vol 30 • no 2 nov/dec 2022
        JOHN HIRSCH MAINSTAGE TOM HENDRY WAREHOUSE
          TOM HENDRY WAREHOUSE SEASON SPONSOR
          Adapted by Catherine Bush
          From the novel by Alexandre Dumas reWork Productions presents
          Written and Performed by Daniel MacIvor
          
    
    
    
    The timeless phrase lifted from the pages of Alexandre Dumas’ iconic novel The Three Musketeers is, of course, “All for one, and one for all.” It’s been overused, but at its essence this message continues to resonate. Perhaps even more so today. Essentially, it’s a pledge of allegiance to each other; that each individual should act for the benefit of the group, and the group should act for the benefit of the individual. Or in more specific terms, if one person is facing problems, then it is a problem for the whole community. This care and commitment to each other is perhaps the reason this novel has remained so popular for over three centuries. Of the many themes in Dumas’ work: the idealism of youth; courage, bravery and justice; friendship and loyalty remain at its heart and reminds us of our collective responsibility to one another.
          In Let’s Run Away this idea resonates in a different way, as Peter, the central character in the play has not benefitted from a system that has cared for him. Daniel MacIvor’s potent story sees the cumulative effect of abandonment and isolation. It’s a solo show about aloneness and its impact, even as he interfaces with a myriad of characters. But the art of Daniel and Daniel, and their long history of collaboration, lies essentially in an enduring friendship that has borne lush fruit. This commitment to each other and to the body of work they’ve created over several decades is a testament to the power of allegiance. To care for each other on our individual and collective journeys is at the heart of these two stories.
          Thanks for joining us,
          
    
    MESSAGE FROM THE ARTISTIC DIRECTOR
        november/december 2022 Ovation 3
        Kelly Thornton
          The Royal Manitoba Theatre Centre is proud to call Manitoba home. Royal MTC is located in Winnipeg on Treaty 1 territory, the lands of the Anishinaabeg, Cree, Oji-Cree, Dakota and Dene peoples, and the National Homeland of the Red River Métis. We are thankful for the benefits sharing this land has afforded us, acknowledge the responsibilities of the Treaties, and embrace the opportunity to partner with Indigenous communities in the spirit of reconciliation and collaboration.
          A.C.T. American Conservatory Theater • San Francisco, CA
          Arts Club Arts Club Theatre Company • Vancouver, BC
          ATF Atlantic Theatre Festival • Wolfville, NS
          ATP Alberta Theatre Projects • Calgary, AB
          BAM Brooklyn Academy of Music • NYC
          Bard on the Beach Bard on the Beach Shakespeare Festival • Vancouver, BC
          Belfry The Belfry Theatre • Victoria, BC
          Blyth Blyth Theatre Festival • Blyth, ON Broadway Theatre district • New York, NY
          CBC Canadian Broadcasting Corporation Centaur Centaur Theatre Company • Montreal, QC
          Citadel The Citadel Theatre • Edmonton, AB
          COC Canadian Opera Company • Toronto, ON CS Canadian Stage • Toronto, ON Dora Dora Mavor Moore Award • Toronto, ON Drayton Drayton Entertainment • Ontario
          Dry Cold Dry Cold Productions • Winnipeg, MB
          Factory Factory Theatre • Toronto, ON
          GCTC The Great Canadian Theatre Company • Ottawa, ON Grand The Grand Theatre • London, ON
          HGJT Harold Green Jewish Theatre Company • Toronto, ON Mirvish Mirvish Productions • Toronto, ON
          Moving Target Moving Target Theatre Company • Winnipeg, MB
          MTYP Manitoba Theatre for Young People • Winnipeg, MB
          NAC National Arts Centre • Ottawa, ON
          Necessary Angel Necessary Angel Theatre Company • Toronto, ON
          Neptune Neptune Theatre • Halifax, NS
          NFB National Film Board of Canada
          NTS National Theatre School of Canada • Montreal, QC
          Persephone Persephone Theatre • Saskatoon, SK
          PTAM Popular Theatre Alliance of Manitoba • Winnipeg, MB
          PTE Prairie Theatre Exchange • Winnipeg, MB
          
              
              
            
            OVATION
          VOLUME 30, NUMBER 2 NOVEMBER/DECEMBER 2022
          Ovation is published six times per theatre season and has an approxi mate yearly circulation of 85,000.
          printing: Premier Printing Ltd.
          ADVERTISING INQUIRIES Savannah Lillies telephone: 204 934 0309 email: slillies@royalmtc.ca
          Rainbow Rainbow Stage • Winnipeg, MB
          RNT Royal National Theatre • London, England
          Royal Alex The Royal Alexandra Theatre • Toronto, ON
          RSC Royal Shakespeare Company • Stratford-upon-Avon, England
          RWB Royal Winnipeg Ballet • Winnipeg, MB
          Sarasvàti Sarasvàti Productions • Winnipeg, MB
          Segal The Segal Centre for Performing Arts • Montreal, QC
          Shaw Shaw Festival • Niagara-on-the-Lake, ON SIR Shakespeare in the Ruins • Winnipeg, MB
          Soulpepper Soulpepper Theatre Company • Toronto, ON Stratford Stratford Festival • Stratford, ON SummerWorks SummerWorks Theatre Festival • Toronto, ON TA Theatre Aquarius • Hamilton, ON Tarragon Tarragon Theatre • Toronto, ON TBTR Theatre by the River • Winnipeg, MB
          TC Theatre Calgary • Calgary, AB
          TiFT Talk is Free Theatre • Barrie, ON TNB Theatre New Brunswick • Fredericton, NB
          Toronto Free Toronto Free Theatre • Toronto, ON TPM Theatre Projects Manitoba • Winnipeg, MB
          TSO Toronto Symphony Orchestra
          U of M University of Manitoba
          U of T University of Toronto
          U of W University of Winnipeg
          ViC The Village Conservatory for Music Theatre • Winnipeg, MB VP Vancouver Playhouse Theatre Company • Vancouver, BC West End Theatre district • London, England
          WCT Western Canada Theatre • Kamloops, BC
          WJT Winnipeg Jewish Theatre
          WSO Winnipeg Symphony Orchestra WST Winnipeg Studio Theatre
          YPT Young People’s Theatre • Toronto, ON zone41 zone41 theatre • Winnipeg, MB
          Royal Manitoba Theatre Centre 174 Market Avenue Winnipeg, MB r3b 0p8 Canada
          RoyalMTC.ca box office: 204 942 6537 administration: 204 956 1340 fax: 204 947 3741
          Ushers • Royal MTC’s loyal volunteer ushers are avail able at every performance to assist patrons.
          Latecomers • Latecomers will be seated at the discre tion of the House Manager.
          Courtesy to others • Talking, candy wrappers and coughing are distracting to fellow patrons and actors. We ask each patron to please keep noise to a minimum during a performance. Thank you for your cooperation.
          Scents and Allergies • A number of Royal MTC patrons have expressed concerns regarding medical reactions caused by scented products, so much so that they can’t enjoy the show. Please consider others before using items such as colognes, perfumes and hairspray. Your thoughtfulness is appreciated.
          Royal MTC is a member of the Professional Association of Canadian Theatres and engages, under the terms of the Canadian Theatre Agreement, professional artists who are members of the Canadian Actors’ Equity Association.
          Scenery, Carpentry and Show Running Crew at the John Hirsch Mainstage and the Tom Hendry Warehouse are members of IATSE Local 63.
          Hearing enhancement • Sennheiser Infrared Listening Devices are available free of charge in the lobby at the John Hirsch Mainstage and Tom Hendry Warehouse, supplied by the Royal MTC Volunteer Corps of Ushers Capital Campaign donation. Please see the House Manager for details.
          Prohibited • The use of cameras and recording devices is strictly prohibited. Mobile devices must be turned off. To be contacted in an emergency, leave your name and seat number with the House Manager.
          Warnings • On occasion, Royal MTC’s productions may contain script-specific smoking of non-tobacco products, special effects and language/content warnings. For more information on specific productions, please visit royalmtc.ca.
          THEATRE ABBREVIATION LEGEND 4 Ovation november/december 2022
        
    
              
              
            
            Fashion Items of the 1620s
          
    BY MICHELLE BOHN, COSTUME DESIGNER
          
          1 – Van Dyck/Van Dyke
          Facial hairstyle consisting of a moustache and goatee. Named for Flemish painter Anthony van Dyck (15991641), who included many in his paintings of the time period. It was also sometimes referred to as a “Charlie,” after the English monarch Charles I, who wore his facial hair in this style.
          2 – Falling Band
          
    A collar, typically made of linen or cotton lawn, often edged in lace. This piece was a separate garment from the chemise (shirt), to make for easy laundering.
          3 – Baldric
          Sash-like belt worn diagonally across the torso, from which hung the sword.
          4 – Peplum
          Skirt-like panes or panels attached to the waist seam of a doublet, or a dress’ bodice.
          5
          – Slops
          Very full trunk hose. (Trunk hose were the predecessors of breeches.)
          1 2 3 4
        5
        6 Ovation november/december 2022 THE THREE MUSKETEERS
        portrayed by Emilio Vieira
          An ornamental and flamboyant feather or feathers on a hat.
          2 – Stays
          What most people now refer to as a “corset.” That term and garment are a later iteration of the stays that were a fully boned laced-up bodice worn under the outer bodice and gown to give structure to the body and a base onto which the clothing went. (You cannot see this garment on Milady, but rest assured, it is there.)
          
