Full Fathom Five (SSAA) | Paul Carey | MusicSpoke

Full Fathom Five for SSAA/Piano

Music by Paul Carey Text by William Shakespeare

Commissioned by the 2012 Women's Choir Commission Consortium of the American Choral Directors Association (ACDA) Iris S. Levine, National Repertoire and Standards Chair for Women's Choruses

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

The 2012 ACDA Women's Choir Consortium Members and their Directors Aurora Chorus Bella Voce Women's Ensemble California Lutheran University Women's Chorale Cantala (Lawrence University Women's Choir) Central Bucks West Women's Choir Elektra Women's Choir Emmaus High School Women's Choir Flower Mound (TX) High School Women's Chorale Grand Rapids Women's Chorus Lewis & Clark College Women's Chorus Luther College Aurora Marcus High School Treble Choir Mirinesse Women's Choir Nazareth Academy Chorale Peninsula Women's Chorus Phoenix Club (SUNY Potsdam) Saint Mary's College Women's Choir Sistrum, Lansing Women's Chorus South Dakota State University Women's Choir Syracuse University Women's Chorus The Choir Project; Naples, Florida The Nightingale-Bamford School Chorus The Ohio State University Women's Glee Club University of Mississippi Women's Glee Club University of No. Colorado Women's Glee Club University of Southern California Oriana Women's Choir Voca Lyrica of Big Rapids, MI Vox Femina, Los Angeles Wheaton College Women's Chorale WomenSing West Ottawa High School Select Women's Ensemble WomanSong (West Virginia)

Joan Szymko, conductor Jennifer Tibben, conductor Wyant Morton, conductor Phillip A. Swan, conductor Joseph Ohrt, conductor Morna Edmundson, artistic director Rita Cortez, conductor Mark Rohwer, conductor Lori Tennenhouse, conductor Margaret Green, conductor Sandra Peter, conductor Jason Dove, director Rebecca Rottsolk, conductor Katherine Chmelko, conductor Martin Benvenuto, artistic director Rebecca Reames, artistic director Nancy Menk, conductor Meredith Bowen, conductor Laura Diddle, conductor Barbara M. Tagg, conductor Marian Dolan, artistic director Courtney Birch, conductor Richard Schnipke, conductor Debra Spurgeon, conductor Jill Burleson, conductor Jo-Michael Scheibe, department chair Virginia Kerwin, conductor Iris S. Levine, artistic director Mary Hopper, conductor Martin Benvenuto, artistic director Pam Pierson, conductor Emily Capese, conductor

In Act One of The Tempest, Prospero's bound spirit, Ariel, sings a song which purposely misleads Fernando into believing that his father, Alonso, died when their ship was wrecked in the storm. Ariel's words, motivated by promise of eventual release from her servitude to Prospero, certainly do convince Fernando due to their strange images. Ariel is responsible for much of the action of the play, including its happy ending.

In my setting of the text there are a number of devices I have used to paint the scene. I use a piano part (encompassing full range of the keyboard) mostly in block chords in 2/2 to paint an image of the depth and weight of the ocean; on top of this voices in 4/4 skim across in various waves. The opening tonality is a deeply resonant E flat minor/E flat Dorian mode.

Often there are odd dissonances in order to paint the idea that Ariel's words are so strange and actually untrue. While I do extend the sea nymphs/ding-dong-bell text into a long sea scene of its own, I would rather not have the singers exaggerate the consonants in some kind of effort to mimic bells. The ending in major implies that eventually the truth that Alsonso is really alive will be found out.

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

Commissioned by the 2012 Women's Choir Commission Consortium of the American Choral Directors Association (ACDA); Iris S. Levine, National Repertoire and Standards Chair for Women's Choruses

Full Fathom Five SSAA/Piano Paul Carey

William Shakespeare The Tempest

bb 4 & b b bb 4

q»¶§ ∑

∑

∑

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∑

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∑

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˙˙˙˙ ˙˙˙˙

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Deeply Resonant

Alto 1

Alto 2

Piano

5

A1

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5

Pno.

