Cesis Stabat Mater | SATB | Meredith Bowen | MusicSpoke

Stabat Mater for SATB choir, keyboard, and cello

Sulpitia Cesis (1577 - after 1609) edited by Meredith Bowen

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Notes

Sulpitia Lodovica Cesis (1577 – after 1619) was a nun at the Augustinian convent of San Geminiano in Modena, Italy. Like many young women from wealthy families in the 17th century, she professed her vows of poverty, chastity, and obedience at age 16 then lived her entire life behind the walls and iron grates of her convent. Cesis was mentioned in a traveler’s account from 1596: “The nuns there are versed in all sorts of musical instruments...[including] Sister Sulpitia, daughter of the most illustrious Signor Count Cesis, who played the lute excellently... they performed a motet of hers which was highly praised.” She published one volume of music in 1619 entitled Motteti spirituali. This volume contains twenty-three motets for 2-12 voices including parts for tenors and/or basses.

The “Stabat Mater” is a 13th-century Latin hymn about Mary’s pain at the foot of her Son’s cross, sung during the fifth week of Lent. The performance would have taken place in a divided chapel with the nuns singing and playing behind a wall or iron grate to obscure their faces from the public.

Originally scored for soprano, alto, tenor, and bass voices in part books, this edition provides all four parts combined in modernized notation. All tempos, dynamics, and breath marks are editorial. The organ and cello parts are optional, but can be played colla parte, per early-modern performance practice.

Text and Translation

Stabat Mater dolorosa iuxta crucem lacrimosa dum pendebat Filius.

Cuius animam gementem constriantem, et dolentem pertransivit gladius.

O quam tristis et afflicta fuit illa benedicta Mater unigeniti.

Quis est homo qui non fleret Christi Matrem si videret in tanto supplicio?

The sorrowful mother stood weeping beside the cross while her son was hanging there.

Her grieving soul sad and dolorous was pierced through as by a sword.

O how sad and afflicted was that blessed mother of an only son.

Who is the man who would not weep if he saw the mother of Christ in such distress?

Sancta Mater istus agas Crucifixi fige plagas cordi meo valide.

Tui nati vulnerati iam dignato pro me pati paenas mecum divide.

Fac me plagis vulnerati cruce hac inebriari ob amorem filii.

Quando corpus morietur fac ut anime donetur Paradisi gloria.

Holy Mother, hear me, and inflict the wounds of the cross deeply in my heart.

Your son, covered with wounds, desired to suffer for me; may I share his pains.

May his wounds hurt me, may I become intoxicated from the cross, for the love of your son.

When my body dies may my soul be granted heavenly glory.

An SSA performance of this piece was recorded by mirabai and can be heard here: https://youtu.be/6dH079UXABQ

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

Stabat Mater Sulpitia Cesis (1577 - after 1619) Edited by Meredith Bowen

Tempo I h = ca. 72

SOPRANO

° C mf & w

w

˙

˙

w ˙

w

w

˙ Sta mf

&C w

ALTO

bat

-

Ma

-

ter

do - lo

ro

-

-

-

w

˙

#w

˙

˙

˙

˙

œ œœ˙

œ œ Sta mf

-

˙

w &C ‹ Sta

TENOR

-

bat

Ma

˙

w

-

ter

do - lo

ro

-

-

-

˙ ˙

w ˙

˙ w

-

bat

Ma

w #˙

ter

-

do

-

-

lo

ro

-

-

mf

?C w

˙

˙

w

˙ w w

BASS

¢ Sta

bat

-

Ma

-

ter

do

-

-

lo

˙˙ ˙ ˙

˙˙ ˙

-

ro

-

Tempo I h = ca. 72

˙˙ ˙

w &C w w

˙˙

w w w

w #w ˙

˙˙ ˙ w

˙ Organ (optional)

