PRESENTS
SOUND WAVES
Sunset Center, Carmel 2018-19  Max Bragado-Darman Music Director
2018–19 Season at-a-Glance 4 Letter from the Conductor 6 Music Director's Biography 7 Elmar Oliveira Biography 10 Concert Program 5 11 Program 5 Notes 15 Marcos Madrigal Biography 24 Concert Program 6 25 Program 6 Notes 28 Alicia Mastromonaco Biography 35 Orchestra and Technical Staff 36 Music For The Schools 40 2018–19 Honor Roll 43 In Honor & Memorial Gifts 45 Donor Benefits 46 2018–19 Season Sponsors 47 2017–18 Honor Roll 49 Legacy Society & Leadership Gifts 56 Board of Directors & Staff 60
2018-19 AT-A-GLANCE ELMAR OLIVEIRA
4/13/19–4/14/19
CONCERT V Mendelssohn, Bruch & Schumann 4/14/19
SUPPER CLUB PortaBella, Carmel 4/15/19
YOUTH CONCERTS Sunset Center, Carmel 5/3/19
MARCOS MADRIGAL
GALA BY THE BAY Monterey Bay Aquarium 5/18/19–5/19/19
CONCERT VI Wagner, Chopin & Beethoven 5/20/19
YOUTH CONCERTS Sherwood Hall, Salinas Free pre-concert lectures Saturdays at 7:00 p.m. and Sundays at 2:00 p.m. at Sunset Center, Carmel
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PR ES E NTS
Subscribe to the 2019–20 Season, Ovation, and become part of the Monterey Symphony family. As a subscriber, you are assured the best seats available, and VIP privileges.
MAX BRAGADO-DARMAN Music Director SUNSET CENTER, CARMEL 2019–20
DEAR FRIENDS, After the tempestuous Debussy in February and the exotic sounds of whales in March, we begin our April concert with Mendelssohn’s tranquil and nostalgic Calm Seas and Prosperous Voyage, which displays a more classical approach to descriptive music. All three works on this program are from the Romantic era, Max Bruch being the latest of the three. Elmar Oliveira, consummate violinist and musician, returns to the Monterey Symphony to perform Bruch’s luxurious violin concerto. Working with him is always the greatest of pleasures, and the concerto is one of my favorites. With Schumann’s Symphony No. 4, we close the cycle of performing all four symphonies during my tenure with the orchestra. It is a work that I have lived with and puzzled over for a very long time. The thickness of the orchestration is always a challenge for both musicians and conductors. For me, the second movement is particularly haunting, conjuring up the image of a troubadour serenading a maiden who peers from a high tower window. Opening our May concert, Wagner’s Flying Dutchman depicts one of the scariest moments of Wagner’s life. Returning from Riga to London by ship, a huge storm engulfed them in the strait of Skagerrak, and Wagner was convinced that he would not survive. Luckily he did, and the result was this amazing opera, the overture of which, in hair-raising fashion, will end our sea voyages for the season. We then welcome Marcos Madrigal, a young Cuban whose brilliance has not gone unnoticed, to join us in performing Chopin’s beloved Piano Concerto No. 2. No one can resist the spell of Chopin. I was particularly excited about programming Beethoven’s 5th Symphony to end this season, not only because most music “aficionados” would travel many miles to hear it in a live performance, but also because more than 2,800 local students will be able to hear it for the first time in a concert hall on the morning of May 20th. We will be moving the orchestra to Salinas for this exciting event, and I thank all of our patrons for making the dream of awakening thousands of children to the joys of great classical music a reality. Have a wonderful summer!
Max Bragado-Darman
MAX BRAGADO-DARMAN BIOGRAPHY Max Bragado-Darman has served as the Music Director and Conductor of the Monterey Symphony since July 2004. Mr. Bragado-Darman was Music Director and Conductor of the Symphony Orchestra of Castile and León in Valladolid, Spain for nine years. From its formation in 1991, he built it into one of the most prestigious orchestras in Spain. Under his direction, the orchestra performed for enthusiastic audiences in all the major cities of Spain, Portugal, Switzerland and Germany. He recorded with this ensemble many unknown works of the Spanish repertoire as well as most of the orchestral works of Turina and Rodrigo and the cello concerti of Alberto Ginastera on the Naxos Label. He also recorded the flute and clarinet concerti by Joan Tower on the Opus One label. In May 1995, Max Bragado-Darman was appointed Music Director and Conductor of the Louisville Orchestra. Under his direction, the orchestra grew in popularity due to his rapport with audiences, the community in general, and his innovative programming. He has worked with distinguished artists such as Alicia de Larrocha, Teresa Berganza, Horacio Gutièrrez, Elmar Oliveira, Dubravka Tomsic, Andre Watts, Angel Romero, Gary Graffman, and Aaron Rosand among many others. As a guest conductor, Max Bragado-Darman has performed in the United States with the symphony orchestras of Honolulu, San Diego, Nashville, Delaware, West Virginia, Cedar Rapids, Savannah, Oklahoma City, Fort Worth, Austin, Fresno, and Boulder. He has led the National Orchestra, the Radio Television Orchestra and most other orchestras of Spain, as well as orchestras in Portugal, England, Argentina, Germany, and Mexico. In the fall of 2003, he made his debut at the distinguished Wexford Opera Festival with the Granados opera “Maria del Carmen,” in a version he researched and edited himself. His conducting career has been guided by the knowledge he received from teachers and musicians such as Robert Fountain, Robert Baustian, George Szell, Igor Markevich and Franco Ferrara. Most recently, Max Bragado-Darman has appeared on the podiums of orchestras in Monterrey, Mexico and Mexico City. In the spring of 2009, in the heart of Andalucia, he took on the challenge of presenting a fusion of flamenco and classical music featuring a pianist, guitarist, dancer, and full symphony orchestra. He has been the conductor for the prestigious “Iturbi Piano Competition” in Valencia, Spain in several editions. Max and Mary Bragado have two children: Julio who was formerly a dancer with The American Ballet Theatre and is now studying acting in New York City, and Ilia who teaches dance in Valladolid, Spain and is married to José Manuel Concejo. They have two grandsons, 9 year old Max and 7 year old Alejandro. Both grandchildren are enchanted with their “Abuelito” and “Granny.” 7
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ELMAR OLIVEIRA
violin Elmar Oliveira remains the first and only American violinist to win the Gold Medal at Moscow’s distinguished Tchaikovsky International Competition. Most recently, he founded the Elmar Oliveira International Violin Competition (EOIVC), to support the career development of young violinists, ages 16-32. Oliveira has performed at many internationally-acclaimed ensembles, including the Boston and Chicago Symphonies; the Cleveland and Philadelphia Orchestras; the London and New York Philharmonics; as well as the Leipzig Gewandhaus, among many others. Additionally, he has performed extensive recital tours of North and South America, Australia, New Zealand and the Far East. Oliveira received Grammy nominations for his recordings of both the Barber Concerto and the Bloch and Benjamin Lees Violin Concertos. He has premiered works by contemporary composers including Morton Gould, Aaron Jay Kernis, and Joan Tower, who dedicated her Violin Concerto to him. Oliveira is a devoted teacher and promoter of young artists, and also keenly supports the art of contemporary violin and bow making. He is a Distinguished Artist in Residence at the Lynn University Conservatory of Music in Boca Raton, Florida.
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SOUND WAVES CONCERT PROGRAM 5 APRIL 13–14, 2019
THIS CONCERT IS GENEROUSLY SPONSORED BY
Martin R. Wolf Family Fund 90.3 K AZU, Media Sponsor Max Bragado-Darman, conductor Elmar Oliveira, violin PROGRAM Calm Sea and Prosperous Voyage, Op. 27 Violin Concerto No.1, Op. 26 Elmar Oliveira, violin
Felix Mendelssohn (1809–1847) Max Bruch (1838–1920)
I. Vorspiel: Allegro moderato II. Adagio III. Finale: Allegro energico INTERMISSION Symphony No. 4, Op. 120 I. II. III. IV.
Robert Schumann (1810–1856)
Ziemlich langsam–Lebhaft Romanze: Ziemlich langsam Scherzo: Lebhaft Langsam: Lebhaft
KAZU will be rebroadcasting the Saturday, April 13th concert on both Saturday, April 27th at 4:00 p.m. and Sunday, April 28th at 4:00 p.m. on their HD2 classical channel. Tune-in online at www.kazu.org 11
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CONCERT PROGRAM NOTES
BY ALICIA MASTROMONACO FELIX MENDELSSOHN (1809-1847)
Felix Mendelssohn was born in Hamburg into a wealthy Jewish banking family. Both Felix and his sister Fanny Mendelssohn Hensel were musical prodigies and accomplished composers at a young age, although the siblings used their musical talents in different ways throughout their equally short lives. Felix Mendelssohn is often credited with being the person to revive Bach in the classical music canon, and was heavily influenced by Bach’s use of counterpoint. Ludwig van Beethoven was another important influence for Mendelssohn, and it was Beethoven who inspired Mendelssohn to compose Calm Sea and Prosperous Voyage. Beethoven first set Johann Wolfgang von Goethe’s two poems, Meeresstille and Glückliche Fahrt in a cantata for chorus and orchestra which was premiered in 1815, and Mendelssohn took inspiration to compose an orchestral concert overture with the same name in 1828. The nineteen-year-old composer knew that the audience at the premier in Berlin would likely have been familiar with the poems, and thus think of the words to the poems while listening to the piece. The first poem, Meeresstille (“Calm Sea”), is about the terrible stillness of the ocean in the mind of a would-be sailor who cannot set out to sea, and Glückliche Fahrt (which could be translated as “Pleasant Journey”), is about the opposite: a bright, windy day, perfect for a sailor who wishes to find his way back to land.