    3
          MUSKETEERS
          4 – Stomacher
          1
          5 – Roll Farthingale
          3 – Virago
          A decorative ribbon that cinches in the fullness of a sleeve at the elbow. It is tied in a decorative bow.
          november/december 2022 Ovation 7 THE THREE
          2
        Also referred to as a “bum roll.” A crescentshaped padded roll made of cotton and stuffed (the stuffing was called bombast), it tied around the body and sat on the hips to support the shape and weight of the skirt fabric. (You cannot see this garment on Milady, but it is what is giving the shape to the upper part of her skirt, at the hips.) 4
        5
        1 – Panache
        A stiffened and decorated triangular panel worn over the centre front of the bodice, covering the bodice’s lace-up closure. It was either stitched or pinned in place.
        portrayed by Rosie Simon
        
              
              
            
            A Word About Alexandre Dumas, père and The Three Musketeers
          
    WRITTEN BY NICOLA MINOTT-AHL, ASSOCIATE PROFESSOR ENGLISH AND COMPARATIVE LITERATURE AT HOBART
          
          Alexandre Dumas was born in 1802 into a world of possibility. Like many gifted young men of the 19th century, he didn’t have to inherit his life’s work — not his unscrupulous grandfather’s titles or his grandmother’s bondage. He also didn’t have to inherit his military father’s profession or his failures. But he inher ited the general’s penchant for telling a fascinating tale. From his mother’s stories of his father’s strength, cunning, and loyalty to France, Dumas may have developed his ideas about the emotional, even visceral nature of patriotism and its frequent one-sidedness. The country you love may not love you in return — a reality faced by so many black and
          AND WILLIAM SMITH COLLEGES
          brown soldiers in the last few centuries, including the father of Alexandre Dumas. Thomas-Alexandre Davy de la Pailleterie (1762-1806) was the son of a Marquis and his enslaved concubine, Marie Cesette Dumas. His military exploits, personal sacrifices, and sufferings were ignored by his country and by fellow general Napoleon once the latter attained political power. He died ill, denied his military pension after having been a pris oner of war. His son, Alexandre Dumas, may have learned to view concepts such as heroism and patriotic sacrifice with some cynicism through the awareness of his father’s tragic story.
          THE THREE MUSKETEERS 8 Ovation november/december 2022
        “Known for acts of reckless daring in and out of battle, Alex Dumas (père) was every bit as gallant and extraordinary as D’Artagnan and his comrades rolled into one.” — TOM REISS, AUTHOR OF THEBLACKCOUNT
          The cast of The Three Musketeers, Mainstage 1983. PHOTOGRAPHER UNKNOWN
          The Three Musketeers is the first install ment of a series based on a scrap of history, which he found in a novel and developed into four new ones exploring the character D’Artagnan who tries to live a heroic life in an age of cynical back-room intrigue. Instead of becoming a famous hero, loaded with benefits, he essentially becomes the sword of those who engage in intrigue but don’t fight. He and his spectacular exploits are routinely forgotten, and his extraor dinary shrewdness and daring are demanded, used, and wholly unappreci ated by the powerful. It’s a story Dumas knew well. It was, in many ways, the story of his father’s life and the novelist’s wry humour highlights the pathos that underlies the swashbuckling excitement and adventure.
          Dumas’ most compelling character in this famous novel isn’t even a musketeer. In fact, he seldom uses a musket. Instead of riding triumphantly into the novel in a cloud of dust, our improbable hero lopes toward Paris on a skinny yellow horse. Initially, Dumas wanted to call the novel Athos, Porthos, and Aramis, after the characters he encountered in Gatien de Courtilz de Sandras’ Memoirs de Monsieur D’Artagnan (1700). Neither this title nor the one ultimately chosen
          mention D’Artagnan, though adapters of this text universally present him as the lead character. The title wasn’t even Dumas’ idea, but its absurdity amused him and he decided it augured well for the success of the book, which appeared in the daily newspaper Le Siècle in 1844. There are four friends, not three and, though D’Artagnan becomes a muske teer by the end, Aramis quits the troop in favour of the Church, so there are still three musketeers and four friends whose interests and ambitions begin to diverge by the end.
          Alexandre Dumas created famous plots and characters that live in books and in our imaginations. His most famous novels have never been out of print. In a plethora of forms, they have graced many a stage and screen. Catherine Bush’s adaptation of The Three Musketeers captures the loyalty, shrewdness, head strong nature, and adventurous spirit of D’Artagnan and his musketeer friends, and includes an entertaining moment near the beginning in which the narration of their last brawl becomes a story they can watch unfold as they create, step into, and inhabit it. Dumas, who once unsuccessfully adapted this work for the stage, would undoubtedly have approved the wit and complexity of the device.
          SYNOPSIS – D’Artagnan has arrived from the country dreaming to join the King’s Musketeers, and is immediately swept up in the swashbuckling lives of the legendary three, Athos, Porthos and Aramis. When scandal threatens the French court, D’Artagnan and his friends must risk everything to stop Cardinal Richelieu, the second most powerful man in France, and his cunning spies Rochefort and Lady de Winter from revealing a dangerous secret. Swords and wits clash, and D’Artagnan learns that the world might not be as black and white as he once believed. With war (and love) on the line, it goes without saying, “all for one, and one for all!”
          THE THREE MUSKETEERS
        november/december 2022 Ovation 9
        PRESENTS
          
              
              
            
            The Three Musketeers
          Adapted by Catherine Bush from the novel by Alexandre Dumas November 24 – December 17, 2022 preview November 23
          Director Christopher Brauer
          Fight Director Rick Skene Set Designer Brian Perchaluk† Costume Designer Michelle Bohn Lighting Designer Scott Henderson Sound Designer & Composer Daniel Roy
          Choreographer Nicole Kepp Assistant Director Matthew Paris-Irvine† Assistant Costume Designer Daina Leitold Stage Manager Karyn Kumhyr
          Assistant Stage Manager................................................ Angela Marshall Apprentice Stage Manager ...................................... Ridge Romanishen Apprentice Stage Manager ....................................... Emily Solstice Tait
          SETTING: Various locations in Paris and London, 1628. The Three Musketeers is performed with one intermission.
          This adaptation of The Three Musketeers was first produced at Barter Theatre, Abingdon, VA Richard Rose, Producing Artistic Director. Production photography by Dylan Hewlett.
          *Position funded through the Jean Murray - Moray Sinclair Theatre Apprenticeship Program †Past Jean Murray - Moray Sinclair apprenticeship or scholarship recipient
          Kelly Thornton, Artistic Director • Camilla Holland, Executive Director
          10 Ovation november/december 2022
        
              
              
            
            The Three Musketeers
          THE CAST (IN ALPHABETICAL ORDER)
          Cardinal Richelieu / Innkeeper / Mob #1
          Sharon Bajer
          Athos Rodrigo Beilfuss†
          King Louis / Mob #6 / Lord Buckingham / Beggar / Drunk / Lemieux / Spy #4 ........................................
          Eric Blais†
          Planchet / Criminal / Guard #3 / Patron / Fisherman #2 / Guest #5 /Soldier #3 / Citizen ...... Tristan Carlucci†
          Rochefort / Patron #3 / Cahusac / Sailor #2 / Spy #2
          Andrew Cecon
          D’Artagnan Melissa Langdon
          Jussac / Felton / Patron / Braddock / Guest #4 / Soldier #2 Jacquie Loewen Aramis Darren Martens
          Kitty / Abbess / Mob #3 / Patron #2 / Guest #3 Hera Nalam Milady de Winter / Mystery Woman Rosie Simon
          Constance Bonacieux / Mob #7 Sophie Smith-Dostmohamed
          Queen Anne / Mob #2 / Barmaid
          Krystle Snow
          Monsieur Bonacieux / Bicarat / Mob #5 / Painter / Patron / Fisherman #1 / Spy #1 / Herald / Guard #2 ................................................................. Ray Strachan†
          Porthos ............................................................................................ Emilio Vieira Monsieur de Treville / Soldier #1 / Sailor #1 / Guest #1 / Spy #3 Cory Wojcik
          STANDBYS (IN ALPHABETICAL ORDER)
          Standbys never substitute for listed performers unless a specific announcement is made at the time of their appearance.
          Rochefort & Others / Monsieur de Treville & Others ....................................................................................
          Robert Borges
          King Louis & Others / Planchet & Others / Monsieur Bonacieux & Others....................................... Alan Castanaga
          Kitty & Others / Queen Anne & Others / Jussac & Others Shannon Guile
          *Position funded through the Jean Murray - Moray Sinclair Theatre Apprenticeship Program †Past Jean Murray - Moray Sinclair apprenticeship or scholarship recipient
          november/december 2022 Ovation 11
        
              
              
            
            THE THREE MUSKETEERS
          Sharon Bajer
          
          Cardinal Richelieu / Innkeeper / Mob #1
          ROYAL MTC (selected) Actor: Sense and Sensibility, Kill Me Now (with NAC), Hand to God, Late Company, The Seagull, A Christmas Story, August: Osage County, Top Girls, Steel Magnolias, Humble Boy, Of Mice and Men, Angels in America, Les Belles-Soeurs, Our Country’s Good.
          OTHER THEATRE The Outside Inn (Premiere – Festival Antigonish); The Wizard of Oz (Rainbow); coming up Afterlight (Premiere – The Keep and Walk&Talk).
          TRAINING Studio 58, Michael Langham Directing Program (Stratford). Certified Intimacy Director and Coordinator with Intimacy Coordinators Canada and Intimacy Directors and Coordinators (New York).
          FILM/TV Recent projects include Dark Harvest, Ordinary Angels, Acting Good, Little Bird, Run ; Intimacy Coordinator for The Porter, SkyMed, Wintertide, El Toro and Alter Boys.
          ET CETERA sharonbajer.com
          Rodrigo Beilfuss Athos
          
          Lost (U of W); Bull, Cock, Lungs (TBTR); The Front Page (Stratford, Assistant Director). Rodrigo spent four seasons at the Stratford Festival, acting in dozens of productions.
          FILM/TV Snowkissed, Blood, Intersection, Naval Gazing, Dark Harvest.
          TRAINING Birmingham Conservatory (Stratford); MA in Classical Acting from LAMDA (UK); BA (Honours) from the University of Winnipeg; Michael Langham Workshop (Stratford).
          ET CETERA You should come see PANDORA this January/February, a co-production between SIR and PTE! Visit shakespeareintheruins.com.
          Eric Blais
          King Louis / Mob #6 / Lord Buckingham / Beggar / Drunk / Lemieux / Spy #4
          ROYAL MTC Miss Bennet: Christmas at Pemberley, A Doll’s House, It’s a Wonderful Life: The Radio Play, Clever Little Lies, The Woman in Black, Private Lives, Good People, Brief Encounter, Looking Back – West.
          
    
    OTHER THEATRE Eric has performed with various theatres including PTE, MTYP, TPM, SIR, WJT and the Vancouver Playhouse.
          FILM/TV Spencer Sisters, SkyMed, Forever Christmas, Burden of Truth, Break My Heart 1000 Times, All the Light We Cannot See, The Pinkertons, Cashing in.
          ROYAL MTC Assistant Director: Private Lives.
          
