Brubeck Festival 2018

Celebrating the 60th anniversary of Dave Brubeck’s Jazz Diplomacy Tour of 1958

FESTIVAL October 23–27, 2018

Welcome

TO PACIFIC

Reflect on Dave’s historic 1958 tours and his gifts as a musician and diplomat. What legacies.

Today, one of the hallmarks of the Brubeck Institute under Patrick Langham’s leadership is a consistent commitment to inclusion.

I like to think that Dave and Iola would have been thrilled to see how strong and diverse Pacific’s Jazz program is today under Patrick’s guidance.

We need only recall Iola Brubeck’s remarkable role to recognize that women are central to the development of jazz even if their contributions are too often untold.

This fall, our jazz enrollments are at an all-time high, as are the enrollments at the Conservatory overall. Our 2018 Brubeck Fellows are one of the more visible ways in which

we celebrate welcoming communities. This spirit is pervasive at Pacific. Surely, Dave and Iola would have been proud to learn that as of this fall the majority of our Conservatory students, 52%, identify as people of color.

I join Patrick Langham in opening our home to you. Mimi Fox, Cyrille Aimée, the Spanish Harlem Orchestra, our Brubeck fellows and friends will make incredible music this week.

As you listen, we hope you reflect on the men and women, diplomats all, who make the 2018 Brubeck Institute Fall Festival such a joy.

Welcome,

Peter Witte, Dean Conservatory of Music | University of the Pacific

Sixty years ago, Dave Brubeck added a new job title to his already impressive resume:

diplomat

In 1958, Brubeck and other musicians like Louis Armstrong, Duke Ellington and Dizzy Gillespie traveled the world performing the uniquely American art form of jazz on behalf of the U.S. State Department. The musicians were met by cheering fans and the cultural exchange went both ways, with Dave Brubeck famously writing one of his best-known tunes, “Blue Rondo à la Turk,” inspired by street music he heard.

Friday night headliner Cyrille Aimée is a French-Dominican vocalist who is a winner in both the Montreux Jazz Festival’s Vocal Competition and the Sarah Vaughn International Jazz Vocal Competition, and was a finalist in the Thelonious Monk Vocal Competition. On Saturday, the Spanish Harlem Orchestra, a two-time Grammy winner for Salsa and Latin Jazz Band, caps off the festival with their high-energy mastery of the salsa jazz form.

Much has changed in the last 60 years, but in many ways Dave Brubeck’s legacy remains as an ambassador for the global power of music. Enjoy!

The lineup for Brubeck Festival 2018 was carefully selected to reflect the intercontinental and intercultural message of unity and peace that was a beacon of that 1958 tour.

Regional artists performing at Take Five Jazz Club include Triism, which plays creative arrangements of jazz standards, pop hits and Balkan folk music, and guitarist Mimi Fox, who has performed around the world and was named a winner in six consecutive DownBeat International Critics’ polls.

Patrick Langham Interim Executive Director | Brubeck Institute

Paul Desmond, Ellie Morello, Joe Morello, Eugene Wright and Dave Brubeck arrive in India

1958

Schedule

OF EVENTS Tues. | Oct. 23 Triism 7 PM | TAKE 5 JAZZ AT THE BREW

Wed. | Oct. 24 Brian Kendrick Little Big Band 7 PM | TAKE 5 JAZZ AT THE BREW

Thurs. | Oct. 25 Joe Mazzaferro Group 7 PM | TAKE 5 JAZZ AT THE BREW

1958

The Brubeck Quartet at the Green House in Colombo, Ceylon (Sri Lanka)

Fri. | Oct. 26 Cyrille Aimée with Pacific Jazz

Ensemble and Pacific Vocal Jazz Ensemble 7:30 PM | FAYE SPANOS CONCERT HALL

Fri. | Oct. 26 Mimi Fox 10 PM | TAKE 5 JAZZ AT THE BREW

Sat. | Oct. 27 Spanish Harlem Orchestra

and Brubeck Institute Jazz Quartet

7:30 PM DON AND KAREN DEROSA UNIVERSITY CENTER

Guest ARTISTS Spanish Harlem Orchestra After two decades of session work, composing, arranging and producing, band leader Oscar Hernández was approached by producer Aaron Levinson in 2000 about the idea of assembling and recording a Latin jazz orchestra. The result was “Un Gran Dia en el Barrio,” the 2002 debut recording from Spanish Harlem Orchestra (SHO) that scored a Grammy nomination for Best Salsa Album and a Billboard Latin Music Award for Salsa Album of the Year. Based on the success of their first CD, Hernández and SHO began touring and wowing audiences all over the world.

