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Undergraduate Architecture Compilation 2017-19

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Designing with Purpose Michael Urueta Compilation 2017 - 2019


Personal Information Born: December 4th, 1996

Address: 119 Freedom Drive Apartment 4, Clemson, SC 29631

Phone: (864) 420-6156

E-mail: murueta@g.clemson.edu or urueta.mikey.b@gmail.com

Languages: English/Spanish

Interests


Skills

Resume Education: Bachelors of Architecture & Sustainability Minor Clemson University

Expected Graduation: Fall of 2020

Academic Achievements: Clemson University NOMAS Co-President Clemson University Honor Roll Clemson University President’s List

References: Tim Brown tb2@clemson.edu Sallie Hambright-Belue salliehambright@gmail.com


“Sustainable development is development that meets the needs of the present without compromising the ability of future generations to meet their own needs.� - Gro Harlem Brundtland

With every decision I make I try to create a future that is better for the ones after me. Everything I enjoy involves nature, without it I lose a part of who I am. The color green has been used to emphasize that sustainability is at the forefront of every design decision that I make.


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Conservation Square Urban Residential and Mix-Use Development

NOMAS Design Competition Location: Brooklyn, New York Type: Mix-use/Residential Fall 2019 The Conservation Square resides at the intersection of historic Albemarle Road and Nostrand Avenue. The surrounding building elements anchor Conservation Square into the vibrant community of Flatbush and responds with a shell-like facade that pays homage to the landmark buildings around it. The building flows seamlessly into the recesses of the site and invites communal interaction with a municipal park creating a shared atmosphere where locals and visitors alike can make themselves at home. Multiple housing typologies, job opportunities, and resources, as well as a square space for play, engender an intergenerational hub that embraces the diversity and culture of the community and encourages collaboration. Community will never be forgotten in Conservation Square.

01


Conservation Square 02


Brooklyn Statistics

Noise

Police

Sun Path

School

Site Subway

Bus Drop Residential

Commercial

Flatbush Statistics

Not too long ago I had the opportunity to visit a unique community in Brooklyn. As soon as I arrived to the area, I could tell that everyone was a big family. There was a sense of place that I had never experienced before, and I could tell the community took pride in where they call home. The members in this community know each other by name and treat each other like family. In my time there I was able to recognize the friendliness of the area and understand some of its culture. Walking down the street I was able to hear a diverse range of music, dialects, and conversations and I could feel the energy of the community. I saw kids playing on the sidewalk and friends grilling out at the corner of Tilden and East 29th. It was the best experience I had while in Brooklyn, and I’ll never forget the feeling of togetherness that I felt when I was there. This Community is Flatbush. Gentrification can take everything I just described to you and throw it away. It’s the most devastating product of bad planning and design, and it can happen to any community if we don’t rethink the way we design. When designing Conservation Square, we asked ourselves this question, “How do you preserve a community while also welcoming opportunities for growth?” This question led us to create a design that preserves the identity of the community and invests in its human capital.

03

Site Analysis


Cuts dictated by the edge and midpoints of existing buildings to settle into context Diagonal circulation starting at intersection of Nostrand Avenue and Albemerle Road provides full site accessibility for community

Removal of mass on edge of singular housing unit while creating a sound buffer wall to reduce plaza noise

Plazas created at main pedestrian circulation corridor as well as the heart of the site behind singular housing unit

Roof levels set to mirror surrounding buildings further settling design into the context of Flatbush Removal of mass on edge of singular housing unit while creating a sound buffer wall to reduce plaza noise

Building Height Relationship

Formation

Green Space

Shell Concept

Programming

Circulation

Conservation Square 04


Welcome Center

Co-working Space

Affordable Housing

05

Community Square


Section

Conservation Square 06


Colored Valley Co-Working Hub Urban Commercial and Civic Development

Studio Group Project Location: Brooklyn, New York Type: Civic/Commercial Fall 2019 Work and play often seem to be separated by a very definitive line. Work is something you do with co-workers, and play is something you do with friends. Work provides stability and play provides freedom. The question should be asked however, why can’t these two components of human life be merged, and the separation of work and play become blurred? Colored Valley Co-Working Hub asks this important question. Colored Valley Co-Working Hub was designed to provide opportunities for education, employment, and community. With the site of the hub being located in the super-fund zone of Gowanus, NY it was important that we account for the building’s impact on the environment when working through the design. With careful thought and research we were able to create a design that adheres to all the components mentioned. The hub’s first two levels aim to provide inclusion and opportunities for the public. The first level provides access to a makerspace and event space as well as retail stores and bike storage and a locker room. The second level becomes a sibling of Brooklyn Bridge Park’s Time Out Market with restaurant units and seating that open up to the elevated plaza looking out over the Gowanus Canal. The second level also provides opportunities for investments in human capital with a business incubator where individuals can go to get help with resumes and practice job interviews. Level three and up are spaces of work. Colored Valley Co-Working Hub was created to re-think the way work is understood and to set the new standard for the way workspaces are designed.