mf

˙

?C w

#˙

w

˙œ œ

œ œœ˙ w w

w

{ Tempo II h = ca. 132

Tempo I h = ca. 72

8

, ° & #w

3 2 #w

- sa,

iux

& w

3 2w

sa,

iux

& w ‹ sa,

3 2w iux

-

-

-

˙

w ta

cru

#˙

w

ta

cru

˙

w

ta

cru

˙ ? w

3 2w

-

-

-

˙ w cem

la

˙

w

cem

la

˙ w cem

la

w

w™ #˙ -

cri

-

cri

-

cri

C ˙

mo

sa,

-

w™

˙ -

sa,

-

w™

˙ -

mo

C #˙

-

mo

C ˙ sa,

-

w w™

˙

C ˙

˙

¢ - sa,

iux

& w #w w ? w

3 2 #w w w 3 2w

-

ta

cru

-

cem

la

-

cri

-

mo

Tempo II h = ca. 132

{

sa,

-

p

˙ dum

,p ˙ ,dum p ˙ dum

,p ˙ dum

Tempo I h = ca. 72

C #˙˙ ˙

nw w w w

˙˙˙

w w w w

# ˙˙ ˙

w ™ w w ™™ w™

˙

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# ˙˙˙

˙˙ ˙ p

C ˙

˙

2 14

, ° <#>˙ &

˙™

nœ

˙

˙ -

de

-

-

w

w

œ œ ˙

pen

#w

˙ bat

-

Fi

-

li

us.

-

,

, & ˙

˙

˙™

˙

˙

˙

w

œ

w

#˙

#˙ ˙ pen -

˙

de

-

bat

Fi

˙

˙™

˙

li - us,

-

Fi

li

-

-

us.

,

,˙

w

w

w

œ ˙

˙ & ‹ pen

-

de - bat

Fi

li - us,

-

Fi

-

li

us.

-

, ? ˙

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œ

w ˙

¢

pen

& ˙˙ <#> ˙ ? ˙

-

˙˙ ˙ ˙

w

w Fi

-

˙˙ ˙

˙˙ ˙

de

-

bat

˙ ˙ w

#˙˙

˙˙ ˙

˙˙ ˙

w li - us.

w w˙ #˙ ˙™

{

w

#w w w

w w w

w

w

œ

w w

21

° pw & Cu

˙

˙ ˙

-

-

ius

a

˙

˙

˙

w ˙

˙

˙

˙

˙ -

ni

˙ -

mam

ge

-

men

-

tem

con

-

tri

#˙

˙

˙

˙

tem

con

-

tri

-

p

& w

˙ ˙

w

˙ ˙ Cu

-

-

ius

a

-

ni

-

mam

ge

-

men

-

˙™

œ #œ œ ˙

men

-

p

˙ & w ‹ Cu

˙ ˙

˙

-

˙ ˙

˙ ˙

-

-

ius

a

˙

˙

-

ni

-

mam

ge

˙

˙

mam

ge

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˙˙ ˙

˙

˙

-

-

-

tem,

con -

p

˙

? w

w

˙

˙ ˙

˙

˙

con

-

tri

˙˙˙

˙˙ ˙

¢ Cu

w & nw w

-

-

˙˙ ˙

ius

a

˙˙

˙˙

˙

˙

-

ni

˙˙ ˙

-

-

men

w ˙™

-

tem

œ #˙œ œ #˙˙˙

p

? w

˙ ˙

w

˙ ˙

{

˙

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˙

-

3 28

, ° ˙ & stan

w -

˙ ˙

w

˙

˙

#˙

tem,

et

do

˙

#w -

len

-

tem,

per mf

tran

-

˙

si

-

-

vit

, ˙

w & ˙

˙ ˙

˙

˙

n˙ ˙

w w

stan

-

tem,

œ ˙

et

do

œ , ˙

˙

-

len

-

tem,

per

w

w

tran

-

si

-

-

vit

˙

˙

˙

˙

˙ ˙

& ‹ tri - stan

-

tem,

b˙

et

do

, ˙

˙

-

len

-

per mf

tem,

tran

si

-

-

vit

bw w ˙

w

? ˙

˙ ˙

˙ ¢ stan

-

tem,

et

do

˙ ˙ œ b˙

˙˙ ˙ ˙

& n˙˙˙

len

-

tem,

#˙˙ ˙

w ˙

˙

#w w w

bw ˙

-

per mf

tran

-

nw w w

si

-

˙˙ ˙

˙˙˙

-

vit

˙˙˙

˙˙ ˙

mf

w

˙

? ˙

˙

w

˙ ˙

{ 35

p

, ° w & gla

w -

di

˙

-

-

us.

