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Here and Now | Gary Packwood:Randall L. Hooper | MusicSpoke

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For the 2018 ACDA Eastern Division Junior High Honor Choir Gary Packwood, conductor

Here and Now SATB Chorus, Piano and Horn in F Ella Wheeler Wilcox (1850-1919)

Randall L Hooper and Gary Packwood

Contemplative q = 78

Horn in F

 

3

mp cresc.

3

rit.

     

descresc.

                                              mp mf          rit.

Keyboard

pedal freely

A 8

  

A Tempo

 

solo or small group mp 3

         

Here, where our spi - rits were hurled

solo or small group mp 3

       

Here, in the heart of the world,

  

solo or small group mp

 

To

solo or small group mp

3          

Here, in the noise and the din,

     mp  

         

          Copyright 2017

     

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. Opus Choral Music Publishing


2 14

  

 

mf

B

3

 3        bat - tle with sor - row and sin, 

  

mf

things;

  things;

   things; 

          

3

    

3

is the king - dom where Thought

This

is the king - dom where Thought

This

For know - ledge of in - fi nite

 

3





    

    



    

This is the place and the spot Tutti

For know - ledge of in - fi nite

This

For know - ledge of in - fi nite

  

    3    

is the place and the spot

   

3     

3

        

 

p

3



3

  

f

Can con - quer the pro - wess of kings. f 3 3

Can con - quer the pro - wess of kings. f 3 3

Can con - quer the pro - wess of kings. f 3

     3  

   

Can con - quer the pro - wess of kings.

        

3

3

       



3

3

       



is the king - dom where Thought

       

 

    

This is the place and the spot mp Tutti 3

3



3

3

3        

This mf

 

    

       

is the king - dom where Thought

mf

things;

 

3

3

This mf

   

 

 3

  

poco a poco cresc.

For know - ledge of in - fi nite

mp

This is the place and the spot mp Tutti 3

                   

20

      

 

      

3

mp Tutti

            

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.






3

C

26

   

 

Sop. mp

Wait Alto mp



Wait

3

    

for no hea - ven - ly

life,

    

life,

    3

Here, in the midst of the

mp

 

    3

Here, in the midst of the

 

for no tem - ple a - lone;

Seek

mp

Seek

                    

31

      3

 

  

 strife,

3

3

for no hea - ven - ly

3

    

for no tem - ple a - lone;

                  a Tempo

rit.

      3

Know what the sag - es have known.

 strife,

3

3

     

Know what the sag - es have known.

mp

3

    

See what the Per - fect Ones mp 3

    

See what the Per - fect Ones

rit.

a Tempo

                                          

36

    saw 

  saw

     

3

God

in the depth of each soul,

God

     3

God

in the depth of each soul,

God

3     

as the light and the

law,

3      

as the light and the

law,

                                             

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


4 41

 

3

      

D

molto rit.

3

Slower q = 60



3

3

p

    

    

Earth is one cham- ber of Heav'n,

         God as be- ginn - ing and goal. 

3

3

    

    

   

 

47

   birth.

 

birth.

   birth. 

  birth.

    3  

 

3

     

mp

Joy in the life that was giv'n,

mp

3

     



  

sustain



  

 

 

 



 



for rehearsal only

  

 3

mf 3       

     

Strive for per - fec - tion on earth.

Here, in the tur - moil and roar,

3

3

3

mf

      

3

3

     

Here, in the tur - moil and roar,

Joy in the life that was giv'n,

Strive for per - fec - tion on earth.

Here, in the tur - moil and roar,

    3  

    3  

    3  

Joy in the life that was giv'n

Strive for per - fec - tion on earth.

Here, in the tur - moil and roar,

            3



 

    3   mf

3



3

3

    



     3

3

 

 

      3

       

3

  

 

  

  3

Strive for per - fec - tion on earth. mf 3

mp

Death is no gran - der than

3

Joy in the life that was giv'n, mp

    3  

    3 

molto rit.

 

Death is no gran - der than

p

Earth is one cham- ber of Heav'n,

 

3

    3 

    

God as be - ginn - ing and goal.

