MONEO BROCK Portfolio English

Calle de Benigno Soto 14 28002 Madrid, Spain +34 91 563 8056 info@moneobrock.com moneobrock.com PORTF OLIO March 2017

Architecture, Planning, Design

BIO GR APHY

Moneo Brock is an international architectural, planning and design firm of versatile professionals committed to the identification and implementation of sustainable solutions, with great faith in the promise of good design.

We begin our work with a rigorous analysis of the functional requirements of the project in question, setting high standards for the optimization of resources. Convinced that a fundamental concept must be elaborated for each project, we design specifically architectural solutions wherein linguistic and spatial structures harmonize in a coherent whole.

When working in cities, we count as the projects’ first task the repair or enhancement of the existing urban context and the enlivening of bordering streets. We give great importance to urban design and to the creation of public space as a social good.

When working outside the city, we design our interventions to protect and preserve the natural beauty that we find; the new, constructed landscape is designed to flow from our projects and connect holistically to the surrounding terrain.

Each project’s local climate is analyzed in detail so that energy efficiency can be assured, and the social and economic context is thoughtfully reviewed so that all conditions for true sustainability can be met. Finally, the construction details and the selection of materials are always rigorously controlled in order to be in concordance with the project’s fundamental concept.

experience collaborating with large teams of engineers, consultants and specialists in the production and coordination of architectural projects, from conceptualization through construction completion. We have completed projects of varying scales, both public and private, and our work has been widely published in international media.

We view each job as an opportunity to create a unique structure that can transform a part of the world, no matter the scale.

Moneo Brock has broad experience working on a variety project types, including: • Museums • Educational Buildings and Campuses • Urban Infrastructure • Religious Architecture • Hospitality and Wellness Architecture and Design • Rehabilitation of Historic Structures • Interior Design

We are an ISO9001:2008 certified business with Lloyds Register.

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PORTF OLIO

ESPACIO FU N DACIÓ N TELEFÓ N ICA Madrid, Spain, 2008-2012

SKELLEFTEA C ULTURAL C ENTER AND HOTEL Skelleftea, Sweeden, 2016

C O LU M B IA U N IV ERSIT Y N O RTH WEST C O RN ER B U ILDIN G Columbia, New York, USA, 2005-2010

EL VI S O ROW HOUSE Madrid, Spain, 2010

PA RISH CH U RCH IN PU EB LO SERENA Monterrey, Mexico, 2013-2015 SERV ICE STATIO N M OZA IQU E Al Saadiyat Island, Abu Dabi, U.A.E, 2014 SERV ICE STATIO N DU NAS Al Saadiyat Island, Abu Dabi, U.A.E, 2014 B O S QU E DE ACERO Cuenca. Spain, 2005-2010 TH ERMA L B ATH S "TERMAS DE TIB ERIO " Panticosa, Spain, 2001-2008 U TE C CA M PU S Lima, Peru, 2011 A 1 G AS STATIO N San Agustin de Guadalix, Spain, 2004-2008 M U LTI- FU N CTIO NA L B U ILDIN G Madrid, Spain, 2015 CRA N B RO O K ACA DEM Y O F A RT STU DIO B U IL DI NG Bloomfield Hills, Michigan, 1997–2002 G ERMA N S CH O O L O F MA DRID Madrid, Spain, 2009

MERC ER HOTEL Barcelona, Spain, 2012-2013 THERMAL BATHS Chiriquí, Panamá, 2010-2011 C OUNTRY HOUSE I N ABANTO S San Lorenzo del Escorial, Spain, 2008 ARC HI P I EL AGO HOUSE Stockholm, Sweden, 2001 CAFÉ DE L A REI NA Zaragoza, Spain, 2009 HUD S ON STREET LOFT New York, USA, 1999-2000 SANC HI NARRO SP ORTS C ENTER Madrid, Spain, 2004 BLO C K SHI FT HOUSI NG Manresa, Barcelona, Spain, 2005-2007 MUSEUM OF RE C ONC I LIATI ON Berlin, Germany, 2011 P EABODY ES SEX MUSEUM Salem, Massachusetts, USA , 2011

M U SEU M S O F M O DERN A RT A N D A RCH ITE CTURE Stockholm, Sweden, 1991-1998

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E SPACIO F UNDAC ION TE LE F ONICA

This museum project for Fundación Telefónica, the cultural institution of Spain’s largest telephone company, occupies four floors in the historic Telefónica Building at the top of Madrid’s most central street, the Gran Via. To address the difficult relationships between the reclaimed spaces of the old building, we designed a central, cohesive circulation path that connects all galleries and cultural spaces on the upper floors to one another and to the street.

Parts of five of the existing floor plates were demolished and a spiral staircase inserted in the void, weaving through an organic, sculptural form which serves simultaneously as a lateral brace for the building’s façade and structural support for the stair.

The galleries take their form from the shape of the building. Here, the floors were stripped of everything non-essential to the structure. Columns were left exposed and the ceilings covered with a suspended metal mesh. The spaces, left bare, reveal the beauty of the existing structure and allow for the maximum freedom for exhibit-specific installations.

On this project Moneo Brock Studio collaborated with Quanto Arquitectura.

Madrid, Spain 2008–2012

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E SPACIO F UNDAC ION TE LE F ONICA

Madrid, Spain 2008–2012

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E SPACIO F UNDAC ION TE LE F ONICA

Madrid, Spain 2008–2012

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E SPACIO F UNDAC ION TE LE F ONICA

Madrid, Spain 2008–2012

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E SPACIO F UNDAC ION TE LE F ONICA

Madrid, Spain 2008–2012

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E SPACIO F UNDAC ION TE LE F ONICA

Madrid, Spain 2008–2012

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E SPACIO F UNDAC ION TE LE F ONICA

Madrid, Spain 2008–2012

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E SPACIO F UNDAC ION TE LE F ONICA

Madrid, Spain 2008–2012

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E SPACIO F UNDAC ION TE LE F ONICA

Madrid, Spain 2008–2012

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E SPACIO F UNDAC ION TE LE F ONICA

Madrid, Spain 2008–2012

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

Columbia University, one of the world most prestigious institutions for arts and sciences, greatly expands its capabilities with this building for interdisciplinary scientific research. The building is located on the Northwest corner of the University’s historic Morningside Heights Campus designed by McKim, Mead and White in 1897.

It adds approximately 4.500 m2 of laboratory space and 2.000 m2 of classroom, office and study space. It also includes a 1.300 m2 research library, a 170-seat auditorium, a public café and a new entrance to the Campus and the University’s Basketball and Volleyball Gymnasium.

Constructed above the existing Francis S. Levien Gymnasium, the site conditions posed a significant structural challenge requiring that the new building span over the 125 foot wide facility, while maintaining large open floors for laboratories, whose structural slabs needed to be stiff enough for the use of microscopes and other vibration-sensitive equipment.

This structural feat became the defining gesture of the project. By representing the structural frame on the building façade through the application of aluminum fins oriented in parallel to the frame elements, the design reveals the varied geometry of bracing elements in the resultant patchwork of light and shadow. Even as it appears to incorporate a free arrangement of diagonal truss elements, the structural frame is in fact precisely responsive to a series of eccentric loading factors integral to the design of the building volume and to the internal distribution of programmatic elements within it.

Columbia, New York, USA 2005–2010

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

Columbia, New York, USA 2005–2010

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

Columbia, New York, USA 2005–2010

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

Columbia, New York, USA 2005–2010

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

Columbia, New York, USA 2005–2010

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

Columbia, New York, USA 2005–2010

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

Columbia, New York, USA 2005–2010

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

Columbia, New York, USA 2005–2010

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

Columbia, New York, USA 2005–2010

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

Columbia, New York, USA 2005–2010

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

Columbia, New York, USA 2005–2010

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

Columbia, New York, USA 2005–2010

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

Columbia, New York, USA 2005–2010

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

Columbia, New York, USA 2005–2010

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

Columbia, New York, USA 2005–2010

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C OLUM BIA UNIVE R SIT Y NORTHW E ST C OR NE R BUILDING

Columbia, New York, USA 2005–2010

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PAR ISH C HURCH IN PUE BLO SE R E NA

The church is located on a large Plaza to the southeast of the development. This communal outdoor space can function as an annex to the church, with religious celebrations and rites spilling out of doors and a larger populace engaged. The main entry therefore opens right onto the plaza, and with an unobstructed width of 11.5 meters it allows the complete opening of the interior space of the church to the plaza. Above this door the façade is a large flat wall without fenestration or ornament, an emphatic and nearly square plane, declarative of the otherness of the space behind that plane: the sacred space of the church interior.

The volumetric concept of the church derives from traditional church plans, and the design presents recognizable architectural features taken from early Christian temple prototypes. Nonetheless, the design is undoubtedly modern. The composition is meant to be both recognizable and new.

The plan is that of a basilica, with a rectangular central nave some 15 meters high, its long axis oriented towards the altar. There are multiple sources of natural light in the interior. Behind the baptistery a long glass wall runs the length of the nave giving views of an enclosed patio. Above this area is a version of a rose window, a nine-square grid opening to the west with colored glass. To the southeast, three small chapels each enjoy daylight from high skylights. Finally, above the altar is a forth high skylight, whose light washes down behind an inclined panel cut into four section to reveal a large cross, the cross glowing with the light from above.

