œj œ

a - bout

œ ¯ J œ

œ œ œ œ œ œ œœ œ œ œ œ J

heav

#œ œ

b˙

˙ Œ

Ó

œ.

œ

wpass…

w-

œ

to

pass,

œ

˙-

b ww w

œ œ

f b >œ ˙ ‰ J -

œ

˙

P> Œ b˙

(n),

œ

œ (n),

(n),

so

˙

˙

˙.

crown

‰

bœ ‰ J

Œ

bw Œ

œ

˙. bw

crown

crown

take

pass,

f> ‰ Jœ ˙ f ‰ n œj ˙ >

F j‰ œ œ

pass,

to

to

b˙ ‰ N œJ œ j œ œ œ

3

#œ

œ

˙

Œ

3

∑

œ œ œ J j ? ‰ œ œ œ ˙ œ œ œ ˙ œ.

ing their lives

œ œ œ œ œ œ œ œ œ œ œœ

˙

∑

F j the heav ? ‰ œ œ œ ˙ œ œ œ ˙ > > take off… off

˙ w w

#œ

-

ing their lives

see - ing

˙. ˙ œ .

a

‰ œ œ œ œ œ œ œ

Grand, declamatory (q = c. 90)

&c Ó

their lives

œ ‰ œ œ œ œ œ œ œ J see

kings,

œ

ED FRAZIER DAVIS Completed January 2013

j ‰ n œœ ˙˙ J bœ ˙ ‰ J

Copyright © 2013-2016 Ed Frazier Davis (ASCAP). All Rights Reserved.

P ‰ bœ J

so

P ‰ bœ J

so

(n)…

˙œ .

b˙. bw

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Œ

b˙

‰

j nœ

‰ b œj

4 œ bœ J

& œ.

10 S

had

A

the

& bœ

bœ

had

T

B

V bœ ?

had

the

bœ

3

the

10

Pno.

& b œœ . ? bœ

13 S

bœ

bœ

T

B

trees

œ.

bœ

j œ

that

∑ œ

œ.

& Œ bœ bœ œ 3

&

42 b œ -

3

œ

bœ

∑

gold

œ

tumn

-

au

-

tumn

-

œœ 3

∑

? œ bœ œ œ œ œ œ œ 13

& Œ bœ bœ 3

on

œ

the

œ

? b b wwœ b œ œ œ œ œ œ œ

b œ-

en

‰ j N œ œ- b œ ∑

b œ.

b˙ Œ bœ

Ó

time

b œœ

˙˙ ˙˙

c

P c b b œœ -

time

c

3

œœ

-

œœ

œ

tumn

-

(m)…

œœ

(m)…

time

Ó

œœ

bœ laid

œœœ b b b œœœœ

˙˙˙

˙˙ c b b ˙œœ

œœ b œ œœ b œ

œ œ

œœœœ

œœ

* : Alto 1s stay on F, Alto 2s move up from D-flat to G-flat a tempo

b œ- b œ

p

gar - ments

Œ bœ œ 3

on the

b w-

b ˙- ~ ~ ~ ~ b ˙ dy

-

ing

w

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ grass,

p b b ww-

…their golden garments on the dying grass…

p bw

grass,

˙ .~~~~~~~~ b œ ∑

a tempo

bœ bœ bw

bw bw

b b ww

ww

grass,

b˙ ‰ Jœ œ b œ

bœ

c

* j œœ b œœ œœ ‰ (m)

(whispered, at individual tempi independent of the conductor/other tenors)

dy - ing

rit.

œœ

j œœ œœ œœ ‰

˙˙

time

œ b œœ

b œœ

the dy - ing

V ww

c

b œœœ

b b œœ

3

b˙

-

Œ

-

-

bœ 24 b œ

œ J

tumn 3

42 b œ

b˙

their

-

b œœ

au

rit.

œ

down

42

bœ

3

au

42 b œ

that

j œ b œœ

down…

Pno.

œ

3

au

3

laid

A

that

œ

trees

bœ

trees

b œ-

42 b œ-

œ

Œ

3

bœ œ

b˙ bw

b˙

bw bw

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bw b˙

bw bw

b˙

5 18 S

A

T

B

& V

p bœ

U

Œ

& ˙.

U

p bœ

When

U

Œ

˙.

When

∑

U

? ˙. ˙.

U

U

U

U

U

18

Pno.