    OTHER THEATRE Rodrigo is an actor, theatre director and the Artistic Director of Shakespeare in the Ruins (SIR). Selected acting credits include The Player King (SIR); A Dance to the End of the World (PTE); Sea Wall (TBTR); and Hamlet (Bravura/ Snakeskin). Selected directing credits include Hamlet (SIR); Love’s Labour’s
          TRAINING Eric holds a BA from the University of Winnipeg and an MFA from York University.
          For a complete list of theatre abbreviations, please refer to legend on page 4
          12 Ovation november/december 2022
        
    
    artistic director Pablo Felices-Luna Buy by phone 204.942.8898 • in person 2 Forks Market Rd • online mtyp.ca DEC. 2–23 You’re A Good Man, Charlie Brown and A Charlie Brown Christmas Spend time with your loved ones this holiday season! Ages 5+ Doowah Design Inc. Client: MTYP Insertion: RMTC Program MTYP CB ad / size: 1/2 Pg. H - 4.75 x 3.75 in / cmyk SPONSOR “A charming double bill… A story about finding HAPPINESS in the sometimes confusing and challenging world of being a kid.” – CBC RADIO
        
              
              
            
            THE THREE MUSKETEERS
          Tristan Carlucci Planchet / Criminal / Guard #3 / Patron / Fisherman #2 / Guest #5 / Soldier #3 / Citizen
          
    
    ROYAL MTC Buying the Farm (Regional Tour with Magnus), Shakespeare in Love (with Citadel), 23.5 Hours, Alice Through the Looking-Glass.
          OTHER THEATRE Selected: The Birds and the Bees, The December Man (PTE); Another Way Home (WJT); Danny, King of the Basement, Peter Pan, Night Light (MTYP).
          FILM/TV Selected: Nobody (Universal); Wayne (YouTube Original); Stand! The Musical (Frantic Films); The Pinkertons (Pink Pictures); You’re Killing me, Susana (Arcadia Pictures); Todd and the Book of Pure Evil, four seasons of Channel Zero (SYFY); Wrong Turn 4 (20th Century Fox); BUNKS (Disney).
          TRAINING Bachelor of Arts Honours in Theatre and Film Acting from the University of Winnipeg.
          ET CETERA Tristan is a proud member of Skene Stunts with nearly 50 credits in film and television. As always, love to Mom, Dad, Anthony, Petty and Peeps.
          Andrew Cecon
          Rochefort / Patron #3 / Cahusac / Sailor #2 / Spy #2
          ROYAL MTC Black Coffee, Million Dollar Quartet, The Secret Annex, The Seagull, Ed’s Garage, A Few Good Men (with Citadel), Romeo and Juliet, Our Town.
          OTHER THEATRE Richard III, Antony & Cleopatra, Julius Caesar (SIR); Shiksa (WJT); Three Sisters, The Miser of
          Middlegate (TPM); Lunenburg, Bang Bang, A Closer Walk with Patsy Cline (Magnus Theatre).
          ET CETERA Love to Katrina, Aviva and Joren.
          Melissa Langdon D’Artagnan
          
          ROYAL MTC Apprentice Artistic Director*; Assistant Director: Orlando; 2020/21 National Mentorship Program; Artistic Coordinator: Tiny Plays, Big Ideas.
          OTHER THEATRE Voice (PTE); Spelling 2-5-5 (MTYP); School Girls; Or The African Mean Girls Play (Obsidian/ Nightwood Theatre); Hamlet (SIR); Blink (One Trunk/W&T); Home 2.0, The Game, New Beginnings (Sarasvàti); O(phelia) (ShakespeareFest); Animosity (Winnipeg Fringe Theatre Festival); Time and the Conways, Concord Floral, Rosencrantz and Guildenstern are Dead (U of W).
          FILM Macbeth (SIR/Blackfriar).
          
    TRAINING Bachelor of Arts Honours in Theatre and Film Acting from the University of Winnipeg.
          ET CETERA Dora Award: Outstanding Production and Toronto Theatre Critics’ Choice Award: Outstanding Production of a Play (School Girls), Bethia Henry Memorial Scholarship in Theatre and Drama, Reg Skene Emerging Artist Award. Love to M, M, I and OFUR. *Supported by the Manitoba Arts Council.
          For a complete list of theatre abbreviations, please refer to legend on page 4
          14 Ovation november/december 2022
        
              
              
            
            Your seat awaits.
          
    
    Will you consider a gift to Royal MTC in your will?
          Is Royal MTC already named in your will? We’d love to honour you as a member of the Royal MTC Founders’ Circle
          For more information on Legacy Giving contact: Brendan McKeen 204 954 6412 or bmckeen@royalmtc.ca Scan here for more info
          L e
        gi v i n g
        gacy
        
              
              
            
            THE THREE MUSKETEERS
          Jacquie Loewen
          Jussac / Felton / Patron / Braddock / Guest #4 / Soldier #2
          ROYAL MTC Actor: Alice Through the Looking-Glass, Top Girls. Fight Director (selected): The Rez Sisters, Roald Dahl’s Matilda the Musical (with Arts Club/ Citadel), Vietgone (with fu-GEN/Hope and Hell), Hand to God, Private Lives, Gone With the Wind, August: Osage County, Romeo and Juliet, The Seafarer.
          
    OTHER THEATRE Fight Director (selected): Macbeth (Bard on the Beach); Indigenous Playwrights New Works Workshop (PTC – Vancouver); Beauty and the Beast (Rainbow); The Flood Thereafter (CS); Don Giovanni (Manitoba Opera); Macbeth, The Merry Wives of Windsor, The Taming of the Shrew (SIR); Prairie Nurse (PTE).
          
    TEACHING U of Winnipeg, U of Manitoba, Trinity Western, Simon Fraser University, Kansas State University.
          ET CETERA Jacqueline was a founding member of the Canadian Comedy Awardnominated sketch group Hot Thespian Action.
          Darren Martens Aramis
          
          
    Another Way Home (WJT); A Little Night Music, The Addams Family (Dry Cold); Reefer Madness, American Idiot, Heathers: The Musical, Avenue Q (WST); Danny and the Deep Blue Sea (The Keep Theatre).
          FILM Actor: Spencer Sisters (Bell Media); Polarized (Enlightenment Productions); Hannukah on Rye, Christmas by Starlight, Merry and Bright (Hallmark).
          TRAINING Bachelor’s in Vocal Performance from the U of M, Opera NUOVA, Rainbow Stage Training Intensive.
          ET CETERA Darren dedicates this perfor mance to his late father, Gary.
          Hera Nalam
          Kitty / Abbess / Mob #3 / Patron #2 / Guest #3
          ROYAL MTC First appearance.
          OTHER THEATRE Much Ado About Nothing – 2022, Timon of Athens – 2018 (SIR); Torn Through Time – 2019 (MTYP); Romeo & Juliet – 2020 (Pocket Frock Productions ShakespeareFest); Quest – 2019 (Meraki Theatre Productions).
          FILM I Propose We Never See Each Other Again After Tonight – 2020.
          TRAINING University of Winnipeg Bachelor of Arts Honours in Theatre and Film Performance.
          ET CETERA Wishing everyone a warm and happy winter!
          ROYAL MTC Fight Director: New. Assistant Fight Director: The Rez Sisters. Actor: Miss Bennet: Christmas at Pemberley, A Christmas Carol, Alice Through the Looking-Glass.
          OTHER THEATRE Actor: A Chorus Line, Breaking Up Is Hard To Do, Beauty and the Beast, Cinderella, Little Shop of Horrors, Les Misérables, The Producers (Rainbow);
          For a complete list of theatre abbreviations, please refer to legend on page 4
          16 Ovation november/december 2022
        
    
    22 23 SEASON DECEMBER 21-28, 2022 CENTENNIAL CONCERT HALL WINNIPEG’S HOLIDAY FAVOURITE NUTCRACKER PRODUCTION SUPPORTER: LIVE MUSIC BENEFACTOR: ARTS PARTNER: VISIT RWB.ORG
        CHILDREN TICKETS ONLY $25
        KYRA SOO; PHOTO BY DAVID COOPER
          
              
              
            
            THE THREE MUSKETEERS
          Rosie Simon Milady de Winter / Mystery Woman
          
          ROYAL MTC John.
          OTHER THEATRE Lady Sunrise, acqui esce (Factory); Dinner with the Duchess (Next Stage Festival); Kim’s Convenience, Cowboy Versus Samurai (Soulpepper); Urinetown: The Musical (Firehall Arts Centre); The King and I (Gateway Theatre); The 25th Annual Putnam County Spelling Bee (Arts Club/Belfry); Flower Drum Song, Red Letters, A…My Name is Alice (Vancouver Asian Canadian Theatre).
          TV Robyn Hood (upcoming, Global); Star Trek (CBS); Good Witch (Hallmark); Slasher-Solstice (Netflix); Motive (CTV); Carter (Bravo); Killjoys (Syfy); Hudson and Rex (Citytv); Shadowhunters (Freeform).
          TRAINING Graduate from Capilano University in musical theatre.
          
    
    ET CETERA Rosie and the cast of The 25th Annual Putnam County Spelling Bee, received a Jessie Richardson Award for Outstanding Ensemble (Arts Club/Belfry).
          Sophie SmithDostmohamed Constance Bonacieux / Mob #7
          ROYAL MTC Orlando, The New Canadian Curling Club, A Thousand Splendid Suns (postponed, COVID-19).
          OTHER THEATRE Selected acting: Bastard. (OFUR/PTE); Much Ado About Nothing (SIR); The Snail and the Whale (MTYP/Tall Stories); Love’s Labour’s Lost, Arcadia (U of W); Animosity (Downside Up Productions). Assistant Directing: Like Mother Like Daughter (Why Not Theatre/FemFest).
          Co-Founder and Collaborator of Out From Under the Rug Collective (PTE’s company in residence 2020-22).
          TRAINING UW Honours Degree in Performance; Royal MTC mentorship –Haysam Kadri; Creative Manitoba mentor ship – Ann Hodges.
          ET CETERA Sophie is a queer artist who believes in choosing Big Love, All the Time. She extends that love to her dearest friends, who know exactly who they are (xx). See Sophie next in PTE’s Space Girl . Website: sophiesmithdostmohamed.com Instagram: @sophiesmithdost
          Krystle Snow
          Queen Anne / Mob #2 / Barmaid
          ROYAL MTC First appearance.
          OTHER THEATRE The Comedy of Errors (TBTR); Goodnight Desdemona (Good Morning Juliet), King Lear, Blithe Spirit (U of W); Cabaret, Jesus Christ Superstar (7 Ages Productions); Why They Go in Groups, Strandead, Bedhead (Winnipeg Fringe Festival).
          FILM/TV Burden of Truth (CBC); Violent Night (Universal); A House on Fire (Lifetime); Menorca (Farpoint Films); Channel Zero: No End House (Syfy); Night Hunter (Arise/ Buffalo Gals); Todd and the Book of Pure Evil (Space); Cashing In (APTN).
          