Monterrey, Mexico 2013–2015

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PAR ISH C HURCH IN PUE BLO SE R E NA

Monterrey, Mexico 2013–2015

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PAR ISH C HURCH IN PUE BLO SE R E NA

Monterrey, Mexico 2013–2015

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PAR ISH C HURCH IN PUE BLO SE R E NA

Monterrey, Mexico 2013–2015

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PAR ISH C HURCH IN PUE BLO L A SE R E NA

Monterrey, Mexico 2013–2015

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PAR ISH C HURCH IN PUE BLO L A SE R E NA

Monterrey, Mexico 2013–2015

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PAR ISH C HURCH IN PUE BLO SE R E NA

Monterrey, Mexico 2013–2015

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PAR ISH C HURCH IN PUE BLO L A SE R E NA

Monterrey, Mexico 2013–2015

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PAR ISH C HURCH IN PUE BLO L A SE R E NA

Monterrey, Mexico 2013–2015

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PAR ISH C HURCH IN PUE BLO L A SE R E NA

Monterrey, Mexico 2013–2015

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PAR ISH C HURCH IN PUE BLO SE R E NA

Monterrey, Mexico 2013–2015

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PAR ISH C HURCH IN PUE BLO SE R E NA

Monterrey, Mexico 2013–2015

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PAR ISH C HURCH IN PUE BLO L A SE R E NA

Monterrey, Mexico 2013–2015

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PAR ISH C HURCH IN PUE BLO L A SE R E NA

Monterrey, Mexico 2013–2015

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SE RVIC E STATION M OZAIQUE

In this proposal for the Al Saadiyat Service Station, traditional Islamic motifs, well known to us from examples of Islamic architecture in Spain, are reinterpreted. A small selection of these geometric patterns are drawn on as templates for structural forms and façade compositions.

The memory of these motifs is rekindled while they are at the same time wholly modernized, and the expansive potential of the tiling of these designs have been deployed to solve the planning, structural, and decorative problems presented by the program brief.

The patterns that appear in the plan and elevations are interpretations based on a variety of glazed mosaic tiles, units that, when grouped, form a continuous field. The units of the canopy structure, as well as the units of façade composition and those of the interior screens are similarly repeated according to a consistent pattern to form fields. These fields are put to service covering space, screening light, and defining program areas. In each case the patterns permit multiple readings; when studied they will alternately reveal arrays of stars, flowers, squares, and hexagons.

The versatility of this modular tiling approach is its hidden strength. What is shown here is just one of many possible layouts of canopy, store, food court and shopping areas. The recombinant possibilities of the modular unit-based design allow it to adapt to the contingencies of any suitable site for a service station and allow for growth over time in the case that construction is phased.

Al Saadiyat Island, Abu Dabi, U.A.E 2014

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SE RVIC E STATION M OZAIQUE

Al Saadiyat Island, Abu Dabi, U.A.E 2014

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SE RVIC E STATION M OZAIQUE

Al Saadiyat Island, Abu Dabi, U.A.E 2014

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SE RVIC E STATION M OZAIQUE

Al Saadiyat Island, Abu Dabi, U.A.E 2014

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SE RVIC E STATION M OZAIQUE

Al Saadiyat Island, Abu Dabi, U.A.E 2014

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SE RVIC E STATION M OZAIQUE

Al Saadiyat Island, Abu Dabi, U.A.E 2014

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SE RVIC E STATION DUNAS

The DUNES project proposes a large Canopy structure spanning over the entirety of the AMENITY BUILDING as well as the pump islands, maximizing the offering of shade in and around the spaces of greatest public use and giving the service station a singular identity. Seen from afar, the Canopy emerges from the surrounding landscape as a naturalistic form derived from the dynamic quality of desert dunes, but very quickly announces its identity as an ADNOC station with its vibrant BLUE edge and with the nearby iconic FALCON LOGO high on a totem. At night, the blue edge of the Canopy will glow and its underside will glisten, making the structure impossible to miss.

Inside the Amenity Building and OASIS, the floor surface is patterned with representations of undersea worlds, with corals, fish and fields of cool blue colors which are all reflected in the canopy ceiling. Visitors to these OASES will find themselves virtually immersed in the sea, and the refreshing cool interior of the building will suggest an ocean breeze.

Module Types: Even as it appears free-form, the design for the DUNES canopy is rationalized and modularized. The dunes are formed by combining a series of left and right-leaning units of three different heights, each measuring 9 m x 9 m in plan and 1, 5 m in thickness. With the modules laid out in varying sequences, the overall impression is one of an organic flow. Special units on the perimeter give the whole an impression of lightness as the edge is tapered to a fine BLUE line just 50 cm thick.

Al Saadiyat Island, Abu Dabi, U.A.E 2014

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SE RVIC E STATION DUNAS

Al Saadiyat Island, Abu Dabi, U.A.E 2014

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SE RVIC E STATION DUNAS

Al Saadiyat Island, Abu Dabi, U.A.E 2014

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SE RVIC E STATION DUNAS

Al Saadiyat Island, Abu Dabi, U.A.E 2014

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SE RVIC E STATION DUNAS

Al Saadiyat Island, Abu Dabi, U.A.E 2014

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SE RVIC E STATION DUNAS

Al Saadiyat Island, Abu Dabi, U.A.E 2014

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BO S QUE DE AC E RO

This enclosed pavilion and surrounding park is situated on a 35-acre site bordered by the Júcar and Moscas Rivers and the historic Spanish city of Cuenca. The park project rehabilitates the abandoned natural landscape with the construction of performance spaces, a skating rink, a bar and restaurant in a cluster of historic buildings and a grand pavilion to be used for events and exhibitions, and during the city’s weekly markets and annual fair.

The pavilion, the primary architectural gesture of the project, is placed across the street from the historic city and is meant to act as a filter between the city and the park, diffusing the urban periphery into the natural landscape and acting as a theater for the activities of the park. Composed of 23 pentagonal modules that together form a structural network, this steel and glass pavilion addresses the relationship between the natural beauty of the landscape and the adjacent urban fabric.

The geometrical form of these modules was born of a search for an equilibrium between the repetition of a unit element and a composition of a whole, which in the end creates a modular structure in which the module is no longer distinguishable. The resulting space appears forest-like from the interior but crystalline from the exterior.

It is a building seemingly composed of fragments, but which creates an open, unified and continuous space.

Cuenca, Spain 2005–2010

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BO S QUE DE AC E RO

Cuenca, Spain 2005–2010

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BO S QUE DE AC E RO

Cuenca, Spain 2005–2010

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BO S QUE DE AC E RO

Cuenca, Spain 2005–2010

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BO S QUE DE AC E RO

Cuenca, Spain 2005–2010

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BO S QUE DE AC E RO

Cuenca, Spain 2005–2010

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BO S QUE DE AC E RO

Cuenca, Spain 2005–2010

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BO S QUE DE AC E RO

Cuenca, Spain 2005–2010

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THE R MAL BATHS " TE R MAS DE TIBE R IO"

The Baths at Panticosa are located in the dramatic Valle del Tena of Aragon, where mountain peaks near the project site hold snow throughout the year.

Waterfalls, rivers and streams cut the surface of the mountains and the valleys, while underground the aquifer mixes with thermal springs from deep beneath the surface of the earth.

In designing the Baths building we have sought a balanced response to the natural setting on one hand and to the urbanized context on the other.

The structure is built up to and, in places, into the side of the mountain, integrating its volume with that of its natural setting. To its neighbors, a church and a hotel, the building design offers a neutral response, moderately acknowledging the traditional space-making of these rectilinear blocks disposed orthogonally to one another. A series of curving walls or “ribbons” define the building’s exterior form.

These “ribbons” spring from the mountainside and terminate equally, while between them are green roof surfaces in a series of terraces, forming extensions of the mountain landscape. This ‘watery’ shape gives a reduced appearance of bulk, and results in a structure that is thoroughly integrated into its immediate environment..

The program is complex, and the municipal zoning limits require that much of the floor area be located underground, making the provision of natural light and views of the surroundings to the maximum area of the plan a design priority. The carving out of the building volume and the strategic location of windows serve to connect the interior spaces with the mountain landscape, giving the visitor a series of orientating cues, while the overlapping ribbons envelop and blend the spaces as they weave through the interior.

Panticosa, Spain 2002-2008

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THE R MAL BATHS " TE R MAS DE TIBE R IO"

Panticosa, Spain 2002-2008

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THE R MAL BATHS " TE R MAS DE TIBE R IO"

Panticosa, Spain 2002-2008

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THE R MAL BATHS " TE R MAS DE TIBE R IO"

Panticosa, Spain 2002-2008

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THE R MAL BATHS " TE R MAS DE TIBE R IO"

Panticosa, Spain 2002-2008

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THE R MAL BATHS " TE R MAS DE TIBE R IO"

Panticosa, Spain 2002-2008

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THE R MAL BATHS " TE R MAS DE TIBE R IO"

Panticosa, Spain 2002-2008

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THE R MAL BATHS " TE R MAS DE TIBE R IO"

Panticosa, Spain 2002-2008

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THE R MAL BATHS " TE R MAS DE TIBE R IO"

Panticosa, Spain 2002-2008

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THE R MAL BATHS " TE R MAS DE TIBE R IO"

Panticosa, Spain 2002-2008

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THE R MAL BATHS " TE R MAS DE TIBE R IO"

Panticosa, Spain 2002-2008

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THE R MAL BATHS " TE R MAS DE TIBE R IO"

Panticosa, Spain 2002-2008

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UTE C CAM PUS

We saw the crux of the problem in the requirement to fit an extensive building program in a small site while fulfilling the desire for a green campus following the Humanist model of the Anglo-Saxon university?”