07


Colored Valley Co-Working Hub 08


Brooklyn, NY Stats 65 Plus 11.4%

Walked 8.6% Bike A G1.7% E

Under 5 to 19 22.4%

COMMUTING

Other 5.3%

Car 22.6%

Outside E D U C A T IWork OEN D22.6% U CState ATION

Provide stores, programs, and spaces that H O U Sincrease EHO L the DS economic and human capital of the area

COMMUTING

45 to 85 Plus 31.8% Work Outside County 22.6%

20 to 44 34.5% Public Transportation 61.8%

Age

Work In County 22.6%

Commuting

Othe r 2.3%

1.2M #03 35.2% #04 35.2% 22.7% 22.17 80.7% 80.7% 1.2M #03 #04 27.6% Invest in “hard to reach” citizens by increasing their human capital

Hispanic/Latin o 19.3%

TOTAL POPULATION

Whit e 36%

POVERTY

Asian 11.8 %

DEMOGRAPHICS

Education

33.1% 33.1% 16.9% 16.9%

African American 30.6%

Brooklyn, NY Stats #01 #02 1M 38.5% 38.5% $60K $60K #05 #0 23.5% 17.9% #0 Poverty

250,000 200,000 150,000 100,000 50,000

R e t a i l

S c i e n t i f i c

0

Brooklyn Statistics

Too often humans want to forget about work life the second they “clock-out,” this is an issue that can lead employees to have negative connotations with where they work, what they do, and who they work with. Work fatigue is a very real issue that has risen because of the lack of attention that designers have taken in the past when designing office space. In order to change the way people think OCCUPATION about work, we need to re-think the way we design working environments.

E d u c a t i o n

H e a l t h

A r t s

F o o d

Occupation

The occupations listed make up more than half of Brooklyn’s employment. During the development of programs we used these statistics to develop a space that related to the areas industries.

COMMUTING

09

19.

In the tower, each floor is designed to be a rentable space where business can grow and collaborate with open floor plans that allow for excellent views of the city. In the lower profile building the upper levels become what is known as co-working space. The levels are designed to act as one continuous unit which is highlighted with an ornamental staircase that runs through each floor. The space provides multiple working typologies for those who wish to work collaboratively and those who wish to work in solitude. Each level provides views of the city and every member has access to balconies that look out over the site. When the work is done, co-workers turn into friends and play begins. The co-working space accounts for this transition with a café and snack bar as well as a lounge with pool tables, media space, and a bar. The esplanade design considers every individual with spaces for relaxation and extraordinary views, as well as incorporates sustainable aspects that limits the impact the building has on the environment. The colors of Gowanus are displayed on the building with the glass panels that reflect the street art of the area, as well as spaces for street art along the esplanade.


Existing Site

Raised to Maximize Square Footage

Subway Influence

Split to Allow Circulation

7.7% .7%

Lowered to Minimize Skyline Presence

Shifted to Create “Valley-Like” Gatherings

Final Form

Public

Esplanade Viaduct Arcade Transportation Hub Makerspace Reuse Store Retail Space Business Incubator Elevated Plaza Food Market

.4%

Semi-Private Bike Storage/Lockers Event Space

Private

Co-Working Space Outdoor Patios Kitchen Cafe Relaxation Room Utilities

05 06

DN

DN

UP DN

UP DN

UP DN

UP DN

UP

UP

DN

DN

DN DN UP

DN

DN

DN DN UP

DN

DN

UP

UP

DN

Circulation

Programming

Colored Valley Co-Working Hub 10


Bellevue Village Branch Library Urban Community Design

Studio Location: Columbia, South Carolina Type: Civic Spring 2019 The Bellevue Village Branch Library provides a space for a community to come together. More than just a library, this community space provides programs that help inform and educate. The intergenerational living room provides a place for collaboration between young and old. The reading room allows for study and productivity. The auditorium is designed to be optimal for community gatherings, and the courtyard is at the core of the village as it is the linkage for the system of programs. Together they form the Village of Bellevue and provide a space that gives back to this historic community.

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Bellevue Village Branch Library 14


Never build large monolithic buildings. Whenever possible translate your building program into a building complex.

3

4 Shared Courtyard

2

Covered Path

5

At low densities, a building complex may take the form of a collection of small buildings connected by arcades, paths, shared gardens, and walls.

1

High Roofs Main Function

Central Position For any collection of buildings, decide which building in the group houses the most essential function--which building is the soul of the group. Then form this building as the main building, with a central position, higher roof.

268

Visible from directions of approach

269

0

27

Existing Site Analysis

Place main entrances at a point where it can be seen immediately from the main avenues of approach and give it a bold, visible shape which stands out in front of the building. Raised roof elevation at entrances Tower Elements

If a garden is too close to the street, people won’t use it because it isn’t private enough. But if it is too far from the street, then it won’t be used either, because it is too isolated.