Their first Grammy win came in 2004 with their follow-up album “Across 110th Street,” a reference to Harlem’s southern boundary.

Featuring guest artist Ruben Blades singing in the style of salsa dura, the combination proved to be explosive.

Released in 2007, “United We Swing” earned yet another Grammy nomination.

The album features Paul Simon as special guest singing a burning rendition of his hit “Late in The Evening” in the SHO style.

Their second Grammy winning album “Viva La Tradicion” was released in 2010.

Now in its 14th year, SHO is dedicated to the sounds of the barrio. Their music is characterized by the raw, organic and vintage sound defined by the genre. They are on a mission to keep the musical legacy of salsa dura (hard salsa) alive and to expand its audience to those who love great music, not just Latin music. Grounded in the past while focused on the future, they strive to keep the music relevant while creating a unique and fresh approach.

With four albums and as many Grammy nominations, this Latin jazz powerhouse knows it is crucial to continually push themselves and raise the bar. They recently released their fifth album featuring two of America’s great jazz icons, Chick Corea and saxophonist Joe Lovano.

Whether a concert hall or an outdoor jazz festival, there is no easing you in—they are coming at you full force from start to finish. Their energy on stage, rich sound and musical precision leave audiences mesmerized until the last note. With an unwavering respect for the music’s rich history, 13 world-class musicians and vocalists come together to create an unparalleled musical experience.

Dave Brubeck watches Abdul Halim Jaffer Khan on the sitar

1958

Brubeck Institute Jazz Quartet The members of the Brubeck Institute Jazz Quartet (BIJQ) are in the Institute’s Fellowship Program. Winners of nine DownBeat awards for best undergraduate collegiate jazz group in the country since 2006, the BIJQ have performed at the Monterey Jazz Festival, Playboy Jazz Festival, Brubeck Festival, Detroit International Jazz Festival, and others, and have done concerts in California, New York, Washington, Florida, Texas, Chicago, Toronto, Minneapolis, Washington DC, and on a State Department tour in Spain. They have performed in jazz clubs such as Dizzy’s Club Coca-Cola in New York, Yoshi’s in Oakland, Herb Alpert’s club Vibrato in Los Angeles, Blues Alley in Washington DC, the Dakota in Minneapolis, and the Jamboree Jazz Club in Barcelona. They have also played at the annual conference of the International Association for Jazz Education, at the Jazz Education Network conference and at the United Nations as part of the first Dave Brubeck forum, “Jazz: A Language for Peace.” The BIJQ does clinics and performances in schools throughout the country.

Guest ARTISTS Cyrille Aimée Cyrille Aimée was primarily raised in France and is of French-Dominican parentage. As a curious child in SamoisSur-Seine, she would sneak out of her bedroom window to wander into the nearby gypsy encampments filled with those attending the annual Django Reinhardt Festival. She quickly fell in love with the gypsy music and way of life, and in her later years she would sing on street corners with musician friends while traveling across Europe. In the midst of one such odyssey she found herself at the Montreux Jazz Festival, where she won first prize in the 2007 vocal competition. The success included the financing of her first self-produced album.

When Aimée auditioned for the French version of American Idol and became a finalist, she was Informed that she would have to sing only what she was told. Her gypsy spirit rebelled and, in what was a cause célèbre, she walked away from the competition.

Soon after, Cyrille moved to the United States and went on to be a finalist in the legendary Thelonious Monk Institute International Jazz Vocals Competition in 2010, before winning the Sarah Vaughan International Jazz Vocal Competition in 2012.

Aimée’s talents recently caught the attention of Stephen Sondheim, who cast her in an Encore Special Presentation starring Bernadette Peters at New York City’s City Center in November 2013.

In August 2014, The New York Times referred to Aimée’s major label release “It’s a Good Day” as “a bravura turn, presented with a smile.” With “Let’s Get Lost,” her second album for Mack Avenue Records, the bright mademoiselle has blossomed into a full-fledged artist.

Dave, Iola, Darius and Michael arriving at the Ankara airport, Turkey

1958

Pacific Jazz Ensemble Directed by Patrick Langham A big band in the tradition of Duke Ellington and Count Basie that not only performs classic jazz but embraces the music of contemporary composers and arrangers. The Pacific Jazz Ensemble has an impressive list of credentials including concerts with artists such as Stefon Harris, Jimmy Heath, Christian McBride, and Ingrid Jensen with festival performances at University of Oregon, Reno Jazz Festival, and Monterey's Next Generation Jazz Festival.

