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Four Anthems | Erik Meyer | MusicSpoke

Page 1

Four Anthems for the Liturgical Year for unison voices, with optional descants & lower parts appropriate for children or adults

Erik Meyer written for the choristers of Choir Camp 2017, Church of St. Martin-in-the-Fields, Philadelphia

Rejoice, Rejoice, Believers (Advent) . . . . 2 A Babe is Born in Bethlehem (Christmas) . 4 There is a Green Hill (Lent) . . . . . . . . . 6 Lift Your Voice Rejoicing, Mary (Easter) . 9

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2

Rejoice, Rejoice, Believers

Laurentius Laurenti (1660-1722) tr. Sarah B. Findlater (1823-1907)

         

 

   

  

   

5 descant (final verse)

    Ah

       

   

   

 9

 

ah

       the eve - ning is go forth as he a - rise, O Sun

       

 

      

 

 

    

ad - vanc - ing, ap - proach - es, so longed for,

 

       

  

  

    

  

  

 

ap - pear; and let your lights pro - claim the Bride - groom near; ap - pear; O Je - sus, now

 



 

  

ah

    

   



be - liev - ers, the mount - ain pec - ta - tion,

   

  



    

1. Re - joice, re - joice, 2.The watch - ers on 3.Our hope and ex -

   

  

 

Erik Meyer

  

 

    

  

     ah

        

 

  

  

and dark - er night is near. with al - le - lu - ias clear. o'er this be - night - ed sphere.

 

 

 

   

  

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. © Erik Meyer 2017 | www.aemeyer.com

 

 


   

13

 

 ah

ah

    

    

 

The Bride - groom is The mar - riage feast With hearts and hands

      

 

 

17

 

   

    

21

 

 

   

 

 

  

rit.



    

 

  

 



    

 

 

nigh. stand. see

 



   

 

  

 

 

 

at mid - night comes the the Bride - groom is at that sets your peo - ple

  

 

    

         

  

and soon is draw - ing the gates wide o - pen we plead, O Lord, to

ah

 



    

ah

and wre - stle; of glo - ry; re - demp - tion

ah

ah

Up, pray, and watch, A - rise, O heirs the day of earth's

  

  

  

      

        

 

    

a - ris ing, is wait - ing; up - lift - ed,

 

    

  

     

3

 

cry. hand. free!

 

 

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

    


Puer Natus

4

Latin, 14th c. tr. C. P. Krauth (1823-1883) Bright, Energized, and Rhythmically Accented q=144

              

           

                                          

6

 

10

     

 

    

    

A babe is born in Beth - le - hem, He does with - in a man - ger lie,

   

            

       -

     

sa the

   

 

lem, sky,

 

               

 

  

  

 

 

 

    

    

-

le - lu

          

    

     

 



   

  

His mo - ther is the vir - gin mild, Like us, in flesh of hu - man frame,

         legato

-

There - fore re - joice, Je - ru Whose throne is set a - bove

ia;

                   

al

                  

20

al - le - lu

   

      

      

 

             -

 

le - lu -

 

 

 

and He the un- like in

ia,

 



 



 

   

           

   

                      

       

al

ia!

 

      

-

  

            

16

 

                   

        

                       

13

   

                  

        

        

f detached

   

Erik Meyer

This score is not licensed for performance. Please visitMeyer MusicSpoke.com to purchase performance copies. © Erik 2017 | www.aemeyer.com

 


5

         

26

                 

Fa - ther's on - ly Child, sin a - lone He came.

     

  

  

al - le - lu - ia, al - le - lu - ia,

 



 

            

32

      

detached

     

    

39

    

 

   



The Ho - ly Tri - ni - ty

                

  

       

42

we

raise,

               

 

   

  

  

  

 

  

   

                                           

 

           

    

                       

 

                            

we praise,

 

al - le - lu

-

ia;

To God our cease less thanks

               

 

  

 

    

  

    

      

                           al - le - lu - ia,

       

      

  

                                     

47

al - le - lu - ia.

                       

    

 

al - le - lu - ia,

al - le - lu -

                               

ia!

             

 

                                    

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  


There is a Green Hill

6

Erik Meyer

Cecil Francis Alexander (1818-1895)



 

  

   

Mournful h=66

 

   

  



1 9          

There is a green



  

  simile

    

17

where our dear Lord

 



   

  

 



 



far



 

was

cru



 

  





  

     

  

a - way,

  

ci - fied,







    

out - side

  a

 

     

  

 

   

  

   

cit - y

 

wall,

              who died

  

   

  

     

    

   

    

we can - not tell



  

                                   

  -

 



   



We may not know,



 

hill

  

   



25 2          

    

  

         

 

   



what pains

   

to

   

save

us

        

all.