#w

˙ di

-

˙

-

˙ di

-

us.

O p

w

˙

O

quam

tri

-

˙

˙

˙ #˙

quam

tri

˙

˙

w

quam

tri

˙ w quam

tri

-

-

stis

w

us.

O p

, w ˙

? w

˙

w , w

& w ‹ gla

w ∑ ,p w

& w gla

w

#w

-

˙

˙ w

w

¢ gla

di

-

& w w

#w ˙

˙

? w

˙

˙

{

-

us.

O

w #w w

w w w

w

w

nw w p w

w ˙w ˙

-

w ˙ #˙ ˙ ˙

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w

-

4 42

° ˙ #˙ &

˙

stis

et

& w

w ˙

˙

af

-

˙

˙

ta

fu

-

#˙

˙

˙

-

ta

fu

-

˙ #˙

˙

˙

˙

-

ta

fu

-

˙

˙

˙

flic

-

it

il - la

˙

˙™

˙

be - ne

œ

dic

-

˙

˙

˙

la

be - ne -

-

˙™ ˙

et

˙

˙

˙ ˙

et

af

˙

˙

w -

flic

˙

œ nœ ˙

it

il

-

˙

˙

-

˙ ˙ ˙ & ‹ stis

et

? w

˙ af - flic

-

˙

it

il - la

be - ne

˙ ˙

˙ ˙ dic

-

œ w

˙

w

-

˙™ ˙ ˙

¢ stis

et

af

& ˙˙ #˙˙ ? w

˙˙ ˙

˙˙ ˙

-

-

ta

fu

-

it

w ˙ #˙

#˙˙˙

˙˙˙

˙˙˙

˙˙ ˙

˙

˙

˙

flic

il - la

˙˙ ˙

n˙˙˙

be -

˙˙˙

˙˙˙

˙

ne - dic

-

˙˙ ˙ œ w

˙˙

˙™

w

˙ ˙

{

Tempo II h = ca. 132 50

, ° ˙ &

˙

˙

˙ ˙ ˙

˙

˙™

œ #w

-

ni - ti.

w

˙ -

ta

Ma - ter

u - ni

-

ge

-

, & ˙

˙

˙

˙

w

#˙

˙ #˙

[mf] 3w 2

˙

Quis

est

[mf]

w

3 2w

ti.

Quis

est

˙

w

w

, [mf] 3w 2 Quis

est

w

˙

˙ dic - ta

Ma - ter

u

ni

-

- ge

-

ni

-

˙ #˙

˙

˙

n˙

˙ w

˙

˙

-

ni

˙

˙

& ‹ ta -

Ma

-

ter

u - ni

-

ge

-

-

ti.

, w 3 2

˙ ? ˙ ¢ - ta

˙ ˙

˙

w ˙

w Ma

-

ter

u - ni

-

ge

-

-

ni

-

˙

w

ti.

Quis

est

Tempo II h = ca. 132 [mf]