Pacific Vocal Jazz Ensemble Directed by Randy Sandoli Pacific’s Vocal Jazz Ensemble includes 7-12 singers, piano, bass, and drums. The students perform music ranging from jazz standards to original compositions. The group has performed at both the Reno and Sacramento State jazz festivals and locally at various high schools as well as at the Take 5 Jazz Club At The Brew. The students have had the opportunity to work with Mary Stallings and Aubrey Logan and, this fall, they are honored to share the stage with Dee Daniels and Cyrille AimÊe.

Guest ARTISTS Mimi Fox

Brian Kendrick

Internationally renowned guitarist/composer/recording artist Mimi Fox has been named a winner in 6 consecutive Downbeat Magazine international critic’s polls and has been recognized by writers and colleagues alike as one of the most eloquent guitarists on today’s scene. In one of many feature stories, Guitar Player Magazine hailed Mimi as “a prodigious talent who has not only mastered the traditional forms but has managed to reinvigorate them.” In a further nod to Mimi’s guitar artistry, and in conjunction with Heritage Guitars’ 30th anniversary, the historic Kalamazoo guitar company has rolled out the Mimi Fox Artist Signature model.

Brian Kendrick, a percussionist and educator, maintains an active performance schedule playing Broadway music, jazz, contemporary, orchestra and chamber music. Kendrick is a director of the jazz and percussion programs at San Joaquin Delta College in Stockton and teaches regularly at the Brubeck Institute, Pacific summer jazz camps, and Brubeck Summer Jazz Colony. He holds bachelor's and master's of music degrees in percussion performance from Texas Tech University and a master's degree from Syracuse University. He has performed throughout North America and Europe. He is active as a clinician and adjudicator with jazz honor bands, professional organizations such as Jazz Educators Network and Percussive Arts Society, summer camps such as Cazadero, and numerous festivals throughout the West Coast.

Mimi has performed/recorded with some of the music world’s most commanding players, including fellow guitarists Charlie Byrd, Stanley Jordan, and Charlie Hunter, Grammy-nominated saxophonists Branford Marsalis, David Sanchez, Houston Person, and the late Don Lanphere, vocalists Abbey Lincoln, Diana Krall, Kevin Mahogany, and Janis Siegel (Manhattan Transfer), B3 organ masters Joey DeFrancesco, Barbara Dennerlein and Dr. Lonnie Smith, and powerhouse drummer Terri Lyne Carrington. She has also performed with legends Stevie Wonder and John Sebastian.

Triism Triism is a jazz trio from Northern California that plays Balkan folk music, pop songs and jazz standards. Featuring saxophonist Levi Saelua, bassist Alex Reiff and drummer Jim Frink, their creative and collaborative arrangements often develop from conversations about politics, pop culture, science and comedy.

Currently working on their debut album, they have played shows and festivals in the U.S. and Europe, including the 2016 Bucharest International Jazz Competition where they were awarded the grand prize.

Joe Mazzaferro Trumpeter, educator, composer and arranger, Joe Mazzaferro has been active in the Sacramento and Central Valley jazz scenes since 2002. His formal studies include a bachelor's degree in music education from University of the Pacific and a master's degree in jazz and studio music from the University of Tennessee. As an active freelance performer, Mazzaferro has had the opportunity to play with many jazz greats including Dave Brubeck, Christian McBride, Wycliffe Gordon, Ingrid Jensen, Lewis Nash and others. He had the privilege of performing the Miles Davis masterpiece, “Birth of the Cool,” with Gunther Schuller at the 2013 Brubeck Festival, and participated in the series “Remembering James Williams & Mulgrew Miller” with pianist Donald Brown’s Quartet at the 58th Annual Monterey Jazz Festival. Mazzaferro is the coordinator of jazz studies at California State University, Stanislaus and serves as the musical director and cofounder of the Sacramento Jazz Orchestra.