    TRAINING Graduate of the University of Winnipeg with an Honours Degree in Theatre.
          ET CETERA Krystle is so grateful to be making her Royal MTC debut among friends in such a beautiful show and would like to thank her family for always being so supportive of her in every way.
          For a complete list of theatre abbreviations, please refer to legend on page 4
          18 Ovation november/december 2022
        
    
    
    
    
    
    McNally Robinson Booksellers 1120 Grant Avenue ∙ The Forks ∙ mcnallyrobinson.com WHEN YOU SUPPORT US, YOU SUPPORT OUR COMMUNITY The Three Musketeers by
        Dumas The Count of Monte Cristo
        Dumas for young readers The Three Musketeers: Graphic Novel by Russell Punter Recommended Reading inspired by The Three Musketeers
        Alexandre
        by Alexandre
        
              
              
            
            THE THREE MUSKETEERS
          Ray Strachan
          Monsieur Bonacieux / Bicarat / Mob #5 / Painter / Patron / Fisherman #1 / Spy #1 / Herald / Guard #2
          ROYAL MTC Calpurnia, The Mountaintop, It’s a Wonderful Life: The Radio Play, Shakespeare in Love (with Citadel), The Man Who Shot Liberty Valance, Romeo and Juliet, One Flew Over the Cuckoo’s Nest (with TC).
          OTHER THEATRE Director: The Velveteen Rabbit (MTYP). Actor: The Wizard of Oz (Rainbow); The Tempest (Citadel); *Deserter, Remember the Night (Moving Target); Hedda Noir (Theatre NorthWest); *The Whipping Man (WJT); Romeo and Juliet (SIR); Rosencrantz & Guildenstern Are Dead (Black Hole Theatre). *Evie Award.
          TRAINING Black Hole Theatre Company; Banff Centre for The Arts.
          ET CETERA Look for Ray in The Porter, on CBC/BET. Ray is also co-host of the Ray & Benny Talk Sports podcast. You can find it on YouTube and on your preferred podcast platforms. @raybennysports on Instagram, Facebook and Twitter. To Chris Johnson.
          Emilio Vieira Porthos
          
          on radical hope (Crow’s Theatre); Much Ado About Nothing, Measure for Measure, Titus Andronicus, As You Like It (CS).
          FILM/TV TITANS (HBO); february: a love story, Above Ground Floor (Sudden Spark Collective).
          TRAINING/TEACHING Emilio is an alumnus of York University’s Acting Conservatory (2014) and The Birmingham Conservatory for Classical Theatre (2015/16).
          
    
    ET CETERA Follow me on instagram @emiliovieira and @suddensparkcollective.
          Cory Wojcik
          Monsieur de Treville / Soldier #1 / Sailor #1 / Guest #1 / Spy #3
          
    ROYAL MTC Actor: All is Bright, The Cottage, A Doll’s House, Once (with Grand), Kill Me Now (with NAC), Black Coffee, Hand to God, Billy Elliot the Musical, Late Company, Harvey, Miracle on South Division Street, August: Osage County. Assistant Director: Morning After Grace.
          OTHER THEATRE Actor: The Wedding Party, Butcher (PTE); Strike! The Musical, Beauty and the Beast, The Producers (Rainbow); The Jungle Book, Jabber, The Big League (MTYP); Another Way Home (WJT); Bloodless: The Trial of Burke and Hare (White Rabbit Productions). Director: Mr. Burns (DTC); various productions with Celebrations Dinner Theatre and Winnipeg Fringe.
          ROYAL MTC First appearance.
          OTHER THEATRE Richard III, The Miser, Phaedra’s Love, All My Pretty Chickens, Coriolanus, The Tempest, Napoli Milionaria!, Twelfth Night, A School for Scandal, Tartuffe, Macbeth, All My Sons, Bunny, Dido: Queen of Carthage, As You Like It, Six Characters in Search of an Author (Stratford); Towards Youth: a play
          FILM/TV Actor: Champions, Dark Harvest, Breakthrough, Night Hunter, A Dog’s Purpose.
          ET CETERA Much love to Heather and the boys.
          For a complete list of theatre abbreviations, please refer to legend on page 4
          20 Ovation november/december 2022
        INGREDIENTS
          • 1 ½ oz amber rum
          
    • 2 oz cranberry juice
          • 1 oz lemonade
          NON-ALCOHOLIC:
          • 2 oz cranberry juice
          • 1 oz lemonade
          DIRECTIONS
          In a highball glass, combine ingredients and stir. Add ice, and garnish with a thin lemon slice or whole fresh cranberries.
          Taylor McCaffrey proudly supports the Royal MTC and gratefully acknowledges the rich contribution made by Manitoba’s Arts Community to our province.
          For those who seek hazardous adventures, The Three Musketeers promises to be an excellent performance. Break a leg to all those involved in the production.
          
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            THE THREE MUSKETEERS
          Robert Borges
          Standby – Rochefort & Others / Monsieur de Treville & Others
          ROYAL MTC Fight Director: The Wave, Orpheus Descending.
          OTHER THEATRE Romeo and Juliet – 2003 (SIR); Noble Savage, Savage Noble (TPM).
          FILM/TV The Don Cherry Story, Exorcism of Molly Hartley, Channel Zero seasons 2, 3 and 4 , Timecut.
          
    TRAINING/TEACHING A student of the U of W Theatre Honours program. Robert has taught stage fighting for MTYP, PTE and workshops for U of M School of Music Opera students. As well as Fight Direction for SIR and Manitoba Opera.
          
    ET CETERA Robert has also worked on numerous film and TV projects as a stunt person and would like to thank the Skene family for all the opportunities, support and friendship over the years.
          
    Alan Castanaga
          Standby – King Louis & Others / Planchet & Others / Monsieur Bonacieux & Others
          ROYAL MTC First appearance.
          OTHER THEATRE Hair – 2007 (Winnipeg Fringe Festival); Faust – 2009, Diary of Anne Frank – 2010 (U of W); So you think you can be a Musical Theatre Idol 2: Skid Row (White Rabbit Productions).
          FILM/TV Film: Nobody – 2021, Violent Night – 2022 (Universal Studios); Fractured – 2019 (Netflix). TV: Safehaven – 2023 (Tubi); Less than Kind – 2008 (HBO Canada).
          TRAINING Honours degree in Theatre and Film – University of Winnipeg; extensive
          stunt training from the Skene Stunts Team; extensive training in Muay Thai and boxing.
          ET CETERA I am very thankful for the opportunities that I earn along this path in life. It’s important to smell all of the roses that appear along the way. OSSSS!!
          Shannon Guile Standby – Kitty & Others / Queen Anne & Others / Jussac & Others
          ROYAL MTC Actor: The History of Manitoba …in 45 Minutes. Director: A Piece of Me (Tiny Plays, Big Ideas).
          OTHER THEATRE (Selected) Actor: Plé (MTYP); The Miser of Middlegate (TPM). Director: Can You Hear Me Now, Loud and Clear (100 Decibels). Assistant Director: Tribes (WJT).
          FILM/TV (Selected) Actor: The Secret Ingredient, Percy vs Goliath, A Dream of Christmas. Stunts: Champions, Sniper: Rogue Mission, Violent Night.
          TEACHING Shannon teaches Mime & Improv. and Stage Combat at the U of W. ET CETERA Shannon is a founder/creator of the three-time Canadian Comedy Award-nominated sketch comedy troupe Hot Thespian Action and Deaf mime troupe 100 Decibels. She would like to thank Ross and Beckett for their undying support, love and random dance breaks when mommy needs it.
          For a complete list of theatre abbreviations, please refer to legend on page 4
          22 Ovation november/december 2022
        
    SUPPORTER COMMUNITIES OF OUR To subscribe call 204-697-7001 or visit winnipegfreepress.com/subscribe
        PROUD
        Catherine Bush Stage Adaptation
          
    Catherine Bush lives in Abingdon, VA where she is Barter Theatre’s resident play wright. Plays produced at Barter: The Other Side of the Mountain, The Quiltmaker, Comin’ Up A Storm, Wooden Snowflakes, Tradin’ Paint, Where Trouble Sleeps, The Road to Appomattox, Walking Across Egypt, The Controversial Rescue of Fatty the Pig, The Three Musketeers, Winter Wheat (book & lyrics), Ghost, Ghost, Come Out Tonight, Great Expectations, Dracula, Frankenstein, A Christmas Carol, Kentucky Spring (book) and It’s a Wonderful Life. Other produced plays: The Executioner’s Sons, unhINGEd, The Frankenstein Summer, A Jarful of Fireflies and Just a Kiss, a 2007 Steinberg Award finalist. Catherine has also written 25 plays for the Barter Players, whose work serves the younger members of Barter’s audience.
          pieces, while he reflected on the social issues of the day. His stories addressed the stigma against divorce, illegitimate children, racial conflicts and other social justice issues. Alexandre wrote approx imately 300 essays, plays, serial novels and travelogues, but is best known for The Three Musketeers and The Count of Monte Cristo. He’s also known for The Man in the Iron Mask, one of the stories included in The Vicomte of Bragelonne: Ten Years, a sequel to The Three Musketeers.
          Christopher Brauer Director
          
          Alexandre was born in 1802 in VillersCotterets, France. His grandmother Marie-Cesette Dumas was an enslaved Haitian woman. Alexandre’s father Thomas-Alexandre served in Napoleon’s army where he became a general and made history as the highest-ranking Black officer in Europe. His mother ensured that he got a thorough education, and in 1822 he began pursuing writing as a career. He took advantage of the news paper industry by writing serial stories. Each day, a new chapter or story would appear, allowing him to write bite-sized
          ROYAL MTC John, Venus in Fur. OTHER THEATRE (selected) Director: Kiss of the Spider Woman (Dry Cold); R2 – The Last Concert of Richard II (zone41/ Royal Canoe); The Moonlight Sonata of Beethoven Blatz (Station Arts Centre); Richard III, Othello (SIR); Angels in America: Millennium Approaches & Perestroika (WJT); Three Sisters (zone41/ TPM); Winter’s Tale (Tom Tom Theatre); Story of a Sinking Man (Theatre Dirigible); The Universal Wolf (No Sugar Added Productions); A Midsummer Night’s Dream, Concord Floral, Twelfth Night, Seven Doors, The Possibilities, As You Like It, Faust(us), Pericles, King Lear, La La La Dispute (U of W).
          TEACHING Christopher is an Associate Professor in the Department of Theatre and Film at the University of Winnipeg.
          
    ET CETERA This and everything is for Erin and Oliver.
          For a complete list of theatre abbreviations, please refer to legend on page 4
          24 Ovation november/december 2022
        THE THREE MUSKETEERS
        Alexandre Dumas Original Author
          
              
              
            
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    Rick Skene Fight Director
          
          August: Osage County, The Boys in the Photograph (with Mirvish), The Lonesome West, Patience, Picasso at the Lapin Agile (with NAC), M. Butterfly (with NAC).
          ROYAL MTC Venus in Fur, A Midsummer Night’s Dream, Richard III, Oleanna, Macbeth, Burn This, Good Night Desdemona (Good Morning Juliet), Noises Off, Burn This, The Miracle Worker, The Lonesome West, Shakespeare’s Dog, The Boys in the Photograph, Wait until Dark, The Beauty Queen of Leenane.
          OTHER THEATRE PTE, MTYP, TPM, MB Opera, Rainbow Stage, RWB and Théâtre Cercle Molière. Rick was co-founder and associate artistic director of TPM.
          
