Are you ready? | Michael Sandvik | MusicSpoke

Are You Ready For Jesus To Come?

T B

  

q. = 120

  S A  5

  

to God alone all glory is given

  







Are you rea - dy

for

Je - sus

mp





words and music by Michael Sandvik January 15, 2010

to

     





come? Are you rea - dy







for



  

mp

Are you

T B

               Je - sus to



come? Are you rea - dy

    



rea - dy

for

10

Je - sus to come? Oh

Je - sus to

14

  

 

rea - dy

for

      

rea - dy, www.michaelsandvik.com



for

Je - sus to

rea - dy?

Je - sus to

come? Are you

 

come? Oh

    

pil - grim

are

you



soprano: I am rea - dy,

I am

   (p)       you

 mf

      

mf

are

 

mf

rea - dy?



pil - grim

     mp

mf

   





     

    

you



         

     



are



rea - dy,



    

pil - grim

come? Are you rea - dy

rea - dy,

  

    

        

   

   

for

      

I am rea - dy,



mp

 

rea - dy?

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

I am

    mf

 tenor:



 

rea -

dy,





rea -

dy,

mf

2

    S  





rea - dy

for

Je - sus

to

come.









for

Je - sus

to

come.

19

    

A

rea - dy

T

B





 

mp



 

I long to mp

    

Oh my Lord

   

                     

  



I

 

mf

bound.

I

am rea - dy,

       mf



bound.

I

     bound.

am rea - dy,



bound. Oh my Lord

   

I

28



come.

    come.

   

Oh my Lord,

       Lord to come.

      

Lord to come.

am rea - dy,

rea -













My p

My p



my p



My

Je - sus

long to

glo



 

be

glo



   

be

glo

   





for

Je -

rea



come





sus

to

am rea - dy for my

rea - dy for

Je - sus, I

am rea - dy for my

            





me





home.

    me

home.

















Je

sus

come







Je - sus

come

take

take

ry

to





-

Je - sus, I

take

take

ry

sus



come

-







Je - sus

ry

- dy for



dy,



-

                 

dy,





    

Je -



ry



for



-

glo

am rea - dy

am rea - dy



be

I

p



I

be



        

             

 

 



mf

rea -

long to



   

I

I am rea - dy, mf

 

I mp

                         

long to



rea - dy for Je - sus, I am rea - dy for my Lord to come.

24

  

mp

rea - dy for Je - sus, I am rea - dy for my Lord to come.

   

 

me



 me

home.



  

Are you

  

Are you

   Are you

        

home. Are you rea - dy? Are you

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

www.michaelsandvik.com

3

    32

mp

rea mp

    rea

-





dy

for

 -

        

Je - sus to



dy

for

mp



 

rea - dy, are you rea - dy for 36

mf





rea - dy

for

 mf  



rea - dy



for

             mf

rea - dy, are you rea - dy for

Je - sus to come?

         



Je - sus to

for

   

Je - sus to come?

Are you





    

dy

for

Je - sus to come?

  

come? Are you rea - dy

Je - sus to

come? Are you rea

     

Je - sus to

come? Oh

     pil - grim you are

      

       pil - grim you

       

mp

Je - sus to

pil - grim mp

come? Oh

come? Oh

    



Je - sus to come?

Oh

      

pil - grim are

you

      

cry

for

our

King

is

draw

   









cry

for

our

King

is

      



ing

 



cry

for

our

www.michaelsandvik.com

cry,





rea - dy?

  

Are you

  



Sound the

loud

mf





rea - dy?





rea - dy?



 

  



Sound the

loud





mf

Sound mf



 

Sound

the loud



read - dy?

nigh,





it

won't











be

long

'til

nigh,

it

won't

be



long



'til

      











He

it

won't

be

long

'til







 

 

it

won't

be

long,

it





    

King

is

draw

ing

you





draw

are

  



ing

are (p)

Are you

mf

mp



  

-

     

mp



    the

  

rea - dy for

    41

come? Are you

come? Are you rea - dy,

Je - sus to

 mf            rea - dy, are you rea - dy for

Je - sus to

for

           

        

mp

   



come? Are you rea - dy

              

Je - sus to

            rea - dy, are you rea - dy for

         

nigh,

is

draw ing nigh,



This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.



