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The Purpose of Art

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eAGHpr es ent s

i ni t swor l dr e nowne dQue s t i on ’ sGa l l e r y

ePur pos eofAr t Wi t hque s t i on spr e s s i nga g a i n s tt hedoor ofhuma nc on s c i ous ne s s ,we a r ea l l f or c e dt oponde rar e s pon s e .Ar ewet o e x a mi net hec onc e pt sbe hi nda r t i s t i ce x pr e s s i on , ora r ewet ot a k ei ta sme a ni ng l e s ss t i mul us , t ha twea r ede l i g h t e dbyor not ?Doe st ha twhi c hhol dsg r e a tmon e t a r yv a l uee qua t et oat r ut h f ulbe net f ora l lofs oc i e t y ?Wha ti st hea bus eof powe ra nd i nue nc e ,a nd how doe s me a ni ng ndwor t h ?Whe r ec a nwe nd t he a n s we r st o ac on t r ov e r s yt ha ti s be y ondourg r a s p?Whohol dst hek e y , ori st hedoora l r e a dyope n ?Wh ya r e c hi l dr e nbor ni n t opov e r t y ,whi l es k ul l s a r ebe i ngc a s ti npl a t i numa nde nc a s e di n mi ne ds t one sof i na t e dv a l ue ?Doe sone ae mptt oc ompr e he ndt hewa yt ha ti s pa r t i a l l ybl oc k e d,orj us tmov ef or wa r d wi t houtr e s e r v a t i on ?

T he

of

eQue s t i on ' sGa l l e r yi sk nown ,duet o i t se v e re v ol v i ngr e de s i g na ndr e l oc a t i on , a sa na l t e r mode r ns pa c ef orl e a di ng e dg ec on t e mpor a r yc ur a t i on.I tonc e t ookt hes ha peof ape n t hous ei nupt own Ne wY or kCi t yf ori t s ,now l e g e nda r y , Opu l e n tP or n og r a ph ye x hi bi t i on;as how whe r eJ e ffKoon s ’ Ha n g i n gHe a r twa ss ur r ounde dbyWi l l e mdeKooni ng ' sWoma n I I I ,L uc i a nF r e ud' sB e n et sS u pe r v i s or S l e e pi n g , a ndRi c ha r dP r i nc e ' sL a k eRe s or t Nu r s e . P r e s e n t l y , t a k i ngt hes ha peofar undown i ndus t r i a lwa r e hous ei nt hema qui l a dor a di s t r i c tofCi uda dJ uá r e z , eQue s t i on ' s Ga l l e r yr a i s e squa l mswi t hi t spl a c e me n t i nt heWor l d' spol i t i c a l g e og r a ph y .


ope nbe y ondha l fofi t sf ul ls wi ng;t he c onc e pt ua lj e s tof ,t heTur ne rP r i z ewi nni ng,Ma r t i nCr e e d.Ac t i v eobs e r v a t i on f or c e st heout s i de rt oa c c e ptt hei mpl i c i t r e s t r i c t i on st ode l v ede e pe ri n t o eP ur pos eofAr t . Wi t hc ur i os i t yi n s a t i a t ef r om i g nor a nc e ,onemus ts a t i s f yoroppr e s s t heur g et oi n v e s t i g a t eCr e e d’ sWor kNo. 115, be f or ea c c e di ngt ot hea wa r e ne s sof wha tt hema i nr oomhol ds . " Mywor ki s50pe r c e n tofwha tIma k e a nd50pe r c e n tofwha tot he rpe opl e ma k eofi t . "-Ma r t i nCr e e d Door pus her J effWa l l

Tr a n s pa r e nc yi nl i g h t box Ci ne ma t og r a ph i cph ot og r a ph 98x48i n . ( 249x122c m) 1986

F l a nk e d by he a v i l ya r me dg a ur da nd v a l ue dbe y ondwha tmos twor k e r si nt he s ur r oundi ngf a c t or i e swi l l e v e rma k ei na l i f e t i me ,J e ff Wa l l ’ sDoor pu s h e re v ok e s t r e pi da t i ona sa ne n t r ywa yt ot hei n t e r i oroft hee x hi bi t i on.Tomov ebe y ond t hea l l c on s umi ngque s t i onof ,wha tl a y be y ondt het hr e s hol d, onemus t br e a ka n unwr ie nc odea ndr ee c t upont hef e e l i ng se v ok e d by c on t r i but i ng t ot he g r a dua lde g r a da t i on ofs ome t hi ng s o v e ne r a t e da s ,‘ t hea r tpi e c e ’ .Ani l l umi na t e d por t e n t ous ne s sme e t st he obs e r v e ri noppr e s s i v e l yc l os equa r t e r s ,a t hel i g h t boxt ur ne ddoor , r e f us e st o

Ast hee y e sa dj us tt ot hedi ml i g h t , i l l umi na t i ngac r a c k e dc onc r e t e oor ,one ’ s c on s c i ous ne s sma na g e st o ma k ef or m f r om t hes c i n t i l l a t ema s si nt hec e n t r eof t her oom. 8601VVSt oF Lpa v és e tdi a mondse nc a s eapl a t i num c a s t18t hc e nt ur yE ur ope a ns k ul l , e n t i t l e d, F ort h eL ov e of God.

