Sleeper 100

Avignon Round 525

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CONTENTS ISSUE 100 HOTEL REVIEWS

110

052

The Dubai Edition

052

One & Only Portonovi

058

The Carlyle

064

Canopy by Hilton

073

Hotel Bohinj

080

Hotel Indigo

087

Dubai

Montenegro

New York

London City 080

Slovenia

Dubai Downtown

Leven 092 © Ziga Intihar

© Natelee Cocks

058

Manchester

H15 Palace

098

Rosewood Villa Magna

105

Middle Eight The Guardsman

110

Krakow

Madrid

London

Yours 115 Valencia

003

CONTENTS ISSUE 100 FEATURES

092

Meeting... Tristan du Plessis

034

Meeting... Ksenia Starikova

042

Build Back Better

120

Having picked up a number of projects in his first few years of business, South Africa’s rising star continues to flourish, prioritising collaboration and the promotion of his fellow countrymen in every design.

In the changing face of travel, the Vice President of Brand Experience at Design Hotels talks purposeful projects, positive impact and putting sustainability centre stage.

© Mariell Lind Hansen

034

115

As the hotel sector strives towards more efficient and eco-friendly development solutions, modular construction could be on the rise.

AHEAD 135

From a luxury cabin in the Tuscan hills to a Swedish lighthouse-turned-boutique-hotel on a remote rocky islet, originality reigned supreme at AHEAD Europe’s 2021 awards.

Spotlight... Gessi

144

Combining technology, craftsmanship and art, Gessi’s Venti20 collection honours the classic Art Deco forms of the 1920s.

© Alfonso Calza

073

147

REGULARS Check-In 020 Drawing Board

022

The Lobby

045

Business Centre

126

Floorcoverings 147 Specifier 153 Check-Out

004

162

New Résonance collection Fabric : Sculpture

FR Fabrics and custom-made contract fabrics - Made in France London Showroom - Chelsea Harbour Design Center - London SW10 OXE | + 44 20 7352 4798

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RH.COM/CONTRACT Park Hyatt Niseko Hanazono, Hokkaido, Japan Winner of 2 2021 AHEAD Asia Awards: Lobby & Public Spaces, Spa & Wellness

THE REVIVAL OF THE ROARING YEARS

CASA GESSI LONDON Old Sessions House 4 Farringdon Ln EC1R 0DU London – UK

Download Gessi APP

gessi.com

SOMETHING EXCITING IS COMING INSPIRED BY OUR RETAIL PRODUCTS, THE NEW DUX HOSPITALITY COLLECTION WILL BE LAUNCHED IN 2022 AND WILL DELIVER A NEW LEVEL OF COMFORT FOR HOTEL GUESTS.

FROM THE GLOBAL LEADER IN SLEEP EXPERIENCE

FOLLOW @DUX_OFFICIAL DUXIANA.COM

INTERCONTINENTAL LYON – HOTEL DIEU. FRANCE Studio Jean Philippe Nuel.

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WELCOME

ON THE COVER The Dubai Edition © Natelee Cocks

100 Issues of Hospitality Experience & Design

I

t was Autumn 2004 when Issue 1 of Sleeper dropped through

of hotels, with memorable guest experiences now at the heart

letterboxes with a thud. Having started life some five years

of every project.

earlier as a slender trade journal reporting on the hotel

Sleeper too has evolved and expanded since those early

sector, the new, weightier edition came as a fully fledged

days, spawning sister publications and innovative events,

magazine, with its glossy pages showcasing a new breed of

as well as extending its reach through the global roll-out of

design-led hotels.

AHEAD. 99 issues later and the brand remains at the forefront

At the time, hotels were differentiating themselves through

of the hospitality design sector, previewing forthcoming

design while travellers were taking more of an interest in

developments, reviewing the most interesting openings

where they lay their weary heads. In the welcome letter, the

around the world, and profiling the creators and collaborators

incoming Editor (now our Editor-in-Chief) ushered in a new

responsible for bringing these projects to life.

era of Sleeper, with the magazine broadening its remit to

On this issue’s cover, The Dubai Edition is the newest

include the input of owners, developers and architects – all

opening from the lifestyle hotel brand envisioned by Ian

equally vital to the creation of new hotels – in addition to

Schrager. The legendary hotelier is no stranger to Sleeper, with

operators, interior designers and suppliers, an approach that

everything from Morgans to Mondrian gracing these pages. It

continues to this day. Inside, we covered IHG’s launch of the

was in our 50th issue that we announced him as recipient of

Hotel Indigo brand, as well as the very first 25hours Hotel.

the Outstanding Contribution accolade as part of the European

We previewed a revolutionary new concept known as Yotel

Hotel Design Awards (prior to the AHEAD rebrand) and it was,

and featured openings from Grace Leo, Olga Polizzi and David

in part, his creation of the boutique hotel category that sparked

Collins Studio. And as further proof that some things don’t

the very need for such a publication in the first place, so it

change, we announced the inaugural Sleepover event and

seems fitting that his new offer takes pride of place.

highlighted the forthcoming European Hotel Design Awards, the predecessor to AHEAD. Yet so much has changed. In the years since that debut issue, the sector has experienced its share of highs and lows, from

Despite the challenges of the past two years, Sleeper has continued to publish, supporting the sector we’ve long been here to serve. In the current climate, that feels like reason to celebrate. We hope you enjoy this 100th issue of Sleeper.

peak performance and record investment to global recessions, travel bans and public health crises. Operators have come and gone, countless new brands have emerged to cater to the next generation of guest and a shift in the way we work, rest and play has had a lasting impact on the design and development

Catherine Martin • Managing Editor

015

Showrooms

London

Paris

Culemborg

Los Angeles

arte-international.com

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GUEST BOOK

064

115

092

© Alfonso Calza

073

Split between New York and London, Timothy Griffin’s career includes a stint managing The Hoxton’s US portfolio and redefining its branding, to a leadership role at Manhattan’s iconic Waldorf Astoria. Now, the entrepreneur has co-founded a new lifestyle hotel concept that takes its name from the Dutch phrase ‘to live’. In line with its ethos, the brand’s debut – a 42room boutique in Manchester – builds on the former life of a 20th-century building first used as a cotton warehouse.