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simile

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In general, the pulse is 2/2; yet feel free to switch back and forth from 2/2 and 4/4 patterns as needed

∑

Full

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fa - thom five,

b ˙˙˙˙ b ˙˙˙

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© 2012 Paul Carey All Rights Reserved for more info abouttothis and other This score is not licensed for performance. Please visit MusicSpoke.com purchase performance copies. compositions, visit www.paulcarey.net

œ œ ˙

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4 9

S1

Full Fathom Five; Carey

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A1

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b & b bbbb œ Of

A1

A2

b & b bbbb

b & b b b b b ˙˙ ˙˙

œ œ œ

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bones

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˙˙˙˙ ˙˙˙˙

Œ

˙.

Œ

∑

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œ œ œ ˙

thy

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fa -thom five,

A ˙˙˙˙

˙˙ ˙˙ Ó

˙˙˙

nw n n ww

n œ œ œœ

fa - ther lies;

Œ A A ˙˙˙˙

n n œœ n œ

n nn www

˙˙ ..

Œ

∑

œ œ ˙

Œ

∑

cor - al made;

œ œ œ

œ œ

Œ

œ œ œ ˙

are

Œ

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full

œ

cor - al made;

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Œ

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Œ

˙.

fa - thom five,

˙. ˙˙˙˙

∑

˙.

fa - thom five,

are

full

Œ

fa - ther lies,

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bones

b & b bbbb œ œ œ ˙ 13

Pno.

his

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fa - ther lies,

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full

thy

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nœ œ œ

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13

S1

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Pno.

œ

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thy

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fa -thom five,

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fa -ther lies;

Œ ˙˙˙ ˙

n n œœ n œ

Full Fathom Five; Carey

b & b bbbb

17

S1

p œ

Ó

∑

Those

S2

b & b bbbb

∑

p œ

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Those

A1

A2

b & b bbbb

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˙.

b & b bbbb 17

www w ˙

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Ó

Those

∑

21

S1

Œ

p œ p œ

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b˙

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Ó

S2

A1

A2

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Ó Ó Ó >˙ ˙ n n œœ n œ

eyes:

his

œ

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w

are

pearls

that were

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j œ œ

his

eyes:

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nw

œ

œ.

j œ œ

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nw

are

pearls

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Full

fa - thom

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w

that were

f œ

F œ

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pearls

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j œ œ

are

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that were

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thy

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eyes:

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lies,

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21

F n ˙˙˙

fa - ther

full

œ

˙ n ˙˙

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fa - thom

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Full Fathom Five; Carey

6

b & b bbbb

˙.

24

S1

S2

A1

A2

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˙.

b & b bbbb

f

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five,

full

œ

∑

3

œ

fa - thom

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Full

˙

five,

œ

fa - thom five,

full

˙˙˙

˙˙ ˙˙

b & b bbbb

24

Pno.

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3

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A1

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b & b bbbb

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full

thy

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‰

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˙˙˙ ˙

n n œœ n œ

bones

his

bones

‰ œ

œ.

lies;

f œ

full

˙˙ ..

œ

œ œ œ

Full

fa - thom

œ œ ˙

fa - thom five,

˙˙˙˙ ˙˙˙˙

˙˙˙˙ ww w

Œ

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Ó

3

###

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made;

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Œ

j œ œ. œ. five,

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3

fa - ther

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lies;

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œ full

˙˙˙˙ ˙˙˙˙

his

made;

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˙.

b & b b b b b ˙˙ ˙˙

27

cor - al

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Of

Accel.

27

S1

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Of

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∑

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fa - thom five,

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œ. ˙˙ ˙˙

˙ ? bb b b bb w ww n nn www This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

### ### ###

No - thing of

˙˙ 3 ˙œ n œ n œ

n˙

### ###

C Animato q»ª™ ## & # w

30

S1

Full Fathom Five; Carey

˙

him

S2

### w &

˙

him

A1

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˙

him

A2

## & # w

˙

him

### w & w˙ .

˙˙

n œ œ3 œ ### Œ & œ a

S2

that doth

fade,

œ œ

œ.

that doth

fade,

œ œ

sea

-

3 ### Œ & œ nœ nœ œ

a

sea

-

### Œ & œ nœ nœ œ

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‰ #œ œ œ But

‰ œ œ œ But

fade,

œœ œœ

# ˙˙˙

doth

‰ œ œ œ 3

#œ.

that doth

doth 3

fade,

œ œ

doth 3

#œ.

Œ œ œ Ó œ œ # œ œ ? ### œ œ œ œw w

34

S1

œ.

that doth

30

Pno.

