Coram Boy

CORAM BOY Adapted by Helen Edmundson Music composed by Adrian Sutton Based upon the novel by Jamila Gavin

Directed by Steve Grihault - Musical Direction by Nick Barstow Choreography by Laura Weston - Set and Costume Design by Colin Mayes Lighting Design by Adam King - Sound Design by Chris Murray Performed by Mountview’s Third Year Acting and Actor Musicianship students Technical Roles by Mountview’s Theatre Production Arts students

5 and 6 June 2021 Mountview Theatre, Peckham This amateur production is presented by arrangement with Nick Hern Books

Photo by RULER

ABOUT MOUNTVIEW Excellence, Access and Innovation in dramatic training are at the heart of our work. Since 1945, we have trained the very best performers, directors, theatre production artists and producers. We are committed to ensuring our community of over 500 students is representative and that drama training is accessible to all.

Opened in 2018, our home in Peckham was conceived in partnership with Southwark Council as a truly 21st-century drama school and a creative arts hub for all. Our state-of-the-art facilities include the 200-seat Mountview Theatre (made possible by a £1m donation from Sir Cameron Mackintosh), the 80-seat Backstage Theatre, 21 acting/dance studios, TV and radio suites and production workshops. In recognition of their extraordinary work in establishing Mountview’s new home and for their commitment to promoting inclusivity, Joint Chief Executives Stephen Jameson and Sarah Preece were presented with Olivier Awards in 2020.

Shortlisted for the RIBA London Regional Awards and Stage Awards Theatre Building of the Year, our new home is not only a vital resource for our students, but also an emerging centre of excellence for accessibility in the arts. Our fully accessible building is home to leading disability arts practitioners Candoco Dance Company amongst a number of other resident professional companies.

Today’s students will join a constellation of graduates making their mark on the profession. Actor Noah Thomas (Everybody’s Talking About Jamie), Actor/Writer Amy Trigg (winner, inaugural Women’s Prize for Playwriting 2020), Olivier Award-winning Actor/Writer Giles Terera MBE (Hamilton) and Michael Longhurst, Artistic Director of the Donmar Warehouse are just a few of our notable alumni.

This theatre was made possible by an extraordinary gift from Sir Cameron Mackintosh and the Mackintosh Foundation. Cameron’s generosity enabled the completion of this theatre, where generations of Mountview students will develop their craft. We are profoundly grateful for his championship and support and are proud to honour his commitment to the future of theatre.

MOUNTVIEW THEATRE

THE JUDI DENCH FUND We believe that all young people with the talent and drive to succeed should be supported to pursue lifelong careers in the arts.

The Judi Dench Fund for Access to Drama Training invests in initiatives that break down barriers to drama training, including a nationwide talent scouting network, scholarships, hardship grants and wellbeing and welfare support.

Like charities everywhere, Mountview is facing unprecedented challenges and the Judi Dench Fund has never been more vital. Financial need amongst students is at an all-time high and help at this critical moment could make the difference between a young artist flourishing and being unable to sustain themselves through their training.

If you enjoy this performance, please consider donating what you would have paid for a ticket. Together we can directly alter the prospects of young people at a pivotal moment in their lives.

THANK YOU Mountview extends a sincere thank you to the individuals and organisations who generously support our work, including the following major donors, The Mackintosh Foundation The Backstage Trust Southwark Council The Leverhulme Trust Sir Trevor and Lady Susan Chinn André and Judith Ptaszynski Mr Peter Williams and Ms Heather Acton Andrew Lloyd Webber Foundation Elaine Paige OBE Mr Jamie Lonsdale Sir Clive Jones and Dame Vikki Heywood Scops Arts Trust Noël Coward Foundation Harold Hyam Wingate Foundation And those who wish to remain anonymous.

To make a gift or find out more, we warmly invite you to visit our website or get in touch with the Development team. Thank you.

‘Mountview was the only school willing to give someone like me a chance. I was going through the homeless system when I applied and I thought going to drama school was going to be an impossible mission, but then Mountview offered me a place and a full scholarship - it changed my life. Knowing the Judi Dench Fund will help future students in my position is amazing.’