& #˙˙˙

˙˙ ˙

˙˙ ˙

? ˙

˙

˙

{

˙˙ ˙ ˙

n˙˙˙

˙˙ ˙

#˙˙w w

˙

˙

˙

˙˙ #˙˙ ˙

#w w w

w w w

w

w

˙

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3 2 nw w w 3w 2

˙˙ ˙ ˙

5

Tempo I h = ca. 72 58

° ˙ &

˙ ˙

ho - mo

& ˙

˙

˙

qui

non

fle

Chri

Cw

w

˙

˙

œ œ œ œ

˙

Ó

ret

-

˙ #˙

Cw

w ˙

sti

-

Ma - trem

˙

si

œ œ œ œ

˙

˙

#w

˙

˙ ho - mo

˙

qui

non

˙

˙

fle

˙

ret

-

Chri

Cw

w

-

sti

-

Ma - trem

si

w ˙ w

˙

˙

& ‹

˙ ho - mo

qui

? ˙

non

fle

ret

-

Chri

sti

-

Ma - trem

˙

si

vi

-

˙ w

˙

w

˙

˙

w

Cw

w

¢ ho - mo

qui

non

fle

ret

-

Chri

-

-

sti

Ma

#˙˙ ˙ ˙

w nw w

trem

-

Tempo I h = ca. 72

& ˙˙ ˙ ? ˙

˙˙ ˙ ˙

˙˙ ˙ ˙

w w w w

˙˙ ˙ ˙

{

Cw w w

#w w w

˙˙˙

Cw

w

˙

œœ œœ œ œ œ œ

w w

65

˙ ° & ˙

˙ w

˙ ˙

w

˙ ˙

∑ w ˙ vi

-

de

ret

-

in

tan

-

to

sup -

pli

-

, ˙ & ˙

˙ ˙

˙

w ˙

˙

˙

˙

˙

w ˙ ˙

vi

de - ret

-

in

tan

˙

˙

ret

in

tan

w

w

-

to

sup

- pli - ci

-

o,

sup - li -

, & œ œ ˙ ‹ de -

˙ w

˙

˙

œ œ ˙

˙ ˙

˙

w -

-

-

to

sup -

pli

-

-

ci

-

o,

sup -

, ˙ ? ˙ ¢

˙

si

vi

& œ˙˙ œ ˙˙˙

˙

w -

de

-

˙w ˙

? ˙

{

˙

w

˙

ret

w w

˙˙˙

w

w

˙ ˙

in

tan

˙ ˙ ˙

˙ w

to

sup

˙˙

˙˙˙

˙˙ ˙

˙˙ ˙

˙

˙ ˙ w

-

-

w

pli

-

˙˙ ˙

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-

˙˙ ˙ w

˙˙

6

I h = ca. 72 " Tempo mp ˙ ˙ nw

rit.

73

° & ˙™

U w

œ #w

w w

w

˙ ˙ ci - o?

-

Sanc

ta

-

Ma

ter

-

is - tud

a

-

" mp

U w

w

& ˙ #˙

w

w

˙

#w ˙

ci

-

o?

Sanc mp

-

œ œ ˙

˙

ta

Ma

˙

w

ter

-

˙

is - tud

a

-

w

˙

˙

" ˙

˙

U w

w

w

˙

˙ ˙

& ‹ pli - ci

-

Sanc mp

o?

" w

U w

w

ta

Ma

˙ #˙

w

-

ter

-

is

-

tud

-

˙

w

˙

? w

w

¢ - ci

o?

-

Sanc

ta

-

Ma

ter

-

is

-

tud

˙˙ ˙

˙œ œ ˙˙˙

˙˙

w

˙

˙

-

Tempo I h = ca. 72

rit.