BRUBECK INSTITUTE Faculty Patrick Langham

Randy Sandoli

Interim Director, Brubeck Institute

Assistant Director, Brubeck Institute

Patrick Langham is an experienced educator and performer with a 15-year career at University of the Pacific. As professor and director of jazz studies, Langham has developed the university’s jazz studies degree programs from scratch. He is a co-founder of the Take 5 Jazz Club in Stockton and regularly performs at the club and throughout the region. During his time at Pacific, Langham has always worked closely with the Brubeck Institute creating a bridge with Pacific’s Conservatory of Music on many levels. He has taught core classes to Brubeck Fellowship students since 2003, served as education director for the Institute from 2005 to 2006, and as interim executive director since 2016. In 2017, he was awarded the California Music Educators Association Jazz Educator Award honoring excellence in jazz education and performance. Langham holds bachelor's and master's degrees in music, both with a concentration in jazz studies, from the University of Tennessee, Knoxville. As a saxophonist, he has performed with many distinguished jazz artists including Lewis Nash, Bob Hurst, Donald Brown, Tom Harrell, Essiet Essiet, Terell Stafford and Louis Hayes.

Randy Sandoli is a pianist, composer, and lecturer in jazz studies at the University of the Pacific. He holds a bachelor's degree in jazz studies from Pacific’s Conservatory of Music and a master's degree in jazz performance from California State University, Sacramento. His major teachers include Joe Gilman, Patrick Langham and Rex Cooper. He has also studied with Mark Levine, Robert Glasper, Taylor Eigsti, Christian McBride and Joshua Redman. In 2011, Randy became the jazz studies director at the Zion Academy of Music in Stockton, a K-12 performing arts school. He led the Zion Academy Jazz Ensemble, an audition-only group of high school students emphasizing excellence in jazz performance. In 2015, Randy released his first album “Gettin’ Goin’” featuring members of the 2014–2015 Brubeck Institute Jazz Quintet. He performs regularly with others and continues to lead his own group, which ranges from a trio to a sextet.

1958

Dave on the streets of Kraków, Poland

Supporting JAZZ: This year marks the 60th anniversary of Brubeck’s Jazz Diplomacy Tour of 1958. The lineup for Brubeck Festival 2018 was carefully selected to reflect the intercontinental and intercultural message of unity and peace that was a beacon of that event.

Investment in Pacific Jazz and the Brubeck Institute from supporters and the University alike have produced a high level of success. Every year the Conservatory continues to be better positioned to excel. Rich with culture, diversity and opportunity, University of the Pacific and the Brubeck Institute offer students an unusual opportunity to have intimate experiences with access to the talent and resources that would be found in larger, musically rich cities such as San Francisco, Los Angeles and New York.

As a supporter, you are an integral part of sustaining Dave’s legacy. Your belief in the mission of the Institute, coupled with your personal and corporate generosity, make it possible for us to provide high-quality core programs: the Brubeck Festival, Brubeck Collection, Brubeck Fellowship Program, Summer Jazz Colony and Brubeck Outreach Program.

For more information on how you can support the Institute, please contact Briana Bacon, assistant dean for development, at bbacon@pacific.edu or 209.946.7441.

INSTITUTE Programs THE BRUBECK INSTITUTE IS MADE UP OF FIVE CORE PROGRAMS: The Summer Jazz Colony

is a one-week, scholarship-supported, intensive educational program in jazz performance for a very limited number of exceptionally talented students who have just completed their freshman, sophomore or junior years in high school. A portion of this year’s colony program is made possible by the generous support of Colonists through the Warren and ZoAnn Little Dusenbury Charitable Trust; the Alexandra Greene Ottesen and Peter Ottesen Endowed Scholarship; and the Michael Brubeck Endowment.

Cost of current annual operations: $80,000. Current scholarship gifts begin at $3,000; endowed scholarships at $50,000, and a gift to endow entire program into perpetuity, $2 million. Gifts of any size designated for this program allow us to attract the best musicians.

The Brubeck Fellowship Program is a

one- or two-year full-scholarship program in jazz performance for five of the nation’s best musicians who have just graduated from high school. These Brubeck Fellows comprise the Brubeck Institute Jazz Quartet (BIJQ). More than 60 percent of the students who are accepted into the fellowship program have attended the Summer Jazz Colony.

Cost of current annual operations: $40,000 for each of five fellows, for a total of $200,000. Gift to fully endow into perpetuity: $1 million per fellow. Endowed Scholarship support for a fellow starts at $50,000. Gifts of any size designated for this program help with travel costs for performances around the globe.

The Brubeck Collection is one of the world’s

largest and most comprehensive collections from a contemporary musician. It consists of Dave and Iola Brubeck’s correspondence, legal and business documents, musical recordings, music manuscripts, photographs, printed programs, memorabilia and other important archival material.

Cost of current annual operations: $100,000. Gift to endow into perpetuity: $2,5 million. Gifts of any size designated for this program keep this living archive accessible.