    
    FILM/TV 35 years of over 200 credits as a stunt coordinator, 2nd unit director, stunt driver and stunt performer.
          TEACHING 35 years teaching Acting, Stage Combat, Filmmaking, Mime and Improvisation at the U of W Department of Theatre and Film.
          ET CETERA Rick is excited to be back at Royal MTC working with his good friend Christopher Brauer, as we welcome our audience back in the building post pandemic. As always, Rick would like to give a big thank you shout out to his wife Jan who, as he is quick to point out, holds his universe together.
          Brian Perchaluk Set Designer
          
          OTHER THEATRE Brian’s work has been featured at theatres across the country, including two seasons each at the Shaw and Stratford festivals. Selected recent credits include: Goodnight Desdemona (Good Morning Juliet) (TPM); La Cantatrice chauve et La Leçon (Théâtre Cercle Molière); The Whipping Man (WJT); The Hockey Sweater (Rainbow); Post Democracy (PTE).
          
    TRAINING Graduate of U of W and NTS. ET CETERA Recipient of Gemini, Jessie Richardson, Prix Rideau and Evie Awards.
          Michelle Bohn Costume Designer
          
          ROYAL MTC Recent and favourites: The Color Purple (with Citadel), The Cottage, John, Humans, Once (with Grand), Sarah Ballenden, Black Coffee, Billy Elliot the Musical, Sherlock Holmes and the Case of the Jersey Lily, A Christmas Story, Harvey,
          ROYAL MTC New.
          OTHER THEATRE Off-Broadway: A FourLetter Word (Classic Stage Company); Richard III, King Lear, Macbeth (New York Classical Theatre); Orpheus (Next Wave Festival). Select regional: All’s Well That Ends Well, Hamlet, I Am William (Stratford); Jukebox Hero (Mirvish); Measure for Measure (CS); Theory (Tarragon); The Nether, Between Riverside & Crazy (Coal Mine); The New Canadian Curling Club (Blyth); Amadeus, The Gamblers (TiFT); Could I Have This Dance? (Rebecca Cohn Auditorium); The Lieutenant of Inishmore, Kimberly Akimbo (SouthernRep); Coriolanus, Henry V (New Orleans Shakespeare Festival).
          FILM/TV Save Me, For the Record (CBC Gem).
          TRAINING University of Missouri – Kansas City (MFA), Concordia University (BFA).
          ET CETERA michellebohndesign.com
          For a complete list of theatre abbreviations, please refer to legend on page 4
          26 Ovation november/december 2022
        THE THREE MUSKETEERS
        
              
              
            
            THE THREE MUSKETEERS
          Scott Henderson Lighting Designer
          
          musician, mostly a mix of self-taught and private lessons.
          ROYAL MTC Over 60 productions since 1995, including Tiny Plays, Big Ideas, The Cottage, John, Sense and Sensibility, A Christmas Carol (2017, 2005), Shakespeare in Love (with Citadel), Black Coffee, The Audience (with Mirvish), Billy Elliot the Musical, Next to Normal, Red (with Belfry), Top Girls.
          OTHER THEATRE Scott has designed light ing for opera, dance and theatre compa nies in Winnipeg and across Canada. Most recently he designed La Cenerentola for Manitoba Opera. Scott is also the Lighting Director for the Royal Winnipeg Ballet and teaches Lighting Design at The University of Winnipeg.
          TRAINING Scott is a graduate of Toronto Metropolitan University (Ryerson Theatre School) and is a member of ADC659.
          
    
    ET CETERA Special thanks to Karen, Sean and Alex for their love and support.
          Daniel Roy Sound Designer & Composer
          
          ROYAL MTC Performer: All is Bright. Sound Designer: The Rez Sisters, Women of the Fur Trade.
          OTHER THEATRE Sound Designer: Théâtre sans animaux, Le boucher, Plus (+) que toi (TCM); The Flats, What To Do With Albert (PTE/TCM); Flesh + Machine (Winnipeg’s Contemporary Dancers).
          FILM/TV Voice Actor: Supa Strikas, Canot Cocasse, Wolf Joe, La Brigade.
          TRAINING Beauty school dropout; as a
          ET CETERA Multi-instrumentalist, compos er and award-winning singer-songwriter, Daniel Roy has been contributing to Manitoba’s artistic community for nearly three decades. His skill and versatility allow him to work across all genres of music. He divides his time between performing and recording with different artists, album production, artistic direction, and sound design for theatre and television.
          
    Nicole Kepp Choreographer
          
          ROYAL MTC First engagement.
          OTHER THEATRE Choreographer: Ballet in the Park (Various); RWB Ballet Ball (Various).
          FILM/TV Director/Choreographer: Alice’s Adventures in Wonderland (JP Media Works/RWB). Performer: Fourth Period Burnout (CBC Short Docs).
          TRAINING/TEACHING Nicole is the Principal of the Recreational Division at Canada’s Royal Winnipeg Ballet. She is also a member of the RWB School Professional Division artistic faculty and has received many notable awards for her original choreography. Nicole is a gradu ate of RWB’s Teacher Training Program and holds Licentiate qualifications with Cecchetti Canada.
          ET CETERA Nicole is thrilled to be working with Royal MTC and very grateful to Christopher and everyone on the creative team for this incredible opportunity.
          For a complete list of theatre abbreviations, please refer to legend on page 4
          november/december 2022 Ovation 27
        Matthew Paris-Irvine Assistant Director
          
          
    ROYAL MTC Director: The Show (Tiny Plays, Big Ideas). 2020/21 National Mentorship Program.
          OTHER THEATRE Director: O(phelia) (ShakespeareFest); Bastard (FemFest/ Out From Under The Rug). Apprentice Director: Becoming Dr. Ruth (WJT). Actor: Hamlet, The Comedy of Errors (ShakespeareFest); Time and the Conways, Concord Floral, Rosencrantz and Guildenstern are Dead (U of W).
          FILM I Propose We Never See Each Other Again After Tonight (Mongrel Media); Before Anything You Say (Darkling Productions).
          ET CETERA Matthew is a founding member of Out From Under The Rug. Love to Melissa, Sophie and Omar, my closest friends and collaborators.
          Daina Leitold Assistant Costume Designer
          
          ROYAL MTC First behind-the-scenes engagement.
          OTHER THEATRE Costume Designer: Awaken (SIR/zone41); Bar Mitzvah Boy (WJT); Stage Frights (Fete Jockey). Set and Costume Designer: Bike and Circuses, Wild Wild Wilderness, Unplugged, Ebb & Flo (Green Kids Inc.); Glad to Be Here, Meet Me at Dawn, Constellations, Edward II, Cock, Bull, The Cherry Orchard (TBTR); Hamlet, Timon of Athens (SIR); Red Earth (One Trunk/TPM). Set Designer: Plé (MTYP).
          
    
    ET CETERA Daina was awarded a 2018 Evie for Outstanding Design for her part in the production design of Red Earth (One Trunk/TPM).
          Looking for a great night out that’s easy on your wallet? Theatre Under 30 members, aged 18 – 29, have exclusive access to world-class theatre for just $20 a seat!
          SIGN UP TODAY AT ROYALMTC.CA/UNDER30 FOR MORE INFORMATION, PLEASE CONTACT KSENIA BRODA-MILIAN AT UNDER30 � ROYALMTC.CA
          THE THREE MUSKETEERS
        ASHLEY COOK & JERA WOLFE IN THE REZ SISTERS. PHOTO BY DYLAN HEWLETT.
          THEATRE FOR FANS
        UNDER 30
        
              
              
            
            THE THREE MUSKETEERS
          Karyn Kumhyr Stage Manager
          
          Neptune Theatre, Factory Theatre and Theatre Orangeville.
          ET CETERA Angela would like to thank her family and friends for their love and support.
          
    ROYAL MTC Selected: The Rez Sisters, The Cottage, Heisenberg, A Christmas Carol, Sarah Ballenden, Chimerica (with CS), A Christmas Story, Next to Normal, The Shunning, Steel Magnolias, It’s a Wonderful Life, Bleeding Hearts, Pride and Prejudice, Fiddler on the Roof, Our Town, The Tempest.
          OTHER THEATRE Selected: The Devil’s Disciple, Desire Under the Elms (Shaw); The War Being Waged, The Third Colour, Happy Place (PTE) ; Pippin (ViC/WST); Beauty and the Beast (Rainbow); The 39 Steps (Harbourfront, PEI); Spelling Bee (Grand); James and the Giant Peach (MTYP); The Rick Hansen Story (MTYP/2010 Olympics/ Citadel); Molière, The Beauty Queen of Leenane (ATP); Bump (Ship’s Company Theatre); The Addams Family (Dry Cold).
          FILM/TV Bring It On: Cheer or Die (Universal); Winnipeg Comedy Fest (Frantic Films); Burden of Truth (CBC TV series).
          Angela Marshall Assistant Stage Manager
          
          
    ROYAL MTC The Rez Sisters, Miss Bennet: Christmas at Pemberley, Orpheus Descending (with Mirvish), A Christmas Carol, Trying.
          OTHER THEATRE Stratford Festival (18 seasons), Rainbow Stage, Winnipeg Symphony Orchestra, Mirvish Productions, the Grand Theatre, the Globe Theatre, Theatre New Brunswick, Stirling Festival,
          Ridge Romanishen Apprentice Stage Manager
          
    ROYAL MTC Calpurnia.
          OTHER THEATRE The Velveteen Rabbit (MTYP); The Marriage of Figaro (MUO); Dance Spectrum (RWB school); In Time (TPM); Trigger Warning: Cassandra (Sick + Twisted); Shakespeare’s Will (SIR); Narrow Bridge (WJT); The Golem’s Mighty Swing (WJT/OTM); Kiss of the Spider Woman (Dry Cold); A Midsummer Night’s Dream, Arcadia (U of W).
          TEACHING Graduate of the University of Winnipeg’s Theatre and Film Program with Honours in Stage Management.
          ET CETERA Ridge is thrilled to be back working with Royal MTC this season. He would like to thank all his friends, family and “Lovey” for their support and of course, the fabulous folks at Royal MTC for this amazing opportunity!
          For a complete list of theatre abbreviations, please refer to legend on page 4
          november/december 2022 Ovation 29
        Emily Solstice Tait Apprentice Stage Manager
          
          ROYAL MTC First engagement.
          OTHER THEATRE Performance: The Improvised Musical, The War Being Waged (PTE); Laurier (TNB/Confederation Centre of the Arts). Select dance: Confluence (Raven Spirit Dance); AFTERGLOW (Rayannah); Actualize, Calibrations of Flux (Winnipeg’s Contemporary Dancers); Rite of Spring (WSO). Stage Manager: Reflections (Moving Roots); Verge (Winnipeg’s Contemporary Dancers); Inertial Response (Alex Winters); Family Portrait (Alexandra Elliott Dance); All You Can Eat/The Top (Gearshifting Performance Works).
          