œ œ

7 3

But

doth

# ˙˙˙ ˙

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œ.

suf

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suf

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œ #œ

œ

œ

˙

change

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some - thing

rich

and

strange,

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œ

rich

and

strange,

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˙

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fer

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A2

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3 ### Œ & œ nœ nœ œ

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sea

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change

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Œ

œ

œ

some - thing

rich

∑

and

œ œ in - to

3

A1

œ œ

Œ

strange,

œ œ

in - to

∑

# ˙˙˙ # œ ˙ œœœ # ˙˙˙ ... # œœœ œœ œœœ œœœ # ˙˙˙ Pno. œ œ œ #œ # œ œ œ # œ #œ œ œ #œ œ œ œ œ œ œ wwœ ww wwœ This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

Full Fathom Five; Carey

8

D ### œ N œ &

œ

38

S1

some - thing rich

S2

&

###

#œ

œ

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& &

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œ

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œ

nœ

œ

nœ

some - thing

A2

&

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some - thing

# # # œ œœ # œœœ n œœ &

42

Pno.

˙

and

Œ

strange,

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œ

in - to

some - thing

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# ˙˙˙

œ

? ###

some - thing

œ œ

#œ

in - to

some - thing

œ

in - to

œ

œ

# ˙˙˙ ˙

rich

œ

and

œ œ

some - thing

rich,

some - thing

œ

œ

rich,

œ

œ

rich,

œ

# œœœ œ

some - thing

œ # œœœ Œ

# œœœœ www

Ó

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Ó

bb b b b P b œ

œ

rich

and

œ

nœ

rich

and

œ

œ

w

˙

Ó

bbbbbb

∑

œ

w

˙

Ó

bbbbbb

∑

# ˙˙ ˙

˙˙ ˙

ww bb b b b w b

rich

œ rich

œœœ œ

and

and

œœœ œ

strange.

˙

strange.

œ

œ

œ

Sea - nymphs hour - ly

strange.

strange.

# ˙˙˙ ˙

rich

# œœœ œœ œœ œ œœ # œœ

œ

#w

rich

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rich

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some - thing

œ # œœœ n œœ

rich

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strange,

œ

œ #œ œ œ

Ó

˙

#œ œ œ #œ œ œ œw œ w w

œ œ #œ œ œ

in - to

œ œ

Poco a poco molto dim. e rit.

some - thing

A1

œ

œ

œ œ

Œ

#˙ strange,

œ

some - thing

S2

Œ

and

œœœ

## & # œ Nœ

42

S1

strange,

Œ

38

Pno.

and

œ

some - thing rich

A2

˙

œ nœ

some - thing rich

A1

œ

˙˙ ˙

P

bbbbbb w ww ww ww ww w w w This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

Full Fathom Five; Carey

b & b bbbb

46

S1

S2

ring

A1

∑

∑

b & b bbbb œ

œ

˙

his

b & b bbbb

knell,

∑

Ó

˙ P œ

∑

A2

b & b bbbb

46

Pno.

S2

œ

œ

œ

œ

œ

œ

ring

his

˙

knell,

∑

œ

œ

œ

œ

P œ

œ

œ

œ

sea - nymphs hour - ly

∑

∑

∑

∑

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F

b & b bbbb

∑

∑

bb & b b bb œ bb & b b bb œ b & b bbbb œ ring

b & b b b b b ˙˙˙ ˙

50

Pno.

œ

sea - nymphs hour - ly

? bb b b b b ww w

ring

A2

œ

∑

www

ring

A1

œ

sea - nymphs hour - ly

∑

50

S1

∑

∑

Sea - nymphs hour - ly

b & b bbbb

9

? bb b b b b ˙˙ ˙

œ his

˙ knell,

œ n˙

his

knell,

œ n˙

his

œ

œ

∑ œ

œ

sea - nymphs hour - ly

œ

œ

œ

œ

œ

œ

œ

œ

sea - nymphs hour - ly

œ

œ

ring

his

œ

ring

œ

∑ ˙

knell,

œ n˙

his

knell,

œ n˙

knell,

œ

œ

œ

sea - nymphs hour - ly

œ

œ

œ

œ

œ

œ

œ

œ

sea - nymphs hour - ly

knell,

sea - nymphs hour - ly

ring

œ˙ œ n n ˙˙

˙˙˙˙

˙˙˙˙

nn œ˙˙˙ œ

˙˙˙˙

n nn ˙˙˙

www

˙˙ ˙

n nn ˙˙˙

www

˙˙ ˙

his

œ

sea - nymphs hour - ly

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˙˙ ˙

Full Fathom Five; Carey

10

bb & b b bb Ó

54

Semi-Choir

S1

S2

b & b bbbb

his knell,

bb & b b bb œ œ n˙ b & b b b b b ˙˙˙ ˙

54

Pno.

