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The Triangle, publication of Mu Phi Epsilon music fraternity, Volume 120, Issue 3 Fall 2026

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Mu Phi Epsilon International Professional Fraternity for the Advancement of Music in the Community, Nation and World.

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THE FLUTE AS VOICE Meet International Competition winner Mary Matthews


Coverage of our 2026 International Covention.

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VOLUME 120, ISSUE 3

FEATURES 4

ACME Honorees

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2026 International Convention

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An Extension of Her Voice

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2026 Mu Phi Epsilon Fraternity Award Winners

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Foundation Grants and Scholarships Information

COLUMNS 1

President’s Message: Carrying the Energy Forward by Ann Geiler

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Musings: A Time to Imagine by Kurt-Alexander Zeller

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From the Archives: Treasures in the Attic by Wendy Sistrunk

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Foundation News: Ever-Changing Philanthropy Grants by Donna Chrzanowski

DEPARTMENTS 28

Applause and Encore: Member and Chapter News

30 Final Notes, Compiled by Ann Geiler 32

District Directors Directory

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Executive Officers Directory

On the Cover: Flutist Mary Matthews (Mu Phi) won the 2026 Mu Phi Epsilon Foundation International Competition. To book a concert with Matthews, visit www.mpefoundation.org.

Fraternity Mission Statement: Mu Phi Epsilon International Professional Music Fraternity is a coeducational fraternity whose aim is the advancement of music in the community, nation, and world through the promotion of musicianship, scholarship and music education with emphasis on service through music. EDITOR Kat Braz editor@muphiepsilon.org DESIGN & PRODUCTION Paul Wilson thetriangle@muphiepsilon.org Send all material for publication to: Kat Braz, editor@muphiepsilon.org The Triangle welcomes story suggestions from Mu Phi Epsilon members and friends. Publication selections will be made at the discretion of the editor. Photos must be provided as the original digital file at high resolution. Please include photographer credit information. All photographs are published courtesy of the contributor unless photographer credit is provided. Deadlines for submissions: Spring — November 15 Fall — July 15 Change of address, renewals, notice of deceased members, requests for extra copies and subscription requests should be sent to: Mu Phi Epsilon International Executive Office 6510 Telecom Drive, Suite 370 Indianapolis, IN 46278 toll free: 888-259-1471 fax: 888-855-8670 email: executiveoffice@muphiepsilon.org The Triangle is published twice per year by Mu Phi Epsilon, International Professional Music Fraternity. Member, Professional Fraternity Association. Subscription price is $20.00 per year. Single copies are $8.00. Postage paid at St. Paul, MN, and at additional mailing offices. Printed in the United States of America. POSTMASTER: Send all changes of address to: Mu Phi Epsilon, 6510 Telecom Drive, Suite 370 Indianapolis, IN 46278 © 2026 Mu Phi Epsilon. All rights reserved.


PRESIDENT’S MESSAGE

A N N G E I L E R , IN T ER N AT IO N A L PR E S I D E N T, PH I TH E TA , ST. LO U I S A LU MN I PR ES I DE N T@M U P H IE P S ILO N .O RG

Carrying the Energy

Shaumiaa Vector

FORWARD eturning home from our 2026 Convention I had a smile on my face all the way home. The energy at the convention was so uplifting and I hope everyone who attended will go back to their chapters and pass that excitement on. Thank you to my fellow members of the 2023-2026 International Executive Board: Ashley Bouras, Marshall Pugh, Liana Sandin, Tanner Wilson and Kurt-Alexander Zeller for all their work the last three years. I would also like to thank Jess LaNore, executive secretary, Kat Braz, Triangle editor, and Lisa Beyer, social media manger, for all their work for the fraternity. The running of Mu Phi Epsilon is a team effort! Thank you to everyone who volunteered to help throughout the years and at the convention. Welcome to the 2026-2029 IEB elected officers — Kirsten Forbes, extension officer; Marshall Lavan-Pugh, collegiate advisor; Ashley McSpadden, alumni advisor; Lorna Katz, music advisor; and Sean Paree-Huff, eligibility advisor. They are joined by our nonvoting board members, Jess, Kat and Lisa. As we move into our next triennium we will continue with the theme Imagine. Innovate. Inspire.

Past-president Kurt-Alexander Zeller started a discussion at the convention about our Fraternity’s future. We will be inviting feedback and conversation from all our members. The IEB is looking forward to hearing ideas from every member. Continue to check the Mu Phi Epsilon website for updates, deadlines, information about the Fraternity, membership information, the Foundation, current and past issues of The Triangle and more. If you have questions or need help, contact Jess LaNore at exectiveoffice@muphiepsilon.org. Feel free to reach out to specific officers on the board, and send your pictures and story ideas to Kat at editor@muphiepsilon.org. I am honored to serve as president of Mu Phi Epsilon. Thank you to all of you who reached out to support me. I am committed to helping our Fraternity grow and thrive. With your help, I know that Mu Phi Epsilon will continue to be an organization that we are proud to be members of! In Music, Friendship and Harmony,

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MUSINGS K U R T - A L E X A N D E R Z E L L E R , MU C H I , ATLA N TA A LU MN I , PAST I N T E R N AT I O N A L PR E S I D E N T

A TIME TO IMAGINE

Reflections of an outgoing international president The following is an excerpt from Zeller’s 2026 international president board report.

s international president of Mu Phi Epsilon, I represented the Fraternity at meetings of the Professional Fraternity Association and the National Music Council. In addition, as part of my “day job,” I am my university’s representative with the National Association of Schools of Music. In all these venues, I heard that many of the challenges that face the Fraternity are not unique to us. We are, unfortunately, in a time that is more challenging for music, particularly for music in the higher education environment (which is the home of all our Collegiate chapters), than many of the more senior members and officers of any of these organizations have seen in their entire careers. Academic music programs, and the institutions that house them, are facing pressures (demographic, fiscal, political and cultural) unlike any in living memory. Our Fraternity cannot rely upon what has served us in the past; instead, we must imagine ways to innovate if we are to meet the present moment and survive to inspire generations in the future. Five years have flown by, and they have been filled to overflowing with far more hectic activity, far more wonderful people and far more uplifting experiences than I could have imagined when I took office. A particular point of pride was the installation in 2023 of our Eta Theta chapter at California State University-Long Beach, which has quickly grown into one of our most active and award-winning chapters. It has been a joy to visit many chapters (some via videoconferencing) and to talk with members all across the country and learn from them all the ways they are promoting our ideals of Music, Friendship and Harmony throughout the nation. Our ideals are as sound and as important as they were 2

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back at our founding in 1903, and it is up to each and every one of us to imagine the best ways (some old, many new) to promote them in our time. I must offer my gratitude and thanks to the membership for having placed their trust in me by electing me as the first male international president of Mu Phi Epsilon in 2021. Serving in that office has been the honor of a lifetime, and I have done my best, which has succeeded often and yet failed sometimes, but I hope I have proved myself worthy of that trust. The experience has indeed helped me to treasure more than ever our fraternal bond of Friendship; it is this which distinguishes us from other kinds of organizations in Music and truly makes our ideal of Harmony possible. In particular, I have been blessed with the most wonderful colleagues and friends one could hope for in two International Executive Boards; without their zeal, support, discipline, good humor and hard work, most of my work would have been of no avail. Violets to Terrel Kent and Becky Sorley (2021-2023), Marshall Lavan-Pugh and Tanner Wilson (2023-2026), Haley Stevens (2021-2025), Lisa Beyer (2025-2026), Ashley Bouras, Ann Geiler, Liana Sandin and Kat Braz (2021-2026), and especially to our invaluable international executive secretary treasurer, Jess LaNore. I am confident that the Fraternity will be in good hands with the next International Executive Board under Ann’s leadership, even as we continue the conversations about our challenges and move on to concrete actions to address them, and as past international president on the advisory board and as chair of the standing committee on bylaws and standing rules, I look forward to helping our new board guide our fraternity on the path that leads upward toward the stars.


FROM THE

ARCHIVES W E N D Y A . S I S T R U N K , IN T ER N AT IO N A L LI B RA R I A N /A R C H I V E S C H A I R , MU MU, KA N SAS C I TY A LU MN I

TREASURES IN THE ATTIC Gamma 1907-1908. Nellie is pictured fifth from the right.

ow fortuitous that former board member Liana Sandin and Bruce Grambau, a grandson of an early Gamma chapter member, connected with each other. Bruce had an old silver spoon and a brooch belonging to his grandmother, Nellie Mae Field (1887-1973). Both spoon and brooch had the Greek symbols MFE engraved on them. Liana was happy to direct him to my door. In 1907, Nellie was one of the first initiates to the Gamma chapter of the University of Michigan School of Music. Gamma, founded in 1904, was only the third Mu Phi chapter established. At the time, the School of Music was administered by the University Musical Society until 1940 when it transferred this responsibility to the University of Michigan. A prominent Ann Arbor, MI, jeweler by the name of Mr. Arnold likely did a brisk business with members of Gamma and other campus Greek chapters. In addition to the MPE chapter brooches which members could purchase (an official Fraternity pin had not yet been established), the chapter had its own tradition of gifting a silver spoon to the member who hosted a party. Nellie graduated from the University of Michigan in 1910. She then got the position of Head of the Music Department at the prestigious Eureka College, which was founded in 1855 and was one of the oldest colleges in the Unites States to admit women. Later, Nellie married Chester W. Riches in 1912.

Through the generosity of Nellie’s grandchildren, the spoon and brooch made their way to the Music Library and Archives, where they’ve been mounted in a suitable frame now hanging on the wall of the library. Mu Phi Epsilon wishes to thank Nellie’s grandchildren — Priscilla (Riches) Coe, Bruce G. Grambau, Geoffrey R. Grambau and Chester W. Riches — for their kind donation.

Have Something to Donate? The Music Library and Archives accepts donations of Mu Phi Epsilon jewelry, past Triangle issues, Convention programs and other important historical artifacts. Unfortunately, due to space constraints, we must be selective as to what we can accept. Please contact Wendy Sistrunk at 61gwensinger@gmail.com with questions before mailing anything.

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ACME

HONOREES

IN RECOGNITION Mu Phi Epsilon is proud to announce the latest ACME (Artists, Composer, Musicologists, Educators) honorees and include them among our most accomplished members whose achievements place them at the acme of our profession. Like all ACME honorees, they welcome mentoring requests and other contact from Mu Phi members.