In order to integrate well with the surrounding neighborhood of small parcels and low-tomedium-height buildings, the great mass of the university program has been fragmented into a collection of 26 attached towers, each with a small footprint of 15m x 15m, a module sized to house either one laboratory, one classroom with ancillary spaces, or a grouping of teachers’ offices. The “towers” are built up to different heights to further the reading of a fragmented volume, all the while conforming to the setback and height limitations given by the municipality. These volumes are laid out along the north edge of the site to buffer the campus interior from the adjacent highway, to keep a distance from the small scale neighborhood to the south and to leave airspace over the center and south edge of the site for the benefit of the garden areas below. Finally, another great advantage of this modular arrangement is the abundance of natural light available throughout the project.

Lima, Peru 2011

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UTE C CAM PUS

Lima, Peru 2011

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UTE C CAM PUS

Lima, Peru 2011

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UTE C CAM PUS

Lima, Peru 2011

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UTE C CAM PUS

Lima, Peru 2011

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UTE C CAM PUS

Lima, Peru 2011

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A1 G AS STATION

Esta estación de servicio está emplazada en la autopista A-1, una de las seis principales autopistas nacionales de España, cerca de la población de San Agustín de Guadalix, a 30 Kms. de Madrid aproximadamente. El proyecto consta de tres pérgolas de acero y geometría curvilínea y un edificio prismático que alberga, además de las instalaciones de la estación de servicio, un restaurante de servicio completo.

En los años 40 y 50, el diseño de las estaciones de servicio rebosaba optimismo y modernidad; los diseños hacían uso de voladizos y proyecciones que añadían un aura mágica a los espacios cubiertos. Quizá la diferencia entre estas estaciones de servicio y la que hemos proyectado reside en el carácter lúdico que le aportan las formas curvas de las pérgolas. No es tan solo un refugio: es movimiento fluido, inspirado abiertamente por el paisaje natural de suaves pendientes tras de si.

El programa de éste proyecto necesitaba de una estructura que hiciese las veces de reclamo, pero, al tiempo que atendíamos esta necesidad, nos hemos esforzado también por crear una arquitectura que respondiese respetuosamente a su entorno. Las pérgolas se ven en la lejanía como pájaros o nubes en el horizonte, flotando entre el cielo y la tierra.

San Agustín de Guadalix, Spain 2004-2008

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A1 G AS STATION

San Agustín de Guadalix, Spain 2004-2008

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A1 G AS STATION

San Agustín de Guadalix, Spain 2004-2008

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A1 G AS STATION

San Agustín de Guadalix, Spain 2004-2008

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A1 G AS STATION

San Agustín de Guadalix, Spain 2004-2008

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A1 G AS STATION

San Agustín de Guadalix, Spain 2004-2008

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A1 G AS STATION

San Agustín de Guadalix, Spain 2004-2008

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A1 G AS STATION

San Agustín de Guadalix, Spain 2004-2008

moneobrock.com/en/medium/a1-gas-station

A1 G AS STATION

San Agustín de Guadalix, Spain 2004-2008

moneobrock.com/en/medium/a1-gas-station

A1 G AS STATION

San Agustín de Guadalix, Spain 2004-2008

moneobrock.com/en/medium/a1-gas-station

M ULTI- F UNCTIONAL BUILDING

For this multi-functional building next to the wellknown “Four Towers” at the end of Madrid’s Paseo de la Castellana, we sought an iconic and daring proposal. The site is heavily conditioned by the presence of four floors of subterranean parking built for a Municipal project never completed, enormous foundations which we were determined to make use of.

The design for the former project was a great disk alluding to the setting sun behind the Madrid Sierra, visible from the building site. As a subtle homage, our project presents the negative of that image, a concave “base” on which the solar disk might rest.

The majority of the new building’s area was destined for municipal offices; hence our proposal for an emblematic and recognizable structure that proved all the while highly practical. It was also conceived as a landmark in building sustainability with its active roof structure for heating and ventilation purposes.

The 51.680 m2 of built area for offices are surrounded by large plazas that would give this neighborhood its first significant consolidated public space. The plaza that faces west has the same inclination as the Pompidou square at Paris square and the same plan as the main square in Siena. Around the perimeter of this great public space center we placed a 2.500 m2 long commercial area. A monumental stairway joins the two squares and provides frontal views of the mountains.

Madrid, Spain 2015

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M ULTI- F UNCTIONAL BUILDING

Madrid, Spain 2015

moneobrock.com/multi-functional-building

M ULTI- F UNCTIONAL BUILDING

Madrid, Spain 2015

moneobrock.com/multi-functional-building

M ULTI- F UNCTIONAL BUILDING

Madrid, Spain 2015

moneobrock.com/multi-functional-building

M ULTI- F UNCTIONAL BUILDING

Madrid, Spain 2015

moneobrock.com/multi-functional-building

M ULTI- F UNCTIONAL BUILDING

Madrid, Spain 2015

moneobrock.com/multi-functional-building

M ULTI- F UNCTIONAL BUILDING

Madrid, Spain 2015

moneobrock.com/multi-functional-building

M ULTI- F UNCTIONAL BUILDING

Madrid, Spain 2015

moneobrock.com/multi-functional-building

CR ANBRO OK ACADE M Y OF ART STUDIO BUILDING

Dedicado a la enseñanza del arte en múltiples disciplinas, la Academia es una institución única reconocida por su intensa concentración y la consecuente alta calidad. Eliel Saarinen diseñó el campus durante la década de 1920. El Nuevo edificio contiene los departamentos de la cerámica, fibras y metales y se encuentra construido al lado del Museo, diseñado por Saarinen y su hijo Eero en la década de 1940. Ocupa 3.200 metros cuadrados de espacio interior con un costo de $8.2 Millones.

En el Estudio de construcción de casa de cuatro volúmenes de los principales elementos del programa: las áreas de exposición, los estudios de los estudiantes, los estudios de artistas en residencia, y los talleres. Las tres disciplinas, distribuidas en los tres niveles de suelo de cada volumen. Un volumen de cabeza conecta físicamente el nuevo edificio para el Museo de Arte de tejer los dos juntos y proporcionar un centro de circulación. Esta última alberga una galería para los estudiantes que se pueden utilizar de forma independiente o en conjunto con el museo, por lo que promete convertirse en un lugar de encuentro para un amplio sector de la comunidad de Cranbrook. El edificio forma un patio frente a la parte trasera del antiguo Museo.

Con Rafael Moneo como arquitecto de diseño principal, hemos preparado todo el diseño esquemático y documentos de diseño de desarrollo de este proyecto en nuestro estudio en Nueva York.

Bloomfield Hills, Michigan, USA 2002

moneobrock.com/en/large/ cranbrook-academy-of-art-studio-building

CR ANBRO OK ACADE M Y OF ART STUDIO BUILDING

Bloomfield Hills, Michigan, USA 2002

moneobrock.com/en/large/ cranbrook-academy-of-art-studio-building

CR ANBRO OK ACADE M Y OF ART STUDIO BUILDING

Bloomfield Hills, Michigan, USA 2002

moneobrock.com/en/large/ cranbrook-academy-of-art-studio-building

CR ANBRO OK ACADE M Y OF ART STUDIO BUILDING

Bloomfield Hills, Michigan, USA 2002

moneobrock.com/en/large/ cranbrook-academy-of-art-studio-building

CR ANBRO OK ACADE M Y OF ART STUDIO BUILDING

Bloomfield Hills, Michigan, USA 2002

moneobrock.com/en/large/ cranbrook-academy-of-art-studio-building

CR ANBRO OK ACADE M Y OF ART STUDIO BUILDING

Bloomfield Hills, Michigan, USA 2002

moneobrock.com/en/large/ cranbrook-academy-of-art-studio-building

GE R MAN S C HO OL OF MADR ID

This proposal takes maximum advantage of the site´s position at the city’s edge. The open areas at ground level and the building’s forms engage the landscape of the Sierra to the north.

The complete use of the building’s roofs as terraces, together with its sinuous, meandering form, serve to effectively treat the building as landscape, while at the same time amplifying the area of outdoor patio space available to the students (63% greater than that required by the program).

This last effect allows interior patios and terraces at ground level to be developed as greener, more heavily planted space than would otherwise be possible, enhancing the campus feeling of the school.

The unfragmented, continuous nature of the building ensures optimum functionality, while the variegated form of its layout ensures that each area is given an individual spatial character.

Corridors alternate between single-loaded and double-loaded, and every level is given unique views, so that each area of the school has a different identity.

The school projects a welcoming presence, offering users a sequence of spatial experiences characterized by openness and interconnectedness, ideal for learning and growth.

Madrid, Spain 2009

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GE R MAN S C HO OL OF MADR ID

Madrid, Spain 2009

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GE R MAN S C HO OL OF MADR ID

Madrid, Spain 2009

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GE R MAN S C HO OL OF MADR ID

Madrid, Spain 2009

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GE R MAN S C HO OL OF MADR ID

Madrid, Spain 2009

moneobrock.com/en/large/ german-school-of-madrid

GE R MAN S C HO OL OF MADR ID

Madrid, Spain 2009

moneobrock.com/en/large/ german-school-of-madrid

M USE UM S OF M ODE R N ART AND ARCHITE CTUR E

Jeff Brock and Belén Moneo were the Design Project Architects of the Museums of Modern Art and Architecture located on the island of Skeppsholmen in Stockholm’s harbor, a project that Rafael Moneo had won in an international competition held in 1991. Moneo and Brock took responsibility for the development of the Design and Construction Documents, working in collaboration with the associate architects and their consultants. They moved to Stockholm from December 1993 to May 1995 and returned frequently during the construction period.

Their responsibilities covered all aspects of the building design and detailing as the project was continuously finessed for changing programmatic and budgetary requirements. They developed the interior design of the principal public spaces, and light fixtures and furniture pieces for use in those spaces.

