Portfolio 2021

PORTFOLIO

DAVIDE BELLO ARCHITECTURE PORTFOLIO 2021 1

REDDY

KIDBROOKE VILLAGE Phase 6

Following an invitation from Berkeley Homes in May 2019, Reddy we believed form the most promising building blocks from which Architecture have worked on creating an over-arching design vision future conversations during the design process, can be most fertile that re-imagines a framework for the redevelopment of Phase 6 of the for making it better. More appropriate to the needs and desires of the community and all people who will benefit from it over time and more Kidbrooke Village masterplan. representative of the qualities associated with exemplary placemaking.

Kidrooke Village is located within The Royal Borough of Greenwich, south-east of Blackheath. The Phase 6 site is in the upper north-east The concept was to set out a framework for the creative possibilities to come, encouraging one to dream about what this place and its corner of the masterplan and is due to complete in 2028.

The essence of this masterplan framework is to imprint the ‘connections’ architecture could be.

2

SOFTWARE: REVIT - SKETCHUP - PHOTOSHOP - ILLUSTRATOR

2019 COMPETITION

The design approach for forming a cohesive and legible masterplan, 1) New and logical routes between buildings and places to establish a which is both unique in and of itself but also legible and in sympathy hierarchy of connections. within the whole, responds to the following design objectives.

2) Create a distinct Area within the overall Kibrooke masterplan promoting diversity.

These establish some of the rules which can govern the identity of 3) Henance the green infrastructure bringing green landscape and trees character areas; the disposition of different building typologies and into the heart of Phase 6. their heights; and the location and connectivity between public and 4) Provide sustainable buildings that are built to last, using quality private spaces and how these relate to other areas of the wider natural materials.

Kidbrooke neighbourhood.

5) Optimise site orientation and ensuring protection to existing buildings.

3

My Tasks: I was responsible for the design development of the masterplan, finding the main principles (or design objectives as explained in the previous page) on which the masterplan is based.

Once the principles were set up I started focusing on the massing in respect of the areas and number of units expected by the client.

The most challenging part of the masterplan is probably represented by the adjacent train line. One of our main concept was to create a linear podium that would run along the railway which contains the resident carpark and that creates a buffer zone protecting the southern part from noise pollution.

The next step was to the design the facade of the buildings that form the masterplan, from the ”Parkside Tower” on the West, to the ”Village” on the East side.

The areas and the internal layout were developed in Revit, while the facade modelling was done in Sketchup.

Railway line noises - Existing residential houses - Existing site connections - Existing school - Defensive boundaries balanced against the active boundary facing Cator Park

4

Block B as the identifier - Protective green edge between site and railway - Taler buildings to the North - Exploit North South orientation - Address the Park along its active edge

Phase 6 in numbers: Total Hectar Residential Senior Living

2

6 ha 90,428 m² 18,703 m²

Total:

1

109,131 m² 846 Units Public Opne space Private Amenit Car Parking

1

4

3,000 m² 11,948 m² 325 nr

The Crescent

3

2

The Avenue

3

The Parkside

4

The Mews

5

REDDY

KIDBROOKE VILLAGE Block D In 2018 I joined the Archtiecture Firm Reddy Architecture + Urbanism. Since the first days I stated working on the Stage 4 and 5 of the building complex called Block D, being part of the wider masterplan development called Kidbrooke Village, located south of Greenwich.

The development consist of a mixed used comprising of a car park basement, a retail and community space below a landscaped podium, which addresses a natural change in height across the site, and 5 medium to high rise towers that accommodates 335 residential units.

The five residential towers (D1, D2, D3, D4, D5) are all residential North South orientated and accessible at ground level trough 5 individual lobbies.

D3

D2 D4 D1 D5

6

DOCUMENT CONTROL: ASITE

SOFTWARE: REVIT

UNDER CONSTRUCTION

BLOCK D

Additional apartment units sit on top of the podium between the tower blocks reinforcing the primary façade and screening the landscaped areas beyond. These are what we call Podium apartments (to the North between Block D1 - D2 - D3) and Townhouses (to the South, between Block D4 and D5)

The primary materials include brick and glass to form shallow and deep reveals that respond to the buildings orientation as well as the internal apartment configurations.

The monolithic buff brick façades are punctuated by cantilevered balconies with bright smooth soffits in stark contrast and are arranged The towers vary in height but are consistent in design language with in alternating patterns on the façade. similar materials used in a variety of configurations.

7

Notes: DO NOT SCALE FROM THIS DRAWING. USE FIGURED DIMENSIONS IN ALL CASES. VERIFY DIMENSIONS ON SITE AND REPORT ANY DISCREPANCIES TO THE ARCHITECTS IMMEDIATELY. THIS DRAWING TO BE READ IN CONJUNCTION WITH THE ARCHITECTS SPECIFICATION. © THIS DRAWING IS COPYRIGHT AND MAY ONLY BE REPRODUCED WITH THE ARCHITECTS PERMISSION. Drawing Notes:

X01

X03

X04

X05

X06

X07

DD

X08

X09

X10

X11

X12

X13

X14

X15

X16

X17

X18

My Tasks:

X19

R Y01 D1-2-04 2b/3p Type_3C 62 m²

DP-2-01 2b/3p Type_21 66 m²

D1-2-05 2b/4p Type_4A 80 m²

DP-2-02 2b/3p Type_21 66 m²

D2-2-03 2b/4p Type_4B 80 m²

DP-2-03 2b/3p Type_21 66 m²

D2-2-04 2b/3p Type_3D 62 m²

DP-2-04 2b/3p Type_21 66 m²

Y01 D3-2-05 3b/5p Type_5C 92 m²

D3-2-06 2b/4p Type_1A 71 m²

Y02

Y02

Y03

Y03 D3-2-01 1b/2p Type_2A 51 m²

Y04

Y04

D2-2-05 1b/2p Type_2D 51 m²

D1-2-03 1b/2p Type_2C 50 m²

Y05

Y05

Y06

Y06 D1-2-01 3b/5p Type_5A 92 m²

D1-2-02 2b/4p Type_1B 71 m²

D2-2-02 3b/5p Type_5B 92 m²

D2-2-01 2b/4p Type_1C 71 m²

D3-2-04 2b/4p Type_6 75 m²

D3-2-02 1b/2p Type_8B 55 m²

Y07

Y07

Y08

Y08 D3-2-03 3b/6p Type_7A 99 m²

D4-2-06 3b/5p Type_L&Q_14A 93 m²

Y09

D4-2-05 1b/2p Type_L&Q_13 50 m²

Y10

Y09

Y10

D4-2-07 1b/2p Type_L&Q_16 52 m²

Y11

Y11 D5-2-04 2b/3p Type_L&Q_3C_SO 62 m²

D5-2-05 2b/4p Type_L&Q_4C 80 m²

Y12

Y12

D4-2-04 1b/2p Type_L&Q_15A 52 m²

I’ve been actively following the progress of Kidbrooke Block D for almost 2 years, taking it from Stage 4 to Stage 5 (Construction drawings).

