FE, NEW MEXICO
JUNE 20, 2026
Saturday Session | Auction Starts at 5:00 pm MDT
LOTS: 1,001 - 1,515
Preview Friday, June 19, Noon - 5:00 pm
Auction Day Preview Saturday, June 20, 9:00 am - 4:00 pm
∙ 20% BUYER’S PREMIUM ∙
PROVIDED CERTAIN CONDITIONS ARE MET SEE FULL TERMS & CONDITIONS FOR MORE INFORMATION
AUCTIONEERS: DIVISION CONSULTANTS:
Dan Morphy
Shaye Krispine
Angel Lopez
David Bushing
Ron Ciarmello
Cheryl Goyda
Brian Manifor
Kim Martindale
Patrick Orbe
Ben Shupp
Olha Vetterlein
1001 - ZUNI PUEBLO POTTERY OLLA BY PEYNETSA
Incised on bottom “A. Peynetsa 94 Zuni N.M.”. With three rows of Heartline Deer covering the body of the pot.
Condition: Excellent condition, no chips or cracks.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $300 - $500)
Signed with paint on bottom “M Sahneyah”. With repeating fine and bold painting around the body of the pot.
Condition: Excellent condition, no chips or cracks.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $1,000 - $1,800)
1003 - LOT OF 2: HOPI POTTERY ITEMS
(A) Vase by Frog Woman, signed with a painted frog on base.
(B) Jar by Ida Susunkgwa, signed with paint “Ida Susunkgwa Hopi”.
Condition: Both are excellent condition, no chips or cracks.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $500 - $1,000)
1004 - LOT OF 2: MICACEOUS CLAY POTS
(A) Pottery Bowl by Christine McHorse, incised on base. with lizard forming a handle on each side.
(B) Incised with “Hubert Candelario San Felipe 1994”.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $1,200 - $2,400)
1002 - HOPI POTTERY OLLA BY MADELINE SAHNEYAH
1005 - KICKAPOO LARGE POTTERY VASE BY PAHPONEE
Incised on side near base “Pahponee” with her mark. The overall fluted form is covered with micaceous particles. Condition: Excellent condition, no chips or cracks.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $1,000 - $2,000)
1006 - LOT OF 2: PUEBLO POTTERY BOWLS
(A) Isleta Pueblo Seed Jar by Caroline Carpio, incised on base “Caroline L. Carpio Isleta Pueblo, NM” and her mark of an incised tableta. Pottery has a whirlwind pattern, formed by incised triangles and a primary band of turquoise and gold beads around the neck. 6-1/2” x 4”.
(B) Micaceous bowl with a lizard figure adorning the rim, using the fire clouds to highlight its head. 8” x 5-1/2”.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $500 - $1,500)
1007 - LOT OF 4: ACOMA (ÁAK’U) PUEBLO POTTERY ITEMS
(A) Acoma by Jackie Shutiva, signed on base “JH Shutiva Acoma N.M.”. Of an overall traditional pinch pottery construction.
(B) Miniature Pottery with four traditional parrot designs, signed on bottom with a feather and “Aroy”.
(C) Miniature seed jar by Sandra Victorino, signed “Sandra Victornio N.M.”. With an overall fine line design.
(D) Miniature Seed Jar by Rebecca Lucario, signed on base “Acoma N.M. R Lucario”. With fine line and insect and reptile figures.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $300 - $600)
1008 - LOT OF 2: KICKAPOO POTTERY SEED JARS BY PAPOHNEE
(A) Signed near base “Papohnee”, with her mark and “© 2004”.
(B) With four buffalo enhancing the shoulder. Incised “Papohnee” with her mark, “© 2000”.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $500 - $1,000)
1009 - LOT OF 3: BLACKWARE POTTERY ITEMS
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $750 - $1,500)
Both incised on bottom “Polly Rose”. Overall geometric pattern covering the sides of each.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $300 - $500)
1011
Incised on base “2012 Pahponee” with a circle with cross motif in the middle. Overall incised birch tree design, leading to a lid that has a coral branch with a bird sitting on top of it. Condition: Excellent condition, no chips or cracks.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $500 - $1,000)
(A) Santa Clara Wedding Vase by Madeline Naranjo. (B) Santa Clara Seed Jar by Martha Mirabal. (C) Casa Grandes (Mata Ortiz) Jar by Hugo Macias.
1010 - LOT OF 2: SANTA CLARA POTTERY JARS BY POLLY ROSE FOLWELL
- KICKAPOO LIDDED SEED JAR BY PAHPONEE
1012 - LOT OF 2: PUEBLO POTTERY JARS
(A) Acoma by Rebecca Lucario, signed on base “Acoma NM R. Lucario”. With an overall serrated pattern.
Condition: A few small pot marks.
(B) Zia Pueblo Bowl signed “R.A. Zia Pue” encased in a hallmark of a pueblo.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $100 - $300)
1013
Incised on shoulder “Pahponee” with her mark, on base “2013”. The wide shoulder is covered with incised petroglyph-like designs. Excellent condition, no chips or cracks.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $800 - $1,600)
Incised on base “Lydia Quezada 9/07”. Of globular form, with marbleized pattern underneath bold and fine line designs.
Condition: Excellent condition, no chips or cracks.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $400 - $800)
- KICKAPOO POTTERY BY PAHPONEE
1014 - CASAS GRANDES (MATA ORTIZ) POTTERY BY LYDIA QUEZADA
1015 - LOT OF 2: NAVAJO (DINÉ) RUGS
(A) An overall stepped diamond pattern.
Dimensions: 66-3/4” x 35-1/4”.
Colors: White, brown, umber, red
(B) Divided into quadrants, each containing serrated diamonds with a cross and a banded pattern at the top and bottom.
Dimensions: 63” x 34-1/2”.
Condition: With a small hole.
Colors: White, red, light brown, dark brown
(Estimate: $1,000 - $2,000)
1016 - NAVAJO (DINÉ) RUG
Circa 1920. With a vertical row of three stars, flanked in each corner by a serrated pattern, and a flower, stylized cross, and eagle feather designs bordering each side. 73” x 44”
Condition: Some staining
Colors: natural brown, white, dark brown, red, yellow
(Estimate: $1,000 - $2,000)
1017 - NAVAJO (DINÉ) YEI WEAVING
C. 1940s. With four large Yei figures on a black background encased with a wide Teec Nos Pos border.
Dimensions: 77” x 71”.
Colors: Black, White, Red, Turquoise, Orange, Dark Blue, Green, Brown. Good condition.
(Estimate: $2,000 - $4,000)
1018 - NAVAJO (DINÉ) PICTORIAL WEAVING
With a central single dancing figure with bent upward arms, tablita, and dance accoutrements.
50-1/2” x 35-1/2”.
Condition: A/B side.
(Estimate: $750 - $1,500)
1019 - NAVAJO (DINÉ) WEAVING
Circa first quarter 20th century. The field divided into six squares, the two central squares containing snakes, a man wearing a hat with feathers, water bug design, and serrated diamonds, each of the flanking squares containing two rolling logs.
80” x 49-1/2”
Condition: Some staining.
Colors: white, red, dark brown
(Estimate: $2,000 - $4,000)
1020 - NAVAJO (DINÉ)
GERMANTOWN WEAVING
With a central column of five serrated diamonds, each end with full applied fringe.
Dimensions: 65” x 35-1/2”.
Colors: Red, Dark Blue, White, Mauve, Grey.
Condition: Slight staining and a few spots of moth damage.
(Estimate: $1,500 - $3,000)
1021 - LOT OF 2: NAVAJO (DINÉ) GERMANTOWN SQUARES
(A) With a serrated X pattern. 20-1/4” x 19-1/2”.
Colors: green, white, red, black.
Condition: Moth damage.
(B) With an overall serrated pattern. 18-1/2” x 18-1/4”.
Color: Burgundy, white, black, grey
Condition: Some staining and bleeding.
(Estimate: $100 - $200)
1022 - LOT OF 2: NAVAJO (DINÉ) GERMANTOWN DOUBLE SQUARES
(A) Each with fringe, two serrated diamonds.
37” x 19”.
Colors: green, black, purple, grey.
Condition: Good
(B) With a central serrated design.
36” x 18-3/4”.
Colors: cream, grey, black, purple, red
Condition: With stains, moth damage, and some holes.
(Estimate: $200 - $400)
1023 - NAVAJO (DINÉ) TRANSITIONAL BLANKET
With an overall diamond pattern containing in the center two crosses and reflective crosses on each edge. With a banded pattern at the top and bottom.
64-1/4” x 60”
Condition: Some repair, holes, top selvedge damage, darning, staining.
(Estimate: $500 - $1,000)
1024 - NAVAJO (DINÉ) TRANSITIONAL BLANKET
With two fields of reflective optical designs of a banded pattern changing inside of four outlying diamonds.
54-1/4” x 33”
Condition: Staining, repairs.
Colors: white, natural brown, dark brown, red
(Estimate: $1,000 - $2,000)
1025 - NAVAJO (DINÉ) TRANSITIONAL SADDLE BLANKET
Two serrated lines forming a pair of diamonds, bisected by two lines. Corner fringe.
30” x 23
Colors: salmon, grey, white
Provenance: Lusher Santa Fe Auction
(Estimate: $500 - $1,000)
1026 - LOT OF 2: NAVAJO (DINÉ) SADDLE BLANKETS
(A) With a band of interlocking triangles and a stacked basket pattern underneath. Two corners with tassels.
34” x 32”.
Condition: Bleeding, a few holes, and staining.
(B) With an overall serrated diamond pattern with one end with complete fringe and tassels on each corner.
30” x 23”.
(Estimate: $200 - $400)
1027 - LARGE MEXICAN SPURS
Early 1900s Mexican charro style spurs. Inlaid on outside band with Greek key patterns and inside bears the silver initials “JU”. They retain their original hand carved floral straps with traditional piteado edge work. 1-3/4” band, 3” shank, 4-3/4” rowels.
(Estimate: $300 - $500)
1028 - HERRINGBONE PATTERN CHARRO SPURS
Large early 1900s Charro style Mexican spurs. Inlaid herringbone pattern overall including rowels. 1” band, 2-1/4” shank, 3-3/4” rowels.
(Estimate: $300 - $600)
1029 - ENGRAVED SILVER MEXICAN SPURS
Double mounted Mexican spurs with “pizza cutter” style rowels. Floral and vine patterns on silver bands with rocker etched highlights on exposed iron areas. Hand tooled period straps. 15/8” band, 2-1/8” shank, 2-1/2” rowels.
(Estimate: $400 - $600)
1030 - EARLY MEXICAN SPURS WITH LEATHER STRAPS AND COIN CONCHOS
Hand forged Mexican spurs with chased iron bands in a Spanish Colonial style. Includes older straps with silver Mexican coin conchos. 1/2” band, 2” shank, 2-7/8” rowels.
(Estimate: $400 - $600)
1032 - KELLY BROS TEXAS SPURS
1031 - ENGRAVED MEXICAN SPURS WITH LEATHER STRAPS AND ROUND ROWELS
Double mounted, hand forged, 19th century Mexican spurs. Executed with finely engraved inlaid silver on the outside, and candy striped silver on the inside. 3/8” bands, 2” shanks, 1-5/8” rowels.
(Estimate: $500 - $700)
Classic air of spurs marked Kelly Bros. (1919-1939). Single mounted with silver half diamond panels on the bands and silver accents on the shank tips. All are engraved with the distinctive wheat stalk pattern. Swinging heel buttons are overlaid to match. Retains a fragile pair of period carved leathers. .2” band, 2” shank, 1-3/4” rowel
(Estimate: $400 - $600)
1033 - LOT OF 4: BUERMANN SPURS
(A) 19th century August Buermann California style spurs with Spanish colonial influence and oversized rowels. Stamped patterns on bands and shanks. Original jingle bobs and heel chains. These exact spurs were loaned for the book Bit and Spur Makers in the Vaquero Tradition by Ned and Jody Martin, Hawk Hill Press, 1997, pg. 57. They have 3” bands, 1-1/2” shank, 3” rowels (B) Buermann 1890s hardware store / catalog spurs. 2-3/4” band, 1-3/4” shank, 1-1/2” rowel (C) Buermann unmarked California style spurs. 3” band, 1-3/4” shank, 2” rowel (D) 1890s unmarked California style spurs. 2” shank, 3” band x 2” rowels.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $600 - $800)
1034 - LOT OF 2: CALIFORNIA STYLE SPURS
(A) A. Buermann single mounted, California silver inlaid “peanut” pattern spurs. Marked above strap button “HAND FORGED / STEEL”. 1-3/4” shank, 1-1/2” rowels
(B) Unmarked, Buermann silver inlaid California style spurs. 3” band, 1-1/2” shank, 1-1/2” rowels.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $600 - $1,000)
1035 - LOT OF 3: SPURS & BRIDLE SET
Lot consists of: (A) Vintage Santa Barbara cheek bit with full sterling overlay. Marked “FLEMING” to inside cheek. Includes barrel ferrule full bridle and reins with sterling hardware. (B) Double mounted Mexican charro style spurs on custom wooden stand. Deeply engraved silver with rooster and floral patterns. 1-3/4” shank, 2-1/2” rowels. (C) Bronze bronc riding spurs. Marked ‘E-M’ inside heel bands. 1-3/4” shank, 1” rowel.
(Estimate: $500 - $800)
1037 - LOT OF 2: BOHLIN SILVER OVERLAID BITS
Lot consists of: (A) Bohlin stainless silver overlaid bit with engraved cheeks and slobber bar with original rein chains. Marked inside cheek: BOHLINMADE / CALIF. / HOLLYWOOD. (B) Bohlin stainless steel parade bit. Marked inside cheek: BOHLINMADE / CALIF. / HOLLYWOOD. Nice addition to your collection if you are missing a bit off of your parade ensemble. CONDITION: Very Good.
(Estimate: $400 - $800)
1036 - LADY LEG CURB BIT
Silver overlaid full figured lady cheek bit. Profile is highly detailed and resembles a 1920s “flapper” girl with nylons and garter. Possibly prison made.
(Estimate: $400 - $600)
1038 - LOT OF 3: SILVER SPADE BITS
Lot consists of: (A) California overlaid spade bit with Santa Barbara cheeks. Marked inside: GARCIA / SADDLERY CO. / SALINAS, CALIF. (B) Visalia Stock Saddle Co. overlaid spade bit. (C) Unmarked A. Buermann kissing bird style spade bit.
(Estimate: $600 - $800)
1039 - LOT OF 2: SILVER BITS
Lot consists of: (A) Marked Fleming silver engraved bit, crafted during the 1970s when Fleming had a select number of pieces produced in Mexico under his supervision. These examples display the same balanced design and fine scroll engraving seen in his early work. Mona Lisa-style mouthpiece with copper roller. (B) Mexican made silver bridle bit with Salinas mouthpiece. Marked: ‘E. GARCIA’.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $600 - $800)
1040 - LOT OF 2: SILVER INLAID HALF BREED BITS
Lot consists of: (A) Unmarked Buermann Arizona cheek silver inlaid half-breed bit. (B) California style inlaid half-breed bit with silver by Hernandez.
(Estimate: $600 - $1,000)
1041 - LOT OF 2: SILVER BITS
Lot consists of: (A) Unmarked kissing bird bit by J.F. Echavarria with half breed mouthpiece. (B) Unmarked Buermann style California bit with Santa Barbara overlaid silver floral pattern engraved cheeks.
(Estimate: $600 - $1,000)
Lot consists of: (A) Nevada-cheek bit by Garcia Saddlery of Salinas, California. A gorgeous vintage classic California bit from the saddlery of G.S. Garcia’s sons, Les and Henry. The Garcia brothers’ partnership lasted from 1935 until 1957 when Les moved to Reno, Nevada and started his own bit and spur business. (B) Circa early 1940s Nolte-Olsen marked silver overlaid bridle bit. (C) Filigreed silver overlaid Mona Lisa bridle bit marked: GARCIA. (D) Unarked silver overlaid hummingbird half-breed bit. CONDITION: All are in very good condition and rideable if desired.
(Estimate: $800 - $1,000)
1042 - LOT OF 4: SILVER BRIDLE BITS
1044 - CHARLES FREDERIC LOVATO (SANTO DOMINGO PUEBLO, 1937-1987)
Hands of Man
limited edition lithograph on arches paper sheet: 30 x 22 in.
framed: 37-3/8 x 29-3/4 in.
signed in pencil lower right “CF Lovato” and numbered lower left 24/100
(Estimate: $300 - $600)
1043 - DUANE DISHTA (ZUNI, 1946-2011)
limited edition lithograph on arches paper sheet: 24 x 20 in.
framed: 33-3/4 x 29-3/4 in.
Artist signed and numbered “23/106” in pencil lower right
A row of long hair Katsina dancers with a solitary mudhead Katsina.
(Estimate: $400 - $600)
1045 - HARRISON BEGAY
(NAVAJO/DINÉ: HASKAY YAHNE YAH, 1914-2012)
Untitled gouache on paper sight: 14 x 17-1/2 in.
framed: 21 x 25 in.
signed lower right “Harrison Begay”, lower left “Haskay Yahne Yah” (artist’s Navajo name)
Depicting generational weavers.
(Estimate: $1,500 - $2,500)
1046 - HARRISON BEGAY (NAVAJO/DINÉ: HASKAY YAHNE YAH, 1914-2012)
Untitled gouache on paper
sight: 11 x 13-3/4 in.
framed: 18 x 21-1/4 in.
signed lower right “Harrison Begay”, lower left “Haskay Yahne Yah” (artist’s Navajo name)
Young Navajo girl holding a lamb, with lambs and a dog walking with her.
(Estimate: $800 - $1,200)
1047 - ALLAN HOUSER (CHIRICAHAU APACHE, 1914-1994) MOTHER & CHILD ALABASTER SCULPTURE
Kneeling mother and child. Signed on the side. 9-3/4” W x 9-1/2” L x 15-3/4” H
Provenance
Hal Starkey, Austin, Texas California Collection
(Estimate: $5,000 - $10,000)
1048 - ORELAND JOE (B. 1958)
Contemporary. A bust of a Native American with flowing hair and stylized shirt. Signed on back base. 11 L x 11 W x 16” H
Condition: Some marks and wear.
(Estimate: $750 - $1,500)
1049 - LARGE ZUNI FETISH BY TED MILLER
Incised on the inside of legs “Ted Miller”. A bear with spearpoint attached to the top, carved from alabaster with an inset piece of turquoise in a bear paw design.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $300 - $600)
1050 - ZUNI ALABASTER BY ELLISON VAN PAQUIN
Inscribed “Van Paquin 83 Zuni”. Of an eagle with its wing being comprised of ancestral Pueblo buildings.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $100 - $300)
1052 - LOT OF 2: NATIVE AMERICAN PAINTINGS
(A) Truman Lorentz (Witchita / Pawnee) gouache on paper
sight: 12 x 16-1/4 in.
framed: 18 x 22-1/4 in.
signed lower right “T. Lorentz”, dated “80”
Depicting three male portraits with a peyote bird extending from the portraits, all surmounting a bowl of peyote.
(B) Echo Hawk gouache on paper
sight: 8 x 14 in.
framed: 18-1/4 x 22-1/4 in.
signed lower right “Echo Hawk”, dated “93”
Showing a side portrait of a male warrior, highlighted by eagle feathers.
(Estimate: $200 - $300)
1051 - LOT OF 2: FANCY DANCER SERIGRAPHS ON PAPER BY WOODY CRUMBO (POTAWATOMI, 1912-1989)
(A) The Hummingbird Dance silkscreen on paper
sight: 8-1/2 x 11-1/2 in.
framed: 16-3/4 x 20-3/4 in.
signed “Crumbo” in the serigraph lower right
(B) The Deer Dance silkscreen on paper
sight: 8-1/2 x 11-1/2 in.
framed: 16-3/4 x 20-3/4 in.
signed “Crumbo” in the serigraph lower right
(Estimate: $400 - $800)
1053 - JOHN NIETO (NATIVE AMERICAN, 1936-2018)
Bear
limited edition serigraph
sight: 19-1/4 x 21-1/4 in.
framed: 32 x 36 in.
signed lower right, numbered 80/195 lower left
(Estimate: $1,000 - $2,000)
1054 - GERALD
JR. (NAVAJO/DINÉ, 1942-2022)
oil on canvas sight: 29-1/2 x 29 3/4 in.
framed: 34-1/4 x 34-1/4 in.
signed lower-right “Gerald Nailor” and dated “86”
A night scene depicting the matachin dance in front of a pueblo church.
(Estimate: $1,500 - $2,500)
La Vista mixed media signed lower-left sight: 24 x 18 in.
framed: 39 x 32-1/2 in. with gallery tag affixed to back from Avanti Gallery
Depicting a Native American man set in a Southwest landscape.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $200 - $500)
Untitled mixed media
signed and dated 1989 lower-right corner sight: 16-1/2 x 10-1/2 in. framed: 36-1/4 x 35-1/2 in.
Depicting a Native woman holding a Santo Domingo dough bowl.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $200 - $500)
NAILOR
1055 - AMADO M. PEÑA JR. (AMERICAN, B. 1943)
1056 - AMADO MAURILLIO PEÑA (AMERICAN, B. 1943)
1057 - DONALD “PUTT” PUTMAN (AMERICAN, 1926-2007)
Untitled lithograph on canvas panel sight: 26-3/4 x 21 in. framed: 31 x 25 in.
signed lower-right “Putt”, “FOR KEITH’S MOM”
(Estimate: $800 - $1,600)
1058 - J.D. MEDINA (ZIA, 1935–1983)
gouache on paper sight: 16-1/2 x 22-3/4 in. framed: 24 x 30 in.
signed lower right “JD Medina”
Depicting two koshari dancers, the first holding the clan pole and the other drumming, in front of a kiva.
(Estimate: $500 - $1,000)
1059 - JOHN CUTNOSE (SIOUX/OGLAOA, 1947-2022)
untitled serigraph on paper sight: 18 x 24 in. framed: 27-1/2 x 33-1/2 in.
An Oglaoa portrait of a man with a single eagle feather extending from his head.
(Estimate: $200 - $400)
1060 - NAVAJOLAND BY ALAIN BRIOT PORTFOLIO
The first portfolio of Navajoland with 25 images, each signed and numbered 1/50. CD included.
(Estimate: $2,000 - $3,000)
Winter’s Child lithograph signed and dated lower-left corner, “R.C. Gorman 1991”, 88/225 sight: 34 x 30-1/2 in. framed: 44 x 40-1/2 in.
(Estimate: $1,000 - $3,000)
1062 - R.C. GORMAN (NAVAJO/ DINÉ, 1931-2005)
Bisbee lithograph signed lower-left corner, “R.C. Gorman 1988”, 127/225 sight: 39 x 29-1/2 in. framed: 54 x 44-1/2 in.
(Estimate: $1,000 - $3,000)
1061 - R.C. GORMAN (NAVAJO/DINÉ, 1931-2005)
Mystic Mesa lithograph signed lower-left corner “R.C. Gorman 1991”, 157/225 sight: 38-1/2 x 30-1/2 in. framed: 54 x 46 in.
(Estimate: $1,000 - $3,000)
Zia Benita lithograph signed lower-left corner “R.C. Gorman, 1991” 90/225 sight: 39-1/2 x 30-1/2 in. framed: 53-1/2 x 43-1/2 in.
(Estimate: $1,000 - $3,000)
1063 - R.C. GORMAN (NAVAJO/ DINÉ, 1931-2005)
1064 - R.C. GORMAN (NAVAJO/ DINÉ, 1931-2005)
1065 - R.C. GORMAN (NAVAJO/DINÉ, 1931-2005)
Eye Dazzler lithograph signed lower-left corner, “R.C. Gorman, 1990” 102/224 sight: 31-1/4 x 41 in. framed: 43-1/2 x 53 in.
(Estimate: $1,000 - $3,000)
1066 - WESTERN PIPE TOMAHAWK WITH BRASS HEAD
Circa 1870-1880, brass head classic western style tomahawk with hand filed scalloped leading edge embellishments. File branded wood haft most likely ash or Osage orange that has been drilled for smoking. Overall head measures 11” with a 7” blade and a 4” cutting edge. With haft measures 22” x 1-3/4” at its widest. CONDITION: Good. Exhibits heavy age and period wear and patina.
(Estimate: $1,000 - $3,000)
1067
Early 20th century. Navy blue trade clothe covered with dentalium shells, accented with green and red ribbon. Strands of blue beads extend down to a larger brass bead used as a finial (beads a later adornment). On a custom latex stand.
(Estimate: $500 - $1,000)
- PLATEAU WOMEN’S YOKE
1068 - SIOUX (LAKOTA) MOCCASINS
With buffalo track pattern and triangular patterns around the edge. Parfleche sole. Sinew sewn. Colors: white, transparent green, transparent yellow, blue, pink, white-heart red
(Estimate: $500 - $800)
1069 - SIOUX (LAKOTA) QUILLED MOCCASINS
1070 - APACHE BEADED BAG
Last quarter 19th century. One side with a floral design, the other side with geometric linear pattern. With leather fringe and leather drawstring.
Colors: white-center red, black, white, greasy yellow, green, dark green
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $400 - $800)
With an overall geometric pattern completely done in quillwork. Parfleche soles.
Colors: pink, white, grey, red, orange
(Estimate: $300 - $500)
With a beaded panel at the top and bottom, each of geometric pattern and highlighted with brass tacks. Long fringe extending from the top and bottom sides. Inside the top in India ink “San Carlos N-37-J”. Colors: white, blue, yellow, black, red
(Estimate: $1,500 - $2,500)
1071 - APACHE RIFLE CASE
1072 - PLAINS HAND DRUM
With a central circle pattern radiating out into four quadrants. With beater. Signed in India ink “Tomba 1864”. Condition: With tears to the rawhide drumhead.
Colors: blue, red, natural rawhide
(Estimate: $400 - $800)
1074 - SIOUX (LAKOTA) PIPE BAG
Beaded field of stepped diamonds and geometric patterns on one side, reverse side with a central four-directional image, flanked by cross designs. A panel of quillwork follows the beaded panel and then fringe. Also adorned with tin cones and feathers.
Colors: white, blue, dark blue, light blue, yellow, red, orange, green, metallic, pink.
Quillwork: red, orange, green, white, black
(Estimate: $800 - $1,500)
1073 - NATIVE AMERICAN BEADED PIPE BAG
Circa last quarter 19th century. With each beaded panel consisting of geometric patterns above fringe. The fringe and beaded bag covered with yellow pigment.
Colors: white, white-center-red, blue, green, light blue
(Estimate: $1,500 - $2,500)
1075 - SIOUX (LAKOTA) HANDBAG
Fully beaded over an eastern metal framed and latched structure. The beaded panels of geometric pattern.
Colors: white, green, white-center red, yellow, dark blue
Condition: Good
(Estimate: $400 - $800)
1076 - UTE (NÚUCHI) BEADED TAB BAG
Last quarter 19th century. With an overall geometric pattern on the fully-beaded tab and beaded panel above, highlighted with tin cones.
Colors: white, light blue, white-center red, yellow, black, translucent yellow, translucent red, pink
(Estimate: $1,000 - $1,500)
1077 - CHEYENNE BEADED MOCCASINS
With a central double cross pattern leading into a stepped diamond, which continues all the way around. Well-worn parfleche sole. Some strands of beads missing on the back side.
Colors: white, white-heart-red, yellow, black, blue, green
(Estimate: $1,000 - $1,500)
1078 - LOT OF 2: SIOUX (LAKOTA) PAIRS OF MEN’S AND CHILD’S MOCCASINS
(A) Men’s moccasins with bands of alternating colors, worn parfleche sole.
Colors: light blue, dark blue, greasy yellow, white-center red, turquoise, translucent red, translucent green Condition: Areas of bead loss.
(B) Child’s moccasins with a central Roman cross, surrounded by alternating square patterns. Colors: light blue, dark blue, translucent red, orange, green Condition: One tongue and top of one moccasin stiff.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $500 - $1,000)
1079 - KIOWA (CÁUIGÚ)
HIGH-TOP WOMEN’S MOCCASINS
Covered with green pigment. Beaded strips on each side of brass buttons and around the ankle. Each moccasin top has a beaded star. Soles show wear. Fringe top.
Colors: blue, translucent red, whitecenter-red, white, black, green
(Estimate: $3,000 - $5,000)
1080 - CHEYENNE BEADED MOCCASINS
With horse designs around edge and peyote thunderbird in the top center, all surrounded by geometric patterns.
Colors: light blue, brown, dark blue, black, pink, silver
(Estimate: $400 - $800)
1081 - EASTERN INDIGENOUS POUCH
Possibly Six Nation. With a note accompanying, reading “Indian sack containing 2 crystals were brought from Niagara Falls by ---- and presented to ----- a few days prior to their marriage on September 2, 1841”. The pouch with geometric patterns around the edge and a sun design in the center, all done with early seed beads, all within a presentation case. Colors: white, blue
(Estimate: $100 - $200)
1082 - LOT OF 3: NORTHERN PLAINS MOCCASINS, BEADED BAG AND FRAMED FEATHERS
(A) A frame encasing coup feathers that have been cut with zig-zag edges, leather strapping, and a grouping of five bells. Each feather approximately 14-1/2” x 1”.
(B) An early beaded watch fob and case, beaded with spade pattern on tang and geometric pattern on the circular leather bag. 2-1/2” W x 7-1/2” L Condition: Missing beads.
(C) A pair of moccasins, the right one marked on sole “Crow Agency Montana / Rv Elich, Omaha”. With a cross pattern and well-worn soles.
Colors: blue, white, white-center-reds, greasy yellow, green
(Estimate: $500 - $1,000)
1083 - PLAINS STONE-HEADED CLUB
The stone head made from crystal, pointed on each end, attached with rawhide to a long stem that is covered with a brownish red pigment. 34” x 5-1/2”
Condition: With chip out of one point.
(Estimate: $700 - $1,000)
1084 - NATIVE AMERICAN WAR CLUB
The stone head made from crystal, pointed on each end, attached with rawhide to a long stem. 34” x 6-1/2”
Condition: Both points have chips missing and rawhide stem has been repaired at the connection of the stone to the stem.
(Estimate: $500 - $800)
Circa turn of the 20th century. Including Sitting Bull, Chief Joseph, Chief High Horse, Black Eye-Ish-Tah-Sa-Pah, Bear’s Rib, Charging Hawk, Bear Shield, and Many Arrows (K’aa Iani). Each card (approx): 6-1/2” x 4-1/4”
(Estimate: $1,000 - $2,000)
1085 - LOT OF 2: EARLY CABINET CARDS OF NATIVE AMERICAN LEADERS
1086 - CARL MOON (AMERICAN, 1878-1948)
Aleida - View #1 tinted color photograph image: 16” x 12” framed: 24-1/4” x 20-1/2” original ornate gold tone wood frame
(Estimate: $500 - $1,000)
1087 - CARL MOON (AMERICAN, 1878-1948)
The Runner Taos, view #2 left gold orotone photograph signed “C. Moon” lower-left corner sight: 10-1/2” x 13-1/2” framed: 21-1/2” x 25-1/2” in original ornate gold tone wood frame
(Estimate: $750 - $1,500)
1088 - LOT OF 2: E.S. CURTIS PHOTOGRAVEURES
Circa unknown.
(A) Jicarilla Maiden
(B) Iron Breast-Piegan
(Estimate: $500 - $1,000)
1089 - FRITZ WHITE (AMERICAN, 1930-2010)
Wyoming bronze sculpture
6” L x 6” W x 16-1/2” H with stand: 25” H numbered 19/253
Bronze sculpture of an indigenous face wearing a pronghorn antelope headdress.