ROSALIND REES SMITH (Phi Omicron)

Rosalind Rees Smith is known and admired by musicians for her wide range of repertoire. She has long been considered a “composer’s singer” with more than 100 premieres and dedications from such luminaries as William Schuman, Elliott Carter, Louise Talma, Ned Rorem and her husband, Gregg Smith. She is featured on numerous recordings of 20th-century classical and American choral music. Her solo works have been recorded on the VOX, Turnabout, CRI, MMG, Bridge Records, Premier, Albany Records and Gregg Smith Singers Productions labels. Her significant contribution to solo and ensemble recordings with the Gregg Smith Singers and the New York Vocal Arts Ensemble has been captured in numerous recordings. The New York Times reviewed her on numerous occasions. Continuing her music-making into her eighties, she was most recently honored by St. Peter’s Church in New York City (July 2025) for 55 years of continuous service as soloist and later section leader at St. Peter’s. The church website stated, “Together with her regular collaborator and late husband, Gregg Smith, Roz remains one of the two most celebrated interpreters of Stravinsky and Ives, indeed countless American composers, and defining choral musicians of our time.”

ACME is the acronym for Artists, Composers, Musicologists and Educators ACME highlights the strengths of our Mu Phi Epsilon artists, composers, musicologists, and educators. It is an honor bestowed upon Mu Phi Epsilon members who are distinguished in their respective fields of musical endeavors. We therefore encourage members to nominate deserving candidates who have achieved national and/or international acclaim in their music-related fields for ACME consideration. Information about ACME members and their attainments are published to recognize outstanding achievements of our members as well as to provide mentors who are willing to advise other musicians in the same category of the music profession.

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BEN ANDREW Affiliate Member

Ben Andrew is a talented pianist and composer skilled in film orchestration. He is credited for writing music on numerous films including the Ridley Scott blockbuster Gladiator II, the recently released films The Dog Stars and Meg 2: The Trench, the irreverent Nat Geo documentary series Underdogs and HBO’s The Gilded Age. He also has written music for the forthcoming movie Animals directed by Ben Affleck. Currently, Andrew is composing assistant to Hollywood film composer Harry Gregson-Williams. Andrew has released numerous titles with Hal Leonard including The Piano Scale Book, which offers a unique approach to learning scales and arpeggios. He began his career as a classically trained pianist, receiving his formal training at Trinity College of Music, London, and the Franz Liszt Academy of Music, Budapest, where he studied under Jenõ Jandó. Among his many achievements, he was awarded the prestigious Trinity College of Music Trust Silver Medal for outstanding performance and contribution to the keyboard faculty. From writing and orchestrating pop songs to performing concerti by composers such as Beethoven and Rachmaninov, Andrew’s vast experience in the industry working across all genres gives him a unique edge with his compositions.

SHUSHANA HAKOBYAN (Los Angeles Alumni)

Shushana Hakobyan is an accomplished Armenian pianist whose artistry and leadership have made a meaningful impact on the international music community. She holds a master’s degree in piano performance from the Komitas State Conservatory in Armenia and earned a graduate certificate in keyboard collaborative arts from the University of Southern California. In collaboration with renowned violinist and composer Ruben Aghiyan, she co-founded the Unison Duet. Together, they have led charitable initiatives in Armenia’s border villages and recorded the album Fantasy, with proceeds supporting humanitarian causes. Hakobyan also served as a leading soloist with the Armenian State Philharmonic and is a founding member of the SHELL Armenia State Philharmonic Trio. In 2024, she co-founded the international composition competition Homecoming: Return to Artsakh alongside prominent American composer Deon Nielsen Price. The competition was created to preserve, celebrate and revitalize the rich folk music traditions of Artsakh by inspiring new works from contemporary composers. Beyond the stage, Hakobyan is the founder and president of Music For Unity, an organization dedicated to promoting classical music, fostering artistic collaboration and creating positive social impact through music. She is also the creator of the award-winning concert series By the Piano with Shushana.

ACME NOMINATIONS may be submitted by an alumni or collegiate chapter, or by individual members year-round. For more information, contact ACME co-chairs Arietha Lockhart (Beta Gamma, Atlanta Alumni) and Mary Au (Mu Nu, Los Angeles Alumni) at ACME@muphiepsilon.org. FALL 2026

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CONVENTION 2026

MU PHI EPSILON CONVENTION Mu Phis from across the nation joined together for the 2026 International Convention in Fort Wayne, Indiana. The hub of creativity in the Hoosier State provided the perfect backdrop for a weekend filled with world-class music, camaraderie and celebration.

Opening Concert

CHRISTI E BROW NIN G

Maestro Robert Nance (Zeta) conducted the opening concert, The Two Sides of Cole Porter. The concert featured the professional orchestra and principal vocal artists from Heartland Sings, the Fort Wayne-based nonprofit vocal arts production company founded by Nance in 1997.

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Mary Matthews (Mu Phi), winner of the 2026 Mu Phi Epsilon Foundation International Competition, performed a 60-minute winner’s recital.

Lyric soprano Kayla Hart, the second prize winner of the 2026 Mu Phi Epsilon Foundation Young Artists Competition, performed a 30-minute winner’s recital.

Former International President Rosemary Ames (Omega, Boston Alumni), welcomed the incoming International Executive Board officers during Saturday’s business session.

Individuals with 50-plus years of membership in the Fraternity were feted during Saturday’s Recognition Luncheon as members of the Mu Phi Epsilon Golden Triangle.

Members gave a standing ovation to outgoing International Executive Board officers Kurt-Alexander Zeller (Mu Chi, Atlanta Alumni), Liana Sandin (Beta Pi, Lincoln Alumni), Ashley Bouras (Phi Tau, Dallas Alumni) and Tanner Wilson (Beta Alpha, Fullerton Alumni).

The convention choir, under the direction of Rayvon Moore (Beta Alpha), assistant professor of music and director of choral studies at Friends University, and accompanied by Grant Jones (Delta Psi), staff accompanist at Clayton State University, performed the closing concert on Saturday evening.

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The Music Delegate Recital was held in the auditorium at Sweetwater. Ilona Fiedorowicz (Mu Phi) performed a self-composed piece on cello, “The Year the Woods Went Quiet.”

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Ternion Sonata No. 2, composed by Paul Gibson (Omega Omega, Los Angeles Alumni), was performed by Maddie Halliburton on flute, Linda Florjancic (Mu Phi, Cleveland Area Alumni) on viola and Emily West on harp.

Baritone Matthew Hoch (Lambda) sang “Passwords” by Jason Heald, accompanied by Rebecca Sorley (Kappa, Indianapolis Alumni).

You Ju Lee (Beta Tau, Atlanta Alumni), piano, and Paul Warner, cello, performed Sonata for Piano and Cello in D Major, Op. 17 by Louise Adolpha Le Beau.

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ATLANTIC — Marcus Wyche, Rosemary Ames, Susan Todenhoft, Walter Todenhoft, Ian Wiese

NORTH CENTRAL — (back) Liana Sandin, Jenna Helter, Collin Sipple, Brandon May; (front) Addison Duensing, Katelyn Novak, Talea Bloch, Susan Barksdale

CENTRAL — (back) Noah Maddox, Wendy Sistrunk, Julia Scherer, Angel Gibson, Emma Daniel, Linda McNair, Ann Geiler; (front) Constance Goodknecht, Michelle Marck, Elaine Repking, Linnea Babcock, Sarah Miller-Ross

PACIFIC NORTHWEST — Jennifer Yopp, Vanessa Wallace, Kurt-Alexander Zeller, Kirsten Forbes, Judith Goff, Michael Lasfetto, Barbara Votrobeck

EAST CENTRAL — Robert Nance, Brandon Barnett, Marva Rasmussen, Rebecca Sorley, Josselyn Golliher, Sean Paree-Huff, Pasha Miller

PACIFIC SOUTHWEST — (Back) Anthony Osborn, Tanner Wilson, Rayvon Moore, Emmanuel Flores, Paul Gibson, Rylee Lemay, Hannah Stelter, Joanna Medawar Nachef, Jeremy Sarmiento; (front) Martina Goldring, Bri Zucker, Deon Nielsen Price, Sally Etcheto, Lenita McCallum, Janelle Catbagan, Lorna Katz, Rick Katz

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SOUTH EAST — Hunter Johnson, Jessica Long, Wanda Yang Temko, Marshall Lavan-Pugh, Francisca Maxwell, Arietha Lockhart, Kurt-Alexander Zeller, Lauren Faulkner, Matthew Hoch, Susan Folger O’Leary

EASTERN GREAT LAKES — Ilona Fiedorowicz, Kathy Adams, Bryanna Rutan, Linda Florjancic, Karissa Petruso, Skiyah Hall

WEST CENTRAL — Ashley McSpadden, Kathleen Jung, Jackie Scripture, Kirsten Forbes, Elphie Fey, Jennifer Yopp

GREAT LAKES — Jujuan Adams, Storm Byrdsong, Donna Chrzanowski, Allisanne Schipper, Braydn Eirosius

SOUTH CENTRAL — (back) Ashley Bouras, Daniel Feliberty Irizarry, Nevaeh Scholwinski, Charli Garcie, Marilyn Harris, Keegan Massingill, Cameron Washburn, Aubrey Brown, Mary Williams, Lisa Beyer; (front) Rebekah Boatright, AnaLisa Leos, Isabel De La Cerda, Martha MacDonald, Julie Cantu, Beverly Hoch Steinel, Greenlee Davis, Tesslyn Hazell, Judith Goff FALL 2026

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CONVENTION AWARD WINNERS

Elizabeth Mathias Award Established in 1968, the Elizabeth Mathias Award is given only in convention years to a member of Mu Phi Epsilon who has reached a high level of professional recognition or achievement. The award is named in honor of the co-founder of Mu Phi Epsilon and was first given in 1970. The recipient Deon Nielsen Price is selected by the International Executive Board. The Elizabeth Mathias Award was presented to Deon Nielsen Price (Gamma, Los Angeles Alumni), an esteemed Mu Phi Epsilon member for 65 years who has led a distinguished and multifaceted career as pianist, composer, conductor, educator, recording artist and author. Price has served on the music faculties of numerous colleges and universities, performed widely as pianist and conductor, and has produced a steady stream of award-winning and commissioned compositions for more than seven decades. Dubbed “The Tom Brady of Composers” by The New York Times for her perennially consistent success, Price’s example has inspired and enriched several generations of musicians. Price has been a constant source of encouragement and support to Mu Phi Epsilon and its members and has served the Fraternity and the Foundation in many capacities throughout her career, embodying our fraternal ideals of the advancement of music and scholarship and of service to others through music, thus bringing honor to her and to the Fraternity.