his knell,

b & b bbbb œ œ n ˙

ring

? bbb b b b ˙˙ ˙

Ó

Ding- dong - ding,

b & b bbbb œ œ ˙

ring

A2

ww

∑

ring

A1

F œ œ œ

G

his knell,

nn œ˙˙˙ œ n nn ˙˙˙

Ding-dong

∑ F œ œ

œ œ

∑

bell,

f œ œ œ œ œ

Hark! now I hear them,

œ œ

sea - nymphs hour - ly

F œ œ

œ œ

F œ œ

œ œ

sea - nymphs hour - ly

œ œ ˙ ring his knell,

œ œ n˙

ring his knell,

œ œ n˙

sea - nymphs hour - ly

ring his knell,

˙ ˙˙˙ F

˙ ˙˙˙

œ nn œ˙˙˙

˙˙ ˙

n nn ˙˙˙

ww w

ww

˙˙˙

œ

œ œ œ

œ

Hark! now I hear them,

œ

œ œ œ

œ

œ

œ œ œ

œ

Hark! now I hear them,

Hark! now I hear them,

˙˙˙˙

˙˙˙ ˙

˙˙ ˙

˙˙ ˙

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Full Fathom Five; Carey

bb & b b bb Ó

58

Semi-Choir

œ œ œ w œ œ œ w

Ó

Ding-dong - ding,

S1

b & b bbbb œ œ ˙ Ding-dong, bell,

S2

b & b bbbb œ œ ˙ Ding-dong, bell,

A1

b & b bbbb œ œ n ˙

Ding-dong, bell,

A2

b & b bbbb œ œ n˙

Ding-dong, bell,

b & b bbbb

58

Pno.

˙˙˙˙

? bbb ˙ bbb ˙ ˙

œ œ œ œ Ding-dong

œ œ œ œ œ œ Hark! now I

11

hear them,

œ œ ˙ Ding-dong, bell,

H ƒ w w bell,

ƒ œ œ œ œ œ Hark! now I hear

them,

œ œ œ œ

œ

œ œ ˙

ƒ œ œ œ œ œ

Hark! now I hear

them,

Ding-dong, bell,

Hark! now I hear them,

œ œ œ œ

œ

œ œ n˙

Ding-dong, bell,

Hark! now I hear them,

œ œ n˙

ƒ œ œ œ œ œ

Hark! now I hear

œ œ œ œ

Hark! now I hear

them,

œ

them,

ƒ œ œ œ œ œ

Ding-dong, bell,

Hark! now I hear them,

˙ nn œ˙˙˙ œ œ ˙˙˙

˙˙˙ ˙

˙˙˙˙

nn œ˙˙˙ œ

˙˙˙˙

˙˙˙ ˙

n nn ˙˙˙

˙˙ ˙

˙˙ ˙

n nn ˙˙˙

œ˙ œ ˙

œ˙ œ ˙

˙˙ ˙

ƒ

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Full Fathom Five; Carey

12

œ œ

b & b bbbb Ó

62

Semi-Choir

œ œ œ œ

Ding - dong,

S1

bbb b ˙ b & b

Ó

œ œ Ding

œ Hark!

S2

b & b bbbb œ

œ

Ding - dong,

A1

bb & b b bb œ

œ

Ding - dong,

A2

b & b bbbb œ

œ

Ding - dong,

bb & b b bb

62

Pno.

˙˙˙˙

? bb b b œ b b ˙˙

œ

˙ bell,

Hark!

œ

n˙

bell,

Hark!

œ

n˙

bell,

œ˙ n n ˙˙ œ n n œ˙ n˙

Hark!

œ œ œ œ œ

œ œ ˙ œ œ ˙ -

dong

hear

I

hear

œ œ œ

now

I

hear

œ œ œ

now

˙ ˙˙˙

œ˙ ˙

I

œ œ œ now

I

hear

œ

œ˙ ˙

w

them,

œ them,

œ

them,

œ

them,

œ

œ

œ

Ding - dong,

œ œ

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

bell.

bell.