(Estimate: $1,500 - $2,500)
1090 - FRITZ WHITE (AMERICAN, 1930-2010)
The Sacred White Buffalo bronze 13-1/2” L x 18” W x 32” H with stand: 35” H. signed on back “Fritz White, 2/15”
Depicting a Pawnee man holding a white buffalo pelt, including the horns.
(Estimate: $3,000 - $6,000)
1091 - SCOTT ROGERS (AMERICAN, B. 1961)
Ke-wa Corn Maiden bronze
9” Dia. x 27” H
Signed “D.S. Rogers”, numbered 2/30
This bronze depicts a Ke-Wa maiden mid-prayer in a traditional Corn Dance. She wears a ceremonial dress, a traditional headdress, and a turquoise and shell necklace, while clutching evergreen boughs in each outstretched hand.
(Estimate: $2,500 - $5,000)
1092 - PHILIP VICKERS
matrix sculpture 19” L x 5” W x 27” H numbered 69/150
A cast in matrix sculpture depicting the side profile of a Native American man, highly detailed and patinated, with a turquoise for his earring.
(Estimate: $400 - $800)
Olla Water Bearer II
bronze 19” L x 9-1/2” W x 29” H with base: 33” H signed on bottom “S. Myers”
Showing a Pueblo lady with three ollas.
(Estimate: $1,000 - $2,000)
1094
Olla Water Bearer bronze 9-1/2” x 8-1/2” x 20-1/2” H with base: 23” H signed on back, “S Myers”
(Estimate: $500 - $1,000)
1093 - STEVE MYERS (20TH CENTURY)
- STEVE MYERS (20TH CENTURY)
1095 - W. HERBERT DUNTON (1878-1936)
Pony Express Leaving St. Joseph 1861 oil on board
sight: 24-1/4 x 43 in. framed: 28 x 47 in. Signed lower right “Dunton”
Painted board is mounted on heavy board and heavily varnished. Noted in Missouri Valley Special Collections / Kansas City History - Entitled: Pony Express Leaving St. Joseph, 1861” Listed on photograph as No. 3. Date. 1923 (Murals)
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $2,000 - $4,000)
1096
With ironwork and nail adornment.
Dimensions: 33-3/4” W x 18-1/2” L x 13-1/4” H
Condition: Several nails missing. Two iron straps possibly of later origin.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $400 - $800)
A full size Western type wagon box. Plank construction with great weathering and traces of old paint. Front sloped lift lid with hand forged iron furniture. Measures: 39 1/2” x 19 3/4” x 18”. CONDITION: Good.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $500 - $1,500)
- SPANISH COLONIAL CEDAR WOOD CHEST
1097 - ANTIQUE WAGON BOX
1098 - ARCHAIC BISON SKULL
Covered with some form of varnish. Dimensions: 23” W x 4-1/4” D x 11” L.
(Estimate: $200 - $600)
1099 - WESTERN “MOLESWORTH STYLE” SQUARE TABLE
37” x 37” x 29-1/2”
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $300 - $600)
1100 - HAND-CARVED WOOD KUBBESTOL CHAIR
Depicting Vikings meeting North American Indians. Signed on base “Made by Torkgel Landeverk 1939. Whalan Minn, USA.” Condition: With wood chips missing on the back side and base.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $200 - $400)
1101 - TAOS PUEBLO DRUM
With drumstick. Dimensions: 23” Dia x 20-1/4” H
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $200 - $400)
1102 - W.R. DALLAS CHEST OF DRAWERS
Sturdily constructed ponderosa pine chest of drawers. Featuring iron furniture and heavy slatted pulls. W.R. Dallas Furniture Studios was founded in 1929 by Wylie R. Dallas. He began handcrafting furniture in 1929 in San Antonio, Texas calling it Texas Spoke-Leg Furniture. Manufacturer’s logo is stamped on the side panel of each drawer. CONDITION: Some light scuffs to top. Solid overall and ready for your family home, ranch, hotel, restaurant, summer camp or dude ranch.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $800 - $1,200)
1103 - W.R. DALLAS PINEWOOD
Sturdily constructed circa 1940s ponderosa pine horseshoe mirror. W.R. Dallas Furniture Studios was founded in 1929 by Wylie R. Dallas. He began handcrafting furniture in 1929 in San Antonio, Texas calling it Texas Spoke-Leg Furniture. CONDITION: Very good with no deep scuffs or scratches. Solid overall and ready for your family home, ranch, hotel, restaurant, summer camp or dude ranch.
(Estimate: $500 - $800)
1104 - W.R. DALLAS CHUCK WAGON SECRETARY DESK
Circa 1930-1940s sturdily constructed ponderosa pine drop-front secretary desk. Featuring iron furniture and heavy slatted pulls. W.R. Dallas Furniture Studios was founded in 1929 by Wylie R. Dallas. He began handcrafting furniture in 1929 in San Antonio, Texas calling it Texas Spoke-Leg Furniture. Manufacture’s logo is stamped on the side panel of each drawer. CONDITION: Some light scuffs to top. Solid overall and ready for your family home, ranch, hotel, restaurant, summer camp or dude ranch.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,000 - $1,500)
HORSESHOE MIRROR
1105 - W.R. DALLAS NIGHTSTAND
Circa 1930-1940s sturdily constructed ponderosa pine nightstand with doors. Featuring iron furniture and sheet iron rustic pulls. W.R. Dallas Furniture Studios was founded in 1929 by Wylie R. Dallas. He began handcrafting furniture in 1929 in San Antonio, Texas calling it Texas Spoke-Leg Furniture. Manufacturer’s mark is stamped on the side panel of the drawer. CONDITION: Some light scuffs to top. Solid overall and ready for your family home, ranch, hotel, restaurant, summer camp or dude ranch.
(Estimate: $350 - $450)
1106 - W.R. DALLAS NIGHTSTAND
Circa 1930-1940s sturdily constructed ponderosa pine nightstand. Featuring iron furniture and linked chain drawer pull. W.R. Dallas Furniture Studios was founded in 1929 by Wylie R. Dallas. He began handcrafting furniture in 1929 in San Antonio, Texas calling it Texas Spoke-Leg Furniture. Manufacturer’s logo is stamped on the side panel of the drawer. CONDITION: Top shows numerous water ring stains. Solid overall and ready for your family home, ranch, hotel, restaurant, summer camp or dude ranch.
(Estimate: $350 - $450)
1107 - A PAIR OF BULL HORNS
With a central tooled leather done in a floral design with a central rosette containing a longhorn steer head. Wall-mounted.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $400 - $800)
1108 - A LARGE PAIR OF STEER HORNS
Mid-20th century. With a central leatherwork depicting a bronc rider being thrown into a cacti. Wall-mounted.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $800 - $1,200)
1109 - A PAIR OF STEER HORNS
Contemporary. With central leatherwork and floral pattern, highlighted with straps of leather extending from a pair of conchos.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $300 - $500)
1110 - A PAIR OF LONGHORNS
Mid-20th century. With central tooled leather, showing horse heads inside a horseshoe. Wall-mounted.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $500 - $1,000)
1111 - A COLLECTION OF BARBED WIRE
The Wires that Fence the West, with 15 different types of barbed wire from 1853 to 1883, each with the name of the type of barbed wire noted. On the back, a certificate of authenticity from the American Barbed Wire Collector’s Society. 22” x 25”
(Estimate: $100 - $200)
1112 - A COMPLETE BISON SKULL
Contemporary. With a nicely bleached bison skull, paired with its matching jawbone.
(Estimate: $300 - $500)
1113 - BISON TAXIDERMY HEAD WITH HORNS
Wall mount. This bison was shot by Spangenberger on a hunt that focused on using vintage firearms, and was featured in a Guns & Ammo magazine article. It was taken with a .54 cal Hawken plains rifle reproduction. Condition: Fur intact, a 7” break on the chin, and a 1-1/2” break extending towards the nostril.
Provenance
Ex Collection of Phil Spangenberger
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,000 - $2,000)
1114 - LARGE MOUNTED TAXIDERMY STEER HEAD
Steer from the Melody Ranch, part of the Gene Autry Museum Collection. 56-1/2” W x 35” D x 37” H
Provenance
Ex Collection of Phil Spangenberger
Butterfield & Butterfield, Novermber 19, 1989
Melody Ranch, part of the Gene Autry Museum Collection
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $2,000 - $3,000)
1115
- FOLK ART KACHINA
Circa 1950s. Made from pre-cut lumber. Of standing form, painted with various details. Made for a trading post along Route 66. Colors: Black, white, turquoise, red, yellow.
Provenance: From the Collection of Sandra Horn
16” W x 6-1/2” D x 38” H.
(Estimate: $500 - $1,000)
1116 - FOLK ART KACHINA
Circa 1950s. Made from pre-cut lumber. Of standing form, painted with various details. Made for a trading post along Route 66.
Colors: Black, white, turquoise, red, yellow, green.
16” W x 6-1/2” D x 38” H.
Provenance:
From the Collection of Sandra Horn
(Estimate: $400 - $800)
FIGURE
FIGURE WITH A TABLITA
1117 - LOT OF 3: DAVID SALK STONEWARE POTTERY ITEMS EMULATING BASKETS
(A) Chemehuevi olla. Signed “D. Salk 87” on the side. 10” Dia. x 8-1/2” T.
(B) Pima tray. Signed on bottom “D. Salk 87”. 12-1/2” Dia. x 2-3/4” T.
(C) Anasazi tray. Signed on bottom “D. Salk 87”. 8-1/4” Dia. x 2” T.
(Estimate: $500 - $1,000)
Each hand-carved, the largest containing two oxen and yoke, the smaller containing one bull. Largest - 9-1/2” Dia. x 3” T
(Estimate: $100 - $300)
Circa Late Postclassic (1200-1500 AD). The largest being a seated female figure in headdress, the second being a molded female figure with large ear plugs and necklace.
(Estimate: $400 - $800)
1120 - LOT OF 3: MAYA POTTERY ITEMS
Circa Late Postclassic (1200-1500 AD). Two molded human forms and a monkey maskette, the largest being a rattle, each on a custom stand. Largest - 3-1/2” W x 2-1/4” L x 6-3/4” H.
(Estimate: $200 - $500)
1118 - LOT OF 2: BOLIVIAN WOOD BOWLS
1119 - LOT OF 2: MAYA POTTERY FIGURES
(1928-1980)
Each of a female figure holding animals and well-adorned dresses, each done in the style of Blanco Núñez of natural beige and reddish-color clay. Largest - 13” L x 9” W x 20-1/2” H
(Estimate: $500 - $1,000)
Gunmetal finish with overall indentations creating vertical, wavy lines. Excellent condition, no chips or cracks. 15” Dia. x 5” H
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $500 - $1,000)
(A) With a body filled with scarlet macaws perched amongst the trees. 8” Dia. x 8-1/2” H
(B) With an overall repeating geometric pattern of dark and light natural fibers. 5-1/2” Dia. x 4” H
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $150 - $350)
Of olla form, each inscribed with the artist name on base. Overall curvolinear and geometric patterns. (A) 8” Dia. x 9-1/4” T.
(B) 9” Dia. x 11” T
(Estimate: $300 - $500)
1121 - LOT OF 2: MEXICAN POTTERY FIGURES BY TEODORA BLANCO NÚÑEZ
1122 - LOT OF 2: WOUNNAAN BASKETS
1123 - CASAS GRANDES (MATA ORTIZ) POTTERY BOWL BY REYNALDO QUEZADA
1124 - LOT OF 2: JORGE QUINTANA RODRIGUEZ MATA ORTIZ POTTERY OLLAS
1125 - LOT OF 4: GUATEMALAN WOODEN CARVED TOYS
Circa turn of the 19th century. Two with metal stands. Each depicting a human figure.Largest - 3” W x 11” H w/ stand
(Estimate: $200 - $500)
1126 - MARIACHI PANT SUIT
Mid-20th century. With extensive curvolinear embroidery and leather trim adorning the sides of the jacket vest and pants. Colors: black, cream Jacket - 17” Width, 22 - 1/2” Length, 24 - 1/2” Sleeve Length. Vest - 18” Width, 21 - 1/2” Length. Pants - 32” Waist, 32” Inseam
(Estimate: $400 - $800)
(A) With a central figure of a sun and fire interacting with raindrops. 39-1/4 x 39-1/4 in.
(B) Depicting a healing scene. 23-5/8 x 23-5/8 in.
(Estimate: $700 - $1,400)
1127 - LOT OF 2: HUICHOL YARN PAINTINGS
1128 - EARLY NEW MEXICO CRISTO
With Jesus figure on the cross with “INRI” sign overhead. Glass eyes. Perch for bird has been separated from the cross.
Condition: With limited restoration. Three fingertips missing on left hand, index finger missing on right hand, big toe missing from right foot.
Provenance: Estate of Charles and Glenna Campbell
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $4,000 - $8,000)
1129
- LOT OF MILLER BROS. 101 RANCH ITEMS
Riker lot of 101 monogrammed beaded pouches, competitor badges, 101 Ranch Store tokens, photos, and ephemera.
(Estimate: $600 - $800)
1130 - LARGE LOT OF 101 RANCH PERFORMER AND SOUVENIR ITEMS
Lot consists of: (A) Color litho vignette kid leather white riding gloves. (B) Red wool 101 saddle blanket with white trim. (C) Braided kangaroo reins and bridle with bit. (D) Ranch hoof trimmers with ‘101’ cast into the handle. (E) Custom leather and braided rawhide fancy performer’s quirt. Handle is carved and painted. (F) Long barreled, cast iron ‘101 RANCH’ cap gun. (G) 101 performers blue flannel beaded shirt and leather chaps outfit.
(Estimate: $1,500 - $2,000)
1131 - LARGE BINDER OF 101 RANCH AND RODEO PROGRAMS
Large and diverse lot of Miller Bros. productions event programs and related rodeo events ephemera. Circa 1900-1920s.
(Estimate: $1,000 - $1,500)
1132 - LARGE LOT OF 101 EPHEMERA & DOCUMENTS
Documents, sheet music, photos, postcards, tokens, fobs, and related to the Miller Bros. 101 shows and property.
(Estimate: $600 - $1,000)
1133 - LARGE LOT OF 101 RANCH & BUFFALO BILL PROGRAMS & DIMESTORE NOVELS
Lot of original Buffalo Bill, Miller Bros. 101 Ranch programs and Deadwood Dick and Buffalo Bill dimestore novels.
(Estimate: $1,500 - $2,000)
Lot consists of: (A) Brown felt hat with 101 Ranch gold lettering inside silk crown lining. (B) Heavy cast brass 101 RANCH steer head boot jack. (C) Indians of America leather covered booklet from Pawnee Bill’s Trading Post with hand painted cover. (D) Heavy glass 101 ranch desk paperweight. (E) Beaded and fringed 101 performer cuffs. (F) Nickeled security guard badge for 101 ranch. (G) Texas Ranger badge cut from Mexican silver coin. (H) Brass Indian head motif bookends.
(Estimate: $1,000 - $1,500)
Lot featuring quality 101 Ranch and Buffalo Bill show programs, photos, printed ephemera, ranch store tokens, fobs, admission tickets, die cuts, Indian photos, etc.
(Estimate: $2,000 - $3,000)
Large steamer travel trunk with wood reinforcing bands, leather trim with brass tacks and corner hardware. Contains the original lining and interior shelf. Stenciled to the top: ‘MILLER BROS. / 101 RANCH / WILD WEST SHOW’. Featured on the cover and several pages of “Guns That Talk” Vol:1 by LaFever and Root, this trunk came out of an Oklahoma estate and is purported to be the personal trunk of Zack Miller, one of 3 brothers that owned and operate the 101 Ranch Wild West Show. Includes a copy of the book mentioned.
(Estimate: $2,000 - $4,000)
1134 - LOT OF 101 RANCH SOUVENIR ITEMS
1135 - LARGE LOT OF 101 RANCH PAPER ITEMS, TOKENS, ETC.
1136 - MILLER BROS. 101 RANCH PERFORMER’S TRUNK
1137 - LOT OF 3: FRAMED 101 RANCH ITEMS
Lot consists of: 101 Ranch schedule with color letterhead. (B) 1920s panoramic photo of the 101 Ranch. (C) Smaller version of panoramic shot of Miller Bros. 101 Ranch. Not examined out of frames.
(Estimate: $400 - $600)
1138 - LOT OF 2 PROFESSIONALLY FRAMED 101 RANCH RELATED DISPLAYS
The 110,000-acre cattle ranch, known as the 101, was formed in 1893. In 1908, urged on by their neighbor, Gordon Lillie (Pawnee Bill), they entered the touring Wild West Show business in 1908 and formed a partnership with Pawnee and Buffalo Bill that very year. The first item in this lot is a professionally framed calendar. This calendar was produced for the Lazaretto Guano Works (fertilizer) This piece features a full color lithograph of a cowboy, an Indian and a Middle East adorned man. The date pad has its original adverting cover which details the picture as that of J.C. Miller of the 101 Ranch on his Arabian Horse imported in 1906 as well as a Sioux Indian Chief and Sied Abelallah, a slave and groom. This is the only mention pertaining to the 101 Ranch as they describe Miller. Calendar is in excellent condition showing bright color. The other item in this lot is a deep framed display featuring a 6 x 9 1/2” hard cover book with full color lithographed images entitled “Pawnee Bill’s True History of the Great West and Thirty Years among the Pawnee Indians. Also included is a silver dollar size bronze watch fob with the profile images of Pawnee and Buffalo Bill as sold in the gift stores at their “Two Bills” Wild West show. The book retains vivid color but binding shows tatters. A beautiful lot of two great wall displays.
(Estimate: $500 - $800)
A fantastic array of Miller Bros. 101 Ranch related items framed in a large 3 panel hardwood frame adorned with horseshoe corners. Includes, performance schedules and ranch bucks, original images of Native Americans harvesting a buffalo, 101 Ranch letterhead, envelopes, buffalo hunt invitation, show tickets and hard to find Christmas postcard. Includes second small framed group of similar items which also includes a Christmas postcard. Condition is excellent. Items not examined outside of frame.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $800 - $1,600)
1139 - LARGE FRAMED GROUP OF 101 RANCH EPHEMERA
1140 -
WILLIAM C MCNULTY PEN & INK OF W.F. CODY
Pen and ink
Sight: 17 x 8-1/2 in.
Framed to 15 1/2 x 24 1/2 in.
Early pen and ink rendering of W.F. Cody in a jaunty pose with a M1873 Winchester rifle. Older professional framework and matted under glass.
Condition: Very fine with some scattered very light foxing spots.
Provenance: Oral history from consignor states that this drawing hung in the office of Judge William Altstadt. His nickname was “Little Bismark” and was justice of the peace in Douglas, County, Nebraska in the late 1800s and early 1900s. He was a close friend of Bill Cody, and helped him with many legal issues that needed resolved to form the Wild West shows that Cody would later become famous for. McNulty executed the drawing in 1903 when he was working for multiple newspapers in Omaha. W.C. McNulty’s father was James McNulty, a close friend of Bill Cody.
(Estimate: $1,500 - $2,000)
1141 - DESIREABLE BUFFALO BILL / PAWNEE
William F. Cody and Pawnee Bill (Gordon William Lillie) were the two most famous and influential central characters when the Wild West Shows traveled the world prior to the First World War. This three-part single framed display was done in museum quality and double matted. There is a hand-written letter sent by Cody on October 18, 1916. The Jim Miller 101 Ranch Buffalo Bill letter head features Cody surrounded by Cavalry and American Indians, artwork lithograph done in full color and measuring 4 x 7 1/2”. The 1916 season was the only full year association between Buffalo Bill and the Miller 101 Ranch show. This letter is written, most likely to an attorney, dealing with Cody’s quest for details about his estate. He states that all of his ownings are in Mrs. Cody’s name, questioning whether she would be held libel for any of his debts. In particular, he mentions the now famous Irma Hotel in Cody Wyoming inquiring about financing or a mortgage on that property. This letter was written less than three months before his death on January 10,1917 as if he could see his impending demise. The next is a typed letter written on Buffalo Bill and Pawnee Bill Wild West Show letter head and signed by G. W. Lillie (Pawnee Bill) It is addressed to a friend regarding the show schedule for the upcoming 1911 season with a special invitation to attend the show at Madison Square Garden on April 26 where they would present the “swellest Wild West and Far East show that has ever been seen in this country”. This show was referred to as the “Two Bill’s Wild West Show” as they had joined acts in 1908. Lastly, there is a souvenir 8x10 sepia tone photograph of the two Bills profiles as published by D. F. Berry. These two hand signed letters are of vast importance due to the contents of each man’s letters, especially for the Cody letter dealing with the famous Irma hotel and his impending estate. The entire framed display piece is simply outstanding and historically significant.
(Estimate: $1,000 - $2,000)
1142 - LOT OF 2: SANTA FE RAILROAD PRINTS
Santa Fe System Lines The Chief is Still the Chief and Gee, That’s Eatin’ framed prints.
sheet (each): 12-1/2 x 9 1/2 in.
framed (each): 16 1/2 x 13 1/2 in.
(Estimate: $100 - $300)
BILL “TWO BILLS” WILD WEST SHOW AUTOGRAPHED LETTERS DISPLAY
1143 - BUFFALO BILL’S WILD WEST FRAMED POSTER
Belgian version of this Buffalo Bill poster that has been framed. Features a group of cowboys defending an elevated position from a band of distant Native Americans.
Condition: Very good, showing great color, with minimal wrinkles and light surface scratches from handling. No rips or repairs noted. Lot comes with an original postcard from the event.
(Estimate: $3,000 - $4,000)
1144 - FRAMED FRENCH BUFFALO BILL “ROUGH RIDERS” POSTER
Large format announcement poster for Buffalo Bill and his Rough Riders in Belgium. Features a dynamic bucking bronco and cowboy in woolie chaps. Wieners lithography, London and Paris.
Condition: Showing good, unfaded colors with evidence of mailing folds, strong lithograph mark, and mounted in a contemporary poster frame. Poster comes with an original postcard from the event in good condition.
(Estimate: $8,000 - $10,000)
1145 - LOT OF 2: WESTERN OUTDOOR TINTYPE & GOLD RUSH ERA DAGUERREOTYPE
Lot consists of: (A) Circa 1860s Quarter-plate tintype showing a pioneer conestoga type prairie schooner wagon and men horsing around. Neat background details of a temporary tent camp. Housed in a gutta percha case with inside makers label of A.P. Critchlow, manufacturer of daguerrotype cases. Pat’d 1857. (B) Sixth-plate 1850s daguerrotype housed in half leatherette case depicting a dapper gentleman holding an embossed liquor bottle. Some light scuffs on image.
(Estimate: $600 - $1,000)
1146 - MISCELLANEOUS WESTERN EPHEMERA, CURRENCY, AND DIMESTORE NOVELS
Lot of Confederate and U.S. currency, frontier military related, steamboat, Deadwood Dick and Buffalo Bill paperback novels. etc.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $200 - $400)
1148 - LARGE LOT OF MINING CERTIFICATES AND FRONTIER CHECKS
Nice variety of gold and silver mining checks, promissory notes, and checks from frontier Indian traders and Wells Fargo Express. Circa 1870-1900.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $400 - $700)
1147 - LARGE LOT OF WESTERN BUSINESS AND SADDLERY EPHEMERA
Large lot of (28) western related saddle and business letterheads and related ephemera.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $400 - $600)
1149 - LOT OF WESTERN RAILROAD EPHEMERA
Lot of railroad passes, way-bills, shipping orders, pay stubs, and tickets.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $400 - $600)
1150 - LOT OF LAW ENFORCEMENT WANTED POSTERS, CARDS, AND RELATED EPHEMERA
Lot of late 1800s western related wanted cards, broadsides, prostitution licensing and related items.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $600 - $800)
1151 - SHERIFF OF ST. CLAIR COUNTY, ILLINOIS HANGING ROPE AND HANGING INVITATION
A rare and morbid reminder of public executions that used to occur with regularity at the end of the 1800s. In the 19th century, there was a curious trend of sending formal invitations to the guests. These invitations to hangings and other forms of execution could be as ceremonial as an invite to a wedding, sometimes handwritten, other times specially engraved. This example is from the office of the Sheriff of St. Clair County, Illinois, inviting the bearer to the execution of George Centrell in the jail yard at Belleville on Nov 30th 1894 for the murder of Frederick Kohn, a local farmer that employed Central. Included is a 5” section of rope from the hangman’s noose, cut as a souvenir by a spectator. There is a period section of very old darkened paper with iron ink inscription: PIECE OF ROPE THAT HUNG GEO CENTRAL (sic) / BELLEVILLE ILLS NOV 30 - 1894 / ALSO SHERIFF’S GATE / PASS TO THE EXECUTION. Included are modern copies of the newspaper articles related to the initial murder, apparently the result of a love affair gone bad that also resulted in a death sentence for the wife Kohn who waylaid her husband with Centrell. At his hanging, Mrs. Kohn shouted out a good-bye to Centrell who told the Sheriff: “That woman makes me tired.” Not examined out of riker case.
(Estimate: $1,000 - $1,500)
1152 - LARGE LOT OF WESTERN RELATED LIQUOR, LABELS, & SALOON ITEMS
Nice lot of western related ephemera from saloons, Internal Revenue liquor tax forms, cigar and whiskey labels, prostitution licensing, etc. Circa late 1800s.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $400 - $700)
1153 - LOT OF FIREARMS RELATED EPHEMERA, SHARPS, WINCHESTER, COLT
Ephemera lot related to frontier firearms companies. Included is Merwin & Hulbert, Colt, Sharps, Winchester. Highlight of the lot is a letter handwritten and signed by W.W. Winchester. William Wirt Winchester (June 22, 1837 – March 7, 1881) was an American businessman and the treasurer and Vice President of the Winchester Repeating Arms Company, a position he held until his death in 1881. After his death, his wife, Sarah, moved to Santa Clara Valley, California and became notable for building Llanada Villa, later known as the Winchester Mystery House.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $600 - $1,000)
1154 - LARGE LOT OF JOHN HARDIN ARTIFACTS
Lot of 6 original artifacts related to the famous Texas gunfighter, John Wesley Hardin, including 2 signatures, collected together in an open top riker case. (A) Two original gambling chips from the Acme Saloon, where Hardin was killed on August 19, 1895. White chip with gold “ACME” on front, and a blue one with same writing. “R.B. Stevens / Prop.” printed on verso of chips. 1 1/2” diameter. (B) Authentic shot poker card with original Hardin signature and four bullet holes executed by Hardin, signed and dated “J.W. Hardin / 4-6-1895”. 4 1/2” x 2 1/2”. One of the best example of a Hardin shot card we’ve ever cataloged. (C) Original Hardin calling card. “JOHN W. HARDIN Esq. / ATTORNEY AT LAW / OFFICE 200 ½ El Paso / Wells Fargo Bldg. PRACTICE IN ALL COURTS”. 2 1/8” x 3 1/8”. d) Chit from the Wigwam Saloon, signed by Hardin. Aug 15, 1895 (5 days before before he was killed), for “Cash Loan 5.00 / Bar Bill 1.50”. Signed in black ink, “John W. Hardin”. Clipped, lined ledger paper with blue THE WIGWAM head stamp, 4 1/4” x 1 3/4”. In the center of the framed display is copy of a Hardin image. Provenance: Includes original Robert McNellis signed and notarized sworn statements for both the playing card and the calling card as well as copies of other known cards.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $10,000 - $15,000)
1155 - DESIREABLE JOHN WELSEY HARDIN CALLING CARD WITH NOTARIZED LETTER
John Wesley Hardin was one of the most feared gunman in Texas when he was sentenced to 25 years in prison in 1878 for the killing of Deputy Charlie Webb. While serving his sentence in Huntsville, he studied law and passed the bar after serving about 15 years of that sentence in 1894. He set up shop as an attorney in El Paso Texas in 1895, spending most of his time gambling at the saloons. During his few months as an El Paso lawyer, he did defend a close relative, Killer Jim Miller. before being shot dead by John Selman on August 19th in 1895.This genuine example of his famed calling card comes with a notarized letter from Robert McWillis , dated 1982, where he describes in detail his association with the Harding family and the complete history of this acquisition along with other Hardin artifacts. The card itself is standard business card in size listing his name, profession and office location and is in complete and excellent condition.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $1,000 - $1,500)
1156 - 1870S FORT GRIFFIN TEXAS STORE BROADSIDE
Exceedingly rare, and most likely only one is existence, this broadside advertises the frontier store of Frank Conrad and Charles Rath at Fort Griffin, Texas. This was one of the prized ephemera possessions of famous Guns & Ammo and True West author and historian Phil Spangenberger. Conrad and Rath were famous partners in the 1870s on the Texas frontier. They operated the Conrad & Rath general store at Fort Griffin, which was a critical supply post for the buffalo hunting trade along the “Rath Trail”. Broadside features amazing printed content with highlights reading: “AGENTS FOR SHARPS RIFLES / WINCHESTER RIFLES and COLT’S REVOLVERS.” As well as, “Store situated on the Great Cattle Trail from Texas to Kansas.” Established in 1867 to protect settlers, Fort Griffin was a crucial post against Comanche and Kiowa raids until 1881. Established in July 1867 on the Clear Fork of the Brazos River, the fort (originally named Camp Wilson) was a key post in a second line of defense against Native American raids, providing security on the Texas frontier. Below the fort grew a chaotic, lawless town known as “The Flat,” which served as a major center for the buffalo hide trade and was a stopping point on the Western Cattle Trail. Legends such as Wyatt Earp and Doc Holliday are reported to have met in the town’s Shaughnessy Saloon. As the buffalo herds were depleted and tribes were relocated, the army deemed the post unnecessary, abandoning it in May 1881. CONDITION: Fine. Some light foxing around edges with a middle point fold line, and standard age commensurate toning.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $2,000 - $4,000)
1157 - IMPORTANT EL PASO DOCUMENT “DEPUTATION” OF MANNY CLEMENTS
1902 deputization document appointing Emmanuel Clements as a Deputy Sheriff in El Paso, Texas by Sheriff James H. Boone. Clements was a major player in El Paso and associated with many of the key players on both sides of the law. Emmanuel “Manny” Clements, Jr. was the son of “Big Mannen” Clements, a west Texas cattleman, and the cousin of John Wesley Hardin. His sister grew up to marry the notorious “Killer Jim” Miller. James Henry Boone was a cowboy, U.S. Customs mounted inspector, sheriff of El Paso County and proprietor of the Washington Park entertainment venue in El Paso. An 1899 article described Boone as an “intrepid and dashing” law enforcement officer who was “very popular” and “feared by all outlaws”. Signed by Boone, Clements and others. Very legible and clear signatures with two county pressure seals visible. A scarce piece of Texas law enforcement ephemera. CONDITION: Very Fine with no foxing or damage.
(Estimate: $1,500 - $3,000)
1158 - LOT OF 2: CALIFORNIA DEPUTY SHERIFF BADGES
Lot consists of: (A) 1920s DEPUTY / SHERIFF / SANTA CLARA CO. / 226. Stamped to reverse: IRVINE & JACHENS / S.F. (B) Nickeled DEPUTY SHERIFF / ALAMEDA CO. nickeled silver shield, black lettering, circa 1910.
(Estimate: $600 - $800)
1160 - LOT OF 4: POLICE BADGES
1159 - LOT OF 3: DEPUTY BADGES
Lot consists of: (A) Circa 1890s 5 point nickeled star DEPUTY / SHERIFF. Original pin to reverse. (B) Finely made 5 point, brushed nickel, 5 point DEPUTY / SHERIFF star. Maker marked to reverse: SACHS-LAWLOR M. & M. CO. / DENVER. / COLO. (C) Interesting early 1900s nickeled shield variation DEPUTY/ SHERIFF with center shining star. Unmarked with original pin.