" U w w w

w & ˙ ™ #˙˙ œ #w w

˙˙ ˙

nw w w

˙˙

w w w

w #˙w ˙

" mp w

U w

w

˙ #˙

w

? w

w

{ Tempo II h = ca. 132

Tempo I h = ca. 72

82

, ° & w -

-

#w

3 2 #w >

gas

Cru

> w ˙ > -

ci

-

fi

-

>˙

> w

xi

fi

>˙

w >

xi

fi

>˙

> w

xi

fi

#>˙ -

ge

w- ™ pla

C #˙

˙

gas

cor

C ˙

˙

-

˙

˙ di

, & œ œœ˙ -

-

w

3 2w >

gas

Cru

w >

#>˙ -

ci

-

fi

-

>˙ -

ge

w™ pla

˙ ˙

gas

cor

di

me -

C ˙

˙

˙

˙

gas

cor

C ˙

˙

gas

cor

-

, & w ‹ a

-

? w

w

3 > 2w

gas

Cru

w

, > 3 2w

>˙ -

ci

> w -

>˙

fi

-

> w

-

gas

Cru

-

> w

ge

>˙

˙ >

¢ a

>˙

-

ci

-

fi

-

xi

fi

-

ge

w- ™ pla

w- ™ pla

Tempo II h = ca. 132

& œ œ ˙ w œ ? w

{

w #w w w

3 2 #w w w 3 2w

-

-

di

˙ ˙ di

Tempo I h = ca. 72

C #˙˙ ˙

nw w w w

˙˙˙ ˙

w w w w

# ˙˙ ˙

w ™ w w ™™ w™

# ˙˙˙

˙˙ ˙

˙˙ ˙

C ˙

˙

˙

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˙˙ ˙ ˙

7 90

, mp w

° ˙™ & me

nœ œ œ ˙ -

-

-

& ˙ ‹ me

o

va

˙

˙™

#w

˙ ˙

o

˙ va

-

˙ li - de,

li

-

˙ #˙

œ ˙ -

˙

w

w -

˙™

& ˙ #˙

˙ ˙

de.

Tu

w

, mp w

w

i

-

na - ti

˙ ˙ ˙ ˙

va

-

li

˙

w

de.

-

Tu

w

, mp w

w

œ ˙

i

-

na - ti

˙ ˙ ˙ ˙

- o

va

li - de,

-

va

-

li

de.

-

Tu mp

-

, w

i

na - ti

˙

˙

i

na - ti

˙˙

˙˙

˙ ˙

? ¢ w

˙™

œ

w

w

w

me

o

-

& ˙ #˙˙ ˙ ? w

˙˙ ˙

va

˙˙ ˙

˙˙ ˙

-

Tu

li - de.

-

˙˙ ˙

w

#w w w

w w˙ #˙

w w w

-

˙˙ ˙

nw w w

˙˙ ˙

mp

w

˙

˙ ˙

˙™

{

œ w

w w

˙ w

99

° ˙ &

w ˙

˙

˙

˙

˙

˙

˙ #˙

w #w

˙

vul - ne

-

ra

-

ti

iam

di

-

gna

-

ti

pro

me

pa

˙ w me

pa

-

ti

˙ & ˙

˙

w

vul - ne

-

- ne

ra

-

-

ra

˙

ti

˙

˙

iam

œ #œ œ ˙

˙™

˙ & ˙ ‹ vul

˙ #˙

n˙ di

-

gna

-

ti

˙

-

w ˙

-

ti

œ ˙

iam

di - gna

me

pa

˙

bw

me

pa

˙ #˙ ˙ ˙ œ ˙˙ ˙˙ b˙ ˙ ˙

w ˙ bw

-

ti

pro

b˙ ˙

-

ti

w

˙ ˙

˙

˙

ti

iam

˙

˙

vul - ne

& ˙˙

˙˙ ˙

? ˙

˙

{

ti

˙

w ? ˙ ¢

-

˙ œ ˙ ˙

-

pro

w

-

ra

w ˙™ w

-

œ #˙œ œ #˙˙˙

di

˙˙˙

˙˙ ˙ ˙

-

gna

n˙˙˙

-

ti

pro

˙ ˙

˙

˙

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-

˙

ti

#w w w w

8 107

, ° w &

p

˙ ˙ ˙

˙

w

w

w

w

#w

pae

nas

-

me - cum

di

∑

vi

-

de.

-

Fac

, p

& w

˙

˙ ˙ ˙ #w

w pae

nas

-

w

me - cum

di

˙

w

˙

˙

Fac

me

pla -

w

˙ vi

-

-

de.

, pw

˙ ˙ ˙

˙ ˙

˙ w

˙

& ‹ pae

nas

-

me - cum

di

˙ vi

-

w -

w

de.

Fac p

me

, w

˙ ˙

˙

w

˙

˙

? w

˙ w

˙

˙

w

¢ pae

nas

-

w & nw w

me - cum

˙˙ ˙

˙˙˙

di

˙˙˙

˙˙ ˙

˙ ? w

vi

-

w w

#w ˙

˙

w

˙

˙

-

de.

