MBS_INTERIOR DESIGN BROCHURE_en_190808

Calle de Benigno Soto 14 28002 Madrid, Spain +34 91 563 8056 info@moneobrock.com moneobrock.com

INTER IO R D ESIGN August 2019

Architecture, Planning, Design

INTE R IOR DE SIGN PROJE CTS SE LE CTE D

THERMAL BATHS TERMAS DE TIBERIO CASA TE C 205 EL VISO ROW HOUSE MERCER HOTEL CAFÉ DE LA REINA PARISH CHURCH IN PUEBLO SERENA ESPACIO FUNDACIÓN TELEFÓNICA COLUMBIA UNIVERISTY NORTHWEST CORNER BUILDING HUD S ON STR E E T LOF T POLANCO LOFT

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Biography & CV

Moneo Brock is an international architectural, planning and design firm of versatile professionals committed to the identification and implementation of sustainable solutions, with great faith in the promise of good design.

We begin our work with a rigorous analysis of the functional requirements of the project in question, setting high standards for the optimization of resources. Convinced that a fundamental concept must be elaborated for each project, we design specifically architectural solutions wherein linguistic and spatial structures harmonize in a coherent whole.

When working in cities, we count as the project’s first task the repair or enhancement of the existing urban context and the enlivening of bordering streets. We give great importance to urban design and to the creation of public space as a social good. When working outside the city, we design our interventions to protect and preserve the natural beauty that we find; the new, constructed landscape is designed to flow from our projects and connect holistically to the surrounding terrain.

Belén Moneo (Harvard, 1988) and Jeffrey Brock (Princeton, 1985), founded Moneo Brock in 1993 in New York City after receiving their Masters of Architecture from Columbia University´s GSAPP in 1991. Current project sites are in Spain, USA, Mexico Colombia and the Dominican Republic.

Each project’s local climate is analyzed in detail so that energy efficiency can be assured, and the social and economic context is thoughtfully reviewed so that all conditions for true sustainability can be met. Finally, the construction details and the selection of materials are always rigorously controlled in order to be in concordance with the project’s fundamental concept.

as fundamental to the creation of great work.

We have extensive experience collaborating with large teams of engineers, consultants and specialists in the production and coordination of architectural projects, from conceptualization through construction completion. We have completed projects of varying scales, both public and private, and our work has been widely published in international media.

We view each job as an opportunity to create a unique structure that can transform a part of the world, no matter the scale.

Moneo Brock has broad experience working on a variety project types, including: Museums Educational Architecture Religious Architecture Interior Design Urban Infrastructure Rehabilitation Residential Architecture With its main office in Madrid, Spain, Moneo Brock has additional representation in New York and Mexico.

We are sensitive to the synergies that emerge in collaborative processes, viewing teamwork moneobrock.com/en/studio

thermal baths termas de tiberio

The Baths at Panticosa are located in the dramatic Valle del Tena of Aragon, where mountain peaks near the project site hold snow throughout the year.

Waterfalls, rivers and streams cut the surface of the mountains and the valleys, while underground the aquifer mixes with thermal springs from deep beneath the surface of the earth.

In designing the Baths building we have sought a balanced response to both the natural setting and the urbanized context on the other. The program is complex, and the municipal zoning limits require that much of the floor area be located underground, making the provision of natural light and views of the surroundings to the maximum area of the plan a design priority.

The carving out of the building volume and the strategic location of windows serve to connect the interior spaces with the mountain landscape, giving the visitor a series of orientating cues, while the overlapping ribbons envelop and blend the spaces as they weave through the interior.

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CASA TE C 205

The Casa TEC 205 is located very close to the Chipinque ecological park in Monterrey, an urban landscape dominated by the Sierra Madre. This house is the first prize in a raffle organized every year by the Technological University of Monterrey to raise funds for its students.

The house design preserves four large extant trees on the site. Now embedded in the house, the trees characterize the spaces they inhabit. Major interior spaces enjoy direct connections to their own corresponding outdoor spaces, each associated with a different landscape, a unique character and quality of light.