(Estimate: $600 - $1,000)
Lot consists of: (A) Die-struck nickel over brass silver eagle shield CUDAHAY / POLICE / SIOUX CITY, / IA. Neat longhorn in raised relief center vignette. (B) Gold gilt finish SPECIAL DEPUTY SHERIFF / NEW YORK COUNTY / N.Y. badge presented to California Hollywood personality Leo Carrillo. In 1905, Carrillo married Edith Shakespeare Haeselbarth of Nyack, New York, whom he met backstage at the New York City theater where she had seen him perform. He most likely was awarded this badge on one of his promotional visits to New York.C) 1950s DEPUTY SHERIFF/ SACRAMENTO CO / 314 nickeled badge with brass center state seal and lettering. Marked to reverse: ENTENMANN / LOS ANGELES. (D) 5 point nickeled star DEPUTY / AMADOR / 8/ COUNTY / SHERIFF. Marked to reverse:P. AND M.K. CO.
(Estimate: $800 - $1,200)
1161 - LOT OF 3: DEPUTY BADGES
Lot consists of: (A) Jeweler made, hand chased and cut DEPUTY / UNITED / STATES / MARSHAL badge. Pinbacked, no maker mark. (B) Nickeled 5 point star with ball ends and soft black lettering. Style used by deputies after 1880 in the Old West. (C) Simple nickel 6 point star with soft black lettering MINDEN / MARSHAL / IOWA.
(Estimate: $1,000 - $1,500)
1162 - LOT OF 3: CONSTABLE BADGES
Lot consists of: (A) 1890s nickeled silver cut out 5 point star with soft black enameled lettering. (B) Circa 1900-1915 nickeled shield badge with black lettering. (C) Smaller size round badge with black lettering.
(Estimate: $1,000 - $2,000)
1163 - SALINE COUNTY DEPUTY SHERIFF BADGE
Circa 1880s jeweler made SALINE COUNTY / DEPUTY SHERIFF / KANSAS German silver shield with finely recessed soft black lettering. Measures 1-3/4” x 1-1/4”.
(Estimate: $1,000 - $1,500)
1164 - LOT OF 2: POLICE BADGES
Lot consists of: (A) Circa 1880s 5-point star cutout badge for the Salem, Oregon Police Dept. Most likely jeweler made with hand engraved embellishments and soft black recessed lettering. (B) Large, 1920s nickel over brass deputy sheriff badge from the state of Oregon. Features a 5-point star with ball ends design.
(Estimate: $1,000 - $1,500)
1165 - HOWARD POST (AMERICAN, B. 1948)
The Corner Corral oil on canvas board sight: 11 x 14 in. framed: 13-1/2 x 16-1/2 in.
Signed lower-left corner “H. E. Post”
Showing three horses looking out beyond from behind the corral.
(Estimate: $3,000 - $5,000)
1166 - RAY SWANSON (1937-2004)
Bhaktapur Washday watercolor sight: 10 x 8 in. framed: 15-3/4 x 13-7/8 in. signed lower right: Ray Swanson CA / ©
Depicting the daily life in an alleyway.
Provenance
Jackie L. Coles Collection. National Cowboy & Western Heritage Museum.
(Estimate: $800 - $1,200)
1167 - RUTHE BLALOCK JONES (B. 1939)
Shawnee Man
acrylic on canvas sight: 16 x 20 in. framed: 17 x 21 in. signed in blue lower-middle margin, dated 1996
Depicting a man holding a drum in traditional garb.
(Estimate: $800 - $1,200)
1168 - DONNA INGEMANSON
America’s Old West acrylic on canvas 20 x 26 in. signed lower right “Ingemanson”
Depicting a map of the United States, with depictions highlighting the Western United States.
(Estimate: $400 - $800)
1169 - AFTER PABLO PICASSO (SPANISH, 1881-1973)
Le Taureau (The Bull) lithograph
sight: 35 x 23-1/2 in.
framed: 43-1/2 x 32 in. signed lower right in the lithograph “Picasso”
Eleven interpretations of the bull as conceived by Picasso, all depicted in this one image.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $200 - $400)
1170 - ERIC MICHAELS (AMERICAN, B. 1949)
At a Crossroads in Time oil on canvas sight: 36 x 24 in. framed: 42 x 30 in. signed lower-left “Eric Michaels”
With a row of mounted Plains Indians making their way through a winter landscape.
(Estimate: $2,000 - $4,000)
1171 - LOT OF 2: STONE LITHOGRAPHS INSPIRED BY KARL BODMER
(A) Mahesh Kumar stone lithograph sight: 25-1/4 x 13-3/4 in. framed: 31 x 19-1/2 in.
Unique interpretation by this artist, inspired by Karl Bodmer’s Sih-Chida & Machchsi-Karehde, Mandan Indians
(B) Vishnu Sharma stone lithograph sight: 14 x 22-1/2 in. framed: 20 x 28-3/8 in.
Unique interpretation by this artist, inspired by Karl Bodmer’s portrait of a Native American Hidatsa chief named Abdih-Hiddisch, also known as “Maker of Roads” or “Minnetaree”.
(Estimate: $500 - $1,000)
1172 - HELEN ROACHE
Untitled oil on art board sight: 18 x 24 in. framed: 21-1/2 x 27-1/2 in. signed lower right corner
Depicting a Southwestern scene of Pueblo lady painting on pottery in front of a Kiva fireplace.
(Estimate: $200 - $400)
1173 - H. J. STODDARD
Arapahoe Chieftan oil on canvas sight: 7-1/4 x 9 in. framed: 11-1/2 x 13 in. signed lower right, titled on plaque
(Estimate: $300 - $500)
1174
(1914-2003)
Near the Oregon Trail oil on canvas signed on back of canvas “Fagenstrom” and on stretcher bar sight: 23-3/4 x 29-3/4 in.
framed: 28-1/2 x 34-1/2 in.
Condition
With a T-shaped tear in canvas, one direction 2-1/2 in., the other 2 in.
(Estimate: $500 - $1,000)
Contemporary Native American hunting buffalo scene inspired by George Catlin paintings.
sight: 11-1/2 x 8-1/2 in.
framed: 16-1/2 x 13-1/2 in.
(Estimate: $100 - $300)
Pueblo Boy oil on paper
sight: 15 x 12 in.
framed: 18-1/2 x 15-1/2 in.
Depicting two adult figures drumming, a young girl looking on, as a young boy is dancing with a rattle in each hand, set in front of an adobe structure. Not removed from frame to verify text on back, stating “Signed (lower left) E.A. Hatfield (Oil on paper)”.
(Estimate: $300 - $500)
- BERGER FAGENSTROM
1175 - CONTEMPORARY OIL PAINTING ON TIN
1176 - E.A. HATFIELD
1177
- REDWING “TED” NEZ (B. 1960)
acrylic on canvas sight: 23-1/2 x 35-1/2 in.
framed: 28-1/2 x 40-3/4 in. signed lower right “T. Redwing Nez”, also signed on back of frame “Elmer ‘Redwing’ Nez”
Depicting Monument Valley at sunset, with a herd of sheep framed on each side by a mounted Navajo and a group of Navajo taking a pause on their wagon and horseback, enjoying the sight.
Condition
One scrape in the upper clouds.
(Estimate: $500 - $1,000)
1178 - CHARLES WILLIAM (AMERICAN, 1872-1960)
Native American Meeting Over Canyon oil on canvas sight: 27-1/2 x 39-1/2 in. framed: 37-1/2 x 49-1/2 in. original period frame signed lower right
Condition
Good original condition.
(Estimate: $1,000 - $1,500)
1179
Each signed on base with paint “Stephanie Naranjo”. (A) Turtle. (B) Figure in repose. Both are in excellent condition, no chips or cracks.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $100 - $300)
With incised design featuring a lizard with a central piece of turquoise. Inscribed on base “Thomas Pollacca Nampeyo 77”. Dimensions: 1-1/2” Dia. x 2-1/2” H
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $300 - $500)
With a geometric pattern around the central field. Condition: With some chips out of rim and some scrapes to body. 4-1/2” Dia. x 6” H
(Estimate: $300 - $500)
Condition: A few scrapes on back side. 12-1/2” W x 4” L x 2-1/4” H
(Estimate: $300 - $600)
- LOT OF 2: SANTA CLARA PUEBLO POTTERY FIGURES BY STEPHANIE NARANJO
1180 - THOMAS NAMPEYO HOPI POTTERY MINIATURE
1181 - SAN ILDEFONZO POTTERY VASE BY TONITA & JUAN
1182 - HOPI POTTERY LADLE BY GARNET PAVATEA
1183 - WHITE ETCHED POTTERY “MY FINE FEATHERED FRIENDS” DATED 1998
Incised near base “Pahponee” with her mark, on the bottom “’My Fine Feathered Friends’ Copyright 1998”. Large seed jar form with a bulbous shoulder covered with flying birds, and the sides showcasing birds on the ground. Excellent condition, no chips or cracks.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $2,000 - $3,000)
1186
San Ildefonso Seed Jar by Russell Sanchez, incised on base “Russel Sanchez 1999”. A large format stylized seed jar with a singular floral design, enhanced by an outline of inlaid turquoise. Slight wear on base. 8” x 6-1/4”.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $2,500 - $5,000)
1184 - LAGUNA POTTERY OLLA BY CALVIN ANALLY JR.
Painted on base “C Anally Jr. / Paguate, N. Mex. / Pueblo of Laguna”. Accompanied by Best of the Best 1st Place Ribbon 2015. With an overall marbleized wash, covered by curvolinear and fine line design. Paperwork and original sales receipt from Andrea Fisher Fine Pottery, purchased for $3,000.00 on 8/22/15.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $2,000 - $4,000)
1185
Incised on base “Maria + Santana”. Large bowl with a traditional overall eagle feather pattern. Some scratches and marks to base.
(Estimate: $2,500 - $4,500)
- SAN ILDEFONZO BLACKWARE BOWL BY MARIA & SANTANA
- SAN ILDEFONZO SEED JAR BY RUSSELL SANCHEZ
1188 - LOT OF 2: SAN ILDEFONSO POTTERY ITEMS BY DORA TSE-PÉ
(A) With a carved avanyu figure decorating the entire sides of the bowl with a jade inset eye. 8-1/2” x 4-1/4”.
(B) Pottery Turtle with inlay turquoise on the top of its shell. Incised inside “Dora Tse-Pé San Ildefonzo 1982”. 6-1/2” x 2-3/4”.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $3,000 - $5,000)
1187 - SANTA CLARA PUEBLO BROWNWARE POTTERY BOWL
By Tammy Garcia, incised on bottom “Tammy Garcia Santa Clara Pueblo 3-95”. With a shoulder deeply incised with geometric, floral, and insect patterns. Excellent condition, no chips or cracks.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $5,000 - $10,000)
1189
Each with his hallmark of a woman carrying a child on her beck on the base.
(A) Contemporary olla form with smooth sides leading into a carved neck reflecting sand. (B) Seed jar done with micaceous clay with his unique inlay of silver.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $1,500 - $3,000)
(A) By Iris Y Nampeyo, incised on base “Iris Y. Nampeyo” with corncob.
(B) By Alfred Qoyawayma, incised on bottom “1990 Qoyawayma” with a fish and “QIIK”.
Both are in excellent condition, no chips or cracks.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $1,500 - $2,500)
- LOT OF 2: HOPI POTTERY BY PRESTON DUWYENIE
1190 - LOT OF 2: HOPI POTTERY VASES
1776-2026 The 250th Anniversary of our Nation
1205 - NAVAJO (DINÉ) PICTORIAL WEAVING
With a central stylized Bald Eagle, American Flags, and arrows, with a wide Teec border on each side.
Dimensions: 30” x 20-1/2”
Colors: light blue, grey, white, red, blue, green
(Estimate: $200 - $500)
1207
Each with matching stamping on the handle and on the spoon itself.
(Estimate: $800 - $1,200)
1206 - LOT OF 2: NAVAJO (DINÉ) SALAD SERVING SET
Contemporary. With stamped silver and a turquoise cabochon on the handle of each.
(Estimate: $400 - $800)
- LOT OF 8: NAVAJO (DINÉ) SILVER ICED TEA SPOONS
1208 - NAVAJO (DINÉ) SQUASH BLOSSOM SET
With matching bracelet and dangle earrings, each stamped “JK” for Navajo silversmith Johnny King. Set with turquoise, cabochons, and stamped silver work, the squash blossom necklace having a large naja with 13 cabochons.
(Estimate: $2,000 - $3,000)
1209 - NAVAJO (DINÉ) SILVER & MORENCI TURQUOISE NECKLACE
With sterling silver beads holding six Morenci turquoise cabochons.
(Estimate: $3,000 - $5,000)
1210
With signature repeating cross design. Signed “Romero” on back. 45-1/4” belt length (including buckle).
(Estimate: $1,000 - $1,500)
- DANNY ROMERO SILVER RANGER SET ON BLACK LEATHER BELT
1211 - NAVAJO (DINÉ) BELT BUCKLE
Of oval form with a coral and turquoise cabochon and silverwork of flowers and leaves, encased in a curvolinear design border. Stamped with maker mark on back.
(Estimate: $200 - $400)
1212 - NAVAJO (DINÉ) NECKLACE W/ LARGE NAJA
The necklace comprised of plain silver beads, the naja comprised of silver set with eight turquoise cabochons and two bear paws.
(Estimate: $500 - $1,000)
1213 - LOT OF 2: NAVAJO (DINÉ) BRACELET & BUCKLE SET
(A) The bracelet done with bands chip inlay of turquoise, coral, and silver, creating a shadowbox center with three turquoise cabochons. Signed on back “ Hand / A. Char”, believed to be “Handmade / A. Charley”. Condition: Two turquoise cabochons with a crack in each.
(B) The belt buckle with coral and turquoise chip inlay and stamp work all surrounding a central turquoise cabochon. No hallmark on back.
(Estimate: $400 - $800)
1214 - LOT OF 3: STERLING SILVER ITEMS
(A) Navajo silver and turquoise ring. (B) Navajo silver and turquoise pendant.
(C) A money clip stamped on back “Apollo Sterling”.
(Estimate: $100 - $200)
1215 - NAVAJO (DINÉ) SILVER SET
Includes sterling silver choker with matching earrings, combined with a stamped bracelet.
(Estimate: $400 - $800)
1217 - NAVAJO (DINÉ) SQUASH BLOSSOM NECKLACE
With each squash formed from a turquoise and coral cabochon mounted on silverwork in the form of leaves, encasing a bear claw in each. The naja reflective of each squash, but containing two bear claws.
(Estimate: $500 - $1,000)
1216 - NAVAJO (DINÉ) SILVER & TURQUOISE
With 6 conchos, each inset with a turquoise cabochon and a reflective belt buckle, each interspaced with a silver-stamped butterfly concho. Stamped on back “Sterling”.
(Estimate: $500 - $800)
CONCHO BELT
1218 - CARLOS EAGLE (OTTOWA, D. 2021) LARGE BRACELET
A large bracelet showing rows of corn made from various hardstone, shells, and bone, all set on a silver back with a hallmark stamp on it. 3-1/2” x 2”
(Estimate: $500 - $800)
1219 - LAURI HAKOLA CUFF
With three bands of hardstone, fossilized ivory and jet, all mounted on a heavy silver cuff, incised on back “Lauri Hakola”.
(Estimate: $1,000 - $2,000)
1220 - LOT OF 2: NAVAJO (DINÉ) CHIP INLAY CUFF & BELT BUCKLE
(A) The cuff with turquoise and coral chip inlay, surrounded by stampwork, creating a design that seems to flow across the cuff.
(B) A rectangular silver belt buckle with turquoise and coral chip inlay and stampwork, stamped on back “Sterling”.
(Estimate: $100 - $300)
1221 - LOT OF 2: ZUNI FETISH NECKLACES
(A) Comprised of heishi shells and shell birds. 15” L (B) A variety of animals carved from various stones, including turquoise, with a Katsina central figure. 16-1/4” L
(Estimate: $500 - $1,000)
1222 - FINELY EXECUTED MEXICAN COLONIAL SILVER MOUNTED SPURS
Rare seen in this condition and still together as a set, these spurs still retain the original leather lining. Finished in the finest traditions of Spanish influenced master Mexican craftsmen of the colonial period in the Republic of Mexico and Alta California. Hand-forged iron, double mounted with inlaid silver bands with stamped dot and diamond designs. Candy-striped silver stripes on the drop shanks with silver engraved arrow-shaped embellishments near the center of the rowel spokes, same on inner side but in chased iron. Straps are original to the spurs and are lined in fine, maroon Moroccan leather. Embellished with plant/vine patterns executed in silver bullion thread. 2-1/4” conchos are jeweler quality, and bear master-level workmanship.
(Estimate: $3,000 - $6,000)
Hulbert made many spurs for Hamley’s Saddlery in Pendleton. Most are unmarked like this pair, but his work is still easily identifiable. Engraved floral pattern overlay on the bands with silver heart shaped buttons. 1” band, 3” shank, 2” rowels.
(Estimate: $900 - $2,000)
1224 - CALIFORNIA STYLE SPURS BY HAMLEY OF
California style spurs with 2-1/4” bands, 2-1/2” shanks, and 10-pt 1-3/4” blunt-point rowels. Marked with the Hamley (H) and PENDLETON, ORE. inside the heel bands, these are most likely the work of Mike Morales. Bands bear diamond and bar designs. Offside band is plain with silver engraved bar on shanks. Two-piece stamped design straps are marked “SEMPLE & HILL CO. / MINNEAPOLIS MINN. Morales apprenticed with G S Garcia in Elko, NV before moving to Pendleton, Oregon and opening a bit and spur department for Hamley & Co in 1910. He developed a unique and distinctive line of California style bits and spurs before opening his own shop in Portland in 1920. Seven years later Morales moved to Los Angeles where he continued to work until his death in 1935. Considered one of the most prominent, recognizable and influential of the “Elko” school. Very good condition.
(Estimate: $1,500 - $2,000)
1225 - HARD TO FIND CANON CITY PRISON COWGIRL SPURS
Hand engraved, classic vine and leaf pattern double-mounted penitentiary-made German silver inlaid spurs with 15-point rowels. Affixed to 1920s two-piece leathers that appear to be original and bear “36” catalog stamps. 5/8” band, 1-3/4” shank, 1-1/8” rowels.
(Estimate: $3,000 - $4,000)
1223 - HAMLEY OF OREGON MARKED SPURS BY EDDIE HULBERT
PENDLETON
1226 - SILVER HALF BREED BIT
Unmarked forged iron bit. Unique silver mounted graduated concho-bar pattern on cheek piece.
(Estimate: $800 - $1,200)
1227 - UNMARKED MORALES HALF BREED BIT
Found in the Hamley’s catalog as #62, this pattern is routinely attributed to Mike Morales. Silver inlaid diamond patterns and 1” engraved conchos on the bands.
(Estimate: $800 - $1,200)
1228
California kissing bird style silver overlaid bit with large 2” conchos.
(Estimate: $550 - $1,250)
- CALIFORNIA ENGRAVED SILVER OVERLAID BIT
1230 - PIERCED CALIFORNIA SPADE BIT
1229 - LAS CRUCES STYLE CALIFORNIA BIT BY TAPIA
California Las Cruces cheek bit by J Tapia, beautifully executed with the engraving and style that the Tapia family of Los Angeles was known for. The bit has classic style Las Cruces shanks accented with silver inlays and high domed conchos. Half breed mouthpiece with the original cricket roller. Jose Tapia (1831-1902) didn’t mark his work and Jesus Tapia (1856-1931) marked very few of his pieces. However, the signature work of Tapia is clear to the trained eye.
(Estimate: $1,200 - $1,500)
Early, unmarked silver inlaid California pattern bit with silver buttons, pierced crescent moons on cheeks, double slobber chains, copper ferrules on the braces. Very good condition, circa 1900-1910.
(Estimate: $1,500 - $2,000)
1231 -
Extremely rare and Impressive silver overlaid S-shank bit by GS Garcia and Adolph Biancani made circa 1918. This historical piece is maker-marked G S Garcia, Elko, Nevada inside the left cheek with the initials “A B” (Adolph Biancani) stamped inside the other cheek. The makers marks are clearly stamped and very distinct. The “A B” mark is significant because GS Garcia almost never allowed his makers to put their own initials in his bits. Adolph Biancani was one of GS Garcia’s most highly regarded employees and the only one that was given that privilege. There is only one other known example of a GS Garcia bit that carries the AB stamp, an eagle bit that sold at auction in 2011. Biancani was an Italian immigrant who came to the US in 1898 at age 13. He eventually moved to Elko and became a US citizen. He worked in G.S. Garcia’s shop in Elko, Nevada until 1922.
(Estimate: $2,000 - $3,000)
G.S. GARCIA CAVALRY STYLE BIT WITH RARE “AB” MARKING
1232 - HORSE HEAD WITH BRIDLE AND BIT WALL DECOR
Crockett silver overlaid bit and bridle on horse head display as would be commonly found in a tack or western saddlery shop. Makes for a nice display ready to hang.
(Estimate: $800 - $1,000)
1233 - LOT OF 2: CROCKETT AND MCCHESNEY BITS ON AL FURSTNOW MARKED BRIDLES
Lot consists of: (A) Crockett inside cheek marked ‘S’ shank bit with silver conchos and bar patterns. Bridle has die struck brass conchos. Bridle is maker stamped: AL FURSTNOW / MILES CITY MONT. (B) McChesney arrow shank curb bit. Bridle retains high dome glass rosettes with horse head motifs. Bridle is maker stamped: AL FURSTNOW / MILES CITY MONT. CONDITION: Very good with supple leather.
(Estimate: $1,000 - $1,500)
1234 - RAWHIDE BRAIDED CALIFORNIA STYLE HEADSTALL
Braided headstall by master maker Luis Ortega. Attached is a loose jaw, medium port Mexican bit, possibly by Grijalva with gold “CCC” initials to the side.
(Estimate: $1,200 - $1,600)
1235 - VINTAGE 50 FOOT RAWHIDE REATA.
1950s four-plait braided rawhide reata. Estimated length of 50ft. Quality made with nice patina and solid condo. No splices noted.
(Estimate: $300 - $500)
1236 - HAMLEY & CO. BLACK WOOLY CHAPS
Black wooly chaps made by renowned maker Hamley & Company of Pendleton, Oregon. Tops have striking incised leather black diamond pattern under ivory. Maker stamped to male end of belt: HAMLEY & CO. / PENDLETON ORE. CONDITION: Excellent supple condition with no shedding or hair loss.
(Estimate: $4,000 - $6,000)
1237 - PARADE SADDLE
Unmarked circa 1950s parade saddle with nickel spots throughout. Includes the aluminum curb bit, spotted bridle, martingale, and tapaderos. 14” seat, 2-1/4” cantle. CONDITION: Good overall with some light corrosion on the bridle spots.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,500 - $2,000)
1238 - VANCO PARADE SADDLE
Black parade saddle with full floral tooled design. Finished with numerous German silver 5-point conchos detailing on the skirt, pommel, cantle and tapadero stirrups. The saddle’s Vanco name dates to the 1920s-1930s after A.A. Van Voorhies added a partner and became Van Voorhies and Phinney Co. 11-3/4” seat, 4-1/4” cantle
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,500 - $2,000)
1239 - EDWARD H. BOHLIN SADDLE
Circa 1940s, elaborately carved pleasure saddle with Indian motifs on the jockeys. This iconic western design was created by renowned Hollywood silversmith Edward H. Bohlin, modeled after Chief Red Wolf. It is the most widely recognized Bohlin design. Fenders are also heavily carved with a beautifully executed bucking bronc rider. Maker stamped on the seat below the rawhide wrapped horn: EDWARD H. BOHLIN INC. / MAKER / HOLLYWOOD, CAL. CONDITION: Very good with nice overall rich patina and supple leather. Constructed on a comfort tree with a 15-1/2” seat, 3” cantle, 36-1/2” length.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $4,000 - $5,000)
1240 - BLACK HAND-TOOLED LEATHER FLORAL MOTIF CALIFORNIA SADDLE
A fantastic and historically accurate Alta California 1830-1840s style working saddle from modern master saddle maker Mario Hanel. Originals from this period are exceedingly rare, and most are in museums or institutions. This is the most accurate reproduction this cataloger has seen. The saddle features a fantastic carved floral pattern mochilla and anquera both removeable, an exquisitely finished silver engraved horn cap and a silver-studded cantle edge. Includes period correct tapaderos and California mission style carved wood stirrups and a floral carved half-seat with Sam Stag center fire rigging. 16” seat, 3-1/2” cantle and 42” long from horn to stirrups.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $5,000 - $7,000)
MADE BY MARIO HANEL
1241 - EARLY MEXICAN PITEADO HOLSTER AND CARTRIDGE BELT COLT RIG
Finished with classic Piteado cactus fiber floral embroidery on leather holster fitted for a Colt Lightning revolver. Built with a full body and full skirt utilizing the small snap and hammer strap. The border embroidery on the skirt is in an Aztec style repeating pattern. The body is embroidered with a large sun like flower with leaves and the same Aztec border design as the skirt. The holster and back of skirt are suede lined. The cartridge belt width is 2 1/4” and the belt measures 38” from prong to furthest hole. The belt billet is embroidered with the same pattern as the holster. The double cartridge loops fit the .38 Long Colt cartridge used in the Colt Lightning. CONDITION: Fine. The holster is solid and the suede lining shows no staining or tears. All of the threads are solid; the throat is not molested and exhibits only nominal crazing. The cartridge loops show some wear and thinning in spots with a few splits.
(Estimate: $300 - $500)
1242 - R.T. FRAZIER TOOLED
R.T. Frazier Mexican Loop pattern holster and belt rig. Full hand carved body and skirting leather in floral motif with a rawhide laced main seam and floral carved flap. Fits a smaller frame DA revolver. Both holster and belt are stamped with the Frazier of Pueblo triangle and “F” marking.
(Estimate: $300 - $500)
(A) The elaborately foliate and floral hand tooled double loop holster is pictured on page 113 in Richard Rattenbury’s book, Packing Leather. Built of high-quality leather featuring a full skirt, a sewn toe plug and iron rivets. The book attributes this work to the original El Paso Saddlery which formed in the 1880s but cannot find any maker cartouche to substantiate this association. It accommodates a 5 1/2” Colt SAA revolver perfectly. CONDITION: Excellent. Throat is unaltered, sewing is strong and intact, leather is still supple. (B) The unmarked so-called Texas half flat will conform to a 7 1/2” Colt SAA with some play at the trigger guard that would be better suited to the Model 1878 Colt. It is a double loop with the half flat, sewn toe, some light tooling on loops and displays a rifle leaning on a tree accompanied by a sitting dog design on the body. The leather is more of a mail order Montgomery Wards type circa 1880s. CONDITION: Fine condition, tight stitching, unaltered throat. There is a nicely engraved name of a previous owner on the body. A great pair of early Colt holsters.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $500 - $800)
LEATHER 11” HOLSTER WITH BELT
1243 - LOT OF 2 19TH CENTURY COLT HOLSTERS. TRADITIONAL DOUBLE LOOP HAND-TOOLED & TEXAS HALF-FLAP.
1244 - RARE ERNEST GOETTLICH MONTANA TERRITORY 7 1/2” COLT HOLSTER
Ernest Goettlich started his saddlery business in Miles City in the Montana Territory in 1880 with a partner. They separated in less than one year and Ernest continued his craft on his own from 1881 through 1885 when he sold out to Al Furstnow. This exact holster credited to Spangenberger as pictured on page 107 in the western leather tome entitled “Packing Leather” authored by Richard Rattenbury. It is shown housing an 1875 Remington revolver but does accommodate a 7-1/2 Colt SAA perfectly. Built of russet saddle leather, double loop, full skirt with border tooling. It has a California style body, form fitting but wearing a skirt with open toe. The upper body exhibits the E. GOETTLICH MAKER MILES CITY MT cartouche. CONDITION: Excellent. Leather is strong with all stitching intact, strong loops with no repairs, nominal crazing and evenly toned. The maker stamp is readily visible with some areas of softness. An incredibly rare and desirable maker and fitted to the long barrel revolvers and an early territory marked example.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $4,000 - $6,000)
This form fitting California style holster fits a 7 1/2” Colt 1851 or 1861 Navy. It exhibits beautiful hand tooling on the entire face of the body. It is not maker marked but is of the highest quality built of the finest saddle leather, is lined, a sewn in toe plug and iron fittings. These holsters were the earliest style of civilian leather made without the military style closing strap or flap, popular during the 1870s through the early 1880s when the skirted holsters first started making their appearance. A classic western holster. CONDITION: Fine. All stitching is tight, no signs of any repairs, throat is original and not cut or altered, back loop intact and never altered. Leather is excellent showing just some minor chaffing. Sewn toe plug is intact as well.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $500 - $1,000)
This famed company was formed in Miles City Montana on August 11, 1909, becoming world renowned for their quality leather products including the Coggshall saddle. The holster is a single tool decorated loop, border tooled, sewn toe, iron hardware and full skirt with two-hole tie down. The cartouche is found in an oval on face of body as follows: MILES CITY SADDLERY, the same cartouche found stamped on the billet of the cartridge money belt. The holster fits a 5 1/2” Colt SAA. The belt has a 3” width and measures 41 1/2” from post to furthest hole. The cartridge loops are .38. The nickel-plated buckle is a California clip point. Belt has a textured finish but is not tooled. CONDITION: Excellent. Would be hard to improve on the condition of this rig showing no repairs or alterations, tight intact stitching, unmolested throat and the leather is soft and supple. Holster shows a nominal amount of surface crazing. Cartouche stamps are bold.
(Estimate: $3,500 - $5,500)
1245 - CALIFORNIA STYLE SLIM-JIM HAND TOOLED HOLSTER FOR COLT NAVY REVOLVER
1246 - MILES CITY MONTANA SADDLERY MONEY CARTRIDGE BELT & HOLSTER RIG.
1247 - RARE S.C.GALLOP & FRAZIER COLORADO MATCHING HOLSTER & BELT RIG
S.C. (SAM) Gallop apprenticed under the master saddle maker Edward L. Gallatin, “Father of the Western Stock Saddle”, opening his first shop in 1869. Robert Thompson (R.T.) Frazier went to work for Gallop in 1880. In 1892, they formed the partnership of S.C. GALLOP & FRAZIER in Pueblo Colorado that lasted only until 1898. This is a rare matching rig from that partnership. The holster is a saddle leather quality double loop with full skirt and sewn toe. It exhibits the simple border tooling with the S.C. GALLOP & FRAZIER PUEBLO cartouche stamped on the upper loop. The 44/45 caliber cartridge belt measures 3” in width and sports the elongated square nickel-plated buckle. The belt measures 40” from post to furthest hole. The matching maker cartouche is found stamped on the billet which has the original stitching and has not been stretched. CONDITION: Excellent. All leather is still soft and supple exhibiting solid stitching with no repairs or alterations. Both of the cartouche stamps are strong. The toe of the holster has two ancient tie-down holes. The throat has not been altered. The belt is in like condition with all loops and stitching intact. An almost impossible to find matching 19th century rig from two master saddle makers.
(Estimate: $2,500 - $4,500)
(Estimate:
1248 - FANTASTIC SHARPS “OLD RELIABLE” CARTRIDGE BELT.