My role was to refine the technical design drawings, in collaboration with mechanical and structural engineer, with great attention to details.

I’ve been responsible for the completion of several package drawings including GAPs, Facade Study drawings, Detail drawings (with focus on External opening and External Wall package, jamb details and sections), SOPs, Elevations and Apartment type drawings.

P1

Y13

Y13 D4-2-01 2b/4p Type_L&Q_18 71 m²

Y14

16/02/21 AV

Rev

Date

Y15

Reddy Architecture + Urbanism 2.01 The Loom, 14 Gower's Walk London, E1 8PY. T: + 44 (0)20 7488 3565 W: www.reddyarchitecture.com E: info@reddyarchitecture.com

Y15

D4-2-02 3b/6p Type_L&Q_17 106 m²

Y16 D5-2-01 3b/5p Type_L&Q_5E 92 m²

D5-2-02 2b/4p Type_L&Q_1B 71 m²

Description

reddyarchitecture +urbanism

Y14

D4-2-03 1b/2p Type_L&Q_20A 52 m²

D5-2-03 1b/2p Type_L&Q_2C 50 m²

Issued for Information

DRN

Client Details:

Y16

Berkeley Homes (East Thames)

Y17

Kidbrooke Village Phase 3 Block D

Project Details:

Y17

Drawing Title:

Cleaning and Maintenance Strategy - Nursery Canopy

X01

X03

X04

X05

X06

X07

DD

X08

X09

X10

X11

X12

X13

X14

X15

X16

X17

X18

Job No

X19

P16-141L

Date

15/02/21

Status

1

S2

L02 - Level 02 Podium - Cleaning and Maintenance Strategy

Purpose

For Information

1 : 200

Drawing Number

P16-141L-RAU-XX-XX-DR-A-SKT-80015

Revit has been the main software in use for the project.

This allowed me to greatly improve and consequently master the program.

During Stage 5 and after sending out most of construction drawings, my focus was then to approve drawings from several manufacture companies mainly focusing on window and door drawings.

As part of my task I was also attending regular site visit to follow the building site progress.

Being constantly in contact with the Client, Engineers and Contractors, this experience gave me the opportunity to improve my management and communication skills as well as improving my knowledge on Construction detail drawings.

Notes: DO NOT SCALE FROM THIS DRAWING. USE FIGURED DIMENSIONS IN ALL CASES. VERIFY DIMENSIONS ON SITE AND REPORT ANY DISCREPANCIES TO THE ARCHITECTS IMMEDIATELY. THIS DRAWING TO BE READ IN CONJUNCTION WITH THE ARCHITECTS SPECIFICATION. © THIS DRAWING IS COPYRIGHT AND MAY ONLY BE REPRODUCED WITH THE ARCHITECTS PERMISSION. Drawing Notes:

D3 D2 D1

D4 D5

N

P2

05/09/17

P1

05/07/17

Rev

Date

Revision numbered correctly and elevations updated to incorporate VE changes First Issue

DRN

Description

reddyarchitecture +urbanism

1

Reddy Architecture + Urbanism 2.01 The Loom, 14 Gower's Walk London, E1 8PY. T: + 44 (0)20 7488 3565 W: www.reddyarchitecture.com E: info@reddyarchitecture.com

North Elevation

8

1 : 200

1

East Elevation

Client Details:

Berkeley Homes (East Thames)

1 : 200 Project Details:

Kidbrooke Village Phase 3 Block D

Scale@A1

1 : 200

Drawn By:

AV

Checked By:

MR

Revision

P1

INTERIOR

4 3 2

1

EXTERIOR

Fall

Notes: DO NOT SCALE FROM THIS DRAWING. USE FIGURED DIMENSIONS IN ALL CASES. VERIFY DIMENSIONS ON SITE AND REPORT ANY DISCREPANCIES TO THE ARCHITECTS IMMEDIATELY. THIS DRAWING TO BE READ IN CONJUNCTION WITH THE ARCHITECTS SPECIFICATION. © THIS DRAWING IS COPYRIGHT AND MAY ONLY BE REPRODUCED WITH THE ARCHITECTS PERMISSION.

INTERIOR

Notes: DO NOT SCALE FROM THIS DRAWING. USE FIGURED DIMENSIONS IN ALL CASES. VERIFY DIMENSIONS ON SITE AND REPORT ANY DISCREPANCIES TO THE ARCHITECTS IMMEDIATELY. THIS DRAWING TO BE READ IN CONJUNCTION WITH THE ARCHITECTS SPECIFICATION. © THIS DRAWING IS COPYRIGHT AND MAY ONLY BE REPRODUCED WITH THE ARCHITECTS PERMISSION.

EXTERIOR

Drawing Notes:

Drawing Notes:

D3 D2 D1 D3 D2 D1 D4

P2

05/09/17

P1

05/07/17

Rev

D5

N

D4 D5

N

Date

Revision numbered correctly and elevations updated to incorporate VE changes First Issue

DRN

P2

05/09/17

P1

05/07/17

Rev

Date

Client Details:

reddyarchitecture +urbanism Reddy Architecture + Urbanism 2.01 The Loom, 14 Gower's Walk London, E1 8PY. T: + 44 (0)20 7488 3565 W: www.reddyarchitecture.com E: info@reddyarchitecture.com Client Details:

Berkeley Homes (East Thames)

Berkeley Homes (East Thames) Project Details:

Project Details:

Kidbrooke Village Phase 3 Block D

Description

Description

reddyarchitecture +urbanism Reddy Architecture + Urbanism 2.01 The Loom, 14 Gower's Walk London, E1 8PY. T: + 44 (0)20 7488 3565 W: www.reddyarchitecture.com E: info@reddyarchitecture.com

Revision numbered correctly and elevations updated to incorporate VE changes First Issue

DRN

Kidbrooke Village Phase 3 Block D

9

L.B.A.