Revenge of the revenge porn bill, rise of minimum wage highlight new laws of 2014. [14]
FEAST Yummy organic ice creams
831 Monterey dachshund races in
at Kai Lee Creamery in P.G. 29
the national wiener-take-all finals. 5
THEATER Western Stage roars into
NEWS The anonymous donor who gave $100,000 for Seaside crime cameras is… 8
SPORTS Peninsula native ron rivera
40th year with intense energy. 27
and Carolina take on the 49ers. 32
NEWS Exploring deep sea off Big Sur that humans have never seen. 10
NEWS Sexually-transmitted diseases skyrocket in Monterey County. 13 HealtH & FitNeSS 2014
Special inSert: Covered California for Monterey County
It’s the eND of
sARDINes
No More SMoke aNd MirrorS
More thAn A
As we kNow It
mIllIoN
of a Quiet Killer
A young Alzheimer’s patient with a hit-song history takes on a surprisingly common disease in an uncommon way. [18] By Mary Duan
JANUARY 30-FEBRUARY 5, 2014
www.moNtEREYco
chAos IN kINg cItY: BRiBERy, co FREE ®
Bay
ng Weddi Guide
BeSt of Monterey
2014-2015
you nEEd EvErything For your to Know County
Inside: sPEcIAl
MontErEy wEdding Flowers Au Courant DIY Adventures the Dress Wreck Savvy Social Media
wEDDINg gUIDE mAgAZINE Published
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BUstED! A third of the little King City Police Department was arrested last week. The first allegations might be just the start of the corruption. [18]
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Hell to Pay
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A long-brewing battle over short-term vacation rentals reaches a flash point in Monterey County. By David Schmalz [18]
D e pa rt
PlUs: Immigrants as easy victims of corrupt police. [22] By Sara Rubin
By Mark C. Anderson mARch 6-12, 2014 FEBRUARY 27-mARch 5, 2014
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unprecedented aquaponics designed by a Monterey man can change our understanding of ag. [18]
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thIs hEAD wIll Blow YoUR mIND
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By Mary Duan
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paraDISe for rent
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Weapons
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festival comes to Carmel. 38
oNE DAY IN moNtEREY coUNtY
what would you do with it? thirteen different answers from 13 different people. [18]
music to your eyes en
loUD DEFIANcE
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NEWS Better believe it: Fracking is happening locally, in San Ardo. 8
ent ★
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By David Schmalz
JANUARY 2-8, 2014
EDIBLE A stunning new fancy food
daring Stardust stage group. 30
The lowdown on e-cigarettes and Chantix
You c
Sardines are crashin anchovies are bo sea lions are fea humpbacks are ever What does it all m
THEATER The life and death of a
mARch 13-19, 2014
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LIT Hopkins chief spotlights the sea’s coolest and strangest creatures. 30
DEFt PUNk www.moNtEREYcoUNtYwEEklY.com
one Monterey Peninsula teen is suddenly a star on stage at major dance music concerts (when not doing his homework). p. 18 By Josh Marcus
locAl & INDEPENDENt
selfie resPeCt The winners for the annual Best of Monterey County® Readers’ Poll earn love, then turn the lens on themselves.
Best Organic PrOduce Market: Whole Foods Market
MarcH 20-26, 2014
www.MOntereycOuntyweekly.cOM
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the legendary—and loopy—lessons of the late ed leeper. 20
831 Making over—and manscaping—
music The day John Lee Hooker and son played Soledad prison. 28
a fashion disaster with Maddox. 4
Feature Monterey County Jail so ill it’s heading to federal court. 18
sPEcIAl INsERt
the world, in our backyard. 28
SPECIAL INSERT SU
Monterey hacktivist Kevin Miller has figured out a way to make the Internet more accessible for the blind. But will Silicon Valley actually let him make money from it? [18]
hAIl, cEsAR
NEWS The zesty three-way showdown for county supervisor. 12
EDIBLE Tracking down the
tastiest taco truck in town. 46
tEd tAlKs
ME R CAMPS 2
M
RARE vIsIoN
OUTSIDE The biggest bike fest in
COUNTY EY W ER
KLY EE
good old Days
MON T
ART Four generations of Weston at Steinbeck Center in Salinas. 38
a curious light and a curious seal. 34
01 4
OUTSIDE Scuba diving at night with
FoR thE sUckERs
BY SARA RUBIN
Monterey Bay Aquarium’s new Tentacles special exhibit wraps itself around the imagination. [20]
By Mark c. anderson
Hollywood brings the story of labor activist Cesar Chavez to the big screen, while others mull what his legacy means today. [22]
Legendary Cannery row deveLoper Ted BaLesTreri waxes poeTiC on manners (we LaCk Them), marriages (where have They gone) and monumenTs (he’s goT a doozie). 20
By Walter ryce
mARch 27-APRIl 2, 2014
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NEWS Salinas team designs world’s second biggest building. 14 HOME & GARDEN 2014
Pick up Monterey County Weekly for complete music and fine arts coverage.
17-23, 2014
www.moNtEREYcoUNtYwEEklY.com
locAl & INDEPENDENt
ONSTAGE When the Klan and the Catholics sparred for Monterey. 30
PERFEct vIctIms Elder abuse takes many forms—
and so must combatting it in Monterey County. [16] By Sara rubin
haNdbook p. 22
tiny hoMe BuilDinG biG PiCtUre tHinKinG The macro implications of the PlUs micro-house movement. 18
reused wood, reinvented 22 Genius gardening, dumbed down 24 Compost, superpowered 30
By Mark c. anderson APRIl 24-30, 2014
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locAl & INDEPENDENt
BlooDY MArY’s DADDY
Public ownership of the water company may be coming soon or may not be coming at all— depending on what position you take on Measure O. p. 20
Meet the chavela, one of many revelations for geeks living for unique finds. Half-incubated duck eggs craft tequila in carMel breaktHrougH vegan craft artisan beer HoMe koMbucHa
MAY 1-7, 2014
www.MontereYcountYweeklY.coM
locAl & InDePenDent
angry crowd reacts to latest fatal sHooting by salinas police. [12]
NEWS King City aims to replace most of its police department. 10
mAY 8-14, 2014
thE ENDoRsEmENt IssUE 2014 prIMArIeS
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locAl & INDEPENDENt
mAY 15-21, 2014
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locAl & INDEPENDENt
NEws: eleCtIon reSultS FroM ArounD the CountY. 8
Onstage Pioneering National Geographic photographer talks. 30
culture reservoir dogs gets even edgier at Paper Wing Theatre. 30
MUSIC 55th Annual Castroville Artichoke Fest brings big sound. 35
FEAST Salinas gets a spicy bit of heaven with Avatar Indian Grill. 44
OUTSIDE The original champ drops in on Sunshine Freestyle Surfabout. 52
special section
NEWS unmasking the party behind the nasty sheriff campaign. 10
EDIBLE What supermodels and Jack
Johnson have to do with dinner. 44
The
Meet the Women p. 22 In BusIness
tale of two Parks
Rising of th e
Roots roots festi
EXPERImENtAl DRUgs
val
er its found p. 18 California tHe fact How tHe before. despite rt ever went Huge a conce booked Hadn’t
local old-school attorneys go big into the business of pot. p. 18
By adam Joseph
By Mary Duan
Free Looks
One local parks agency is flush with cash, the other is bone dry. What makes sense for the future of parks in Monterey County? [p. 20]
Great art pops up in unexpected pubLic pLaces aLL over Monterey county. Here’s wHere to Find it. [16]
+ ZiGGy Marley + Steel PulSe + 311 + SOJa + rebelutiON + PePPer + + Da M i a N “J r . G O N G” M a r l e y + Z i O N i + i r at i O N +
By Kera Abraham
BY WAlter rYCe mAY 29-JUNE 4, 2014 mAY 22-28, 2014
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JUNE 12-18, 2014 JUNE 5-11, 2014
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www.mcweekly.com
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PROGRAM NOTES
The term “overture” in this case is used not in the operatic sense, as the opening piece of an opera, but rather as a bipartite work that includes both slow and fast sections. It opens with listless strings, with the addition of clarinet and bassoons, to evoke the deep stillness (“Tiefe Stille”) of the water. The flute, a wisp of wind, awakens the breeze, and the entire orchestra follows suit by blowing out the cobwebs of the stillness. The rest of the overture is a blustery ode to sailing on the open sea with a jaunty pirate shanty-like melody, the bubbling of waves on the ocean played by arpeggiated strings and woodwinds, and finally, a rambunctious timpani solo, followed by trumpet and horn fanfare, before the proverbial sailor spies land ahead and sails his ship safely into port. • MAX BRUCH (1838-1920)
Although it is certainly his most famous and popular of this particular genre of work, German composer Max Bruch’s First Violin Concerto, written in 1866, is only the first of nine concertos he wrote for the instrument, and not the piece that Bruch wished to have associated with his name beyond any of his other works. Bruch was frustrated to be known mostly for this concerto, rather than many of his other compositions, even though the piece is well-loved for good reason. Out of the four most famous German violin concertos at the time (Beethoven, Mendelssohn, Bruch, and Brahms), the soloist Joseph Joachim said that Bruch’s concerto was “the richest and most seductive” of the four. Not small praise in such elite company for a composer who would unfortunately spend most of his career in Brahms’s compositional shadow. 17