The program for the 30,000 square meter buildings is complex, including lobbies, gallery spaces, classrooms, two auditoriums, a cinema, a restaurant, a café, a bookshop, two libraries, conservators’ studios, photographers’ studios, offices, woodshops, loading and packaging areas and archives. In order to render the insertion of such a large institution in the delicate historic “campus-like” setting, the mass of the building was subjected to three motives: attenuation, fragmentation, and submersion. The result is a building that fits into its surroundings with sensitivity.

The issues surrounding the lighting for the art were of special interest.

Stockholm, Sweden 1991–1998

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M USE UM S OF M ODE R N ART AND ARCHITE CTUR E

Stockholm, Sweden 1991–1998

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M USE UM S OF M ODE R N ART AND ARCHITE CTUR E

Stockholm, Sweden 1991–1998

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M USE UM S OF M ODE R N ART AND ARCHITE CTUR E

Stockholm, Sweden 1991–1998

moneobrock.com/en/large/ museums-of-modern-art-and-architecture

M USE UM S OF M ODE R N ART AND ARCHITE CTUR E

Stockholm, Sweden 1991–1998

moneobrock.com/en/large/ museums-of-modern-art-and-architecture

M USE UM S OF M ODE R N ART AND ARCHITE CTUR E

Stockholm, Sweden 1991–1998

moneobrock.com/en/large/ museums-of-modern-art-and-architecture

M USE UM S OF M ODE R N ART AND ARCHITE CTUR E

Stockholm, Sweden 1991–1998

moneobrock.com/en/large/ museums-of-modern-art-and-architecture

M USE UM S OF M ODE R N ART AND ARCHITE CTUR E

Stockholm, Sweden 1991–1998

moneobrock.com/en/large/ museums-of-modern-art-and-architecture

SK E LLE F TE A CULTUR AL CE NTE R AND HOTE L

From the Classical latin meaning ”in the center of events”, In Medias Res establishes the new cultural centre as the place for action, right in the middle of Skellefteå city in the north of Sweden.

It is a flexible space, enabling uses beyond the center’s cultural program of activities associated with the 5 elements of the project: theatre, museum, art gallery, library and hotel. Light streams through the construction via a glass facade and several courtyards. The short period of a Nordic light we all long for during the winter allowed to flow through the space. The height of the hotel allows it to act as a beacon during the winter, a landmark.

The glass facade communicates transparency and by extension democracy. The architectural design is consciously non-monumental; it offers an even field in which activities and operations of various natures can take place. Synergy is its motto.

The glass façade allows the building’s literal and figural inner warmth to be seen from the outside, the deep glow drawing visitors to the building interior.

The center’s foyer should function as Skellefteå’s social nucleus, effectively forming an indoor public square.

The building has been conceived upon a simple but powerful tectonic approach: a crafted glass prism upon a wooden structure is carefully placed on a granite base. Consistent with goals of social and ecological sustainability we have selected Nordingrå Granite, typical for the region, and local Swedish spruce.

Skellefteå, Sweeden, 2016

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SK E LLE F TE A CULTUR AL CE NTE R AND HOTE L

Skellefteå, Sweeden, 2016

moneobrock.com/skelleftea

SK E LLE F TE A CULTUR AL CE NTE R AND HOTE L

Skellefteå, Sweeden, 2016

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SK E LLE F TE A CULTUR AL CE NTE R AND HOTE L

Skellefteå, Sweeden, 2016

moneobrock.com/skelleftea

SK E LLE F TE A CULTUR AL CE NTE R AND HOTE L

Skellefteå, Sweeden, 2016

moneobrock.com/skelleftea

SK E LLE F TE A CULTUR AL CE NTE R AND HOTE L

Skellefteå, Sweeden, 2016

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SK E LLE F TE A CULTUR AL CE NTE R AND HOTE L

Skellefteå, Sweeden, 2016

moneobrock.com/skelleftea

SK E LLE F TE A CULTUR AL CE NTE R AND HOTE L

Skellefteå, Sweeden, 2016

moneobrock.com/skelleftea

SK E LLE F TE A CULTUR AL CE NTE R AND HOTE L

Skellefteå, Sweeden, 2016

moneobrock.com/skelleftea

SK E LLE F TE A CULTUR AL CE NTE R AND HOTE L

Skellefteå, Sweeden, 2016

moneobrock.com/skelleftea

SK E LLE F TE A CULTUR AL CE NTE R AND HOTE L

Skellefteå, Sweeden, 2016

moneobrock.com/skelleftea

SK E LLE F TE A CULTUR AL CE NTE R AND HOTE L

Skellefteå, Sweeden, 2016

moneobrock.com/skelleftea

SK E LLE F TE A CULTUR AL CE NTE R AND HOTE L

Skellefteå, Sweeden, 2016

moneobrock.com/skelleftea

SK E LLE F TE A CULTUR AL CE NTE R AND HOTE L

Skellefteå, Sweeden, 2016

moneobrock.com/skelleftea

E L VIS O ROW HOUSE

The intervention adapts a row house in Madrid, Spain, designed in the 30’s to the needs of a contemporary family, while preserving its original rationalist elements.

Our proposal for the ground floor was to open up the space as much as possible, taking out the partitions that divided the dining room from the living room and leaving exposed a riveted steel column next to the stairs. The stair wall was given a rounded shape, inspired by the existing windows jambs, while the living room’s dropped ceiling is cut by big arcs, covering a beam and creating cove lights. This room opens up to the garden through a 3m-wide sliding glass door that provides luminosity to the interior space and access to a large terrace riddled with circular glass blocks.

In order to make the house more energy efficient, the steel sash windows, identical to those used at the Bauhaus, were restored and adjusted to admit thermal glass where they were designed to take simple panes.

Our product designs in acrylic glass introduce color and contemporaneity to the intervention, where the modernist and the designs of today contrast and blend in an unexpected way. As this house was to be our own, we were able to use it as a laboratory to test the functionality of our designs, new materials being put to use in real conditions.

Madrid, Spain 2010

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E L VIS O ROW HOUSE

Madrid, Spain 2010

moneobrock.com/en/small/el-viso-row-house

E L VIS O ROW HOUSE

Madrid, Spain 2010

moneobrock.com/en/small/el-viso-row-house

E L VIS O ROW HOUSE

Madrid, Spain 2010

moneobrock.com/en/small/el-viso-row-house

E L VIS O ROW HOUSE

Madrid, Spain 2010

moneobrock.com/en/small/el-viso-row-house

E L VIS O ROW HOUSE

Madrid, Spain 2010

moneobrock.com/en/small/el-viso-row-house

E L VIS O ROW HOUSE

Madrid, Spain 2010

moneobrock.com/en/small/el-viso-row-house

E L VIS O ROW HOUSE

Madrid, Spain 2010

moneobrock.com/en/small/el-viso-row-house

E L VIS O ROW HOUSE

Madrid, Spain 2010

moneobrock.com/en/small/el-viso-row-house

E L VIS O ROW HOUSE

Madrid, Spain 2010

moneobrock.com/en/small/el-viso-row-house

E L VIS O ROW HOUSE

Madrid, Spain 2010

moneobrock.com/en/small/el-viso-row-house

E L VIS O ROW HOUSE

Madrid, Spain 2010

moneobrock.com/en/small/el-viso-row-house

M E RCE R HOTE L

Situated in a series of old medieval buildings in the Gothic neighborhood of Barcelona, one of it's most historic districts, the Hotel Mercer elegantly blends the old with the new. The architectural restoration gives value to the masonry walls that once belonged to the city's fortifications, parts of which date back to roman times. The hotel is structured around the original courtyard, which has been preserved as a garden of citrus trees. Most of the rooms have balconies towards either the courtyard or the street, so natural light abounds.

The interior design is modern and fresh, but at the same time subdued and respectful of its setting.

On every occasion we took the building's historical elements and idiosyncrasies, its corbels and its arches, as hidden treasures providing design opportunities. As a result, every room is unique, as the design overlay lets the special spatial qualities of the older construction read through. The hotel's high standard of finish and level of amenity not just coexist with the genuine antique roughness of the structure but are complemented with it.

The search for comfort permeates all our choices as designers, and the warmth of textures and colors plays a critical role in our choice of materials. In the simplicity of forms constituting our design it is evident that we wanted the medieval building structure that embodied the architecture to be the protagonist.

Barcelona, Spain 2012-2013

moneobrock.com/en/small/mercer-hotel

M E RCE R HOTE L

Barcelona, Spain 2012-2013

moneobrock.com/en/small/mercer-hotel

M E RCE R HOTE L

Barcelona, Spain 2012-2013

moneobrock.com/en/small/mercer-hotel

M E RCE R HOTE L

Barcelona, Spain 2012-2013

moneobrock.com/en/small/mercer-hotel

M E RCE R HOTE L

Barcelona, Spain 2012-2013

moneobrock.com/en/small/mercer-hotel

M E RCE R HOTE L

Barcelona, Spain 2012-2013

moneobrock.com/en/small/mercer-hotel

M E RCE R HOTE L

Barcelona, Spain 2012-2013

moneobrock.com/en/small/mercer-hotel

M E RCE R HOTE L

Barcelona, Spain 2012-2013

moneobrock.com/en/small/mercer-hotel

M E RCE R HOTE L

Barcelona, Spain 2012-2013

moneobrock.com/en/small/mercer-hotel

M E RCE R HOTE L

Barcelona, Spain 2012-2013

moneobrock.com/en/small/mercer-hotel

M E RCE R HOTE L

Barcelona, Spain 2012-2013

moneobrock.com/en/small/mercer-hotel

M E RCE R HOTE L

Barcelona, Spain 2012-2013

moneobrock.com/en/small/mercer-hotel

M E RCE R HOTE L

Barcelona, Spain 2012-2013

moneobrock.com/en/small/mercer-hotel

M E RCE R HOTE L

Barcelona, Spain 2012-2013

moneobrock.com/en/small/mercer-hotel

THE R MAL BATHS

This project for a small hotel and spa at the site of thermal springs in the foothills of the volcano Barú was prepared for a private client. Our work began with a profound study of the existing site conditions.