U

Slower, more contemplative (q = c. 54)

œ

I,

P œ b œ œ b œ b œœ n œœ ( nœ ) n ˙˙

œ

œ b œ œ b œ b œ n œœ

I,

who

Œ

the

watched

the

∑

B

Œ

b˙.

? b˙. b ˙.

bœ

œ

œ

3

3

œ

bœ

-

œ.

p œœ .

When

I,

œœ .

glass…

in the

j V ‰ œ. ‰ œœ œœ ‰ Œ - . the sea - sons… ? ‰ œ ‰ œ œj ‰ Œ œ. œ- œ.

glass…

œœ œ œ œ & œœœ œ œœ œ œœœ œœ œ œœ

# www Ó

(s)

& œœ œœ œœ œœ œœ œœ œ œ œ # ww

¿¿ * (s)

sons

3

Ó Œ

œœ œ œ œ œœ œœ œ œ œ j

3

? ‰ œœ ‰ œœœ œœ ‰ Œ œ œ œ

œ

‰ ‰

I,

œœ œ

œœ œ

‰

‰

œ

‰

œ

the

œ

glass

the

j œ- œ

who

watched

who

œœ .

watched

j œœ œœ -

œ.

œ j œœ œ

œœ œ

œœ œ

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I 3

in

Œ

n œœ

˙

sea - sons

3

the

œœœœ

Œ

¿ *

œ

sons,

sons,

˙ n ˙˙˙

n œœ nœ

b œœ

bœ

w

in the

sons

the

Pno.

p œ.

Œ

∑

Œ

œ œ œ œ & œœ œ œ œœ œ œ œ œœ œ œ

21

-

sea

Slower, more contemplative (q = c. 54)

sea

T

sea

Œ

3

A

P n ˙˙

When

& b˙.

sea

watched

∑

21 S

who

œœ

3

œ

of

œ-

P

œ-

œ

my

own

thoughts,

œ

œ

œ

˙ 3

œ

œ

œ

3

œ

* : Each singer should close to the voiceless "s" consonant at their own time, independent of others around them, some time after beat three and hold it until the downbeat. However, one singer in each part (i.e. one soprano and two altos) must hold out the vowel for its full value so that the notated pitches are always present.

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6 p. . œœ œœ ‰ œœ- œœ J my own thoughts, p j œ. œ. ‰ œ- œ

23 S

A

T

& Œ & Œ

P ˙ V n˙

my

own

saw

B

Pno.

the

au

œœ œœ œ œ

‰

3

œœ

œœ œœ œ

œ œ

au - tumn's…

the

œœ œœ œœ œ œ

œœ œœ

V Œ

3

œœœ œ

? Œ

œ

œ˙ œ

Ó œ

tumn's

brown - (n)

(n)

œœ

Œ

œ œœ œ œ œ œœœ œœ œœ œœœ œœ œ œ œœ œ œ œœ œ œœ œœ œ

œ

3

3

œ œœ

b œœ

œœ

leap

Œ

Ó

brown - (n)

Œ

˙˙ .