Eleanor Hale Wilson-Rosalie V. Speciale Lifetime Achievement Award

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Presented in convention years, the Eleanor Hale Wilson-Rosalie V. Speciale Lifetime Achievement Award honors members who have given the Fraternity outstanding service beyond the local chapter level. The Fraternity honored David Champion (Gamma

Sigma, Palos Verdes/South Bay) with the Eleanor Hale Wilson-Rosalie V. Speciale Lifetime Achievement Award. Champion joined the Fraternity in 1978 as a faculty member at California State University, Dominguez Hills to demonstrate allyship for male students after the Fraternity became co-ed the previous year. He has served in several roles in local Collegiate and alumni chapters in Southern California, on the International Executive Board as 4th Vice President/Music Advisor (2003-2008) and as the Fraternity’s original webmaster for many years. Through his wise counsel, his positive encouragement, his consistent generosity and his tireless dedication to the Fraternity and its members, Champion has demonstrated a life-long dedication to Mu Phi Epsilon’s ideals of Music, Friendship and Harmony.

Award of Merit Presented in convention years, the Award of Merit recognizes a member of Mu Phi Epsilon who brings honor to the Fraternity in a particular field of music. The Fraternity honored Jim Reilly (Epsilon Alpha, Minneapolis/St. Paul Alumni) with the Award of Merit. Reilly was recognized for his distinguished career in church and community music enriching Jim Reilly the lives of citizens of the Twin Cities through his work as performer, music director and concert organizer at Mindekirken Norwegian Memorial Lutheran Church and throughout the Minneapolis-St. Paul region. In all these activities, as well as his service to the Minneapolis-St. Paul Alumni and as a director of the Mu Phi Epsilon Foundation (2006-2007), Reilly exemplifies the ideals of Mu Phi Epsilon through the highest standards of musicianship and service.

Citation of Merit The Citation of Merit is presented during convention years to outstanding individuals in the music world, not members of Mu Phi Epsilon, who have contributed in an exceptional way to the goals of the fraternity. Past winners include Leonard Bernstein, Nadia Boulanger, Robert Shaw, Aaron Copland, Ellis Marsalis and Audra McDonald. Mu Phi Epsilon awarded Chuck Surack, founder of Sweetwa-


ter, with the 2026 Citation of Merit. Surack launched a mobile recording studio in the back of a VW bus in 1978. From those humble beginnings grew Sweetwater Sound, an industry leader serving millions of customers and employing a team of thousands. He and his wife, Lisa — his partner in business and philanthropy, established the Surack Family Foundation Chuck Surack to support regional arts, education and mental health initiatives in Indiana. Their generous and strategic support of Fort Wayne includes Pearl Arts, a nonprofit providing creative and educational opportunities, and the Pearl Street Arts Center, a pillar of support for music, arts and education in the community where much of the 2026 International Convention was held.

Presidential Award of Excellence The Presidential Award of Excellence is given at the discretion of the international president. During the 2026 Convention, International President Kurt-Alexander Zeller bestowed Maestro Robert Nance (Zeta) with the Presidential Award of Excellence in recognition of his many career achievements, his long service to Robert Nance Fort Wayne and his sterling loyalty to Mu Phi Epsilon in support of the 2026 International Convention. A leader in the arts scene of northeast Indiana for over 35 years, Nance has excelled as conductor, keyboard performer, composer, educator and advocate for the arts. Founder and artistic director emeritus of Heartland Sings, music director at both Plymouth Congregational Church and Congregation Achduth Vesholom, Indiana Arts Commission Individual Artist Fellow, and panelist for the National Endowment for the Arts, Nance is a skilled entrepreneur and creative thinker who has created numerous opportunities to build the artistic ecosystem of his community.

Founders Day Message N O V E M B E R

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Happy Founders Day! We celebrate 123 years of Music, Friendship and Harmony this year. I think Professor Winthrop Sterling and Elizabeth Mathias Fuqua would be happy to see that our Fraternity still celebrates the founding of Mu Phi Epsilon and continues their vision of advancing music and bonding together in friendship through the common interest of music. As we remember how our fraternity began long ago, we look forward to what it will become in the future. We must keep in mind the purpose and aim of our fraternity. Our purpose: “The recognition of scholarship and musicianship, and the development of a bond of friendship among its members.” And our aim: “The advancement of music in the community, nation and world through promotion of musicianship, scholarship, therapy and education, with an emphasis on service through music.” We need to remember the past as we plan for the future of our Fraternity. The International Executive Board will be asking the membership for input throughout the year to answer the question “What do we want to see our fraternity to look like in the future?” as we explore it through our theme of Imagine. Innovate. Inspire. I hope all of you will continue to observe Founders Day, celebrating the founding of our Fraternity with music and friendship and remember the reasons why you joined Mu Phi Epsilon. In Mu Phi Music, Friendship and Harmony,

Ann Geiler, International President

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INTERNATIONAL COMPETITION

An Extension of Her Voice International Competition winner Mary Matthews brings curiosity, connection and a spirit of discovery to the stage. or Mary Matthews (Mu Phi), the flute is more than an instrument. “It’s an extension of myself,” she says. “It’s a tool that I use to express my voice. The flute is the way that I communicate with most people I interact with in my life.” That idea — music as communication, exploration and connection — has shaped Matthews’ career from the time she first picked up a flute in third grade to her work today as an assistant professor of flute at Florida State University. It has led her from the traditional repertoire to contemporary music and experimental performance, from the classroom to concert halls and, most recently, to the stage as the winner of the Mu Phi Epsilon Foundation’s 2026 International Competition. For Matthews, the competition represents more than a prestigious performance opportunity. It is another chance to do what she has built her career around: bring people into music, introduce them to something they may not have encountered before and keep challenging herself along the way. “I’m really honored, and I’m really excited,” she says. “My values and my career, this idea of bringing together education and service and performance, it’s something that I’ve tried to live by and shape since the time I joined Mu Phi Epsilon.” Her musical journey began in Rochester, New York, where she was fortunate to grow up with access to the Eastman School of Music and its community programs. Matthews was 8 when her elementary school music teacher, Beatrice Hack, suggested she try a woodwind instrument. After playing recorder in second grade, she was given a choice between flute and clarinet. “I immediately said I liked the flute better because I thought it was prettier,” she says. It turned out to be a good choice. The physical challenges came quickly. The flute felt heavy in her small hands, and she remembers constantly running out of breath. But other aspects of music came naturally. She could hear a rhythm and reproduce it. She could hear a melody and sing it back. She moved into private lessons with Jan Angus through Eastman’s preparatory program, studying with her from seventh grade through high school. She joined the Rochester Philharmonic Youth Orchestra and began exploring music theory and 14

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history. Then came another important realization. “I discovered that people played music for a living,” she says. “And I thought that was so cool.” By her junior year of high school, she knew she wanted to pursue music as a vocation. Her teachers helped show her what that life could look like. Along with Hack and Angus, Matthews credits her high school band directors, David Shemancik and Tom Indiano, with demonstrating the joy that could come from a life in music.


“They clearly loved what they did and had so much joy and appreciation for what they did,” she says. “I wanted to be as happy and fulfilled as they were every day.” A Study in Contrast Matthews loves Baroque music, drawn to its ornamentation and the small elements of improvisation that allow performers to make the same piece feel different from one performance to the next. But contemporary music is her favorite. For Matthews, new music offers almost limitless possibilities. Contemporary composers have expanded the flute’s vocabulary through extended techniques, electronics, auxiliary instruments and multimedia performance. As part of the Khemia Ensemble, a contemporary chamber group whose instrumentation includes flute, clarinet, violin, cello, piano, percussion and voice, Matthews aims to make contemporary music feel inviting rather than intimidating. The ensemble incorporates electronics, lighting, dance and visual art into performances that Matthews describes as shows rather than concerts. Khemia’s running joke is that the most common response they hear after a performance is, “I liked that a lot more than I thought I would.” Matthews loves that reaction. She knows some audiences arrive with the assumption that they don’t like new music, particularly because they associate contemporary music with a narrow period or a difficult style. Her answer is optimistic. “I’m always a ‘you haven’t found it yet’ person,” she says. “When someone states that they don’t like any music composed after 1950, my thought is always ‘you haven’t heard everything written after 1950.’ I believe that everyone can find something to like in contemporary music. There’s so much to explore.” That same philosophy of discovery extends to her own career. Each season, Matthews sets goals to push herself into unfamiliar territory. She might learn music by a composer she has never played, explore a new genre, perform in a new venue or work with a new ensemble. The International Competition was one of those challenges. It pushed Matthews beyond her typical solo performances, requiring her to memorize a substantial portion of her program. “For the most part, unless we’re playing an established concerto, wind players tend not to perform from memory,” she says. “So that was a big way that I pushed myself this year.” An Ambassador for Mu Phi As the International Competition winner, she now has an opportunity to perform for Mu Phi Epsilon chapters and audiences around the country. She hopes listeners leave her performances feeling that they encountered something new, but most of all, she hopes the experience continues after the final note. “I hope they feel either curious or inspired to go read more

or listen more to something that they heard,” she says, “so that it doesn’t just stop there.” That desire to keep the conversation going may be the clearest expression of what music means to Matthews. Whether she is performing alone, collaborating with chamber musicians, playing in an orchestra or teaching a student, she sees music as fundamentally about people. “The thing I love most about all aspects of music — the playing and the teaching and the service aspects of it all — are the relationships you build,” she says. She finds particular joy in chamber music, where musicians work without a conductor and share responsibility for interpretation. Solo performance brings a different kind of connection: Instead of communicating primarily with fellow musicians on stage, she is communicating directly with the audience. “Solo performance can be the most intimidating,” she says. “I also think that’s when I feel the greatest connection with my audience.” Matthews joined Mu Phi as a sophomore at Baldwin Wallace University, became her chapter’s vice president as a junior and president as a senior. She says the organization’s combination of music, education and community has remained closely aligned with her own values. Now she hopes her performances will introduce new audiences to Mu Phi Epsilon while encouraging her own students to become involved. She would especially like to help revive the organization’s chapter at FSU. FALL 2026

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As she looks toward the future, Matthews continues to find her greatest optimism in the people around her. Her students remind her daily of the intelligence, compassion, commitment and drive of young musicians. Fellow musicians and educators continually challenge her to keep learning and creating. “I surround myself with people that inspire me every day,” she says.