    
    FILM Screendance: Cišєt (ACC/WSDC); Three Sisters (TPM/Daniel Jordan); Wind and Water (TPM); The__Place (CBC Arts); Best of You (Rayannah).
          TRAINING BAH Contemporary Dance (U of W/School of Contemporary Dancers); BA Stage Management (U of W).
          ET CETERA Thank you to the stage manager /production community for generously sharing their skills.
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        Photo/UnsplashJoshua Stannard
          Now that we’re almost out of the woods, it’s time to venture Into the Woods with one of Stephen Sondheim’s most popular musicals. Once upon a time, music soared through the Mainstage and today, this modern classic feels like the note-perfect choice to expe rience that joy again. Into the Woods follows a mash-up of fairy tale characters in pursuit of happy ever after. But what happens after their wishes are granted? If your wish is to find out, secure your tickets for this award-winning musical today!
          
    
    NEXT AT PRODUCTION SPONSORS
        “A whirl of pure pleasure that just keeps whirling.” — THE TELEGRAPH
          
              
              
            
            Falling in Love with Live Theatre
          Every year, thousands of students fall in love with theatre just like you did – by attending a play at Royal MTC.
          In our last full season, thanks to our incredible community of donors, we were able to welcome over 4,000 students to student-only matinee performances. Schools from all over Manitoba came to share in the act of imagining – including students from Nelson House, located 75km west of Thompson. Unfortunately, not every student has the opportunity to come to the theatre.
          Will you be a hero for the next generation? Today, you can help transform the lives of young people by giving them the lifelong gift of theatre, no matter where they live and what they can afford. We are a community bound by our love of live performance, let’s invite young people to join us.
          Let’s laugh together. Let’s cry together. Let’s imagine together.
          With a gift to Royal MTC, you’re creating opportunities for students across our province to experience live performance. The students who come to shows today and partic ipate in youth programs are our future artists and audiences. Reduced ticket prices, bus subsidies, and free programs remove the barriers that keep young people from experiencing the joys of theatre. With your help we can keep these programs going.
          Will you raise your sword and be a hero for the next generation? Students will have you to thank for transforming their lives.
          You can make the impossible possible with your donation by mail, phone or at royalmtc.ca/donate. For more information, contact Brendan McKeen, Individual Giving Manager, at 204 954 6412 or bmckeen@royalmtc.ca.
          
    32 Ovation november/december 2022 INDIVIDUAL GIVING
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        “From now on, you are one of us.” “All for one… and one for all.”
          — THE THREE MUSKETEERS
          
              
              
            
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            Our Method
          BY DANIEL BROOKS, DIRECTOR / DRAMATURG
          
          Daniel MacIvor and I began work on this play many years ago.
          Our first title was 7, because that is all we knew about the show – that it was the seventh solo show we would create together.
          Our work began in Banff in November of 2017. We worked in a studio at the Banff Centre, with a large window looking out at the mountains. Daniel sat in a chair, with a microphone in hand (for some reason we were attracted to the microphone, perhaps because it created a kind of artifice, or theatricality, where none existed). He talked and talked, and I listened and listened. I wrote down what he said, or at least what I thought interesting, editing, and perhaps changing some details along the way. Then I would tell Daniel what he said –another kind of editing process. Daniel would listen to me and then he would write down what I said he said, which became another editing process. We did this for days, talking and listening, and some of the content for what would become this play was born.
          
    Some time later we worked in Toronto, and the title of the play became Good , and then A Good Week . Our work method (if it can be called a method) did not change. We would talk about ideas, perhaps analyze the latest stories told by Daniel, or I might suggest he further pursue a line of thought or character, we would laugh a lot and complain and enjoy each other, except when we didn’t, for the reasons people don’t enjoy each other, mostly fear. Material developed, became more focused, some
          ideas didn’t last, and by the end of our work in Toronto, we had a new title: The Extraordinary Pickle and Tru . That title didn’t last very long either.
          Our next work session was in Guysborough, Nova Scotia. We had the beginnings of the structure of the play you will see today. As structure forms, so do doubts, and fears mount – that we are on the wrong track, that we’ve missed something, misunderstood the material, the moment, the reason for doing theatre. As often happens, we, the creators of the show, were para lysed and fearful. At one point Daniel, standing on the stage, handed me his notebook with a phrase circled – “Let’s run away.” I said “good title.” That became the title, and some solid infor mation for Daniel to use as he continued to develop the story of Let’s Run Away.
          I am often mystified as to how we do our work. I wonder if it’s all chance, if we have any method at all. How did we arrive at Let’s Run Away?
          Recently I was on the phone with Daniel – we talk on the phone most days – and I was telling him about a very disturbing dream I had. I was aware of how silent he was as he listened to me, even over the phone I felt the depth of his listening, the stillness of his ears, his receptiveness, his love. He listened deeply. It struck me that the foundation of our method is deep listening.
          LET’S RUN AWAY 34 Ovation november/december 2022
        heads, it was gone.
          
    It’s just that good.
          You might have better luck. Pick some up in the lobby, your favourite beer store, Liquor Marts and in our very own taproom.
          330-830 King Edward Street torquebrewing.beer
          
    
    
              
              
            
            One More
          
    BY DANIEL MACIVOR, WRITER / PERFORMER
          
          
    Some years ago I retired from doing this kind of work, solo shows. That was three shows ago and now here it is our seventh solo. Six years ago when we were winding down the run of our last – our sixth solo –Who Killed Spalding Gray? I approached Daniel Brooks and asked if he would be interested in doing one more. I always say “one more.” I suppose I’ve been saying that since after we did our first show House in the late ‘ 80s – that one more was Here Lies Henry. The one more after that was Monster and then one more was Cul-de-sac – and that was the really “one more” one more where I retired from the form and we shut down da da kamera, the company that made them all. But then life changed and dreams crashed and I got sober and woke up in a strange
          new land and all I could imagine doing was going back to the thing I felt I knew best. The solo. Thankfully Brooks was on board for one more, and that became This Is What Happens Next – our “true story” solo of stories that weren’t entirely true but close. And then one more was Who Killed Spalding Gray? and that’s when something happened that had been coming for a long time – my heart opened up. Brooks had been pushing for that I think, all those years. It’s prob ably what kept bringing me back to the form, because the ironic thing is, of all the kinds of work I’ve done, the solo is where I’ve felt the least alone. It takes a lot of people to prop one guy up on stage – their names are all here in the program. And there is something about being here in the room, alone with you, the audience, where all is acknowledged – the reality of the artifice, the truth of the game, the lie we all believe in – that feels like the point. And I don’t just mean of theatre. But I’m not going to get precious and high-falutin – I’ve got in trouble doing that in program notes before. Since then I haven’t really written notes, but this time it seemed fitting. And so I just want to thank all the people who’s names are in this program and especially my brother Brooks for giving me permission all these years, for helping me to finally feel what I’ve always known. Here’s to one more.
          SYNOPSIS – Peter is not the main character of his story. He has however lived a “colourful life,” (but it’s nothing to be proud of) with many treasured possessions to take us along on the journey. One thing in particular, is the manuscript of an unpublished memoir. He didn’t write it, but it belongs to him. Don’t worry, he’s not going to read all of it. Just the parts about him.
          LET’S RUN AWAY
        36 Ovation november/december 2022
        
    
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        REWORK PRODUCTIONS PRESENTS
          
              
              
            
            Let’s Run Away
          Written and Performed by Daniel MacIvor* December 1 – 17, 2022 preview November 30
          Director / Dramaturg
          Daniel Brooks*
          Producer Marcie Januska Stage Manager Alison Crosby* Lighting Designer ............................................................. Kimberly Purtell Sound Designer .................................................................. Deanna H. Choi Associate Sound Designer Dasha Plett Assistant Director .................................................. Stephanie MacDonald
          Let’s Run Away is performed without an intermission.
          Special Thanks: Louisa Adamson, Intrepid Theatre, Mulgrave Road Theatre, The Grand Theatre (London, ON), Canadian Stage, Nada Ristich, BMO, Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council. Production photography by Guntar Kravis.
          Mandate: reWork is a theatre company with a focus on the continued development of production through public workshops and international touring. Our creative energies are equally focused on all elements of production: performance, text, direction, design and marketing. We believe that theatre is an essential service to the human spirit and aspire to both enlighten and entertain.
          reWork History: Who Killed Spalding Gray? premiered at the Magnetic North Theatre Festival as part of the Stages Festival in June 2014. It has since been presented at Luminato and the OntarioScene Festival (2015), High Performance Rodeo (2016), and Spark Festival (2017). reWork recently premiered a documentary inspired by that show, The Work (2022), and a short film called Tender (2022). Let’s Run Away premiered as part of Canadian Stage’s 2019/2020 season, and also toured to the High Performance Rodeo in Calgary in 2020.
          Twitter: @reworktheatre
          Facebook: @reworkproductions
          Instagram: @reworkproductions
          Website: reworkproductions.com
          *The participation of these Artists are arranged by permission of Canadian Actors’ Equity Association under the provisions of the Dance•Opera•Theatre Policy.
          38 Ovation november/december 2022
        Kelly Thornton, Artistic Director • Camilla Holland, Executive Director
          REWORK PRODUCTIONS’ SUPPORTER
        Daniel MacIvor Writer / Performer
          
          
    
    Daniel MacIvor (he/him) is originally from Unama’ki/Cape Breton and current ly divides his time between there and Tkaronto/Toronto. Daniel has written numerous award-winning theatre produc tions including See Bob Run, Never Swim Alone and New Magic Valley Fun Town, and he has received the Governor General’s Literary Award for Drama, the Siminovitch Prize for Theatre, and an Obie Award and a GLAAD Award for his play In On It. In 2018 Daniel wrote the libretto for Rufus Wainwright’s Hadrian, staged at the Canadian Opera Company. Also a screenwriter Daniel has written the films Marion Bridge, Wilby Wonderful, Trigger and Weirdos for which he won a Canadian Screen Award for best original screenplay. He runs reWork Productions with Marcie Januska.
          plays created with Don McKellar and Tracy Wright (The Augusta Company). He was Artistic Director of Necessary Angel from 2003-2012. He has been the Barker Fairley Distinguished Visitor at U of T, associate artist at Soulpepper Theatre and Buddies and Bad Times. His many awards include the Siminovitch Prize for direction. His work has toured across Canada and around the world.
          Marcie Januska Producer
          Daniel Brooks Director
          