4

   



He

shall

45

 





He

shall

     He

 shall

p



   

ap - pear, He shall ap p



 

 pear.

gos

p

   







ap -

pear. p

So

  for

 mp        

 

hea - ven we will go,

for

54

near. He's a com - in'! The mp

   



mp

p

near. He's a com - in'! The

gos

-



gos





Je - sus

our

our

for

Je - sus is

a com - in',

 

        is

a com - in',

trum - pet blow;







is





Sa - vior

is







Sa - vior

is

                               

       

judg - ment day

pel

  

Sa - vior

Je - sus



 

our

for

is

blow;

pel

Je - sus

soon to hea - ven we'll go,

judg - ment day

trum - pet





blow;

   





 

-

-





           

the

trum - pet



near.

 mp    near.

let

pel

   





hea - ven we will go,

  mp p         

the f

-

       

          to

let

   

hea - ven we will go,

soon

let

f

mp



 

the

ap - pear, He shall ap - pear. So

 mp         trum - pet blow;

the gos - pel



50

to

let

   

  mp          

soon

So

   

won't be long un - til He shall ap- pear, He shall ap - pear. So

to

   

f

                      

soon

f

a com - in', oh yes Je - sus is our Sa - vior and He's

 the mp

 

       judg - ment



Oh mp

Je

Oh

Je

   the

day

is



  -



sus

my

sus



my

day

    

Sa - vior, You

       judg - ment

Re -

Sa - vior, You mf

  -

near. mf

 

is

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

near.

  Re -

www.michaelsandvik.com

5

   





 

    

    

joice

all

ye

peo - ple,

for the Lord will

soon

59

 mp        

 

 mp              know I love you so.

 

know I



love

you

so.

And

And

al

ways I

fol - low

the

     

 



fol - low

the

al

ways I

will

 

    

    

joice

all

ye

peo - ple,

for the Lord will

soon



com - in',

   

      know. 







And mp

with

the







And

with

the







com - in',

the

68



peo - ple, mp



   

day

is

 



for the Lord

will

per

-

   

day

is

soon

fect,



by





    be here.

Re

-

I

-

    

Lamb whose voice

judg - ment day

joice

all

ye

 

 

   

 

liv - ing wa - ters,

liv - ing wa - ters,





joice

all

ye

             

willpraiseHimin the





ev - er I willpraiseHimin the hea - ven to which I mf

go.

Praise

Him!







ev - er I

go.

Praise

Him!

   



peo - ple,

for the Lord

will

willpraiseHimin the hea - ven to which I

 soon

    be here.

 

a

  



For - ev - er I

                     

is



thestreams where

 

I

     

thestreams where

-

a

mf



   

by

Lamb whose voice



   

fect,

near.

The

                 



www.michaelsandvik.com

-

is

 

mf

       



per mf











saints made

   

                     liv - ing wa - ters flow, for





Re





here.

near. mf

saints made

judg - ment

liv - ing wa - ters flow, for mp

 



judg - ment



     

the mp

know.

 



be

judg - ment day mf

    

will





The

  



64



     

here.



 

   



be

     

 

cres.



For -



cres.

For -

          

For - ev - er I

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

willpraiseHimin the

6

  mf   72

heav'n









to

which

I

go.

        ev - er I

will praise



I'll

           

           

Him,

Him,

for - ev - er I

f

will praise



for - ev - er I

    

will praise Him in

the

                           f                           ev - er I will praise Him, for - ev - er I will praise Him, for - ev - er I will praise Him in the    mf



heav'n

   









to

which

I

go.

75

praise





Him!

For -

        hea - ven to

which

I

          hea - ven to which I 

  

praise

      79

come.



Him!



For -

       f

ev - er I

      

go.



Praise



Him!







go.

Praise f

Him!

       ev - er I

I'll mf

am rea - dy,

I

am

rea - dy for Je - sus to

    

    

I

I

mp



mf

am rea - dy,

    

am

rea

-

I

am

rea

     

      

-

mf

am rea - dy,

I

am

rea

dy,



mf

I am rea - dy, mp

 



     

mp

will praise Him! I



           

mp

will praise Him! I



-

 

dy,



 

dy,

f mp                              Oh how I long

                 

to be glo - ry bound,yes I am rea - dy for Je - sus to come.