Some Favorite Composers Not sure where to start with contemporary music? Matthews shared some of her favorite composers to explore: • • • • • • • •

David Biedenbender Nicole Chamberlain Valerie Coleman Amanda Harberg Jennifer Higdon Cherise Leiter Nina Shekhar Kate Soper

Book a concert with Mary Matthews Visit www.mpefoundation.org. 16

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2026 INTERNATIONAL COMPETITION FINALISTS Peiyao Yu, organ Hailed as “a firecracker at the console,” Peiyao Yu (Omega Omega) is a formidable keyboard artist with a rare mastery of the piano, organ and carillon. Her international footprint spans China, Italy and the United States. Yu is a distinguished champion of contemporary music and her career is defined by a blend of high-level performance and professional leadership. She holds a Doctor of Musical Arts in piano and a Master of Music in church music (Organ) from the University of Kansas. She also earned a Master of Music from the University of Michigan with a double major in piano and chamber music. Daniel Salazar, guitar Daniel Salazar (Beta Alpha) is a classical guitarist and educator dedicated to creating an eclectic musical experience for his audiences. From baroque lute suites to contemporary music written for him, Salazar’s concert performances are curated to lead audiences on a musical journey. Originally from Southern California, he began his music studies at Pasadena City College and transferred to California State University, Fullerton. He then completed a Master of Music in guitar performance with an emphasis in string pedagogy at the University of Louisville. Salazar now calls Rochester, New York, home and is pursuing his DMA at the Eastman School of Music. Longcheng Ma, piano A pianist characterized by his expressive interpretation and commitment to integrating Eastern and Western musical traditions, Longcheng Ma (Xi) is pursuing a Master of Music at the University of Kansas. Originally from Nanyang, China, Ma demonstrated remarkable perseverance and self-directed study early in his career, making a 28-hour journey each weekend to study at the Zhejiang Conservatory of Music. Deeply convinced of the power of music to move and connect people, Ma hopes to establish a music school in his hometown, where students build solid musical foundations and cultivate aesthetic awareness through a multicultural perspective.


YOUNG ARTISTS COMPETITION The Mu Phi Epsilon Foundation’s inaugural Young Artists Competition drew submissions from around the globe. Instrumentalists ages 18-25 and vocalists ages 18-30 were eligible to submit 15 to 30 minutes of music in contrasting styles. The first prize winner was awarded a $1,000 prize and the opportunity to perform a 30-minute recital during the 2026 International Convention. Second prize received $500 and third prize received $250. Due to travel limitations, the 30-minute winner’s recital was performed by second prize winner Kayla Hart.

Second Prize Kayla Hart (Delta Psi) is a lyric soprano from the metro Atlanta area. She holds a Bachelor of Arts in music from Clayton State University, where she studied under the guidance of Francisca Maxwell (Delta Psi) and Kurt-Alexander Zeller (Mu Chi, Atlanta Alumni). She has performed a wide range of lead roles in both opera and musical theater, including Flaminia in Joseph Haydn’s The World on the Moon, Patience in Gilbert and Sullivan’s Patience, or Bunthorne’s Bride, Lizzie in the musical 110 in the Shade, Eve in Bruce Trinkley’s Eve’s Odds, and Fanchette in Offenbach’s Le mariage aux lanternes. In addition to her stage work, Kayla has appeared as a soloist with distinguished ensembles such as the Choral Guild of Atlanta in 2023 and Harmonia, based in Tucker, GA, in 2026. She is currently auditioning for graduate programs with the goal of pursuing a master’s degree in vocal performance, with a possible emphasis in vocal pedagogy.

Third Prize

First Prize Yutong Wang (Xi), began learning the piano at an early age. In 2016, she was admitted to the Affiliated Secondary School of Xinghai Conservatoire of Music, where she studied under Professor Zhu Xiaobei and the Russian pianist Professor Karina Popova. In 2019, she was awarded a scholarship to pursue further studies at the Royal College of Music in the UK, where she studied under the renowned piano educators Professor Gordon Fergus-Thompson and Professor Mengyang Pan. In 2023, she was admitted to the Royal Northern College of Music to pursue a Master’s degree, studying under Professor Li Bingbing. In 2024 and 2025, she collaborated with the City of London Symphony Orchestra, successfully performing Grieg’s Piano Concerto in A minor and Ravel’s Piano Concerto in G major. She is currently pursuing a Doctor of Musical Arts in piano performance at the University of Kansas, where she continues to deepen her academic and performance skills.

Ting-An Chiu (Xi) is an award-winning pianist currently pursuing a Master of Music in piano performance and pedagogy at the University of Kansas, where he studies with Yi-Yang Chen (Omega Omega, Kansas City Alumni) and serves as a graduate teaching assistant. Recent accolades include first place at the 2025 Orbifold Global Music Competition (Kansas) and the 2024 MTNA Young Artist Piano Solo Competition (Kansas). An active solo and collaborative artist, he previously performed Saint-Saëns’ Piano Concerto No. 5 with the WSU Orchestra. Deeply committed to music community engagement, Chiu serves as co-coordinator for KU Pianos without Borders and Secretary for the KU College Music Society. Chiu holds a Bachelor of Music from Weber State University and has received further guidance in masterclasses from esteemed artists such as James Giles and Awadagin Pratt.

FALL 2026

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FRATERNITY AWARDS

2026 ALUMNI AWARD WINNERS International Fraternity Chapter of the Year Kansas City Chapter of the Year per Tier Tier 1 — Cleveland Tier 2 — Ann Arbor Tier 3 — Austin Orah Ashley Lamke Award Catherine Radomski (Kappa, Indianapolis Alumni) Wanda Nelson Mandigo (Mu Gamma, Lincoln Alumni) Outstanding Chapter Newsletter Tier 1 — Los Angeles Tier 2 — St. Louis Tier 3 — Colorado Springs Outstanding Chapter Newsletter, Honorable Mention Tier 1 — Palos Verdes/South Bay and Kansas City Tier 2 — Boston Tier 3 — Indianapolis Initiation of the Most New Members Atlanta — 4 new members Palos Verdes/South Bay — 3 new members More Members Under 40 Years Old than Over 40 Years Old Award Lincoln — For the first time in their history they have more members who are under 40 years old than over 40 years old. Dedication Award Boston — For their commitment to supporting and finding opportunities for working musicians. “Glad to be Here” Award Detroit Successful Homecoming Tailgate Party Baton Rouge — In conjunction with Beta Zeta chapter Philanthropic Project Palos Verdes/South Bay — Adopting “Campus Concerts” Most Creative Theme for the Year San Jose — “Performing Arts Through the Centuries” Teamwork Award Cleveland and Alliance chapters for working together to keep their chapters alive and growing. 18

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Individual Overall SERV Hours Arietha Lockhart (Atlanta Alumni) — 1,500 hours Top Five SERV Hours Tier 1 David Champion (Palos Verdes/South Bay) — 750 hours Marjorie MacNeal (Cleveland Alumni) — 513 hours Nancy Gray (Cleveland Alumni) — 394 hours LaVerne McCoy (Palos Verdes/South Bay) — 391 hours Katherine Musat (Cleveland Alumni) — 389 hours Top Five SERV Hours Tier 2 Liana Sandin (Lincoln Alumni) — 701 hours Daniel Shavers (St. Louis Alumni) — 697 hours Janis Brown (Lincoln Alumni) — 664 hours Jane Sonneland (Lincoln Alumni) — 555 hours Ann Geiler (St. Louis Alumni) — 496 hours Top Five SERV Hours Tier 3 Marti Ahern (Austin Alumni) — 1,050 hours Gaylene Joe-Walter (Fresno Alumni) — 559 hours Joan Bishop (Indianapolis Alumni) — 232 hours Catherine Radomski (Indianapolis Alumni) — 230 hours Kathleen Jung (Oklahoma Alumni) — 193 hours Affiliate Member SERV Hours Tristan McMichael (Mu Eta) — 155 hours Alumni with More Than 200 SERV Hours 388 Laura Holzen (St. Louis Alumni) 349 John Musat, Cleveland Alumni Patron 319 Joanna Nachef (Palos Verdes/South Bay Alumni) 315 Linda Florjancic (Cleveland Alumni) 300 Shulin Guo (Kansas City Alumni) 300 Lorna Katz (Palos Verdes/South Bay Alumni) 287 Beth Baile (St. Louis Alumni) 278 Elizabeth Fry (Denver Alumni) 265 Antoninette Miller (Cleveland Alumni) 258 Janet Swihard (Cleveland Alumni) 251 Lenita McCallum (Palos Verdes/South Bay Alumni) 250 Gayle Friz (St. Louis Alumni) 238 Janet Becker (Cleveland Alumni) 219 Phyllis Wilson (Dallas Alumni) 210 Jesse Geiler, St. Louis Alumni Patron 209 Evelyn Archer (St. Louis Alumni) 202 Janet Becker (Cleveland Alumni) Chapter SERV hours over 1,000 4,537 Lincoln 1,683 Atlanta 2,809 St. Louis 1,160 Los Angeles 2,578 Palos Verdes 1,115 Fresno 2,174 Cleveland 1,050 Austin


Orah Ashley Lamke Award The Orah Ashley Lamke Award is given each year to a longtime member who has shown dedication and loyalty at the local level. This year’s recipients are Wanda Mandigo and Catherine Radomski. Wanda Mandigo (Mu Gamma, Lincoln Alumni) has served Lincoln Alumni in many roles including president, historian and chorister. She has also served Mu Phi as a district director and faculty advisor of Mu Gamma. Wanda embodies the Fraternity’s core focus of Music, Friendship and Harmony. She is a staple in the music community in Nebraska. Her perspective is a unique puzzle of high expectations, generosity of spirit, love of music and strong leadership. Catherine Radomski (Kappa, Indianapolis Alumni) currently serves as treasurer of Indianapolis Alumni. She has truly been a force for Mu Phi Epsilon, both within her local chapter and the larger organization. Cathy serves because she believes in Mu Phi Epsilon and wants to see it continue to grow and remain strong. Her loyalty, dedication and love for the Fraternity are clear in the way she continues to be involved and present.

