Ocean of Soul

Brian K. Simmons brings passion, energy as director of Texas Southern University’s storied marching band

Brian K. Simmons (Omega Omega) was named the director of Texas Southern University’s Ocean of Soul Marching Band in July 2021. A native of New Orleans, Simmons earned a Bachelor of Music and Master of Educational Leadership from Southern University. He also serves as an adjudicator and clinician to middle and high school bands nationwide. In addition, Simmons is an exceptional euphonium and trombone player. He is also a prolific arranger and educator respected throughout the country. He has received many awards and critical acclaim for his performances and arrangements.

Upon his appointment at TSU, Simmons said, “It is an honor to join the TSU Family. Texas Southern has always been a respected rival of mine. I am excited to work with a program with so much history both in the band and HBCU world. I look to honor the rich history and traditions of the Ocean of Soul while incorporating new and innovative ideas. Fans and alumni can expect to see what the band is known for as we rise to the next level. Ultimately, it will be the same Ocean, just a new wave!”

Following his first year at TSU, Simmons spoke with the Triangle about his plans for the Ocean of Soul and the role music has played in his life.

How did you get into music/band as a child?

I always had a connection to music. I was fortunate to have family that had an eclectic taste in music. My love for my favorite artist, Sade, comes from my dad. He would listen to her regularly. My mother also was well-versed in other genres of music. Michael Jackson, Phil Collins, Johnnie “Guitar” Watson, Janet Jackson and Jill Scott would blast throughout the house at some part of the day. It was an infectious feeling.

What made you choose to attend Southern University?

Growing up in New Orleans, marching band wasn’t just an activity, but a culture. I always knew Southern University (Baton Rouge) was out there but I didn’t really pay too much attention. I had a lot of offers from different schools, but when I saw Southern University play Jackson State University in 2008, my mind was made up.

What/who have been some major influences on your musical life trajectory?

My band directors have influenced my moves and career thus far. Lawrence Jackson, former director of bands at Southern University, taught me the balance of educating your audience and crowd as well as entertaining them. With every performance, I look to give our audience an appreciation for what it is we do while making them comfortable with the world’s greatest language — music. Nathan Haymer (Beta Zeta), former director of bands at Southern University, was not only my teacher but my former boss. He was big in showing that marching bands are great tools for advertisement and branding. Bands are the biggest ambassadors for their respective universities and can spread the message far and wide.

What was the process you used when first arriving at Texas Southern?

When first arriving at Texas Southern University, my plan was to assess the program for what it was in its current state. I am big on efficiency, so I look to see what is working for us and what isn’t working. Once I sifted through those issues, I wrote down a few things I wanted to personally implement. It’s all about creating a balance.

How did it feel the first time you hit the field with the Ocean of Soul?

Hitting the field for the first time was surreal. I think it was the first time in my career I noticed the crowd. It was a lively time in Houston. The band executed well, and the crowd was into the performance. I just remember being still, just at peace.

What dreams do you have for the program under your leadership?

I want the Ocean of Soul to become a household name. My biggest decision as a leader was deciding what that name meant to me. When you hear Texas Southern University Band, I want you to know that this is the most soulful musical experience you will ever witness. I won’t stop until that is a reality.

What was your biggest challenge to overcome in your first year?

My biggest challenge was the language barrier. I come from a different place and mindset, not better or less, just different. So my way of doing things and expressing certain ideas was hard for them to understand. In the inverse, the band had its own culture that I acknowledged, but it took a minute for me to understand. It was like I was speaking Spanish and they were speaking French; both saying things of equal importance, but we couldn’t understand each other.

What do you hope your musical legacy will be?

I hope that I will be remembered for my work ethic and for always wanting to create an environment for personal growth. I truly believe I can do whatever I put my mind to and want my career to reflect the same.

What’s a list of your top five favorite songs that you have arranged?

I always like the music that has sentimental value to me. I do my best with songs that I either grew up on or grew up with. Good arrangements are all about capturing the message of the music through notes.

1. “Set Me Free” by Teddy Pendergrass

2. “Song Cry” by August Alsina

3. “Forget Me Nots” by Patrice Rushen

4. “Gypsy Woman” by Crystal Waters

5. “You Can’t Stop the Rain” by Loose Ends