CHARLIE HEPTINSTALL BA (Hons) Performance - Acting 2020 graduate

Photo by RULER

Coram Boy is a heart-breaking tale of orphans, angels, murder and music adapted by Helen Edmundson from Jamila Gavin’s Whitbread Award-winning novel. Set in the 18th century, this is a tale of two cities – Gloucester and London – and the founding of the Thomas Coram’s hospital for foundling children.

CAST

DURATION 135 MINUTES

ANNA ARMSTRONG

TASHINGA BEPETE

SABRINA CAPES

MACEO CORTEZZ

ELLANA GILBERT

Alexander Ashbrook (Boy)

Thomas Ledbury (Man)

Melissa

Sir William Ashbrook

Lady Ashbrook

SAMUEL HOULT

EDWYN JAMES

LIV JEKYLL

ELLEN LAWFORD

JACK MCGLINCHEY

Meshak Gardiner ∙ Mish

Alexander Ashbrook (Man)

Isobel Ashbrook

Thomas Ledbury (Boy)

Dr Smith ∙ George Frideric Handel

HARRISON LEO MCHALE

ABBY MCKINLAY

MYLES MILLER

TOM PAGE

AMY REVELLE

Theodore Claymore ∙ Edward Ashbrook ∙ Governor

Miss Price ∙ Alice Ashbrook ∙ Aaron Dangerfield

Toby Gaddarn

Otis Gardiner ∙ Philip Gaddarn

Mrs Lynch

GEORGIA THRUSSELL

Mrs Milcote ∙ Miss Hendry

PRODUCTION DIRECTOR STEVE GRIHAULT

PRODUCTION MANAGER DAVIN PATRICK

STAGE MANAGEMENT COVER SHANEICE BROWN †

SOUND NO. 4 SAM HARCOURT †

MUSICAL DIRECTOR NICK BARSTOW

COMPANY MANAGER ANGELA RIDDELL

WARDROBE SUPERVISOR LISA HICKEY

LEAD SCENIC ARTIST MARCUS LIM

MOVEMENT DIRECTOR LAURA WESTON

ASSISTANT PRODUCTION MANAGER FRANCESCA MCEWEN †

PRODUCTION LX TRISTAN TERESZCZUK †

LEAD CARPENTER EMMA HAYWARD

CAMERA DIRECTORS TOM BASSFORD GAVIN HALES

STAGE MANAGER SHANNON POLLARD †

PRODUCTION SOUND ENGINEER/ SOUND OPERATOR LIBBIE READ †

DEPUTY LEAD CARPENTER TOM BARNETT

SM MENTOR NAOMI WILDRIDGE

ASSISTANT PRODUCTION SOUND ENGINEER/SOUND NO. 3 NATHAN BROWN †

CAMERA OPERATORS ROSIE BANNISTER CECILIE FRAY KEERA MITCHELL

SET & COSTUME DESIGNER COLIN MAYES LIGHTING DESIGNER ADAM KING

DEPUTY STAGE MANAGER SARAH MORGAN † DSM MENTOR NATHAN BABB

SOUND DESIGNER CHRIS MURRAY

LX PROGRAMMING MENTOR ROB HALLIDAY LX PROGRAMMER/OPERATOR ALEX HANNAH †

FIGHT CHOREOGRAPHER MARCELLO MARASCALCHI

REHEARSAL ASSISTANT STAGE MANAGERS LOUISA KEMP † RO WEST †

VOICE COACH NICK TRUMBLE

TECH. ASSISTANT STAGE MANAGER BETH JEFFERIES

LX NO. 4 EFA GREGORY †

ASSISTANT DIRECTOR RUBY ETCHES **

ASSISTANT STAGE MANAGERS ELEANOR CHAPMAN † MELODY WRIGHT †

SOUND NO. 2 AMANDA DAVIES

STEVE GRIHAULT Director Steve is Mountview’s Head of Acting. He originally trained as an actor, working with companies including The Young Vic, English Shakespeare Company and Trestle Theatre Co. Directing credits at Mountview, A Midsummer Night’s Dream, Our Country’s Good, Swallows and Amazons and Nell Gwynn.