2026 COLLEGIATE AWARD WINNERS International Collegiate Chapter of the Year, Eta Theta — California State University, Long Beach; Long Beach, CA Eta Theta is recognized as the 2025–2026 International Collegiate Chapter of the Year for its outstanding achievement across recruitment, chapter operations, programming, fundraising, service and member engagement. Throughout the academic year, the chapter demonstrated sustained growth, strong organizational leadership,and a commitment to creating meaningful opportunities for its members. Their annual report reflected a chapter culture centered on participation, community building and continued advancement of the Fraternity’s mission. Eta Theta distinguished itself through excellence across multiple evaluation categories and serves as an outstanding example of a thriving collegiate chapter.

Honorable Mention Alpha Omega — Stephen F. Austin State University, Nacogdoches, TX Alpha Mu — Missouri State University; Springfield, MO Alpha Nu — West Texas A&M University; Canyon, TX Beta Alpha — California State University, Fullerton; Fullerton, CA Outstanding Chapter Service Project to the Community Alpha Mu (Missouri State University) is recognized for bringing live music into senior living, rehabilitation, assisted living and independent living communities throughout the year. Chapter members organized and presented performances for residents, sharing their musical talents while creating opportunities for connection and engagement. By taking music beyond the campus setting and into the community, Alpha Mu demonstrated the power of service through performance and embodied the Fraternity’s mission of advancing music in service to others. Outstanding Chapter Service Project to the School Mu Phi (Baldwin Wallace University) is recognized for its Community Closet initiative, a project designed to support students who may not have access to professional or performance attire. By collecting, organizing and maintaining clothing resources for students, the chapter created a practical and sustainable program that addresses a real campus need. The Community Closet provides support for performances, interviews, and other important academic and professional opportunities while fostering a spirit of care and community among students. Innovation Award Mu Phi (Baldwin Wallace University) received the Innovation Award for developing the Community Closet, an initiative that combines service, accessibility, and long-term sustainability. Rather than focusing on a one-time event, the chapter created an ongoing resource that continues to support students throughout the academic year. The project addresses a practical need, increases the chapter’s visibility on campus and demonstrates how thoughtful leadership can create lasting impact within a university community.

FALL 2026

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FRATERNITY AWARDS

2026 STERLING ACHIEVEMENT AWARD Kaitlyn Ferreira (Mu Eta) University of the Pacific Mu Phi Epsilon is proud to recognize Kaitlyn Ferreira of the Mu Eta chapter at the University of the Pacific as the recipient of the 2026 Sterling Achievement Award. A May 2026 summa cum laude graduate, Ferreira completed majors in music, social sciences and political science. She was named a Presser Scholar and received the university’s 2026 Music History Award, Outstanding Student in Political Science Award, Outstanding Student in Social Sciences Award and Pacific Pep Band Leadership Award. Ferreira’s undergraduate research reflects an exceptional breadth of scholarship connecting music with history, politics, culture, law and social change. Her projects examined Portuguese Fado under the Estado Novo regime, the role of instruments and musicians in silent cinema, gender and songwriting in classic rock, women violinists of the eighteenth century and the history and legal controversies surrounding Motown. Ferreira performed as a clarinetist in university wind bands and the Pacific Pep Band. She participated in performances connected to the California All-State Music Education Conference and the College Band Directors National Association Conference and performed on recordings included on the album From a Deep Blue Sky. Within Mu Phi Epsilon, Ferreira served as external community service head and contributed to both public relations and community service committees. Her record represents the highest ideals of the Sterling Achievement Award: exceptional scholarship, artistic accomplishment, intellectual curiosity, leadership, service and a commitment to connecting music with the broader world.

Most Overall SERV Hours Alpha Mu — Missouri State University; Springfield, MO — 637 hours Honorable Mention Alpha Omega — Stephen F. Austin State University; Nacogdoches, TX — 608 hours Beta Alpha — California State University, Fullerton; Fullerton, CA — 508 hours Most SERV hours per member: Alpha Mu — Missouri State University; Springfield, MO — 25.48 hours/member Honorable Mention Beta Pi — Nebraska Wesleyan University; Lincoln, NE — 19.00 hours/member Alpha Omega — Stephen F. Austin State University; Nacogdoches, TX — 16.89 hours/member Outstanding Membership Recruitment Awards Presented to chapters that demonstrated exceptional success in attracting, welcoming, and retaining new members while strengthening the future of their chapters. Eta Theta — California State University, Long Beach; Long Beach, CA Alpha Nu — West Texas A&M University; Canyon, TX Epsilon Upsilon — Duquesne University; Pittsburgh, PA Alpha Kappa — University of Missouri–Kansas City; Kansas City, MO Beta Alpha Chapter — California State University, Fullerton; Fullerton, CA Outstanding Fundraising Presented to chapters that demonstrated creativity, dedication, and effectiveness in supporting chapter initiatives through fundraising efforts. Epsilon Lambda — Eastern Michigan University; Ypsilanti, MI Epsilon Upsilon — Duquesne University; Pittsburgh, PA Alpha Omega — Stephen F. Austin State University; Nacogdoches, TX Beta Alpha — California State University, Fullerton; Fullerton, CA Eta Theta — California State University, Long Beach; Long Beach, CA District Directors of the Year

Rylee Lemay

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Shania Carden

Rylee Lemay (Beta Alpha, Los Angeles Alumni) and Shania Carden (Beta Alpha), Pacific Southwest District


PROVINCE SENIOR ACHIEVEMENT AWARDS Eastern Great Lakes Province Claire Cunningham — Mu Phi, Baldwin Wallace University

Pacific Province Kaitlyn Ferreira — Mu Eta, University of the Pacific

Pacific Southwest Province Brianna Zucker — Eta Theta, California State University, Long Beach

South Central Province Halle Lambert — Alpha Omega, Stephen F. Austin State University

PROVINCE COLLEGIATE CHAPTER ACHIEVEMENT AWARDS Province

Chapter/Institution

Central:

Alpha Mu Missouri State University, Springfield, MO

East Central:

Beta Psi, University of Indianapolis; Indianapolis, IN

Eastern Great Lakes:

Mu Phi, Baldwin Wallace University; Berea, OH

Great Lakes:

Epsilon Lambda, Eastern Michigan University; Ypsilanti, MI

North Central Province:

Beta Pi, Nebraska Wesleyan University; Lincoln, NE

Pacific:

Mu Eta, University of the Pacific; Stockton, CA

Pacific Southwest:

Eta Theta, California State University; Long Beach, CA

South Central:

Alpha Omega, Stephen F. Austin State University; Nacogdoches, TX

Southeast:

Delta Tau, Mercer University; Macon, GA

FALL 2026

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FOUNDATION

SCHOLARSHIP CHAIRS WANDA YANG TEMKO Grants & Scholarships Coordinator grants@mpefoundation.org

2026-2027 Mu Phi Epsilon Foundation Scholarships & Grants Applications available online only at mpefoundation.org/grants-and-scholarships IMPORTANT UPDATES AND REMINDERS

ISABEL DE LA CERDA president@mpefoundation.org

The Foundation board is excited to announce the 2026-2027 Scholarships & Grants cycle!

MATTHEW HOCH vicepresident@mpefoundation.org

New and Updated Grants and Awards The Foundation Board is proud to announce two new grants — the MPE Composers Performance Grant and the Recording Project Grant.

RUTH AGUIRRE secretary@mpefoundation.org REBECCA SORLEY treasurer@mpefoundation.org IAN WIESE admin@mpefoundation.org DONNA CHRZANOWSKI philanthropies@mpefoundation.org

The MPE Composers Performance Grant will award a maximum of $2,000 to an individual or ensemble with at least one member of Mu Phi Epsilon in aid of facilitating a performance and/or recording of a work(s) by (a) Mu Phi Epsilon composer(s). The award may be divided between multiple winners, up to $2,000 total in awards per year. Priority consideration will be given to world premiere performances and/or recordings of works by living MPE composers, performances at high-profile venues (major stages, national/international conferences, etc.), and performances and/or recordings of underperformed music connected to MPE (i.e., a work of an early MPE composer discovered in the MPE Archives). The length of the program and number of works by MPE composers included on the program will also be considered. This grant may be used to support commissioning fees for new works as long as a public performance or recording is scheduled. Also new in the 2026-2027 grant cycle is the Recording Projects Grant, with a maximum award of $5,000 to an individual or ensemble with at least one member of Mu Phi Epsilon granted for the purposes of recording and/or publishing an album or other commercially available recording project. Application Resources: Remember to check out our Application Assistance page, which includes resources for helping you to build your strongest application ever. In addition to our video tutorials, please check out the “Budget Resources” page, which includes a budget template for you to use! We’ve provided information on our “Judging Rubrics” page about the judging process for all applications, including an assessment rubric. Watch out for a new “Statements and Proposals” page to be added this fall providing tips, models, and resources for developing your required application statements, such as project proposals and more.

Unless otherwise noted, applications are due by 11:59 p.m. CT

March 1, 2027

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Eligibility Statement • Application deadlines for the 2026-2026 Grants and Scholarships Cycle are as follows: • November 1, 2026 (by midnight, Central Standard Time): Applications due for the Classroom Experience Grant, Professional Development Grants, Wiese-Abegg Collegiate Chapter Grant, and Haupt Alumni Chapter Grant, as well as our new Madeline Blackadore Dahlburg Memorial Music Education Grant.


• • • •

•

• March 1, 2027 (by midnight, Central Standard Time): Applications due for all other grants, scholarships, and awards. All application fees are non-refundable, even in the case of ineligible or disqualified applications. Applicants must be dues-paying members. Applicants may apply for more than one grant, scholarship, or award. Previous winners can reapply to the same grant or scholarship only after three years (in 2026-2027, these are winners from 2023 and prior), unless otherwise noted. Helen Haupt Alumni Chapter Project Grant and the Wiese-Abegg Collegiate Chapter Project Grant winners may apply annually. A Mu Phi Epsilon Foundation scholarship or grant may only be used to cover eligible expenses as outlined on the “Budget Resources” page provided under Application Assistance on our website (mpefoundation.org).