...place it in some kind of half-way position, in a position which is half-hidden from the street, and half-exposed

DN

DN

DN

Courtyard

Stair Seats In any public place where people loiter, add a few steps at the edge where stairs come down or where there is a change of level. Make these raised areas immediately accessible from below, so that people may congregate and sit to watch the goings-on.

Flared at bottom

Wrapped around room

N

15

Proposed Site Analysis

Treat the whole staircase as a room. Arrange it so that the stair and the room are one, with the stair coming down around one or two walls of the room. Flare out the bottom of the stair with wide steps so that people coming down the stair become part of the action, and so that people below will use the stair for seats.


Legend 1 Intergenerational Living Room 8 Makerspace

15 Quiet Space

22 Auditorium

2 Reception Desk

9 Computer Lab

16 Break Room

23 Reception Desk

3 Snack Bar

10 Tower Access

17 Book Storage

24 Meeting Space

4 Kid Zone

11 Reading Room

18 Business Incubator

25 Courtyard

5 Lounge Space

12 Circulation Desk 19 Grand Reading Room 26 Mix Use Canopy

6 Systems

13 Systems

20 Systems

7 Break Room

14 Reading Space

21 Storage

27 Mix Use Canopy

264

265

266

267

FRANKLIN STREET

260.0' ASL 260

263

260.8' ASL 261

262

23

26

24

22 25 27

20

261

21

7 12

6

2

1

13 15 14

4

SUMTER STREET

5 11

3

16

264

262

720.0000

263

N

261

264.75' ASL

264

262

263

264

265

Section Perspectives 266

267

10

265

9

17

266 19

18

8

Floor Plans

Bellevue Village Branch Library 16


Intergenerational Living Room

17

Grand Reading Room


Auditorium

Tower View

Bellevue Village Branch Library 18


Charleston Art Center Urban Community Design

Studio Location: Charleston, South Carolina Type: Civic Fall 2018 The Anchor building rests on a hill overlooking the Cooper River and the heart of the Riverfront Park in N. Charleston. It lays surrounded by tree cover and soaks up the early morning and late afternoon sun but provides shelter to the park’s visitors during the hottest points of the day. A design focused on sustainability as much as it is on providing a place for creative minds to work. A key component is its geothermal heating and cooling system. With the site having two distinct styles being historical and modern the building literally acts as an anchor for the site paying tribute to the historical while welcoming in the new. The west facade of the building pays tribute to FLW’s Winslow house. Transitioning into the core of the building natural light pours into the space through curtain walls and skylights. Terracotta tiles and stained wood paneling warms the interior while Charleston white walls give a sense of freshness. Never ending views of nature pull the elements closer and provide a sense of place for the building.

19


Charleston Art Center 20


Formation

Sun

Geothermal System

Wind

Bus Loop

21

Proposed Site

Views


Cobblestone

Fly ash brick

Leaf Ivy

Shingles

Geothermal System

Flower Bed

Cork Insulation

Extensive Green roof

Recycled Aluminum mullions and Triple pane glass

Tabby Concrete

Materials

DN UP

UP

Program

Structure

Charleston Art Center 22


Icon

Diagrams

Lobby

23

Section

Gallery


Workshop

Hidden Garden

Charleston Art Center 24


Contemplation Cabin Residential and Off-The-Grid Living

Studio Location: Issaqueena Lake, SC Type: Residential Spring 2019 The challenge for Contemplation Cabin at Issaqueena Lake was to design a cabin in the woods. The cabin had to be off the grid, and be able to accommodate a group of four people for a long weekend. The project allowed us to think about small details and create a space that reflects what we think nature is, and how humans interact with it. Contemplation Cabin is just that, a place where people can go and contemplate about whatever is on their mind and can do so in the surroundings of nature.

25


Contemplation Cabin 26


Fire Pit

Bath House

Seasonal Wind Patterns

Sun Path

Boat Ramp

Moss

Picnic Shelter

Cross Laminated Timber

B-25 Flight Paths Fishing Spots

Favorable Site Locations

790

Dam

Wood Shingles

Trail

0 70

Park Area State Road Trail Roads Water Runoff Site Boundary Lake Issaqueena Streams Vegetation

810

Tree Branches

Weaved Wood Thatching Cast Iron Stone

Cut Pine Lumber

0

250

500

Southern Pine Logs

Feet

1,000

Materials

Site Analysis

Sun

Natural Ventilation Private

Circulation Public

Storage and Prep Contemplation

Program

Preliminary Sketches

27

Section


Public Circulation

Living Space

Lakeside Cabin

Contemplation Cabin 28


Wood Burning Burned Wood and Leather Products

29


Wood Burning 30


Sketching Pencil and Pen Sketches

31


Sketching 32


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