CAMPFIELD Located in Manchester, Campfield is the project for a mixed use building that sits between two former covered market hall, from 1882, known as Upper and Lower Campfield.

Broken into 3 distinct volumes, the Building purpose is to become a new link between the historic markets.

Architecturally we have been influenced by the form of the traditional Victorian engineered hall, which both Upper and Lower Campfield are exemplar illustrations of.

Each clearly demonstrates the passion that the Victorian Engineers had for modernity and structural honesty.

Middle Campfield has a deliberately robust aesthetic and the intention is, that whilst complementing both Upper and Lower Campfield, it has its own distinct character.

10

SOFTWARE: AUTOCAD - SKETCHUP - VRAY - PHOTOSHOP - ILLUSTRATOR

My Tasks: The façade is horizontally split into strata’s, which the articulation of, reflects the function of the building within, giving the building a sense of visual honesty. Each layer can be constructed in isolation from that below, allowing the construction method to be varied to directly suit the building program.

A prominent feature of the elevation strategy is to deliberate lift the residential units above the workspace units below.

This expressed division allows the new building to acknowledge the scale and form of its neighbours.

I have been responsible for the latest design version here shown, focusing mainly on the residential section of the building, from units plan layouts to exterior elevations, 3d modeling, diagrams and visuals.

The residential apartments have been designed to read a series of lightweight modular units held within a structural frame.

The central atrium allowed for the units to be dual aspect.

The duplex units at lower and upper level are 2B4P. Between the two floors of duplex units, a single floor of flats (2B3P) is located.

11

L.B.A.

LONDON ROAD FIRE STATION In 2016, our client Allied London had the vision to give the 13,000 m² Grade II* listed fire station, located in Manchester and built in 1906, a sustainable and practical future.

The building, constructed in the Edwardian Baroque style, has been in disuse since 1986. Therefore, the vision was to capture the ravages of time whilst arresting further decay and protecting and restoring significant historic fabric. The development philosophy was not to attempt to restore the fire station to its 1906 appearance and condition, but to celebrate the exceptional heritage value whole life of the building whilst securing a sustainable use.

The brief for this Planning Application and Listed Building Consent was to offer Hotel accommodation, banqueting and conference facilities, small-scale workspace units aimed specifically at the creative industries, wide-ranging food and beverage options, small-scale retail spaces within unique historic spaces, high-end apartment living and new space below the existing courtyard for private hire and public events.

As well as restoring and giving new purpose to the historic building, the proposal included the introduction of new interventions designed to be clearly read as such and be detailed in a high quality complementary, contemporary form way which will defer to the heritage significance of the former Fire Station.

The new architectural elements proposed for the courtyard consist in a new hotel accommodation wing to the London Road internal elevation and a contemporary glazed pavilion at the centre of the courtyard to give entry to a new event space within a new basement under the courtyard.

The modern interventions are designed to complement the existing buildings. To sit harmoniously within the courtyard and enhance the existing architecture. To create an overall composition within the courtyard – establishing a dialogue between the new entrance pavilion and extension façade.

12

SOFTWARE: AUTOCAD - SKETCHUP - VRAY - PHOTOSHOP - ILLUSTRATOR

PLANNING APPROVED

13

Standard notes

Glass to be designed as "walk on"

1. Do not scale this drawing.

2. All dimensions must be checked on site and any discrepancies verified with the architect.

3. Unless shown otherwise, all dimensions are to structural surfaces.

Steel ring beam SHS 250X150

DRAWING TO BE PRINTED IN COLOUR

Metal cladding: TECU Bronze applied patination (Brass Metropolitan - TBC) This is not a construction drawing, it is unsuitable for the purpose of construction and must on no account be used as such.

Flashing

Drawing notes

Whitworth Street

Recessed luminaire

London Road

Minshull Street

Insulation

Fa irfie

Aluminium cover piece

ld

Str ee t

N

Toughened low iron triple glazing

Traingulated steel structure SHS 150X150 White finish

Recessed luminaires Aluminium cover piece Support posts / framing Revisions

Continuous drainage / air intake channel with linear grille cover Ventilation ductwork

Drainage pipe

Air intake duct

Aluminium cover piece

11744

My Tasks:

1 D384

Typical Section - Height Varies 1 : 10

Since the very early stage of the project, I have been responsable for the design of the new interventions with particular focus on the glazed pavilion and the concept development, as well as section details, for the new hotel extension façade.

The glazed pavilion has been conceived as a prism which dramatically descends through the courtyard surface and disappears below.

REV DATE

DESCRIPTION

INITIALS

1 2 3

For comment - Development Client sign off issue (3 series) ISSUED FOR PLANNING

GH GH GH

03.03.17 12.04.17 21.04.17

London Road Fire Station Preliminary

Drawing number 3336 - D384

Date 21/04/17 Client

The articulation of the pavilions triangular profile helps preserve site line through the courtyard and acts as sign, inviting visitors to the space below. The clean, smooth geometric volume is deliberately in contrast with the baroque style decorations of the courtyard and the shiny glass cladding reflects the surroundings courtyard P3 helping blending and enhancing the pavilion at the same time.

Allied London Fire Station Ltd.

Project address London Road, Manchester

Author DB

Checked GH

File location

C:\Revit Local\3336_London Rd Firestation_R15_CENTRAL_gillian.harrison.rvt

Scale As indicated

Drawing Basement Entrance Detail

Levitt Bernstein

levittbernstein.co.uk

Revision

London 1 Kingsland Passage London E8 2BB +44 (0)20 7275 7676 Manchester 3rd Floor HQ Building 2 Atherton Street Manchester M3 3GS +44 (0)161 669 8740

14

Sta Standard notes 1.

1. Do not scale this drawi 2. All dimensions must2. be dis discrepancies verified wit 3.

3. Unless shown otherwis str structural surfaces.

DR DRAWING TO BE PRINT

Dark PPC Steel finish to match columns below extension

Metal cladding: TECU Bronze applied patination (Brass Metropolitan - TBC)

Dark PPC Steel finish to match columns below extension

Recessed curtain rail

Dark PPC Steel finish to match columns below extension

Th This is not a construction the the purpose of constructio be be used as such.