 

yes I am rea - dy for Je - sus to come. I long

to

be glo - ry bound,

                yes I am rea - dy for Je - sus to come. I long                  



 

to

be glo - ry bound, f

yes I am rea - dy for Je - sus to come. I long

to



 

 f      f

  

be glo - ry bound,

mp

         

yes I am rea - dy for Je - sus to come. mp f



Ah



 I

         

am

mp

yes I am rea - dy for Je - sus to come.

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

www.michaelsandvik.com

7

    

f                

82

rea - dy, I

   

rea - dy for Je - sus to

        rea - dy, I

      rea - dy, 

am

f

am

rea

     

f

I

am

rea

-

dy,

rea - dy, I

am

rea

-

dy,

        

  

   

dy,

come.



take

 





take

     take 

 



    f

         

   

home. I am rea - dy to go.

Are you rea

For mf

-

   

my Je - sus take me home. I am rea - dy to go.

For

-

89

Je

 -

    Je

sus

 -

sus

  

    

  

    

to

to

come?

come?

Are you rea

Are you rea

-

-



dy



dy

 for  for

for





dy

for

ev - er I



Je

-



will praise

     

-

take me,

dy

cres.

Je

come



ev - er I







     

                      Je - sus,

-

My Je - sus

cres.

          home. I am rea - dy to go.

-

f

mf

me

come

     

yes I am rea - dy for Je - sus to come.

Are you rea





come. My Je - sus mp

      



home. I am rea - dy to go.

me

come

come. My Je - sus

yes I am rea - dy for Je - sus to

      

me

Je - sus mp

mp             

86





 

My

yes I am rea - dy for Je - sus to



f



                

 -



mp



will praise



sus



sus

     Him,

    Him,

   to

come?

   to

for-

come?

for-

 mf   For -

   mf

For -

f                                                                ev - er I will praise Him! Oh yes I am rea - dy for Je - sus to come. I long to be glo - ry bound. Are you



         ev - er I

www.michaelsandvik.com

will praise

                            f

Him!

Oh yes I am rea - dy for Je - sus to come. I long to be glo - ry

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

bound. Are you

8

           92

cres.

ev-

 

er I

will praise

cres.

       ev - er I

     rea 

   rea

-

will praise

95

           

           

Him,

for - ev - er I

Him,

for

ev - er I





dy

for

Je

dy

  

           

 

-

             





for

Je



mf





pil - grim

 



mf





pil - grim

mf           you rea - dy? Oh pil

 - grim

 -

sus

 -

sus

will praise

Him!

Him!

  

to

come?

  

to

are

    you

are

   you

Oh yes I am rea - dy! f

will praise

    you

are

f

come?

  

Oh yes I am rea - dy!



Oh

pil

  



Oh

pil

-

     



grim

are

     

 -

grim

are



dy?

    

   



    

   

I

I



    

    

I

I

mf

mp



rea

-

I

am rea - dy,

I

mf

mp



rea

-

 rea

-

dy?

am rea - dy,

am rea - dy,

mf                                  

                 99

rea - dy for Je - sus to

     rea

       rea

 -

 -

      rea

dy,

-

dy,



dy,

come.

you

rea - dy? I

am rea - dy,

I f

Oh how I

long

to be

glo - ry bound, f



  

long

to

be glo - ry bound,

              



  

to

be glo - ry bound,



  

to

be glo - ry bound,

yes I am rea - dy for Je - sus to come. I

long

               yes I am rea - dy for Je - sus to come. I

am

              

               yes I am rea - dy for Je - sus to come. I

am

mf    

mp

you rea - dy? Oh are you rea - dy, are you rea - dy, are

am

mf

mp

dy?

am

long

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

      f

 f   www.michaelsandvik.com

9

             mp

102

 

f





yes I am rea - dy for Je - sus to come.

rea - dy, I



mp

         

f



yes I am rea - dy for Je - sus to come.

    Ah



mp

   

           

am



rea - dy,

I



 f



yes I am rea - dy for Je - sus to come.

     



mp



come.