This rare belt is very similar to the belt worn by Jesse Hendricks, the famed buffalo hunter, shown with his heavy barrel Sharps buffalo rifle and wearing a belt that displays the double oval buckle system as well as the double thin shoulder straps. This photo can be seen on page 316 in the book entitled “SHARPS FIREARMS”, Early Metallic Cartridge Firearms and Model 1874 Sporting rifle by Marcot, Paxton, Bailey, and Labowskie. The belt measures 4” in width with 2” cartridge loops, has the twin buckles, nickel plated and stamped Solid Brass USA with twin straps. Belt has two thin leather shoulder straps with the early roller buckles for adjustment. The belt measures 43.5” in length from the buckle prongs to the farthest strap hole. On the strap end, it exhibits the “OLD RELIABLE” branded cartouche in a 2” by 1/2” rectangle with clipped corners. The cartridge loops will hold any .40 or .45 caliber rifle round, and the extra wide 4” belt fully protects all but the longest of rounds. CONDITION: Excellent. Every cartridge loop is intact, and all of the leather is still fairly supple. The shoulder straps are intact with no breaks. The cartouche is strong with period age darkening overlapping. The nickel- plated buckles show some finish wear. An incredible early Sharps belt that was found in an old hunting camp in Northern Ontario, Canada.
(Estimate: $4,500 - $6,500)
1249 - HORSEHAIR QUIRT
Vintage hitched horsehair quirt, most likely prison made. Navy and sky blue twisted geometric designs on a natural background. Strap and popper solidly attached.
$200 - $400)
1250 - MONTANA PRISON HITCHED HORSEHAIR BRIDLE
Deer Lodge Prison artistry in purples, green, turquoise, red, yellow, brown and orange on natural hair. Finished in a diamond and typical “X” design on the flat elements and dynamic diamond pattern on the rounds. Glass domed conchos have a stag motif in the center. Prison made overlaid iron curb bit used, as usual for a prison bridle. Reins present but one side section that connects to bit is missing.
(Estimate: $2,000 - $3,000)
1251 - DEER LODGE HORSEHAIR BRIDLE
Finished in bright colors, tight, quality work dominates this Montana Penitentiary bridle, hot pink, sky blue, red, and black on a cream back. The elements are flat and the tassels are dyed multi-colors as are the classic strong diamond patterns with a black and blue nose drop. A nice hitched slider on the reins with transparent high dome nickel and glass conchos featuring a mounted jockey. Bit is a standard unmarked catalog half breed. Very good condition.
(Estimate: $6,500 - $9,500)
1252 - MONTANA PRISON HORSEHAIR BRIDLE
A fine hitched horsehair bridle with the typical elements of Deer Lodge prison. Diamond and “X” patterns on a natural cream colored background and pink, red, green, yellow, and blue accents. Pink knots above cream tassels, brow loops and leather reinforced top with celluloid rings. The glass conchos feature a running dog and have fully covered hitched edges. Throat latch, and candy striped roping reins attached to the original prison supplied bit. Excellent overall with slight fading.
(Estimate: $6,500 - $9,500)
1253 - EXCEPTIONAL MULTI-COLORED MONTANA PRISON HITCHED HORSEHAIR BRIDLE WITH BIT
Classic Montana hitched horsehair bridle with original kissing bird style half breed bit. Bridle is executed in black on cream colored foundation with striking bright color combinations of turquoise, pink, orange, green, purple, red, and blue colors throughout. Domed rosette conchos with nickel edges display the images of horse heads and running horses. Stunning combination of nine colors. Condition is excellent.
(Estimate: $8,000 - $10,000)
1254 - WALLA WALLA WASHINGTON STATE PRISON MADE HORSEHAIR BRIDLE WITH BIT AND WHIP
Hitched horsehair bridle executed in uncommon black and white in the classic Walla Walla style of using natural colors. Intricate diamond pattern on the flat brow band and nose bands, with finely executed candy striped reins and romel. Sides are adorned with floral lucite rosette conchos. A silver washed half breed bird bit is attached. A rare setup in excellent eye-catching condition.
(Estimate: $5,000 - $6,000)
1255 - (A) BOXED FACTORY ENGRAVED WITH GOLD MALTBY HENLEY & CO SAFETY HAMMERLESS POCKET REVOLVER
Manufacturer: Maltby Henly & Co
Model: Safety Hammerless Serial No. 15152
Caliber/Bore: .32 S&W
Barrel Length: 3 - 1/8”
FFL Status: Antique
The Maltby, Henley & Company was formed in New York in 1888 as dealers in firearms manufactured by others, in this case, the Otis Smith company located in Connecticut. This is a typical double action hammerless five shot pocket revolver. It is nickel plated displaying the gold-plated cylinder and pin. The barrel latch exhibits the nitre fire blue. Grips are molded gutta percha with decorative pattern. The top of barrel has the Maltby and Henley legend. This revolver features the factory engraving with 70% coverage in the Hopkins and Allen style. The blue two-piece box has a proper end with the engraved sticker. CONDITION: Gun does not appear to have been fired showing no cylinder face burn. There is a light drag line and some nominal handling. Mechanically sound with a mirror bright bore. The trigger blue has oxidized. Truly a stunning and rare early gamblers style tuck away gun.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $400 - $800)
1256 - (C) REMINGTON MODEL 95 .41 RF DOUBLE DERRINGER.
Manufacturer: Remington
Model: 95
Serial No. 103
Caliber/Bore: .41 RF
Barrel Length: 3”
FFL Status: Curio & Relic
Type II double derringer manufactured circa 1888-1911 with “REMINGTON ARMS CO.” address. Finished in nickel plate with nitre blued hammer, spur trigger, and other small parts. Integral sights. 2-piece checkered hard rubber bird’s head grips. The left panel has an “X” carved in it. Gun is accompanied by a later pocket holster with clip. CONDITION: Fine. Retains the vast majority of its original nickel plating with areas of flaking to brown patina. Strong traces of nitre blue displayed on small parts. Strong bore with some black powder abrasion. Crisp mechanics.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $300 - $600)
1257 - (A) COLT MODEL 1849 POCKET PERCUSSION REVOLVER.
Manufacturer: Colt
Model: 1849 Pocket
Serial No. 85663
Caliber/Bore: .31 Rifled
Barrel Length: 4”
FFL Status: Antique
Manufactured circa 1854. Blued octagon barrel with 2-line New York address and pin front sight. 5-shot percussion cylinder rollmarked with a largely visible stagecoach holdup scene. 1-piece smooth walnut grip with silver plated brass grip straps. Matching numbers observed on the frame, barrel assembly, cylinder, arbor, and grip straps. Wedge is a replacement, CONDITION: Very good. Metal has a frosted gray patina blending with strong traces of blue in the protected areas of the barrel as well as some wiped on patina. Traces of silver are retained in the protected areas of the trigger guard and back strap, the balance a mellowing patina with some mild wiped on finish. Grips have been sanded and reoiled with some scattered nicks and dings, including one larger impression which also extends onto the front strap towards the base on the right panel. Well defined bore with expected black powder abrasions. Fine mechanics.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $500 - $800)
1258 - (A) COLT 1851 NAVY PERCUSSION REVOLVER WITH HOLSTER.
Manufacturer: Colt
Model: 1851 Navy
Serial No. 100099
Caliber/Bore: .36 Rifled
Barrel Length: 7 - 1/2”
FFL Status: Antique
Circa 1861. Standard configuration with 1-line Hartford address, bead front sight, 6-shot cylinder, plated brass grip straps, and 1-piece walnut grips. Hammer has been re-profiled in the period. Matching numbers observed on frame, straps, and loading lever. Includes a more contemporary brass beaded leather slim jim holster. CONDITION: Good. Metal appears cleaned with some evidence of oxidation spotting. A few flashes of case color visible on loading lever. Straps have a few traces of dark silver plating with an overall cleaned appearance. Grips are shy with scattered abrasions and wear. Well defined bore with black powder abrasion. Gun is slightly out of time.
(Estimate: $600 - $1,000)
1259 - (A) LOT OF 3: ENGRAVED 19TH CENTURY SPUR TRIGGER SINGLE ACTION REVOLVERS.
Manufacturer: (A) Hopkins & Allen (B) Lee Arms Co. (C) Hood
Model: (A) XL No. 4 (B) Red Jacket No. 3 (C) Union Jack No. 1
Serial No. (A) 527 (B) 19509 (C) 233
Caliber/Bore: (A) .36 RF (B) .32 RF (C) .22 RF
Barrel Length: (A) 1 - 1/2” (B) 2 - 3/4” (C) 2 - 1/8”
FFL Status: Antique
Lot consists of: (A) XL No. 4 NY finished in nickel with period foliate scroll and geometric engraving. Equipped with a snub nose octagon barrel, half-moon front sight, spur trigger, and 2-piece mother of pearl bird’s head grips. CONDITION: Very good. Significant portions of nickel plating are retained with losses, especially on cylinder and left side of the frame with some oxidation spotting as well. Grips have some surface marks and a few nicks but remain solid. Bore shows defined but frosted rifling with some cleaned oxidation towards the muzzle. Action does not cycle consistently. (B) Red Jacket No. 4 revolver by the Lee Arms Co. finished in nickel plate with factory foliate and geometric engraving. Furnished with an octagon barrel, half-moon front sight, spur trigger, and 2-piece mother of pearl bird’s head grips. CONDITION: Excellent. Nearly all of the original nickel is retained with light spotting. Grips fit somewhat poorly and are likely period replacements. They show some scattered surface marks and have good fire. Well defined, frosted bore. Crisp mechanics. (C) Union Jack No. 1 revolver by Hood Firearms Co. finished in nickel with factory foliate scroll and geometric pattern engraving. Revolver has a round barrel, brass half-moon front sight, 7-shot cylinder, spur trigger, and 2-piece smooth ivory bird’s head grips. CONDITION: Fine. Significant portions of nickel are retained with cleaned oxidation spotting. Grips have a mellowing patina with a few darker areas. Crisp bore with a few imperfections. Cylinder does not advance.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $800 - $1,200)
1260
Manufacturer: Smith & Wesson
Model: .32 Single Action
Serial No. 62088
Caliber/Bore: .32 cf.
Barrel Length: 3 - 1/2”
FFL Status: Antique
These were manufactured from 1878 through 1892. This is a top break model that features the round barrel with rib, five shot fluted cylinder, spur trigger and ivory stocked bird head grips. This example features the gold wash cylinder and is engraved. It comes in a period S&W box with dividers but no end label or printing. CONDITION: Excellent. Gun has been fired and shows nominal face burn on cylinder. The gold wash is mostly intact but showing high edge finish loss. Balance retains nearly all of its nickel finish with nominal handling wear. The ivory grips fit precisely and have nicely toned. Mechanically. the cylinder does not advance with a well-defined bore showing some light abrasion.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $700 - $1,000)
- (A) BOXED ENGRAVED & GOLD WASH SMITH & WESSON.32 SINGLE ACTION REVOVLER
1261 - (A) LOT OF 2: ENGRAVED COLT OPEN TOP POCKET .22 RF REVOLVER WITH AN ENGRAVED SHARPS PEPPERBOX AND POCKET HOLSTER
Manufacturer: (A) Colt (B) Sharps
Model: (A) Open Top .22 (B) Pepperbox
Serial No. (A) 55703 (B) 3026
Caliber/Bore: (BOTH) .22 RF
Barrel Length: (BOTH) 2 - 1/2”
FFL Status: Antique
Lot consists of: (A) Colt Open Top .22 manufactured in 1875 with pleasant New York floral engraving, nickel plated barrel, 2-line address, half-moon front sight, plated brass frame, spur trigger, and 2-piece mother of pearl bird’s head grips. CONDITION: Fine. Barrel and cylinder retain the vast majority of their period plating with some flaking and spotting. Frame retains traces of plating in the engraving, the balance developing a mellow patina. Grips are oversized with a few scattered marks. Bore has defined rifling with some expected black powder abrasions. Fine mechanics. (B) Classic Sharps 1A with period, likely factory punch dot shaded foliate scroll engraving on the frame with a few additional flourishes on the barrels. The blued barrels have a small pin front sight. Floral pattern gutta percha grips engraved with several sets of initials on the base. Gun is accompanied by a lovely period tooled leather holster with a slim belt loop. CONDITION: Very good. Barrels retain traces of original blue in the flutes; the balance faded to a plum patina. Frame appears cleaned long ago, now displaying a golden patina. Engraving and markings have been softened. A small chip present on the left side of the recoil shield. Grips have some minor surface scratches and scuffs, especially on the base. Defined, frosted bores. Action cycles correctly although the spring is somewhat weak. Holster has some surface flaking and other evidence of age.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $1,000 - $2,000)
1262 - (A) SHARPS NEW MODEL 1865 PERCUSSION CARBINE.
Manufacturer: Sharps
Model: New Model 1863
Serial No. 95878
Caliber/Bore: .52 Rifled
Barrel Length: 22
FFL Status: Antique
Civil War era configuration with German silver blade front sight, Lawrence patent ladder rear sight sans elevator, percussion falling block action, walnut forend retained by a single barrel band, and a walnut stock mounted with a saddle ring, and iron butt plate. CONDITION: Good. Metal was polished bright with a few areas of oxidation. Markings are soft. Stocks have a dark, worn appearance with scattered impressions. No visible military inspection marks. Bore has defined rifling with characteristic black powder abrasions. Fine mechanics.
(Estimate: $1,000 - $1,500)
1263 - (A) SMITH & WESSON MODEL 2 OLD ARMY SINGLE ACTION REVOLVER WITH CASE.
Manufacturer: Smith & Wesson
Model: 2
Serial No. 32549
Caliber/Bore: .32 RF
Barrel Length: 6”
FFL Status: Antique
Manufactured during the Civil War, these early cartridge revolvers made for popular private purchase sidearms also seeing extensive use in the West following the War, even being carried by Wild Bill Hickok and other gunslingers. As is standard, this example is finished in high polish blue with ribbed tip-up octagon barrel, 1-line address, German silver half-moon front sight, notch rear, spur trigger, and smooth 2-piece rosewood grips. Gun is displayed in a contemporary partitioned wood presentation case. CONDITION: Very fine. The vast majority of the factory blue is retained, especially on the frame, with some more fading and wear on the barrel, including some nicks along the high edges on the underside. Cylinder blue has largely faded to a plum patina. Traces of case color are displayed on the hammer, the balance faded to patina. Grips are very good with some light wear and impressions; more impressions concentrated on the underside along with a chip at the heel of the right panel. Defined bore with areas of abrasion. Crisp mechanics. A nice example.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $1,000 - $1,500)
1264 - (A) SPRAGUE & MARSTON PERCUSSION PEPPERBOX REVOLVER WITH BAYONET.
Manufacturer: W.W. Marston Model: Pepperbox
Serial No. 58
Caliber/Bore: .31 Smoothbore
Barrel Length: 5 - 1/2”
FFL Status: Antique
Manufactured by W.W. Marston circa 1850s. The ribbed 6-barrel cluster is marked “SPRAGUE & MARSTON NEW YORK” and “CAST STEEL WARRANTED”. Double action with the bar hammer marked “NEW YORK” and “PATENT. The frame and shield are foliate engraved. 2-piece bag shaped walnut grips. Interestingly, a 3-1/2” three-sided spike bayonet has been threaded into the center of the barrel cluster making for a fearsome pistol. CONDITION: Good. Barrels have a light brown patina with a few cleaned spots. Frame is lightly bright with some spotting, especially on the hammer, partially obscuring the stamping. Grips are good with some added finish, nicks, and a few chips. Hammer operates correctly although the barrels do not consistently advance.
(Estimate: $1,000 - $1,500)
1265 - (A) LOT OF 3: HOPKINS & ALLEN AND LEE ARMS CO SINGLE ACTION REVOLVERS, 2 FACTORY ENGRAVED.
Manufacturer: (A&C) Hopkins & Allen (B) Lee Arms Company
Model: (A) Favorite No. 4 (B) Red Jacket No. 4 (C) XL No. 5
Serial No. (A) 1762 (B) L9128 (C) 54
Caliber/Bore: (A) .41 RF (B) .32 RF (C) .38 RF
Barrel Length: (A) 3” (B) 2 - 3/4” (C) 2 - 1/2”
FFL Status: Antique
Lot consists of: (A) Hopkins & Allen Favorite No. 4 .41 RF revolver. Revolver is nickel plated with Merwin & Hulbert style enamel highlighted floral punch dot engraving with a bird on the left panel. 5-shot fluted cylinder, spur trigger, and 2-piece mother of pearl bird’s head grips. CONDITION: Very fine. The vast majority of the factory nickel is retained with flaking, wear, and some oxidation spotting. Strong traces of the black and red engraving enamel are retained. Grips are fine with a few minor nicks and good fire. Defined, frosted and abraded bore. (B) Lee Arms Co. of Wilkes Barre, Pennsylvania Red Jacket No. 4 revolver finished in nickel with factory punch dot and foliate engraving, half-moon front sight, spur trigger, and 2-piece mother of pearl grips. CONDITION: Near excellent. Nickel shows some minor flaking with dark patina in the engraving. Grips are fine with a few minor chips on the base. Well defined bore with areas of abrasion. Fine mechanics. (C) Nickel plated Hopkins & Allen XL No. 5 with octagon barrel, modified blade front sight, spur trigger, and 2-piece ivory grips. CONDITION: Fine. Gun retains the majority of its factory nickel with losses and evidence of cleaning on the frame. Bright flashes of case color are displayed on the hammer. Grips have a lovely mellow honey nicotine patina. Well defined bore with light frosting. Crisp mechanics.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $1,000 - $2,000)
1266 - (A) WINCHESTER MODEL 1894 LEVER ACTION RIFLE IN .38-55
Manufacturer: Winchester Model: 1894
Serial No. 74011
Caliber/Bore: .38-55
Barrel Length: 26”
FFL Status: Antique
Manufactured in 1896 per Madis. Octagon barrel with sporting style sights, the front sight missing its blade. Full length magazine tube and solid frame. Plain walnut forend and stock with crescent rifle butt plate. An “R’ is carved on the left side of the comb. CONDITION: Good. Metal exbibits a dark, oxidation frosted brown patina throughout. Stocks are dry with scuffs and dings. Poor, heavily abraded bore with only a few traces of rifling visible. Fine mechanics. An early Winchester ‘94 with a great Western look.
(Estimate: $800 - $1,200)
1267 - (A) REMINGTON HEPBURN NO. 3 SPORTING AND TARGET SINGLE SHOT RIFLE WITH LONG RANGE SIGHT.
Manufacturer: Remington
Model: Hepburn No. 3
Serial No. 1314
Caliber/Bore: .38-50
Barrel Length: 28”
FFL Status: Antique
Circa 1880s or 90s production with “E. REMINGTON & SONS” address marked on the top flat of the barrel. The half octagon barrel is finished in professionally reapplied blue and has a Beech front sight and small notch sporting rear. The tang of the case-hardened frame is fitted with a long-range Vernier aperture sight with 5” staff. Smooth walnut forend with steel Schnabel tip. The handsomely figured stock has a freshly cut checkered pistol grip and blued steel crescent butt plate. CONDITION: Fine as restored. Nearly all of the reapplied blue is retained in the barrel with areas of pinprick oxidation and other scattered marks. Original frame colors are strong on the sides but have drifted to a brown patina on other surfaces. Forend has been refreshed with a few minor impressions remaining. Nose cap finish has turned a coppery hue. Stock likewise has a few small impressions. Very fine, crisp and bright bore. Fine mechanics.
(Estimate: $1,200 - $1,800)
Lot of early Mexican Espada Ancha or Spanish Colonial period blades. All are frontier or of mission blacksmith manufacture and show a variety of hilts. One is a later machete with horn handle.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $1,000 - $2,000)
1268 - LOT OF 5: MEXICAN ESPADA ANCHA SWORDS
PRESENTING THE FRED HARMAN MUSEUM OF ART COLLECTION AND PERSONAL PROPERTY OF FRED HARMAN JR.
Fred was best known for his comic strip Red Ryder and Little Beaver, he was also a noted painter of scenes of the American West.
Born in St. Louis, Missouri and as an infant moved with his family to Pagosa Springs, Colorado where his father was a lawyer. He grew up on a ranch where he associated with the local Ute, Apache, Navajo, and Paiute Indians, and as a child he spent much time sketching these people. As an adult, he traveled and painted throughout the country inhabited by them.
In 1916, he moved to Kansas City but returned regularly to Colorado to work as a cowboy and then to serve in the National Guard during World War I. While in Kansas City in the 1920s, he made slides for silent movie houses and formed his own animated cartoon company with a friend and local artist, Walt Disney, but they were not successful, and Disney left for California. In 1924, Harman worked for an engraving company in St. Joseph, Missouri, illustrating catalogs for cowboy wear.
In 1933 Harman had begun drawing a comic strip named Bronc Peeler about a red-headed hero who used his fists and six-shooters to round up rustlers, bandits, and other such archetypal western villains. Harman self-syndicated the daily strip and it was successful enough that he was able to sell a Sunday version by 1934. Unfortunately, interest in the strip waned after a few years, and in 1938 he decided to give it up in favor of a job in New York drawing the already successful comic, King of the Royal Mounted. Although that job did not work out for Harman, he hooked up with the strip’s creator, Stephen Schlesinger, who helped him transform Bronc Peeler into a new strip they named Red Ryder. The syndicated cartoon of Red Ryder and Little Beaver, which was published for twenty-four years in 750 daily newspapers and reached 40 million readers. Schlesinger was a skilled promoter and licensing agent. He soon sold Red Ryder to a major syndicate who launched it as a Sunday comic in November 1938, and as a daily the following March. It was an instant success. Less than two years after the strip’s debut, Republic Pictures released a 12-part movie serial based on Red Ryder. Dell reprinted the strip in comic book form starting in 1939, and the Big Little Books pulp series produced ten Red Ryder stories in the 1940s. The Red Ryder radio show started in 1942 and ran for about ten years. Between 1944 and 1947, Republic released 23 feature length Red Ryder movies. Starting in 1947, Harman drew new material for his comic book series which ran for the next seventeen years. The Red Ryder television show produced 39 episodes for the 1956-57 season. Harman’s most enduring licensing deal was with Daisy Air Rifles who bought the right to use the Red Ryder name and image less than a year after the comic strip began.
In 1940, the Harmans had left New York and used money from the early success of Red Ryder to purchase property near Pagosa Springs which they named Red Ryder Ranch. Harman painted his realistic western action scenes throughout the Red Ryder years, but turned to easel painting full-time upon his retirement in 1962. He continued to show with Stendahl Gallery in Los Angeles and enjoyed many successful exhibitions there. In 1965, Harman joined with fellow western painters, John Hampton, George Phippen, Charlie Dye and Joe Beeler, to form the Cowboy Artists of America, an organization that is still the ultimate western art grouping. A book about Harman’s art, The Great West in Paintings, was published in 1969. His home and studio in Pagosa Springs are now a museum of Harman’s life and art.
Harman died in Phoenix, Arizona on Jan. 3, 1982.
1269 - SOUTHWEST INDIANS AS I SEE THEM HANDMADE ART BOOK BY FRED HARMAN (1902-1982)
Handmade book with original drawings and sketches containing descriptive text of the hand-illustrated pages. Approximately 47 pencil drawings and 24 wash-colored ink drawings of various sizes, from small corner drawings to spread.
Dimensions: 11 3/8” x 9”
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $1,000 - $2,000)
FRED HARMAN JR. (1902-1982) CAA
1270 - LARGE LOT OF FRED HARMAN ARTWORK
Lot consists of Fred Harman sketches, many signed by Fred Harman, in a variety of media including charcoal, pen and ink, and colored pencils. A testament to the breadth of Fred Harman’s work, this lot is a treasure trove of his initial sketches for many of his pieces of artwork and for pieces that were eventually commercially produced.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $2,000 - $4,000)
1271 - FRED HARMAN (1902-1982)
Spring Water Oil on canvas
18” x 24”
Signed lower right Fred Harman © Framed to 26 1/2” x 32 1/2”
Included is a signed and numbered (lettered) copy of The Great West in Paintings by Fred Harman / Cowboy Artist. Limited to A-Z (26 copies)
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $1,500 - $2,000)
1273 - FRED HARMAN (1902-1982)
Dusgusted (Red Tint)
Print on Board
21 1/2” x 27 1/2”
Framed to 30” x 36”
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $400 - $600)
1272 - FRED HARMAN (1902-1982)
Prospector Oil on canvas
16 1/4” x 23”
Signed lower right Fred Harman
Framed to 22 1/2” x 29 1/2”
Included is a signed and numbered (lettered) copy of The Great West in Paintings by Fred Harman / Cowboy Artist. Limited to A-Z (26 copies)
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $1,200 - $1,800)
1274 - FRED HARMAN (1902-1982) PEN & INK DRAWING
Untitled (Harsh Winter) pen and ink sight: 10 x 13 in. framed: 18 x 20-1/2 in. signed lower right and above the signature “To my good friends Mr & Mrs. Sy Oliver / Sincerely / Fred Harman”
Of a winter scene, with a wrangler and calf on top of his mount, with the calf longingly looking at his dead mother.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $500 - $1,000)
1275 - FRED HARMAN (1902-1982)
The Leppy pen and ink sight: 10 x 13 in.
framed: 19 x 21-3/4 in.
Signed lower right “Fred Harman”
Showing Leppy walking through the snow. This lot is accompanied by 25 prints of this pen and ink.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $500 - $1,000)
1276 - LOT OF 2: FRED HARMAN (1902-1982) ETCHINGS ON GOLD-BACKED VELLUM SHEET
(A) Desert Cart sight: 15 x 18 in. framed: 20-1/4 x 23 in. signed in print lower left (under frame)
(B) Navajo Weaver sight: 13 x 17 in. framed: 16 x 20 in. signed in print lower right “Fred Harman”
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $800 - $1,400)
1277 - FRED HARMAN (1902-1982)
gouache on paper
sight: 14 x 17-1/2 in.
framed: 20-1/2 x 26-1/2 in. framed behind glass
Depicting Auntie Duchess and Little Beaver having a period conversation. The period conversation is in speech bubbles. Signed on bottom “From Fred Harman / With apologies to Mrs. Larson --- A real friend --- A great character and a fine person.”
Condition Even discoloration.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $500 - $1,000)
Comic art from the 1949
Provenance
Fred
(Estimate: $1,800 - $3,400)
1278 - LOT OF 13: 1944 FRED HARMAN RED RYDER DALIES
Comic art from the 1944 Red Ryder Dailies . Dates range May to August. Copyright 1944 NEA Service, Inc. Refer to online photo for complete listing of dates per lot.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $600 - $900)
1279
Comic art from the 1948 Red Ryder Dailies , with dates ranging between January and December. Copyright 1948 McNaught Syndicate, Inc. Refer to online photo for complete listing of dates per lot.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $2,800 - $4,800)
. Dates range March to December. Copyright 1949 McNaught
- LOT OF 70: 1948 FRED HARMAN RED RYDER DALIES
1280 - LOT OF 47: 1949 FRED HARMAN RED RYDER DALIES
Red Ryder Dailies
Syndicate, Inc. Refer to online photo for complete listing of dates per lot.
Harman Art Museum / Estate of N. Harman
1281 - LOT OF 38: 1950 FRED HARMAN RED RYDER DALIES
Comic art from the 1950 Red Ryder Dailies . Dates range February to December. Copyright 1950 McNaught Syndicate, Inc. Refer to online photo for complete listing of dates per lot.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $1,400 - $2,800)
Comic art from the 1951 Red Ryder Dailies . Dates range from January to December. Copyright 1951 McNaught Syndicate, Inc. Refer to online photo for complete listing of dates per lot.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $1,400 - $2,600)
Comic art from the 1952 Red Ryder Dailies . Dates range January to August. Copyright 1952 McNaught Syndicate, Inc. Refer to online photo for complete listing of dates per lot.
Provenance
Fred Harman Art
(Estimate: $1,000 - $1,800)
1282 - LOT OF 36: 1951 FRED HARMAN RED RYDER DALIES
1283 - LOT OF 25: 1952 FRED HARMAN RED RYDER DALIES
Museum / Estate of N. Harman
Comic art from the 1956 Red Ryder Dailies . Dates range June to December. Copyright 1956 McNaught Syndicate, Inc. Refer to online photo for complete listing of dates per lot.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $3,800 - $6,800)
Comic art from the 1955 Red Ryder Dailies . Dates range June to November. Copyright 1955 McNaught Syndicate, Inc. Refer to online photo for complete listing of dates per lot.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $1,600 - $2,800)
Comic art from the 1958 Red Ryder Dailies . Dates range from February to December. Copyright 1958 McNaught Syndicate, Inc. Refer to online photo for complete listing of dates per lot.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $3,400 - $6,800)
1284 - LOT OF 42: 1955 FRED HARMAN RED RYDER DALIES
1285 - LOT OF 106: 1956 FRED HARMAN RED RYDER DALIES
1286 - LOT OF 92: 1958 FRED HARMAN RED RYDER DALIES
Lot of 3 daily singles for Riddle of Roaring Range
(Each) pen and ink sight: 7 x 11 in. framed: 16 x 19-3/4 in. signed FH lower left or right
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $600 - $1,000)
The Norman Transcript was the Norman, Oklahoma newspaper in which Fred Harman’s Red Ryder comic strip appeared. Volumes cover September to October of 1940 including 4 Sundays, May to June of 1941 including 9 Sundays, July to August of 1941 including 9 Sundays, and November to December of 1942 including 9 Sundays. Also included is an individual daily from 11-23-1942 with the handwritten personal note “Happy Trails to my Friend John Kirby” with Fred Harman’s signature.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $1,000 - $1,500)
1287 - LOT OF 3: FRED HARMAN (1902-1982) PEN & INK DAILY SINGLES
1288 - LOT OF 6: FRED HARMAN BOUND VOLUMES OF THE NORMAN TRANSCRIPT
1289 - FRED HARMAN PORTFOLIO OF RED RYDER STORYBOARDS
Approximately 60 storyboards which depict pages from Red Ryder Ranch News from Fred Harman . Pictured are Fred Harman, Little Beaver, images on Red Ryder Ranch, Rodeo Champion Homer Pettigrew, Montie Montana, rodeo images, Red Ryder Roundup images, Andy Anderson, several photos of J. Edgar Hoover, along with others.
Condition: Not all storyboards are complete, with some missing photos and some missing sections.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $2,000 - $3,000)
1290 - LOT OF 6: FRED HARMAN RED RYDER POSTERS
Lot includes one lobby card for Hangman’s Noose and one for Blazing Walls , one full-sheet movie poster for Chapter 9: “Records of Doom” , one full sheet movie post for Chapter 8: “Blazing Walls” , on full sheet movie poster for Chapter 6: “Hangman’s Noose” , and one full-sheet linen-backed Stagecoach to Denver movie poster.
Condition: Posters have some separations at fold lines, some foxing around the edges, and some pinholes. Minor edge tearing and wear.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $300 - $600)
1291 - DAWN TRACHTE
Portrait of Fred Harman sight: 22 x 28 in. framed: 30-1/2 x 36-1/2 in.