˙ b˙

P

# # ˙˙

leap

n˙ #˙

œ

Ó

# ˙˙

to

in - to

3

life,

life…

3

œœ

~~~

œœ # œœ œ & œ œœ

26

œœ œ

F Œ œ ~~~~~ ~~~

P Fœ- œ œ œœ œœ œœ œœ œœ œœ ‰ # œ # œ # # ˙˙ # # ˙˙ # ˙˙ > N # ˙˙ in to life, in - to life… sub. P # œœ œ w>w ¿ ~~~~~~~~~~~~~ ¿ ~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑ * life… in - to (f) sub. P F œœ- œ œ ˙. ¿ ~~~~~~~~~~~~~ - . #œ Œ #œ #œ J #œ #œ œ œ œ #œ œ œ > * 3 in

leap

œœ

F ~ ~ œ ~~~~~

Œ

Ó

tumn's

œœ œ

‰

3

F œ ‰ œj~ ~ œ > leap F>œ ~œœ ? Œ ‰ ~ J

œœ

Ó

Œ

œœ œ

3

~œœ # œœ & ~~~~

T

œ.

œœ œ

F> œ œ œœ œœ œœ œœ œœ œœ œœ œœ ‰ œ œ # # ˙˙ œ

& ~ ~ ~œœ œœ

Pno.

œ

all

œœ-

Œ

au - tumn's…

œœ

‰

. œœ

the

œœ

A

B

œœ œœ

saw

œ.

œœ

œœ

‰

n ˙˙ œ ? ‰ Jœ 26

S

all

‰

œ.

au

œœ ‰ œœ œ œ J œœœœ

œœ œ

saw

the

all

. œœ

‰

œ

œœ

saw

& Œ

œœ

all

? ‰ œœ œœ J 23

thoughts,

œœ.

in - to

œœœ œœ œœ ‰ œ œ œ J œœ # œœ œ œœ œœ ‰ Jœ

(f)

life…

œœ œ œœ œ œœ œ œ 3

wwœ

leap

œœ œ œ œœ œœ œ œ œ œœ œ œ œ œ œœ # œ # œ 3

˙.

3

#˙ # # ˙˙ #˙ Œ

in -

# # ˙˙˙ #˙ #œ

to

# œ . # Jœ

life

and wear

n˙ # # ˙˙

# n ˙œ # œ œ

a

sun - ny gown

# ˙˙ ˙˙

œ œ #œ œ œ 3

* : Same effect as m. 22, but with the voiceless "f" consonant. As before, two tenors and one bass must stay on their pitch.

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7 n˙ &#˙ p+

30 S

A

T

B

p+

p

# ˙˙

& ˙ N˙

n˙ ˙ p

# ˙˙

30

n˙

? n ˙œ .

F & Œ b˙.

f Œ bœ

Great

T

B

& ˙

F V Œ b˙. ? ˙˙ 36

Pno.

œ >œ J‰

f >˙

Great

spring

f >˙

spring…

bœ.

spring… f b œ b b >˙˙ . . Œ

Great

Great

spring

Tempo I (q = c. 90)

& œœ b ˙ œ

? œœ b ˙

œ œ

˙. ˙ œ .

˙ bw bw

b˙

œ

œ J‰Œ

A - pril

Œ

p w Ó Ó

œ

œ

Œ

˙.

œ

hap

œ

˙

π

sing

ing

bœ œ œ bœ.

ing up - ward

3

came sing - ing up

-

œ œ œ œ œ œ bœ œ œ œ œ œ

-

as

˙˙

˙

œ

˙˙

œ

˙ ˙

py

hap - py

˙˙

-

hap

py

œ J ward

œ œ œ b œ b œœ œœ b œ œ œ œJ

A

˙ ˙

U

w

-

˙

pril

has.

-

˙

w

A

b b ˙˙ ..

U

pril

œœ b ˙

-

-

A

˙˙œ œ œœ

œœ

has.

the

> Œ ‰ Jœ œ b œ from the œ¯ Ó œ.

the

south…

b ˙-

south;

b w-

from the

south…

b˙ b œ b ˙œ b œ Œ ‰ J j œ œ œ bœ œ

bw w

b˙. bw

bw

pril

has.

U

b ww

pril

has.

U

w b ww

b ˙˙ ˙˙ œ œœ b ˙

U w bw

bœ bœ

b˙. b ˙.

south;

w-

U

œ bœ bœ

b w-

b˙

from

3

3

n˙

A

π Œ œœ œœ œœ

from

ing up - ward

sing

py

b˙

Œ ‰ b œj œ b œ >

up - ward

œ bœ œ œ œ œ œ sing

˙

-

hap

b >˙

œ

œ ‰ œ bœ œ œ œ œ œ J

œœ ‰ J

œ

as

˙˙ ˙˙

˙

as

π Œ œ

3

‰

π

as

has.

œ œ œ œ

came

œ ˙

œ-

n˙ ˙˙ j œ. b œ n˙

œ œ œ #œ #œ J

36

A

˙˙

Ó

Œ

hap - py…

# ˙˙ ˙˙

& # ˙˙

Tempo I (q = c. 90)

S

Ó