In order to gather these outdoor spaces into the project, a series of large wall planes that intersect in the house’s center project into the surrounding outdoor space, moving continuously between the interior and the exterior of the house. This constructivist assembly allows the walls to be read as independent, plastic elements, effectively blurring the distinction between inside and outside.

We have always admired the use of color in Mexico, from its vernacular architecture to that of the masters Luis BarragĂĄn and Ricardo Legorreta. We have applied strong colors to these walls not only because we often use color in our work, but clearly as recognition and homage to this great heritage as well.

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CASA TE C 205

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e l vis o row house

The intervention adapts a row house in Madrid, Spain, designed in the 30’s to the needs of a contemporary family, while preserving its original rationalist elements.

Our proposal for the ground floor was to open up the space as much as possible, taking out the partitions that divided the dining room from the living room and leaving exposed a riveted steel column next to the stairs. The stair wall was given a rounded shape, inspired by the existing windows jambs, while the living room’s dropped ceiling is cut by big arcs, covering a beam and creating cove lights. This room opens up to the garden through a 3m-wide sliding glass door that provides luminosity to the interior space and access to a large terrace riddled with circular glass blocks.

In order to make the house more energy efficient, the steel sash windows, identical to those used at the Bauhaus, were restored and adjusted to admit thermal glass where they were designed to take simple panes.

Our product designs in acrylic glass introduce color and contemporaneity to the intervention, where the modernist and the designs of today contrast and blend in an unexpected way. As this house was to be our own, we were able to use it as a laboratory to test the functionality of our designs, new materials being put to use in real conditions.

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m e rce r hote l

Occupying a series of old medieval buildings in Barcelona’s historic Barrio Gótico, the Hotel Mercer elegantly blends the old with the new.

The project restores the masonry walls that once belonged to the city’s fortifications, parts of which date back to Roman times. The dialogue between the old walls and the new structures is an instrument by which the traveler experiences a part of the story of Barcelona.

The hotel is structured around the original courtyard, which has been preserved and planted with citrus trees. Most of the rooms have balconies towards either the courtyard or the street, so natural light abounds. The interior design is modern, but at the same time subdued and respectful of its setting.

Moneo Brock contributed the interior design to the architecture project developed by Rafael Moneo.

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CAF É DE L A R E INA

Connected to the foyer of an elegant luxury hotel, the Café de la Reina or “BUR-BU-JA-JA” adds a colorful and casual note to the complex.

A cafeteria during the day, the space transforms into a sophisticated cocktail bar at night, the patrons immersed in iridescent aquatic colors.

A long curved green bar runs through the space, while “seaweed” camouflages the curtain wall and the mundane view of the city beyond, dissolving it into small fragments of an organic, aquatic world. Smoothly curved walls with reflecting belts, circular benches and round tables create a sensual atmosphere where space and movement interact.

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par ish c hurc h in pue blo se r e na

The volumetric concept of the church derives from traditional church plans, and the design presents recognizable architectural features taken from early Christian temple prototypes, such as the bell tower, the stained-glass windows, the frontal altar, the baptistery, the choir, the three chapels and the lateral courtyard.

The church’s main entry opens right onto a plaza, which functions as an annex to the church. Above the entry canopy, the façade is a large flat wall, an emphatic and square plane, declarative of the otherness of the space within: the sacred space of the church interior.

The plan is that of a basilica, with a rectangular central nave some 15 meters high. Behind the baptistery a long glass wall runs the length of the nave giving views of an enclosed patio. Above this area is a version of a rose window. To the southeast, three small chapels each enjoy daylight from high skylights. Finally, above the altar is a forth skylight, whose light washes down behind an inclined panel cut into four sections to reveal a large Latin cross.

The interior design, also designed by Moneo Brock, is fully integrated with the architecture. the sacred space of the church interior.

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E SPACIO F UNDACIÓN TE LE F ÓNICA

This museum project for Fundación Telefónica, the cultural institution of Spain’s largest telephone company, occupies four floors in the historic Telefónica Building at the top of Madrid’s most central street, the Gran Via. To address the difficult relationships between the reclaimed spaces of the old building, we designed a central, cohesive circulation path that connects all galleries and cultural spaces on the upper floors to one another and to the street.