PROGRAM NOTES
Along with his friendship with Joseph Joachim, Bruch was also friends with several famous violinists at the time, including David, Sarasate and Willy Hess, and they advised him in his compositions. The violin concerto was written during Bruch’s tenure as a composer for the court at Koblenz, a position he held from 1865-1867, although he started sketches for the work as early as 1864. He conferred with several violinists on the piece, and revised it several times, including after the first performance of an earlier version by the concertmaster of the Gürzenich Orchestra, Otto von Königslöw in 1866, before it was officially premiered by Joachim in 1868. The concerto quickly became a hit, as violinists started to incorporate the piece into their repertoire. Unfortunately, Bruch never received commensurate financial remuneration Bruch was an outspoken critic of Wagner, Liszt, and the New German School, and preferred to write in an early romantic style reminiscent of his predecessors Mendelssohn and Schumann. Like Mendelssohn, Bruch was a Jewish composer, and one of his other famous works is Kol Nidrei, for cello and orchestra. The second movement of the violin concerto in G minor, op. 26 is a good example of Bruch’s ability to craft a beautiful melody, for as he said, “melody is the soul of music.” • ROBERT SCHUMANN (1810-1856)
German composer Robert Schumann first sketched out the music for what became his fourth symphony in 1841, to commemorate a happy first year of marriage with his 18 montereysymphony.org
Streaming at kazu.org
PROGRAM NOTES
wife, pianist and composer Clara Wieck Schumann. Originally calling it the “Clara Symphony,” Robert Schumann told his wife, “I will portray you with flutes, oboes, and harps.” The piece, then known as his second symphony, received lukewarm praise at its premiere in 1841, and Schumann refused to publish the score. Ten years later, in 1851, Schumann revised the entire symphony in one week in December, making the symphony into a heavier, statelier version, which he wanted to call a “Symphonic Fantasy,” asserts Schumann scholar Peter Ostwald. It was the 1851 version that Schumann eventually published in 1853, with the opus number 120, and which his widow Clara thought of as the superior version of the work. However, the Schumanns’ good friend and fellow composer Johannes Brahms disagreed, and despite Clara Schumann’s strong protestations, decided to publish the original 1841 version in 1891. Brahms wrote about this version, “It is a real pleasure to see anything so bright and spontaneous expressed with corresponding ease and grace. Everything is so absolutely natural that you cannot imagine it in any other way—there are not harsh colors, no forced effects.” This exemplifies the debate that had arisen over what some considered Robert Schumann’s heavyhanded orchestration techniques, particularly his desire to create a “symphonic fantasy” in the Fourth symphony by binding all the movements together into one continuous piece, rather than four standalone movements, as was the symphonic standard at the time.
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The compositional decision to write a symphony that flows from one movement to another was not only aesthetic; Schumann incorporates the first theme of the first movement throughout the work to tie the movements together even more. He inverts the opening theme, played in the strings and bassoons, in the scherzo, and this inverted theme returns in the finale. Schumann refers to the main theme in several subtle ways throughout the work, which contributes to the cohesiveness of the symphony. The gravitas and sincerity of the later version of the Fourth symphony (which is the version that most orchestras perform today) reflects the changes that Schumann experienced during his lifetime as a composer, and the audience is left with a powerful symphonic work that exemplifies the creative possibilities one composer can derive from a theme and creating endless variations out of it. • READ ALICIA’S BIOGRAPHY ON PAGE 35
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MARCOS MADRIGAL
piano Marcos Madrigal was born in Havana, Cuba. In 2007, he graduated with honors from the The University of Arts of Cuba. He attended Master Classes at the Conservatory of Southern Switzerland in Lugano and at the International Piano Academy Lake Como. He has performed in many of the most renowned concert halls of the world, such as the Teatro Colรณn of Buenos Aires, the Auditorium Parco della Musica of Rome, the Queen Elizabeth Hall of London, the National Concert Hall of Dublin, the Auditorium Manuel de Falla of Granada, the Bucharest Opera House, the Volkstheater of Vienna, the Teatro Rossini of Pesaro, the Qintai Grand Theater in China and the Finney Hall in Oberlin. Madrigal has recorded live concerts and has participated in several programs for many Radio and TV channels all over the world, such as the BBC, Vatican Radio and the Italian Rai Radio 3.
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SOUND WAVES CONCERT PROGRAM 6 MAY 18–19, 2019
THIS CONCERT IS GENEROUSLY SPONSORED BY
Dr. George & Patr icia Yellich and Rod Dewar, in memory of Suzanne Dewar, an advocate for the arts Max Bragado-Darman, conductor Marcos Madrigal, violin PROGRAM Overture from The Flying Dutchman
Richard Wagner (1813-1883)
Piano Concerto No. 2, Op. 21 Marcos Madrigal, piano
Frédéric Chopin (1810-1849)
I. Maestoso II. Larghetto III. Allegro Vivace INTERMISSION Symphony No. 5, Op. 67 I. II. III. IV.
Ludwig van Beethoven (1770-1827)
Allegro con brio Andante con moto Scherzo: Allegro Allegro–Presto
KAZU will be rebroadcasting the Saturday, May 18th concert on both Saturday, June 1st at 4:00 p.m. and Sunday, June 2nd at 4:00 p.m. on their HD2 classical channel. Tune-in online at www.kazu.org 25
presents
Expressions of the Heart Cyril Deaconoff, Conductor Saturday May 4th 3pm Sunday May 5th 7pm First United Methodist Church, PG Reserved Seating (1st 5 rows) $30 General Admission $25 Military & Youth $15
All Saints Episcopal Church, Carmel General admission tickets available at Pilgrim’s Way in Carmel, Luminata in Monterey, & Bookmark in PG
Information at icantori.org or (831) 644-8012
For the lands you love Can you imagine the Big Sur coastline as a series of developments? Thanks to the donors of Big Sur Land Trust many of the spectacular landscapes and iconic views in Big Sur and beyond have been protected. Please join our supporters who, since 1978, have conserved and cared for over 40,000 acres throughout Monterey County by donating at bigsurlandtrust.org.
Performance is the result of preparation
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CONCERT PROGRAM NOTES BY ALICIA MASTROMONACO
RICHARD WAGNER (1813-1883)
The final concert of the Sound Waves season opens with the overture from German composer Richard Wagner’s operatic tale of pirates, love, and redemption, Der Fliegender Holländer (“The Flying Dutchman”). Wagner recounts in his autobiography, Mein Leben, that he drew the inspiration for the story from his own difficult boat trip from Riga, where he was court conductor, to London, in 1939, but the story itself is a retelling of Heinrich Heine’s Der Fliegende Holländer. By the time Wagner and his first wife, the erstwhile actress, Minna Planer, found themselves in London, they were deeply in debt. Wagner’s once friend, the composer Giacomo Meyerbeer, offered an introduction to the leading administrators at the Paris Opéra, and Wagner attempted to premiere The Flying Dutchman there. Unfortunately, the director of the Opéra wanted only the story, so Wagner was forced to look elsewhere for his premiere. After years of falling deeper into debt, Wagner’s luck changed in 1842, when he was offered the position of assistant music director at the court of the king of Saxony. There he conducted the premiere of his opera in 1843. Wagner revised the opera, namely the orchestration, in 1846 and 1852, and in 1860 again revised the overture and the ending of the work to reflect his desire to end the work with a theme of redemption. The Flying Dutchman, along with two of his other early operas, Tannhäuser (1845) and Lohengrin (1848) are emblematic of early romantic operas, following in the footsteps of composers Weber and Meyerbeer who were influential in Wagner’s life. The composer later asserted that The Flying Dutchman was his first mature work as a poet. They also are waypoints in Wagner’s evolution as the composer of his massive Ring des Nieblungen, the opera cycle for which he is best-known. Never shy about his prowess as both a composer of music and words (although his skill with the latter is somewhat less admired than the former), Wagner was preoccupied with the idea of what he called Gesamtkunstwerk, or “total artwork.” The Flying Dutchman is a prime early example of Wagner’s forays into writing both the music and libretto (the lyrics) of an opera.