œ n˙

Ding - dong,

œ˙ ˙

˙

œ n˙

Ding - dong,

˙ ˙˙˙

˙˙˙ ˙ œ

Ó

bell.

œ œ œ now

˙ ˙

bell.

> nn œ˙˙˙ œ

> œ n n ˙˙ n˙

Full Fathom Five; Carey

˙

bb & b b bb

65

S1

∑

Ó

Ding - dong,

S2

A1

A2

b & b bbbb

∑

Ó

˙

b & b bbbb

˙

bb & b b bb

˙

? bb b b bb

˙˙ ˙

˙

bell,

A2

∑

∑

∑

∑

√ > nn ˙˙˙˙

Ding - dong,

Ding- dong,

F Œ œ

bell,

Fw www ww w

ww w œ œ

œ œ

˙ b˙

bell,

œ

bell,

Ding - dong,

œ

b & b bbbb

∑

Ó

œ

˙

‰ œ

œ œ.

bell,

œ

bell,

œ

œ œœ

œ

œ ˙

œ

˙

Ding

b ˙˙˙˙ b ˙˙˙

Ding - dong,

-

dong, bell,

www w www wwww

bell,

Ding

-

ding - dong,

œ

œ œ

Ding - dong,

œ œ ˙ ˙˙˙ ˙ ˙˙˙

bell,

œ

dong, bell,

wwww wwww wwww ? bb b b bb w ww ww ww w This score is not licensed performance copies. w for performance. Please w visit MusicSpoke.com to purchase w w Pno.

˙

œ œ

˙

Ding - dong,

œ œ

ding - dong, bell,

œ

Ding - dong, bell,

œ œ

Ding - dong, bell, 69

wwww ww w

Ding - dong, bell,

œ œ

˙ œ

‰ œ œ

œ œ.

œ

Ding - dong,

∑

bb b b b Œ F & b œ œ œ b & b bbbb Ó

bell,

Ó

n nn ˙˙˙

Ding - dong,

œ

˙

∑

Ding -dong, bell,

A1

œ

bell,

∑

b & b bbbb œ œ ˙ b & b bbbb

F œ

Ó

˙

Ding - dong,

∑

69

S2

bell,

œ

Ó

>

S1

œ

Ding - dong,

œ>œœ œ n 65 b b b b n n œœœœ b œœ n œ b œ b & b Pno.

13

F I A Tempo œ œ ˙

Rit.

ding -

b ˙˙˙˙ b ˙˙˙

Full Fathom Five; Carey

14

b & b bbbb œ

73

S1

S2

A1

A2

b & b bbbb b & b bbbb

œ

˙

Ding - dong,

bell.

œ

˙

bell,

œ

b & b bbbb œ

dong,

w bb b b b wwww & b ww wwww ? bb b b bb w ww

œ

Ding - dong,

œ

œ

Ding - dong,

˙

bell,

J p b & b bbbb œ

77

S1

S2

A1

bbb b p b & b œ

œ

œ

bell.

w

œ

˙

˙

˙˙˙ ˙ ˙˙˙ wwww

b ˙˙˙˙ b ˙˙˙

Ding

˙

bell,

œ

˙

bell,

œ

˙

Ding - dong,

A2

bell,

œ

˙

Ding - dong,

bb b b b n wwww & b w p ? bb b b bb

w

-

∑

w

dong,

∑

w

bell.

n # nn wwww # n # www

ww ww b www wwww

wwww ww w

ww w

bell,

œ

bœ

Ding - dong,

œ

bœ

Ding - dong,

œ

bœ

Ding - dong,

œ

bœ

Ding - dong,

˙ bell,

˙ bell,

˙ bell,

˙ bell,

˙

wœ œ

∑

˙˙˙

œ ∫œ ˙˙ ˙

˙

Ding - dong,

˙

˙

Ding - dong,

˙ ˙

w n ww ww w

bell.

w

bell.

w

˙

nw

Ding - dong,

∑

w

˙

Ding - dong,

77

Pno.

∑

Molto Rubato

Ding - dong,

bb b b p & bb œ

w

ww w

Ding - dong,

bbb b p b & b œ

w

bell.

73

Pno.

w

∑

bell.

bell.

n www ww n ww

wwdim. w ww w

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U

w

U

w

U

w

U

w

U w

ww ww ww ww w ww w

u