Metal cladding: TECU Bronze applied patination (Brass Metropolitan - TBC)

Dark PPC Steel finish to match columns below extension

Recessed curtain rail

Revisions REV DATE 1 03.03.17 2 12.04.17 3 21.04.17

Glazing to meet energy Glazing to meet energy and acoustic requirement Inward opening door and acoustic requirement Inward opening door

Dark PPC steel handrail finish to match window surround

Dark PPC steel handrail finish to match window surround

Hotel Room

Re RE 1 DESCRIP 2 For com Client 3sig ISSUED

Hotel Room

Dark PPC steel balustrade finish to match window Dark PPC steel balustradesurround finish to match window surround

L Pre London Roa Cli

PPC aluminium window

Preliminary

PPC aluminium window

Client Allied London Fire Station Ltd.

Project address London Road, Manchester

Metal cladding: TECU Bronze applied patination (Brass Metropolitan - TBC)

Scale 1 : 20

Metal cladding: TECU Bronze applied patination (Brass Metropolitan - TBC)

Alli Sta

Pro Lon Ma

Sc 1:

Fil 333 Fir

File Name 3336_London Rd Firestation_CENTRAL.rvt

Le

lev

Column treatment TBC

Column treatment TBC Glazing

1st floor walkway (outside gas meter Levitt room) Bernstein

1st floor walkway (outside gas meter room)

levittbernstein.co.uk

Glazing

The glazed pavilion diagonal bracing is deliberately expressed becoming a striking motif on the elevations and it helps to reinforce the dynamism of the overall triangular prismatic form of the building.

As for the rest of what it is showed in this Portfolio, I have been responsible for all the graphics, visuals, 3D modeling and diagrams.

Being able of mastering 3D modeling software like Sketchup, Rhino and in part Revit, allow me to have a great understanding of the mass, structure and details.

No exception is the new hotel extension façade, that went trough a number of alternative approaches.

The initial concept was to project on the new cladding panels the existing elevation, as shown in the diagrams below.

The panels would have than been perforated and lit from behind revealing at night the ”ghost” of the previous elevation.

The elevation makes direct reference to the existing façade: the proportion of the window apertures and their regularity has informed the fenestration pattern.

The existing balconies that will be removed in this location have also been referenced in the façade design and proportions.

The façade is to be constructed in a mixture of solid and perforated patinated bronze metal panels that sit harmoniously when viewed with the existing brick façade.

15

L.B.A.

THE WISH TOWER RESTAURANT The proposed project is for the construction of a new purpose-built restaurant to be located in Eastbourne, on the South East coast of England, next to one of the most iconic historic building of the city: the Martello Tower, built during the Napoleon period and renamed as The Wish Tower.

Plan, elevations, 3D model, visuals and diagrams are an extraction of the planning application document I realized during May-June 2016.

The Wish Tower Restaurant represent the first project I have been taking care of as project leader, from the initial concept to planning application, under the supervision of the Senior Architect Mark Keegan.

The design of this project is an evolution of its initial sketch deliberately inspired by the beach hut and the fishing net huts, typical of the South coast.

The brief for the project was to provide a new contemporary and self contained restaurant for up to 100 people with an all-around view and a large external terrace. The building form has been therefore carefully sculpted to either take advantage of opportunity or respond to constraint in equal measure. The key driver in the form making process was the consideration and positioning of the new building between the Wish Tower and the sea wall running along the promenade. Inspired by the solidity of the Tower surrounded by the defensive wall, the proposed plan develops around a solid functioning core that include Kitchen, Bar, Staff Area, Tolilets and Bin Storage. The space surrounding this central core is dedicated to the seating area Cafe, Bar and Restaurant allowing to experience the place in every direction without creating a ”back side”.

16

SOFTWARE: AUTOCAD - SKETCHUP - VRAY - PHOTOSHOP - ILLUSTRATOR

PLANNING APPROVED

17

My Tasks: As well as being responsable for the design since the very early stages, I have led the project taking it up to planning application.

Due to the small size of the project, I have been in charge for the production of all the drawings, including 3D models, CAD drawings, diagrams and visualizations.

This project gave me the opportunity to improve my time management and organization skills, especially during the realization of the Design and Access Statement, as well as participating and coordinating meeting with client and engineers.

18

The design for the restaurant went through a number of iterations, but The exposed roof structure and the choice to use timber cladding for the main driver was to satisfy the client ambition to build an iconic the ceiling, take its inspiration from the sailing sector. building with a limited budget.

The form and function of a variety of beach leisure structures, seagoing vessels and fishing machinery has contributed a rich and varied Once established the 500 m ² plan layout, the main focus was to design palette from which to source inspiration for the building form. a roof that at the same time protects from the constant wind from the The idea of incorporating some form of playful and conspicuous sea and unify the space below allowing for an all around view. The mechanical controls to adapt the building for either space reconfiguration triangular panels composing the roof have been designed to reduce the or solar shading were there from the outset and remained an exciting use of vertical supports to free up the indoor seating area. prospect that the team has spent time exploring.

19

L.B.A.

DEVONSHIRE PARK

20

SOFTWARE: REVIT - SKETCHUP - PHOTOSHOP - ILLUSTRATOR

UNDER CONSTRUCTION

In August 2015 Levitt Bernstein Associates won the first prize of a competition for the refurbishment, restoration and extension of a multi complex building located in Eastbourne, called the Devonshire Park.

The project is still on going and we are now developing the stage 3 phase, that mainly consist of detailing and finalising our design.

The project area includes: 1) The Devonshire Park Theatre. 2) The Winter Garden. 3) The New Welcome Building. 4) The Congress Theatre. 5) The Park, with tennis courts and player facilities.

The Congress Theatre and Winter Garden are the main two historical building that required a major restoration.

The Congress Theatre is a landmark in the Devonshire Park centre in Eastbourne. The grade 2* listed building from the 60’s is positioned between the Winter Garden (to the east) and the Towner art gallery (to the west). To the north the building is adjacent to the tennis club grounds and the south it is bounded by Carlisle Road.