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PROGRAM NOTES
FRÉDÉRIC CHOPIN (1810-1849) Frédéric Chopin began work on his piano concerto, Op. 21 at the tender age of nineteen, while he was still a student. He premiered the work as its soloist in March of 1830, in his home of Warsaw. Just a year later, Chopin would move to Paris, never to return to his beloved Poland. Although this concerto is labeled as the second of his piano concertos, he wrote this piece first but published the other concerto (in E minor, Op. 11) before Op. 21. Chopin, like many composers before and after him, was somewhat of a child prodigy, having begun composing music when he started playing the piano at age seven. Chopin’s compositional style stems from his limitless improvisational capabilities. George Sand, famous for being a cross-dressing writer, and Chopin’s lover, wrote of Chopin, “invention came to his piano, sudden, complete, sublime.” Most of his published works were improvisations that he set to paper, sometimes freely, often painstakingly, or as Karl Flitsch, one of Chopin’s students, noted, “The other day I heard Chopin improvise at George Sand’s house. It is marvelous to hear Chopin compose in this way: his inspiration is so immediate and complete that he plays without hesitation as if he could not be otherwise. But when it comes to writing it down and recapturing the original thought in all its details, he spends days of nervous strain and almost terrible despair.” Chopin was notoriously averse to the limelight, unlike his contemporary, the virtuoso pianist/composer Franz Liszt, who absolutely adored it, and shaped what could only be described in today’s terms as an “influencer’s” ability to craft an image and persona. Chopin, on the other hand, played only a couple of public concerts a year, amounting to around 30-40 public concerts during his short lifetime. Nonetheless, his reputation only grew, and Chopin was widely sought after as a performer during his lifetime. However, unlike most composers within the Western Art Music canon, who would not be considered “serious” composers unless they wrote largescale symphonic works in addition to serious chamber music, Chopin never composed any symphonies, and is known primarily as a composer of small-scale piano works. He did not publish any music that did not contain his instrument. •
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PROGRAM NOTES
LUDWIG VAN BEETHOVEN (1770-1827) Ludwig van Beethoven’s Great Symphony in C Minor. The work that contains one of the most famous themes in the classical music canon, a main theme that most people on the street could sing if asked. It is helpful to look at the evolution of the reception of this now-beloved symphony to understand how and why it has become the iconic symphony it is today. Ludwig van Beethoven began sketching out the symphony in 1803-1804, while he was working on the Third symphony (“Eroica”). However, it was not premiered until a marathon concert in 1808, in which both the Fifth and the Sixth symphonies and the Fourth piano concerto were premiered. The opening theme of the symphony is the moment of the symphony that is most famous, and equally divisive. Early Beethoven biographer (and an associate of the composer) Anton Schindler waxed poetic about the opening four notes, which represent when “fate knocks at the door!” On the other hand, Ludwig Spohr, a German composer who lived around the same time as Beethoven, wrote in his journal, “the very first theme, in particular, lacks the dignity essential to the opening of a symphony.” He also asserted, “The last movement, with its empty noise, is the least satisfactory, although the return of the scherzo is such a happy idea that one can only envy the composer who could have thought of such a thing. It is quite irresistible. What a pity that the effect is so soon dissipated by the resumption of the noise.” Beethoven biographer Maynard Solomon writes that twentieth century critics asserted the Fifth symphony to be “the ultimate expression of Classic rationality refusing to yield to the violent tremors of impending romanticism.” He continues, asserting that it is the “quintessential Beethoven Symphony,” one which contains numerous elements of both classicism and romanticism, rhythmic fervor and tender melodic phrasing.
32 montereysymphony.org
Congratulations on another successful year Monterey Symphony
Philip J. Penrose, M.D. Ophthalmologist
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PROGRAM NOTES
Still, the opening is worth returning to. There is an eighth rest, but Music theorist Edward T. Cone warns us that this should not be misinterpreted as a silent upbeat. Instead, the four notes of the piece, the iconic “knock of fate” at the door, as Schindler exclaimed, is something different. Instead of a harmonic motive, or a lyrical theme that presents itself in the beginning of a standard classical symphonic work, Beethoven utilizes the rhythmic qualities of this theme throughout the entire symphony. And yet, if there is anything that unites analyses of this symphony, it is that nothing is agreed upon. Critic Donald Tovey writes that to analyze the piece in terms of its rhythmic cells is absurd, and that the piece “is really remarkable for the length of its sentences rather than for the brevity of its initial figure.” •
ALICIA MASTROMONACO Alicia has played with the Monterey Symphony since 2007. She is also a member of the Carmel Bach Festival and Marin Symphony. A San Francisco native, she began her music studies at age seven on the piano, and took up the horn after switching from the trumpet in her middle school band program. She earned Bachelors of Music degrees in Horn Performance and Musicology from Boston University, and did graduate work at the Universität der Künste Berlin before returning to California to continue her studies. She earned a Masters of Music degree at UCLA in Horn Performance, a Masters of Arts degree in Musicology at UCSB, and is currently working on her PhD at UCSB. Alicia’s dissertation is focused on the daily lives of orchestral musicians and the organizations in which they play, and she is using her dissertation to explore the relationships between regional orchestras and their communities. Alicia is an avid outdoorsperson and animal lover.
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THE ORCHESTRA Max Bragado-Darman Music Conductor Sponsored by William & Nancy Doolittle
VIOLIN I
Christina Mok
Concertmaster Sponsored by Gary & Carolyn Bjorklund
Thomas Yee
Assistant Concertmaster
Xander Abbe Allison Gigi Dang Claudia Fountain Holly Heilig-Gaul Tina Minn Rochelle Nguyen Emily Packard Jessica Poll Sue-mi Shin Jay Zhong VIOLIN II
Zlata Grekov Principal
Lila Woolman
Assistant Principal Sponsored by John H. Davis
Sarah Chazin Ivelina Kofler Akiko Kojima Calvin E. Lewis, Jr.
Kevin Matson Tingting Volonts Eugenia Wie Shelby Yamin VIOLA
Vladimir Khalikulov Principal
David Allcott
Assistant Principal
Valerie Bengal Fan Hu Chad Kaltinger Sarah Lee Alexander Volonts CELLO
Robin Bonnell Principal
Adelle-Akiko Kearns Assistant Principal
Linda Mehrabian
Sponsored by Francie Blinks, Shirley & Hersch Loomis, and Mrs. Maureen Sanders
Drew Ford
Sponsored by Dave and Judi Zaches
Nancy Kim Isaac Pastor-Chermak Saul Richmond-Rakerd Robin Snyder
36 montereysymphony.org
BASS
Bruce Moyer
Principal Sponsored by Gary & Carolyn Bjorklund and Gloria Souza & Sandie Borthwick
Christy Crews
Assistant Principal
Robert Ryan Ashley Richard Duke Brianna Goldberg Stan Poplin FLUTE
Dawn Walker Principal
Teresa Orozco
Sponsored by Carol Lee Holland
PICCOLO
Kyounghee Park Uhm OBOE
Bennie Cottone Principal
Stephen Henry ENGLISH HORN
Ruth Stuart Burroughs Principal
CLARINET
Julia Sarah Bonomo Principal
BASSOON
TROMBONE
Douglas Brown
Phil Keen
Nicolasa Kuster
Will Baker
Principal
CONTRABASSOON
Lawrence Rhodes Principal
HORN
Daniel Nebel Principal
Alicia Mastromonaco Assistant Principal
Caitlyn Smith-Franklin Beth Zare Sadie Glass TRUMPET
Dylan Girard Principal
Owen Miyoshi Curtis Nash
HARPSICHORD
Jonathan Salzedo
Principal
Principal
Principal Bass
TUBA
PERSONNEL MANAGER
Forrest Byram Principal
Drew Ford ORCHESTRA LIBRARIAN
TIMPANI
Peter Thielen Principal
Drew Ford RECORDING ENGINEER
PERCUSSION
Frank Wyant Principal
Victor Avdienko James Kassis
Stuart Rosenthal STAGE DIRECTOR
Rick Larsen
HARP
Karen Kirk Thielen Principal
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Chamber Music Monterey Bay 2019-20 Concert Season
October 26 Julliard String Quartet November 23 INSCAPE February 1 Horszowski Trio March 7 Escher String Quartet April 4 St. Lawrence String Quartet with Stephen Prutsman
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When was the last time you appraised your Art? Art Advisor Lily Yu of Agent Art can help you maximize the value of your art gift to the Symphony. Whether you are buying or selling art, or wanting to determine the value of a gift or inheritance, Lily, the only Carmel art advisor certified by the International Fine Art Appraisers, is here to help.
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MUSIC FOR THE SCHOOLS
MONTEREY SYMPHONY’S MUSIC FOR THE SCHOOLS PROGRAM IS PROUD TO PRESENT EIGHT FREEOF-CHARGE, MONDAY MORNING YOUTH CONCERTS TO 7,000 K-12 STUDENTS DURING THE 2018/19 SCHOOL YEAR.