We found the general area of the springs to be a place full of promise. Besides being home to the thermal springs, the site lies on the banks of the river Caldarés and is covered with exuberant vegetation. This site also presented challenges, however, with a difficult access complicated by the prevalence of areas with ultra-high water tables.

Taking some cues from the remains of historic structures on the site and considering issues of access, proximity to the river and the condition of the existing vegetation, we identified the development site along a mild ridge slightly down-slope from the springs and close to the river’s edge.

Given the uniformly mild climate of the area, we planned the project as a series of pavilions strung along the ridge and connected by a network of covered walkways. The simplified architectural language of opaque planes, screen walls and glass walls ties the whole together, allowing us to manipulate views and to control the privacy of the different areas and rooms between the entry at one end of the project and the distant hot pools at the opposite end.

The result is an extended, elaborate structure interspersed with vegetation and open areas, giving visitors a sense that they are truly living in the marvelous natural landscape they have come to enjoy.

Chiriquí, Panamá 2010–2011

moneobrock.com/en/medium/thermal-baths

THE R MAL BATHS

Chiriquí, Panamá 2010–2011

moneobrock.com/en/medium/thermal-baths

THE R MAL BATHS

Chiriquí, Panamá 2010–2011

moneobrock.com/en/medium/thermal-baths

THE R MAL BATHS

Chiriquí, Panamá 2010–2011

moneobrock.com/en/medium/thermal-baths

C OUNTRY HOUSE IN ABANTO S

For this site facing the monastery of El Escorial we designed a compact family house, respectful of its wooded surroundings.

The plan is built on a nine square grid with a glazed interior courtyard. The lower floor is stepped, following the natural grade of the terrain.

As a result, each space has an easy and direct relationship with the surrounding landscape, and the terraces to the north and south are natural extensions of the house towards the garden.

From both inside and out, the roof plane is perceived as a continuous, modulated surface whose inclination follows that of the land. Upon a simple plane a rotated square was inscribed, marking lines about which the roof was then folded. The resultant prismatic geometry is clear and direct.

The house appears compact from the outside, yet spacious and diaphanous from within, with interior views passing through the courtyard.

The volume of the house cantilevers over its foundations towards the east, forming a large porch among the pines. The cantilever embodies the idea of the house: that while it is well nested in the landscape it is also oriented towards the monastery. The lightness that is provided by the cantilever helps emphasise the aspiration that characterizes this relationship.

San Lorenzo del Escorial, SPAIN 2008

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C OUNTRY HOUSE IN ABANTO S

San Lorenzo del Escorial, SPAIN 2008

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C OUNTRY HOUSE IN ABANTO S

San Lorenzo del Escorial, SPAIN 2008

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C OUNTRY HOUSE IN ABANTO S

San Lorenzo del Escorial, SPAIN 2008

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C OUNTRY HOUSE IN ABANTO S

San Lorenzo del Escorial, SPAIN 2008

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C OUNTRY HOUSE IN ABANTO S

San Lorenzo del Escorial, SPAIN 2008

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C OUNTRY HOUSE IN ABANTO S

San Lorenzo del Escorial, SPAIN 2008

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C OUNTRY HOUSE IN ABANTO S

San Lorenzo del Escorial, SPAIN 2008

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C OUNTRY HOUSE IN ABANTO S

San Lorenzo del Escorial, SPAIN 2008

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C OUNTRY HOUSE IN ABANTO S

San Lorenzo del Escorial, SPAIN 2008

moneobrock.com/en/medium/ country-house-in-abantos

ARCHIPE L AGO HOUSE

This project for a small house in Sweden is a direct and playful response to the owner's program. The site is mildly sloping, wooded terrain some 100 meters from the shoreline.

The focus toward the outside spaces and the water beyond is realized in the inflection of the house volume around a flat open area to the southwest, and the enclosure of an entry court to the southeast. The bending of the house around the grassy area is thought to effectively incorporate it into the house, so that it becomes an outdoor room, with the retaining wall to the west giving that edge definition if not enclosure.

Inside the house, the main living room is double height, while the bedrooms upstairs are of a minimal proportion. Downstairs a kitchen leads out to a porch clad on all sides with wood slats. To the west, a study occupies a balcony overlooking the living room, with a playroom underneath.

The foundations are inexpensively made with concrete blocks and hollow concrete plank floor slabs. Above, materials and details follow conventional wood frame construction, even as the image of the house departs from that of traditional Swedish architecture.

Stockholm, Sweden 2001

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ARCHIPE L AGO HOUSE

Stockholm, Sweden 2001

moneobrock.com/en/medium/archipielago-house

ARCHIPE L AGO HOUSE

Stockholm, Sweden 2001

moneobrock.com/en/medium/archipielago-house

ARCHIPE L AGO HOUSE

Stockholm, Sweden 2001

moneobrock.com/en/medium/archipielago-house

CAF É DE L A R E INA

Connected to the foyer of an elegant luxury hotel, the Café de la Reina or “BUR-BU-JA-JA” adds a colorful and casual note to the complex. A cafeteria during the day, the space transforms into a sophisticated cocktail bar at night, the patrons immersed in iridescent aquatic colors.

A long curved green bar runs through the space, while “seaweed” camouflages the curtain wall and the mundane view of the city beyond, dissolving it into small fragments of an organic, aquatic world. Smoothly curved walls with reflecting belts, circular benches and round tables create a sensual atmosphere where space and movement interact.

Zaragoza, Spain 2009

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CAF É DE L A R E INA

Zaragoza, Spain 2009

moneobrock.com/en/small/cafe-de-la-reina

CAF É DE L A R E INA

Zaragoza, Spain 2009

moneobrock.com/en/small/cafe-de-la-reina

CAF É DE L A R E INA

Zaragoza, Spain 2009

moneobrock.com/en/small/cafe-de-la-reina

CAF É DE L A R E INA

Zaragoza, Spain 2009

moneobrock.com/en/small/cafe-de-la-reina

CAF É DE L A R E INA

Zaragoza, Spain 2009

moneobrock.com/en/small/cafe-de-la-reina

CAF É DE L A R E INA

Zaragoza, Spain 2009

moneobrock.com/en/small/cafe-de-la-reina

CAF É DE L A R E INA

Zaragoza, Spain 2009

moneobrock.com/en/small/cafe-de-la-reina

HUD S ON STR E E T LOF T

This project offered us the opportunity to concentrate on the arrangement of richly textured elements in the context of a largely proportioned and generally sparely articulated space. The plan covers approximately 2,200sf.

The raw space of the loft presented two principal spatial problems. First, the relationship of daylight to the plan is highly biased: the windows are exclusively on the east wall. This unilateral supply of daylight forced us to place all the major living spaces along the window wall, potentially robbing the western areas of the plan of valued light. The second challenge was given by the position of the entrance at the top of the pyramidal plan, which offered the visitor a complete view of the space at the moment of entry.

The problem of the daylight was addressed by allowing the functional volume and wall separating the central open space from its adjacent bedrooms to pull away from the ceiling and from the window wall to the east. In this way the enclosure of adjacent spaces along the windows was at once accomplished and refuted by the placement of over-sized sliding doors and clerestory glass around the edges of these separating planes. The wall of windows as well as the floor and ceiling planes can be seen as continuous across three rooms at once, visually unifying the space and “expanding” the views.

The second challenge was addressed by placing a foil immediately in front of the entry door, thereby creating a slightly labyrinthine entry sequence.

New York City, NY 1999–2000

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HUD S ON STR E E T LOF T

New York City, NY 1999–2000

moneobrock.com/en/small/hudson-street-loft

HUD S ON STR E E T LOF T

New York City, NY 1999–2000

moneobrock.com/en/small/hudson-street-loft

HUD S ON STR E E T LOF T

New York City, NY 1999–2000

moneobrock.com/en/small/hudson-street-loft

HUD S ON STR E E T LOF T

New York City, NY 1999–2000

moneobrock.com/en/small/hudson-street-loft

HUD S ON STR E E T LOF T

New York City, NY 1999–2000

moneobrock.com/en/small/hudson-street-loft

HUD S ON STR E E T LOF T

New York City, NY 1999–2000

moneobrock.com/en/small/hudson-street-loft

HUD S ON STR E E T LOF T

New York City, NY 1999–2000

moneobrock.com/en/small/hudson-street-loft

SANC HINAR RO SPORTS CE NTE R

This project is for a sports complex for the Madrid basketball club Estudiantes, to be used principally as a teaching venue, and was developed in collaboration with Plan 3D architects in Madrid. The site is located in a new development on Madrid’s northern perimeter called Sanchinarro.

The building plan is divided into three zones: the main pavilion, the gymnasium, and the pool. Over the gymnasium and between the large volumes of the pool and pavilion is a public plaza, from which there is direct pedestrian access to the gymnasium below. The gymnasium forms the gateway to the complex and contains exercise rooms, squash courts, changing rooms, a spa, a small store, and offices.