Painting was a gift to Fred Harman and hung in his museum, with “NFS” denoted on the back. Includes an additional poster of the painting.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $300 - $500)
1292 - LOT OF 6: MISCELLANEOUS FRED HARMAN STERLING SILVER ITEMS
Lot consists of: (A) Silver and turquoise trimmed small frame revolver holster by Colorado Saddlery. (B) Large engraved silver floral pattern belt buckle. (C) Hand engraved horse head sterling collar tips. (D) Pair of bolo ties, steer head one is silver. (E) Large southwest concho silver belt buckle with turquoise center. (F) 1979 dated silver paperweight presented to Freed Harman by the (CAA) Cowboy Artists of America.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $400 - $800)
1293 - LOT OF 6: FRED HARMAN MISCELLANEOUS STERLING SILVER ITEMS
Lot consists of: (A) Pair of silver buckles presented to Mr. and Mrs. Fred Harman from the Fort Collins Chamber of Commerce in 1951. Marked to reverse: Ricardo / STERLING. (B) Brass pair of lifetime passes to Lola and Fred Harman to the Pagosa Springs Red Ryder Round Up rodeo. (C) 1950s silver and gold presentation buckle to Fred Harman from the Ski-Hi committee for the The San Luis Valley Ski Hi Stampede Rodeo. The event was founded in 1919 and is a PRCA (Professional Rodeo Cowboys Association) sanctioned sporting event and the oldest rodeo in Colorado. (D) Modern 2007 58th Anniversary Silver overlaid ‘RED RYDER’ presentation spurs to Fred Harman.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $400 - $600)
Lot includes Red Ryder Ranch stationary, Christmas cards, Greeting cards, change of address cards, Fred Harman Celebration 1974 programs, Fred Harman Memorial Service programs, and others.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $200 - $400)
1295 - LOT OF APPROXIMATELY 200 FRED HARMAN PUBLICITY PHOTOS
Lot to include publicity photographs of Fred Harman and Thunder, Fred and Lola Harman in Pagosa Springs, Little Beaver, Roy Rogers, Montie Montana, Winnie West, Gene Autry, rodeo photos, the cast of the Red Ryder movies, and others. Also included are (17) signed photographs including Gene Autry, Roy Rogers, Cy Taillon, Montie Montana and Lyle Smith along with other contemporaries. Lot also includes handwritten letter by Fred Harman in which he cites Walt Disney
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $500 - $1,000)
1294 - LARGE LOT OF FRED HARMAN EPHEMERA
1296 - LOT OF 9: ANDY ANDERSON PHOTOS & POSTCARD
Still publicity photos of Andy Anderson carvings. One photo is inscribed to Fred and Lola Harman from Andy Anderson, dated 6-6, 1946, and has a small hole in top-third of the image.
Provenance
Fred Harman Art Museum / Estate of N. Harman
(Estimate: $100 - $200)
1298 - ANDY ANDERSON WOOD CARVING “NATIVE AMERICAN WOMAN WITH POT”
C. 1950s. In excellent condition with strong original colors. Figure signed on back by artist. 3” W x 13-1/4” H.
(Estimate: $800 - $1,100)
C. 1950s. Complete and in excellent condition. Original colors are still vibrant. Figures signed on back by artist. 5-1/4” W x 11” L x 11” H
(Estimate: $1,100 - $1,500)
1299 - ANDY ANDERSON WOOD CARVING “THE BANKER”
C. 1950s. Complete and in excellent condition. Original colors are still vibrant. Signed on side of seated figure by artist. 8” W x 8” L x 7-3/4” H.
(Estimate: $1,000 - $1,500)
C. 1950s. Complete and in excellent condition. Original colors are still vibrant. Newspaper has deteriorated and is now on the floor, remnants of newspaper still in his grasp. 5” W x 6” L x 12” H.
(Estimate: $1,000 - $1,300)
1297 - ANDY ANDERSON WOOD CARVING “THE OPERATION”
1300 - ANDY ANDERSON WOOD CARVING “MAN IN THE OUTHOUSE”
1301 - LOT OF 8: ANDY ANDERSON HAND-CARVED WOOD FIGURES
Includes a woman taking photograph with a box camera of six dogs, each posing for the photo, and a man smoking a cigar looking on.
(Estimate: $1,200 - $1,600)
1302 - LOT OF 4: ANDY ANDERSON HAND-CARVED WOOD FIGURES
Figures of Navajo woman wielding axe, Navajo man resting, cat, and rattlesnake peering from under rock.
(Estimate: $1,000 - $1,500)
1303 - LOT OF 3: ANDY ANDERSON HAND-CARVED WOOD FIGURES
Figures of hunter, man brushing teeth, and dog.
(Estimate: $800 - $1,200)
1304 - LOT OF 3: ANDY ANDERSON HAND CARVED WOOD FIGURES OF MAN & WOMAN WITH DOG
Shoes on man repaired.
(Estimate: $800 - $1,200)
1305 - LOT OF 5: HOPI KACHINA DOLLS BY KEVIN
HORACE QUANNIE
(A) Shalaka Taka Cloud Boy, 1995. 15-1/2” H.
(B) Shalako Mana Cloud Girl, 1995. With repair to tableta.161/2” H.
(C) Kachin Mana Yellow Corn Girl, 1995. 13-1/2” H.
(D) Kwahn Taka Eagle Boy, 2000. 13-1/4” H
(E) Kwahn Taka Eagle Boy, 1995. 13-1/4” H.
(Estimate: $500 - $1,000)
1306 -
LOT
OF 3: HOPI KACHINA (KATSINA) CARVINGS
(A) “Badger” and “Alton Pashano / Hopi” incised on bottom. 14” H
Condition: Feathers on head are missing.
(B) “Heoto Taka” and “Richard Dewakuku / Hopi” incised on bottom. 13-3/4” H
Condition: Feathers missing.
(C) “Longhair Kachinas” and “Richard Dewakuku / Hopi” incised on bottom. 15” H
(Estimate: $400 - $800)
Circa 1970s. Holding a rattle and a lightning bolt. Overall finely painted with feather adornment. 8-1/4” L x 7-3/4” D x 18-1/2” H
Colors: white, turquoise, green, yellow, orange, blue
Provenance: Early Woodard’s Indian Arts, Gallup, New Mexico tag.
(Estimate: $500 - $1,000)
Circa 1960s. With ribbon, yarn, and feather adornments, holding a rattle in one hand and twigs in the other hand. 10-1/2” W x 7-1/2”D x 21” H.
Colors: white, orange, yellow, indigo, black, brown
Condition: With a slight crack running up the back side of the body and case mask, twigs starting to break from the hand.
(Estimate: $300 - $600)
1307 - LARGE HOPI KACHINA (KATSINA)
1308 - LARGE HOPI KACHINA (KATSINA)
1309 - LOT OF 3: HOPI KACHINAS (KATSINAS) CARVINGS
Circa mid-20th century.
(A) Holding reeds in each hand, adorned with yarn, feathers, and leather. 5” W x 14” H.
Colors: white, flesh, purple, turquoise, black, yellow, green, red
(B) Holding a knife in one hand, adorned with feathers, hair, leather, and yarn. With attached tag, reading “Ogre Kachina - Phoenix Ariz in 1950s /with Uncle Banner”
Dimensions: 4” W x 12” H
Colors: white, black, red, green, blue
(C) Adorned with yarn, leather, and feathers, holding a rattle and a stick, mounted on acrylic stand.
Dimensions: 5” W x 11” H
Colors: shades of brown, white, turquoise, red, blue, ochre
(Estimate: $800 - $1,400)
1310
Circa 1970s. Including Snake Dancer, Mouse, Wolf, and two other figures. Two have original tag still attached, one reading “Ota-Skirt Man / Wears Woman’s Dress, Appears in Mixed Dance / Made by Bryan Scott”, the other on the Mouse reading “Warrior Mouse Willie Coin Museum of Northern Arizona”. Largest - 2-1/2” W x 5” H
Condition: One has a chip missing to end of foot.
(Estimate: $200 - $500)
Adorned with yarn, leather, beads, sequins, and fabric.
(Estimate: $200 - $500)
- LOT OF 5: MINIATURE HOPI KACHINA (KATSINA) CARVINGS
1311 - LOT OF 8: NAVAJO (DINÉ) YEI BI CHEI CARVINGS
1312 - LOT OF 2: HOPI KACHINA (KATSINAS) CARVINGS
Circa 1960s-1970s.
(A) Adorned with yarn, feathers, and belt, holding a rattle in one hand and a bow in the other.
Dimensions: 6-1/2” W x 15” H
Colors: white, red, yellow, black, turquoise, indigo, orange, brown
Condition: Missing some feathers
(B) Adorned with leather, yarn, fur, feathers. With tag: “Left-handed Kachina Museum Natural History: New York 1973”. 8” W x 12” H
Colors: black, white, red, brown, turquoise, green, blue
(Estimate: $500 - $800)
1313 - LOT OF 3: HOPI DANCE RATTLES
Circa last quarter 20th century. Each mounted on a acrylic stand. Largest - 5” W x 3” D x 11-1/4” H
(Estimate: $200 - $400)
1315 - HOPI KACHINA (KATSINA) WOOD CARVING BY GREGORY LOMAYESVA
Contemporary. Of a case mask, signed on back “Lomayesva 00”, adorned with feathers. 20” L x 5-1/4” W x 11-1/4” H
(Estimate: $300 - $600)
1314 - LOT OF 8: MINIATURE HOPI KACHINA (KATSINA) CARVINGS
Circa last quarter 20th century. (A) Signed on base “Lorenzo Martan ‘Kwikwilyaka’ - Mocking Kachina”. (B) Signed on base “Buffalo Dancer Root”. (C) Remaining five done in Route 66 style.
(Estimate: $200 - $400)
1316 - WILSON TAWAQUAPTEWA (1871-1960) HOPI KACHINA (KATSINA) CARVING
With his signature dots placed throughout the figure. 12-3/4” H
(Estimate: $4,000 - $6,000)
1317 - HOPI KACHINA
Circa 1930-1940. A large size with turquoise case mask with rain clouds on each cheek and tubular mouth. 18-1/2” H
(Estimate: $1,500 - $3,000)
1318 - HOPI KACHINA OF POLIK-MANA (BUTTERFLY MAIDEN) BY WILLARD SAKIESTEWA
Circa 1970s. Signed on bottom “Willard Sakiestewa Sr, Oraibi”. Attached tag reads “Pahlik Mana (Butterfly) by Willard Sakiestewa Oraibi - Arizona *Ariz H June 1991; p.32 / Bought 1973”, “Bought through Chapulin - Santa Fe, N.M”. With a painted tableta showing various colors of corncobs, feathers, and adorned with a material shawl.
(Estimate: $800 - $1,500)
1319 - HOPI KACHINA (KATSINA) CARVING
Hopi Kachina (Katsina) with its elongated body. 10-1/2” H
(Estimate: $200 - $300)
1320 - HOPI KACHINA (KATSINA) CARVING
Hummingbird. 8-1/2” H
(Estimate: $600 - $800)
1322 - HOPI KACHINA (KATSINA) CARVING
With early tag on back from the Hopi Villages, reading “Whipper”.
9” H
(Estimate: $400 - $800)
1321 - OWL HOPI KACHINA (KATSINA) CARVING
8-1/2” H
(Estimate: $100 - $200)
1323 - HOPI MUDHEAD KACHINA (KATSINA) CARVING
With a woven sash. 9-1/2” H.
(Estimate: $300 - $600)
1324 - LOT OF 2: HOPI KACHINA (KATSINA) & RATTLE
Contemporary. Each comprised of gourd, cotton, wood root, and feathers.
(Estimate: $100 - $300)
1325 - (A) OWNERSHIP ATTRIBUTED TO JESSE JAMES MANHATTAN FIREARMS NAVY SINGLE ACTION PERCUSSION REVOLVER REPORTEDLY USED AT THE RUSSELLVILLE BANK ROBBERY.
Manufacturer: Manhattan Firearms
Model: Navy
Serial No. 64240
Caliber/Bore: .36 Rifled
Barrel Length: 5”
FFL Status: Antique
This revolver is a Manhattan Arms Navy Series IV with classic octagonal barrel, German silver blade front sight, and matching serial numbers on barrel assembly, frame, trigger guard, and butt. The grips have an inked serial number in back channel, but illegible. The provenance with this revolver unequivocally states that not only was this revolver used by the legendary outlaw Jesse James, but also that it was specifically used at the Russellville robbery of the Southern Bank of Kentucky. A letter jointly signed by Jesse Edwards James, Jesse James’s son, and Stella James, his daughter-in-law, lists this gun by serial number and states “… the pistol we are about to describe was used by outlaw Jesse James during the riad [sic] on the Russelville, Kentucky Bank, several years after the close of the Civil War. This is a .36 Caliber pistol, percussion type, Manhattan Arms, Serial 64240 on=all parts, and Frank James told us that this gun was used by Jesse James as described herein.” The letter further notes that the gun was given to Carl W. Breihan, the noted western author and investigator, as compensation for disproving the claims of J. Frank Dalton, who claimed to be Jesse James. A second notarized letter by Carl Breihan also recounts being given the gun by Jesse E. James and his wife for exposing J. Frank Dalton. There is also a letter from Jim Supica, the NRA Museums Director, reviewing the provenance. He grades it on his scale developed for rating credibility and finds it to be Probable, the second highest rating; he notes that this represents a high level of confidence in outlaw-related firearms, as most guns of that type have apocryphal provenance. Jesse James was born in Missouri on September 5th, 1847 to a tobacco farming family. The looming Civil War caused significant tension in the area, and the family threw their lot in with the Confederacy. Jesse’s older brother Frank joined Drew Lobbs Army and fought at Wilson’s Creek before he returned home due to illness. By 1863 he was operating as a bushwhacker in the Clay County area and was wanted by Union forces, who raided the family home, torturing a young Jesse James and their stepfather, Reuben Samuel, to try and find Frank. Following his brother’s footsteps, Jesse joined the Confederate cause as a bushwhacker when he was 16. The brothers operated under “Bloody Bill” Anderson for a period, where they took part in the Battle of Centralia and subsequent Centralia Massacre, where they ambushed Major
Johnston. Frank James would later identify Jesse as the man who fatally shot Johnston. Famously, the Confederates were able to overcome the Union forces as while the Union were using muskets, the Confederates preferred braces of percussion revolvers, presenting much more firepower; no doubt this training influenced James’s preference for pistols in his later life. At the end of the war, Jesse was shot while reportedly attempting to surrender and would spend the next several months recovering, including at a boardinghouse in Harlem, Missouri, owned by his uncle. Once recovered and trying to find his footing in a post-War world, James would turn his talents as a bushwhacker to more lucrative ventures. In what is believed to be the first daylight robbery of a bank in the United States and the first of the spree that was associated with Jesse James, the James-Younger gang robbed the Clay County Savings Association of nearly $60,000 of gold, silver, and cash. Today, the bank is the Jesse James Bank Museum, dedicated to the event. It is unclear if Jesse was personally involved in the raid, as he may have still been laid-up recuperating. The second robbery, and the one intimately tied to the history of this revolver, was the robbery at Russellville, Kentucky. In March 1868, a man using the alias Thomas Coleman attempted to sell a bond, but it was rejected as it was believed to be counterfeit. Days later, he attempted to exchange another note, this time a $100, and was again denied, but this time he was accompanied by another man who appeared very interested in the layout of the bank. Finally, on March 20th, 1868, Coleman would try again to exchange a bill, but this time accompanied by up to eight men. When he was once again informed that his bill appeared counterfeit, he and his compatriots drew revolvers and demanded money. When the bank president scrambled to escape, he was shot at and hit in the scalp; legend says that the bullet hole is still in the wall of the bank today. The bank employees were forced to load sacks full of money, and the gang made off with somewhere in the neighborhood of $10,000. Most documentation regarding Jesse James begins with the robbery at Gallatin, Missouri, where the gang robbed the Daviess County Savings Association and killed Captain John Sheets, who was misidentified as Samuel Cox, who was responsible for the death of the brothers’ mentor William “Bloody Bill” Anderson, but the James brothers were likely involved in robberies as far back as the Clay County and Russellville robberies. There is one intriguing possibility with this gun, which goes as such: having attempted to surrender at the end of the Civil War and been shot, Jesse James loses his revolvers during his recovery, either during his travels or while he is being shuffled around various locations. During this time, the James-Younger gang robs the Clay County Savings Association, putting their talents as bushwhackers to use. Once recovered, Jesse James decides to join his former compatriots, and, without access to extensive resources, purchases a cheap but widely respected percussion revolver like the kind he carried as a bushwhacker, and participated in his first robbery at Russellville. CONDITION: Very good, essentially a smooth gunmetal grey throughout with softening to legends and sharp edges consistent with hard use. Straps and trigger guard with flashes of silver at protected areas, such as at web and top of strap, balance a golden brass. Two frame screws replaced. Mechanically fine, a little soft, bore with strong rifling and some heavy frosting, particularly in the second half of the barrel. This is an outstanding example of the true days of the Wild West, and associated with one of the most notorious outlaws of the time, in a tangible way that very few pieces are or hope to be.
(Estimate: $100,000 - $150,000)
1326 - (A) FRONTIER ALTERED RICHARDS CONVERSION COLT MODEL 1860 ARMY SINGLE ACTION REVOLVER.
Manufacturer: Colt
Model: 1860 Richards Conversion
Serial No. 5046
Caliber/Bore: .44 CF
Barrel Length: 6 - 1/8”
FFL Status: Antique
Type II Richards Conversion as manufactured in the 1870s and numbered in its own sequence which also includes the later Richards-Mason Conversion revolvers. Gunsmith cut down barrel with a reset blade front sight and 1-line New York address. Bored through cylinder with partially visible naval engagement scene and Richards conversion disk. Frame is marked on the left with 2-line 1871/1872 patent dates. “44 CAL” marked steel trigger guard and backstrap with 1-piece smooth walnut grips. Matching numbers observed on the barrel assembly, cylinder, frame, and grip straps. Wedge and screw are replacements. Gun is housed in a contemporary partitioned presentation case. CONDITION: Good. Overall dove gray patina. Grips have been lightly sanded and reoiled with chips at the toes and other impressions. Well defined, frosted bore. Fine mechanics.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $1,000 - $1,500)
1327 - (A) COLT FRONTIER SIX SHOOTER SINGLE ACTION ARMY REVOLVER, A GIFT FROM JOHN BIANCHI TO PHIL SPANGENBERGER.
Manufacturer: Colt
Model: SAA
Serial No. 101460
Caliber/Bore: .44-40
Barrel Length: 4 - 3/4”
FFL Status: Antique
Originally manufactured in 1883. Currently fitted with a professionally shortened 43/4” barrel with faint 1-line address, the underside numbered “8523” and marked for “44” caliber. A small blade front sight has been reset. The black powder style frame is stamped on the left with 3-line patent marking. Trigger guard has early “44 CF” stamp. Grips are 2-piece micarta imitation ivory. Matching numbers are observed on the frame and grip straps. This revolver is presented in a French fitted wooden case. Also included is a letter from Bianchi to Phil and notes that this revolver was a “GIFT TO PHIL FROM JOHN BIANCHI USED BY HIM IN PRINT ADS”. Phil Spangenberger knew Bianchi well, writing articles on “The Godfather of Gunleather”, and also using Bianchi rigs personally. The letter is dated 1979 and this gun is listed by serial number and described. There is mention of a holster but that is not included in this lot. CONDITION: Good. Gun has been polished bright throughout. Markings are soft with some areas of pitting evident, especially on the cylinder. Grips have light surface scratching but are otherwise very good. Defined, frosted bore. Fine mechanics with all four clicks.
Provenance:
Ex Collection of Phil Spangenberger
(Estimate: $1,500 - $2,500)
1328 - (A) WESTERN ALTERED MERWIN & HULBERT SECOND MODEL OPEN TOP .44 SINGLE ACTION REVOLVER.
Manufacturer: Merwin & Hulbert
Model: Second Model
Serial No. 18640
Caliber/Bore: .44-40
Barrel Length: 4”
FFL Status: Antique
While nowhere near as recognizable as the Colt, Remington or Smith & Wesson, the Merwin was still a popular side arm in the old west. Images of John Wesley Hardin’s cut down 3rd model with bone grips is pictured on page 116 in Art Phelps book on Merwin revolvers. A picture of a nearly identical cut down second model open top is pictured on page 113 and Bob Daltons cut down 3rd Model is pictured on page 108. This famed 1870s single action revolver is referred to as the scoop fluted open top and was offered from 1878 through 1882. It is chambered for the 44-40 round and has the Caliber Winchester 1873 legend on left side of frame, the Hopkins & Allen legend is on the left side of barrel, and the patent legend is on top of the barrel which was period shortened to 4” and a dove tailed front sight added. Finish is nickel with the case color hammer and trigger guard. The period saw handle grips are made of bone and decorated to resemble stag bark. The original lanyard ring is still present. Gun has matching assembly number on barrel, cylinder and inside grip frame. The small lock ring on cylinder pin is not present but does not interfere with the tight mechanics. CONDITION: Excellent as western altered and finished. Revolver retains nearly all of the expertly reapplied nickel finish retaining the majority of the existing legends (not counting the missing legends on the shortened barrel) and sharp edges. Even the side plate edges are still crisp. The cylinder indexes and locks up tightly and the bore is sharp and clean. Grips are fine. A great looking western altered Merwin in a great caliber.
(Estimate: $1,500 - $2,500)
1329 - (A) INSCISE CARVED GEORGE HAINES SIGNED SMALLBORE FLINTLOCK KENTUCKY RIFLE WITH PATRIOTIC EAGLE.
Manufacturer: G. Haines
Model: Kentucky Rifle
Caliber/Bore: .40 Rifled
Barrel Length: 40 - 1/2”
FFL Status: Antique
George Haines worked in Perry Township, Snyder County, Pennsylvania circa 1835-1850. The octagon barrel is signed “G * Haines” in script towards the breech. Low dovetailed brass blade front sight and notch rear. Panels of light rope engraving are added the top flat of the barrel in the front and rear of the sights, with an additional scalloped border towards the muzzle and concentric rings around the muzzle. “JN JONES / & SONS” engraved flintlock with roller frizzen and double set triggers. Full length tiger maple stock terminating in a brass nose cap with three engraved coin silver semi-circles on each side as well as a brass wearplate on the underside. Pierced 2-screw side plate and Germanic trigger guard. Wrist inlayed with a lozenge shaped escutcheon. Attractive brass patchbox with seven piercings. The stock is formed with a bold Roman nose with a large silver crescent moon inlaid on the cheekpiece ahead of a large incise carved Federal droop wing eagle. The replacement rope burned ram rod is retained by a pair of brass thimbles. CONDITION: Very Good. Barrel has a pleasant dark patina with some spotting. Signature is very legible. Stock has been sanded and reoiled. Several repaired breaks present around the sideplate. Splits also present ahead and to the rear of the wearplate. Slivers of wood are replaced along the barrel at the muzzle, the left side measuring 10” and the right 4 - 1/2”. Brass has been cleaned bright with a few areas of patina now forming. Lock is professionally reconverted with some burnout evident in the stock. Action requires adjustment and does not hold. Bore is defined with expected abrasion throughout.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $1,500 - $3,000)
1330 - (A) C.
CURRY SAN FRANCISCO RETAILED HENRY DERINGER LINCOLN SIZE PERCUSSION DERRINGER PISTOL.
Manufacturer: Deringer
Model: Derringer
Caliber/Bore: .44 Rifled
Barrel Length: 2 - 3/4”
FFL Status: Antique
The top flat of the browned barrel is stamped “C. CURRY / SAN FRANCO CALA / AGENT” for well-known Western Deringer dealer Charles Curry of San Francisco, California who was active circa 1856 to 1863. The breech is also stamped with the standard “DERINGER / PHILADELA” makers mark and “P” proof. The foliate engraved back action percussion lock is also marked “DERINGER / PHILADELA”. Checkered walnut stock with bird’s head form and classic engraved German silver mounts. CONDITION: Very good. Barrel retains strong traces of fading browning with some faint lightning bolt patterning evident. Lock has developed a pleasant gray patina. Hammer has a chip at the edge of the face. Stock is very good, showing some expected wear at high points, small chips around the lock, scattered impressions, and a small split running from the sideplate to the barrel. Well defined bore. Crisp mechanics.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $1,500 - $2,500)
1331 - (A) SMITH & WESSON NO. 3 SECOND MODEL .44 S&W RUSSIAN SINGLE ACTION REVOLVER.
Manufacturer: S&W
Model: No. 3 Second Model
Serial No. 33255
Caliber/Bore: .44 S&W Russian Barrel Length: 7”
FFL Status: Antique
The Russian models made for the American market have the distinctive frame knuckle as well as the sash hook on trigger guard. They were produced from 1873 through 1878. The butt of this revolver has the S&H in diamond for famed New York retailers Schuyler and Hartley. Standard features include the nickel finish, case color hammer and trigger guard, lanyard ring at butt, solid rib with S&W legend. There is an assembly number 662 on barrel latch and cylinder with 322 inside frame. Revolver has period after market ivory grips. CONDITION: Very good. Overall, retains approximately 95% nickel but there is a 3” area of the barrel address on rib that was cleaned / filed off. Mechanically sound with a well-defined bore that exhibits some minor abrasion.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $2,000 - $3,000)
1332 - (A) MERWIN & HULBERT THIRD MODEL POCKET ARMY .44-40 DOUBLE ACTION REVOLVER.
Manufacturer: Merwin & Hulbert
Model: Pocket Army
Serial No. 6939
Caliber/Bore: .44-40
Barrel Length: 3 - 1/4”
FFL Status: Antique
This is a true 1880s Pocket Army as stamped on the right side of frame. The left side has the CALIBRE WINCHESTER 1873 legend. Left side of barrel has the Hopkins & Allen legend. This is a third model, the first of this line to have a top strap. Standard features include the nickel finish, case color trigger guard and hammer with the gutta percha bird head grips with scull crusher frame. The assembly number 589 is matching on frame, cylinder and barrel. CONDITION: Fine. Retains approximately 90% of its nickel finish with most of the loss evident on cylinder walls and muzzle. There are some scattered age freckles. Legends are fine. Grips are excellent. Mechanically sound with a well-defined bore showing some frosting. An iconic big bore belly gun.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $2,500 - $3,500)
1333 - (A) HIGH CONDITION COLT 1877 ETCHED PANEL SHERIFF’S MODEL .41 COLT DOUBLE ACTION REVOLVER WITH HOLSTER.
Manufacturer: Colt Model: 1877
Serial No. 57008
Caliber/Bore: .41 Colt
Barrel Length: 3 - 1/2”
FFL Status: Antique
Dates to 1886. Standard blue and case color finish sheriffs model made without the ejector housing. This example has a perfectly fitted set of pearl grips. The left side of barrel exhibits the acid etched Colt D.A 41, commonly referred to as the Thunderer as coined by famed Cincinnati gun dealer Benjamin Kittredge. Barrel shows the proper 2-line Colt legend. CONDITION: Excellent. The hammer and trigger display generous nitre blue with the majority of blue remaining on cylinder and trigger guard. The back strap has oxidized. The barrel retains about 85% bright blue with a strong panel but shows some thinning. Pearl grips have brilliant luster. Mechanically sound with a bright strong bore. Comes with a period small flap holster, not maker stamped, hand tooled in a basket weave pattern. Back loop is stamped C 38 4.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $2,000 - $3,000)
1334 - (A) CRISP 4 3/4” COLT SINGLE
Manufacturer: Colt
Model: SAA
Serial No. 126423
Caliber/Bore: .45 Colt
Barrel Length: 4 - 3/4”
FFL Status: Antique
ACTION ARMY REVOLVER WITH RIG. (1888)
This antique Colt dates to 1888. Built on the black powder frame with standard blue and case color finish. Barrel has the correct 2-line Colt legend. Left side of frame has the 3-line Colt patent legend. Caliber, .45 Cal, stamped on left front trigger bow. Matching serial numbers on frame, trigger guard and back strap. Inside panels of the gutta percha eagle grips have etched matching number 423. The base of barrel under housing is stamped .45. CONDITION: Very good to fine. Mostly a butter smooth grey patina gun but strong blue remains on the protected area of the housing, in the cylinder flutes and on the trigger guard. The early eagle grips are excellent and fit precisely. Mechanically sound with strong loading half cock. Bore is bold and bright with minor frosting. A very crisp antique Colt. Also comes with an unmarked double loop period holster with full skirt showing areas of repair. The .44/45 caliber cartridge belt shows some red and green dye and has the early small buckle. From post to farthest hole measures 30”. Belt shows some wear and loose cartridge loops.
(Estimate: $2,500 - $3,500)
1335 - (A) CAPTURED INDIAN DECORATED SPENCER MODEL
1860 REPEATING CARBINE WITH DISPLAY CASE.
Manufacturer: Spencer
Model: 1860
Serial No. 7091
Caliber/Bore: 56-56
Barrel Length: 22”
FFL Status: Antique
This is a standard carbine retaining the original folding ladder rear sight and post front sight. The saddle ring is missing as is the rear swivel. Still retains the loading tube butt plate. This Model 1860 Spencer carbine in caliber 56-50 with its Indian decoration was captured from an Apache Indian Warrior in 1882 at Fort Craig New Mexico by members of the 9th US Cavalry aka, “The Buffalo Soldiers” during activities against the Apache, Commanche and Navaho who were terrorizing settlers. The Carbine was the center piece of the Collection of noted expert Colonel Raymond Charles Vietzen who founded the Archaeological Society of Ohio and the Indian Ridge Museum in Lorraine Ohio in 1930. He published over 17 books and 35 publications between 1941 and 1995. This carbine remains in its Museum Display case from The Indian Ridge Museum and was privately sold by the family to a fellow collector in the Kansas area where it has remained for nearly 30 years. It is decorated with a row of vertical small round iron nails that trace the edge of the butt plate. There are brass tacks in the forearm and a cross pattern made of different styles of tacks on the flat of the butt stock on both sides. Includes the antique drop front display case that housed the carbine in the museum. CONDITION: Fair. All metal is a deep dark textured patina. The rear stock has some repaired cracks while the forearm has a piece missing at top near the frame as well as a repaired crack on the other side. The lock is missing its front retaining screw. Still in working condition. The factory legends are no longer visible. The wood and glass display case shows age and wear but is complete.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $2,000 - $3,500)
1336 - (A) WINCHESTER MODEL
1886 LEVER ACTION RIFLE IN .40-82.
Manufacturer: Winchester
Model: 1886
Serial No. 73634
Caliber/Bore: .40-82
Barrel Length: 26”
FFL Status: Antique
Circa 1892. Classically configured with octagon barrel, sights, solid frame, and 2-piece walnut stocks with crescent rifle butt plate. CONDITION: Good. Metal has been cleaned bright with a few areas of patina and some evidence of older oxidation. Stocks have likewise been cleaned and reoiled with impressions and a few larger marks. A split present on the left side of the butt running from the center of the plate. Hammer and several screws appear to be replacements. Defined bore with black powder abrasion. Mechanics are good, the lockup a little loose.
(Estimate: $1,200 - $1,800)
1337 - (A) DOCUMENTED “SHE WORE A YELLOW RIBBON” USED SPRINGFIELD 1873 TRAPDOOR CARBINE.