          / Dramaturg
          Marcie Januska (she/her) has been an arts administrator and stage manager for over 25 years. She is the co-founder and Producer at reWork Productions and the Producer at Alberta Theatre Projects. Previously she was Co-Producer at Spontaneous Theatre/Northan Industries and General Manager at The Coal Mine Theatre. She has worked in a producer/ associate position for Theatre Direct, Eldritch Theatre, Appledore Productions, and fu-GEN Theatre and held adminis trative positions at Banff Centre’s opera program, Vancouver Opera, and Calgary International Children’s Festival. As a stage manager, she worked on over 150 shows, including over 45 new plays.
          Daniel Brooks is a writer, director perform er and teacher. His many works include a series of monologues created with Daniel MacIvor, multi-media work with Rick Miller, direction of work by John Mighton, Beckett, Sophocles, Ibsen, Chekhov and Goethe, and the musical The Drowsy Chaperone. Other original work includes his recent one man show Other People, The Full Light of Day, The Noam Chomsky Lectures, Insomnia, The Eco Show, The Good Life, Bigger Than Jesus, Pokey Jones, Divisadero and a series of
          
    Alison Crosby Stage Manager
          Alison Crosby is a multidisciplinary theatre artist currently based in Kjipuktuk / Halifax. She is a graduate of Mount Allison University with a Bachelor of Arts in Theatre Studies. Stage management credits include The Rocky Horror Show
          For a complete list of theatre abbreviations, please refer to legend on page 4
          
    LET’S RUN AWAY november/december 2022 Ovation 39
        (Neptune Theatre); YAGA, Samqwan, House, Silence, Sucker (Highland Arts Theatre); Hook Line & Sinner (Ship’s Company Theatre); Kingfisher Days (Festival Antigonish). Assistant stage management credits include The Last Epistle of Tightrope Time (National Arts Centre); Calendar Girls, Peter Pan, Cinderella, The Last Wife, The Last Five Years (Neptune Theatre); Stage Kiss, The Hound of the Baskervilles (Festival Antigonish); After Eepersip Disappeared, Chasing Champions (Ship’s Company Theatre). Upcoming stage management: Ballad of the Motherland (Neptune Theatre).
          Kimberly Purtell Lighting Designer
          
    
    
    Deanna H. Choi Sound Designer
          Kimberly Purtell is a Toronto based lighting designer for theatre, opera and dance. Kimberly’s designs have been seen across Canada, the United States, the United Kingdom, the Netherlands, Prague, China, Taiwan, Hong Kong and Russia. She has designed for various companies in Canada including Mirvish Productions, Stratford Festival, Canadian Stage, Citadel Theatre, Royal Manitoba Theatre Centre, Vancouver Playhouse, Soulpepper, Dancemakers, Harbourfront World Stage, Tarragon Theatre, Buddies in Bad Times Theatre, Necessary Angel, Tapestry New Opera, Vancouver & Beijing Cultural Olympiads, The Banff Centre, Studio 180 and many others.
          Deanna H. Choi (she/her) composes original music for film/TV and designs sonic environments for live performance. Recent screen credits include Last of the Right Whales (HitPlay/CBC); Relax, I’m From The Future (Universal/Wango Films); He Murdered Sleep (Boxenworks). She has participated in artist residencies at the Canadian Film Centre Slaight Music Lab, Banff Centre and SOCAN Foundation. She is an award-winning violinist and has collaborated on over 100 theatre and dance productions across Canada and the US, and teaches sound design at the National Theatre School of Canada. She is the 2020 laureate of the Pauline McGibbon Award and is a member of the Associated Designers of Canada, SCGC, SOCAN, SCL, AWFC. She lives in Toronto on Treaty 13 Territory. splitbrainsound.com.
          Dasha Plett Associate Sound Designer
          Dasha Plett is a Winnipeg-based artist working with performance, writing and media. Sound designer/composer credits include the Stratford Festival, Royal MTC, Prairie Theatre Exchange, Cercle Molière, Theatre Projects Manitoba, OneTrunk Theatre, Frances Koncan, Debbie Patterson and Alexandra Elliot. Dasha is also one half of We Quit Theatre, a perfor mance collective with Gislina Patterson that has presented their work at Buddies in Bad Times, SummerWorks, PushOFF, Stratfest@Home, Théâtre Catapulte, OFFTA and LOMAA.
          For a complete list of theatre abbreviations, please refer to legend on page 4
          LET’S RUN AWAY 40 Ovation november/december 2022
        
              
              
            
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          *Current Royal MTC Board of Trustees/Advisory Board members †Current Royal MTC staff ‡Monthly donors § Fondly Remembered
          SUPPORTERS 42 Ovation november/december 2022
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          SUPPORTERS november/december 2022 Ovation 43
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        44 Ovation november/december 2022
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          Manitoba’s Credit Unions
          Maple Leaf Construction Ltd., Blake Fitzpatrick
          Maxim Truck & Trailer – Doug Harvey & Jan Shute Pollard Banknote Limited PRA Inc. Qualico
          CORPORATE COMPANY CIRCLE
          $600-1,199
          Astroid Management Ltd. Mid West Packaging Limited Premier Printing Ltd. $300-599
          MCW/AGE Consulting Professional Engineers Winnipeg Building & Decorating Ltd. $150-299
          Diva Lingerie and Swim Wear FWS Group of Companies
          SUPPORTERS
        november/december 2022 Ovation 45
        *Current Royal MTC Board of Trustees/Advisory Board members †Current Royal MTC staff ‡Monthly donors
          FOUNDERS’ CIRCLE
          Wayne & Lee Anderson
          Gail Asper, OC, OM, LLD*
          Zdzislaw (Zaz) Bajon & Patricia Hunter
          Marjorie & Morley§ Blankstein
          Duane§ & Pauline Braun
          Doneta Brotchie, CM* & Harry Brotchie
          Ken & Denise Brown
          David & Lianne Carefoot
          Len & Heather Cariou
          Terri Cherniack & Steven Schipper, CM, OM
          Jennifer Cheslock & George Buri
          David Christianson & Vera
          Steinberger
          David* & Barb Christie
          Gerry* & Chris Couture
          Hugh B. Cowan
          Kerry Dangerfield*
          Laurie Lam & Larry Desrochers
          Glen* & Joan Dyrda
          Robert & Florence Eastwood
          Don & Elfie Elias
          Bill§ & Gayle Fischer
          Anthony* & Jennifer Fletcher
          Jack Fraser
          James Gibbs§
          Sandy & Rheal Gousseau
          Rita Gunn & Greg Mason
          John* & Nicola Guttormson
          Ahava Halpern & Frank Lavitt
          Linda Hamilton & Grange Morrow
          Gary Hannaford* & Cathy Rushton
          Ted§ & Gail Hechter
          Elaine Heinicke§
          Shawn Hughes & Bruno Koehn
          June§ & Bob Jackson Fund for the Performing Arts
          Maureen E. Jay
          Andrew & Wendy Jensen
          David & Diane Johnston
          Dr. Leonard & Hope§ Kahane
          Janis Kaminsky
          Jason Kasper
          John Kearsey
          Gordon & Anne Keatch§
          Rob Kennedy & Claudette Leclerc
          Serena Helen Kraayeveld
          Leona J. MacDonald
          Cheryl Johannson§ & Michael Mainman
          Mark & Gloria Mancini
          Virginia Martin
          Peggy Barker & Ron McKinnon
          Jim* & Penny McLandress
          Barb Melnychuk
          Bob & Pat Migliore
          Jeffrey Morton*
          Ken & Sharon Mould
          Dr. Liam Murphy§
          Robb & Heather Paterson
          Chris Pearce
          Scott Penner
          Gina & John* C. Petersmeyer
          Drs. Bill Pope & Elizabeth
          Tippett-Pope
          K. Heather Power & Harold Klause
          Margaret Redmond* & Greg Gillis
          Edward Fisher & Lyse Rémillard
          Joan D. Richardson
          Jean Riggall
          Michelle Rowan
          Michael T. Ruta
          Sharon Ryman
          Susan Skinner*
          Kevin Hines & Shelly Smith-Hines
          Bill & Laurie* Speers
          Deborah Spracklin
          Joan Stephens
          Joanne Tait
          Suzanne Ullyot
          Lionel & Lorraine Wiens
          Margaret§ & Alfred Wikjord
          Richard L. Yaffe* & John A. Statham§
          Brenda Zaporzan§ 2 Anonymous
          ENDOWMENT – STEVEN SCHIPPER FUND
          Many thanks to the generos ity of our Endowment Fund
          donors who gave a gift or fulfilled a pledge payment between Aug 1, 2021 and Oct 15, 2022. Amounts listed are cumulative.
          $5,000,000+
          Government of Canada/ Gouvernement du Canada Canadian Heritage/Patrimoine canadien
          $250,000-499,999
          Gail Asper, OC, OM, LLD* & Michael Paterson
          $25,000-49,999
          Susan Glass & Arni Thorsteinson J.K. May Investments Ltd. Cam & Carole Osler Terracon Development Ltd.
          $10,000-24,999
          The Bowles Family Susan and Keith Knox Norma Anne Padilla Dr. Bill Pope & Dr. Elizabeth Tippett-Pope Faye Warren Margaret & Alfred Wikjord
          $5,000-9,999
          Margaret Caie Ron & Carol Chapman Pam & Andrew Cooke Gail Hechter
          Maureen E. Jay Irene Miller & the late Claire Miller Gina O’Connor & John* C. Petersmeyer* Barbara Scheuneman Terry & Les Wiens Anonymous
          
    *Current Royal MTC Board of Trustees/Advisory Board members †Current Royal MTC staff ‡Monthly donors § Fondly Remembered If you have remembered Royal MTC in your will, please let us know.
          