The main pavilion is a large open space, 58 m (190ft) wide by 72 m (235ft) long, in which six basketball courts can be arranged simultaneously. Stadium seating accommodating 3,500 spectators can also be deployed for competitions. The ceiling height is 15 m (80ft), allowing for the practice of a variety of sports. A running track rings the pavilion at 4 m (13ft) above court level, and from this track there is direct access to the outdoor playing fields to the east. Similarly, the north facade opens to allow movement from the pavilion interior to the outdoor playing fields on that side, creating a spatial continuity between inside and outside.

Madrid, Spain 2004

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SANC HINAR RO SPORTS CE NTE R

Madrid, Spain 2004

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SANC HINAR RO SPORTS CE NTE R

Madrid, Spain 2004

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SANC HINAR RO SPORTS CE NTE R

Madrid, Spain 2004

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BLO CK SHIF T HOUSING

In this project for middle-income housing in the Catalan town of Manresa, the buildings overall and specific shape is organized so as to integrate concepts of landscape and urban space, on the one hand strengthening the identity of the street, while on the other maximizing the experience of the broader landscape from within the project site and from within the dwelling units.

The overall mass is distributed along two sides of the building lot, forming an L with its long leg along the main street to the South, and the short leg along a restricted-access right-of way to the East. The resulting “enclosure” of the green space is loose towards the open landscape to the site’s northwest. This openness is further developed by the creation of large apertures in the building mass, offering “windows” to the green space from the street.

This interlacing of building and landscape is reinforced in the detail of the building massing, where the section incorporates a back-and-forth shifting on the long access, creating a continuous line of terraces for each level of apartments, terraces which integrate with the circulation paths and the larger volumetric apertures described above.

The façade system is modularized, and the unit typologies incorporate studio, one-, two-, and three-bedroom units. There is a large section of duplex units, where both street-side and garden-side terraces are incorporated in each unit plan.

Manresa, Barcelona, Spain 2005–2007

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BLO CK SHIF T HOUSING

Manresa, Barcelona, Spain 2005–2007

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BLO CK SHIF T HOUSING

Manresa, Barcelona, Spain 2005–2007

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BLO CK SHIF T HOUSING

Manresa, Barcelona, Spain 2005–2007

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BLO CK SHIF T HOUSING

Manresa, Barcelona, Spain 2005–2007

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BLO CK SHIF T HOUSING

Manresa, Barcelona, Spain 2005–2007

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M USE UM OF R E C ONC ILIATION

The SFVV will be housed in a building that embodies the very history of the space that it occupies, of the city during WWII, and of the country as a whole. Studying the urban condition in general and the site in particular, it became clear to us that we should establish a visual as well as a physical connection between these historical buildings and sites.

To provide high-quality exhibit space while satisfying all other program requirements, our architecture project proposes the demolition of the inherently inefficient northern wings of Deutschlandhaus (House of Germany) to make way for a compact and highly efficient volume of new construction, wherein plan organization and ceiling heights are adjusted perfectly to suit the needs of the SFVV and the associated event space.

The new volume is inserted within the cradle of the existing Deutschlandhaus’s southern wings, but set apart from it, respecting not just the historic street façades but the courtyard façades and much of the interior construction as well. By locating the larger elements of the museum and the event space in the new volume, amply scaled to fit them, we were able to comfortably layout the remaining elements of the program within the historic structure, free of pressure to fit a large program in an ineffective elongated building plan, where circulation needs alone would have overwhelmed the architectural concept.

Berlin, Germany 2011

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M USE UM OF R E C ONC ILIATION

Berlin, Germany 2011

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M USE UM OF R E C ONC ILIATION

Berlin, Germany 2011

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M USE UM OF R E C ONC ILIATION

Berlin, Germany 2011

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M USE UM OF R E C ONC ILIATION

Berlin, Germany 2011

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M USE UM OF R E C ONC ILIATION

Berlin, Germany 2011

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PE ABODY E S SE X M USE UM

This competition proposal fits large areas of gallery space to an existing art museum in Salem Massachusetts, nearly doubling its original capacity.

The original historic building, the customs house of the 18th century, became the centerpiece of our proposal.

The forceful character of Moshe Safdie’s 1990s extension presented a geometrical challenge to our work. Our project presents clean massing that keep a distance from the existing structures in order to let their distinct architectures read clearly, and the reorganized functional distribution is equally intelligible in the relationship between new and old volumes.

Salem, Massachusetts, USA 2011

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PE ABODY E S SE X M USE UM

Salem, Massachusetts, USA 2011

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PE ABODY E S SE X M USE UM

Salem, Massachusetts, USA 2011

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PE ABODY E S SE X M USE UM

Salem, Massachusetts, USA 2011

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BIO GR APHY & CV

B E L É N M O N E O F E D UC H I

JEFF BRO C K

ED UCATION

E D UCATI O N

Columbia University, Masters in Architecture, 1991

Columbia University, Masters in Architecture, 1991

Harvard University, BA cum laude in Art History and Visual Arts, 1988

Princeton University, BA in Architecture, 1985 H O N O RS

H O NORS William Kinne Traveling Fellowship 1991 William Kinne Traveling Fellowship 1991 TE AC H I N G T EACHING Adjunct Assistant Professor, Columbia University GSAPP Introduction to Architecture, 2010–2011 Adjunct Assistant Professor, Columbia University GSAPP New York/Paris Program, 1998–2001

Adjunct Assistant Professor, Columbia University GSAPP Introduction to Architecture; 2006, 2010–2012 Assistant Professor, Pratt Institute in Rome Housing, 4th year Undergraduate Program, Spring 2013 L I C EN SU RE

LICENSURE Registered architect in Madrid, Spain since 2002

First licensed to practiced architecture in New York State in 1992

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BIO GR APHY & CV

AWA R D S

EXHIBITIONS

HOTEL MERCER The Plan Award. Honorable Mention, 2016

Producto fresco 2016, DIMAD, Matadero Madrid, Spain, 2016 -Sonia D_ECUS

PORCELANOSA HONORARY AWARD Belén Moneo. For her international projection and contribution to the spreading of Spanish architecture 2012 worldwide, 2015

Bienal Iberoamericana de Diseño BID_14, Design Week de Budapest, Museo de Artes Aplicadas de Budapest, Hungary, 2015 -Alphabet

ESPACIO FUNDACIÓN TELEFÓNICA Interior Design Magazine Best of Year Award, 2012 NORTHWEST SCIENCES BUILDING, COLUMBIA UNIVERSITY Library Journal New Landmark Libraries Honorable Mention, Science and Engineering, 2012

Building/Technology Systems ACEC New York Platinum Award, 2012 Society for College and University Planing AIA-Committee on Architecture for Education, Merit Award for Excellence in Architecture for a new Building, 2011 Engineering News Record New York Best Project Award in Higher Education / Research, 2011 THERMAL BATHS IN PANTICOSA Wallpaper Magazine Best Spa Award, 2009 Interior Design Magazine Best Spa of the Year Award, 2009 WILLIAM KINNE TRAVELING FELLOWSHIP

1991

Export, Arquitectura Española en el Extranjero 2015 Museo ICO, Madrid, Spain -Alphabet Producto Fresco 2015, DIMAD, Matadero Madrid, Spain, 2015 -CircuiTree Bienal Iberioamericana de Diseño BID_14, Central de Diseño, 2014 Matadero, Madrid, Spain -Miles

Una Ciudad Llamada España, Athens, Greece , 2011 -Termas de Tiberio, Panticosa, Spain -Bosque de Acero, Cuenca, Spain Una Ciudad Llamada España, Estambul, Turkey 2011 -Termas de Tiberio, Panticosa, Spain -Bosque de Acero, Cuenca, Spain Madrid 100% Arquitectura II, 2011 -Espacio Fundación Telefónica, Madrid, Spain Innovación Abierta, Panama City, 2011 -Columbia University Science Building, USA Madrid 100% Arquitectura, 2010 -Gas station in San Agustin de Guadalix, Spain (Spain. Santiago, Chile. Quito, Ecuador. San Juan, Puerto Rico. Bogotá and Baranquilla, Colombia.

Istambul, Turkey. Oran and Argel, Algeria. Belo Horizonte, Porto Alegre and Rio de Janeiro, Brasil.

Buenos Aires, Argentina, Shanghai, China. Rome, Italy . Lima, Arequipa and Cuzco, Perú)

Producto Fresco 2014, DIMAD, Matadero Madrid, Spain 2014 -Articulare

COAM Emerging Architects, Madri, Spain, 2004

Producto Fresco 2013. DIMAD, Matadero, Madrid, Spain 2013 -Gran Canal -Alphabet

Traces of the Berlin Wall, New York, USA, 1991 -Photography

StandArt, Madrid, Spain, 2003

Una Ciudad Llamada España, Moscow, Russia 2011 -Termas de Tiberio, Panticosa, Spain -Bosque de Acero, Cuenca, Spain

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BIO GR APHY & CV

ARCHITECTURAL PROJECTS ( S E L E CT E D )

THREE SINGLE FAMILY HOUSES Sevilla la Nueva, Madrid, Spain, 2007-2011

EVENTS CENTER MONASTERIO DE SAN FRANCISCO Santo Domingo, Dominican Republic, 2015-

VILLA IN MARBELLA Málaga, Spain, 2006

PARISH CHURCH PUEBLO SERENA Monterrey, México, 2013-2015 ROOF GARDEN OF THE PUBLIC HOSPITAL 12 OCTUBRE Madrid, Spain, 2013 MONEO BROCK OFFICES Madrid, Spain, 2013 MERCER HOTEL INTERIOR DESIGN Barcelona, Spain, 2012

90 BLOCK HOUSING IN MANRESA Barcelona, Spain, 2005-2007 THERMAL BATHS “TERMAS DE TIBERIO” Panticosa, Huesca, Spain, 2002-2008 A1 GAS STATION Madrid, Spain, 2004-2008 COUNTRY HOUSE IN ABANTOS El Escorial, Madrid, Spain, 2002-2008 BLOCK HOUSING El Escorial, Madrid, Spain, 2002-2008

ESPACIO FUNDACION TELEFONICA MUSEUM Madrid, Spain. With Quanto Arquitectura, 2008-2012

SANCHINARRO SPORTS CENTER Sanchinarro, Madrid, Spain, 2003-2005

THERMAL BATHS “TERMAS DE QUIRIQUI” Chiriqui River, Panama, 2010-2011

BROADWAY LOFT New York, NY, USA, 2000-2002

GLASS PAVILION AND PARK Cuenca, Spain, 2005-2010

ARCHIPIELAGO HOUSE Stockholm, Sweden, 1999-2002

COLUMBIA UNIVERSITY NORTHWEST CORNER BUILDING New York, NY, USA. With Rafael Moneo and Davis Brody Bond, 2005-2010

GREENWICH STREET LOFT New York, NY, USA, 2001

MUSEUMS OF MODERN ART AND ARCHITECTURE Stockholm, Sweden.