Manufacturer: Springfield Model: 1873 Trapdoor Carbine
Serial No. 75593
Caliber/Bore: .45-70
Barrel Length: 22”
FFL Status: Antique
Originally manufactured in the first quarter of 1878. Several carbines in the 75,000-76,000 range are documented to the 9th Cavalry, African American “Buffalo Soldiers” then in service in the Apache Wars, based in Fort Union, New Mexico, before transfer to Fort Riley and later Fort Robinson, fighting in the Battle of Crow Agency in Montana, guarding the Pine Ridge Reservation after service in the Ghost Dance War, and also extensive service in the Johnson County Wyoming Range War. The standard carbine length barrel is marked at the breech with “V / P / (eagle head) / P” proofs. Modified pinned front sight blade and “C” marked updated Model 1879 carbine rear sight. The high arch breech block is stamped “MODEL / 1873” over an eagle head with crossed arrows and “US”. 3-click tumbler. Lock plate is marked with a federal eagle and “U.S. / SPRINGFIELD / 1873”. Walnut carbine stock with a faint encircled “P” proof and Stembridge “S” at the wrist. Mounted with a tool trap butt plate, saddle ring and bar, 2-piece trigger guard, and a single barrel band. Importantly, this carbine is listed by serial number on an October 1948 Stembridge Gun Rentals invoice for 52 trapdoor carbines, 35 single action army revolvers, and related accessories to Agency Pictures for She Wore a Yellow Ribbon. Directed by John Ford, this iconic 1949 Western film starred John Wayne as Captain Brittle who despite attempting to retire finds himself embroiled in the Indian Wars immediately after the defeat of Custer at the Little Big Horn. Several photocopies of the invoice are included. This carbine was also loaned by Phil Spangenberger for display at the NRA Museum. It is accompanied by an associated leather carbine sling, which according to Spangenberger was made for John Ford films, including She Wore a Yellow Ribbon. CONDITION: Very Good. Barrel and breech block have developed a plum patina with some silvering and nicks. Hammer and lockplate have an aged, mottled appearance. Stock shows expected heavy handling throughout including dings, scuffs, and abrasions, as well as stabilized splits around the sling bar. Frosted bore, with defined rifling. Fine mechanics. A great documented prop gun from the golden age of Western films.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $4,000 - $6,000)
1338 - (C) DOCUMENTED SILVER SCREEN USED STEMBRIDGE WINCHESTER MODEL 1892 LEVER ACTION SADDLE RING CARBINE IN .44-40 WITH COA
Manufacturer: Winchester Model: 1892
Serial No. S7042
Caliber/Bore: .44-40
Barrel Length: 20”
FFL Status: Curio & Relic
An included certificate of authenticity signed by Sydney R. Stembridge, President of Stembridge Gun Rentals lists this gun by its Stembridge identification number as being “Used on nearly every movie from Stagecoach to Rio Lobo; TV shows - Bonanza, Maverick and many others” by “Numerous Actors and Stunt Actors”. This gun in classic Western flare has had its round carbine barrel, full length magazine tube, and barrel bands nickel plated. Fitted with a pinned blade front sight and sporting rear. The Model 1892 saddle ring carbine frame has a Stembridge “S” and identification number stamped on the underside. Plain walnut carbine forend and later replacement walnut stock with checkered plastic WRACO butt plate. CONDITION: Fair. Nearly all of the reapplied nickel is retained with some minor flaking. Frame has a worn gray patina. Markings are soft. Forend has some scattered nicks and scuffs along with a split on the left side of the nose. Stock has scuffing and abrasions throughout, evidence of its long service in the movie industry. Defined bore with some black powder abrasion. Good, sticky mechanics.
(Estimate: $4,500 - $7,500)
1339 - (A) FINE WINCHESTER MODEL 1866 LEVER ACTION RIFLE.
Manufacturer: Winchester
Model: 1866
Serial No. 88912
Caliber/Bore: .44 Henry RF
Barrel Length: 24”
FFL Status: Antique
Third model rifle manufactured circa 1872. The blued octagon barrel is roll marked with the 2-lines Kings Improvement Winchester address. Dovetailed German silver blade front sight and 1000-yard graduated rear ladder sight. Standard brass rifle frame marked “R” on the inside of the lower tang. Plain walnut forend mounted with a brass nose cap with sling swivel. The walnut stock is also fitted with a sling swivel and brass crescent butt plate. The last four digits of the serial number are stamped on the inside of the stock channel and on the underside of the butt plate. CONDITION: Very fine. Barrel and magazine tube retain the vast majority of their blue with some high edge silvering, fading, and light cleaned spotting, as well as some wiped-on finish. Hanger and screw heads have a brighter patina. Frame displays a mellow, toned bronze patina with a few scratches. Loading gate exhibits strong and rich, dark nitre blue. Strong traces of case colors observed on the hammer. Lever has a gray-brown patina. Stocks have been cleaned and reoiled with some scattered impressions remaining. A few deeper abrasions and a ding present on the right side. Bore is defined although shows wear and cleaned black powder abrasion throughout. Fine mechanics. An attractive example of the iconic Western favorite “yellow boy” rifle.
(Estimate: $25,000 - $35,000)
1340 - (A) FINE NEW HAVEN ARMS MODEL 1860 HENRY LEVER ACTION RIFLE.
Manufacturer: New Haven Arms
Model: 1860 Henry
Serial No. 7392
Caliber/Bore: .44 Henry RF
Barrel Length: 24”
FFL Status: Antique
Manufactured circa 1864 in the midst of the Civil War, where these rifles made popular and potent private purchase arms, often continuing their service post-War on the Frontier, travelling West with many. The blued octagon barrel is correctly roll marked with the larger style 2-line address. it is also fitted with a tapered German silver blade front sight and a late style “900” yard graduated ladder rear sight with retaining screw and rounded sight bar. The five groove rifled barrel has a very small “17” stamped at the pivot, smaller than assembly numbers are traditionally marked. The loading gate numbered “492” on the reverse. Left side is affixed with a sling bar. The magazine has the large brass follower. Brass frame with later style bevel contour. Lower tang is struck with an “H” acceptance mark, the touchmark of inventor Benjamin Tyler Henry himself. The oiled walnut stock is formed with an obtuse comb angle and slight perch belly. Left side displays a distinct “Henry bump” under the sling bar. The brass crescent butt plate is stamped on the inside with the full serial number. Matching numbers also marked over the chamber, the side of the lower tang, and in the stock channel. Screws are unnumbered as is correct for a rifle of this vintage. CONDITION: Fine. The barrel blue has largely drifted to a very pleasant homogenous chocolate brown patina with a few flashes of bright blue remaining in the protected areas. Frame has also developed an attractive mottled mellow golden patina with some minor dings and nicks, especially at the tops of the side plates. Hammer and lever have drifted to patterned patina. Stock is very fine, fitting slightly shy to mounts and is lightly cleaned with some scattered impressions remaining. Bore has well defined rifling with some minor expected cleaned abrasions. Fine mechanics. A very nice, clean Henry rifle.
(Estimate: $30,000 - $40,000)
1341 - 1930’S NOLTE-OLSEN SAN FRANCISCO SILVER PARADE SADDLE
This circa 1937, Olsen-Nolte Saddle was crafted in San Francisco, California during the first year of partnership for the makers. Only the most skilled Bay Area artisans were employed in its construction. The tooling was meticulously executed by Gene Sisco, a skilled silversmith and toolmaker who specialized in leather smithing at the saddlery. This saddle was the first high end saddle built in the San Francisco Olsen-Nolte shop. The saddle stands as not only the first example, but also the pinnacle of high-end parade saddles produced by Al Nolte in 1937. The silversmith responsible for the fine decorations was Robert Schaezlein, a renowned silversmith with his own shop in San Francisco.In the late 20s they started making several Levi Strauss award buckles including the annually awarded World Champion All Around Cowboy buckles and the Six Time Winner Trophy Buckle. He also made award buckles for the Grand National Rodeo, Horse, and Livestock Show at the San Francisco Cow Palace. After an argument over the patenting and outsourced casting of the Visalia Humane bit in 1936, he ended the relationship with Visalia Stock Saddle Co. Around that time he began work for Al Nolte, and subsequently, the Nolte-Olsen Saddle Shop. It was at that time that he went to work on this saddle. The saddle is in pristine condition, having been mounted on a horse only twice since its inception in 1937. Includes original 1930s photo of the Olsen Nolte storefront. 14 - 1/2” seat, 3 - 1/4” cantle, 51” horn to stirrup
(Estimate: $40,000 - $60,000)
1342 - RAY “CRASH” CORRIGAN’S PERSONAL SCREEN-USED EDWARD H. BOHLIN PARADE SADDLE
This film used black floral carved “Dick Dickson Jr” model Edward H. Bohlin saddle is built on a Miles City tree with 13” swells, 14” seat, and 3-1/2” cantle. The Bohlin seat plate is engraved with the name “Ray Corrigan”. The front is fully engraved silvered and includes a twisted rope edged horn with raised buffalo head atop. The rear cantle binding is likewise engraved and rope edged. The saddle is heavily adorned with heavy gauge sterling silver diamond and half-diamonds which lead to stylized corner mountings. The regal and dramatic Tapaderos measure 21” in overall length mirroring the same diamond pattern but including Bohlin’s signature floral spots and a large silver “C” for the actor. Saddle includes a black and white wool Corona pad, cinch, and the original Bohlin custom fitted shipping trunk. Accompanying letter from Corrigan attests to his ownership and indicates that it was ridden by him in The Three Mesquiteers , The Range Busters , and others, and that he used it in eight Rose Bowl Parades, among other Southern California parades. Fine overall condition and includes letter, photos, lobby cards and Corriganville brochures.
Provenance: Original bill of sale and a detailed letter from Ray Corrigan writing about the saddle, circa 1972, and a signed and inscribed image of Crash riding the saddle.
(Estimate: $30,000 - $40,000)
1343 - FINELY EXECUTED “ROSE PARADE” MEXICAN SADDLE
Circa 1910-1920, elegant charro parade saddle with matching saddle bags. Saddle is finished in high grade tanned russet brown leather with filigreed leather carved in floral and elegant 3-dimensional roses in high relief. The latigos are of soft undressed leather with the horn and back cantle covered with Mexican pressed silver floral patterns. Silver horn depicts flags, muskets, and swords over a floral backdrop. Scroll in the center is engraved: “Libertad / 15 / de/ Setiembre / de/ 1821.” This is no doubt referencing Guatemala, El Salvador, Honduras, Nicaragua, and Costa Rica declaring their independence from Spanish rule on this date. The Act of Independence of Central America was signed in Guatemala City, ending over 300 years of colonial rule and establishing the five nations as an independent entity. The signing took place in the Legislative Assembly of El Salvador (formerly part of the Captaincy General of Guatemala). José Cecilio del Valle, a prominent intellectual, drafted the independence document, which was signed by several regional representatives.The move was heavily influenced by Mexico’s independence movement and general unrest across Latin America. The declaration brought about a sudden end to Spanish control, which was weakened by the Peninsular War. Silversmith plate on the rear of the seat is engraved: Plateria / de / Euserio Deleon / San Pedro. The Independence Centenary International Exposition was a World Expo held in Rio de Janeiro from September 7, 1922 to March 23, 1923, to celebrate the 100th anniversary of Brazil’s Independence. The expo was held during Epitácio Pessoa’s mandate and was regarded as an opportunity to show off their growing industries and the potential market from Brazil. The fair was constructed alongside the Rio Branco Avenue in a landed area built just for the occasion. A total of 14 countries from 3 continents participated in the exposition and over 3 million people attended the event. Mexico’s attendance at the 1922 world’s fair was the first Mexican participation in an international exhibit after the revolution in 1910. There are other Mexican saddles of this quality and workmanship that were documented as being made for this event by master saddlemakers. This example most likely was as well. One of the finest examples of Mexican carved equestrian leather work that you will find. 14” seat, 2 - 1/4” cantle, 36” horn to stirrups.
(Estimate: $15,000 - $20,000)
1344 - FREDERIC REMINGTON’S “THE RATTLESNAKE” CAST IN 1000 OZ OF SILVER
Stunningly detailed fine sculpture cast in 1000+ Troy oz. of .999 silver after Frederic Remington’s “Bronco Buster” that was originally created in 1895. Cast at the Maiden Foundry in 1989 using a mold created from Frederic Remington’s Bronco Buster #275, held in the collection of the Frederic Remington Art Museum. This example has developed a nice mellow patina over the years.The sculpture was hand chased by a master craftsman under the direct supervision of Silversmiths Group U.S.A., and has passed the standards set forth by the Frederic Remington Art Museum and Liberty Mint. From an edition of 100 in pure silver, 5 museum proofs, and one solid 24K gold sculpture. This example is #3/100. After the sculptures were cast, the mold was retired and placed in the museum, never to be used again. With the price of silver reaching record numbers, this is not only a great investment piece, but is displayable western art as well. Underside of base reads: “THE RATTLESNAKE / REC NO. 3/100 / CAST FROM FREDERIC REMINGTON’S / ORIGINAL MASTERPIECE / 1000 OZ. FINE SILVER .999 PURE / AUTHORIZED BY FREDERIC REMINGTON MUSEUM / SILVERSMITHS GROUP U.S.A. / LIBERTY MINT / THE MAIDEN FOUNDRY / 1989”
Provenance: Frederic Remington Art Museum, Ogdensburg, New York.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $70,000 - $100,000)
1345 - DAN GARRET (B. 1948)
Black Powder Marksman
bronze
14” L x 15” W x 13” H with stand: 15” H 1/20
(Estimate: $1,000 - $2,000)
1346 - TOM KNAPP (1925-2016)
Spring Fever bronze with brown patina 10-1/4” L x 7-1/4” W x 10” H with stand: 12” H signed lower left, “Tom Knapp, 58/2500”
(Estimate: $100 - $300)
1347 - CODY HOUSTON (B. 1941)
Mountains, Meadows, and Memories
bronze
21” x 14” x 17” H with stand: 19” H signed on back “Cody Houston, 8/20”
A couple on a picnic: lady with umbrella, man leaning back in a relaxed pose, with his cowboy hat next to him. With original certificate of authenticity, signed by the artist.
(Estimate: $1,000 - $2,000)
1348 - DUKE SUNDT (B. 1948)
A Presence from the Past bronze with brown and green patina 15” L x 15-1/2” W x 15” H with stand: 17” H signed at the bottom “Duke Sundt, 15/30”.
(Estimate: $1,500 - $3,000)
1350 - ANNA
A matched pair of bookends each: 8” L x 5-1/4” W x 7-1/4” H signed at the base “Anna V. Hyatt”
Each showing a ram charging forward.
(Estimate: $5,000 - $10,000)
(1876-1973)
1349 - CHARLES RUSSELL (1864-1926), AFTER
Stagecoach
bronze sculpture on marble base 42” L x 18” W x 14” H with base: 46-1/2” L x 15-1/2” H signed “C. M. Russell”
Stagecoach going down an incline.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $5,000 - $7,500)
VON HYATT HUNTINGTON
1351 - FRANK HOWELL (1937-1997)
Bronze bust of a Native American
signed bottom front “Frank Howell”, dated 1995
limited edition 4 of 15 13-3/4” W x 33-3/4” H with stand: 70-3/4” H
With stylized prong headdress, and the figure’s hair swirling together to form the extension that goes down to the base.
1352
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $7,500 - $15,000)
- BRONZE FIGURAL ASHTRAY WITH CIGAR HOLDER
Bronze 10-1/2” L x 4-1/2” W x 6-1/4” H
Depicting a Native American chief leaning up against a stump. Maker stamped on the bottom: TIFFANY STUDIOS / NEW YORK / 908
(Estimate: $200 - $400)
1353 - FREDERIC REMINGTON, AFTER (AMERICAN, 1861–1909)
The Bronco Buster lost-wax cast bronze with dark patina 20-1/2” L x 13” W x 22” H marked on the base “Copyright by Frederic Remington”, stamped on the base “No. 263” cast by Roman Bronze Works, NY, c. 1895.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $4,000 - $8,000)
14k white gold diamond and gold-quartz cabochon ring. Oval gold quartz measures 23 x 12 mm, and is set with two near-colorless tapered baguette cut diamonds. Ring size is 9. Gross weight is 7.5 grams. Marked “14K” & “W4112”.
(Estimate: $1,500 - $2,500)
1355
14k yellow gold signed Navajo turquoise ring by Harry Martinez. Ring size is 8. Gross weight is 18.5 grams. Width at top measures 22mm. Marked “14K” & “HM”.
(Estimate: $3,000 - $5,000)
1356
14k yellow gold signed Navajo turquoise ring by Steve Yellowhorse. Ring size is 11-1/2. Gross weight is 24.2 grams. Width at top measures 31mm. Marked “14K” & “SY”.
(Estimate: $4,000 - $6,000)
Antique 14k yellow gold ram’s head brooch measuring 3” in length. Reverse has hook to hand a small watch or fob pendent. Gross weight is 13.5 grams. Unmarked. Tested electronically to be 14k. Wonderful toning throughout.
(Estimate: $1,600 - $2,400)
Incredibly detailed 18k two-tone yellow and white gold sculpted roan antelope head brooch. Marked with “(P)” maker’s mark and “18K”. Gross weight is 39.5 grams.
(Estimate: $6,000 - $9,000)
1354 - 14K WHITE GOLD-QUARTZ & DIAMOND RING
- 14K GOLD SIGNED NAVAJO TURQUOISE RING BY HARRY MARTINEZ
- 14K GOLD SIGNED NAVAJO TURQUOISE RING BY STEVE YELLOWHORSE
1357 - ANTIQUE 14K GOLD RAMS HEAD BROOCH
1358 - 18K GOLD ROAN ANTELOPE’S HEAD BROOCH BY PAMPOLLANNI
1359 - 18K PINK WALTHAM CALIFORINA GOLD-QUARTZ H/C POCKET WATCH W/BEAR
Extremely rare 18k pink gold Waltham hunting cased pocket watch with exceptional alternating inlaid panels of pink and white gold-quartz surrounding central yellow gold California grizzly bear. Fitted with a beautiful size 18, 21 jewel, Vanguard grade lever-set movement, no. 7021241, circa 1889. Case diameter measures 54mm. Case marked with raised K over 18 within a tombstoneshaped mark to inside of back cover. Triple-sunken white porcelain Roman numeral dial with blued steel spade hands. Gross weight is 138.7 grams. Crystal is broken at hinge. Dial with small hairline cracks around seconds register. Light scratches to case body and back cover. Watch is running, and in very good working order.
(Estimate: $20,000 - $30,000)
1360
- EDWARD H. BOHLING STERLING LONGHORN BUCKLE
Circa 1950s engraved figural sterling silver belt buckle. Reverse is marked: Edward H. / Bohlin / Hollywood, Cal./ STERLING. Overall engraved with detailed foliate motifs and a longhorn in relief for the center. Faceted corners, Weight:72 grams.
(Estimate: $400 - $800)
1361 - EDWARD BOHLIN BELT WITH STERLING SILVER AND GOLD BUCKLE.
Finely made Bohlin of Hollywood marked belt and silver and gold washed “Cheyenne” buckle set. Belt and buckle both are found in older and current catalogs. Originally designed for the silent screen cowboy Tom Mix, the 19 or “Cheyenne” series ranger buckle set is one of the oldest designs Bohlin has made. Jeweler engraved on front panel “THE BALD EAGLE”. We believe this could have previously belonged to David Bald Eagle, a Lakota Hollywood stuntman, actor, soldier, bull rider, and musician. He is known for his role in Dances with Wolves. This example is on a standard 34” belt and is supple enough to still wear. Exact setup new from Bohlin would cost you over $2400. In excellent condition and ready to wear. From the Bohlin website: “A pivotal movement in Edward Bohlin’s life was his introduction to silent screen cowboy, Tom Mix. Mix played a critical role in starting our founder’s career by bringing him to Hollywood. So supportive of Bohlin’s talent, Mix introduced the young artisan to the great Hollywood director, Cecil B. DeMille. DeMille gave Ed Bohlin a job working on the production of DeMille’s classic BEN HUR. Bohlin worked in the studio’s saddle and leather shop and produced chariot harnesses and leggings for the film. Bohlin was so grateful to Mix he designed this very special buckle set for the star, and the Cheyenne was born.”
(Estimate: $800 - $1,200)
1362 - EDWARD BOHLIN RELATED PHOTOS AND DOCUMENTS
Lot of (38) original black and white historical research photos of the Edward Bohlin saddlery in North Hollywood from the personal archives of author Phil Spangenberger. Also included is a stack of company checks with bucking horse graphic and authenticity certificates for custom saddles from the North Hollywood location. Invaluable to the parade saddle historian or Bohlin collector.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $400 - $600)
Trophy saddle presented to Harley May in 1952 for his first world steer wrestling championship title in his inaugural year in the Rodeo Cowboys Association (RCA). Born in 1926, May became a legendary steer wrestler, securing additional world titles in 1956 and 1965, and was renowned for his consistent top-15 performance for over a decade. Made by L. White of Ft. Worth, Texas. Seat jockey and fenders are carved WORLD’S CHAMPIONSHIP RODEO / 1952 / MADISON SQUARE GADEN. 16” seat, 1 - 3/4” cantle, 36” length. CONDITION: Well worn but solid.
Provenance
Ex. Harley May
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,000 - $2,000)
1363 - HARLEY MAY 1952 MADISON SQUARE GARDEN WORLD CHAMPION L. WHITE SADDLE
1364 -
ROWELL SADDLE CO. HARLEY MAY WORLD CHAMPION TOOLED LEATHER FLORAL PATTERN SADDLE
Harley May (1926-2008) won the world steer wrestling championship title in 1952, his first year in the (RCA) Rodeo Cowboys Association. He won a total of three world crowns, and 26 years after his first one, he was still a top qualifier. The 27th Annual World’s Championship Rodeo opened in New York City’s Madison Square Garden on September 24, 1952, drawing 13,000 attendees to its opening night. The event featured Roy Rogers, often appearing on the cover of the 1952 official program, along with notable rodeo queens. It was a major NYC event featuring prominent contestants. This is the floral carved Rowell saddle he won that day. Harry Rowell was a well known stock contractor in Dublin, California and his saddlery in Hayward provided the RCA world championship saddles for many years. This is a very meaningful cowboy item as May was an important part of rodeo history as three time world Champion, and recipient of over 45 championship saddles over the decades of his competition. He was inducted into the Pro Rodeo Hall of Fame in 1979. Tooled with “RCA” clear on the jockeys and “WORLD’S CHAMPION BULL DOGGER” on the fenders. Engraved sterling silver horn cap reads: ‘CHAMPION BULL DOGGER *HARLEY MAY* DONATED BY VERNE ELLIOTT.’ Elliott (also inducted into the Pro Rodeo Hall of Fame) partnered with Ed McCarty of Chugwater, Wyo., to contract livestock and produce rodeos, including the first indoor production in Fort Worth, Texas, in 1917. In Fort Worth, Elliott built the first bucking chutes ever used in competition. Saddle has only seen light use, and is in excellent condition. Includes original photos of May posing with the saddle. 17” seat, 1 1/4” cantle and 38” long from horn to stirrups.
Provenance Ex. Harley May
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $2,000 - $3,000)
C. 1952
1365 - HARLEY MAY 1950 NIRA COW PALACE CHAMPION BULL RIDER
Trophy saddle for the champion bull rider at the college world finals rodeo. While campus rodeos occurred earlier (first in 1920 at Texas A&M), the National Intercollegiate Rodeo Association was formed to structure the sport. The first official NIRA president was Charles Rankin and the organization began with three regions: Southern, Northwest, and Rocky Mountain. The First CNFR (1949) was held at the Cow Palace in San Francisco, CA; Harley May of Sul Ross State University was the first All-Around Champion that year, and the next year was the champion bull rider when he was awarded this saddle. Jockey is carved: ‘CHAMPION / NIRA / BULL RIDER,’ and fenders are carved: ‘COW PALACE / 1950.’ 16” seat, 1 - 1/2” cantle, 38” length.
Provenance
Ex. Harley May
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,000 - $1,500)
1366 - HARLEY MAY 1956 RCA RUNNER UP ALL AROUND CHAMPION PORTER SADDLE
Trophy saddle won by Harley May as the runner up for the world’s championship held by the Rodeo Cowboy’s Association (RCA) at Madison Square Gardens in New York City, This was the predecessor to the current National Finals Rodeo (NFR). Heavily carved and lettered on the jockey: ‘1956’ and on the fenders: ‘RUNNER-UP / RCA / WORLD’S CHAMPION / ALL AROUND COWBOY.’ 18” seat, 2” cantle, 37” length.
Provenance
Ex. Harley May
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,500 - $2,000)
1367 - HARLEY MAY’S LAST SADDLE MADE BY WINDY RYON
Harley May’s last working / roping saddle made by Ryon of Fort Worth, Texas. Hand engraved sterling silver cantle plate, horn cap, latigo conchos and skirt trim. 16” seat, 2” cantle and 40” long from horn to stirrups.
Provenance
Ex. Harley May
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $600 - $800)
1368 - LOT OF 3: HARLEY MAY BELT BUCKLES
Lot consists of: (A) Championship sterling silver buckle awarded to Harley May for winning the very first National Intercollegiate Rodeo Association championship at the Cow Palace in 1949. Backmark: ROWELL SADDLE CO. / J-R / HAYWARD, CAL / STERLING / 10k. (B) 1950 championship NIRA bronc rider “Levi’s Award” trophy buckle. Backmark: ROWELL SADDLE CO. / J-R / HAYWARD, CAL / STERLING. (C) 1949 NIRA champion bareback rider trophy buckle. Backmark: ROWELL SADDLE CO. / J-R / HAYWARD, CAL / STERLING / 10k.
Provenance Ex. Harley May
(Estimate: $600 - $1,000)
1369 - LOT OF 10: VARIOUS YEARS ENGRAVED SILVER TROPHY BELT BUCKLES
Seven buckles are sterling overlay and two are sterling. Various makers and various events. All awarded to National Rodeo Hall of Fame member Harley May for regional and state rodeo events. Important grouping to a world champion competitor. CONDITION: Very Good with no tarnishing or scratches.
Provenance Ex. Harley May
(Estimate: $800 - $1,000)
1370 - LARGE LOT OF HARLEY MAY TROPHIES
Various plaques and awards to Pro Rodeo world champion Harley May. Includes his gold lifetime member cards to the PRCA and Pro Rodeo Hall of Fame.
Provenance
Ex. Harley May
(Estimate: $400 - $600)
1371 - LARGE LOT OF HARLEY MAY RANCHEROS VISITADORES MEMORABILIA
Very diverse and large grouping spanning 41 years of membership in the RV’s. Los Rancheros Visitadores was the brainchild of a small group of prominent Santa Barbarans who were horse lovers and wished to commemorate the important role horsemanship and ranching had played in the history of the South Coast. The Rancheros’ first official trek began May 9, 1930, and lasted four days. A group of 90 men rode from Dwight Murphy’s Los Prietos Ranch in the Santa Ynez Valley to Nojoqui Falls. Among the participants were, in addition to those already mentioned, some of the most prominent citizens of the South Coast: county supervisor Sam Stanwood, newspaper publishers Reginald Fernald and Thomas Storke, and philanthropist and yachtsman Max Fleischmann. During the next few years, the organization solidified, and membership grew to include riders from all over the state. In the late 1930s, Walt Disney took part, aboard his horse, Minnie Mouse. Clark Gable rode in 1939. Ronald Reagan would ride in the 1970s. May was friends with Reagan, and his last steer wrestling performance was done at the personal request of Reagan in 1983. Los Rancheros Visitadores numbers almost 700 members today and is international in scope. Selected members sit on the board of Los Adobes de los Rancheros, a separate charitable organization. And every spring, the Rancheros mount up for their traditional trek through the Santa Ynez Valley. Lot is highlighted by Harley’s personal cowboy hat with 12 hand drawn western vignettes and figures by noted Cowboy Artist and California vaquero, Ernie Morris. There is also a nice original framed gouache painting of Harley by Morris. Also included are original photos, pins, camp badges, May’s vest, plaques and other awards.
Provenance
Ex. Harley May
(Estimate: $1,000 - $1,500)
1372 - LOT OF HARLEY MAY PERSONAL RANCH SIGNS AND RODEO ITEMS
Lot of ranch signs, branding irons, school T-shirt, and 1960s NFR competitor shields for participants to wear.
Provenance Ex. Harley May
(Estimate: $400 - $700)
1373 - LOT OF 2: HARLEY MAY HORSE BITS
(A) Vintage Les Vogt bit with Sterling Silver overlay and copper hooded Salinas mouthpiece. Marked: VOGT inside of cheek. Measures: 5-1/4” x 9-1/4”. (B) Mexican made silver inlaid bridle bit. Silver engraved panels on cheeks, and candy striped top and bottom edges throughout. Marked: GARCIA inside of cheek. Measures: 5-1/4” x 9-3/4”.
Provenance Ex. Harley May
(Estimate: $400 - $600)
1374 - LOT OF 4: HARLEY MAY DECORATIVE AND TROPHY SPURS
(A) Plain iron saddle bronc spurs: 3/4” band, 2” shank, 3/4” rowels. (B) Fleming inside marked silver overlaid spurs: 1-1/2” band, 2-3/8” shank, 1” rowels (C) AVYRA 20 trophy spurs: 1” band, 1-7/8” shank, 1” rowels. (D) 1965
Santa Barbara County Sheriff’s Rodeo steer wrestling trophy spurs marked GARCIA to inside band: 1-1/8” band, 1-1/2” shank, 1” rowels.
Provenance Ex. Harley May
(Estimate: $600 - $800)
Lot of mixed braided rawhide and kangaroo reatas, reins, and hobbles.
Provenance Ex. Harley May
(Estimate: $600 - $800)
Five felt and summer straw hats, multiple hitched horsehair hat bands, and a hat stretcher. Resistol and other custom makers. Sizes 7-1/4 to 7-3/8.
Provenance Ex. Harley May
(Estimate: $300 - $500)
Personal, high quality hand carved leather items used by world champion Harley May. One folder has engraved sterling
Provenance Ex. Harley May
(Estimate: $400 - $600)
1375 - LOT OF 13: HARLEY MAY VARIOUS RAWHIDE REINS AND REATAS
1376 - LOT OF HARLEY MAY COWBOY HATS
1377 - LOT OF 6: HARLEY MAY TOOLED LEATHER TRAVELING BRIEFCASE, ALBUMS AND SHAVING KIT BAG
silver corner accents.
1378 - LOT OF 4: NAVAJO (DINÉ) SILVER ITEMS
Lot includes a cluster bracelet, a turquoise and silver pendant with “BEA TOM Sterling” hallmark on reverse, a pair of earrings, and a pen and pencil holder of a Navajo wedding basket design with hallmark on base and “STERLING”.
Provenance Ex. Harley May
(Estimate: $500 - $1,000)
1379 - SOLID SILVER STEER HEAD PAPERWEIGHT
Oral history from consignor is that this made from damaged sterling trophy buckles and turned into this paperweight. Circa 1960s. Weight: 22.5oz.
Provenance Ex. Harley May
(Estimate: $800 - $1,000)
Harley
Bronze sculpture with dark brown patina
Signed, dated 1982, titled, and numbered 1/25 on base 17-3/4” x 12-1/2” x 10”
Mounted on a beveled wooden stand
With stand: 18” x 13” x 12”
Provenance Ex. Harley May
(Estimate: $1,000 - $2,000)
1380 - BETTY SALETTA BRONZE SCULPTURE OF HARLEY MAY STEER WRESTLING
1381
- DON E. BERNARD (1937-2005)
Conflict of Interest
Bronze sculpture with dark brown patina
Signed, titled on the plaque, and numbered 4/10 on base
12-1/2” x 9” x 21”
Mounted on a beveled wooden stand
Overall with base: 12-1/2” x 9-1/2” x 23”
Comes with a framed black and white photo depicting Harley May on Qucksilver at Ellensburg Rodeo. Dated: Ellensburg, Washington, 1964
Provenance
Ex. Harley May
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,000 - $2,000)
1382 - LOT OF 3: DAVID DEMATTEO (B. 1941)
(A) Saddlin’ Up pencil on paper
21 x 16-1/2in.
framed: 29-1/2 x 24 1/4 in.
signed lower right “DeMatteo”, 107/250
(B) Ponderin’ pencil on paper
19-1/2 x 14-1/2 in.
framed: 27-1/2 x 22-1/2 in.
Signed lower right corner “DeMatteo”, 110/250
(C) Cowboy Overtime pencil on paper
19 x 14 in.
framed: 26-1/2 x 21-1/2 in.