˙ N˙ (whispered individually, as in mm. 15-16) …leap into πlife…a sunny gown… PV Œ ‰ œj œ œ # œ # œ ( bœ ) b œJ œ . . of leaf-age fresh as π hap - pyœ . ? œ ‰ œ œ œ. # œ # œ ( bœ ) b œJ J of leaf-age fresh as

Pno.

N ˙˙

j Fœ œ‰

for

F œ

Œ œ.

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œ nœ

my

heart far

b œ œ- n œ J

F> > ‰ b œœ œœ œœ ˙˙ J in

my heart, far

my

œ

∑

Œ œ.

heart…

œ

bœ J ‰ b œœ œœ œœ J

œ n n œœ œ ˙ ˙

8 42 S

A

∑

&

& nœ n œ-

B

V

-

˙.

ried

œ œ.

j ? ‰ nœ œ œ Œ n œ- œ œ car

-

ried

car

A

T

B

-

wind

> > œœ # œœ œœ

* œœ # œœ œœ > >

>> V c œœ .. # Jœœ ˙˙ F?c œ œ œ- œ

and grew

47

& c ˙˙˙˙

œ

all

and grew

œ the

œœœ # # œœœœ œœœœ œ

j œœ .. # œœ ˙˙ ?c œ œ œ œ œ

˙

˙

œ

. # # ˙œ #˙. w

Œ #œ œ œ

œ

all

the

3

and grew

& c ˙˙

˙.

Your

and

∑

ww

words

‰ j œ # # œœ.

Œ #˙

˙

j ‰ #œ

rit.

#œ

caught

Œ #œ œ œ

caught

∑

* : Alto 1s stay on G-sharp, Alto 2s move up from E to A

took

root

wing

ed

seeds took

root

∑

j #œ œ œ # œ # œ œ# œ œ.

œ œ

3

3

3 œ 42 # œ- œœ œœ J

42

∑

˙-

œ J

42

mu

-

from

˙

sic…

# œœ œœ

w

mouth…

your

œ ˙. (m)

œœ

3

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

P ww

œ.

Ó

ww

(m)

a tempo

rit.

#œ

˙ œ œ Œ #œ œ ˙ ˙ ˙ œ ˙. w w

c c c

3

œ- œ Œ # œ œ ˙- ~ ~ ~ ˙

mu - sic

c

42 n œ # œœ # # œœœœ c

-

˙ ~~~ # ˙

(alto 1: no gliss.)

∑

mouth…

…all the world caught music from your mouth…

˙ n˙ Œ ‰ # œJ œ # # wwœ # œ œ œ œ œ œ œ œ Ó œ 3

wing - ed

(whispered individually, as in mm. 15-16; 29)

mu - sic…

œ

seeds

3 42 œ # œ # œœ

#œ #œ #œ -

3

P Œ ‰ j # œ œ- # œ

# œ- # œ œ œ œ œ œ œ œ-

seeds took root

3

a tempo

n˙

world

3

like wing - ed

like

Your words like

42 n œ- œ # œœ

œ

F3 ‰ #œ #œ œ œ œ.

J

the world caught

world

œ

(nd)…

& c ˙˙

˙œ .

Your words

(nd),

wind

œ #œ J

F#œ

(nd),

(nd),

? ‰ n œj œ nœ œ

& n n œœ

grew, and

Pno.

>œ ˙ Œ ‰ J

the

ried…

47 S

f> œ Œ #˙

Œ ‰ # œj ˙ > wind > >œ # ˙ . œ J

Œ ‰ # # œœ ˙˙ J œ. ‰ œ œ #˙. œ œ œ œ ‰ J Œ ‰ J œ

42

Pno.

on

F‰ #œ #œ.

J

œ ˙

wind

car

T

F> Œ ‰ # Jœ ˙

3

w w

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ww

mouth;

w ˙

w w

#˙

c

9 S

A

T

B

& w & ˙ ~~~~~ ˙˙

ww¿¿~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~ * (th) P Œ œ œ. Ó

∑

V

A

T

& # w˙

˙˙

? w

&

#˙

&

#œ

Ó w w

Œ

blind,

blind,

# œ # œœ # # œœ œœ V # œ ? # # œœ

3

# œœ

57

& # # ˙œ

# # œœœ # œœ # œœ # ? # œ # œœ 3

# # œœ

light,

#œ J

the

j œ . œ œ # œœ . # œ # œ J Œ

œ

P nœ

P nœ

and

Œ

#œ œ œ

and

œœ œ œ œ ‰ œ œ J

œœ œœ # # œœ œœ

3

3

light…

Pno.

the

∑

w ww

#œ