My

Je

-

                   

    rea

come





-

rea



-



come. My

Je mp

sus

come

take

dy,



 

dy,

me

mp

yes I am rea - dy for Je - sus to

 



take



dy,



rea

am

sus

-

    

  

 



    





rea - dy for Je - sus to

am

rea - dy, I

105

am

am



mp

          

  

rea - dy, I

f

I

  

 



me

                        yes I am rea - dy for Je - sus to come. My Je - sus come take me mp                                  yes I am rea - dy for Je - sus to come. mp   p                  108

home. I am rea - dy to go.

 

p

      

home. I am rea - dy to go.

I am rea - dy,

p



home. I am rea - dy to go. www.michaelsandvik.com

Je - sus,

I am

rea - dy for Je - sus to

I am rea - dy,

I am

I am rea - dy,

my

                 

mp     

my Je - sus,

Je - sus,

my Je - sus take me

 

 

mf

     mp

mp  p                  home. I am rea - dy to go.

I am rea - dy,

        

My

mf

rea

 -

     



mf

I am

rea

mf      I am

rea

dy,

-

-

dy,



dy,

come.

           

 

     

 

yes I am rea - dy for Je - sus to come.

yes I am rea - dy for Je - sus to come.

     

yes I am rea - dy for Je - sus to come.

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

I

I

  I

10 112                   

f

Oh how I long



to be



  

long

to

be glo - ry bound,

    long



  

to

be glo - ry bound,



long

to

  

 f      f

 f  

be glo - ry bound,

115

rea - dy for Je - sus to

     rea

       rea

      rea

 -

dy,

 -

-

dy,



f

yes I am rea - dy for Je - sus to come. f mp





Ah mp

rea - dy, I

    

I

am rea - dy,

I



       

 ff

 come



come. My Je - sus ff

come

come. My Je - sus ff

come

               yes I am rea - dy for Je - sus to

rea - dy, I



     









   

take



me





take



me



 

take

me

My Je - sus,

my Je - sus,

my Je - sus,

my Je - sus take me

119

home. I am rea - dy to go.

My

mf           home. I am rea - dy to go.

My

mf            home. I am rea - dy to go. My



  

home.



Je - sus

 come

am

                    

yes I am rea - dy for Je - sus to come.

 

am

f

yes I am rea - dy for Je - sus to come.



am

    

         



am

      



         

yes I am rea - dy for Je - sus to

mf                

rea - dy, I

mp

My Je - sus  come.  ff                      

dy,

f



         

some sopranos should sing with 1st altos in this measure

               

      

glo - ry bound, yes I am rea - dy for Je - sus to come,

   

  

mp





take



me

p

       

home. I am rea - dy to go.

My p





 





Je - sus

come

 

Je - sus

come

mf

take

 

take

           me

 me

home. I am rea - dy to go.

My p

        home. I am rea - dy to go.

My



   

                   

My

Je - sus take me,

Je - sus,

p

my Je - sus take me home. I am rea - dy to go.

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

My

www.michaelsandvik.com

11

      Je - sus

come

     Je - sus





me

















take

come

 



take

come

       Je - sus  





me

take







ev

-

er

I

will praise

Him,

me

ev

-

er

I

will praise

Him,

            128

         er

     I 

   I

130    

end solo

hea

    hea

    hea 

-

-

-

   hea

-

www.michaelsandvik.com

I



will

praise

      

I f







I f

will

praise

home.I willpraise Him. mf

me

come take

-



will praise

   Him,

   Him.For



I willpraise Him, for - ev - er I mf f

willpraise Him.

I willpraise Him, for - ev - er I

willpraise Him.

                  -

er

I

will praise

for - ev ff

-

er

I

will praise

for - ev

-

 

      

 

       er

I

in the         

Him

Him

Him

ff       







will

praise

Him,

for







 

will

praise

Him









ven

to

which

I







ven

to

which











ven

to

which

I







 

 

 

heav'n

to

which

I

ev

-

er

I

will praise

-

er

I

will praise

in

the

  

 

  

Him

  f

go! f



I

the

 

Him

ff       

for - ev

in

    

will praise

 

ven,

Him. For

 ff for - ev

For

  

home.

home.

    

f

                       



Je - sus

ev



home.I willpraise Him. mf



solo or small group:

       mf

123

go!

  f

go!

   f

go!

© January 15, 2010 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

in

in

the

the