NICK BARSTOW Musical Director Nick is a musical director, arranger, composer and performer. He was musical supervisor and re-orchestrator for the new actor-musician production of Zorro, and prior to that re-orchestrated and supervised the UK premiere of Rags. He was a lead producer for the newly released Original London Cast album, alongside the show’s lyricist Stephen Schwartz. As a performer and producer, Nick runs cabaret series RE,Arrangement which originated at Brasserie Zedel in August 2018 and has since toured the UK and Ireland.

LAURA WESTON Movement Director Laura is a freelance dancer-choreographer, movement director and practitioner working across the industry and in higher education.

Credits include Flux#LC, (don’t) touch me (Curve Leicester), Macbeth, Grimms’ (Guildford Shakespeare Company), Hamlet, Swallows and Amazons (Mountview), Grapes of Wrath and Oh! What a Lovely War (GSA) and has taught and directed movement at Mountview, Rose Bruford, London Studio Centre, IDSA and GSA. She’s the artistic director of State of Flux who produce and create movement-based work, events and facilitate workshops.

COLIN MAYES Set and Costume Designer Colin trained with The Royal Shakespeare Company and subsequently as Assistant Designer at The Royal Opera House and English National Opera. Credits include, Die Zauberflote, Flastaff, Il Tabarro (New National Theatre, Tokyo), Les Contes d’Hoffmann (Diva Opera, Cap

WARNING

LX NO. 3/SOUND NO. 3 CONOR THORNTON †

** Theatre Directing student † Theatre Production Arts student

THANKS TO

AUTOGRAPH SOUND RECORDING STATIC LIGHT COMPANY

Ferrat), The Ring Cycle (Covent Garden Festival), La Traviata (Toronto Festival Opera), Premiere First Award for Kitty Genovese (Edinburgh Festival), Mastersingers Award for Little Musgrave (Aldeburgh), world premiere of Cry of Innocence (Greenwich) and world premiere of Tess of the d’Urbervilles (national tour). His Milan production of We Will Rock You is currently touring venues across Italy. He also tutors in costume/ prop creation and is an MA lecturer on contextual theatre studies.

ADAM KING Lighting Designer Adam originally trained at Mountview and has since gone on to work as assistant lighting designer to Neil Austin on Harry Potter and the Cursed Child (Palace Theatre) and Bend it Like Beckham (Phoenix Theatre). His own recent credits include, Snowflake/Tornado Stewart Lee (UK Tour), Beyond Therapy (UK Tour), Royal Ballet School (Royal Opera House/Opera Holland Park/Linbury Theatre), Original Death Rabbit the Wasp (Jermyn Street Theatre), Jack and the Beanstalk, Aladdin (Harlow Playhouse), The Nutcracker, Peter Pan and Beauty and the Beast (New Theatre Royal Portsmouth).

CHRIS MURRAY Sound Designer Recent design credits include The Great Christmas Feast (The Lost Estate), Mushy - Lyrically Speaking, Dishoom (Rifco/Watford Palace Theatre), The Hired Man (Queens Theatre Hornchurch/Hull Truck/ Oldham Coliseum), Puss in Boots (Belgrade Theatre, Coventry), The Strange Death of John Doe (Hampstead Theatre), Assassins, American Idiot, Swallows and Amazons (Mountview), Rapunzel, Summer in London, Counting Stars, Love ‘n’ Stuff (Theatre Royal Stratford East).

As Associate Designer, Nigel Slater’s Toast (PW Productions), Macbeth (Icarus Theatre). Chris was formerly Head of Sound at Theatre Royal Stratford East. Future productions include Love Letters (Queens Theatre Hornchurch), The Great Murder Mystery (The Lost Estate), Ruff Tuff Cream Puff (Cardboard Citizens, Belgrade Theatre, Coventry), Beauty and the Beast (Begrade Theatre, Coventry).

We don’t want to give away any spoilers for a show, but understand that some content may cause distress for audiences. If there are certain themes or content that you would find particularly upsetting, we encourage you to contact us before viewing to find out more about the show - please email boxoffice@mountview.org.uk.

Coram Boy contains scenes depicting violence, racism and threat (including to children). Gunshot noises will be used as part of the production.

COMING UP NEXT

S T A RT Written by Toby Clarke in Association with Theatre Peckham Rep Company

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