   

 

he

   

 

 

 

 

had

   

to

   

  

      

bear,

         

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           33

but we be - lieve

    

     

He die that we

       

     

49



that we might go

 

   

 



4          

 

it

was

for us



 





   

             he hung

   



   

 

  

    

 

might

be



at

last

  

   

for - giv'n,

  

 

  

to heav'n,

 

  

 

  

 

There was no oth - er

good

  

  

    

 

  

en - ough

  

        

  

 

to

make

 

 

  

 

us

   

 

to pay

 

  

  

  

  

 

the

price

 

 

  

 



 

    

    

 

blood.

   

   

  

of

   

  

  

good,

      

 

saved by his pre - cious

 

 

 

- fered there.

        

 

   

 

suf

 

and

  

he died

   

 

 

  





57

 

  

          



  

41 3          

7

sin;

 

    

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

    


8

          65

he on - ly could



 

      

73 5   descant 



 

un - lock

  

  

 

  

 

of heav - en,

 

 

O dear - ly, dear - ly

has

he loved,

 



    

   81

 

 



     

 



  



and trust in

 

   

must

 

and we

must

love

 

  

  

us

  





love

           

him

   

him

his

    

re - deem





  



 

  -

   

Ahh

 

too,

                                   

 

  



 

in.

 



 

        

Ahh

        



Ooh

    

     

  

and let

 

we

        

     

the gate



Ooh

  

ing blood,



   



     and try

  

   

  

his

   

works

to

        

do.

   

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

  

      


9

Lift Your Voice Rejoicing, Mary Erik Meyer

Elizabeth Rundel Charles (1828-1896)

                

Joyful & Energetic q=138

                            

      

6

  

  

       

   

  

  

  

  

       

   

Lift your voice re - joic - ing, Ma Raise your wear - y eye - lids, Ma

    

  

 

      8

 

   

                                                    

-

ry, ry,

   

 

  

    10

 

 

 

     

Whom your tears in death were mourn - ing, All the glo - ry of the morn - ing

 

   

       

       

     

 

            





Christ has ris - en from the tomb; see him liv - ing ev - er - more;



 

on the cross a suf - f'ring vic - tim, see his count - en ance, how gra - cious,

      

 



          

 

 

 

  

now as vic - tor he is see the wounds for you he



 

 

           



come. bore.

                   

  

  

  

wel - come with your smiles re - turn pales be - fore those wounds re- deem

  

   

       

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. © Erik Meyer 2017 | www.aemeyer.com

ing. ing.

    


10 12



      

Let your al - le - lu - ias

rise!

Al - le - lu

      

                 

             

  

 

 

  

   23

 







 

        

        

  

   

 

 

2.

 

   













 



 















  



 









ev - en though they







     

life.





   

  

am the res - ur - rec - tion and the

   

Those who be - lieve in me,

ia,

             

        

"I



-

ia!



le - lu

2.

1.                                                    

-

  

al - le - lu - ia, al - le - lu - ia!

Je - sus said to Ma - ry,

al

 

   

1.              

       

ia,

        

15

19

-

 

die,

 

 



  

 



will

live,





  

etc.

 

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

 

  





  


27

11

                   and ev -'ry - one who lives and be - lieves in

  



 

 

  

 

  



          

32

           normally

 

                       

      

37

Life

    

 

   

    

  

and the strength of death

   

   

  

    

     

  

  

       

   

  

  

is

bro

       

             

                                    

is yours for - ev - er, Ma

      39

  



die.

       

  

 

me will nev - er

-

ry,

 

-

ken;

     

                

for your light is come once

 

 

   

 

 

 

                

   

       



  



            





more

             

  



now your songs of joy out - pour.



                   

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

  


12 41

     

End - ed now the night

 

   

43

  

    

      

Let your al - le - lu - ias

                 

     

of

sor

-

row,

   

       

 



rise!

 

love has brought the

  

 

 

bless - ed

mor

 

 

  

-

row.

  

     

 

 

                -

ia,

            

 

                    

46

al - le - lu - ia, al - le - lu -

  

Al - le - lu

         

 

al

-

le - lu

-

           

 

ia!

                                       

       

     

ia,

   

 

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

 

 


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