œœœ œœ # œ œ œœ # œ 3

Œ

œœ

3

3

#œ

#œ #œ

œ

#œ

#œ #œ

one

œ œ

as

œœ œ

‰

3

˙- .

knew

Œ # # œœ

œœ

œ

the

œ

# œœ

j #œ

#œ

#œ

#œ

œ

œœ œ œ œ œœ œœ œ œ #œ

3

œœ

3

(n)

and

#œ

n # ˙˙

-

(n)

and

œœ- # œœ œ

my

#œ Œ # œœ

œ

-

and knew

˙. Œ #œ

been

sun

my

nœ

had

my

and knew

Œ # œœ

been

œœ J

my

œ-

3

œœ

had

the

#œ #œ œ # # ## œœœœ œ œ œ œœœœ œ œ # # œœ #œ œ

knew

who

3

Œ

# # œœ

who

one

œœ œœ # # œœ œœ

# œœ

light,

˙- .

œ

tutti poco a poco crescendo, to forte at m. 62

œœ ‰ J

œœ œ œ œœ œ œ œ Œ

as

# # œœ # œœ # # œœ œœ

Tempo II (q = c. 54)

Œ

light…

B

j œ œ #œ

(th)

rit.

p+ ‰ # œj

Œ

P ww¿¿~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~ Œ œ # œ . * I saw

w

S

∑

saw

p+ ‰ # œj

Œ

∑

I

? w w

57

w¿~~~~~~~~~~~~~~ * (th)

53

Pno.

Tempo II (q = c. 54)

rit.

53

# # # œœœ

# œœ # œœœ œ

# ˙˙

sun

# œœ œœ # # œœ œœ # œœ

sun

3

# œœ

sun

œ œ

‰

j œœ ‰

œ

œœ œ œœ œ # œœ

œœ œ # # œœ œœ œ

3

œ

and

œ œ

3

# ˙. # n ˙˙˙ ...

œ #œ œ # # œœœœ œ œ œ œœœœ œ œ # # œœ #œ œ

and

œ

œœ œ œ œ # œœ œœ œ œ œ œ 3

* : Same effect as mm. 22/27, but with the voiceless "th" consonant (and this time, the singers can close to the consonant any 3

œ

3

time after beat one, not three, during this measure). Again, one soprano, two altos, and two basses must stay on their pitch.

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10 œ & # œœ œ # # œœ œœ

œ œ

60 S

3

song

A

& # œœ

œœ œ # # œœ œœ œ

song

-

-

-

œœ J

B

song

-

-

-

(ng)

V # ˙˙ ? # ˙˙

Pno.

3

œ #œ œ & # # œœœœ œ # œœ œ œœœœ œœ œ # # œœ 3

3

60

œœ œ

3

# œœ

song

T

œœ œ

# ˙. ? # n ˙˙˙ ...

(ng)

œœ J

œ

œ

‰

œ

# œœ œœ # # œœ œœ

œ and

3

œ

spring

# œœ

and

# œœ

and

œœ œ œ œœ œ œ 3

3

spring

œœ

œ # # œœœœ œ œ #œ œ # # œœœœ œ œ #œ

œ

œ

3

f ˙ & #˙

62 S

f & n˙

you,

A

you,

T

B

V Œ ? Œ

f# œ f œ nœ

were

were

˙. & n # Œ˙˙ ..

62

Pno.

? Œ

#œ œ nœ

œœ J

‰

œ ~~~~~~~

œ

‰

‰

œ.

were

¿ my

‰

you,

¿ ¿ ¿ ¿ 3

sun and song

˙ ˙ ˙

˙.

3

¿

¿

and spring

¿ were

œ

were

œœ

(ng)

3

œœ œ œ œœ œœ œ

ƒ #U # ww

w w

w #w

#U w # ww

Πw w

œœ

œœ

œœ œ œ # œœ œœ œ œ œ

Ó

ƒU w w

were

œ

œ œœœ œ œœ œ # # œœ œ # œ œœ œ œœ œ œ # # œœ œ #œ œ

œœ

were

(ng)

you!

were

‰

3

œ

œœ

œœ œ

Œ

3

ƒ #U ww

(spoken)

you,

œ .. œ

œœ œ

3

w ~~~ # w

Œ

œ

3

spring 3

œ œ

œœ œœ # # œœ œœ

# œœ

œœ # œœ

3

œœ œ # # œœ œœ œ

# œœ œœ # # œœ œœ

œ

œœ œ

3

# œœ

spring,

and

‰

œ œ

fU #˙

you!

you!

you!

˙.

#U w #w w

U

#˙

Performance duration: Approx. 3:50

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