The Winter Garden provides flexible space for conferencing, exhibitions, dinners and performance events. The intention is to reinstate some of the original heritage whilst modernising the available facilities and improving the internal environment (comfort experienced by visitors). The building has a dedicated entrance off the junction of Compton Street and Carlisle road.

The Welcome building is the new extension from us designed that will act as the new main entrance into Devonshire Park, linking the Congress Theatre and Winter garden.

The building provides circulation and lifts to deal with the differing levels between the two existing buildings.

Moreover, it will provides new conferencing facilities and associated support spaces.

21

My Tasks: I have been part of this project since the competition’s design phase where I was involved in the design, 3D modeling, diagrams and final visualizations.

After this phase my role for this project has mainly been to design the refurbishment of the Congress Theatre and the design of the new Welcome Building, focusing on exterior elevation and interior spaces.

Ext.GL+ 9.140M

Coffee shop 201 143 m²

The role of the Welcome Building is to easily connect the two historical buildings and at the same time provide enough space for the new conferences hall that will accommodate up to 1000 people.

70 covers

Servery RM.202 13 m²

Link 208 13 m²

Kitchen RM.203 15 m²

Riser

Riser

The main idea behind the design of the Welcome Building is to realize a light transparent pavilion that will respectfully seats in the historical site creating its own new identity.

Glass roof over link below

Stair 01 Void

Void

ver fo roo ss Gla k Lin

St.

The plans and sections here provided are an extraction of the Revit model I have been working on.

Cash RM

Link 206 12 m²

Riser

FFL+ 9.140M Floor Level + 9.140M

In June 2017 I was back on this project to help producing construction drawings.

Especially focusing on Reverse Ceiling Plans, the Bar for the Cafe area and all of the WCs.

Ext.GL+ 9.140M

 

01_Podium Level_Welcome Building 1 : 200     

  

22

 Please note: This is not a survey drawing and should not be used as such This drawing has been compiled in the absence of measured survey information and is indicative only.

All dimensions and areas shown are indicative only and are subject to change in response to design development and further consultant coordination

 







 



   

   

   

   





















 









    

 

       



1000

293

347 140

347

140

395

395 295 441

441

441

340

340

Taps as NBS N13 344 Taps as NBS N13 344

Terazzo tile splashback to match floor Terazzo tile splashback to match Terazzo floor tile finish splashback toM41 match floor as NBS 135A finish as NBS M41 135A finish as NBS M41 135A

140

EQ

Bottle trap as NBS N13 344

Bottle trap as NBS N13 Bottle trap as NBS N13 344 344

EQ

EQ

EQ

200

EQ

Bespoke formed wash trough as Bespoke formed wash trough Bespoke as formed trough as NBS wash N13 344 NBS N13 344 NBS N13 344

Bottle trap as NBS N13 344 Bottle trap as NBS N13 344Bottle trap as NBS N13 344

150

200

Secret fix demountable Secret fix demountable laminate panels as NBS laminate panels N13 as 344NBS N13 344

150

200 Secret fix demountable laminate panels as NBS N13 344

150

150

150

150 900

900

252

Taps as NBS N13 344

EQ

900

Bespoke formed wash trough to Bespoke formed wash trough Bespoke to formed wash trough suit design as NBStoN13 344 suit design as NBS N13 344suit design as NBS N13 344

Soap dispenser as NBS N13 Soap dispenser as NBS N13Soap dispenser 344 as NBS N13 344 344

2300

Terazzo tile splashback Terazzo tile to splashback match floor finish as to match floor finish as135A NBS M41 NBS M41 135A 340

347

252

252

Terazzo tile splashback to match floor finish as NBS M41 135A

Paper towel dispenser as NBS Paper towel dispenser as NBS Paper towelN13 dispenser 344 as NBS N13 344 N13 344

10

10

10

97

2300

78 97

78

2300

97

295

Soap dispenser and Soap dispenser and paper towel dispenser paper towel as dispenser NBS N13 344 as NBS N13 344

Soap dispenser and paper towel dispenser as NBS N13 344

78

210

210

395

395

395

210

Mirror Unit as NBS N13 344 Mirror Unit as NBS N13 344Mirror Unit as NBS N13 344

293

293

395

1000

112

112

295

112

1000

Mesh cage as NBS Mesh cage as NBS N13/344 N13/344

Mesh cage as NBS N13/344

10

10

10

U/S Ceiling 2300 U/S Ceiling 2300

U/S Ceiling 2300

Secret fix demountable laminate Secret fix demountable laminate Secret fix demountable laminate panels as NBS N13 344 panels as NBS N13 344 panels as NBS N13 344

696

696

696

696

696

696

1

1:5

standard notes

standard notes standard notes

drawing notes

Detail 3 1:5

3

Detail 33 1:5

drawing notes drawing notes

Any information in this drawing that forms part of the 1. Do not scale this drawing.

Any information in this drawing Anythat information forms part in this of the drawing forms part of the 1. Do not scale this drawing. 1. Do not scale thisdimensions drawing. must be checked Contractors Designthat Portion is issued for design intent only 2. All on site and any Design Portion is Contractors issued forand Design design intent Portion only is issued for design Manufacturer intent only of 2. All dimensions must be checked 2. All dimensions on site discrepancies and any must be checked on site and any is not suitable for construction. verified with theContractors architect. is not suitable and is not Manufacturer suitable forIPS of construction.

Manufacturer of troughs, mirror unit discrepancies verified with thediscrepancies architect. 3.verified theotherwise, architect. alland cubicles, panels, vanity units, wash Unless with shown dimensions are to for construction.

IPS panels, vanity cubicles, units, wash IPS troughs, panels, mirror vanity unit units, wash troughs, mirror unit and 3. Unless shown otherwise, all3.dimensions Unless shown are to otherwise, all dimensions cubicles, are to etc to issue shop / fabrication drawings for review structural surfaces. etc to issue shop / fabrication etcdrawings to issue for shop review / fabrication and to fabrication. drawings forAllreview and to be checked structural surfaces. structural surfaces. comment prior dimensions comment prior to fabrication.comment All dimensions prior tofabrication. be checked All dimensions to be checked on to site. on site. on site.

Main contractor to ensure all services provision is Main contractor to ensure allMain services contractor provision to ensure is with all these services provision is coordinated layouts. coordinated with these layouts. coordinated with these layouts.