115 Daphne Kniest and Kouter Kock Having run a small B&B in Valencia for almost five years, Dutch couple Daphne Kniest and Wouter Kock embarked on a hunt for a building that would match their expansion plans. Five years into their search, the pair took a leap of faith on a long-abandoned laundrette in the city’s Russafa district, transforming the site into a 12-room retreat with the help of local architecture studio Eseiesa. For most it would have been a no-go, but for the fearless first-time hoteliers, it became the perfect spot for their new venture.

© 44

© Mike Prior

092 Timothy Griffin

073 Friedrich Ludewig

064 William Paley

As founder of Acme, Friedrich Ludewig is well-known for his contemporary architecture, so when 4C Hotel Group and Hilton Worldwide asked him to design Canopy’s London debut within a nondescript ‘80s office block, his response was to clad the entire structure – along with an adjacent newbuild portion – in handsome bronze fins that rise rhythmically to create a three-dimensional façade. The result is a glistening beacon for East London, with interiors taking inspiration from the surrounding neighbourhood.

“The whole philosophy was invisible design; design that can’t be seen,” says William Paley, Creative Director at tonychi studio on his light-touch transformation of The Carlyle – an iconic New York institution that has welcomed celebrities, politicians and royalty since opening in 1930. Having visited the hotel as a boy to watch live performances and celebrate his grandfather’s birthday, Paley was well aware that any change would be carefully scrutinised by the ghost of the hotel, “a ghost resistant to change” in his words.

017

FRONT DESK @SleeperMagazine

EDITORIAL

DESIGN

FINANCE

Editor-in-Chief Matt Turner

Design Manager David Bell

Finance Director Amanda Giles

Production Dan Seaton

Group Financial Controller Sarah Healey

m.turner@mondiale.co.uk

Managing Editor Catherine Martin

c.martin@mondiale.co.uk

d.bell@mondiale.co.uk

d.seaton@mondiale.co.uk

Assistant Editor Ben Thomas

b.thomas@mondiale.co.uk

Editorial Assistant Eleanor Howard

e.howard@mondiale.co.uk

Content & Research Olivia Mavers o.mavers@mondiale.co.uk

Editor-at-Large Guy Dittrich

PORTFOLIO

a.giles@mondiale.co.uk

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Group Credit Controller Lynette Levi EVENTS & MARKETING

Commercial Lead Kirsty Studholme

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CHECK-IN

Yannis Bellonias Having made waves in his native Santorini with a trio of boutique hotels, the founder of Vora Villas sails to a private paradise in the Ionian Sea for a fanstasy break, where the setting, soundtrack and seafood take centre stage.

Where are you?

Describe the hotel, your room and the view...

sea salt. The only thing I care about is the food

Skorpios, a private island in the Ionian Sea that

Our room looks out onto a perfect sandy beach

and the skill of the master who cooks it.

was previously owned by Aristotle Onassis and

with the endless blue of the sea beyond, while

was his own oasis.

the design is contemporary and minimalist in

Would you like something to drink with that?

style with thoughtful details of local architecture

A glass of Assyrtiko - the finest white wine to

How did you get there?

reflected throughout. The hotel is elegant,

complement fish.

On board a private yacht.

extremely well maintained – as if it’s the first day it opened – and totally private.

Who is there to greet you on arrival?

What’s in the mini-bar for a midnight snack?

Handmade chocolates.

The dedicated staff that take care of the

Who designed it?

island. They live here all year round and know

Konstantinos Dekavallas – one of Greece’s

What’s on your nightstand at bedtime?

everything there is to know about the place.

greatest architects.

My phone or tablet to play music.

And who’s at the concierge desk?

What’s the restaurant and bar like?

What’s your essential travel companion?

Thomas, the wonderful concierge who looks

It has a relaxed beach vibe with an understated

Music and my son, Vangelis.

after guests at Bellonias Villas, my beachside

design of muted colours, low lighting and

property in Santorini.

handcrafted wooden furniture enhanced by

Would you like a newspaper or magazine in

views of the sand and sea. There’s a great

the morning?

playlist in the background, of course.

A newspaper with a good sports section and

Who are you sharing your room with?

plenty of my favourite design magazines.

My family, no question.

Who are you dining with this evening?

Is there anything you would like waiting for

American film director Woody Allen, Israeli

What toiletries would you like to freshen-up?

you in your room?

musician Avishai Cohen, singer-songwriter Bob

Aesop.

A bottle of Merlot – preferably Kokkinomylos by

Dylan and Barack Obama. Onassis is here too.

Early morning alarm call or late check-out?

Tselepos – as well as local delicacies to snack on. I’d also like a good sound system for my

Who’s manning the stoves?

playlists, and information detailing the history

Lefteris Lazarou, the Greek master of fish! He

of the island. Oh and a good coffee machine too!

cooks whatever the ocean has to offer using

Bath or power-shower?

fresh ingredients and traditional techniques.

Power-shower with a sea view.

And what’s on the menu?

Full English, continental or something

I choose only a Negroni infused with cherry

different?

tomato and thyme. I will let Lazarou take care

A Greek breakfast! Simply the best.

NOTABLE HOTEL PROJECTS Vora Villas, Bellonias Villas, Hotel 28 – Santorini, Greece www.voravillas.com

Late check-out.

of the rest, he always finds the best way to serve his catch. After all, it’s not a fancy restaurant; it

Swimming pool, spa or gym?

is on the beach so I’m barefoot and covered in

If I’m in my dream hotel, the gym can wait!

021

DRAWING BOARD

DRAWING BOARD

Gran Melia LOMBOK

Meliá Hotels International has revealed plans to expand its footprint in Indonesia, with Gran Meliá Lombok set to open in 2024.

Located at Torok Bay in the south of the island, the resort comprises 22 villas on the beachfront and a further 105 accommodation units nestled in the mountainside, all with private infinity pools and ocean views. Utilising natural materials such as locally-sourced bamboo, the structures will recognise indigenous architecture and blend seamlessly with the environment, allowing guests to fully immerse themselves in their surroundings.

The entire resort has been conceived as a sanctuary for wellbeing and incorporates a fitness centre and YHI Spa offering relaxing rituals and treatments. In keeping with the Gran Meliá brand, it will also feature world-class dining options, where local ingredients and techniques combine for an authentic Indonesian experience.