Signed lower right corner “DeMatteo”, 74/250
Provenance
Ex. Harley May
(Estimate: $500 - $1,000)
1385 - JIM STUCKENBERG
(1943 -)
Ready to Ride
Bronze with dark brown patina with natural oxidation
7-1/2” x 6-1/4” x 9-1/2”
Depicting a cowboy figure with a harness and the saddle at his foot
Titled and numbered 17/25 on the front
Signed on the back of the base: Jim Stuckenberg. Foundry mark as well present
Mounted on 1-5/8” T. wooden base
Overall: 9” x 7-3/4” x 11-1/4”
Provenance
Ex. Harley May
(Estimate: $600 - $800)
1383 - JIM STUCKENBERG (1943
-)
On the Open Range
Bronze with dark brown patina with natural oxidation
Depicting a cowboy on the horseback driving a pair of longhorns
Signed, dated and numbered on the base: Jim Stuckenberg, ‘06, 23/45
Titled on the front
Mounted on the wood base
Overall: 24” x 13” x 17”
Provenance
Ex. Harley May
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,000 - $2,000)
1384 - JIM STUCKENBERG
(1943 -)
Bronc Buster Noose
Bronze with dark brown patina
8-1/2” x 5” x 8-1/2”
Depicting a cowboy figure with a lasso mounted on the wooden base
Titled on the front
Signed, and numbered on the base: Jim Stuckenberg, AP/25
Overall: 9-3/4” x 7” x 10-1/4”
Provenance
Ex. Harley May
(Estimate: $600 - $800)
1386 - JIM STUCKENBERG (1943 -)
The Bronc
Bronze with dark brown patina with natural oxidation 12” x 9” x 22-1/2”
It depicts a dramatic scene of a cowboy figure taming a wild bucking horse
Titled and numbered 5/30 on the front
Signed and dated on the back at the base: Jim Stuckenberg, ‘91
Mounted on 1-1/2” T. wooden base
Overall: 13” x 10-1/2” x 23-1/2”
In excellent commensurate with age condition
Provenance
Ex. Harley May
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,000 - $2,000)
1387 - JIM STUCKENBERG (1943 -)
The Cowpuncher
Bronze
20” x 8” x 15-1/4”
Titled on the front
Signed on the back of the base: Jim Stuckenberg, dated 1988, and numbered 27/30
Mounted on a swivelled wooden stand
Overall: 20” x 11” x 17-1/4”
Condition: Nice bronze sculpture featuring a rich brown patina with the natural oxidation on the horse’s tail. There is a small chip forming on the cow’s horn. Otherwise in a very good condition
Provenance
Ex. Harley May
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $2,000 - $4,000)
1389
Flighty Colts and Backhand Loop
Bronzes
(A) 17-1/4” x 7” x 8-1/4”
(B) 7” x 5-1/4” x 8-1/2”
Titled on the front
Signatures incised on the back of the sculpture bases: Jim Stuckenberg, and numbered 22/25
Mounted on a long naturalistic wooden stand
Overall: 24” x 17-1/2” x 10-1/4”
Condition: A fantastic duo of bronze sculptures with dark brown finish. Both are in excellent overall condition with some normal patina oxidation. Some minor watermark stains are noticeable on the wooden stand
Provenance
Ex. Harley May
(Estimate: $1,200 - $1,600)
1388 - JIM STUCKENBERG (1943 -)
Symbol of an Era
Bronze with a rich brown patina finish 15” x 8” x 11-1/4”
Incised on the base © Jim Stuckenberg, ‘95, and numbered 24/65
Mounted on a long wooden naturalistic base
Overall: 24” x 8” x 12-3/4”
Condition: The sculpture is in overall excellent condition, with some minor stains to the wooden base
Provenance
Ex. Harley May
(Estimate: $1,000 - $2,000)
1390 - THE GREYHOUND BRONZE TROPHY NORTH AMERICAN STEER WRESTLING CHAMPIONSHIP “HARLEY MAY CALGARY STAMPEDE”, 1973
Bronze trophy with dark brown patina. Titled on the plaque: THE GREYHOUND TROPHY / NORTH AMERICAN / STEER WRESTLING CHAMPIONSHIP / HARLEY MAY / CALGARY STAMPEDE 1973. Signed on the back of the base.
Comes with a pink shirt worn by May when he competed at Calgary. Note from family claims that this was the last win needed to complete winning all the “major” rodeos in North America.
Provenance Ex. Harley May
(Estimate: $300 - $500)
- JIM STUCKENBERG (1943 -)
1391 - LARGE LOT OF ROY ROGER MEMORABILIA INCLUDES (2) COLT SAA, HOLSTER RIG.
The highlight of this collection features the two gun Colt SAA revolvers with the hand tooled double holster Buscadero rig. The rig comes with a letter from Legends of Leather who hand crafted this set and features Sterling silver spots, buckles, keepers and tips. There is also a letter on this rig from Roy Rogers Jr. thanking them for their participation with the Happy Trails Children’s Foundation. The rig is made of the highest quality saddle leather, hand tooled, buckle loops, full skirt that measures 41” in length from post to farthest hole. It houses a pair of 4-3/4” nickel plated, black powder Colt non-firing clones that have faux stag with bark grips. This rig and revolvers were styled after the sets used by Roy Rogers in his television series. Both the guns and holster are in near mint condition. Additional items include a Golden Gate Hat Company of Los Angeles cowboy hat signed by Roy on the brim with custom artwork on the crown and signed inside by the artist. There is a hand tooled leather covered Cowboy Diary with certificate from the museum. Also includes a limited edition lunch box style cased Roy and Dale Fossil watch and bolo as well as two 1950s 3-1/4” Roy and Dale pocket knives from the Novelty Knife Company that have colorful images of Roy and Dale under celluloid scales. There are three hardcover books on the Rogers’ along with some museum brochures. All in excellent condition. Would look great housed in a display.
(Estimate: $2,500 - $4,500)
1392 - (2) ROY ROGERS THEME RESISTOL WESTERN HATS, COLTS, & RIG
These Roy Rogers inspired items were once the property of Frank Calabrese who was inducted into the Cowboy Gun Spinning Hall of Fame in 2003. A proclaimed good will ambassador for the art of fancy hand-gunning to tens of thousands of curious patrons all over this country and abroad. He is well known amongst the Hollywood crowd as he has performed at numerous Film Festivals where he never failed to awe his audiences, often adorned with accouterments representing well known Western stars of motion pictures and television. This themed lot includes a hand tooled double leather rig as custom made by W. Ostin. Walt Ostin Custom Gun leather is world renowned for their Hollywood rigs made for motion pictures and television and are based in Cobble Hill, British Columbia. This is a Buscadero double rig, single loop with buckle, silver studded with silver hardware. Holsters are maker stamped and floral tooled. Inside belt is branded “ FRANK CALABREASE SIX GUN SPINNER” Rig houses two nickel 4-3/4 non-firing SAA type revolvers with faux ivory grips. The cartridge loops are filled with silver bullets. Belt measures 42” from post to furthest hole. There are two Roy Rogers style western hats. Both were made by Resistol and constructed of 4x beaver, size 7-3/8 and have a gold etched Roy Rogers signature a black land leather hatband. Both are in near mint condition with hard carry case. Both hats are in near mint condition.
Provenance
Ex Frank Calabrese
(Estimate: $800 - $1,200)
1393 - ROY ROGERS THEME HAT, LITHOGRAPH, TWO COLTS, & RIG
These Roy Rogers inspired items were once the property of Frank Calabrese who was inducted into the Cowboy Gun Spinning Hall of Fame in 2003. A proclaimed good will ambassador for the art of fancy hand-gunning to tens of thousands of curious patrons all over this country and abroad. He is well known amongst the Hollywood crowd as he has performed at numerous Film Festivals where he never failed to awe his audiences, often adorned with accouterments representing well known Western stars of motion pictures and television. This themed lot includes a hand tooled double leather Buscadero rig as custom made by Harris Leather of Sumter SC. founded in 1968 by Ralph and Mabelene Harris and are well known for quality leather, hand-tooling and silver designs. The Holsters have the Harris cartouche, are adorned in silver, fine floral motif hand tooled with contrasting black leather accents. Belt measures 41” from post to furthest hole. The cartridge loops are filled with the famous silver bullets and rig holds a pair of nickel non-firing 4-3/4” Colt type single actions with faux ivory grips. The entire rig is in near mint condition. In addition to the hog legs and rig, included is a Roy Rogers endorsed Resistol cowboy hat constructed of 5x beaver in size 7-3/8 with a leather hat band and in its hard carry case. There is a professionally framed and matted full color 14x17 Roy Rogers personalized and autographed print.
Provenance
Ex Frank Calabrese
(Estimate: $800 - $1,200)
1394 - ROY ROGERS - DALE EVANS THEMED LOT, GUN RIG, FRAMED AUTOGRAPHED PHOTOS
These Roy Rogers Dale Evans inspired items were once the property of Frank Calabrese who was inducted into the Cowboy Gun Spinning Hall of Fame in 2003. A proclaimed good will ambassador for the art of fancy hand-gunning to tens of thousands of curious patrons all over this country and abroad. He is well known amongst the Hollywood crowd as he has performed at numerous Film Festivals where he never failed to awe his audiences, often adorned with accouterments representing well known Western stars of motion pictures and television. This themed lot includes a hand tooled double leather rig as custom made by W. Ostin. Walt Ostin Custom Gun leather is world renowned for their Hollywood rigs made for motion pictures and television and are based in Cobble Hill, British Columbia. This is a Buscadero double rig, single loop with buckle, silver studded with silver hardware. Holsters are maker stamped and floral tooled. Inside belt is branded “ FRANK CALABREASE SIX GUN SPINNER” Rig houses two nickel 4 3/4 non-firing SAA type revolvers with stag bark grips. The cartridge loops are filled with silver bullets. Belt measures 42” from post to furthest hole. The Roy Rogers style western hat was made by Resistol and constructed of 6x beaver, size 7-3/8 with an engraved silver hatband by Edward Bohlin. In near mint condition with hard carry case. Included is a professionally framed collage of three Roy and Dale photographs, one of which is autographed by Roy and presented to Frank. Every item in lot is in near mint condition.
Provenance Ex Frank Calabrese
(Estimate: $800 - $1,200)
1395 - (2) CLINT WALKER CHEYENNE WESTERN STYLE STETSON HATS & AUTOGRAPHED PHOTOGRAPHS
This Clint Walker Cheyenne themed lot was once the property of Frank Calabrese who was inducted into the Cowboy Gun Spinning Hall of Fame in 2003. A proclaimed good will ambassador for the art of fancy hand-gunning to tens of thousands of curious patrons all over this country and abroad. He is well known amongst the Hollywood crowd as he has performed at numerous Film Festivals where he never failed to awe his audiences, often adorned with accouterments representing well known Western stars of motion pictures and television. The television series Cheyenne ran from 1955 through 1962 and was extremely popular. (A) Hat is a Stetson, 4x beaver, size 7-3/8 and marked David’s Western Wear of Arizona. Hat is near mint but has no band. (B). Hat is a Stetson, 5x beaver, size 7-3/8 and sports a leather hat band adorned with silver arrow heads. Clint is seen wearing both dark and light hats in this series. Lastly, there is a framed dual photograph display, one is signed to Frank while other has an autographed cut, also to Frank. Both hats come with hard carry cases.
Provenance
Ex Frank Calabrese
(Estimate: $500 - $800)
These Paladin inspired items were once the property of Frank Calabrese who was inducted into the Cowboy Gun Spinning Hall of Fame in 2003. A proclaimed good will ambassador for the art of fancy hand-gunning to tens of thousands of curious patrons all over this country and abroad. He is well known amongst the Hollywood crowd as he has performed at numerous Film Festivals where he never failed to awe his audiences, often adorned with accouterments representing well known Western stars of motion pictures and television. This themed lot includes a black leather single gun rig as custom made by Alfonso of Hollywood. Alfonso Pineda’s company has been in business for over a half century in Hollywood providing custom rigs to numerous Hollywood Western stars of television and film as well as for a vast majority of fast-draw competitors. This is a Buscadero style, made of black dyed heavy saddle leather, no tooling but has the world-famous white chess knight silver adornment as made famous by Richard Boone in his portrayal of Paladin, the San Francisco gambler and gun fighter, in the long running television series “Have Gun Will Travel” which ran from 1957 through 1963. The cartridge loops are filled with silver bullets. Rig is in excellent condition. Also comes with a Baron, “Hollywood’s Hat Maker”, black hat. Barons is an iconic Hollywood hat maker that built custom western hats for the movies and television including John Wayne. This hat has a black leather band that is adorned with (3) of the same silver Paladin chess symbols. Size is 7-3/8” and is in near mint condition and comes with hard carry case.
Provenance Ex Frank Calabrese
(Estimate: $500 - $800)
1396 - RICHARD BOONE PALADIN TELEVISION THEME LOT INCLUDING HOLSTER, BELT & HAT
1397 - LONE RANGER LOT OF 2 COLTS, RIG, & 2 FRAMED AUTOGRAPHED PHOTOS
These Long Ranger inspired items were once the property of Frank Calabrese who was inducted into the Cowboy Gun Spinning Hall of Fame in 2003. A proclaimed good will ambassador for the art of fancy hand-gunning to tens of thousands of curious patrons all over this country and abroad. He is well known amongst the Hollywood crowd as he has performed at numerous Film Festivals where he never failed to awe his audiences, often adorned with accouterments representing well known Western stars of motion pictures and television. This is a Lone Ranger themed lot to include a hand tooled leather rig as custom made by W. Ostin. Walt Ostin Custom Gun leather is world renowned for their Hollywood rigs made for motion pictures and television and are based in Cobble Hill, British Columbia. This is a Buscadero double rig, single loop with buckle, silver studded with silver hardware. Holsters are maker stamped and floral tooled. Inside belt is branded “ FRANK CALABREASE KEMOSOBE”. Rig houses two 4-3/4 non-firing SAA type revolvers with faux ivory grips. The cartridge loops are filled with silver bullets. Belt measures 42” from post to furthest hole. There is also a full box of (50) dummy nickel cartridges. This lot also includes two framed display pieces. One is a collage of (4) 8x10 photos, one of which is presented and autographed to Frank by Clayton Moore “The Lone Ranger”. Lastly, a large framed (28 x 22-1/2”) full color Lone Ranger and Tonto print signed by Clayton Moore and Jay Silverheels. All items are in near mint condition.
Provenance
Ex Frank Calabrese
(Estimate: $800 - $1,200)
These high quality John Wayne inspired items were once the property of Frank Calabrese who was inducted into the Cowboy Gun Spinning Hall of Fame in 2003. A proclaimed good will ambassador for the art of fancy hand-gunning to tens of thousands of curious patrons all over this country and abroad. He is well known amongst the Hollywood crowd as he has performed at numerous Film Festivals where he never failed to awe his audiences, often adorned with accouterments representing well known Western stars of motion pictures and television. This is a John Wayne themed lot to include (4) western hats, three of which are movie themed along with two John Wayne inspired holster and ammo belt rigs and a shotgun ammo belt. HATS: (A) Style of hat worn by Wayne in the movie War Wagon with Kirk Douglas. It is Baron of Burbank. Tagged 7 3/8. Has leather band with silver and turquois adornments. (B) Type of hat worn by Wayne in the movie The Shootist starring Lauren Bacall and Ronnie Howard. This was Wayne’s last movie. Made by Limpia Creek of Fort Worth, size not listed. Stamped “Custom made for Frank Calabrese”. (C) Type worn by Wayne in the movie Chisum starring Ben Johnson. Made by D&J of Las Vegas. Stamped “ Gun Spinner”, size not marked. Has rattlesnake hat band. (D) Classic Wayne style hat made by Stetson. It is a 20X Beaver, size 7 1/2, missing hat band. All of these hats are in near mint condition with no staining, and each comes with a hard carry case. This lot includes two complete gun rigs as well. One is made by John Bianchi, his cartouche is stamped on both holster and cartridge belt. Single loop holster with short skirt for a 4-3/4” Colt SAA. Belt is light suede and holds .45 Colt silver bullets. Buckle is nickel-plated California clip point. Belt width is 2 3/4” and measures 44” from prong to furthest hole. This classic Wayne style rig was used in numerous movies to include Rio Bravo and True Grit. The other rig is not maker marked. It is the type of rig seen on Wayne in the movie The Shootest. It is made of high-quality saddle leather. The holster is unadorned with full skirt and no loops. It can house a 5-1/2 Colt SAA. Cartridge loops are filled with .45 Colt Silver bullets. Belt width is 2” and measures 42” from post to furthest hole. Both rigs are in near mint condition. Lastly, there is a white canvas and leather shotgun shell belt, no maker, with a nickel-plated California clip point buckle. Width is 2” and measures 47” from post to furthest hole. A great lot of high condition Western wear. Each hat is of very high quality.
Provenance
Ex Frank Calabrese
(Estimate: $800 - $1,200)
1398 - JOHN WAYNE INSPIRED WESTERN MOVIE-STYLE LOT OF (2) RIGS & (4) HATS
1399 - LARGE ASSORTED LOT OF HIGH QUALITY SADDLE LEATHER ITEMS
(22) Assorted items to include (14) holsters for concealed size revolvers of various makers. Two full size revolver holsters, two ammo holders for belt and two western style hand tooled dress belts with silver hardware and two alligator dress belts with silver western hardware, all of the highest quality. Sizes range 40-44. Every item in excellent condition.
Provenance
Ex Frank Calabrese
(Estimate: $400 - $800)
1400 - PROPERTY OF FRANK CALABRESE LOT OF HIGH QUALITY WESTERN RIGS & COLTS
These western style gun rigs were once the property of Frank Calabrese who was inducted into the Cowboy Gun Spinning Hall of Fame in 2003. A proclaimed good will ambassador for the art of fancy hand-gunning to tens of thousands of curious patrons all over this country and abroad. He is well known amongst the Hollywood crowd as he has performed at numerous Film Festivals where he never failed to awe his audiences, often adorned with accouterments representing well known Western stars of motion pictures and television. Lot includes a hand tooled double Buscadero rig made by Harris of Sumter S.C. and so stamped. Ralph and Mabelene Harris are world renowned manufacturers of handmade saddles, custom silver, and tack. Made of the highest quality saddle leather, hand tooled with floral motif, silver studded with silver hardware, cartridge loops filled with silver bullets. Measures 42” from post to furthest hole. There is an additional Harris single holster Buscadero set decorated with silver Conchos, contrasting white leather banding, filled with silver bullets and measures 41-1/2” from post to furthest hole. Lastly, there is an Alamo maker marked holster with hand tooled basket weave design and suede lined. Lot includes two non-firing Colt SAA type revolvers, one nickel with stag grips and the other matte blue with wood grips. Guns and holsters are 4-3/4” All items are in near mint condition.
Provenance
Ex Frank Calabrese
(Estimate: $500 - $1,000)
1401 - HIGH QUALITY LOT OF 5 WESTERN LEATHER FRINGED JACKETS & HATS
These high-quality articles of outer wear were once the property of Frank Calabrese who was inducted into the Cowboy Gun Spinning Hall of Fame in 2003. A proclaimed good will ambassador for the art of fancy hand-gunning to tens of thousands of curious patrons all over this country and abroad. He is well known amongst the Hollywood crowd as he has performed at numerous Film Festivals where he never failed to awe his audiences. This lot consists of: (A) Scully size 44 suede leather suit coat length fringed western jacket with glass beaded shoulder decorations and a silk or satin lining. It is in beautiful condition with no staining inside the collar, no apparent damage or repairs, extremely clean and ready to wear. (B) A fringed jacket,
waist length, size 48 and made by Freedom in the USA. It is constructed of light buckskin leather, satin lined, fringed, numerous silver star studs, zipper front, exposed large leather lacing and decorated with wood Indian style elongated bone or wood upon the shoulders and extending. The sleeves are motorcycle style zip up. It too is in superb condition and has a strikingly handsome western appearance. (C) A buckskin leather vest as made in US by Tribe and is size 48 that is decorated with fringe, silver studs and the same style wood or bone Indian type shoulder decorations. Lot also includes two classic western cowboy hats. (A) Resistol 15 Beaver made in Texas with no listed size and a rattle snake hatband. (B) Baron of Burbank size 7 with no band. Both come in the hard carry case. Every item in this lot is excellent and ready to wear.
Provenance
Ex Frank Calabrese
(Estimate: $300 - $500)
1402 - DAVID MANUEL (B. 1940)
John Wayne, American, 1979
Bronze 14 x 9 x 28-1/2 in.
Inscribed on base “John Wayne / ‘American’ / Manuel / 1979”
Signed, titled, dated and editioned in the cast (#26 of 250); additionally bears the publisher’s mark “Bianchi Frontier Museum” and foundry mark “Maiden Bronze Foundry, Walla Walla, WA”.
Includes a period pamphlet from the Bianchi museum in Temecula, California that shows the bronze on the back page. Also included is a Certificate of Authenticity 26/250 from the Frontier Museum Historical Center.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $2,000 - $3,000)
This classic 1939 John Ford epic western brought stardom to John Wayne after almost ten years of struggling for recognition doing B westerns. Also starring Clair Trevor, Andy Devine, John Carradine, Donald Meek and Thomas Mitchell who won the Academy Award for best supporting actor. The original one sheet, although handsomely designed, did not picture Wayne or any other stars. This early re-issue is considered by many to be the best poster on this film as Wayne’s caricature is prominently featured riding in a stagecoach, gun wielding, with an injured female in his arms. CONDITION: Very fine. Has light typical shipping fold lines but color is vibrant. Considered by movie critics to be one of the finest Western movies ever produced.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $400 - $600)
1403 - ICONIC JOHN FORDS “STAGECOACH” MOVIE POSTER STARRING JOHN WAYNE (1944)
1404 - COLLECTION OF 3 PROFESSIONALLY FRAMED WESTERM MOVIE POSTERS
All are typical early Hollywood movie one sheet posters. (A) Gene Autry, “On Top Of Old Smokey” Released in 1952. (B) Ken Maynard in “Lightning Strikes West” released in 1940. (C) Gene Autry in “The Old West”. Released in 1952. Each poster is in rich full color, each linen backed professionally framed and all remaining in excellent condition and showing only minor wear and/ or aging and each displays vividly.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $500 - $1,500)
1405 - JESSE JAMES “THE MISSOURI OUTLAW” POSTER
Early 1900s color litho poster advertising the live stage drama “THE SENSATIONAL LIFE WESTERN LEFE DRAMA / JESSE JAMES THE MISSOURI OUTLAW”. Features a vignette of a Winchester lever action next to a treasure strongbox and actor vignettes of Jesse James and Edith Forrest. Maker stamp in corner: THE DONALDSON LITHO / NEWPORT N.Y. No. 3152. CONDITION: Fine overall, but displays good strong colors. Shipping fold lines and light creases to some edges. Not examined outside of frame.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $600 - $800)
1406 - MARIA MARTINEZ (1887-1980) & SANTANA MARTINEZ (1909-2002) SAN ILDEFONSO (P’OHWHOGEH) BLACKWARE BOWL
Mid-20th century. With an Avanyu design mid-shoulder. A “First Premium New Mexico State Fair 1966” ribbon accompanies this lot. Incised on base “Maria + Santana”. 7” Dia. x 3-1/2” H.
Condition: A few areas of scuff marks.
(Estimate: $1,500 - $2,000)
1408 - CRUCITA CALABAZA (BLUE CORN, B. 1921-1999) SAN ILDEFONSO (P’OHWHOGEH) BLACKWARE PLATE
1407 - CAVAN GONZALES (TSE-WHANG, B. 1970) SAN ILDEFONSO (P’OHWHOGEH) BLACKWARE JAR
Contemporary. With a feather pattern on the shoulder, interrupted on two sides by a geometric curvolinear design, with numerous polliwogs swimming around the bottom half of the jar. Incised on bottom “Cavan Gonzales ‘Eagle Tail’”. 8” Dia. x 5” H.
Condition: A few areas of scuffing on the base and rim.
(Estimate: $2,200 - $3,000)
Mid-20th century. With a central thunderbird design and step cloud patterns extending to the rim. Incised on base “Blue Corn San Ildefonso Pueblo”. 12-5/8” Dia. x 2-1/2” H.
Condition: With various scuffs and imperfections.
(Estimate: $1,500 - $2,500)
1409 - MARIA MARTINEZ (1887-1980) & JULIAN MARTINEZ (“POCANO”, 1879-1943) SAN ILDEFONSO (P’OHWHOGEH) BLACKWARE COWBOY HAT ASHTRAY
First quarter 20th century. In the form of a cowboy hat, signed on base “Marie + Julian”. 5” Dia. x 2” H.
Condition: With a few small flakes.
(Estimate: $1,000 - $1,500)
1410 - MARIA MARTINEZ (1887-1980) & POPOVI DA (1923-1971) SAN ILDEFONSO (P’OHWHOGEH)
VASE
Mid-20th century. With a long neck surmounting a band containing Avanyu. Incised on base “Maria/ Popovi”, also uniquely incised on the side of jar “Maria/Popovi”. 9” Dia. x 13-1/2” H.
Condition: Some areas of slight imperfections.
(Estimate: $12,000 - $20,000)
1411 - CAVAN GONZALES (TSE-WHANG, B. 1970) SAN ILDEFONSO (P’OHWHOGEH) BLACKWARE POT
Contemporary. With a feather and geometric pattern around shoulder, interrupted by a cutout Kiva steps, a myriad of polliwogs swimming up from the base. Incised on the base “Cavan Gonzales ‘Eagle Tail’”. 8” Dia. x 4-1/2” H.
Condition: With area spots of flaking and small scrape marks.
(Estimate: $2,200 - $3,200)
1412 - MARIA MARTINEZ (1887-1980) & SANTANA MARTINEZ (1909-2002) SAN ILDEFONSO (P’OHWHOGEH) BLACKWARE LOW BOWL
Mid-20th century. Geometric and curvolinear pattern around the shoulder. Incised on base “Marie + Santana”. 6-3/4” Dia. x 2-3/4” H.
Condition: Some spots of flaking and small scrapes.
(Estimate: $1,200 - $1,600)
1413 - CAVAN GONZALES (TSE-WHANG, B. 1970) SAN ILDEFONSO (P’OHWHOGEH) POLYCHROME VASE
Contemporary. Of a double-belly form, with an Avanyu along the bottom and a geometric and curvolinear design surrounding the top. Signed on base “Cavan Gonzales ‘Eagle Tail’”. 9-3/4” Dia. x 11” H.
Condition: Excellent.
(Estimate: $3,000 - $4,000)
1415 - MARIA MARTINEZ (1887-1980) & POPOVI DA (1923-1971) SAN ILDEFONSO (P’OHWHOGEH) BLACKWARE PLATE NO. 766
Mid-20th century. With an Avanyu pattern. Signed on base “Maria / Popovi 766”. 7” Dia.
Condition: Excellent.
(Estimate: $2,000 - $2,500)
1414 - CAVAN GONZALES (TSE-WHANG, B. 1970) SAN ILDEFONSO (P’OHWHOGEH) POLYCHROME POTTERY
Contemporary. A band of curvolinear geometric patterns from the shoulder to the neck and a singular polliwog on the rim, and one extending up from the base. Incised on base “Cavan Gonzales (Eagle Tail)”. 8” Dia. x 5” H.
(Estimate: $2,000 - $3,000)
1416 - MARIA MARTINEZ (1887-1980) SAN ILDEFONSO (P’OHWHOGEH) POTTERY POT
First quarter 20th century. With geometric pattern around the shoulder. Incised on base “Marie”. 6” Dia. x 4” H.
Condition: Areas of imperfections.
(Estimate: $1,200 - $1,800)
1417 - LOT OF 2: NORTHERN CALIFORNIA INDIGINEOUS ITEMS
(A) Modoc painted bow. 2-1/2” W x 48” L
(B) Hupa complex basketry baby carrier. 10-1/2” W x 25” L x 6” H
(Estimate: $500 - $1,000)
1418
First quarter 20th century. Twine with an overall geometric pattern. 6-1/2” Dia. x 3-1/2” H.
(Estimate: $150 - $250)
1419 - PIMA (AKIMEL O’ODHAM) BASKET
Circa first quarter 20the century. A flaring bowl with a repeating rolling log pattern around the entire sides of the basket. 12” Dia. x 7-5/8” H.
Condition: Good.
(Estimate: $200 - $400)
- KLAMATH MODOC BASKET
1420 - LOT OF 2: NAVAJO (DINÉ) WEDDING BASKETS
Each of traditional design.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $100 - $200)
1421 - INDIGENOUS BIRCH BARK WALL HANGING
With two rows of containers affixed to a birch bark back board, each adorned with painted maple leaves and floral designs.
(Estimate: $200 - $400)
1422
All contemporary. The two Pima baskets each done with willow and devil’s claw, one showing a negative man in the maze, the other a floral leaf pattern with three dogs.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $150 - $350)
1423 - CHEYENNE WOMAN’S LEGGINGS
& MOCCASINS
Contemporary. With overall banded pattern and buffalo track design on moccasin tops.
Colors: white, green, pink, yellow, dark blue, light blue
(Estimate: $400 - $600)
- LOT OF 5: PIMA (AKIMEL O’ODHAM) & PAPAGO (TOHONO O’ODHAM) BASKETS
1424 - PLAINS SHIELD OR POLE BANNER
Circa early 20th century. Probably from a Wild West show, with standing and mounted ledger figures and rim done with brass tacks, several missing. Was on display for five years at the Royal Museum of Art and History in Brussels, Belgium. 19” Dia.
(Estimate: $500 - $1,000)
1425 - ARAPAHOE BEADED PIPE BAG
First quarter 20th century. Made from men’s leggings (this beadwork appears to be from an earlier period than the bag), with leather fringe extending from the bottom.
Colors: light blue, dark blue, yellow, white, white-heart red
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $400 - $600)
Early 20th century. (A) Two moosehide with beaded floral designs on the cuff and glove. (B) Additional two pairs with embroidered designs, one with flowers and the other with horseshoes.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $300 - $600)
1426 - LOT OF 4: PLATEAU GAUNTLETS
1427 - SIOUX (LAKOTA) BEADED PIPE BAG
20th century. With a beaded panel on each side with reflective stack cross design, surmounting a panel of quillwork.
Colors: white, red, yellow, light blue, green
(Estimate: $500 - $1,000)
1428 - SIOUX (LAKOTA) KNIFE SHEATH
With an overall geometric pattern, painted on back remnants of “Big Foot” and with a picture of an Indian chief, possibly a memorial to Chief Spotted Elk (often called Big Foot or Si T?á?ka) who was a respected Minneconjou Lakota leader killed by the U.S. Army Seventh Cavalry on December 29, 1890, at Wounded Knee Creek, South Dakota.
Condition: The leather is stiff.
Provenance
Oral history from consignor was that sheath was owned by Judge William Altstadt, a lifelong friend of Bill Cody. This was gifted to him by the Native Americans who he helped to ascertain the paperwork needed to be part of Buffalo Bill Cody’s Wild West Show, and has been in the family well over 100 years. Judge Alstadt was one of a number of key players that worked behind the scenes to ensure the success of the Buffalo Bill Wild West Show.
(Estimate: $600 - $1,000)
1429 - LOOM BEADED SASH
With a repeating geometric pattern.
Condition: Several areas of bead loss.
Colors: white, blue, red, light blue, metallic
Provenance:
Oral history from the consigner states that the sash was owned by Judge William Altstadt, gifted to him by the Native Americans who he helped to ascertain the paperwork needed to be part of Buffalo Bill Cody’s Wild West Show. Altstadt was a key player behind the scenes helping Cody with legal issues regarding getting the show started.