As project architects for Rafael Moneo, 1993-1998 CRANBROOK ACADEMY OF ART STUDIO BUILDING Bloomfield Hills, Michigan, USA. As project architects for Rafael Moneo, 1997-2002 RESIDENCE OF THE SPANISH EMBASSY Washington DC, USA As project architects for Rafael Moneo 1997-2002 CRANBROOK ACADEMY OF ART MUSEUM MASTER PLAN Bloomfield Hills, Michigan, USA As project architects for Rafael Moneo 1997-1999 TRIBECA STREET LOFT New York, NY, USA, 1993 CITRON APARTMENT New York, NY, USA, 1995 FAMILY HOUSE Portland, Maine, USA, 1995 MERCER STREET LOFT New York, NY, USA, 1994

HUDSON STREET LOFT New York, NY, USA, 1999-2000

CAFÉ DE LA REINA, Hotel Reina Petronila Zaragoza, Spain, 2008-2009

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BIO GR APHY & CV

DESIGN PROJECTS ( S E L E CT E D )

PL E XI M ESA , 20 0 0

UTEC CAMPUS Lima, Peru, 2011

RIBBIN RO CKER ro cking chair, 2000 CIRCUITREE fixture, 2015 SPUMA RO CKER ro cking chair- c ouch , 2000 ART I CUL A RE ch i m ney by DA E C hi m enea s, 2014

C ORKY RO CKER ro cking chair, 2000

U2X0 exteri or chai r, 2 0 12

S H O OZ LO N G c h a i s e, 2 0 0 0

T ILE M URA L ent r y hal l . Ce ntro d e Co n g re s o s d e To l e d o, 2 0 1 2

INTERLO CKER shelving sys tem , 2000 GL ASE Kitchen for BD, 2003

GR AN CA NA L p e nd ant fi xture, B. L UX , 20 1 2

PEABODY ESSEX MUSEUM Essex, USA, 2011 CAN ESCANDELL PARK Elvissa, Ibiza, Spain, 2011 PERE GARAU SQUARE MARKET Palma de Mallorca, Spain, 2009 AUDITORIUM Florencia, Italy, 2007

M O N EA p e n d a n t f i x t u re fo r A n n e l l , 20 02 CARP ETS, 2013 Parquet , Shi m m e r, Ho m ag e, Do g w o o d d o wn , Re cti .l i nea r,Com b i . nati o ns, Ge o. m etr i c

MESETAS Sink , 2000 “CHROMODUL AR” shelving sys tem , 2000

CARP ETS for No w Car p ets, 2 0 12 M i l e s, A l p h a b e t CR ISA LIT l a m p l i m i te d e di ti o n , 2 0 10

C O M P E T I T I O N ( S E L E CT E D )

WO ODUL AR Shelving sys tem , 2010 FLOTA- LOUNGE c hai r, 2 0 0 8

MAITE COMODORE RESTAURANT COMPLEX, 2º award Madrid, Spain, 2011

F U N FA N a r m c h a i r fo r J a c i n t o U s a n , 2 0 0 6 FRONTALIS bath fixtures for Ro ca , 2003-2005 S in k , Sm a l l si nk , bathtub, to i l e t , b i d é, sh ower, towel , she l f, tr i pl e hang er, hange r, ro l l h o l d e r, t a p s PLEXIJA ZZ BIOMB O, 2 0 0 0

CAMPUS OF JUSTICE Madrid, Spain, 2005 WALK IN CLINIC Palma de Mallorca, Spain, 2005 STACKING CHAIR for Casas, 2º award Diseño interior, furniture, 1997 PARK AND MULTI-PURPOSE CENTER Medina del Campo, Spai, 1999 NEW BUILDING FOR THE CERVANTES New York, USA, 1999

GERMAN SCHOOL IN MADRID, 4ª award Madrid, Spain, 2009 SANCHINARRO SPORTS CENTER, 1er award Madrid, Spain, 2003 MUSEUM OF RECONCILIATION Berlin, Germany, 2011

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BIO GR APHY & CV

BOOKS PROJECT

BOOK

DATE

COUNTRY

AUTHOR/EDITORIAL

Moneo Brock

2011-2012 Arquitectos en España

Jul 2012

Spain

Norita Editores

2011-2012 Guía de estudios de arquitectura

2102

Spain

Protiendas

Thermal Baths in Panticosa

Dic 2012

Switzerland

Sibylle Kramer / Braun publications

Ritmos, ciclos, comportamientos.

2010

Spain

ASCER

Public. Architecture Now

2010

Italy

Philip Jodidio / TASCHEN

Columbia University Science Building

Pot-Ductility: Metals in Architecture and Engineering

2012

USA

Princeton architectural Press

Glass Pavilion

Una ciudad llamada España (Catálogo)

May 2010

Spain

Manuel Blanco / Gustavo Gili

Escultores contemporáneos

2010

Spain

Ayuntamiento de Cuenca

Spain

COAM

Thermal Baths in Panticosa

La cerámica en arquitectura

El bosque de acero Gas Station

Madrid 100% Arquitectura

2009

Hudson Loft

Living in NEW YORK

2010

Motta Architettura

London & New York Apartments

2007

kolon

Cocinas diáfanas

2007

Loft Publications

New deningroom desgn

2005

Daab

Interior design

2003

John F. Pile / ABRAMS

The Kitchen Design Planner

Dic 2002

England

Fay Sweet / Rylan Peters & Small

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BIO GR APHY & CV

PROJECT

BOOK

DATE

COUNTRY

AUTHOR/EDITORIAL

Architectural details

2002

England

Maggie Stevenson / Rylan Peters & Small

Apartamentos en Nueva York

Sep 2001

México

Atrium Internacional / Loft Publications

USA

2001

Spain

HBI

New York apartments

2001

Spain

TeNeues

London & New York Apartments

2007

Apartamentos en Nueva York

Sep 2001

México

Atrium Internacional/ Loft Publications

Children´s Spaces

Jan 2001

England

Judith Wilson / Rylan Peters & Small

USA

2001

Spain

HBI

New York apartments

2001

Spain

TeNeues

The American House Today

Sep 2000

Spain

Architecture Showcase

Lofts

2001

Germany

Köneman

Soho Loft

The Kitchen Design Planner

Dic 2002

England

Fay Sweet / Rylan Peters & Small

Mercer St. loft

The Color Design Sourde Book

2001

England

Caroline Clifton-Mogg / Rylan Peters & Small

Davon Loft

LOFTS

2001

Spain

Kliczkowki

Museum of Modern Art and Architecture

Modern museum and swedish museum of architecture in stockholm

1998

Sweden

Arkitektur Förlag Raster Förlag

Tribeca Loft

Kolon

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BIO GR APHY & CV

SELECTED PUBLICATIONS PROJECT

MAGAZINE

DATE

COUNTRY

ARTICLE

Espacio Fundación Telefónica

Archello

Jun 2016

Espacio Fundación Telefónica

Termas de Tiberio

Archello

Jun 2016

Termas de Tiberio

Moneo Brock

Expansión

May 2016

Spain

La producción en serie llega a la arquitectura residencial

Termas de Tiberio

Metalocus

Apr 2016

Spain

Balneario Termas de Tiberio

Espacio Fundación Telefónica

El Mundo

Mar 2016

Spain

En defensa del detalle

Espacio Fundación Telefónica

AIT

Feb 2016

Germany

Museum in Madrid

Jardín 12 de Octubre

Hospitecnia

Feb 2016

Spain

El hormiguero publica un vídeo del Jardín en la azotea del Hospital 12 de Octubre

Alfombra Miles

Catálogo "Una oleada de diseño español"

Dec 2015

Spain

Lámpara Circuitree

Producto Fresco. DIMAD. Matadero Madrid Dec 2015

Spain

Room

Stand Idex Canadá

Gobierno de España (ICEX)