Marking Meliá’s 12th property in Indonesia, Gran Meliá Lombok is owned by Invest Islands, a real estate company committed to exploring ecological solutions, whether through the use of native materials and local craftsmen or its organic farm and plastic recycling centre. “Gran Meliá Lombok is a huge milestone for Invest Islands,” comments co-founder Jack Brown. “We are extremely proud to be working with a world leader in hotel operations and one of the key parallels we have with the Meliá brand is a focus on low-carbon developments. Gran Melia Lombok has a very low density of building and a lot of natural green space. Hopefully this is the start of a great relationship that can continue for many years to come and we look forward to bringing Spanish luxury to Lombok, while respecting the natural environment.”

DRAWING BOARD

DRAWING BOARD

Six Senses

The first interior renderings of The Whiteley,

The Six Senses Spa is set to play an integral part

a landmark development that houses the UK

in the hotel’s offering and will feature a fitness

LONDON

debut from Six Senses, have been revealed.

studio, 20m swimming pool, an Alchemy Bar

EXPRESS CHECK-OUT Investor: MARK, CC Land Development Manager: Finchatton Operator: Six Senses Hotels Resorts Spas Architecture: Foster + Partners Executive Architect: EPR Architects Interior Design: AvroKO www.sixsenses.com

Formerly home to a luxury department store,

and a relaxation area beneath vaulted ceilings.

the site in Bayswater is being redeveloped by

Reminiscent of an old Underground station,

real estate firm Finchatton in collaboration

the facility will mirror the different energies of

with Foster + Partners, while EPR Architects

urban life, from the sensory stimulation of the

is working with AvroKO on the design, which

city to the stillness of a quiet park.

includes the preservation of an original Grade

Occupying over 1.1 million ft2, the wider

II-listed façade, central courtyard and glass

development will include a large-scale public

dome, together with a statement staircase

courtyard lined with a mix of destination

modelled on Milan’s La Scala.

shopping and dining experiences, as well as a

Inside, the new flagship will feature 110

cinema and gym. There are also 139 residences

guestrooms and suites, 14 branded residences,

available for purchase, ranging from one to five

and 1,300ft2 of public space centred around a

bedrooms with spacious outdoor terraces.

biophilia-inspired ground floor with a lobby

Originally named William Whiteley Limited,

bar, lounge and all-day dining restaurant.

the iconic building – which opened its doors in

There will also be a private members’ social and

1911 – has been carefully preserved, with the

wellness club – an entirely new offer from Six

façade’s famous clock and sculptures set to

Senses – with its own dining facilities, lounges

take pride of place once more, showcasing the

and co-working spaces.

building’s original craftsmanship and heritage.

© The Whiteley

024

Amanu armchairs & table by Yabu Pushelberg Discover more at tribu.com

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DRAWING BOARD

Muckno Estate

Architecture firm Scott Brownrigg has revealed

ice – which dominate the area’s topography. A

its vision for a sustainable tourist hub in

selection of accommodation options include a

IRELAND

County Monaghan, Ireland. The concept has

lakeshore wellness hotel, a dispersed hotel with

been developed for the partnership between

bedrooms spread across the estate in a variety of

Monaghan County Council and Fáilte Ireland,

settings, and rooms in local guesthouses, pubs

together with Professor Terry Stevens of Stevens

and restaurants. The proposals are designed to

& Associates as key facilitator of the study into

reflect a shift in interest, particularly since the

tourism research and concepts.

pandemic, towards more boutique locations

The proposal, which is currently out to

026

with fewer keys and a focus on the locale.

public consultation, identifies how land on

Scott Brownrigg is also aiming for the

Muckno Estate in Castleblayney could become

development to be carbon neutral with each of

an innovative destination that will act as a

the domes supported by rammed earth walls

catalyst for regional tourism growth. Built

made from materials excavated from the site.

with significant community involvement, the

Locally-sourced timber is used to construct

proposal will deliver benefits that harness the

lattice roofs while passive environmental

regenerative and wellbeing power of connecting

techniques control the internal climate, utilising

adventure with nature, heritage and culture.

water from Lough Muckno.

Taking cues from its glacial surroundings,

This new vision for the estate fully integrates

the project comprises a series of glazed domes

with the town and wider countryside to ensure

inspired by Ireland’s drumlins – hills of rock,

multiple benefits for local people and providing

sand and gravel that form under moving glacier

guests with an authentic cultural experience.

WWW.GOMMAIRE.COM

DRAWING BOARD

Studio City Phase 2

Following a topping-out ceremony, Zaha Hadid

The towers are made up of three different

Architects (ZHA) has revealed design details for

gradations of insulated glass with external

MACAU

Phase 2 of Studio City in Macau.

fins that delineate their verticality and serve

EXPRESS CHECK-OUT Operator: Melco Resorts & Entertainment Architecture: Zaha Hadid Architects www.zaha-hadid.com

028

Appointed by Melco Resorts & Entertainment

to provide shading to reduce solar heat gain

in 2017 to expand the development, ZHA has

and glare. Furthermore, the orientation and

designed a new 250,000m2 wing comprising two

configuration of the elliptical towers has been

towers with 900 guestrooms and suites, and

calculated to facilitate natural ventilation within

additional leisure, entertainment and hospitality

and around the resort. The project’s ecologist

facilities including one of Asia’s largest water

also developed preservation measures for the

parks and a six-screen cinema together with

site’s existing flora together with compensatory

extensive conference and exhibition spaces.

planting of species compatible with the region.

The design concept is informed by the

“Zaha Hadid Architects and Melco share

existing resort’s cinematic references, with

the same vision and determination to push

a contemporary reinterpretation of the rich

boundaries,” comments Viviana Muscettola,

detailing, bold geometries and craftsmanship

Director of ZHA. “Studio City Phase 2 continues

of the Art Deco period.

our 10-year collaboration with Melco that

Across the development, significant attention

includes the Morpheus Hotel at the City of

has been paid to sustainability and the

Dreams in Macau. Extending the thriving Studio

environment, with a high-performance building

City resort, the highly adaptable spaces of Phase

envelope as well as highly efficient services and

2 have been developed by a truly global team of

systems to reduce energy demand.

professionals.”

W W W.V I N C E N T S H E P PA R D.C O M

DRAWING BOARD

Moxy

Having previously announced plans to open a Moxy in Tromsø in 2023, Marriott International

reception and communal areas on the 11th floor.