The Brubeck Festival is an annual event that

celebrates and explores the musical, intellectual and philosophical ideas of Dave Brubeck as well as his influence on the world of music and ideas.

Cost of current annual operations: $80,000. Gift to endow festival in perpetuity: $2 million. Annual sponsorships start at $2,500. Gifts of any size designated for this program keep the festival open to the community.

The Brubeck Outreach Program is designed to encourage the performance, study and understanding of jazz in its many forms, explore contemporary concert music, enlighten and broaden the general knowledge and appreciation of music, and promote the understanding of the work and influence of Dave Brubeck.

Cost of current annual operations: $20,000. Gift to endow outreach program in perpetuity: $500,000. Gifts of any size designated for this program allow jazz education to be presented by the BIJQ in schools around the nation.

FROM THE BRUBECK

Collection

Dave Brubeck: Jazz Ambassador

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As the Cold War began brewing between the United States and the Soviet Union in the 1950s, the U.S. State Department dispatched America’s greatest jazz musicians to export American culture to Third World countries – especially those closest to the Iron Curtain. Dizzy Gillespie, Louis Armstrong and Duke Ellington led the charge. Dave Brubeck and his quartet were asked to tour Poland, Turkey, India, Ceylon, East Pakistan, West Pakistan, Afghanistan, Iran and Iraq over two months in the spring of 1958. The Dave Brubeck Quartet not only brought their unique style to these countries, they also participated in a cultural exchange where they listened and learned from the local music and people they met.

All six tunes on "Jazz Impressions of Eurasia" echoed the sounds and sights from their 1958 host countries. The immensely successful 1959 album "Time Out" featured “Blue Rondo à la Turk,” which was inspired by the rhythms Dave heard on the streets of Turkey. Dave and Iola Brubeck’s 1962 collaboration with Louis Armstrong’s "The Real Ambassadors" not only focused the ideals of the 1958 tour but also addressed civil rights issues in the United States.

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University of the Pacific Library’s Holt-Atherton Special Collections curates the archival collections of the Brubecks and their associates such as Paul Desmond. Online exhibits and searchable inventories can be found at go.Pacific.edu/Archives.

1

Joe Morello’s name was mistakenly left off this concert program from Iran in 1958. Although Paul Desmond was mentioned, he did not play in Iran or Iraq.

2

Joe Morello, Eugene Wright, Dave Brubeck, and Paul Desmond played thirteen shows in three weeks in India and Ceylon in 1958. This photograph comes from the Paul Desmond Papers, containing letters and diaries from the legendary saxophonist.

3

After spending two weeks traveling and performing throughout Poland, Dave wrote the Chopinesque “Dziekuje” ("Thank You"in Polish) for the show on March 18, 1958. The performance was recorded and is available for research.

4

Dave, Matthew, Michael, Catherine, Chris, Iola, Darius and Danny Brubeck gather in their Wilton, Connecticut home in the late 1960s.

Iola, Darius and Michael joined Dave for the Western European, Poland, and Turkey portions of the 1958 tour.

5

All of the tunes on "Jazz Impressions of Eurasia" were representations of the places that the Quartet visited in 1958. This bass part to “Golden Horn” initially had the working title of “Turkey” due to the rhythms that Dave heard in that country.

6

The Quar tet agreed to play an additional show in Poland on what was scheduled by the U.S. State Department as a “free day.” Announced only two days before the show, the 3,000 seat venue sold out in half a day.

Mike Wurtz, Head of Holt-Atherton Special Collections. All images from Holt-Atherton Special Collections. go.Pacific.edu/Archives

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BRUBECK INSTITUTE

Endowment

The Brubeck Institute is grateful for the financial assistance it receives every year from the following endowments. Each of these endowments accepts additional gifts so that they may grow and provide even greater support for our programs.

Donald V. and Karen M. DeRosa Brubeck Endowment was established in 2004 to support Brubeck Institute programs.

Jane M. Bancroft Fellowship Endowment was established in 2007 to support

The Georgia Frontiere and A. Earle Weatherwax Endowed Scholarship with love and honor for Dave and

a Brubeck Institute Fellow.

Iola Brubeck was established in 2014 to support Brubeck Institute programs.

Richard N. Barkle Endowed Scholarship was established in 2013 to support

Ralph and Calla Guild Endowment

Brubeck Artist-In-Residence Endowment by Gordon and Anne

Newell and Sharon Johnson Brubeck Collection Endowment

Brubeck Institute programs.