450 100

450

100 3

100

450

450

450 100

Section through wash basin and vanity unit 1 Section through wash 1basin Section and vanity through wash basin and vanity unit 1 : 5unit 1:5

Duct panelling as NBS Duct panelling NBS K32as150 K32 150

100

450 100

Duct panelling as NBS K32 150 Duct panelling as NBS K32 Duct 150 panelling as NBS K32 150 Duct panelling as NBS K32 150

Detail 3

Devonshire Park Devonshire Devonshire Park Park Welcome Building Welcome Welcome Building Building

1:5

revisions rev date

revisions by

C1 18/08/17 NJ

revisions

rev date rev amendment date by

by amendment amendment

C1 18/08/17 NJ CONSTRUCTION ISSUE C1 CONSTRUCTION 18/08/17 NJ ISSUE CONSTRUCTION ISSUE

date

date

07/26/17 scale @ A1

1:5

drawn

JS

client

Levitt Bernstein

Levitt Bernstein Levitt Bernstein 1 Kingsland Passage

E8 2BB

E8 2BB

client date 07/26/17client Eastbourne1Borough Council1 KingslandLondon Kingsland Passage Passage Eastbourne 07/26/17 Borough Eastbourne CouncilBorough Council London London E8 2BB scale @ A1 drawing drawing scale @ A1 drawing

1:5 Vanity Unit Details 1 : 5Unit Details Vanity Vanity Unit Details t: 020 7275 7676

t: 020 7275 7676 t: 020 7275f:7676 020 7275 9348 f: 020 7275 9348 f: 020 7275w: 9348 levittbernstein.co.uk drawn checked drawing number rev w: levittbernstein.co.uk w: levittbernstein.co.uk e: post@levittbernstein.co.uk checked drawing drawnnumber checked drawing revnumberrev e: post@levittbernstein.co.uk - e: post@levittbernstein.co.uk

NJ

JS 3203 JS -A17-NJ 719

NJ - 3203 A17 719 3203 C1 A17- 719 C1

C1

Bernstein Levitt Bernstein LevittLevitt Bernstein

C:\Revit Local\3203-DevonshirePark-B17-Architecture_davide.bello.rvt C:\Revit Local\3203-DevonshirePark-B17-Architecture_davide.bello.rvt C:\Revit Local\3203-DevonshirePark-B17-Architecture_davide.bello.rvt

23

ADEPT

VILLA PLATAN Villa Platan is the project commissioned from a private client for a summer-house by the sea to be located in Aarhus, Denmark.

The location in which the villa will be realized is a unique place characterized by the typical rough Danish seashore. Wild plants, sand and water are the main elements that distinguish the surrounding landscapes. The idea behind the project is therefore to emphasize the wildness of the area by placing a clean shaped volume that naturally finds its way into the landscape according to view, orientation and privacy. The house lays on the ground like a rock does in the desert: it is evident and part of the surrounding at same time, an architecture between human-made and nature.

The dwelling structure wriggles to offer different views to the sea. The 150m² of the over ground space has been fitted as a unique volume where the sleeping room, kitchen, bathroom, living room and entrance are at the same time, isolated and communicating with the whole residence.

24

SOFTWARE: AUTOCAD - SKETCHUP - PHOTOSHOP

COMPLETED IN 2016

25

My Tasks:

Kolumba Murbindere.

Arminox.

75 mm isolering.

Vindgips 195 mm.

Stål 195 mm isolering gips 12,5 mm

Murpap

Otta skiffer opbygning i ht. LA

Aco Multiline

100 mm Foamglass Weber.tec 901 Weber.tec Superflex 10 Arminox murbindere Letklinkerblokke 120 Trykfast isolering

Letklinkerblokke 2x200 mm Foamglass

Mørtelpude Fundament i ht. ing Letklinker

When I started working on this project the design for the exterior shape was more or less already decided but I had the opportunity to work on the interior layout, the materials choise, the elevations design and some of the detail drawings.

While the north face of the dwelling is completely close for privacy and environmental comfort reasons, the big openings on the south side were studied in order to frame different views as well as blur the edge between inside and outside. To achieve this purpose we used a frame that is hidden in floor and walls.

The interior space is the part where I focused most of my attention.

The concept for the interiors was to integrate on one side of each room all the main furniture (kitchen, wardrobes, bookshelves and cabinets) in order to create one continuous space.

The wardrobe in the bedroom is hidden by wooden doors that go from floor to ceiling. The same principle goes for the cabinet at the entrance where one of the sliding doors reveals a passage that brings to the basement stair as well as to a secondary bathroom.

The entire floor is covered in oak wood with 30 cm wide planks that cover the whole distance.

The entrance to the bathroom next to the main bedroom is hidden by the wooden wardrobe.

The bathroom floor and part of the walls are covered in Mosa tiles grey stones. The other side of the room, which is covered in wood, hide another spacious cabinet and the big french window allow the access to the bathroom directly form outside.

During this phase I had the chance to help the clients in choosing materials and fixtures for bathroom and kitchen.

26

d.b.

d.b.

27

ADEPT

UCN AALBORG UNIVERSITY In April 2013, ADEPT was commissioned to design a new branch of a faculty of the Aalborg University, as well as renovating the interior spaces of the existing buildings nearby.

The project for the new faculty consist of 6.000 m², distributed on four levels, dedicated to classrooms, offices, meeting rooms, administration, a library, informal study rooms and pocket spaces for resting.

The two main existing buildings that develops along the new one, have been redesigned in order optimize the interior spaces as well as reorganizing and redistribute the different departments.

d.b.

28

Main existing faculty

New building

COMPLETED IN 2015

Existing faculty

A

B

D

C

F

E

G

I

H

J

K

L

33

D5.0.44

GRUPPE 5.0.44

33

33

33

3

GANG 5.0.03

GRUPPE 5.0.43

D5.0.42

D5.0.41

D5.0.12

2

FORDY. 5.0.42

GRUPPE 5.0.41

D5.0.43

V5.0.12

GRUPPE 5.0.12

vent.

1

LÆSESAL 5.0.45

V5.0.40-1

D5.0.03

11

D5.0.69-2

33

15

3 HANDICAP TOILET D5.0.28 5.0.28

TRAPPE T.5.02

10

?

DT.5.03-4

5

vent.

TOILETTER 5.0.29

.