TROMSØ

and Core Hospitality have revealed that

This allows all our guests to enjoy the wonderful

construction is now under way.

view while they have a meal and cocktails from

Certified by BREEAM as a sustainable building

EXPRESS CHECK-OUT Owner / Developer: Daimyo Eiendom Operator: Core Hospitality www.corehospitality.dk

030

Tromsø is evident, so we decided to locate the

the bar.”

and by Green Key for sustainable operations, the

Denker Sørensen, who collaborated with

200-key property will look to immerse travellers

Marriott International on Moxy Copenhagen

in the landscape by elevating its public spaces.

and the recently-opened Moxy Bergen, adds:

“We are delighted to have begun construction

“We are very pleased to be launching yet

on this project,” says Anne Aubert, Project

another Moxy in Norway. Moxy Tromsø will be

Manager at Daimyo Eiendom, a Norwegian

truly unique compared to the other hotel chains

investment firm that backs sustainable

in the city. We are looking forward to operating

companies and properties across Scandinavia.

Marriott’s northernmost property.”

“Moxy Tromsø is no exception, with high

Moxy currently has 109 hotels in the pipeline,

ambitions for sustainability and double

including outposts in Düsseldorf, Bangkok and

certification from BREEAM and Green Key.”

Los Angeles set to open in 2022; Berlin, Sydney

Per Denker Sørensen, CEO of third-party

and Mumbai in 2023; and Venice, Montreal and

management company Core Hospitality,

Warsaw in 2024. The brand’s newest opening

comments: “We are eager to open a unique

landed in Manchester in December, bringing 146

hotel in Norway that differs from the market’s

guestrooms, a living room-style lobby and a bar

saturation of local brands. The natural beauty of

to the Spinningfields district.

DRAWING BOARD

Dream Miami at Riverside Wharf MIAMI

EXPRESS CHECK-OUT Owner: Driftwood Capital Developer: MV Real Estate Holdings Operator: Dream Hotel Group Architecture: Cube3 Landscaping: Savino Miller Design Studios www.dreamhotelgroup.com

Dream Hotel Group has announced plans to

and one-of-a-kind experiences sought by local

open a 165-key hotel at Riverside Wharf – a

residents, as well as business travellers and

200ft2 development along the Miami River.

pleasure seekers from across the globe. We are

Scheduled to open in 2025, the project is being led by Miami-based developer MV Real

thrilled to take part in this extraordinary project and can’t wait to open our doors in 2025.”

Estate Holdings in conjunction with Driftwood

The hotel will be a centrepiece of the US$185

Capital, while Cube3 is responsible for the

million mixed-use development, which

architecture and Savino Miller Design Studios

reinterprets the Miami River into a vertical

for the landscaping.

composition of flowing concrete forms that

Located on 600 linear feet of water frontage in

are carved by the movement of water. Multiple

the heart of Downtown, Dream Miami features

podium levels will offer unique vantage points

six dining and nightlife venues, a 30,000ft2

of both Downtown and the river, and also serve

rooftop pool deck and nightclub with skyline

to draw the urban entertainment facilities

views, as well as a 10,000ft2 event hall, health

out to the water’s edge, enriching the public

and wellness facilities and a private marina

promenade. Materials inside and out – including

capable of accommodating mega yachts.

a Corten steel façade on the street side – pay

“There is a natural synergy between Dream Hotel Group and the city of Miami,” says CEO

homage to the rustic fishing vessels that once worked these waters.

Jay Stein. “Our leading lifestyle brand continues

The announcement follows the recent

to expand quickly, just like Miami, offering

signings of Dream Louisville, Dream Oklahoma

international hospitality, vibrant entertainment

City and Unscripted Oklahoma City in the US.

© Riverside Wharf

032

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Meeting…

Tristan du Plessis Having picked up a number of projects in his first few years of business, South Africa’s rising star continues to flourish, prioritising collaboration and the promotion of his fellow countrymen in every design.

Words: Guy Dittrich

C

onversations with Tristan du

Hell’s Kitchen was Studio A’s first foray –

Plessis are always convivial –

a prohibition-style bar in the Johannesburg

he’s clearly enjoying himself.

suburb of Melville. With a refreshing naivety,

And why not? The designer is on

du Plessis felt no pressure. “I was getting paid

a roll having won no less than

so little that no one expected anything great,

eight projects in his first year

so I had fun,” he quips. There he goes again,

of business – momentum that has continued

having fun! But here’s the inside track. “I knew

through Covid times. Undeterred by the travel

that my friends and I would be drinking there, I

restrictions in his home country of South Africa,

wanted to make sure they were impressed,” he

du Plessis’ order book still bulges. Many in

continues, “So I did what I thought was cool.”

southern Africa and the Middle East but also

And cool meant a suitably dark and

Europe; he will be in Salzburg soon for the first

secretive space with speakeasy doors hidden

site inspection of a development he has been

in bookshelves, meat cleavers on walls and

working on virtually up until now. You can feel

artwork depicting various characters who lived

the excitement in his anticipation of the trip. “I

fast and died young. Subdued, dimly lit spaces

can’t wait,” he confirms.

are a throwback to du Plessis’ earlier nightclub

Du Plessis’ success is based on early ventures

and bar work. “I’m attracted to a dark, moody

in the nightclub sector. “At the time, being in

ambiance that you can feel as soon as you walk

my early-2os, designing nightclubs was the

through the door,” he notes. “In my world

ultimate dream,” he enthuses. He set up Studio

currently it’s a differentiator, coming from a

A in 2015, “with the goal of picking up one or

more masculine perspective.”

two projects in the first year”, but the orders

Coming from an artistic background – his

kept coming. You feel he is almost pinching

great uncle, Hannes du Plessis, is a well-known

himself in disbelief.

artist in South Africa – he found himself drawn

MEETING…

© Giulia Venanzi

to design books featuring the work of Dirand – “I

Pierneef’s artwork on the wall are delicately picked out

think he’s a genius”– Starck, Dixon et al. Embarking

in the pair of rose upholstered chairs beneath. The club

on a marketing degree, little did he know he would be

also has a prime sunset view and the whole becomes

following in their footsteps, having quit the course six

“a beautiful moment”, du Plessis notes.

months in. He then planned to study architecture and

Alongside his current fascination with dark spaces,

design, but the internship got in the way. Initially a

this idea of juxtaposition is strong for du Plessis, with

week-long, it got extended and extended. “I didn’t get

the designer stating: “I think two extremes together

the chance to study,” recalls du Plessis, “but I did get

pulls out the best in both.”

a lot of hands-on practical experience that I took with me through my career, and still use today.”