Parts of five of the existing floor plates were demolished and a spiral staircase inserted in the void, weaving through an organic, sculptural form which serves simultaneously as a lateral brace for the building’s façade and structural support for the stair.

The galleries take their form from the shape of the building. Here, the floors were stripped of everything non-essential to the structure. Columns were left exposed and the ceilings covered with a suspended metal mesh. The spaces, left bare, reveal the beauty of the existing structure and allow for the maximum freedom for exhibit specific installations.

On this project Moneo Brock Studio collaborated with Quanto Arquitectura.

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

Located on the northwest corner of the University’s historical campus designed by McKim, Mead and White in 1897, the building is carefully integrated in the campus as well as the New York City streetscape.

Constructed above an existing gymnasium, the site conditions posed a significant structural challenge, requiring that the new building span over the 125 foot-wide facility. This structural feat became the defining gesture of the project.

Besides providing critical program spaces for the University, the building also forms a new gateway to the Morningside campus, incorporating in its northern end a fluid sequence of bright naturally-lit spaces along a path from the street corner to the Campus level some 10 meters higher.

On this project Rafael Moneo and Moneo collaborated on the architectural design team, managing the project throughout the process of design and construction.

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

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HUD S ON STR E E T LOF T

This project offered us the opportunity to concentrate on the arrangement of richly textured elements in the context of a largely proportioned and generally sparely articulated space. The plan covers approximately 2,200sqf.

The raw space of the loft presented two principal spatial problems. First, the relationship of daylight to the plan is highly biased: the windows are exclusively on the east wall. This unilateral supply of daylight forced us to place all the major living spaces along the window wall, potentially robbing the western areas of the plan of valued light. The second challenge was given by the position of the entrance at the top of the pyramidal plan, which offered the visitor a complete view of the space.

The problem of the daylight was addressed by allowing the functional volume and wall separating the central open space from its adjacent bedrooms to pull away from the ceiling and from the window wall to the east. The wall of windows as well as the floor and ceiling planes can be seen as continuous across three rooms at once, visually unifying the space and “expanding” the views.

The second challenge was addressed by placing a foil immediately in front of the entry door, thereby creating a slightly labyrinthine entry sequence.

The foil is a diaphanous, translucent skin made of a glass and paper sandwich, constituting a sitespecific work of paper-art. At entry, the destination remains hidden from view and so “protected.” . moneobrock.com/en/small/ housing-hudson-street-loft-new-york

HUD S ON STR E E T LOF T

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POL ANC O LOF T

In this 2,800 sqf. loft a high-end budget allowed us to experiment with the use of uncommon materials and details based on a high level of craft.

The plan layout is simple. A broad corridor giving access to the rear ends at the bedroom doors.

When opened, these oversized doors allow the effective dissolution of the end wall and a recuperation of the sensation of the “open loft.�

In order to encourage the transmission of light through the loft with doors closed, most walls are made with Japanese rice paper sandwiched in between layers of glass. These glass assemblies are set in place with steel sections forming customs frames.

The hearth and the kitchen counters were made of a marble containing lapis lazuli, giving them a strong-hued glow. The floors are Brazilian cherry with an oiled finish, giving them a deep luster.

Entry vestibule walls are gold leafed, and the kitchen wall finished with cobalt pigment.

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POL ANC O LOF T

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M O NE O

BR O CK ESPAÑA Calle de Benigno Soto 14 28002 Madrid, España t: +34 91 563 8056 EE.UU. 6 Varick st. Unit 10B New York, NY 10013 t: +1 21 2380 1560

MÉXICO Calle Gral. Juan Cano 79, Dpto 103 Col. San Miguel Chapultepec, Delegación Miguel Hidalgo, CP 11850, Ciudad de México. t: +52 181 1183 3249 REPÚBLICA DOMINICANA Calle Casimiro de Moya, Residencial Plz Independencia, Edificio E - 202Gazcue, Distrito Nacional, Santo Domingo t: +1 82 9642 6597 contact@moneobrock.com www.moneobrock.com