Zuckerman was established in 2007 to support

visiting artists who work and perform with students participating in the fellowship and Summer Jazz Colony programs, as well as artists performing at the Brubeck Festival.

Iola W. Brubeck Fellowship Endowment was established in 2013 to support a Brubeck Institute Fellow.

was established in 2007 to support Brubeck Institute programs.

was established in 2012 to support the Brubeck Collection, a living archive housed in the University’s library.

Alexandra Greene Ottesen and Peter Ottesen Endowed Scholarship for Brubeck Summer Jazz Colony was

established in 2012 to provide support for a student participant in the Summer Jazz Colony program.

Brubeck Institute Endowment

Tommie Pardue Endowment

Michael Brubeck Memorial Endowed Scholarship for Saxophone

Elizabeth and David Rea Endowment was established in 2000 as the first

was established by multiple donors in 1999 as the first permanent source of support for the Brubeck Institute.

was established in 2006 by the Brubeck Ambassadors Council and Dr. and Mrs. DeRosa upon the death of Dave and Iola Brubeck’s second son.

was established in 2005 to support Brubeck Institute programs.

named endowment to support Brubeck Institute programs.

A SPECIALThanks The Brubeck Institute is able to accomplish its goals because of the contributions of time and talent of many individuals and organizations. The Institute would like to acknowledge the following for their tireless efforts in supporting our programs and especially the 2018 Brubeck Festival.

University of the Pacific Pamela A. Eibeck, President Maria Pallavicini, Provost Ken Mullen, Vice President for Business and Finance G. Burnham (Burnie) Atterbury, Vice President for Development and Alumni Relations Marge Grey, Associate Vice President for Marketing and Communications

Brubeck Institute Patrick Langham, Interim Executive Director Randy Sandoli, Assistant Director Lewis Nash, Artist in Residence, Fellowship Program Edward Simon, Artist in Residence, Fellowship Program Melissa Riley, Administrative Assistant

Conservatory of Music Peter Witte, Dean Yvette Khan, Administrative Assistant Jennifer Goodwin, Coordinator of Student Services Jessica Siena, Head of Admissions Steve Perdicaris, Operations Manager James Gonzales, Technical Director Keith Hatschek, Program Director for Music Management

Holt-Atherton Department of Special Collections Michael Wurtz, Archivist-Special Collections Nicole Grady, Special Collections Librarian

Brubeck Institute Advisory Board Chris Brubeck, Musician and Composer Darius Brubeck, Musician and Composer Donald V. DeRosa, President Emeritus, University of the Pacific Antonio Garcia, Director of Jazz Studies, Virginia Commonwealth University Richard S. Jeweler, Brubeck Family Attorney Mary Somerville, University Librarian Peter Witte, Dean, Conservatory of Music

Brubeck Ambassadors Shirley Dozier Carole Gilbertson Marlene and Bob Hnath Dr. Stuart I. Jacobs Dr. Ron and Louise Kass Larry Leasure Ned Leiba Scott Liggett Tommie Pardue Dr. Jean Purnell Paul and Marion Sachs Carol Sims Tasha Stadtner Stephanie Stevenson Denny Stilwell Howard and Marjorie Stokes

Honorary Board Members Clint Eastwood Chair, Honorary Board Director, Producer, Actor, Composer

Herb Alpert Artist, Producer James R. Bancroft Partner (retired) Bancroft & McAlister David Benoit Pianist, Composer, Conductor Ken Burns Filmmaker Donald V. DeRosa President Emeritus, University of the Pacific Clive Gillinson Executive and Artistic Director, Carnegie Hall Ralph Guild Chairman of the Board, Interep Tom Hall Conductor, Baltimore Choral Arts Society; Radio Personality Tim Jackson General Manager, Monterey Jazz Festival Executive and Artistic Director, Kuumbwa Jazz Quincy D. Jones Producer Dame Cleo Laine Musician, Actress Norman M. Lear Television Writer and Producer, Businessman Larry Leasure Regent, University of the Pacific, Business and Real Estate Dennis A. LeVett Real Estate and Investments Ramsey E. Lewis Jr. Composer, Pianist George Lucas Filmmaker Yo-Yo Ma Cellist Wynton Marsalis Trumpeter, Composer Christian McBride Jazz Bassist Doug Ramsey Author, Critic Hedrick Smith Writer, Film Producer A. Earle Weatherwax Musician, Developer George T. Wein Founder, Festival Productions Gordon Zuckerman Developer, Writer

Donors $25,000 to $49,999

$5,000 to $9,999

Successful operation of the programs of the Brubeck Institute would not be possible without the suppwort of our loyal friends and dedicated sponsors.