Dec 2015

Spain

INTERIORS OF SPAIN

Country House

Houzz

Nov 2015

Spain

Casas Houzz: Una retícula de hormigón y madera con vistas al Escorial

Carbonero y Sol

Houzz

Oct 2015

Spain

Visita Privada: Una casa racionalista transformada en un mundo de color

Centro cultural y de eventos Ruinas de San francisco y entorno

Arquitexto interiores

Oct 2015

Spain

Centros de eventos de las Ruinas de San Francisco y entorno

Centro cultural y de eventos Ruinas de San francisco y entorno

AAA Archivos de Arquitectura Antillana

Oct 2015

Spain

Centro cultural y de eventos Ruinas de San francisco y entorno

Entrevistas

L'Antic Colonial

Sep 2015

Spain

El cuaderno de Belén Moneo

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BIO GR APHY & CV

PROJECT

MAGAZINE

DATE

COUNTRY

ARTICLE

Jardín 12 de Octubre

ArchDaily

Sep 2015

Jardín 12 de Octubre

Plataforma Arquitectura

Sep 2015

Spain

Jardín Infantil en la Azotea / Moneo Brock Studio

Jardín 12 de Octubre

Diseño Interior

Sep 2015

Spain

La azotea terapéutica

Space to Be

Revista AD Online

Aug 2015

Spain

Ocupando el ESPACIO

Jardín 12 de Octubre

Revista AD Online

Jul 2015

Spain

El patio de mi HOSPI

Northwest Corner Building

Hospitecnia

Jun 2015

Spain

Columbia University Science Building

Carbonero y Sol

Revista AD Online

May 2015

Spain

Luz FLUORESCENTE

Bosque de Acero

Farfetch

May 2015

China

Moneo Brock

El tiempo de la belleza/ Beauty's time (Campus Ultzama Internacional)

May 2015

Space to Be

Metalocus

Apr 2015

Spain

"Sun/Moon" por Nicholas Woods

Gass Station

Design Curial

Mar 2015

UK

Glorious Gas Station Design - The World's 10 Bset Filling Stations

Carbonero y Sol

AD architectural Digest. Las mejores casas Mar 2015 del mundo

Spain

Luz fluorescente

Alfombra Miles

Nuevo Estilo

Feb 2015

Spain

huracán femenino - BM o la esencia formal

Space to Be

Metalocus

Feb 2015

Spain

Inauguración. CASA EN LÍNEA por Isidro Blasco

Alfombra Miles

4ª Bienal Iberoamericana de Diseño

Dec 2014

Spain

Imaginación Colectiva

Garden and Playspace / Moneo Brock Studio

"Beauty, no time, no time, my beauty"

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BIO GR APHY & CV

PROJECT

MAGAZINE

DATE

COUNTRY

ARTICLE

Espacio Fundación Telefónica

Interior Design, Best of education & culture. Architecture & design

Dec 2014

USA

Moneo Brock Studio and Quanto Arquitectura, Espacio Fundación Telefónica, Madrid

Chimenea Articulare

On Diseño

Nov 2014

Spain

Chimenea Articulare

Producto Fresco 2014

Oct 2014

Spain

Diseño recién hecho en Madrid

Termas de Tiberio

Diseño interior

Oct 2014

Spain

Topografía para el relax

Espacio Fundación Telefónica

Europa Concorsi

Sep 2014

Italy

Moneo Brock

CARBUROL

Sep 2014

Spain

Las estaciones, iconos para el viajero

Gass Station

Edición Rusa Revista Playboy

Apr 2014

Russia

Estaciones de Servicio en el mundo

Moneo Brock

EP [S] Magazine

Feb 2014

Spain

Moneo Brock

Moda [S]

Feb 2014

Spain

Jardin 12 de Octubre

Habitat Futura

Dec 2013

Spain

Alfombra Miles

Interior Design

Oct 2013

USA

Hotel Mercer

On Diseño

Oct 2013

Spain

Jardín 12 de Octubre

Architizer

Oct 2013

USA

Garden and Playspace 'Hospital 12 de Octubre'

Bosque de acero

Transit. Through our habitat

Sep 2013

Hotel Mercer

Diseño Interior

Aug 2013

Spain

Barcelona romana

Espacio Fundación Telefónica

Diseño Interior

Jan 2013

Spain

Recuperar los orígenes

Espacio Fundación Telefónica

[Compass] Architecture & Design

Jan 2013

USA

A work of Moneo Brock Studio + Quanto Arquitectura

(Nuevas y Generadoras) Consumidoras de tendencia

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BIO GR APHY & CV

PROJECT

MAGAZINE

DATE

COUNTRY

ARTICLE

Termas de Tiberio

Bath & Spa

Dec 2012

UK

Switzerland

Espacio Fundación Telefónica

Arquitectura Industrial

Oct 2012

Spain

Proyecto Contract

Termas de Tiberio

Bath & Spa

Oct 2012

UK

Northwest Corner Buildingº

Speech

Sep 2012

Russia

Country House

Interior Design

Aug 2012

USA

Espacio Fundación Telefónica

Interior Design

Aug 2012

USA

Calling all art lovers

Thermal Baths in Panticosa

Bath & Spa

Oct 2012

Germany

Termas de Tiberio

Columbia University Science Building

Speech

Sep 2012

Russia

Columbia University Science Building

Columbia University Science Building

D’a interieurs

Jun 2012

France

Pôle scientifique de l’université

Thermal Baths in Panticosa

On Diseño

Mar 2012

Spain

Thermal Baths in Panticosa

Glass Pavilion and Park

Diseño Interior

Jun 2011

Spain

Moneo & Brock

Thermal Baths in Panticosa

AI (arquitectura ibérica

Oct 2011

Portugal

Thermal Baths in Panticosa

Columbia Universit y Science Building

Tectónica

Dec 2011

Spain

Análisis Constructivo

Columbia University Science Building

CDO (cuadernos de obra)

May 2011

Portugal

Monográfico del proyecto

Glass Pavilion and Park

Diseño Interior

Jun 2011

Spain

Feria Veteco 2010

Gass Station in San Agustín de Guadalix

Madrid 100% Arquitectura II

Apr 2011

Spain

Catálogo de exposición

Columbia University Science Building

Tribute to Excellence

2011

USA

Design, building challenges succeed

Columbia University Science Building

moneobrock.com

BIO GR APHY & CV

PROJECT

MAGAZINE

DATE

COUNTRY

ARTICLE

Gass Station in San Agustín de Guadalix

DB

Feb 2011

Germany

Gass Station in San Agustín de Guadalix

Glass Pavilion and Park

Pasajes arquitectura

Jan/Feb 2011

Spain

Bosque de acero

Country House in Abantos

Interior Design

Jan 2011

USA

Propiedades 2

Packaging: Ham Cart & Lamp for JOSELITO

Vogue

Dec 2010

Spain

RM y MBS firman la nueva

Packaging: Ham Cart & Lamp for JOSELITO

Góndola

Nov 2010

Spain

Hudson loft Tribeca loft

Living in New York

Sep 2010

Italy

Glass Pavilion and Park

NAN arquitectura y construcción

Mar 20 10 Spain

Finalización del nuevo Recinto Ferial

Café de la Reina, Hotel Reina Petronila

Loft Publications

2010

Spain

Café de la Reina

Gass Station in San Agustín de Guadalix

Interior Design

Feb 2010

Spain

Intervention“Head out on the highway”

Thermal Baths i n Panticosa

Atrium

Jan/feb 2010

Slovakia

“La apariencia del agua”

Thermal Baths in Panticosa

Interior

Jan/feb 2010

China

Thermal Baths in Panticosa

Country House in Abantos

Interior Magazine

2010

Taiwan

House on Monte Abantos

German School of Madrid

Pasajes

Jan 2010

Spain

“Concurso para el Colegio Alemán”

Thermal Baths in Panticosa

Interior Magazine

Jan/ Feb 2010

Taiwan

“Thermal Baths Panticosa”

Thermal Baths in Panticosa

Taschen

Jan 2010

Germany

“Thermal Baths”

Thermal Baths in Panticosa

Promateriales

Dec 2009 Spain

Un jarro de “aguas calientes”

moneobrock.com

BIO GR APHY & CV

PROJECT

MAGAZINE

DATE

COUNTRY

Glass Pavilion and Park

Cercha

Dec 2009 Spain

El bosque de Acero

Thermal Baths in Panticosa

Arquitectura Viva

Dec 2009 Spain

Pavés en el hielo

German School os Madrid

AV Proyectos

Dec 2009 Spain

Moneo &Brock Co legio Alemán

Thermal Baths in Panticosa

Interior Design

Dec 2009 USA

Best of the Year Spa

Thermal Baths in Panticosa

Promateriales

Nov 2009 Spain

“Balnearios y Spas”

Country House in Abantos

Loft Publications

2009

“Vivienda Unifamiliar en Madrid”

German School o f Madrid

WA

Sep 2009 Germany

“Deutsche Schule Madrid”

German School o f Madrid

Bauwelt

Sep 2009 Germany

Deustshe shule Madrid

Thermal Baths in Panticosa

AND

Aug 2009 Italy

“Panticosa”

Thermal Baths in Panticosa

Piscine Oggi

Mar 2009 Italy

“Uno scrigno prezioso”

Thermal Baths in Panticosa

CREE

Mar 2009 France

Se mettre au vert

Thermal Baths in Panticosa

Archicrée

Feb 2009 France

“Panticosa Spa”

Thermal Baths in Panticosa

Wallpaper

Feb 2009 England

“Best Spa, Termas de Tiberio”

Thermal Baths in Panticosa

Architecture & Detail

Jan 2009

China

“Tiberio´s Thermal Baths”

Thermal Baths in Panticosa

Diseño Interior

Jan 2009

Spain

“Termas de Tiberio en Panticosa”

Thermal Baths in Panticosa

Bar Business

2009

Italy / Spain Thermal Baths in Panticosa

Gass Station in San Agustín de Guadalix

A10 Guia de arquitectura Madrid

2009

Spain

ARTICLE

Gass Station in San Agustín de Guadalix

moneobrock.com

BIO GR APHY & CV

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