At Chapter Roma in the Italian capital, the play on old and new led du Plessis to set emerald velvet headboards against exposed brick

036

At Alice & Fifth, a luxury dining and supper club experience in the windowless basement of

Next up was a project where du Plessis had the

Johannesburg’s Sandton Sun Hotel, he contrasts

opportunity “to carve out a niche, a style and

ideas of modernity with nostalgia. “It is a theme

aesthetic” that he believed in. Mesh was to be the first

that I explore often,” explains du Plessis. “There’s

luxury business members’ club in Johannesburg and

something cool about reinventing elements from the

with it came a reasonably high budget. Drawn to the

past and making them new again.”

rough luxe aesthetic, du Plessis mixed concrete with

Meanwhile at Chapter Roma, a 47-room boutique in

luxurious textiles. “An investor in Mesh has one of the

the Italian capital, the client gave du Plessis free rein

largest art collections in the country so I put one of

to be rebellious within the context of the space. In an

his prized art pieces on a concrete wall,” he explains.

interesting back story, he recounts how the project

“I think that kind of contrast is unexpected and I like

came about through a chance exchange on Instagram

it because it’s rebellious.”

with the now owner. Here, the play on old and new

The pinks of an African sunset in Jacobus Hendrik

takes a different tack, with emerald velvet headboards

Lara Gabrielle Interiors | Jaysam Contractors | Marco Joe Fazio Creative Agency

#stoneexperts #bringingstonetolife www.stone-circle.com

bespoke stone fabrication for over 50 years

MEETING…

“Collaboration plays a central role in how I’d like to be seen as a designer; bringing people into a project and engaging a team, not making it solely about me.”

set against exposed brick. “The bricks were

just two of those South African creatives, the

300-years-old, and as a South African, to

playfully whimsical crocodile swing chair by

uncover that heritage was phenomenal. I

Porky Hefer and the guestrooms murals by

wanted the history to be exposed.”

David Brits. “Collaboration plays a central role

Hell’s Kitchen sees a slightly different take

in how I’d like to be seen as a designer; bringing

on contrast, with rather expensive Moooi Rabbit

people into a project and engaging a team, not

table lamps having their “shades ripped off”

making it solely about me,” he continues, the

to be repurposed as pendant lamps suspended

greater idea being the promotion of a South

from the ceiling. Another rebellious move.

African spirit, likening Gorgeous George to a

Ideas of differentiation come again at

platform showcasing local design talent at

Gorgeous George in Cape Town. This is a

an international level. “Nearly everything is

seminal work for du Plessis, as it is where he

bespoke, handmade and handpainted, from

“fell in love with hospitality design”. The urban

the tabletops to the walls to the ceramic coffee

oasis sees the combination of Art Deco and

tables outside,” he enthuses of contributors that

Edwardian buildings, with interiors that place

include Gregor Jenkin, Southern Guild Gallery,

handmade designs and luxurious materials

Lucie de Moyencourt and Jana + Koos.

against structural concrete elements and exposed pipework.

The interiors at Gorgeous George in Cape Town blend sumptuous handmade designs and luxurious materials with structural concrete elements and exposed pipework

And it was Jana + Koos that helped Gorgeous George scoop the Visual Identity category at

Art is also part of the package, with du Plessis

AHEAD MEA in 2019. The hotel collected three

commenting that “the power of collaboration

other trophies – for Renovation, Restoration

through artists is very important in all my

& Conversion, Suite and the overall win as

projects”. Take, for example, the work of

the region’s Hotel of the Year. Not a bad haul,

© Claus Brechenmacher & Reiner Baumann

038

MEETING…

© Natelee Cocks

Following his earlier work with the Peruvian-Japanese restaurant in Bahrain, du Plessis has designed a second Nikkei-style eatery for Clay, this time in Dubai’s JBR district

040

particularly when a shortlisting in the Bar, Club and

yet-to-be-disclosed Accor luxury brand, this time in

Lounge category for Alice & Fifth is included. Du

Jeddah, where he will cover F&B components and a

Plessis was subsequently invited to join the judging

series of penthouses.

panel in 2021. “Being a judge for AHEAD has been

Despite his early success, in fact possibly because

an amazing experience,” he explains. “I was happy

of it, du Plessis has a disarming charm and humility

to exchange and hear the differing viewpoints of my

about him. “I started off with nothing, no investment.

peer group and better appreciate the great openings

I called up one of my friends and set up my office from

in the region. It really hit home to me how important

his boardroom,” he relates about the establishment of

hospitality experience and design is.”

Studio A, the business name used for his South African

Of the order book, du Plessis lists current projects

portfolio. “I never thought I would be doing any

in Dubai: the African-inspired San Beach Club at

international work, which is why I had to change the

Palm Jumeirah, which recently broke ground; the

name to Tristan du Plessis Studio. There are dozens

Peruvian-Japanese, Nikkei-style eatery Clay; and

of Studio As all over the world!”

Loren, an Italian-inspired restaurant. Du Plessis also

Du Plessis has a loyal social media following too,

shares a pair of “lockdown babies” in Johannesburg

he was named GQ’s Designer of the Year in 2019 and

– the already trading Tang, a Pan-Asian dining

was recently accepted to endorse Courvoisier brandy.

destination with a hint of nightclub – and Kōl – an

This could go to your head, in more ways than one!

izakaya-inspired restaurant that he “threw himself

However, a grounded naivety and the importance he

into head-first during lockdown as source of much-

attaches to collaboration and the promotion of his

needed escape”.

fellow countrymen make him human. The power of

His first large-scale luxury hotel project will open in Abu Dhabi in 2023 and is a full scope remit for one of Accor’s lifestyle brands. He also has another for a

his design makes him one to watch. And you can bet he’ll still be having fun.

JUNG-GROUP.COM

4520_JUNG_AZ_LS ZERO_236x275mm_EN.indd 1

Photographer: Stefan Grau, Interior: Thatenhorst Interior GmbH

MADE TO TOUCH. DESIGNED TO CONTROL. LS ZERO – FLUSH-MOUNTED.

13.10.21 11:43

Meeting…

Ksenia Starikova In the changing face of travel, the Vice President of Brand Experience at Design Hotels talks purposeful projects, positive impact and putting sustainability centre stage.