Ma r t i nCr eedWorkNo.115 adoor s t op x e dt oa oort ol e tadoorope nonl y45de g r e e s 1995


“i si sas pe c t a c ul a rpi e c ea ndundoubt e dl yt hewor kwi t ht hehi g he s ti n t r i n s i c v a l uei nmode r na ndc on t e mpor a r ya r t . ” -Da mi e nHi r s t S hr oude di nc on t r ov e r s ya ndwi t ht he c os tof£14000000t opr oduc e , F ort h e L ov eofGodi sa ni c oni cs y mboloft he ne w r e l i g i on of hi g ha r t ;i na udi bl y pr e a c hi ngt oe v e r ymi ndi tr e a c he s . e s ma l li nde l i bl eobj e c tr e s t sa t opa ni ns c r i be dpl i n t hofr e de a r t hf r om S i e r r a L e one . ei n s c r i pt i ont ha t r e a ds , ‘ e t hi c a l ’ , wa sha ndc a r v e dbyaf or me rc hi l ds ol di e rf r om t heDe moc r a t i cRe publ i cof Cong o. Uponabook s t a nd, a ppe a r i ngt o bes t udi e dbyHi r s t ’ ss k ul l , r e s t sJ a c obA. Ri i s ’ t ur noft he20t hc e n t ur y

publ i c a t i on s , eCh i l dr e noft h eP oor a nd eB al eoft h eS l u m. epa g e sof Ri i s ’ wr i t i ng st ur nt he ms e l v e ss l owl yi na n e ndl e s si n v e s t i g a t i onofhi swor dsa nd phot og r a ph s . “e ywa n tt het hi ng st ha tma k ef ort he i r a dv a n t a g e ;r s tofa l l t heoffic e st hr oug h whi c ht he yc a nma i n t a i nt he i rg r i p. ” -J a c obA. Ri i s Asonel ook spa s t t hee x pr e s s i on sof Hi r s t a ndRi i st ot heba c kwa l l of t heQue s t i on ’ s Ga l l e r y , t he44 c i ne ma t og r a phi cphot og r a ph , Abbo &Cor dov a , 7Au g u s t 1971, c ome si n t of oc us . S t a nDoug l a s ’ us eof t he l a t e s tphot og r a phi ct e c hnol ogy , t or e c r e a t et hepol i c er i otofVa nc ouv e r ’ s


S t a nDougl a sAbbo

&Cor dov a , 7Augus t1971 Di g i t a l Cpr i n tmoun t e dondi bonda l umi num 3231/ 2x528i n . ( 820. 4x1341. 1c m) 2008

Ga s t own ,i sov e r wh e l mi ng .Doug l a sh a s c a pt ur e dt h ee s s e nc eofc i v i lc on f us i on , a ndi ndoi ngs oh a si l l us t r a t e dt h emi s unde r s t a ndi ngofpowe r . “ Iwa n tt obes e duc t i v ei nawa yt h a t pe opl ewi l l s pe ndt i mel ook i nga ti t , c ons i de r i ngi tbe c a us eoft h es e duc t i v e ne s s oft h ema t e r i a l s . ” -S t a nDoug l a s

Onemus tt ur na ndl e a v eDoug l a s ’ mur a l ofpol i c ebr ut a l i t ybe h i nd,pa s sHi r s t ’ s c e n t r e pi e c eofc onc e pt ua l i s ma nd Ri i s ’ s oc i a l out c r i e s , de c on s t r uc tCr e e d’ swor k r a t h e rt h a ne x pe r i e nc ei t , a nd ndWa l l ’ s Door pu s h e ri n v i s i bl et oe x i tt h ee x h i bi t i on .Onc et h ev i s i t orh a sl et h eg a l l e r y , pa s s e dt h ea r me dg ua r ds ,a ndbe c ome s ur r ounde dbyt h ema qui l a dor a s ,t h e r e c ome sr e a l i z a t i on;t h eAGH wi l lpl a na ne ws h owa ndt h eQue s t i on ’ sGa l l e r ywi l l ndane wh ome ,buta l lt h e s equa nda r i e swi l l s t i l l bee v e r y wh e r e


31° 44′ 22″ N106° 29′ 13″ W sa ne x pl or a t i onoft h e ePur pos eofAr ti

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c ol l i di ngwor l dsofh i g ha r ta nds oc i a lc omme nenHi r s t t a r y .F i l l e dwi t hunde r l y i ngt h e me sa ndl i f es h a k - 3 Dami F ort heL ov eofGod i ngque s t i on s ,t h es h owi sapi e c eofc on t e mpor a r ya r t ,i ni t sownr i g h t .Upona r r i v i nga tt h e 4J a c obA. Ri i s 1 eCh i l dr enoft hePoor Que s t i on ’ sGa l l e r y , onei sf a c e dwi t ht h ec h a l l e ng e 2 eB al ewi t ht heS l um ofmov i ngf or wa r d, bot hph y s i c a l l ya ndme n t a l l y , i n t ot h ema i nr oomoft h ee x h i bi t i on . I ti sas h ow 5St a nDougl a s Abbo &Cor dov a , 7Augus t1971 t h a tt hr e a t e n st h ec r i t i queofa r t ’ sme a ni ng .

“e r e ' sa l r e a dyt oomu c he mph a s i sont h e s e a r c hf orme a n i n gi nc on t e mpor a r ya r t , wh i c hpr ompt sdi s c ou r s et h a tde g e n e r a t e s e ffWa l l i n t o‘ bl a t h e r , ’ ”-J t he

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11. 28. 08:04. 05. 09


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