5.0.36

.

5.0.37

MATERIALZONEN 5.0.40

D5.0.39

5

1

D5.0.29

1

D5.0.29-1

1

1

Depot .

5.0.34 5.0.35

D5.0.29-2

1

D5.0.29-8

1

4

D5.0.29-3

1 1

.

5.0.33

D5.0.29-4

D5.0.29-5 D5.0.29-6

4

. .

5.0.31 5.0.30 D5.0.29-7

.

5.0.32

vent.

TRAPPE T.5.03

D5.0.40

D5.0.29-9

2

843.6 lm

KRYDS. 5.0.39

FORDY. 5.0.46

D5.0.46

33

.

5.0.38

5 D5.0.47

V5.0.26-3

BACK OFFICE 5.0.23

33

GRUPPE 5.0.47

D5.0.23

33

6 D5.0.26-1

10

D5.0.48 V5.0.40

33

33

V5.0.02-2

7

FORDY. 5.0.48

33

D5.0.22

D5.0.49

32

D5.0.40-1

BACK OFFICE 5.0.22

D5.0.02-5

15

D5.0.21

33

D5.0.26

INSPIRATIONSZONEN 545.9 lm 5.0.26

32

D5.0.02-3

GRUPPE 5.0.49

15

KURSUSLOKALE 5.0.21

8

V5.0.49

ATRIUM 5.0.02

D5.0.67-2

6%

12

V5.0.50 V5.0.26-1

13

TRAPPE T.5.04 MØDE 5.0.50

D5T.5.04-1

5

INTERNIATIONAL 5.0.51

3

V5.0.61

V5.0.62

4

V5.0.26

RENG. 5.0.68

vent.

D5.0.10

3

STUDIEVEJLED. KONTOR 5.0.52

MØDE 5.0.62

1

TOILET 5.0.63 D5.0.63-2

3

MØDE 5.0.61

1

D5.0.63-1

1

D5.0.61

3

12

vent.

.

5.0.65 .

5.0.66

8

D5.0.63

SKAB

3

.

5.0.64

STUDIEVEJLED. 5.0.53

5

D5.0.63-3

D5.0.62

11

D5.0.52

D5.0.69-1

GRUPPE 5.0.10

D5.0.68

3

vent.

D5.0.53

3

3

D5.0.58

5

D5.0.67-4

3

The building works as a central core from which is comfortably possible to access all the others facilities. The welcoming main entrance guides you inside the big atrium, from which is possible to understand the design concept of

TRAPPE T.5.05

3

D5.0.54

MØDE 5.0.56 NØDUDGANG 5.0.59

22

vent.

.

D5.0.59-1

.

The new building is located right in between the two existing one.

The idea was to create a new identity for the campus that at the same time respects the beautiful surrounding architecture.

RECEPTION/ 5.0.60

D5.0.01

D5.0.56

3

MØDE LU-PU 5.0.58

MØDE 5.0.57

D5.0.57

3

22

8

VINDFANG 5.0.01

MØDE LU-PU 5.0.54

D5.0.59

D5.0.69-5

3

DT.5.05-3

Gang 5.0.69 D5.0.60

14

D5.0.51

D5.0.50

10

13

FORBINDELSESGANG/ RAMPE 5.0.08

D5.0.69

NØDUD. 5.0.20

8

22

D5T.5.04

D5.0.20

9

D5.0.01-2

5.5%

D5.0.45

the architecture.

The clean basic geometry of the exterior shape differs completely from the inside where the ”pixelated” volumes move in and out creating a series of balconies that generate a lively space where

MØDE 5.0.55 D5.0.55

3

studying or relax. The ground floor is therefore dedicated to a library and administration offices.

From the two stairs in the atrium is possible to achieve the other floors where classroom and meeting rooms take place.

29

d.b.

2

1

3

6

5

4

7

8

G

PU 6.0.32 31 m²

PU 6.0.30 20 m²

PERSONALERUM 6.0.25 102 m²

PU 6.0.33 27 m²

LU 6.0.34 30 m²

LU 6.0.37 17 m²

LU 6.0.35 30 m²

TRAPPE T.6.03 19 m²

CFU UNDERV. 6.0.40 64 m²

MØDE 6.0.36 12 m²

MØDE 6.0.31 14 m²

F

GRUPPE/UFORMELT MØDE 6.0.03 73 m²

KOPIRUM 6.0.24 13 m²

CFU LEDERE 6.0.41 32 m²

ÅBEN PERSONALERUM 6.0.02 133 m²

E

Room 6.0.06 44 m²

CFU ADMIN. 6.0.42 36 m² A2L 6.0.23 35 m²

GRUPPE 6.0.04 69 m²

D TRAPPE T.6.02 7 m² CFU ADMIN 6.0.43 34 m²

TRAPPE T.6.01 8 m²

CFU SAMLING 6.0.01 320 m²

C

A2L 6.0.22 58 m²

SØGETERMINAL 6.0.05 102 m² CFU UNDERV. 6.0.44 94 m²

A2L 6.0.21 47 m²

B TEKNIKSKAKT 6.0.09 5 m²

RENGØR. /PEDEL KONT. 6.0.20 23 m²

TOILET 6.0.08 6 m²

VINDFANG 6.0.07 27 m²

TOILET 6.0.11 1 m² TOILET 6.0.12 1 m² TOILET 6.0.13 1 m²

A

TOILET 6.0.19 10 m²

TOILET 6.0.16 2 m²

PU LEDER 6.0.50 17 m²

PU LEDER 6.0.51 17 m²

PU LEDER 6.0.52 17 m²

LU LEDER 6.0.53 17 m²

LU LEDER 6.0.54 17 m²

LU LEDER 6.0.55 17 m²

PRAKTIKLEDER 6.0.56 16 m²

TOILET 6.0.17 1 m² TOILET 6.0.18 1 m²

My Tasks: I had the luck to be part of this project from the design phase till the final stages. A process that last for almost one year and that gave me the ability to grow as a designer as well as increasing my technical and communications skills. During the design phase we developed a significant amount of physical models, sketches and

30

everything necessary to make the idea understandable.

In the later phases I was responsible, in collaboration with a colleague, for setting the initial drawings in AutoCAD, plans, facades and sections.

At this stage we were in close contact with the client trying to make the most of our design.