    SUPPORTERS
        46 Ovation november/december 2022
        $2,500-4,999
          Don & Cheryl Breakey
          Rita & Don Campbell
          Ron & Carol Chapman
          Michael & Lynn Evans
          David & Ewhenia Gnutel
          John & Margaret Graham
          Jean & Lisa Neron
          Iris Reimer Anonymous
          $1,000-2,499
          Joan & Edward Alexander
          David & Pamela Bolton
          Carol Budnick
          Art & Donna Chow
          DGH Engineering Ltd. Brenda & Michael Evans
          Christine Fleetwood
          Dr. Jeremy & Maureen Gordon
          Teresa A. Hay
          Marilyn & Helios Hernandez
          Jordan Janisse & Teresa Cooper
          Barbara Main
          Peggy Barker & Ron McKinnon
          Marlene Milne
          Paul & Elaine Neelon
          Myron Pawlowsky & Susan Boulter
          Edna Poulter
          
              
              
            
            SUPPORTERS
          W. & N. Rennie
          Howie & Sue Simpson Deborah Spracklin 3 Anonymous
          $500-999
          Marge & Ted Avent
          Nan Carson
          Katherine Cobor & Gordon Steindel
          Valerie Dunsmore – in memory of Beverly Muzyk
          Evelyn Hecht
          Lynne Jentsch
          Mr. & Mrs. Fred Kisil
          Barbara Latocki
          Anthony & Joyce McWha Lorraine & Ernest Reinfort
          Sandra Sadler
          Bryce & Jenna Simes
          Peter & Sharon Taylor Gabor Vamos & Brenda Silver
          Erin, Bryan, Brooklyn & Jameson Wills – in memory of Beverly Muzyk
          UP TO $499
          Helen M. Arkos
          Ingrid Bolbecher James Barrie & Sarah Anne Cranston
          Helene Dyck
          Mr. & Mrs. Gary W. E. Firth
          Abigail Grieder
          Allan & Evelyn Hardy
          Nancy Latocki
          Dr. Shelley Mahoney
          Barry§ & Carol McArton
          Bob & Pat Migliore
          Charlotte Murrell
          Theresa Oye
          Henry & Sheila Riendeau
          Diane Schurek
          Diane Schurek
          Linda L. Wiebe 3 Anonymous
          MANY THANKS TO OUR VOLUNTEERS!
          
              
              
            
            Act Like a Star!
          Everyone at the theatre is part of the show. Yes, even you. You want to be a star, don’t you? These tips will make you a stand-out performer (in a good way)!
          Scents and Sensibility
          Many theatre lovers experience adverse medical reactions from scented products. Please consider others before using scented products.
          Park Your Mobile Device
          We know something interesting is happening on social media. It always is. But your neighbours want to watch the play. Please turn off all mobile devices.
          The Sound of Silence
          Our theatre has great acoustics. So when you’re talking during the show, everyone can hear you. Your neighbours, the ushers and even the actors. We want you to talk about the show but at intermission or after the final bows.
          We’re always happy to see you at the theatre. Thank you for coming!
          FUNDERS
          
    
    
    
    SEASON PARTNERS
          REGIONAL TOUR
          SUPPORTING PARTNERS 48 Ovation november/december 2022
        CORE
        THEATRE FOR YOUNG AUDIENCES OPENING NIGHT SPONSOR PIMOOTAYOWIN CREATORS CIRCLE
        JOHN HIRSCH MAINSTAGE PERFORMANCE SPONSORS
          TOM HENDRY WAREHOUSE SEASON SPONSOR EXCLUSIVE PRODUCTION SUPPORTER JOHN HIRSCH MAINSTAGE PRODUCTION SPONSORS
          TOM HENDRY WAREHOUSE PRODUCTION SPONSOR
          NATIONAL MENTORSHIP PROGRAM
        
    
    
    
    
    
    
    
    
    
    
    
    
    SUPPORTING PARTNERS november/december 2022 Ovation 49
        ASSISTANCE SUPPORTING SPONSORS BLACK
        LAWYERS PLAY SEASON MEDIA SPONSOR DESIGN SPONSOR
        WINNIPEG FRINGE THEATRE FESTIVAL CAPITAL
        & WHITE BALL
        SILVER SPONSOR BRONZE SPONSOR COCKTAIL SPONSOR ENTERTAINMENT SPONSOR LIVE AUCTION SPONSOR SILENT AUCTION SPONSOR THE TANCHAK WEALTH MANAGEMENT GROUP FILLMORE RILEY VACATION RAFFLE SPONSORS AFTER DARK SPONSOR
        BOARD OF TRUSTEES
          Honorary Members
          Her Honour, Lt. Governor Anita R. Neville
          The Honourable Heather Stefanson, Premier of Manitoba
          His Worship, Scott Gillingham
          Executive Officers
          Laurie Speers, Chair
          John Guttormson, Past-Chair
          Ed Acuna, Nominating Committee Chair
          Heather Clarke, Treasurer & Organizational Performance Committee Chair
          David Kroft, Inclusion, Diversity, Equity & Accessibility Committee Chair
          Sudhir Sandhu, Secretary
          Jeremy Trickett, Governance & Strategic Planning Committee Chair
          Claire Workman, Resource Development Committee Chair
          Trustees
          Markus Chambers
          Jan Coates
          Katherine Fox
          Susan Freig David Lalama
          Andrea Lochhead
          Advisory
          Council
          David Christie, Chair
          Gail Asper
          Doneta Brotchie, CM
          Angus Campbell Gerry Couture
          Kerry Dangerfield Hy Dashevsky Glen Dyrda, FCA
          Anthony C. Fletcher
          Jean Giguere
          Charron Hamilton
          Gary Hannaford, FCA Yude Henteleff
          Ken Houssin
          STAFF
          Accounting/Finance
          Kim Friesen, Payroll Administrator
          Linda McGarva Cohen
          Nalini Reddy Loren Remillard Jennifer Tesoro Josh Thiem Geeta Tucker
          Colin R. MacArthur, QC Patrick J. Matthews
          Jim McLandress
          Jeffrey Morton, FCA Hon. Jack Murta Lillian Neaman John Petersmeyer
          Lawrence Prout Jeff Quinton
          Patricia Rabson Margaret Redmond Susan Skinner Al Snyder Maureen Watchorn
          Yvonne O’Connor, Accounts Payable Administrator
          Shelley Stroski, Controller
          Administration
          Kurt Brown, HR Generalist
          Camilla Holland, Executive Director Kathrin Moncaster, IT Manager
          Artistic
          Audrey Dwyer, Associate Artistic Director
          Katie German, Assistant Program Director, Pimootayowin
          Creators Circle
          Melissa Langdon, Apprentice Artistic Director Isabelle Ly, Producer
          Ian Ross, Program Director, Pimootayowin Creators Circle
          Kelly Thornton, Artistic Director
          Leslie Watson, Company Manager
          Box Office
          Sheena Baird, Director of Patron Services
          Meaghan Fletcher, Box Office Manager
          Alexandra Gerow, Patron Services Coordinator
          Box Office Representatives: Karen Gautron, Jane Hunter, Beatrice Jackson, Harlan Kumps, Melissa Langdon, Jazz Marcelino, Shayla Meeroff, Daniel Mitchell, Carolin Schroeder, Danielle Sinclair, Jordan Skelly, Katie Spring
          Carpentry (John Hirsch Mainstage)
          Louis Gagné, Layout Carpenter
          Brent Letain, Master Carpenter
          Chris Seida, Scenic Carpenter
          Development
          Patrick Hanan, Development Database Specialist
          Brendan McKeen, Individual Giving Manager
          Melissa Novecosky, Director of Development
          Stephanie Porrior, Event Coordinator
          Front of House
          Samantha Harrison, Front of House Manager, John Hirsch Mainstage Ntara Curry, Front of House Manager, Tom Hendry Warehouse
          Front of House Staff: Jennifer Brisson, Reid Boultbee, Renelle Chartier, Shay Cote, Bee Dasuki, Rylen De Vries, Christopher Douglas, Laurel Fife, Melanie Fowler, Cassidy Groening, Darrah Horobetz, Joanna Houston, Brooklyn Kilfoyle, Kyra Lyle, Kimmy Martin, Graeme Olson, Christina Reid, Keira Rondeau, Coral Ross, Cobi Winston
          Maintenance
          Chris Fletcher, Building Manager
          Wesley Leask, Assistant Building Manager
          Marketing & Communications
          Ksenia Broda-Milian, Education and Enrichment Manager
          Sue Caughlin, Marketing & Communications Manager
          Katie Inverarity, Director of Marketing & Communications
          Desiree La Vallee, Ticketing Application Specialist
          Savannah Lillies, Marketing & Communications Coordinator
          Lauren Wagn, Communications & Social Media Manager
          Paint
          Carla Schroeder, Head Scenic Artist
          Production
          Christine Corthey, Production Associate
          Ian Kirk, Production Driver
          Jaxun Maron, Assistant Production Manager
          Russell Martin, Director of Production
          Don Osler, Technical Director
          Jacqueline Robertson, Assistant Technical Director
          Properties
          Khaeler Bautista, Props Builder
          Zoë Leclerc-Kennedy, Props Builder/Buyer
          Jamie Plummer, Head of Props Stage Crew
          Chris Coyne, Head of Sound
          Kayla McSwain, Head of Wardrobe
          Gary Plouffe, House Stage Hand
          Claude Robert, Head Electrician Chris Thomson, Head Carpenter Tom Hendry Warehouse
          Tim Clark, Head of Sound
          Ryan Spracklin, Master Carpenter
          Fisher Wohlgemut, Head Electrician Wardrobe
          Thora Lamont, Head of Wardrobe
          Jackie Van Winkle, Head Buyer & Accessories Coordinator Wigs
          Beverley Covert, Head of Wigs/Make-Up
          Winnipeg Fringe Theatre Festival
          Chuck McEwen, Executive Producer
          Tori Popp, Festival Manager
          Honorary Staff
          Zaz Bajon, General Manager Emeritus
          Steven Schipper, CM, OM, Artistic Director Emeritus
          ADDITIONAL PRODUCTION STAFF
          The Three Musketeers
          Erin Babury, Seamstress
          Linda Beech, Scenic Paint
          Brenda Belmonte, Milliner
          Kim Crossley, Cutter
          Jo Dixon, Scenic Paint
          Penny Hanford, Seamstress
          Karen Luchak, Seamstress
          Barbara Mackenzie, Seamstress
          Kaz Mayne, Seamstress
          Sharon Ryman, Wigs
          Let’s Run Away
          Martha Schram, Seamstress
          Liam Shattuck, Carpenter
          Lela Stairs, Cutter
          Sonya Vallis, Seamstress
          Bennette Villones, Props
          Andrea Von Wichet, Scenic Paint
          Joy Willis, Seamstress
          Anna Yarworski, Seamstress
          Additional crew provided by IATSE 63
          Additional crew provided by IATSE 63
          BEHIND THE
        50 Ovation november/december 2022
        SCENES
        
              
              
            
            Empowering creative young minds
          Proudly supporting Royal Manitoba Theatre Centre
          Canada Life and design are trademarks of The Canada Life Assurance Company.
          
    
              
              
            
            GREEN TODAY. GREEN TOMORROW AND TOMORROW AND TOMORROW.
          GFL Environmental is proud to support the Royal Manitoba Theatre Centre and the Arts. Our diverse service offerings include solid waste management, recycling services, and hazardous waste collection.
          Green Today. Green For Life. | gflenv.com