These 45-minute, full-orchestra concerts in Carmel and Salinas provide unique opportunities for our region’s youngest audiences to experience the excitement of live classical music and deepen their connection to the arts. Youth concerts are accompanied by interactive school visits by Monterey Symphony educators and standards-based classroom materials covering instrument families, composer biographies, theater etiquette and listening activities. Our growing bus scholarship program ensures that even the most distant and under-resourced schools can participate. For many area students, Music for the Schools events provide rare exposure to classical music as well as their only field trip of the year.
40 montereysymphony.org
“I felt like dancing to the music. I felt like the luckiest on earth.” - 3rd grade student, Marina Vista Elementary School, Marina
“I learned how it feels to hear music.”
- 6th grade student, Sherwood Elementary School, Salinas
SUNSET CENTER, CARMEL 9:30 and 11:00 a.m.
April 15, 2019 March 16, 2020 April 20, 2020 SHERWOOD HALL, SALINAS 9:30 and 11:00 a.m.
May 20, 2019 October 21, 2019 May 18 , 2020
We invite you to play a part in Music for the Schools as a donor or a volunteer. For more information or to get involved, please contact Caitlin Fillmore, Development and Special Events Coordinator cfillmore@montereysymphony.org • 831-646-8511
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Youth Orchestra 2018-19
Beginning, Intermediate, and Advanced Levels Grades 3-10 Invited
27 Lessons, 2 Concerts, $550 per Season, Tuition Assistance
Tuesdays 4-6 PM International School of Monterey, Seaside
831.508.9000
OrchestraInTheSchools.org
HONOR ROLL 2018–19 These gifts were received from July 1, 2018–March 31, 2019
M A E ST RO S O C I E T Y PODIUM CIRCLE ($25,000 and more)
Katharine Comstock DeWitt Fund of the Community Foundation for Monterey County William and Nancy Doolittle Dr. Anita Dunsay Bertie Bialek Elliott Ms. Alyce Nunes William and Patricia Smith Foundation Martin R. Wolf Family Fund Dr. and Mrs. George Yellich
VIRTUOSO CIRCLE ($15,000 - $24,999)
Beverly and Lyman Hamilton Mr. and Mrs. Lee E. Rosen Judi and Dave Zaches
PRESIDENT’S CIRCLE ($7,500 - $14,999)
Roderick Dewar Russ and Jo-Ann Hatch Ms. Carol Lee Holland Peter and Jackie Henning Fund of the Community Foundation for Monterey County
CONDUCTOR’S CIRCLE ($3,500 - $7,499)
Gary and Carolyn Bjorklund Sarah Elizabeth Clampett Charitable Trust Sandra and Ned Dewey Mr. William Eggleston Mr. Jeffrey Green Mr. and Mrs. Paul Hazen Ms. Mollie Hedges Harry Hendon and Bea Kessler Dr. and Mrs. Michael Hendrickson
Janzen Family Fund of the Community Foundation for Monterey County Mr. and Mrs. Bruce Lindsey Mr. Zigmont J. Le Towt III Todd Lueders Fund for the Arts of the Community Foundation for Monterey County Mr. Jay Lower and Mrs. Sharon Pezzolo-Lower Marilyn and Jeff Riehl Janet Schmied Mr. and Mrs. Paul B. Smith Bruce and Linda Taylor James and Karen Tyler Mr. and Mrs. Gerald W. Williams Mr. and Mrs. Cyril J. Yansouni
SYMPHONY SO CIETY PERFORMER’S CIRCLE ($2,500 - $3,499)
Ward D. and Mary T. Ingrim Fund of the Community Foundation for Monterey County Susan W. DuCoeur Ann Elkin and Peter Hashim Sherrie and Tom McCullough Mr. and Mrs. Thomas McCary Mr. and Mrs. Dennis Terry Mr. and Mrs. Jeff Wallace
CONCERTMASTER’S CIRCLE ($1,000 - $2,499)
Ms. Dorothy Becker Ms. Frances G. Blinks Sandie Borthwick and Gloria Souza Jim and Sharon Chibidakis Mrs. Jacqueline M. Clampett-Jones Mr. John H. Davis John and Nancy Durein Ann Elkin and Peter Hashim Mr. and Mrs. Joseph Heston 43
HONOR ROLL 2018-19 Bill and Sheila Eyres Lori and Lou Flagg Memorial Youth Fund of the Community Foundation for Monterey County Stephen Friedlander Frisone Family Foundation Mr. Paul Hoffman Marilyn Hopkins and Otto Schiff Thomas Hout and Sonja Ellingson Hout Linda Humber Ms. Katherine Kennedy Dr. and Mrs. William H. Kern Mr. and Mrs. Rob Kerr Mr. Don R. Kuehn Lewis Builders Shirley and Hersch Loomis Ms. Sally Maggio Mr. and Mrs. Joseph A. Mark David and Julie Nee Mr. and Mrs. James Neiman Mr. and Mrs. Mark O’Connor Carolyn Samson and Darius Sadeghi Mr. and Mrs. John R. Sanders Mrs. Alice Tao Mr. and Mrs. Dennis Terry Peter and Anne Thorp Fund of the Community Foundation for Monterey County Mr. Richard Volberg Mr. and Mrs. George White Mr. and Mrs. Neal Whitman Diane and John Young
PRINCIPAL’S CIRCLE ($500 - $999)
Lucretia Butler and Chris Keehn Dr. Vernon Brown Mrs. Mary Kay Crockett Dr. Anne R. Fitzpatrick Mr. and Mrs. Edward Gavrin Ms. Joan Hill Marilyn Hopkins and Otto Schiff Mr. and Mrs. Denis Horn Huth Family Fund of the Community Foundation for Monterey County Dr. and Mrs. Paul G. James Shirley and Hersch Loomis Mr. and Mrs. Ken Meadors
Mr. and Mrs. Patrick Micheletti Mr. Horst Mieth Ms. Patricia Morgan Ms. Claire Moringer Janet and Niels Reimers Philip Rafton and Janet Robson Ms. Virginia Ruth Mrs. Maureen Sanders Mr. and Mrs. William F. Sharpe Dr. Stephen D. Storey Joanne Taylor Mary Louise Tomblin Sam and Joan Trust Donald and Renate Wunsch
MUSICIAN’S CIRCLE ($250 - $499)
Mr. and Mrs. Ron Abelmann Mr. and Mrs. Theodore J. Balestreri Sally Baum Bob and Diane Davies Mr. Phillip Dawalt Mr. and Mrs. Jon Ericson Mr. and Mrs. Thomas Gardner Mr. and Mrs. Ken Helms O.C. Hognander Jr. Mr. and Mrs. Don Hilburn Dr. and Mrs. Rolf E. Johnsen Thomas E. and Shirley Kiatta Ms. Marion Klein Los Laureles Lodge Ms. Linda McKee Ms. Claire Moringer Ms. Patricia Morgan Evelyn and Sadri Musavi Mr. John Neidel Ms. Georgia Nevarez Neil H. O’Donnell & Christine Motley Ms. Bernadette Peavey Mr. and Mrs. Stephen Rosen Dr. and Mrs. Lawrence Rosen Ms. Virginia Ruth Mr. and Mrs. Floyd Wenglikowski 1 Anonymous Donor
•
• IN HONOR OF GIFTS • Joan Kerr Max Bragado-Darman by Ed & Jeanne Gavrin by Dorothy Becker Elizabeth Sosic Jo-Ann & Russ Hatch by Pamela Armbuster by Rachel Hatch Judi Zaches by Arthur Babcock
• MEMORIAL GIFTS • Barbara Bucquet by Carol Lee Holland and Jean Brenner Suzanne Dewar by Roderick Dewar Richard Dunsay by Anita Dunsay & Jo-Ann and Russ Hatch W.S. Kappy by Horst Mieth Don Lindsay by Jo-Ann & Russ Hatch Gertruce Eliza Stevenson Merchant by Bruce Merchant and Sandra Reel Harkmoon Paik by Miranda Morris
Margaret Radunich by Jo-Ann & Russ Hatch and Dorothy Singleton Rev. Dr. William B. Rolland by O. Hognander Jr. Jean Rutowski by Kay Morris Jim Sanders by Mollie Hedges Lynn Storey by Dr. Stephen Storey Cezaria & Frank Sudol by Andrew Sudol Betty (Brie) Tripp by Shirley & Hersch Loomis
Give Now and Receive
DONOR BENEFITS Each level includes benefits from prior levels. *New donor benefits
M A ESTRO SO CIE TY PODIUM CIRCLE ($25,000 and above) Reserved Parking at Sunset Center for either the Saturday evening or Sunday matinee performance Named sponsorship of a main concert
VIRTUOSO CIRCLE ($15,000—$24,999) Program notes emailed in advance of the concerts Invitation to the Monday morning youth concerts
PRESIDENT’S CIRCLE ($7,500—$14,999) Named sponsorship of a youth concert
CONDUCTOR’S CIRCLE ($3,500—$7,499) Invitation to all post-concert receptions
LEGACY SO CIE TY
for those who wish to make music possible for future generations Invitation to exclusive events for Legacy Society members Additional recognition in the season program
SYM PHON Y SO CIE TY PERFORMER’S CIRCLE ($2,500—$3,499) Invitation to three post-concert receptions Six tickets to the community organization of your choice*
CONCERTMASTER’S CIRCLE ($1,000—$2,499) Complimentary ticket to one Symphony concert/season*
PRINCIPAL’S CIRCLE ($500—$999) Invitation for two to annual donor appreciation event Two complimentary refreshments at intermission
MUSICIAN’S CIRCLE ($250—$499) Complimentary refreshment at intermission* Recognition in the season program 46 montereysymphony.org
Thank You The Monterey Symphony would like to thank our 2018–19 season sponsors
Foundation, Corporate and Government Support (as of 3/31/2019) Arts Council for Monterey County Barnet Segal Charitable Trust Berkshire Foundation California Arts Council Carmel Rotary Fund of the Community Foundation for Monterey County CitySound Music Coast Hills Credit Union The Community Foundation for Monterey County, Community Impact
Lauralie and J. Irvine Fund and the June P. Sheppard Fund for the Performing Arts of the Community Foundation for Monterey County Lewis Builders Monterey County Weekly Community Fund of the Community Foundation for Monterey County Monterey Peninsula Foundation Monterey-Salinas Transit Monterey Rotary Music Performance Trust Fund
The Community Foundation for Monterey County, Organizational Development
Nancy Buck Ransom Foundation
Crown Packing Company
Pebble Beach Company Foundation
A. G. Davi Property Management A.G. Davi, LTD
William H. and Kristine M. Schuyler Charitable Foundation, Inc.