Fac

w #w w

w w w

w

w

me

nw w p w

w ˙w ˙

˙ ˙

˙

˙

˙ ˙ ˙

{ 116

° ˙ &

˙

me

pla

& ˙ #˙ -

gis

˙ #˙ -

gis

w ˙

˙ ˙

vul - ne

-

ra

-

˙

˙

˙

re

Cru

-

ce

#˙

˙

˙

˙ ce

˙

w vul

˙

-

ne

˙

˙

w -

ra

-

ri

Cru

-

˙ #˙

˙

˙

˙

ri

Cru

-

˙

˙

˙

˙

i

-

ne - bri -

œ nœ ˙ hac

˙ ˙

w

hac

˙™ ˙

-

˙

˙ i

-

˙

˙

˙

˙

& ‹ pla

-

? w

gis

vul - ne - ra

-

-

ce

hac

i

-

ne - bri -

w ˙ ˙

˙

w

œ ˙™ ˙

˙ ¢ pla

-

w & ˙ #˙ ? w

gis

˙ #˙ ˙ ˙ w

vul - ne

˙˙ ˙

˙˙ ˙

-

ra

-

re

Cru

-

ce

hac

i

w ˙ #˙

#˙˙˙

˙˙˙

˙˙˙

˙˙ ˙

n˙˙˙

˙˙ ˙

˙

˙

˙

ne -

˙˙˙

˙ w

{

-

bri -

˙˙˙ œ

˙™ ˙ ˙

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9 124

, ° & ˙™ a

˙

œ

˙

˙

˙ ˙

˙

˙™

œ #w

-

li - i.

w

3 2

w

,3 2

˙ -

& ˙

˙ ri

-

˙

˙

˙

ob

a

mo - rem

-

w

˙

fi

-

w

#˙

˙

˙

rem

fi

-

li

˙

˙

-

li

˙

˙

#˙

˙ ne - bri

a

-

-

ri

ob

˙

˙

a

-

mo

-

n˙

˙

i.

-

, ˙ #˙

w

˙

w

w

3 2

˙ & ‹ a

-

ri

ob

˙

˙

a

mo - rem

-

fi

-

i.

-

, ? w

˙ ˙

w

˙

3 2

˙ w

¢ a

& ˙˙˙ ? w

-

ri

ob

a

˙˙

#˙˙˙

˙˙ ˙

˙˙ ˙

˙

˙

˙

mo - rem

-

n˙˙˙

˙˙ ˙ ˙

fi

-

-

li

˙˙ ˙

#˙˙w

˙

˙˙

#˙˙

w

˙

˙

˙

w

i.

-

#w w w

w w w

w

w

3 2 3 2

˙

{ 132 Tempo II h = ca. 132

Tempo I h = ca. 72 p

° 3w &2 Quan

˙ ˙ ˙ ˙ -

do

cor - pus

˙ mo

w ˙ -

ri

Cw

-

e

-

˙ #˙

Ó

tur

fac

ut

[mf] p

3 &2 w

˙ ˙ ˙

w

˙

Cw

#w

tur

fac

˙ ˙

˙ Quan [mf]

-

do

cor - pus

mo

-

ri

-

e

-

ut

p

˙

3w &2 ‹ Quan ? 23 w ¢

-

Quan

-

˙

˙ ˙

do

cor - pus

mo

w ˙ -

ri

-

e

-

Cw

w

w

tur

fac

ut

p

˙

˙

˙ w

˙ ˙ ˙ do

cor - pus

Cw mo

-

ri

-

e

Tempo II h = ca. 132

-

tur

w

˙

fac

ut

Tempo I h = ca. 72

[mf]