Our mission, goals and programmatic activities all require resources. Our long-term objective is to endow the sustained growth of the Brubeck Institute.

Anonymous Mr. and Mrs. Philip C. Berolzheimer Charles P. Berolzheimer Foundation Mr. Warren Dusenbury Mr. and Mrs. Thomas J. Ferrari, Sr. Jazz at Lincoln Center Inc. Mr. Newell and Mrs. Sharon Johnson Lucasfilm Foundation Mr. and Mrs. Peter Ottesen Dr. and Mrs. David A. Stadtner Mr. and Mrs. Howard Stokes Union Bank of California

$1,000,000 or more

$10,000 to $24,999

Mr. and Mrs. Gregory J. Basso Mr. Mark J. Bluth Drs. Tony and Virginia Chan Cortopassi Family Foundation Crete Family Foundation Downtown Stockton Alliance Mr. and Mrs. William W. Eccleston Dr. and Mrs. Philip N. Gilbertson Mr. and Mrs. David Gill Infocomm International Mr. and Mrs. Stephen D. Jackson Mr. Ned Leiba Dr. and Mrs. Louis Messina Mr. and Mrs. Robert C. Ramsdell Mr. Sanford Robertson Ms. Carol E. Sims Victor Vineyards Ms. Bonnie Vistica Mr. and Mrs. Bernard R. Vonderhaar II Mr. James Wilson Mrs. Cathy Brubeck Yaghsizian

University of the Pacific and the Brubeck Institute gratefully acknowledge the following individuals, foundations, and corporate and government agencies who have made generous gifts to the institute.

Mr. James R. Bancroft Mr. Kent Lathy Mr. and Mrs. Dennis A. LeVett Mr. and Mrs. Gordon R. Zuckerman

$500,000 to $999,999 The Herb Alpert Foundation Mr. Richard N. Barkle

$250,000 to $499,999 Mr. and Mrs. Ralph Guild Mr. and Mrs. H. Larry Leasure

$100,000 to $249,999 Dr. and Mrs. Donald V. DeRosa Warren and Zoann Dusenbury Charitable Trust Mr. and Mrs. Angus L. MacLean, Jr. Mr. and Mrs. David K. Rea Ms. Stephanie Stevenson and Dr. Stuart Jacobs Earle Weatherwax (In loving memory of Georgia R. Frontiere)

$50,000 to $99,999 Anonymous Mrs. Iola Whitlock Brubeck Mr. Clint Eastwood Mr. and Mrs. Stanley S. Hubbard The Hubbard Broadcasting Foundation George Lucas Family Foundation Ms. Elmyra “Tommie” Pardue

ACTION Council of Monterey County Mr. W. Jamey Aebersold Mr. and Mrs. Charles P. Berolzheimer II Dr. Ross E. Bewley, Jr. Blackwing LLC Mr. Benjamin Baker Bond, Jr. Carol Franc Buck Foundation City of Stockton DBI Beverage San Joaquin Mrs. Shirley Dozier Mr. Russell Gloyd Mr. and Mrs. Robert J. Hnath Kadan Limited Dr. and Mrs. Ronald A. Kass National Foundation for Advancement in the Arts Newman’s Own Foundation Mr. Wynn Odell Mr. and Mrs. Sanford R. Robertson Ms. Sandra L. Rossi Mr. and Mrs. Paul M. Sachs The San Francisco Foundation Stockton Port District Visit Stockton Dr. George T. Wein Wells Fargo Bank, N.A.

$2,500 to $4,999 Bank of Stockton Mr. and Mrs. Ronald A. Berberian Mr. and Mrs. Dean A. Cortopassi Mr. and Mrs. Terrence Dermody Ms. Joan A. Goble-Rivard Golden Bear Insurance Company Mr. and Mrs. Michael J. Hall Dr. Tom Hall Ms. Barbara B. Katz Dr. Ramsey E. Lewis Jr. Mr. Scott G. Liggett Mr. Gary Long Mack Avenue Records Midtown Creperie & Cafe Miracle Mile Improvement District Pacific Title & Art Studio Inc. Mr. Scott and Mrs. DeeLynn Rivinius Drs. Simon and Kylie Rowe Saint-Gobain Corporation Foundation Mr. and Mrs. Jordan D. Shields Stockton Symphony Association Inc. Telarc International Corporation