The David and Lucile Packard Foundation Local Grantmaking
Snorf Fund of the Community Foundation for Monterey County
The David and Lucile Packard Foundation Organizational Effectiveness
S.T.A.R. Foundation
The GE Foundation Matching Gift Program
Teichert Foundation
General Farms Investment
Union Bank
The Harden Foundation
The UpJohn California Fund
IBM Corporation Matching Gift Program
The Yellow Brick Road Foundation
The Nunes Company
The Robert and Virginia Stanton Endowment
Alexander F. Victor Foundation 47
Youth Music Monterey County 1988-2018 • 30th Anniversary
2018-2019 Season Eclectic Delight
Peasant Spirit
Sunday, November 4, 2018*
Sunday, March 3, 2019*
Featuring music by Berlioz, Stravinsky and Dvorak
Featuring music by Grieg, Dvorak and Saint-Sans
Carmel Duo Benefit Concert Friday, March 1, 2019
7pm at Hidden Valley Music Seminars
Love Side Stories
Sunday, May 12, 2019*
Featuring music by Gershwin, Berlioz and Bernstein
*3pm at the Sunset Center, Carmel
Visit www.youthmusicmonterey.org or call 831.375.1992 for more upcoming events and information
SUNSET PRESENTS 2018/2019 SEASON SUNSET CENTER’S SIXTH ANNUAL GALA & SUNSET PRESENTS 2018-2019 SEASON OPENER
An Evening with Branford Marsalis Saturday, January 12 at 8PM
What the World Needs Now… Burt Bacharach at Sunset
The Second City: It’s Not You, It’s Me
Emmylou Harris
Nathan Williams & The Zydeco Cha Chas
I’m With Her
We Shall Overcome A Celebration of Dr. Martin Luther King, Jr.
Soweto Gospel Choir: Songs of the Free In Honor of Nelson Mandela’s 100th Birthday
Becoming Kareem -
Saturday, September 29 at 8:00 PM Friday, October 5 at 8PM
Monday, October 8 at 7PM
Thursday, October 11 at 8PM
The Soldiers’ Chorus of The United States Army Field Band Thursday, November 1 at 8PM Free Community Event, Reservations Required
Pilobolus: Come to Your Senses Friday, November 2 at 8PM
Imago Theatre Presents FROGZ! Friday, November 9 at 7PM
An Evening with Bruce Hornsby Sunday, Novemeber 25 at 7PM
Elvis and Me: An Evening with Priscilla Presley
Celebrating 15 Seasons! Thursday, January 10 at 8PM
Thursday, February 14 at 8PM Friday, February 22 at 8PM
Thursday, February 28 at 8PM
An Evening with Kareem Abdul-Jabbar Saturday, March 9 at 8PM
Across the Great Divide -
A Celebration of the 50th Anniversary of The Band Sunday, March 31 at 7PM
Anoushka Shankar Saturday, April 20 at 8PM
SpectorDance: Ocean Trilogy Thursday, April 25 at 7PM
FRIENDS! The Musical Parody Friday, April 26 at 8PM
Louie Anderson
Thursday, May 16 at 8PM
The Purple Xperience Wednesday, June 5 at 8PM
Brought to you by Sunset Cultural Center, Inc., a nonprofit 501(c)(3) San Carlos Street at Ninth Avenue • Carmel-by-the-Sea, CA
831.620.2048
www.sunsetcenter.org
HONOR ROLL 2017–18 These gifts were received from July 1, 2017–June 30, 2018
M A E ST RO S O C I E T Y PODIUM CIRCLE ($25,000 and above)
The Buffett Fund of the Community Foundation for Monterey County Ms. Katharine Comstock * William and Nancy Doolittle Bertie Bialek Elliott Richard and Grace Merrill Fund of the Community Foundation for Monterey County Ms. Alyce M. Nunes Margaret Anderson Radunich *** Mr. and Mrs. Lee E. Rosen The William H. Smith Fund of the Community Foundation for Southeast Michigan Dr. and Mrs. George Yellich
VIRTUOSO CIRCLE ($15,000 - $24,999)
Beverly and Lyman Hamilton *** Russ and Jo-Ann Hatch Harry Hendon and Bea Kessler ** Larry Knowles Estate Don R. Lindsay and Family **
PRESIDENT'S CIRCLE ($7,500 - $14,999)
Bethany Ann Beckman Trust Gary and Carolyn Bjorklund ** Roderick Dewar Dr. Anita Dunsay * Frances Elgan and Werner Kunkel Fund of the Community Foundation for Monterey County *
Peter and Jackie Henning Fund of the Community Foundation for Monterey County * Ms. Carol Lee Holland Diane J. Mall Mr. Charles Schimmel ** Mr. Martin R. Wolf Mr. and Mrs. Cyril J. Yansouni *** 1 Anonymous Donor
CONDUCTOR'S CIRCLE ($3,500 - $7,499)
Caroline and Dennis Aaron Ronald and Jeryl Abelmann Sandra and Ned Dewey *** Mr. William Eggleston ** Ann Elkin and Peter Hashim Mr. Jeffrey Green *** The Hazen Family Foundation Ms. Mollie Hedges Dr. and Mrs. Michael Hendrickson * Janzen Family Fund of the Community Foundation for Monterey County *** Dr. and Mrs. William H. Kern * Erling Lagerholm Estate Mr. Zigmont J. Le Towt III * Mr. and Mrs. Bruce Lindsey ** Shirley and Hersch Loomis *** Ms. Sally Maggio *** Mrs. Lois Mayol *** Lenore and Dale Meyer Fund of the Community Foundation for Monterey County Marilyn and Jeff Riehl Sara E. Clampett Charitable Trust Mrs. Elizabeth Sosic ***
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HONOR ROLL 2017-18 The Symphony Fund of the Community Foundation for Monterey County * Joanne Taylor Mr. and Mrs. Dennis Terry ** Todd Lueders Fund for the Arts of the Community Foundation for Monterey County * James and Karen Tyler * Dr. and Mrs. Joseph Verska ** Mr. and Mrs. Jeff Wallace Mr. and Mrs. Gerald W. Williams *** Judi and Dave Zaches ** 1 Anonymous Donor
SY M PHON Y S O C I E T Y PERFORMER'S CIRCLE ($2,500 - $3,499)
Dr. Lawrence C. Blair Max and Mary Bragado ** Mr. and Mrs. Donald R. Britton ** Susan W. DuCoeur Bill and Sheila Eyres *** Mr. and Mrs. Joseph A. Mark Mr. and Mrs. Thomas McCary ** Sherrie and Tom McCullough Jay and Sharon Pezzolo-Lower ** Dr. and Mrs. Charles R. Snorf ** Bruce and Linda Taylor Mr. and Mrs. William H. Tyler **
CONCERTMASTER'S CIRCLE ($1,000 - $2,499)
Theodore Balestreri Ms. Dorothy Becker Mr. Melvin L. Blevens * Mrs. Frances G. Blinks Mrs. Geraldine M. Borovilos Sandie Borthwick and Gloria Souza Ms. Lucretia Butler and Mr. Chris Keehn Dr. and Mrs. Lewis C. Cantor Jim and Sharon Chibidakis **
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Mrs. Jacqueline M. Clampett-Jones *** Mr. John H. Davis Dr. John and Kay Enbom Folktale Winery Frisone Family Foundation Mr. and Mrs. Herman Harrow *** Mr. and Mrs. Warwick Hayes III ** Joseph and Elizabeth Heston Marilyn Hopkins and Otto Schiff *** Thomas Hout and Sonja Ellingson Hout * Capt. and Mrs. Wayne Hughes, Jr. Linda Humber Ward D. and Mary T. Ingrim Fund of the Community Foundation for Monterey County Mrs. Lois Kettel Mrs. Thaddeus Krecki Mr. Don R. Kuehn Mr. and Mrs. Mark Mancina Jane and John McCoy Ms. Linda McKee * Mr. and Mrs. Ken Meadors Ms. Claire Moringer David and Julie Nee ** Mr. Gilbert Neill * Mr. and Mrs. James Neiman Ms. Georgia Nevarez Mr. and Mrs. William A. Perkins Carolyn Samson and Darius Sadeghi Mr. and Mrs. John R. Sanders Mrs. Alice Tao * Frederick Terman and Nan Borreson *** Mr. and Mrs. Peter Thorp * LCDR (Ret.) and Mrs. Henry Travis * Sam and Joan Trust Mr. Richard Volberg ** David and Darlene Wang Ms. Marcia L. Waples ** Mrs. Deanna A. Woodhour * Diane and John Young ** Dr. and Mrs. William D. Young **