The next steps led me to carry out several facade and material studies in order to find the right expression for the exterior architecture.

From here on, I was the only responsible for the interior design of all spaces in the building.

Starting from the main lobby, I began to refine the design of

the various elements: from the openings typology to the stairs and then again balustrades and doors, everything was firstly designed in 3D and finally drew in AutoCAD. All of the visuals that I realized where both used as part of the design process as well as final images for the client.

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COBE COMPLETED IN 2016

SOFTWARE: AUTOCAD - RHINO - VRAY - PHOTOSHOP

Existing

RENOVERING+PERFORERING

ROCK MAGNET In September 31st 2011 MVRDV Architects in collaboration with COBE Architects celebrated the victory by winning the first prize in a competition for the realisation of the ROCKmagnet, located in Roskilde.

The first task of my internship has been taking part at the second phase of this exciting competition.

The location is Roskilde, the birthplace of one of the world’s most famous music festivals in europe, which over time has grown from a small local initiative

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to become a global brand.

The competition is launched by the Danish Rock Museum in collaboration with Roskilde Festival People’s College.

The Professional Studios involved in the contest are five.

In 2003, Roskilde Municipality purchased a closed concrete factory and the surrounding areas – the Unicon Site – with the objective of creating a new exciting cultural area, which has been given the name of Musicon.

The Musicon vision is to give birth to a musical city, a neighbourhood

with more than 2000 workplaces and 650 residences for families and young people.

A place with activities almost around the clock where people are to meet, be surprised, experience and be inspired.

Particularly the ROCKmagnet consists of The Danish Rock Museum, The Roskilde Festival Folkschool, the student housing and the headquarters of the Roskilde Rock Festival.

The concept is to use the existing factory halls adding three new volumes on top of them.

New Buildings

RGxx 2 pers. kontor m. møde

information RGxx Garderobe

RG03 Foyer

RG02 Festival rum

RGxx Toilet

reception

RGxx Server / depot / kopi

RGxx 2 pers. kontor m. møde

RGxx 1 pers. kontor

RGxx Arkiv

RGxx 4 pers. kontor

scene

RGxx Postrum

RGxx Internt møderum RGxx 4 pers. kontor

pauseareal

filmvisning

lounge lounge RG01 Multi - møderum

lounge

information

udstilling

udstilling

diskussionsforum

My Tasks:

DR05 Café + køkken

café

lounge / udstilling

garderobe

nedgangstrappe

My first task has been to organize the room program and design the interiors for the Folkschool.

The Roskilde Festival Folkschool is a place where the student can spend one year learning on how to organize events.

The main concept is to reuse the existing hall and create the classrooms and the spaces needed for their specific activities like stages and workshops.

DR04 Backstage for scene (underjordisk)

billetsalg

kunstnerværksted

DR03 Scene / åben biograf

DR01 Entre / indgangsområde

gårdrum

DR02 Museumsbutik / billetsalg

ankomst museet DR06 Toiletter / garderobe / rengøring

DR11 Lyd-slusen (elevator)

mødeareal

The power of the area is its roughness. The halls needed to maintain their original character.

Therefore the interior spaces are organized with temporary “boxes”, easy to move once there is the necessity to create more space.

My next task was to create the presentation physical model in B scale 1:200, trying to recreate the feeling of the place and the essence of Rock music by using shining and coloured materials.

information

RH 32 Sidefagslokale - Bevægelse

stadeplads

pauseareal

møderum

lounge

RH 35 Stort auditorium / foredragssal

RH 40 Køkken lounge café pauseareal

RH 39 Spisesal

udservering RH 39 Spisesal

at ørs

ankomst højskolen

RH 43 Cykelparkering

mulighed for at spise udendørs

RH 24 Hovedfagslokale Kulturledelse RH 01 Forstanderkontor m. møde RH 43 Café / Spillested / Lounge

information RH 40 Reception / postrum pauseareal

lounge

RH 36 Lærerværelse

RH 41 Vaskeri

RH 27 Hovedfagslokale Rum, installation og kunst/ kreativt værksted

RH 44 Toiletter / garderobe / rengøringsrum

C

RH 28 Hovedfagslokale Verdensborger RH 42 Depot

Rengøringsrum

RH 41 værksted / pedel

pauseareal

lounge pejsområde udstilling

RH 43 Café / Spillested / Lounge

forum

filmvisning udstilling

RH 26 Hovedfagslokale Audiovis. oplevelsesdesign / Event-og scene

A

LUXIGON® 33

AAU

HOUSE FOR HOMES

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As part of my last year of master degree studies, as students of Aalborg University we were challenged to designing a Zero Energy Building to be located in Aalborg, on the edge between the ancient town and the modern housing development.

This architectural project is a “House for homes” - suitable architecture for an urban hinterland.

The architecture constitutes mixed use. However, dwellings and a special attention to the user is essential.

The complex is not only qualified as a net zero energy building, but also suitable in the sense of an attention to the environment, the city as a whole and the inhabitant.

The design addresses the schism of the gap between the need for dense housing typologies and the fact that most people prefer to live in single-family housing.

Thus, instead of merely focusing on the building performance, the main question that is pushed forward is: Can dwellings convince us to use less?

Of course this implies that the user firstly has to be convinced that massive “energy machines” also can be an attractive place to live in.

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AAU

SPINE BRIDGE

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Looking at the overall bridge, the sense of movement and the dynamic modulation are the main characteristics that attract the attention.

Nevertheless the explanation of the main idea stands in something more rational. Indeed the challenge is to design a vibrating bridge that like an anatomic component of a skeleton is created by a repetition of simple elements. Only the variation of two constants generates the waving effect.

The aim is to start from the simplest geometrical shape, in a way to enable the whole process of formation in the easiest and effective manner.

The chosen element is therefore a rhombus composed of four equal sides.

The maintained height of the path and the variation of the rhombus angles are the two constants that generate the organic shape of the bridge; these are also giving the variation in height of the two sides and thereby allow the ability to raise or decrease them.

The whole bridge is made of 44 rhomboidal elements each one composed of 6 sticks of wood joined together with wire.

From this data it is clear that the wood is not the only element that makes the bridge to be possible.

The wire is indeed occupying the greatest role in the entire structure. It is the key element that links together the rhombus and creates the course of the whole bridge.

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