PROFILE Ksenia Starikova Vice President, Brand Experience Design Hotels

Tell us about your role and what it involves?

as a traveller for many years so it has been a

I joined Design Hotels in 2019 to lead brand,

smooth journey getting to know the inner world

digital and the creative sides of the business.

and creative forces, from the Originals behind

Having developed marketing strategies for a wide range of global clients as well as emerging lifestyle brands and start-ups, Ksenia Starikova joined Design Hotels as Vice President of Brand Experience in 2019. With a strong desire to generate cultural change, her vision has manifested in the implementation of a Sustainability & Social Impact agenda for Design Hotels members, as well as the successful roll-out of the ‘Promadic Travel’ concept, conceived in collaboration with The Future Laboratory. Meanwhile her penchant for story-sharing is reflected in the expansion of content on the brand’s platforms, which now serve as hubs for cross-cultural conversation across a range of topics.

Day-to-day, my role is incredibly multifaceted; I

our hotels to their architecture and design

oversee all marketing and creative streams across

teams. From a brand perspective, my aim so far

content, public relations, design, production,

has been to further elevate the sense of creative

digital marketing and overall community growth.

community through a mix of new content

Now that we are seeing the gradual revival of

streams, stronger digital experience and a greater

the travel landscape, I am increasingly on-the-

focus on advocating for purposeful travel.

Design Hotels Members by Continent: Africa and Middle East – 9 hotels Americas – 54 hotels Asia Pacific – 34 hotels Caribbean – 4 hotels Europe – 183 hotels Oceania – 2 hotels

go again and visiting our partners across the globe. This includes everything from site visits

What skills have you brought from your

of current and future projects to hotel market

previous roles that are helping you shape

launch planning and just being present as much

brand experience at Design Hotels?

as possible for our hoteliers and creative partners.

I have experience in strategic and design

There are also the Design Hotels’ publications,

consulting and having lived in many countries,

from the Directions magazine to the annual

cities and cultures, I bring a truly global

Design Hotels Book, which we are working on at

perspective as well as an understanding of the

present with a focus on the themes of food and

constant innovation required to stay ahead in

sustainability. On a broader level, I am fascinated

today’s market. The intense and multifaceted

by the future of travel and living, and how further

environments I worked in before joining Design

innovations can put sustainability centre stage

Hotels have helped me to orchestrate the many

as opposed to it being an afterthought. As such

diverse forces of the brand’s ecosystem. It’s rare

I have been developing new programmes within

to have such a large in-house creative team these

the brand that drive and promote improved

days, but it brings unique focus and a brand voice

representation, conscious design and social

that is a privilege to lead. The next step for me is

impact in the context of hospitality and beyond.

in converting creative pilots into real products, services and moments of connection for our

042

What has been your primary aim since joining

community – this has become a double challenge

Design Hotels?

given the pandemic, but we are on a good track

I’ve been part of the Design Hotels community

and much stronger as a result.

MEETING…

“We believe travel can be a force for good. Our hotels and community are on this journey with us, step-by-step, to move into a future where we’re all making more conscious choices.”

How closely do you work with owners and

Tell us about the Sustainability & Social Impact

What does ‘travel with purpose’ mean to you?

designers to ensure new hotels are designed

agenda you have implemented at Design

For me it’s about taking time to really think

for positive social impact?

Hotels?

about the reasons for travel, the means as well as

It has always been a highly collaborative

We believe travel can be a force for good. Our

learning opportunities within that journey. Do I

process and often one of co-creation with our

hotels and community are on this journey with

need to travel? Can I design my trip in a way that

hotels, but in the last few years particularly,

us, step-by-step, to move into a future where

I have time to explore, read about the place and

social impact topics have become a constant

we’re all making more conscious choices. There

find lesser-known stories, talk to local people

on the agenda so we like to get involved as

is a lot of ambiguity around the topic, so our role

and connect with creative projects? In short, a

much as possible. For example, we always try

is to demystify the challenges and opportunities

mix of true cultural immersion and the right pace

to give extra exposure to our leading conscious

connected to sustainability; in other words to

to delve a little deeper.

hotels together with the various organisations,

make it as simple as possible, ideally with a

local partners and producers connected to our

dose of inspiration through our storytelling.

Which forthcoming member hotels are you

events and experiences. When hotels are still in

With that in mind, we’ve spent quite a bit of

most excited about?

their development phase, we aim to work very

time figuring out the best way to not only talk

We have a host of truly innovative properties

closely with owners, architects and local supply

about this, but to provide our partners with the

on the horizon, each of which stands out for

partners to share best practices and insight; we

right tools and insight. One element is the ‘10

its exciting balance of design, responsibility

are often a connector between various forces

Conscious Hotel Principles’ framework, which

and local immersion. Hotelito by Musa is a

and take the time to make those connections

helps us measure our progress as we move

forward-thinking creative community concept

happen in a meaningful way. We also consult

towards more environmentally and socially

in Guerrero, Mexico, combining 11 rooms with

with our existing member hotels to identify more

conscious practices. The principles are there

a completely self-sustaining village geared

effective ways to connect them with their local

to guide our hotels as they develop their own

towards regeneration. Nous Santorini will set a

communities, whether that be through carefully

approaches, taking into consideration everything

new benchmark in a destination that we know

curated cultural programming, artist-in-

from architecture, design and new construction

very well, with a culinary concept linked to local

residency support, or simply by figuring out the

materials to energy, water and transport, not to

cuisine, organic produce and wine culture. And

right type of sustainable partnerships for each

mention the people side of the hotel business.

on the Indonesian island of Sumba, I’m looking

project. To facilitate these services, we recently

From a guest perspective, we have developed

forward to Cap Karoso – a beautifully designed

created a new portal within the platform where

‘The Good Traveller’ manifesto, which details

concept with an overarching commitment to eco-

our hotels can find and connect with vetted,

how we can all become better travellers going

conscious travel and community engagement

sustainability-minded partners along their

forward; I personally aspire to keep striving

through local craft support and regenerative

journey to improve.

towards these values.

practices. There’s lots to look forward to.

043

Strategy & Concept Architecture & Interiors Identity & Wayfinding Artwork & Styling

Octagon Point 5 Cheapside London EC2V 6AA www.adassociates.london

THE LOBBY

Float With Us An overwater living concept wins the grand prize at the annual Radical Innovation design competition.