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PRINCIPAL'S CIRCLE ($500 - $999)
Jane and Walter Barry ** Mrs. Helen Breck *** Mr. Robert Chestnut Dr. Philip B. Clarkson *** Mrs. Mary Kay Crockett * Ms. Victoria Davis * Mr. and Mrs. Roger Dolan ** Mr. G. Robert Evans Dr. Anne R. Fitzpatrick Dr. and Mrs. Richard Freeman * Mr. Stephen Friedlander Mr. and Mrs. Thomas Gardner ** Mr.and Mrs. Edward Gavrin * Mr. and Mrs. Rory Glass Ms. Adrienne Herman Mr. and Mrs. Denis Horn ** Ms. Jean Hurd Ms. Kyoko Ito *** Dr. and Mrs. Paul G. James *** Mr. and Mrs. Patrick Jones *** Mr. Brooks Leffler ** Phillip and Laurel Lembo *** Mr. and Mrs. Larry Lippman *** Tom and Vikki Logan Skip and Liz Lord Jacqueline Lynch ** Susan and Gene McFarland *** Mr. and Mrs. Patrick Micheletti Mr. Horst Mieth * Ms. Patricia Morgan ** Anthony and Lary Lynn Muller Fund of the Community Foundation for Monterey County ** Evelyn and Sadri Musavi ** Mr. James Potochny Philip Rafton and Janet Robson Janet and Niels Reimers * Mrs. Maureen Sanders ** Bill and Kathy Sharpe ***
52 montereysymphony.org
Darold Skerritt and Judy Lind *** Mr. and Mrs. Paul B. Smith Dr. Stephen D. Storey Mr. and Mrs. Dean C. Storkan Mr. and Mrs. Robert Sykes *** Mr. and Mrs. Greg Thompson Mary Louise Tomblin *** Dr. James R. Valentine 1 Anonymous Donor
MUSICIAN'S CIRCLE ($250 - $499)
Mr. and Mrs. Theodore J. Balestreri *** Dr. Charles Betlach II Mr. and Mrs. Richard J. Borda Dr. Vernon Brown * Betty Bunce ** General and Mrs. Michael P.C. Carns *** Mr. and Mrs. Edward Clifton * Mr. Jerry L. Crawford * Wayne and Linda Cruzan Bob and Diane Davies Linda Dowd ** John and Nancy Durein Jayne and Mark Guthrie * Linda and Joe Hancock * Terry Hanson Ms. Delores Heyl Mr. and Mrs. Don Hilburn O.C. Hognander, Jr. * Dr. and Mrs. Rolf E. Johnsen * Mr. and Mrs. Rob Kerr Thomas E. and Shirley Kiatta * Ms. Marion Klein * Marjorie Knight *** Mr. Lawrence Legard Carol and Rudy Loewenstein Los Laureles Lodge Mike and Diane Middaugh * Mr. and Mrs. Ed Milowicki Mr. and Mrs. Robert A. Moore Ms. Marti Myszak
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HONOR ROLL 2017-18 Mary Alice Osborne Sieglinde Pansby ** Mrs. G.D. Putnam * Col. John T. Rethke Mr. and Mrs. Jonathan Romeyn ** Mr. and Mrs. Stephen Rosen Mr. and Mrs. Michael Ruggieri Ms. Virginia Ruth Mr. Francis San Filippo * Mr. and Mrs. B. G. Sparks *** Mr. Nicholas Sturch Mr. and Mrs. Don Thomas Mrs. Carolyn Waddel Jonnie and Paul Webb
Lowell and Joanne Webster Bonni and Joel Weinstein Mr. and Mrs. Floyd Wenglikowski Mr. and Mrs. George White** Donald and Renate Wunsch ** Youth Music Monterey County Mr. and Mrs. Jonathan Zakin 2 Anonymous Donors BOLD *** ** *
20+ Consecutive years 15-19 Consecutive years 10-14 Consecutive years 5-9 Consecutive years
THANK YOU
To our loyal supporters of over 25 years
Dr. Lawrence Blair
Carol Lee Holland
Frances Blinks
Capt. & Mrs. Wayne Hughes
Mr. & Mrs. Richard Borda
Mrs. Thaddeus Krecki
Geraldine Borovilos
Mr. & Mrs. Joseph Mark
Dr. & Mrs. Lewis Cantor
Ward D. & Mary T. Ingram Fund
Alan Cordan
Sherrie & Tom McCullough
Wayne & Linda Cruzan
Gertrude McEwen
Roderick Dewar
Grace Merrill
William & Nancy Doolittle
Marti Myszak
Susan DuCoeur
Alyce Nunes
John & Nancy Durein
Virginia Ruth
Bertie Bialek Elliott
Carolyn Samson & Darius Sadeghi
Ruth Hartmann
Nicholas Sturch
Mollie Hedges 54 montereysymphony.org
LEGACY SOCIETY
SUPPORTING THE ARTS IS POWERFUL Our legacy society is made up of those individuals who wish to be a part of the future of the Monterey Symphony. We honor and celebrate this amazing group of individuals annually, and we cordially invite you to join the Legacy Society. Let us know that you have included the Monterey Symphony in your planned giving.
Greta Alexander Andrew Allison The Dorothy L. Becker Trust Bethany Beckman* Gary & Carolyn Bjorklund Lewis & Sally Cantor Jacqueline M. Clampett-Jones Katharine Comstock Leland E.* & Gloria U. Dake Roderick & Suzanne* Dewar William & Nancy Doolittle Dr. Ann Elkin and Peter Hashim William* & Nancy Fisher Robert M. & Betty Jo Graham Louise Guard Ruth S. Hartmann Mollie Hedges Dr. & Ms. Michael Hendrickson Peter & Patti Hoss
Herschel & Shirley Loomis Marjorie Love* Sally Maggio Sherrie McCullough Dick* & Grace Merrill Mr. Don Newmark Alyce M. Nunes John Philips & June Dunbar Margaret Anderson Radunich* Barbara Rupp Virginia Ruth Nicola Samra Charles Schimmel William* & Kristine* Schuyler Robert Sykes Joanne Taylor Elizabeth Haywood Watt* Neal and Elaine Whitman Donald & Renate Wunsch *deceased
LEADERSHIP GIFTS The Monterey Symphony is grateful for the receipt of the following legacy gifts: Leadership Gifts : Mr. and Mrs. W. Austin Barrows The Richard & Betty Bell Music Director Fund The Frances M. Benton Estate Mr. & Mrs. Hilton Bialek The Rodney Guifoil Estate The Erling Lagerholm Estate The Sara E. Mitchell Estate The M. Kathleen Morgan Estate The Eugene Noxon Estate The Helen Oehler Estate The Chris & Kevin Rabe Estate The Shedlin Estate The Shelia Webster Estate
Endowed Orchestra Chairs : Robert O. & Catherine L. McMahan Concert Master’s Chair Sally Jo Snorf Timpani Chair Miriam M. Godwin Musician Chair Rear Admiral Edward J. & Ruth Hall O’Donnell Musician Chair Robert & Virginia Stanton Musician Chair Reginald & Mary Swaner Musician Chair
If you are interested in joining the Legacy Society, please contact Nicola Samra, Executive Director at nsamra@montereysymphony.org or 831-645-1131. 56 montereysymphony.org
Reach affluent, loyal customers throughout the Monterey Peninsula and Central Coast, while supporting the arts in our community. Advertise with the Monterey Symphony and reach our audience members consistently throughout the year. During our 2019/20 Season, the Monterey Symphony will perform 12 concerts to over 7,500 patrons who enthusiastically support arts and culture in our community. Each program book contains details about concerts and future events. For more information please contact: Virginia Marine M A R K E T I N G A N D P U B L I C AT I O N S C O O R D I N AT O R vmarine@montereysymphony.org • 831-646-8511