(Estimate: $100 - $200)
1430 - PLAINS BEADED BAG
Circa first quarter 20th century. With a fully-beaded panel, linear designs, and leather fringe extending from the bottom of the panel.
(Estimate: $300 - $600)
1431 - LOT OF 2: SIOUX (LAKOTA) PAIRS OF MEN’S MOCCASINS
Mid-20th century. (A) With worn parfleche soles, fully-beaded uppers with a buffalo track design and a band of geometric pattern around the edge.
Colors: white-center red, dark blue, white
(B) Worn saddle leather soles, with beadwork done in a linear banded pattern.
Colors: light blue, yellow, transparent green, white-center red
Condition: Edge of opening slightly stiff.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $200 - $400)
1432 - ARAPAHO BEADED MOCCASINS
Mid-20th century. With a central rosette pattern and vertical rows of floral leaf design. Parfleche soles. Colors: white, red, orange, blue, green, black
(Estimate: $200 - $400)
1433 - PLAINS TRAILER BONNET MADE BY BILL & KATHY BREWER
Contemporary. With feathers emulating eagle feathers, a beaded band done with yellow and blue beads with silk ribbons and ermine tails coming off of each side. The long trailer extends from the bonnet.
(Estimate: $1,000 - $1,500)
1434 - FEATHERED BONNET
Contemporary. With feathers emulating eagle feathers and a beaded band done with blue, white, and red beads, topped by brass bells and ermine and silk ribbon extensions extending from each side.
(Estimate: $800 - $1,200)
1435 - PLAINS TRAILER BONNET BY BILL & KATHY BREWER
Contemporary. With feathers emulating eagle feathers and a beaded band done with blue and white beads and ermine tails coming off each side of the bonnet. The long trailer extends from the bonnet.
(Estimate: $1,000 - $1,500)
1436
Lot consists of: (A) Solid example of a M1881 cavalry enlisted dress helmet. Composed of a dark blue-black wool cloth pressed over a cork inner body shell. Trimmed with a 1” decorative leather band and ¼” leather visor edging. All brass hardware is present and firmly affixed to the helmet. Federal eagle plate superimposed over a set of crossed sabers with silvered ‘6’, oak leaf designed crown base with plume socket shaft, crossed saber side buttons, plus 2 split rings and small brass decorated bases. The yellow branch of service horsehair plume is intact with nice, bright color. Original worsted wool cords. The sweatband is supple with faint W.M. Horstmann contract stamp on reverse side. Some blemishes on sweatband. Body remains sturdy. (B) M1881 cavalry enlisted dress helmet. Composed of a dark blue-black wool cloth pressed over a cork inner body shell.Trimmed with a 1” decorative leather band and ¼” leather visor edging. All brass hardware is present and firmly affixed to the helmet. Federal eagle plate superimposed over a set of crossed sabers with silvered ‘3’, oak leaf designed crown base with plume socket shaft, crossed saber side buttons, plus 2 split rings and small brass decorated bases. The yellow branch of service horsehair plume is intact with nice, bright color. Original worsted wool cords. The sweatband is supple with a size ‘7’ tag and is stamped: ‘CHAS. E. SACKETT INSPECTOR’. Another nice complete example. Included is a copy of Spangenberger from an article from Guns & Ammo magazine wearing the one of the helmets being offered. CONDITION: Very good.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $600 - $800)
- LOT OF 2: US INDIAN WARS CAVALRY MODEL 1881 DRESS HELMETS.
1437 - JOE NEIL BEELER (1931-2006)
pen and ink sight: 19 x 14 in. framed: 28-1/4 x 23 in.
Pen and ink drawing of buffalo hunt, early work 1950s, double-matted and framed professionally with museum glass.
(Estimate: $1,500 - $3,000)
1438 -
pencil drawing sight: 20 x 12 in.
framed: 31-1/4 x 24 in.
(1885-1962)
Pencil drawing of a gold prospector, his dog, and pack mule. Professionally framed and double-matted under museum glass.
(Estimate: $3,000 - $5,000)
1439
Howdy Neighbor oil on canvas sight: 15 x 19 in. framed: 28 x 23-3/4 in. gold frame with gallery plaque
(Estimate: $1,000 - $2,000)
CLYDE FORSYTHE
- JAMES M. HAMILTON (1819-1878)
1440
Fall Morning - Sierra Nevada oil on canvas sight: 29 x 23 in. framed: 39-1/4 x 33 in. Gold Montgomery frame
(Estimate: $2,000 - $3,000)
Cooling Off oil on canvas sight: 23-1/2 x 35-1/2 in. frame: 34 x 45-1/2 in.
An early trapper in the middle of getting a drink of water from a fast-moving stream.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $2,000 - $3,000)
- DAN GOOZEE (1943-2024)
1441 - CRAIG NELSON (B. 1947)
1442 - ASTLEY DAVID MONTAGUE COOPER (AMERICAN, 1856-1924)
Plains Indians Hunting Bison oil on board
8-1/4 x 21-3/8 in.
framed: 12-1/2 x 26 in. original period bat wing frame framed under glass signed and dated 1917 lower left
Condition
Excellent original condition.
(Estimate: $1,500 - $2,500)
1443 - ASTLEY DAVID MONTAGUE COOPER (AMERICAN, 1856-1924)
Sioux Camp, South Dakota gouache on artist board
8-1/4 x 21 in.
framed: 9-3/8 x 22 in. signed and dated 1917 lower left titled on reverse
Condition
Good original condition.
(Estimate: $700 - $900)
1444 - TROY DENTON (B. 1949)
oil on canvas sight: 19 x 23-1/4 in. framed: 28-1/2 x 32-1/2 in.
(Estimate: $1,000 - $2,000)
1445 - ROSE ANN DAY (B. 1949) oil on canvas
sight: 29-1/2 x 19-1/2 in. framed: 36 x 25-3/4 in.
(Estimate: $2,000 - $3,000)
1446 - ARMIN HANSEN (AMERICAN, 1886-1957)
titled “Hay Wagon” oil on canvas
artist signature lower-right corner “Armin Hansen N.A.” sight: 19” x 17” framed: 25” x 23”
*Note: A letter regarding the authorship of the present work from Dr. Raymond L .Wilson dated 20 May 1988 accompanies the painting.
Provenance: Private collection, San Francisco, CA,
(Estimate: $2,500 - $5,000)
1447
mixed media sight: 11 x 8-1/2 in. framed: 20-1/2 x 16-1/2 in.
Early mixed media (watercolor, pen, pencil, colored pencil) painting of a cowboy riding a horse. Professionally framed and double-matted under museum glass.
Condition Paper has crease marks.
(Estimate: $8,000 - $12,000)
mixed media sight: 11 x 8-1/2 in. framed: 20-1/2 x 16-1/2 in.
Early mixed media (watercolor, pen, pencil, colored pencil) painting of a cowboy riding a horse. Professionally framed and double-matted under museum glass.
Condition
Some markings on paper.
(Estimate: $6,000 - $10,000)
- WILL RODERICK JAMES (1892-1942)
1448 - WILL RODERICK JAMES (1892-1942)
1449 - WILL RODERICK JAMES (1892-1942)
mixed media sight: 11 x 8-1/2 in. framed: 20-1/2 x 16-1/2 in.
Early mixed media (watercolor, pen, pencil, colored pencil) painting of a cowboy and dog. Professionally framed and double-matted under museum glass.
Condition
Some paper creasing.
(Estimate: $6,000 - $10,000)
1451
Untitled oil on canvas
14 x 17 in.
framed: 22-1/2 x 25-3/8 in.
original period frame signed and dated 1918 lower left
Condition
Good original condition.
(Estimate: $1,000 - $1,500)
1450
The Night Watch oil on canvas
14 x 17 in.
framed: 21-3/8 x 24 in. signed lower right titled on reverse original period frame
Condition
Small restoration with patch left center.
(Estimate: $800 - $1,200)
- ASTLEY DAVID MONTAGUE COOPER (AMERICAN, 1856-1924)
- ASTLEY DAVID MONTAGUE COOPER (AMERICAN, 1856-1924)
1452
- WILL RODERICK JAMES
(1892-1942)
pen and ink sight: 15 x 18 in. framed: 30 x 27-1/2 in.
Pen and ink drawing of a Native American on horseback. Professionally framed and double-matted under museum glass.
(Estimate: $6,000 - $10,000)
1453 - WILL RODERICK JAMES
(1892-1942)
pen and ink sight: 21 x 17 in. framed: 33 x 27 in.
Pen and ink drawing of horses, a study for drawing in his book. Framed and matted.
(Estimate: $3,000 - $6,000)
1454
- AN EARLY WESTERN PAINTING
oil on canvas sight: 38-1/2 x 31-1/4 in.
Framed to 43-3/4 x 36-3/4 in. illegible signature lower-right corner
Depicting the US Cavalry making a prisoner swap in front of their stockade.
Condition
With multiple repairs done to the back side of the canvas.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $500 - $1,000)
Contemporary.
(Estimate:
Contemporary. Of a wolf.
(Estimate: $200 - $400)
Contemporary. Depicting a moon mask. Colors: natural wood, blue, red, black, white, green
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $400 - $800)
Commercially-produced drum with a Northwest Coast painted design on the face.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $200 - $400)
1455 - YUP’IK MASK
1456 - KWAKIUTL WOOD CARVING BY JAMES JOSEPH
1457 - NORTHWEST COAST RAVEN MASK
With cedar bark trim. On custom stand. Colors: orange, black, turquoise, red
$800 - $1,200)
1458 - NORTHWEST COAST DRUM
1459 - LOT OF 14: PAIRS OF KIDS SIZE WESTERN COWBOY BOOTS
Vintage 1940s-1950s kids cowboy boots. 5 pairs retain original boxes.
(Estimate: $800 - $1,200)
1460 - LOT OF 8: PAIRS OF WESTERN COWBOY BOOTS
Lot of 1940s-1950s western boots. Various sizes and makers.
(Estimate: $800 - $1,200)
1461 - LOT OF 2: MEXICAN SOMBREROS
Lot consists of: (A) High quality, cream colored felt hat. Features fine silver thread in Aztec patterns and flowers on a black wool background. 4 black twisted silk chin cords adorned with gold bullion acorns attach on the inside. The leather sweat band marked ‘TARDAN / GRAND SOMRERERIA / MEXICO D.F.” 6-3/4” brim and 7-3/4” crown. (B) Late 1800s black felt sombrero with an earlier lower crown style. A heavily patinated braided leather band adorns the bottom of the crown with a twisted silver bullion thread chin cord running from the base of the crown through two holes. No sweatband present.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $600 - $1,000)
1462 - THE G. H. HEINEMANN CO. BADGER HAT FRAMED ADVERTISING SIGN
This slogan was registered in August 1903 by G.H. Heinemann & Co. of Milwaukee., maker of top quality Nutria hats at the turn of the century. This sign measures 19 x 12” and is nicely framed. CONDITION: Fine. Shows some minor paper loss and age staining.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $300 - $500)
1464 - JO MORA FRAMED CARTE “SWEETHEART OF THE RODEO” JO MORA (1876-1947).
2nd printing of this poster minus the map of Salinas and the Monterey Peninsula that was found on the side of the “Sweetheart of the Rodeo” girl. This printing features yellow and black silhouettes of cowboys and a chuck wagon. Always a popular image and great conversation piece with the multiple detailed vignettes of the evolution of the cowboy, saddles, bits, spurs, and associated tack. Very fine condition, unfaded. Not examined outside of frame.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $600 - $1,000)
1463 - STETSON HAT SIGN
1920s brass dealer sign with painted letters and pin striping. Creative shape with the curled edges meant to resemble a historic document or map. Nice unpolished dark gold patina.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $400 - $600)
1465 - HELMAR TURKISH CIGARETTES AMERICAN COWGIRL LITHO ADVERTISING SIGN
This famous turn of the century tobacco company stone lithograph features the Helmar American Cowgirl in stunning color and is dated 1907. Image measures approximately 16 x 27”. The original quarter sewn oak frame is embossed Helmar Cigarettes which has faded and when reframed, the frame was reassembled upside down. CONDITION: Fine. Color is brilliant but there are a few creases.
Provenance
Ex Collection of Phil Spangenberger
(Estimate: $800 - $1,200)
1466 - DUAL TONE FINISHED REPOUSSE COPPER “BUCKING HORSE” WALL ART PLAQUE
This 21x25 wall piece is done in the arts and crafts style, hand hammered copper with the dual tone finish. The work was performed in the French Repoussé process of hammering the design from the reverse creating on convex design on the face, in this case, a bucking bronco and rider. The piece is bordered with a convex lariat or rope design. The convex figures are then polished to a bright copper finish. The piece itself is quite handsome and extremely well executed.
(Estimate: $600 - $800)
1467 - CIGAR STORE INDIAN TYPE COWBOY STATUE.
While the date of manufacture is uncertain, the molded wood pulp construction with plaster cast and hand painting probably puts this in the 1950-60s era. The statue stands about 58” and represents an American Cowboy sporting his holstered six gun and shotgun chaps. It is on its pedestal base that has four mounted metal wheels. It is in fine condition retaining its bold and bright color showing some minor age cracks and paint loss. A very fine visual western themed piece.
(Estimate: $300 - $500)
Fantastic 1800s slatted wood and iron reinforced shpipping crate. Retains original brownish red paint and is stenciled to the front and back: ADAMS EXPRESS CO. in large black letters. Sides are marked: WESTERN DEPT / 897. One of the earliest frontier express companies, Alvin Adams started in 1840 with a single wheelbarrow, moving packages between Boston and Worcester before expanding to a larger express service. Formally incorporated on July 1, 1854, combining Adams & Co. with eight other eastern express companies.During the Civil War era they became a crucial logistics provider, shipping goods and money for both Union and Confederate forces. They saw rapid expansion, and by 1887, the firm operated over 23,000 miles of railroad, employing 7,800 people with a large fleet of horses and wagons. They were a major competitor to the Wells Fargo & Co. Express. These crates saw hard use and they have a low survivability rate.
Provenance: Former Tom Martin, Ron Bledsoe collections.
(Estimate: $1,000 - $1,500)
1468 - ADAMS EXPRESS CO. CRATE
1470 - BARBARA GONZALES (TAN MOO-WHE, B. 1947) SAN ILDEFONSO (P’OHWHOGEH) POTTERY VASE
Contemporary. With a reflective pattern of a spiderweb and two spiders. On the reverse side, one of the spiders is climbing towards the rim. Incised on base “Tan Moo-Weh”. 4-3/4” Dia. x 5” H. Condition: One turquoise cabochon missing.
(Estimate: $500 - $800)
1472 - BARBARA GONZALES (TAN MOO-WHE, B. 1947) SAN ILDEFONSO (P’OHWHOGEH) BROWNWARE SEED JAR
Contemporary. With a hummingbird amongst floral design, highlighted by two coral and one turquoise cabochons. Extending up from the bottom, a spider with a turquoise cabochon. Incised on base “Tan Moo-Whe”. 3” Dia. x 2” H. Condition: Excellent.
(Estimate: $300 - $500)
1469 - LOT OF 3: SANDRA CHAPARRO SAN ILDEFONSO PUEBLO (P’OHWHOGEH) POTS
(A) Gunmetal finish with feather design around the shoulder. Incised on base “Sandra Chaparro San Ildefonso Pue. 2003”.
Condition: Excellent.
(B) Blackware vase with feather motif around shoulder. Incised on base “Sandra Chaparro San Ildefonso 2003”.
Condition: Small chip near base.
(C) Brownware with feather motif. Incised on base “Sandra Chaparro San Indefonso Pue. 2003”.
Condition: Wear to paint.
(Estimate: $200 - $400)
1471 - BARBARA GONZALES (TAN MOO-WHE, B. 1947) SAN ILDEFONSO (P’OHWHOGEH) BROWN & BLACKWARE SEED POT
Contemporary. With a spider in the center of a spiderweb and a solitary turquoise cabochon. Incised on base “Tan Moo-Whe”. 2-3/4” Dia. x 2” H. Condition: Excellent.
(Estimate: $500 - $800)
1473 - ERIK FENDER (THAN TSIDE’H, B. 1970) SAN ILDEFONSO (P’OHWHOGEH) BROWNWARE POTTERY BOWL
Contemporary. With an Avanyu around the shoulder and two panels of geometric design extending towards base. Inscribed on bottom “Than Tside’h”. 5-3/4” Dia. x 3-1/2” H. Condition: Excellent.
(Estimate: $400 - $700)
1474 - ERIK FENDER (THAN TSIDE’H, B. 1970) SAN ILDEFONSO (P’OHWHOGEH) POTTERY JAR
Contemporary. With green slip forming feather and geometric pattern around the shoulder. Signed “Than Tside’h”. 6” Dia. x 6” H.
Condition: Excellent.
(Estimate: $500 - $800)
1475 - ERIK FENDER (THAN TSIDE’H, B. 1970) SAN ILDEFONSO (P’OHWHOGEH) POTTERY PLATE
Contemporary. The pottery plate is painted on both sides. Front side has traditional feather pattern, broken by a reflective fish design. On reverse side, formed by green paint, an Avanyu, and a band of polliwogs. Incised with “Than Tside h”.
Condition: One small chip on back rim of plate.
(Estimate: $600 - $1,000)
1476 - BARBARA GONZALES (TAN MOO-WHE, B. 1947) SAN ILDEFONSO (P’OHWHOGEH) SEED POT
Contemporary. Depicting five various shape pottery jars, one with an Avanyu, one with traditional feather pattern, and accented with turquoise and coral. Incised on base “Tan Moo-Whe”. 5-3/4” Dia. x 3” H.
Condition: A few small flakes.
(Estimate: $1,500 - $2,200)
1477 - BARBARA GONZALES (TAN MOO-WHE, B. 1947) SAN ILDEFONSO (P’OHWHOGEH) SEED POT
Contemporary. Depicts feathers surrounded by an Avanyu. A small spider is on the lower side and has turquoise and coral accents. Two-tone, dual finish. Incised on base “Tan Moo-Whe”. 6” Dia. x 3” H.
Condition: Excellent.
(Estimate: $1,500 - $2,000)
1479 - ERIK FENDER (THAN TSIDE’H, B. 1970) SAN ILDEFONSO (P’OHWHOGEH) POLYCHROME PLATE
Contemporary. Front of the plate has a feather design, interrupted by geometric patterns surrounding a four-point star. On the reverse, an Avanyu. Incised “Than Tside’h”. 10” Dia. x 2” H.
Condition: Excellent.
(Estimate: $700 - $1,100)
1478 - BARBARA GONZALES (TAN MOO-WHE, B. 1947) SAN ILDEFONSO (P’OHWHOGEH) POTTERY CANTEEN
Contemporary. Blackware depicting a spider encased in a diamond shape. Turquoise and coral cabochon and leather strap. Incised on base “Tan Moo-Whe”. 8” L x 4” W x 8” H.
Condition: Excellent.
(Estimate: $1,200 - $2,000)
1480 - ERIK FENDER (THAN TSIDE’H, B. 1970) SAN ILDEFONSO (P’OHWHOGEH) POTTERY JAR
Contemporary. Green slip forming feather design interrupting geometric around the shoulder, extending into the neck. The base with scattered various symbols. Signed on base “Than Tside’h”. 9” Dia. x 8” H.
Condition: Excellent.
(Estimate: $1,000 - $1,500)
1481 - CAVAN GONZALES (TSE-WHANG, B. 1970) SAN ILDEFONSO (P’OHWHOGEH) POLYCHROME JAR
Contemporary. With a band of feather broken by curvolinear designs around shoulder, two polliwogs streaming up from the base. Incised on base “Cavan Gonzales ‘Eagle Tail”. 4-1/2” Dia. x 3-1/2” H.
Condition: Scuff marks on base and a pen line connecting three feathers.
(Estimate: $600 - $800)
1482 - CAVAN GONZALES (TSE-WHANG, B. 1970) SAN ILDEFONSO (P’OHWHOGEH) BROWNWARE VASE
Contemporary. With a band of geometric design around the shoulder and a lone polliwog swimming up from the base. Incised “Cavan Gonzales ‘Eagle Tail’”. 2-1/2” Dia. x 3-1/2” H. Condition: Slight scuff marks on shoulder and base.
(Estimate: $800 - $1,100)
1483 - CAVAN GONZALES (TSE-WHANG, B. 1970) SAN ILDEFONSO (P’OHWHOGEH) POLYCHROME CANTEEN
Contemporary. With a swirling geometric pattern covering the body. Leather strap connecting each handle. Signed on base “Cavan Gonzales ‘Eagle Tail’” and a polliwog. 6” Dia. x 3” H. Condition: Excellent.
(Estimate: $800 - $1,300)
1484 - CAVAN GONZALES (TSE-WHANG, B. 1970) SAN ILDEFONSO (P’OHWHOGEH) POLYCHROM PLATE
Contemporary. With a large central spider and a malachite inlay on the spider’s head, surrounded by polliwogs, the rim highlighted by three rows of heishi. The back is signed “Cavan Gonzales (Eagle Tail)” with a lone polliwog. 11” Dia. Condition: Excellent.
(Estimate: $800 - $1,200)
1485 - NAVAJO (DINÉ) PICTORIAL WEAVING BY
LAVERNE GREYEYES
Depicting the Hoop Dance in Monument Valley. With attached photo and tag, reading Laverne Greyeyes.
Dimensions: 30-3/4” by 24”
Colors: shades of brown, blue, white, grey, black, burgundy, green, turquoise, orange, yellow, purple
(Estimate: $400 - $800)
1486 - NAVAJO (DINÉ) PICTORIAL WEAVING
Contemporary. Showing a home setting with monuments in the background. 37” x 27”
Provenance Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $200 - $500)
1487 - NAVAJO (DINÉ) YEI WEAVING
With a rainbow Yei encasing on three sides five Yei figures.
Dimensions: 51-1/2” x 36”
Colors: brown, turquoise, red, grey, black, yellow, light blue
(Estimate: $750 - $1,500)
1488 - NAVAJO (DINÉ) PICTORIAL WEAVING
Depicting a town scene.
Dimensions: 49” x 34”
Colors: salmon, white, brown, ochre, black, dark blue, green
(Estimate: $400 - $600)
1489 - NAVAJO (DINÉ) WEAVING
Circa 1920. With a central vertical row of serrated diamonds, flanked on each side by serrated triangles, each encompassing hourglass forms.
Dimensions: 68” x 42”
Colors: white, red, black, grey
Condition: Some soiling, slight bleeding, a urine stain, and some moth damage.
(Estimate: $400 - $600)
1490 - LOT OF 3: NAJAVO (DINÉ) WEAVINGS
(A) Circa 1920s. Three vertical rows of stepped hourglass designs encased in a double border.
Dimensions: 53” x 37-1/2”
Colors: white, natural brown, red, dark brown. Condition: Staining, urine stains, a few small moth damage holes.
(B) Mid-20th century. A central serrated diamond encased with the four corners being of a stepped and serrated pattern.
Dimensions: 56-1/4” x 32-1/2”
Colors: various shades of brown, black, white
Condition: Corners curled, moth damage, and staining.
(C) A runner with alternating bands of diamonds and wavy lines.
Dimensions: 54-1/2” x 22”
Colors: natural brown, gold, white, dark blue. Condition: Needs cleaning, moth damage, one end with extensive damage.
(Estimate: $500 - $700)
1491 - LOT OF 2: NAVAJO (DINÉ) WEAVINGS
Contemporary. Two Grey Hills, both of a typical pattern. Good condition. (A) 37-3/4” x 25-3/4”. (B) By Myra Blackwater. 26” x 21”.
(Estimate: $100 - $200)
1492 - NAVAJO (DINÉ) RUG
Contemporary. A traditional storm pattern with a central X pattern form of serrated lines, all encased with a triangular serrated negativepositive border.
Colors: grey, white, black, burgundy.
Condition: Excellent.
Provenance
Estate of a Lake Tahoe collector, Dr. Margaret McKee
(Estimate: $200 - $500)
With a field comprised of serrated diamonds and triangles at each end. 49”
Colors: white, red, black
Condition: Staining and selvedge damage on all sides.
(Estimate: $100 - $200)
1493 - NAVAJO (DINÉ) RUG
x 33”
1494 - ST. GEORGE VINEYARD MATCH SAFE
CONDITION: Celluloid wrapped advertising match safe showing excellent color, no breaks or cracks, tight hinge, and seldom seen subject matter.
(Estimate: $500 - $1,000)
1495 - LOT OF 4: STERLING SILVER ITEMS
Lot consists of (3) Morgan dollars; 1881, 1887, 1921, and a 1860s patriotic engraved Civil War Union sash buckle. Overall weight: 97 grams.
(Estimate: $400 - $600)
1496
Later generation strikes that include: Madison, Grant, Johnson, Cleveland, and Tyler.
(Estimate: $600 - $800)
- LOT OF PRESIDENTIAL INDIAN PEACE MEDALS
1497 - CIVIL WAR ERA GOLD SASH BUCKLE
Intricately hand-engraved buckle featuring detailed scrollwork and patriotic flag and “Lady Justice.” Top exhibits federal style spread-winged eagle perched above “Union” banner underneath, each side with a female figure, and the bottom with a patriotic shield encircled within a heart and flanked by American flags. Buckle is complete and in excellent condition with attachment tines. No maker’s stamp or other identifying marks present. Weight: 14K gold, 18.4 grams, approx. 1 3/4 x 2 1/2 in.
(Estimate: $800 - $1,000)
1498 - LOT OF 4: GOLD RUSH & CIVIL WAR BUCKLES
Lot consists of: (A) 6-point star buckle. (B) Nautical / anchor motif buckle. (C) Eagle and stars pattern buckle. (D) 1851 federal eagle, thin, die-struck belt plate. CONDITION: Relic good.
(Estimate: $600 - $1,000)
1499 -
RUSH BUCKLES
Lot of (3) tongue and wreath 1850s California Gold Rush eagle pattern belt buckles. These are found in early mining camps along the Hwy 49 corridor. Most were retailed by San Francisco merchants to argonauts headed to the gold fields. All are in solid relic condition.
(Estimate: $600 - $1,000)
Lot consists of: (A) TAUSSIG & CO. marked eagle on shield buckle. (B) Unmarked Taussig eagle on shield. (C) TAUSSIG POLLACK & CO. / SAN FRANCISCO marked patriotic eagle buckle. CONDITION: Relic good.
(Estimate: $600 - $1,000)
LOT OF 3: 1850’S CALIFORNIA GOLD
1500 - LOT OF 3: 1850’S GOLD RUSH EAGLE BUCKLES
1501 - LOT OF 3: CALIFORNIA GOLD RUSH BELT BUCKLES
Lot of dug 1850s buckles found in California gold mining camps. Some rare variations in this lot.
(Estimate: $800 - $1,500)
1502 - LOT OF 30: KLAMATH-MODOC OBSIDIAN POINTS
Dimensions: Largest - 5-1/4” x 1-1/2”. Condition: In various conditions.
Provenance: English collection.
(Estimate: $200 - $500)
1503 - COLLECTION OF MIDWEST STONE ITEMS
A few have early collector tags attached (see photos).
(Estimate: $200 - $400)
1504 - LOT OF 2: COCHITI PUEBLO POTTERY FIGURES BY DAMACIA CORDERO (1905-1989)
Each signed on base “Damacia Cordero”. (A) Fanciful bird figure. (B) Fanciful flying fish.
(Estimate: $600 - $1,200)
1505 - LOT OF 3: PUEBLO POTTERY ITEMS
(A) Zuni frog with an open mouth. Dimensions: 4” W x 5-1/2” L x 3” H
(B) Zuni miniature pottery olla with molded frogs on each side. Dimensions: 4” Dia x 3” H
(C) Miniature Zia bowl with a band of fine line pattern, interrupted by diamonds with a circle in the middle of each. Dimensions: 4” Dia. x 2-1/4” H
(Estimate: $500 - $1,000)
1506 - COCHITI POTTERY LIZARD BY DAMACIA CORDERO (1905-1989)
Remnants of signature on base. A fanciful interpretation of a lizard with cross-hatched designs covering the body and tail.
(Estimate: $400 - $800)
1507 - HOPI POTTERY LADLE
With a stylized frog design covering the inside of the bowl and a highly-stylized tadpole on the handle.With an affixed label stating: “Guaranteed Hand-Made at (blank) Southwest Art and Craft Santa Fe New Mexico”.
Dimensions: 4-1/4” x W 8-3/4” L x 2” H
Colors: cream, dark brown, and rust Condition: Remnants of sap on back side.
(Estimate: $300 - $600)
1509 - SANTO DOMINGO (KEWA) DOUGH BOWL
Circa early 20th century. Polychrome with a band of geometric design. Red interior. 12-1/4” Dia. x 6-1/4” h
Provenance: Matthew Chase, Ltd., Mr. Joseph V. Common, sales invoice from Matthew Chase, Ltd. available.
(Estimate: $500 - $1,000)
1508 - SANTO DOMINGO (KEWA) HANDLED POTTERY BOWL
Mid-20th century. With a handle and pouring spouts on each side. Overall floral pattern.
Condition: Handle broken and repaired in two places.
(Estimate: $200 - $400)
1510 - LOT OF 18: PRE-HISTORIC POTTERY ITEMS
Includes Mancos black-on-white pottery mug, 2 Roosevelt black-on-white pottery ladles with extensive restoration including handles, and 15 various pottery shards.
(Estimate: $300 - $500)
1511 - LOT OF 2: HOPI (HOPISINOM) BOWLS
Contemporary.
1512 - SANTA DOMINGO (KEWA) POTTERY OLLA BY RAFAELITA AGUILAR
With two bands of stylized floral pattern. Incised on bottom “Rafaelita Aguilar P.O. Box 13 Sd,P N.Mexico 87052”. Excellent overall condition with a few scuffs near base. Dimensions: 14” Dia. x 14” T.
(Estimate: $1,000 - $2,000)
1513 - LARGE ACOMA (ÁAK’U) OLLA
With a cross-hatching bold pattern encasing a fine line radiating design covering the entire exterior. Signed “Nadine, Louis Mansfield”. Dimensions: 12” Dia. x 15” T.
(Estimate: $300 - $500)
1515 - LOT OF 2: SANTO DOMINGO (KEWA) POLYCHROME DOUGH BOWL AND BLACKWARE POTTERY JAR
(A) Circa second quarter 20th century. Polychrome dough bowl with a primary band of serrated diamonds. Bowl shows signs of wear after being broken and repaired.
(B) Contemporary. Black on black with the primary band of elongated diamonds, topped by a band of circular forms around shoulder. Scuff marks on body and base.
(Estimate: $500 - $1,000)
(A) Signed on the base “Jofern Puffer ‘Hopi’ ‘Tewa’”. With the exterior sides covered in polychrome traditional fine line and bold geometric designs. 12” Dia. x 7” T.
(B) Signed on bottom “D. S. Hopi” with stylized paw design. With attached note describing the different patterns used on the inside and outside by Dee Satalla. With the interior base covered in polychrome geometric patterns and a wide band from the rim extending down to the shoulder. 11-1/2” Dia. x 7-1/4” T.
(Estimate: $500 - $1,000)
1514
The sides of the bowl decorated with Yucca plants spacing deer, Longhorn sheep, and Pronghorn Antelope. Incised “Vidal Aguilar S.D.P.”. Dimensions: 17” Dia. x 10-3/4” H
Condition: With a few scrape marks on side and on bottom.
(Estimate: $500 - $1,000)
- LARGE VIDAL AGUILAR SANTA DOMINGO (KEWA) DOUGH BOWL