As travellers continue to seek out one-of-a-kind experiences,

concrete foundation, each pod offers 800ft2 of living space

developers and designers are pushing boundaries to come

across 2.5 floors and comprises a master bedroom, spacious

up with ever-more inventive hospitality concepts that offer

bathroom, kitchen, lounge and patio. Having successfully

more than solely a place to stay. Driven by this very challenge,

trialled the concept off the coast of Thailand – where the

Ocean Builders have spent years researching and testing their

structures also served to restore a marine ecosystem beneath

overwater living concept, and now the team have won the

the surface – the first SeaPod community is now under

grand prize at Radical Innovation.

construction at Linton Bay Marina in northern Panama and is

The annual competition, which invites bold thinkers to

expected to debut later this year.

submit groundbreaking innovations that will change or

“Radical Innovation discovers and spotlights creative

enhance the future of travel and hospitality, announced its

thinkers from around the world with ideas to propel the

winner in December following assessment by a panel of judges

hospitality industry forward,” explains John Hardy, founder

and a virtual audience vote. Taking home the US$10,000 grand

of Radical Innovation and CEO of The Hardy Group. “We are

prize, Float With Us is made up of a community of SeaPods

excited to congratulate the winner of this year’s competition,

that rise out of the ocean and enable people to experience

acknowledge their innovative design and follow their path. We

the beauty of living on the water. Perched 7.5ft above the

have watched winners propel their ideas after participating

waves and constructed from a fibreglass shell atop a steel and

in Radical Innovation, truly turning ambition into reality.”

© Francesca Pagliai

The Demo Hotel Teamwork Hospitality enlists 14 architects to transform a former guesthouse into a permanent showroom hotel.

046

Trade shows have become an opportune spot

Comprising nine suites, a lobby and co-

to showcase hospitality design in recent years,

working, each space has its own identity and

with immersive room sets and installations

theme. The Tropicana Club suite (pictured) by

an increasingly popular format. Following the

Rizoma Architetture, for example, is an explosion

success of their Rooms exhibit at SIA Hospitality

of shape and colour with industrial materials and

Design – wherein several architects each designed

bright nuances. The living area has a kitchenette

a guestroom to reflect their personal idea and

modelled as a corner bar while a canopy over

understanding of the hotel sector – Italian

the bed imitates nightclub signage. By contrast,

consultancy Teamwork Hospitality decided to

Circle Room is a harmonious space based on

take it one step further by creating a permanent

curving forms in pastel shades; Into The Cloud

showroom hotel.

is an ethereal experience featuring elements of

To make the concept a reality, the firm’s CEO

nature; and In a Light Wave is a fully accessible

Mauro Santinato enlisted the help of 14 hotel

suite centred around the fluidity of water. And

designers and 90 partner companies to transform

the creativity doesn’t stop; there’s also an Italian

a disused guesthouse in Rimini into The Demo

opera-themed public bathroom designed by

Hotel. “Demo is a hub of experimentation both

Laura Verdi, as well as a playful laundry named

for the architects involved and for the partner

Spin The Wheel by Ovre Design.

companies, a creative laboratory where the

“The designers were enthusiastic about the

novelties of hospitality are being concentrated,”

initiative as it was an opportunity for them to

explains Santinato. “It is a strong message not

express themselves freely,” Santinato concludes.

only for the city but for the entire hospitality

“Staying in the hotel is an emotional and

industry. There is a need for renewal.”

experiential adventure, it is a unique attraction.”

THE LOBBY

Clubhouse Chronicles

© Ronald Smits

The Clue’s in the Name No matter how much the hospitality sector

or disguised as something else, be it a fairytale

innovates, a comfortable bed, hot shower and

castle or a secret bookcase.

good lighting will undoubtedly remain at the top

“When my fellow artists and I were asked to

of any traveller’s wishlist, with speedy internet

create unique designs for Hotel Not Hotel, no idea

climbing the ladder in more recent times. For

was too crazy,” says Coenen, who is best known

Netherlands-based brand Hotel Not Hotel

for his striking Cornucopia mural at Rotterdam’s

however, a room isn’t just a room, but a work

market hall. “We designed a cuckoo clock, which

of art with its own creator, story and identity.

functions as the façade of several rooms, as well

Following a successful debut in Amsterdam,

as the Candy House and a vertical swimming pool

Hotel Not Hotel has taken its artful approach to

that adorns one of the courtyards. Our creations

Rotterdam, designing an exuberant escape with

invite guests to embark on a voyage of discovery

the help of Dutch creatives Arno Coenen, Hans

through the building.”

Bentem, Sander Wassink and Jelle Mastenboek.

“Rulers and royals rest their weary heads (or crowns) here when affairs of state bring them to New York.

Titans of industry, entertainment and society consider it their second home. Meanwhile, for generations of Manhattanites, The Carlyle has been a part of the fabric of everyday life – a clubhouse as well as an oasis,” pens James Reginato, Writer-at-Large for Vanity Fair, in the all-new edition of The Carlyle – a written tribute to the rich past and vibrant present of the worldfamous hotel. Commemorating its 91st anniversary, the volume explores the building’s storied history and its status as an enduring icon through neverbefore-seen photographs from the archives up to today’s most talkedabout parties. Published by Assouline, the 208-page hardback features over 200 illustrations including the cover created by artist Kera Till, exclusive interviews from well-known patrons, as well as a foreword by musician Lenny Kravitz as he recounts what the Upper East Side institution means to him. The new edition also details The Carlyle’s recently completed threeyear renovation carried out by tonychi studio, which involved new guestrooms, suites and spa, in addition to the debut of the property’s signature restaurant, Dowling’s at The Carlyle.

According to co-owner Bruno Bont, the concept

As the name suggests, the property does not

promises a “museum-worthy” experience thanks

conform to tradition. Whilst it does feature two

to the exhibition-style living spaces that use art

social courtyards and a Mexican restaurant and

to create a one-of-a-kind sleepover.

cocktail bar named after folklore hero Jesús

“Rotterdam was a logical place to open our

Malverde, there are no anonymous corridors

second hotel,” adds co-owner Tijmen Receveur.

here, rather each of its 36 rooms – including

“The city’s striking architecture and stubborn

three suites with an in-room Jacuzzi – is hidden

character fits seamlessly with our concept.”

047

THE LOBBY

Move to Zero Built with the environment in mind, a new West London retreat raises the bar for sustainable hospitality.