The Mu Phi Epsilon Foundation encourages all members to apply to our extensive program of grants, scholarships, and awards! For reminders, tips, and information about the process, visit our website (mpefoundation.org) and be sure to follow us on social media.

G RA N TS AND SCHOLA R SHI PS Scholarship and Grant Applications: Available online only starting January 1, 2026 mpefoundation.org/grants-and-scholarships

GENERAL NEW! RECORDING PROJECT GRANT To support the recording of and/or publishing an album or other commercially available recording project. Value $5,000. DIVERSITY SCHOLAR GRANT To be awarded to traditionally underrepresented and minoritized populations such as BIPOC, AAPI, and LGBTQIA+ individuals. Applicants can be pursuing one or more of the following: study or research, performance, lessons, workshops, or projects. 2 awards. Value $2,000 LIANA K. SANDIN GRANTS-IN-AID For a specific purpose essential to completion of an exceptional musical project or undertaking well beyond the planning stage. 3 awards. Value $2,000 HELEN HAUPT ALUMNI CHAPTER PROJECT GRANTS To support one or more special projects undertaken by an alumni chapter. Previous winners of this

grant may re-apply for consideration of a significantly different project. Value up to $2,000 PROFESSIONAL DEVELOPMENT GRANT To cover expenses related to a professional development opportunity (e.g., conference, workshop, etc.). May not be used for Mu Phi Epsilon International Convention or District Conference. One or more grants available. 2 awards. Value $2,000 WIESE-ABEGG COLLEGIATE CHAPTER PROJECT GRANTS To help support one or more special projects undertaken by collegiate chapters. Value up to $2,000 INSTRUMENTAL ALBERTA DENK SCHOLARSHIP FOR VIOLIN, VIOLA, CELLO, DOUBLE BASS To support a music major’s study of string performance. Value $2,000

BETH LANDIS VIOLIN SCHOLARSHIP To an undergraduate or graduate music major whose primary instrument is violin. Value $5,000 GERKE COLLEGIATE ARTIST SCHOLARSHIPS To an undergraduate instrumentalist (woodwinds, brass, percussion, or strings) with a minimum 3.0 GPA. 2 awards. Value $2,000 ELEANOR HALE WILSON CELLO SCHOLARSHIP To an undergraduate or graduate music major whose primary instrument is cello. Value $2,000 JEAN LOUISE MARTIN SCHOLARSHIP To an undergraduate or graduate instrumentalist (brass, woodwinds, strings, or percussion) for study in music performance. Value $2,000 KEYBOARD BERNSTEIN-CROSMAN SCHOLARSHIP For piano study outside the United States in a country other than the country of the applicant’s birth or citizenship. Value $2,000 ELEANOR B. WEILER AND MILDRED B. FRAME PIANO SCHOLARSHIP To support piano study in France (preferably Paris). One or more scholarships available. Value up to $6,000 HELEN HAUPT PIANO SCHOLARSHIP To a pianist. Value $2,000 NANCY BROGDEN BOOKER COLLABORATIVE PIANIST AWARD To a member of Mu Phi Epsilon who has demonstrated facility and continued activity as an accompanist for soloists, choral groups, dancers, or others dependent upon keyboard artists for rehearsals or performances. Value $1,000 FALL 2026

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FOUNDATION

WIHLA HUTSON ORGAN SCHOLARSHIP To an organist. Value $2,000 MUSIC EDUCATION BETH LANDIS MUSIC EDUCATION SCHOLARSHIP For undergraduate or graduate study in music education. Value $5,000 CLASSROOM EXPERIENCE GRANT To assist a professional K-12 music educator for the purpose of enhancing their classroom. Funds must be used to enrich classroom learning through experiential opportunities, such as guest artists and coaches, workshops, festival attendance, collaborative musicians, and/or other special activities. Value $2,000 DR. FRAN IRWIN MUSIC EDUCATION MEMORIAL SCHOLARSHIP To a junior or senior majoring in music education. Value $2,000 HAZEL B. MORGAN SCHOLARSHIP For graduate study in music education. Value $2,000 INES PRATT JAMISON SCHOLARSHIP To a music education major who is studying voice. Value $2,000 NEW! MADELINE BLACKADORE DAHLBURG MEMORIAL MUSIC EDUCATION GRANT For a professional music educator working in a K-12 music program with demonstrated financial need (e.g., Title I school). Funds can be used to enhance classroom activities (e.g., special programs or field trips), cover classroom expenses (e.g., instruments or supplies), or support teacher development (e.g., training or certification). Value $2,000

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MADGE CATHCART GERKE SCHOLARSHIP To an applicant in music education with no professional classroom teaching experience who will complete certification requirements at the end of any term of the current academic year. Value $2,000 MUSIC EDUCATOR GRANT To a professional K-12 music educator to assist with classroom expenses and other supplies. One or more grants available. Value up to $2,000 NADINE WILLIAMS SCHOLARSHIP To an applicant currently enrolled in an accredited program of graduate study in music education. Value $2,000 SPECIAL INTERESTS & FIELDS BETTYLOU SCANDLING HUBIN SCHOLARSHIP FOR MUSIC TECHNOLOGY In memory of Lucie Benefiel Scandling for a project or study involving music technology. Value $2,000 BETTYLOU SCANDLING HUBIN SCHOLARSHIP FOR WORLD MUSIC/ MULTICULTURAL MUSIC In memory of Lucie Benefiel Scandling for a project or study involving world/multicultural music. Value $2,000 COMMERCIAL MUSIC To an applicant specializing in commercial music, including any non-classical styles and genres of popular music (e.g., country, folk, pop, rap, rock, R&B, soul, etc.), musical theater, jazz, gospel, traditional and ethnic music, etc. Applicants can be in any field or degree area and can use the funds to support study, research, professional development (e.g., workshops in performance or pedagogy), or other special projects. Value $2,000

ELEANOR HALE WILSON SUMMER SCHOLARSHIPS For study at a domestic or international Summer Music Program. Scholarship applications may be made before program acceptance is confirmed. 6 awards. Value $2,000 EARLY MUSIC GRANT To be awarded to an individual for the study of or a project relating to early music. Applicants can be pursuing one or more of the following: study or research, performance, lessons, workshops, or purchase of a period instrument. Value $1,000 EDYTHE G. BURDIN SCHOLARSHIP To a student studying arts management. Value $2,000 JAMES AND LOLA FAUST CHAMBER MUSIC SCHOLARSHIP To a chamber ensemble with one or two Mu Phi Epsilon members (depending on total number of members) demonstrating a performance history of at least two years. Value up to $5,000 JAZZ STUDY GRANT To support study or a project in jazz performance or composition. Value $2,000 JOHN AND MARY VIRGINIA FONCANNON CHORAL CONDUCTING OR SACRED MUSIC SCHOLARSHIP For study in choral conducting or sacred music. Value $10,000 JOHN AND MARY VIRGINIA FONCANNON CONDUCTING/ COACHING SCHOLARSHIP To support the study of conducting/ coaching. Value up to $10,000


LARGE ENSEMBLE GRANT To be awarded to an ensemble with at least one member of Mu Phi Epsilon involved in the ensemble. Large ensembles must demonstrate a performance history of at least two years, consist of 11 or more musicians, and have a separate conductor. Ensembles with more Mu Phi Epsilon members will be considered to be of particular application strength. Value $2,000 LAVERNE JACKSON MEMORIAL MUSIC THERAPY SCHOLARSHIP To an applicant who is enrolled in an accredited music therapy program and will be doing a pre-internship/ internship with a special population. Value $2,000 MABEL HENDERSON MEMORIAL GRANT FOR INTERNATIONAL STUDY To support study outside the United States in a country other than the country of the applicant’s birth or citizenship. Applicants must be 21 years of age by June 1, 2021. Value $2,000 MARY ALICE COX GRANT FOR LIFELONG LEARNING To an alumni member, in good standing for 10 years or more at time of application. To be used for continued or renewed development of a mid-career transition in any field of professional music. Value $2,000 MERLE MONTGOMERY DOCTORAL GRANT To a doctoral candidate whose advanced work toward the degree is at a significant stage of completion. Value $3,000 MUSIC RESEARCH AWARD UNDERGRADUATE To an undergraduate music student (or recent graduate) for a music research paper (e.g., thesis) or research

project. Applicants can be in any field. Value $500 MUSIC RESEARCH AWARD MASTERS To a master’s level music student (or recent graduate) for a music research paper (e.g., master’s thesis) or research project. Applicants can be in any field. Value $1,000

ORIGINAL COMPOSITION AWARD – DIVISION III To a former first prize winner in the Original Composition Divisions I & II. Value $1,500 RUTH DEAN MORRIS SCHOLARSHIP To an undergraduate student majoring in music theory or composition. Value $2,000

MUSIC RESEARCH AWARD DOCTORAL To a doctoral music student (or recent graduate) for a music research paper (e.g., doctoral dissertation) or research project. Applicants can be in any field. Value $1,500

VOICE BRENA HAZZARD VOICE SCHOLARSHIP To any Mu Phi Epsilon member pursuing vocal study, awarded on behalf of the Los Angeles Alumni Chapter. Value $5,000

THEORY & COMPOSITION NEW! MFE COMPOSERS PERFORMANCE GRANT To any Mu Phi Epsilon Member for the performance or recording of a work(s) by an MPE composer. Value $2,000.