 

Death is no gran - der than

3

p

Earth is one cham- ber of Heav'n,

3      3  

Death is no gran - der than

3

p

Earth is one cham- ber of Heav'n, 3

3

 

 

   

3

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

     3

Show what it is to be 3

     Show what it is to be

    3  Show what it is to be

    3  Show what it is to be

 

3

           3


E 55

   calm;

  calm;

  calm; 

  calm;

   

Show how the spi - rit can soar

62

3

       Show how the spi - rit can soar

    3  

Show how the spi - rit can soar

 

    

    



 

3         

3

part,

Plunge in the thick of the fight.

       3

Plunge in the thick of the fight. 3       

Plunge in the thick of the fight.

         

3

3

 3   3       3   3

  

3

          

3

     

  

      

 

3

rit.

3

   

Stand not a - loof nor a -

 

mp

3

  

Stand not a - loof nor a 3     

mp

Stand not a - loof nor a 3     

mp

Stand not a - loof nor a -

a Tempo q = 78

            play     

  3

mf

 

mp

And bring back its heal - ing and balm.

Plunge in the thick of the fight.

   part,

And bring back its heal - ing and balm.

 

3

3

And bring back its heal - ing and balm.

    3   Show how the spi - rit can soar

    3  

5

a Tempo q = 78

And bring back its heal - ing and balm.

part,

part,

3

   

3       

rit.

        3

    3   3

There in the street and the mart,

That is the place to do right.

3       

    

mf

3

3

There in the street and the mart, mf

That is the place to do right.

There in the street and the mart, mf

That is the place to do right.

There in the street and the mart,

That is the place to do right.

        3

     3   

         



    3   3

 3   3  

                      

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F

6 69

 

  

mf

Not

  

mf

Not

 

3

    

in some cloi - ster 3

    

in some cloi - ster

  

Here, on this side of the

        3

Here, on this side of the

   

 

 

 

cave,

Not

   

3    

in some cloi - ster or cave,

grave,

grave,

                

a -

in some king dom

   Not

3

 

a -

bove, 3

   

 

    

king - dom a

f

bove,

3    

in some

king - dom a

 

  

in some

Not

3

bove,



  

3

bove,

   

  

3

Here, should we f

la - bor and love.

Here, should we la - bor and love. cresc.

Here, should we

la - bor and love.

Here, on this side of the grave, 3

Here, should we la - bor and love. cresc.

in some king dom

     

cresc.

3

 

Not

3

    

3       

in some cloi - ster or cave,

3

  

  

3

  

3

3      

f

3

Here, should we la - bor and love.

Here, on this side of the grave,

  

Not

Not mf

 

cave,

3

    

                

74

or

mf

3          

or

  

      

cresc.

   3  

   

    

3

Here, should we

la- bor and

Here, should we la - bor and love.

    

3

f

3

  

3

   3 

3

Here, should we



  

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la- bor and

     


G

7

79 mf

   Here,

3

should

we

la

 

bor

and

love.

3

should

we

la

-

mf

Here,

 

3

-

mf

Here,

love.

3

bor

and

love

3

should

we

la

mf

 

p cresc. poco a poco

 3

 3     

Here, should we la - bor and love. p cresc. poco a poco

love.

3

bor

and

 

should

we

la

3

love.

-

3

bor

and



      3 3          

  

  

 3   3 Here, should we la - bor

3

  

Here, should we

   3

and love. Here, should we la - bor

Here, should we

 

 3

 

and love. 3

la - bor and love.

3

la - bor

 

 3     

3

la - bor and love. Here,should we love. 3

    

Here,should we

 

3

3

 

and love. Here, should we

 3

la - bor and love.

p cresc. poco a poco



 3

Here, should we la - bor and love.

3

la - bor 3

 3     

Here, should we

 

3

  

Here, should we la - bor and love. Here, should we p cresc. poco a poco

3

p

  3  3    

 

82

-

3

       

  

 

Here,

love.

 

 



la - bor and love.

  3    

and love. Here, shouold we la - bor and love.

 

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

 


8

  

83

cresc.

3

3

Here, cresc.

should

we

la

bor

and

3

Here, cresc.

should

we

la

cresc.

  

    Here, 

3

should

we

la

3

Here,

should

we

la

cresc.

         

3

   

 

3

  

-

3

-

-

bor

and

3

bor

and

bor

and

3

-

 

 

 

f f

love.

 

f

love.

 

f

love.

 

f

love.

   f  

    

  

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