Wadsworth Family Foundation Professor James R. Wilson Ms. Dale E. Young Mr. and Mrs. Robert R. Zaleski

$1,000 to $2,499 Anonymous Mr. and Mrs. Perry W. Andrews Apex Foundation Atlas Properties Inc. Mr. David N. Baker Jr. Mr. and Mrs. Hugh P. Barton Ms. Renna Beinoris Mr. Alden Bianchi and Ms. Mary Kett Mr. Elliott Broidy Mr. and Mrs. Christopher W. Brubeck Mr. and Mrs. John M. Bryan Mr. and Mrs. John P. Butorac Ms. Beverly Byl Mr. and Mrs. Robert J. Corkern Mr. and Mrs. Melvin H. Corren Mr. and Mrs. R. Wayne Craig The Dede Emerson Revocable Trust Foundation Delta Property Administration Trust II Mr. and Mrs. David B. Devine Dr. Ronald F. Dugger Earthbound Expeditions, Inc. Experience Music Project Drs. Nava Fathi and Abbas Raissi Mrs. Patty Fensterwald Ms. Marilyn E. Field Mr. and Mrs. Leslie A. Filler Mr. and Mrs. Robert W. Foy Mrs. Lillian Fuller Mr. Fred I. Gertler Greater Stockton Chamber of Commerce Mr. and Mrs. Jeff rey M. Greenberg Dr. Elizabeth and Mr. Robert Griego Mr. Michael Hall Hilton Stockton Mr. and Mrs. Dean J. Janssen Mr. and Mrs. John H. Kautz Kawai America Corporation Mr. Fred Lee Lincoln Center

Mr. Fillmore C. Marks Jr. Mr. William Maxwell Ms. Willma Maxwell Mr. and Mrs. Bruce R. McCaw Mrs. Dwayne McClendon Mr. and Mrs. W. Stuart McKee Mr. and Mrs. Stephen Merchant Midtown Creperie Miracle Mile Improvement District Mrs. Ione Monagan Mr. Robert Nikkel Monterey Jazz Festival Inc. Mr. Richard H. Morrison Ms. Katie Neubauer and Mr. Joe Veni Mr. and Mrs. Michael Parise Mr. Mark E. Pasquerilla Mr. and Mrs. Charles G. Patmon III Dr. and Mrs. Marvin H. Primack Dr. Jean A. Purnell R.E. Service Company Inc. Mrs. Sharron Restivo Rishwain & Rishwain San Joaquin Medical Society Mr. and Mrs. Angelo Sangiacomo Schwab Charitable Fund Mr. and Mrs. William B. Schwartz Mr. and Mrs. Thomas H. Shaffer Ms. Betty Shumway Mr. and Mrs. Daniel A. Silva Sony Music Mr. and Mrs. Stewart M. Tabak Mr. and Mrs. Robert J. Thompson United Way of San Joaquin County Valley Music Fund Mrs. Patricia Stout Vannucci Wachovia Foundation Mr. and Mrs. Todd Waldman Dr. Eric B. Wall Dr. and Mrs. Paul A. Waters Drs. Cynthia Wagner Weick and Brian Weick William Maxwell’s Bookmark Mr. Roger Williams

Gifts-in-Kind The Brubeck Institute thanks: Stockton Chase Chevrolet for its continuing support of the Fellowship and Outreach programs by providing the Institute with vehicles that address its local and regional transportation needs.

Jazz at Lincoln Center Inc.—Dave Brubeck physical memorabilia and printed reproductions of scanned memorabilia.

Equipment Support Main Street Music for the use of their guitar and bass amplifiers Brian Kendrick for the use of drum sets as well as his generous assistance throughout the year with all Brubeck Institute programs.

THE BRUBECK INSTITUTE The Brubeck Institute was established by University of the Pacific in 2000 to honor its distinguished alumni, Dave and Iola Brubeck.

The mission of the Institute is to build on Dave Brubeck’s legacy and his lifelong dedication to music, creativity, education, and the advancement of important social issues including civil rights, international relations, environmental concerns and social justice.

The Institute maintains its five programs, comprising the Brubeck Collection, Brubeck Festival, Brubeck Fellowship Program, Summer Jazz Colony and the Outreach Program.

BrubeckInstitute.org

Front cover artwork: Program cover for concert in India Back cover artwork: Program cover for concert in Poland All photos used in this program: Courtesy of the Brubeck Collection, Holt-Atherton Special Collections, University of the Pacific Library. © Dave Brubeck