ELIZABETH BOLDENWECK VOICE SCHOLARSHIP For undergraduate study in voice. Value $2,000

LILLIAN HARLAN RAMAGE GRANT FOR GRADUATE STUDY IN COMPOSITION To a graduate student in composition. Value $2,000 ELLEN JANE LORENZ PORTER GRANT FOR GRADUATE WORK IN COMPOSITION To a graduate student working on an advanced degree in composition. Value $2,000 ORIGINAL COMPOSITION AWARD – DIVISION I To an undergraduate student for an original composition or work. Value up to $500

LIANA K. SANDIN VOICE SCHOLARSHIP For a vocal project or vocal study. Value $2,000 MIKANNA CLARK TAURMAN VOICE SCHOLARSHIP For study in voice beyond the undergraduate level. Value $2,000

SARA EIKENBERRY VOICE UNDERGRADUATE SCHOLARSHIP To a mezzo-soprano or contralto undergraduate voice student. Value $2,000 SARA EIKENBERRY VOICE GRADUATE SCHOLARSHIP To a mezzo-soprano or contralto graduate voice student. Value $2,000

ORIGINAL COMPOSITION AWARD – DIVISION II To a graduate student or alumni member for an original composition or work. Value up to $1,000 FALL 2026

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FOUNDATION D O N N A C H R Z A N O W S K I , PH I KA PPA , D E TRO I T A LU MN I M U P HI EP S ILO N FO U N DAT I O N PH I LA N T H R O PI E S CO O R D I N ATO R

The Foundation’s Ever Changing Philanthropy Grants The Mu Phi Epsilon Foundation is pleased to announce that the Colorado Flute Association and Vivace Music of Boston have each been awarded a 2026 Philanthropy Grant. We look forward to hearing how these funds will support their organizations and the work they do in their communities over the coming year. Now Accepting Philanthropy Grant Nominations The Foundation has made a change to the Philanthropy Grant application timeline. Nominations are now due November 1, 2026. If you are involved with a nonprofit community music organization, we encourage you to consider submitting a nomination. This grant provides an opportunity to support organizations that help bring music and meaningful musical experiences to their communities.

Visit mpefoundation.org to submit a nomination by November 1.

The Denton Bach Society, a 2025 Philanthropy Grant recipient, celebrated its 50th Anniversary Season with an annual competition for young musicians titled “Back and Beyond.” Pictured are the winners Gyeom Jung, viola; Jay Sriram, piano; and Katherine Pottkotter, soprano.

Gyeom Jung

Jay Sriram

Alice Bell, executive director and board president of the Detroit Women’s Chorus — a 2025 Philanthropy Grant recipient, is flanked by Mary Ann Williams (Phi Kappa, Detroit Alumni), left, and Donna Chrzanowski (Phi Kappa, Detroit Alumni).

Katherine Pottkotter

Detroit Women’s Chorus spring concert, May 2026. 26 MuPhiEpsilon.org


APPLAUSE & ENCORE MEMBER AND CHAPTER NEWS

The Fraternity installed a new slate of officers to its International Executive Board during the 2026 convention.

Kurt-Alexander Zeller (Mu Chi, Atlanta Alumni) directed his final production, “You’re a Good Man, Charlie Brown,” after 24 years at Clayton State University. Zeller retired from CSU at the end of the spring semester.

2026-2029 International Executive Board members (from left): Sean Paree-Huff, Ashley McSpadden, Ann Geiler, Kirsten Forbes, Lorna Katz, Marshall Lavan-Pugh

International President Ann Geiler Phi Theta, St. Louis Alumni First Vice President, Extension Officer Kirsten Forbes Beta Sigma, Denver Alumni Second Vice President, Collegiate Advisor Marshall Lavan-Pugh Alpha Xi, Roanoke Valley Alumni Third Vice President, Alumni Advisor Ashley McSpadden Gamma Gamma, Oklahoma Alumni Fourth Vice President, Music Advisor Lorna Katz Gamma Sigma, Palos Verdes/ South Bay Alumni Fifth Vice President, Eligibility Advisor Sean Paree-Huff Kappa, Indianapolis Alumni

Four chapter presidents attended the C2 District Conference in March. From left: Linnea Babcock (Alpha Mu), Missouri State University; Naren Palomino Pardo (Alpha Kappa), University of Missouri Kansas City; Shulin Guo (Kansas City Alumni); Beier Nie (Xi), University of Kansas, Lawrence.

LET US CLAP FOR YOU! Send your newsworthy member and chapter news to editor@muphiepsilon.org for consideration in Applause & Encore. Please include a high-resolution photo and any identifying information.

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APPLAUSE & ENCORE MEMBER AND CHAPTER NEWS

Mia Janosik (Mu Eta, San Jose Alumni) is one of 65 Americans selected to study and work in Germany as part of the Congress-Bundestag Youth Exchange (CBYX) for Young Professionals program. The cohort departed for Germany on July 29 and returns to the U.S. in June 2027.

Janet Becker (Phi Omicron, Cleveland Alumni) is the conductor of the Supertonics Flute Ensemble in Akron, Ohio. The adult community flute choir performs five concerts each season.

Conductor Marlon Daniel (Mu Xi, New York City Alumni) has been awarded the Honor Medal for Overseas Commitment (Médaille d’honneur de l’engagement ultramarin), a distinguished French honor recognizing exceptional service and dedication to France’s overseas territories.

Palos Verdes/South Bay Alumni honored the chapter’s 2026 scholarship winners during its Patron Appreciation Dinner in May. 28 MuPhiEpsilon.org

After four years at the Yew Chung International School of Shanghai, Kel Lair (Zeta Lamda) accepted a new role at BASIS International and Bilingual Schools of Wuhan, China, where she will be teaching music and serve as the chair of fine arts.

Members of the Colorado Springs Alumni chapter enjoyed an April concert performed by Heritage Ringers, a local handbell choir featuring 22 members including Kathleen Anderson (Mu Tau, Colorado Springs Alumni).


FINAL NOTES ANN GEILER, INTERNATIONAL PRESIDENT, PHI THETA, ST. LOUIS ALUMNI PRESIDENT@MUPHIEPSILON.ORG

Clorinda Gloria Anne Myles Binford Epsilon Omicron, April 28, 1954 Died February 18, 2026

Soprano Virginia Grabovsky (Mu Phi) joined VOCES8 in July. VOCES8 is a world-renowned, Grammy-nominated British a cappella octet that performs classical, jazz, pop and choral music globally.

Vocalist. Anne attended Indiana University before earning degrees from Stephens College in Columbia, MO, and Highlands University in New Mexico. Music wove through every chapter of Anne’s life: a gifted vocalist and pianist, she directed community, local and state church choirs wherever she and her husband resided. She wrote many road shows for her ward and state throughout the years and won awards for their excellence. In 1983, she earned her master’s in music therapy from Utah State University. In her final days, Anne could be found still singing her beloved hymns with a clear voice and cracking jokes that brought smiles and laughter to those at her bedside. Olga Brunner Epsilon Upsilon, October 26, 1963 Died November 15, 2013

Composer Gaston Gosselin (Phi Tau, Boston Alumni) had several of his works featured as part of the Beacon Ensemble New Works Festival in June.

Flutist. Olga graduated in 1943 from the Oberlin Conservatory with a degree in music education and later received a master’s degree from Columba University. She began her teaching career in Virginia and D.C. public schools. Olga taught flute lessons and was active in several music organizations. She was also a faculty member at Western Maryland College (now McDaniel College).

Rita Eleanor Cerimele Mu Omicron, May 6, 1951 Cincinnati Alumni Died March 22, 2026 Clarinetist, educator. Rita earned a Bachelor of Music degree from the Old College of Music and a Bachelor of Education from U.C. Teachers College. Upon graduation, she secured a position as clarinetist in the Norfolk Symphony and taught music in Princess Anne County, VA. She returned to Cincinnati to teach music in the Princeton School District. She then moved to White Oak, where she played a variety of gigs locally. Rita performed for 12 years in the pit orchestra of the historic riverboat Majestic, as well as in the pit of many other community theater groups. Rita was a member of the Wyoming Winds, Ohio Military Band and Phoenix Woodwind Trio. For many years, she taught instrumental music at St. Ignatius, St. James of White Oak and LaSalle High School. Wilda Lea (Morey) Donegan Mu Phi, March 14, 1949 Cleveland Area Alumni Died June 20, 2026 Educator, violinist, pianist. Wilda attended Baldwin Wallace College. After which she spent nine years teaching elementary instrumental music in the Cleveland City Schools. In 1960, she was appointed supervisor of music and fine arts throughout the Cleveland District. In 1966, she earned a Master of Arts in educational supervision from Western Reserve University, which aided her in her supervising duties. After retiring in 1985, Wilda joined the Martha Holden Jennings Foundation as an educational consultant FALL 2026

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where she spent the next 24 years supporting teachers and educational programs throughout Ohio. Wilda received many honors over her 60-plus-year career. Among those were the Conservatory of Music Achievement Award from Baldwin Wallace University and the Cleveland Arts Prize for Creative Achievements in the Fine Arts. Ruth Annette Ghiselli Mu Eta, December 7, 1962 Died January 5, 2025 Flutist. Ruth earned a Bachelor of Music Therapy from the University of the Pacific. She was active in Mu Phi Epsilon for decades and played her flute in local ensembles and bands. Ruth worked as a music therapist, music teacher and librarian before she embarked on a 20-year career as a school secretary. Sandra Kay Chaney McMillen Alpha Nu, May 19, 1964 Dallas Alumni Died July 4, 2026 Vocalist, educator. Throughout her childhood and young adulthood, Sandra sang in her church choir and became an accomplished musician, playing the violin, piano, organ, baritone saxophone, tenor saxophone and flute. After high school, she attended West Texas State University (now West Texas A&M University), where she completed a bachelor’s degree in music education in 1967, later returning to school, earning a Bachelor of Music in vocal performance and pedagogy. Sandra began her teaching ca30 MuPhiEpsilon.org

reer as a choir director in 1968. Over the course of 25 years, she inspired students from preschool through high school, sharing not only her love of music but also a lifelong appreciation for learning. Outside of the classroom, she taught private voice lessons from her home. Sandra was an active member of the Dallas Alumni chapter. She also served Mu Phi as a district director and two terms as second vice president, collegiate advisor. Erie Mills Phi Mu, May 20, 2000 Died June 23, 2026 Vocalist. In 1998, Erie joined the music faculty of San José State University, devoting herself to the education and training of young singers. She retired from SJSU in 2008 as a full professor of music. From 2004 on, she served as the principal English diction coach for Opera Theatre of St. Louis and master teacher for the Gerdine Young Artist program. She also worked as English diction coach on the staffs of the Metropolitan Opera, Santa Fe Opera and Opera Philadelphia. She taught master classes throughout the country and adjudicated frequently for the Metropolitan Opera National Council auditions and for the National Association of Teachers of Singing. From 2004 to 2010, she served on the OPERA America Board of Directors, the first singer ever named to the board.