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hard Contiguglia Jean-Pierre Rampal & Robert Veyron-Lacroix Frederica von Stade 1975-76 Igor Oistrakh Mis Musical Ronald Excellence Since 1927Folk Dancers 1977-78 Pinchas Zukerm therlands Chamber Orchestra Jose Carreras 1976-77 Turini Yugoslav nes RonaldTurini San Francisco Chamber Orchestra with Dave Abel & Paul Hersh 1978-79 Kyung-Wha Chung Pittsburg hestra Barry Tuckwell & Andre Michel-Schub Jean-Philippe Collard 1979-80 Toulouse Chamber Orchestra Ruth Gold omo Mintz Southwest German Chamber Orchestra Murray Perahia 1981-82 Jean-Philippe Collard Swiss Chamber Ameling Diane Hidy 1982-83 Annie Fischer Scottish Chamber Orchestra with Jaime Laredo Nathaniel Rosen Uto The UghiMozart 1984-85 Richard Stoltzman Empire Brass Ensem al Arts Ensemble 1983-84 I Solisti di Zagreb Including Society 1985-86 Uto Ughi Victoria de los Angeles Music from Marlboro 1986-87 Leontyne Price Misha & Ci Sunday ~ 3:00 pm ~ March 24, 2019 Sunday ~ 3:00 pm ~Jeffrey September 30, James 2018 Morris Cleveland rmannn Prey Carter Brey 1987-88 Kahane Quartet/Meliora Quartet Annie Fischer Ju Wu Han, piano Yekwon Sunwoo, rma Jean Hodges 1988-89 Jean-Yves Thibaudetpiano Budapest Chamber Orchestra Anne-Sophie Mutter Yo-Yo Ma & Emanuel Tchaikovsky and Schubert WinnerEugenia of the 2017 Cliburn Competition mbro Quartet of Pianos Zukerman Jean-Yves Thibaudet Thomas Allen 1990-91 Santiago Rodriguez, Daw merata Musica of Berlin Alicia de Larrocha, Nadja Salerno-Sonnenberg &~ Cecile Licad 1991-92 Sunday 3:00 pm ~ May 5, 2019 Grant Johannesen B Sunday ~ 3:00 pm ~ October 28, 2018 o Itzhak Perlman Empire Brass 1992-93 Anne Akiko Meyers Lynn HarrellBarrueco, Frederica von Stade GuildhaIl String E Manuel guitar Daniel Hope, violin & Friends hard Stoltzman Yefim Bronfman 1993-94 Paula Robison & Ruth LaredoSpanish Ilana Vered Pinchas and Cuban music Zukerman & Marc Neikru "Air – a Baroque Journey" reb Thomas Hampson 1994-95 Marilyn Horne Franz Liszt Chamber Orchestra Radu Lupu Leonidas Kavakos Krystian Midori Sergei Leiferkus Ax 13, Canadian Sunday ~ 3:00 Emanuel pm ~ January 2019 Brass Trio Fontenay 1996-97 Kalichstein-Laredo-Robinson T Cipa Dichter Denyce Graves Joshua Bell & Jean-Yves Thibaudet Abbey 1997-98 Gil Shaham Single tickets areSimon $45, $53, and $60 after July 31st. Budapest S CMS Competition Winner ppner Matt Haimovitz András Schiff 1998-99 Sergei Nakariakov Beauxthey Artscan Trio After which be Vladimir purchasedFeltsman online at Cho-Liang Lin Kevin Lee Sun, piano www.Thibaudet carmelmusic.org by calling Orchestra & Just enson Heidi Hau 1999-2000 Florence Quivar Hilary Hahn Jean-Yves MoscoworChamber Sunday ~ 3:00 pmArcadi ~ February 10, St 2019 831.625.9938. pire Brass 2000-01 Bo Skovhus Volodo Petersburg String Quartet Munich Chamber Orchestra Gil Sha Brentano Quartet & Orchestra Louis Lortie Denyce Graves ltalian Saxophone Qu ham Kenneth Goodson 2001-02 Moscow Chamber Discounted subscriptions Yekwon Sunwoo, 2002-03 Stewart Goodyear Sharon piano Isbin Burning River Brass Ruth Waterman Emanuel Ax Caroline Campb at $204, $240 or $272 Beethoven and Dvor̆ák gue Chamber Orchestra Christopher O’Riley & Fred Hersch Arnaldo Cohen Nadja Salerno-Sonnenberg & The Assa are available by calling 831.625.9938. dre-Michel Schub & David Shifrin Sonia Gariaeff 2004-05 Mark Delavan David Finckel & Wu Han I Solisti di Venezi u Vienna Choir Boys Beaux Arts Trio Judy Huang 2005-06 Andrâs Schiff Alon Goldstein & Amit Peled & Alexander rmel 9th, CaAcademy With support from the Salzburg Chamber Soloists Olga Kern Katie Kadarauch arlos & 2006-07 rey Cerovsek &Monterey Julien Quentin of St. M County Board of Supervisors enter, San C t CCohen e s n u S t a e ds Chamber Ensemble Lynn Harrell & Gavin Martin Arnaldo Janaki String Trio John Williams & John Eth r All Concerts a l Chamber Orchestra Ensemble & Reiko Aizawa Brian Thorsett 2007-08 Frederica von Stade & Jake Heggie Phi oque Orchestra Alexander String Quartet Gil Shaham & Akira Eguchi Michael Roll Ivan Zenaty & Paul Hersh ss Quintet Altenberg Piano Trio Elizabeth Schumann 2008-09 The Romeros, guitar quartet Adaskin Trio & Tom Gal
eason 2018 2019 S
Haydn’s Creation, Bach’s Christmas Oratorio and more. More than 40 concerts and recitals at eight venues across the Monterey Peninsula.
July 13-27, 2019
Your gift resources for the Monterey Symphony in Sunset Center Lobby
Artisana Gallery
Mon.-Sat. 10:30am-6:00pm, Sun. 11:00am-5:00pm
Dedicated to supporting Local Artists by offering the work of 30+ painters, jewelry designers, photographers, ceramacists, authors, sculptors & more, in the heart of downtown P.G.!~ artisanagallery@gmail.com
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Mon - Sat 11-6 CLOSED SUNDAY
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BOARD & STAFF
2560 Garden Road, Suite 101, Monterey, CA 93940 | (831) 646-8511 info@montereysymphony.org Max Bragado-Darman Music Director and Conductor
A D M I N I S T R AT I O N
OFFICERS
Nicola Samra
Lee E. Rosen
Charles Schimmel
Board President
Treasurer
Bruce Lindsey
Susan Britton
Vice-President
Secretary
Executive Director
Caitlin Fillmore Development and Special Events Coordinator
Virginia Marine Marketing and Publications Coordinator
Jeffrey Wallace
Noemi Vera
Vice-President
Box Office and Operations Coordinator
BOARD MEMBERS
Dr. Philipp Bleek Diane Mall Dr. Anita Dunsay Linda McKee Ann Elkin, PhD Pinkie Terry Peter Hashim Martin Wolf Jo-Ann Hatch Patricia Yellich Mollie Hedges David Zaches Harry Hendon Michael Hendrickson, PhD FRIENDS SPECIAL EVENTS COMMITTEE:
Lee E. Rosen, Board President
Susan Britton Betty Bunce Linda Humber Jean Hurd
Linda McKee Randi Rogers Pinkie Terry Patricia Yellich
LEGAL COUNSEL
Mark O’Connor ORCHESTRA ADVISOR
Allison Gigi Dang HONORARY COUNCIL
William G. Doolittle Bertie Bialek Elliott Gabrielle Hahn Carol Lee Holland Shirley Loomis Lois Mayol Alyce Nunes Joanne Taylor
PHOTOGRAPHY
PROGRAM DESIGN
Glenn Fidler Virginia Marine Randy Tunnell Photography
Rory Glass
60 montereysymphony.org
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Local fresh cuisine Inviting atmosphere Traditional fare, plus... Specialties from Italy, France, & Spain Heady, fun-filled ambiance
Lunch & Dinner Sunday-Thursday, 11:30 AM - 9:30 PM Friday, Saturday, 11:30 AM - 10 PM Exquisite wines & Full bar Private parties
Ocean Avenue between Lincoln and Monte Verde • Carmel-by-the-Sea • (831) 634-4395
NOW OPEN IN THE BARNYARD
A popular meeting place before & after the symphony Lunch: 11:30–3:00pm Dinner: 5:00–9:00pm Closed Mondays
Happy Hour: 3:00–6:00pm Nightly Tuesday Happy Hour 3:00–9:00pm Evening Happy Hour: 8:00–9:00pm
3601 The Barnyard, Ste. A-21, Carmel www.surcarmel.com RESERVATIONS (831) 250-7188
PRESENTS
May 3, 2019 • 6–10pm M onte re y Bay Aquarium
Please join us for an elegant evening celebrating our region's delights. Enjoy a gourmet seated dinner, performances by Symphony musicians and private access to the Monterey Bay Aquarium, with ocean-themed surprises and the chance to take home over 30 bottles of wine & spirits! All proceeds benefit the Monterey Symphony and our Music for the Schools initiative. MONTEREYSYMPHONY.ORG (831) 646-8511
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