3 w & 2 nw w w ? 23

{

˙˙ ˙ ˙

˙˙ ˙ ˙

˙˙ ˙ ˙

˙˙ ˙ ˙

˙˙ ˙ ˙

w w w w

Cw w w

#w w w

˙˙˙

p

Cw

w

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˙

#˙˙ ˙ ˙

10 138

° ˙ & a

œ œ œ œ

˙

w ˙

w

w ˙

ni

-

me

-

do

ne

-

-

tur

-

, & ˙

œ œ œ œ

˙

˙ ˙

˙

˙

w ˙

a

ni

-

me

-

do

˙

ne

-

tur

-

Pa

-

ra

-

, œ œ ˙

˙ & ˙ ‹ a

˙

˙ w

ni

-

-

me

do

ne

-

-

-

˙

w

˙ -

-

tur

Pa

w

w

-

ra

-

, ? w

w ˙ ˙ w

¢ a

-

ni

-

-

me

-

œœ œœ œ œ œ œ

w & nw w

do

ne

-

œ˙ œ ˙ ˙˙ ˙

˙w w

˙

? w

tur

-

˙

w w

˙˙˙

w

w

˙ ˙

˙

w

{

-

rit.

144

˙ ˙

° & ∑

˙ ˙ ˙

˙™

˙ Pa

& ˙

-

ra

di

-

si

-

glo

-

U w

ri - a.

-

˙

w

j œ™ œ ˙

a,

glo

-

ri

˙

˙

˙ ˙

-

œ #w

w #˙

U w

˙ di

-

si

glo

-

ri

-

-

-

a.

w

U w

˙ & ˙ ‹ di

-

˙

˙

œ œ

˙

si

glo

-

˙

˙ w si

glo

˙ -

-

˙

-

-

-

-

ri

-

a.

w

? ˙

U w

˙ w w

¢ Pa

-

ra

-

di

-

-

-

-

ri

-

a.

rit.

& ˙˙ ? ˙

{

˙˙

˙˙˙

˙

˙

˙˙ ˙

˙˙ ˙

˙ w

˙˙ ˙

˙˙ ˙ w

˙˙˙

˙™

w #˙˙ œ #w w w

w

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

U w w w U w

Stabat Mater Ed. M. Y. Bowen Sulpitia Cesis

Violoncello [h = 92]

≥[mf] ?C w

w

˙ #˙

w

˙

˙

U w

w

w

3 2

[h = 132] 9

˙

w

?3 w 2

w w™

˙

C

˙

[h = 92] [p] 13

≤ ˙

?C ˙

˙

˙™

w

˙

œ w

w w

w

[mf] 21

≥ ? w

˙

˙ ˙

˙ b˙

˙

w

˙ ˙ ˙

˙

˙

˙

29

bw ˙

w

? ˙

w

˙

˙

w ˙

˙

˙ w

˙

[p]

≥w

38

˙

˙ w w

˙

? w

˙

w

˙

˙

46

? ˙

œ w

˙ ˙

˙

˙

˙™

˙

˙

˙

˙

˙

[mf]

≥[h = 132] w ˙ 3 2

53

? w

˙

˙ w

w

˙

˙

≥ w

˙

˙

C

[h = 92] 60

˙ ?C w

w

w

˙

˙ ˙

˙

˙

≥ w

w V.S.

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2

Violoncello Verse 2 68

˙

w

˙

? w

U w

"

˙ ˙

w

w

w

[mp] 76

≥ ? w

w

˙ #˙

w

˙

˙

3 2

w

w

w

[h = 132] 84

>˙

> ? 3 ≥w 2

> w

> w

>˙

w- ™

˙ >

C

[h = 92] 88

≥ ˙

?C ˙

˙

˙™ w

˙

œ w

w w

w

[mp] 96

≥ ? w

˙ b˙

˙ ˙

˙

w

˙ ˙

˙ ˙

˙

˙

˙

104

? ˙

bw ˙

w

w ˙ w

˙

˙

˙ ˙

w

˙ [p]

≥w

113

˙

˙ w

≥ ˙

w ? w

˙

˙

w

˙

121

? ˙

œ w

˙

˙

˙™

˙

˙

˙

˙

˙

˙

˙ [mf]

[h = 132] 128

? w

˙

≥ 3w 2

˙ w

w

˙

˙

˙

w≥

˙

˙

C

[p]

[h =92] 135

?C w

≥ w

˙ w

˙

˙ ˙

˙

˙

≥ w

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w

Violoncello

3

143

˙≥ ? w

˙

w ˙ ˙

w

w

w

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U w