Jeannine Romer Morrison Delta Zeta, October 13, 1990 Atlanta Alumni Died September 18, 2025 Pianist. Musically gifted from an early age, Jeannine began piano studies with Leta Matthews at age 4 and would go on to obtain degrees in piano performance from Rollins College Conservatory of Music and Columbia University, NYC. She also earned the Licentiate Diploma from the Royal Academy of Music in London, England. Praised by the Atlanta Journal as “Atlanta’s mistress of the keyboard” following her sensational concerto debut with the Atlanta Symphony Orchestra in 1951, she would go on to make formal debuts in New York’s Town Hall, the National Gallery of Art in Washington, D.C., and Eaton Auditorium in Toronto, Ontario, Canada, to rave reviews. She subsequently appeared on numerous TV shows and radio broadcasts launching a busy concert career. A close friend of Fred Rogers of television fame and his wife, Joanne (Byrd) Rogers, since college days, Jeannine and Joanne formed a piano duo, Rogers & Morrison, and they continued performing until 2006. During those many decades they performed hundreds of recitals from coast to coast and made numerous concerto appearances with orchestras along with several compact disc recordings. The late great conductor Robert Shaw asked her to be his accompanist for his chorale which she agreed to for a few seasons. As a pedagogue, Jeannine served as professor of piano at both Georgia State University and Clayton State University where she was given the title professor emerita after her retirement. Her work ethic was unmatched and she


maintained an enviable positive attitude throughout her long life. Never one to dwell on the past, her motto was “I can’t wait to wake up tomorrow and find out what’s going to happen!” Pamela Rose (Curry) Pitcher Mu Phi, April 6, 1964 Cleveland Area Alumni Died January 30, 1964 Vocalist. Pamela graduated with a degree in music education from Baldwin Wallace College in 1966. While at BW, she was an active member of Delta Zeta Sorority. As a mezzo-soprano, Pamela was in demand throughout Northeast Ohio for various venues and events. She regularly performed with the Cleveland Orchestra Chorus and the Rocky River United Methodist Church Choir. Pamela was an active member of the Cleveland Area Alumni chapter when she lived in Ohio. She will be remembered for her volunteerism at the Hospice of the Western Reserve in Cleveland, offering comfort through song. She will also be remembered because of her generous spirit, her remarkable artistic gifts and her unwavering devotion to her family and community. Kathy Musat remembers Pam fondly and says, “She was a real peach!”

Janice Marion (Schwendeman) Schmidt Mu Phi, November 1, 1942 Cleveland Area Alumni Died 2023 Vocalist, educator. Janice died in 2023 at the age of 101. She graduated from Balwin Wallace College in 1944 with a major in vocal music. Her proudest personal accomplishments were her four children, 10 grandchildren and two great-grandchildren. Janice was a vocal music teacher in both the public schools and in her private studio for over 35 years. Janice was an active member of the Cleveland Area Alumni chapter during her productive years. Jan Neubert Smith Mu Delta, July 7, 1947 Kansas City Alumni Died March 28, 2025 Vocalist. Jan developed a love for music at an early age that would define most of her life. A gifted lyric soprano, Jan attended the Conservatory of Music in Kansas City, excelling in her vocal studies. Her remarkable talent was widely celebrated, and she was often requested to perform in civic choirs, churches, weddings and funerals. She was chosen to perform “The Star-Spangled Banner” at the American Royal in Kansas City Missouri. A signature vocal was “O Holy Night” sung during many Christmas services, a piece that would leave many deeply moved. Jan was a devoted homemaker and served as the choir director at Roanoke Baptist Church in Westport, MO, where she shared her musical talents with the congregation for many years. She was deeply involved with the Kansas City Alumni chapter where she served as president.

Marianne Eleanor Szydlowski Iota Alpha, December 19, 1952 St. Louis Area Alumni Died February 27, 2026 Vocalist. Marianne earned her undergraduate degree from The Chicago School of the Arts, and a master’s degree in voice from Webster College. Marianne also earned two Fulbright Scholarships to study music in Stuttgart, Germany. She found her passion in teaching. She taught at Christian College in Columbia, MO, and retired from the East St. Louis Department of Education in 1968 when she started her family. Marianne’s Polish heritage was central to her being. She held many positions with the Polish American Cultural Society of Metropolitan St. Louis, including board member, president, director of cultural events. She developed the organization as a central institution for Polonia in St Louis. Marianne was an active member Mu Phi Epsilon, the College Club, the Morning Etude Club and the Rubinstein Club. She loved to perform with her friends at many events and entertain the community. She was an active member of the St. Louis Alumni chapter in her younger years, holding various offices. Marianne enjoyed introducing the chapter to Polish vocal music.

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DISTRICT DIRECTORY

ATLANTIC DISTRICT A1 Rosemary Ames rosemarykames@gmail.com

SOUTHEAST DISTRICT SE1 Vacant

DISTRICT A2 Susan Todenhoft todenhoft@gmail.com

DISTRICT SE2 Adrian Ford and Arietha Lockhart ajford1983@yahoo.com areithal@hotmail.com

EASTERN GREAT LAKES DISTRICTS EGL1 & EGL2 Vacant

DISTRICT SE3 Rosemary Ames rosemarykames@gmail.com

DISTRICT EGL3 Nancy Jane Gray bobnancy330@gmail.com

DISTRICT SE4 Marcus Wyche videoauth@aol.com

GREAT LAKES DISTRICTS GL1 & GL3 Vacant

SOUTH CENTRAL DISTRICT SC1 & SC4 Rebekah Boatright rebekahboatright@gmail.com

DISTRICT GL2 Linda McNair lmsing4me@gmail.com EAST CENTRAL DISTRICT EC1 Herbert Jackson herbert.jackson@gcpsk12.org DISTRICTS EC2 & EC3 Brandon Barnett indianapolis@muphiepsilon.org

DISTRICTS SC2 & SC3 Ashley Bouras and Daniel Feliberty Irizarry ashley.kimmel12@gmail.com nanitofeliberty@gmail.com CENTRAL DISTRICT C1 Linda McNair lmsing4me@gmail.com DISTRICT C2 Julia Scherer sheerjoypiano@gmail.com NORTH CENTRAL DISTRICT NC Vacant

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WEST CENTRAL DISTRICT WC1 Misty Hickman mnshickman13@gmail.com DISTRICT WC2 Elphie Fey elphiekforbes@gmail.com PACIFIC NORTHWEST DISTRICT PNW Michael Lasfetto pnw3dd@muphiepsilon.org PACIFIC DISTRICT P1 Vacant DISTRICT P2 Vacant PACIFIC SOUTHWEST DISTRICT PSW Rylee Lemay and Shania Carden psw1dd@muphiepsilon.org


OFFICERS DIRECTORY

2026-2029 INTERNATIONAL EXECUTIVE BOARD Ann Geiler, Phi Theta, St. Louis Alumni International President 314.691.7648 president@muphiepsilon.org Kirsten Forbes, Beta Sigma, Denver Alumni 1st VP/Extension Officer 720.232.6450 extensionofficer@muphiepsilon.org Marshall Lavan-Pugh, Alpha Xi, Roanoke Valley Alumni 2nd VP/Collegiate Advisor 252.599.2492 extensionofficer@muphiepsilon.org Ashley McSpadden, Gamma Gamma, Oklahoma Alumni 3rd VP/Alumni Advisor 580.822.5682 alumniadvisor@muphiepsilon.org Lorna Katz, Gamma Sigma, Palos Verdes/South Bay Alumni 4th VP/Music Advisor 310.245.9035 musicadvisor@muphiepsilon.org Sean Paree-Huff, Kappa, Indianapolis Alumni 5th VP/Eligibility Advisor 317.997.8464 eligibilityadvisor@muphiepsilon.org Jess LaNore, Beta Psi Indianapolis Alumni Executive Secretary-Treasurer 888.259.1471 executiveoffice@muphiepsilon.org Kat Braz International Editor editor@muphiepsilon.org

Lisa Storm Beyer, Mu Chi Dallas Alumni Social Media Manager social@muphiepsilon.org

FINANCE Kathleen Jung, Gamma Gamma, Oklahoma Alumni kathleenajung@gmail.com

HONORARY ADVISORY BOARD Dr. Kurt-Alexander Zeller, Mu Chi, Portland Alumni zellertenor@aol.com

2026-2027 FOUNDATION BOARD Isabel De La Cerda, President Delta Omega, San Antonio Alumni president@mpefoundation.org

Rosemary Ames, Omega Boston Alumni 508.498.4669 rosemarykames@gmail.com

Dr. Matthew Hoch, Vice President Lambda vicepresident@mpefoundation.org

Lee Clements Meyer, Phi Xi Austin Alumni 512.345.5072

MUSIC LIBRARIAN & ARCHIVES Wendy Sistrunk, Mu Mu Kansas City Alumni 816.309.5910 61gwensinger@gmail.com

INTERNATIONAL CHAIRMEN ACME Arietha Lockhart (Chair) Beta Gamma, Atlanta Alumni 404.284.7811 ariethal@hotmail.com Mary Au (Co-Chair), Mu Nu Los Angeles Alumni 323.666.2603 auhaus@gmail.com

Dr. Ruth Aguirre, Secretary Alpha Pi secretary@mpefoundation.org Dr. Rebecca Sorley, Treasurer Kappa, Indianapolis Alumni treasurer@mpefoundation.org Donna Chrzanowski, Philanthropies Coordinator Phi Kappa, Detroit Alumni philanthropies@mpefoundation.org Dr. Wanda Yang Temko, Scholarships & Grants Coordinator Eta Eta, Atlanta Alumni grants@mpefoundation.org Dr. Ian Wiese, Website Administrator Lambda, Boston Alumni admin@mpefoundation.org Ann Geiler, International President Phi Theta, St. Louis Area Alumni president@muphiepsilon.org

BYLAWS & STANDING RULES Dr. Kurt-Alexander Zeller, Mu Chi Atlanta Alumni 770.961.4400 zellertenor@aol.com

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Mu Phi Epsilon Professional Music Fraternity 6510 Telecom Drive, Suite 370 Indianapolis, IN 46278 executiveoffice@muphiepsilon.org 888-259-1471

Show your Mu Phi pride! Order this new pin designed by Sean Paree-Huff (Kappa, Indianapolis Alumni). www.muphiepsilon.org/store s $10 each or 12 for $96 (Save 20%)


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The Triangle, publication of Mu Phi Epsilon music fraternity, Volume 120, Issue 3 Fall 2026 by Mu Phi Epsilon - Issuu