At a time when reducing the impact of climate

parent company’s Net Zero Roadmap by 2030,”

change is more important than ever, the

says Robert Godwin. “Responsibility falls on us

hospitality sector must play its part in creating a

all to build a more sustainable future and keep

greener planet for the generations to come.

the Paris Agreement’s target within reach.”

Setting out a blueprint for others to follow,

Using advanced hardware and software

brothers Robert and Stuart Godwin of Lamington

technology, as well as some developed in-

Group have launched Room2 Chiswick – billed as

house, the hotel maximises its renewable energy

the world’s first net zero hometel, which fuses

through solar and ground source heat pumps,

elements of home and hotel while encouraging

which convert 100% of that needed for heating,

guests to embrace a sustainable lifestyle.

cooling and hot water. Two lab rooms collect data

Proving

that

taking

environmental

on water and energy use, along with air quality,

responsibility doesn’t mean sacrificing style,

and learn from guest habits to refine the process.

convenience or comfort, the West London retreat

The building also features ultra-low-pressure

forecasts using 89% less energy per square-

showers and occupancy sensors for lighting and

metre than typical UK hotels, and is thought to be

appliances, while a blue roof reduces flooding

the first globally to account for its entire carbon

by slowly discharging up to 50,000 litres of

footprint. Being ‘whole life net zero’ means both

rainwater. To increase biodiversity and absorb

embodied and operational carbon have been,

CO2, a green roof boasts 200 tonnes of soil and

and will continue to be, rebalanced throughout

wildflowers, in addition to beehives and bug

the property’s lifecycle, including all emissions

hotels, while an independently-run café by day

associated with its construction, maintenance

and cocktail bar by night specialises in locally-

and refurbishment – even its eventual clearance

sourced organic food, coffee and wine.

will equal zero.

The eco-conscious ethos feeds into the design

“Taking accountability for our carbon footprint

too, which takes inspiration from Chiswick’s 19th

is our baseline commitment and aligns with our

century arts heritage, valuing craftsmanship over mass production. As such, 86 rooms have been curated in collaboration with local artisans, who provided everything from marbled print wallpaper to handcrafted mirrors. All loose furniture has been produced within 10 miles and made using Forest Stewardship Council timber, while fabrics and materials were selected to promote a circular economy. Upholding its zero-waste policy, Room2 also designed and manufactured its very own 3-in-1 recycling bin, which ensures that 100% of waste from the guest quarters is reused or converted into energy off-site.

“We place huge emphasis on our connection to the locale,” concludes Godwin. “With carbon emissions being the biggest threat to our planet, and with devastating impacts across the world, we believe it is our responsibility to ensure that our presence doesn’t contribute further to the problem. We’ve done the hard work, so the guest has the full experience without the footprint.”

048

LONDONER Collection The Art of Hospitality

Hotel Hair Dryers Cosmetic Mirrors Bathroom Accessories Kettles & Trays Luggage Racks Ironing Centers Scales

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© Zac Wolff

W

ith the climate crisis rising ever further

The AHC’s hometown of Manchester – converting

up the global agenda and COP26

a 20th century warehouse into 42-room urban

reinforcing the need for governments

retreat – Griffin emphasised the responsibility

to take swift action, the hospitality sector is

of the private sector in driving the issue of

racing to reduce its carbon emissions and waste.

climate change: “At Wellbrook Hospitality and

So how can brands overcome the challenges

Leven, we’ve taken that to heart and are focused

of re-using existing building stock? How can

on making sure that each of our decisions is as

strategies support the conversion of buildings

sustainable as possible, from the way we run the

not originally planned as hotels? And is it the

business from an operational perspective right

owner, operator, designer or guest who should

through to the interior design and the fit-out.”

take responsibility and drive change? These were

Goddard Littlefair has echoed this approach

just some of the questions asked at The Annual

since its inception in 2012, working with like-

Hotel Conference (AHC) in November.

minded suppliers to breathe new life into a

The AHC has had its finger on the pulse of

number of historic buildings, from Mandarin

the sector for the past 18 years and the latest

Oriental Vienna to Villa Copenhagen. “Just

conference upheld that tradition, with more

because it’s an existing structure, it doesn’t

Re-Inventing Hospitality Industry leaders explore the best practices for sustainable hospitality development during The Annual Hotel Conference.

than 100 industry experts speaking on a variety

mean we can’t make it work like a newbuild,”

of topics – from ESG to labour shortages – all

explained Goddard, who also pointed to the

under the theme ‘Change for Good’.

importance of designing interiors that can stand

On the subject of sustainable hospitality, a

the test of time. “If we create something that’s

trio of panellists – Daniel Johansson, Director

overly fashionable, it dates so quickly and soon

of Development and Acquisitions at serviced

gets ripped out, which just isn’t sustainable.”

apartment brand Cheval Collection; Martin

For Johansson meanwhile, being informed

Goddard, co-founder and Director at interior

and using real-time data will be crucial as

design studio Goddard Littlefair; and Timothy

Cheval Collection looks to expand its portfolio

Griffin, Principal at Wellbrook Hospitality and

beyond London and Edinburgh: “We work with

co-founder of lifestyle hotel concept Leven –

an organisation called Considerate Group, who

shared details of their latest conversion and

provide us with figures on the gas, electricity and

adaptive reuse projects, as well as the challenges

carbon emissions of our properties. That way we

in pulling them off and the creative solutions

can monitor the improvements year-on-year and

needed to deliver successful transformations.

make tweaks through our BMS, switching things

Hosted by Sleeper’s Editor-in-Chief Matt

050

off rather than leaving them on standby.”

Turner, the session focused on the built

As the hospitality industry navigates the road

environment, which contributes around 40% of

ahead, there’s something to be said for the

the UK’s total carbon footprint, with a significant

owners, operators and designers who are already

chunk of the building stock being energy-hungry

taking sustainability seriously, implementing

hotels that operate around the clock. Having

processes and practices in every project by

recently launched the very first Leven property in

necessity rather than as an option.

Designer Uniform Crafted with Passion C O L L E C T I O N : G R E AT S C O T L A N D YA R D H O T E L STUDIO-104.COM

The Dubai Edition DUBAI In a city known for its extravagance, LW Design gives rise to a new hotel that favours minimalist sophistication.

Words: Nicola Chilton • Photography: © Natelee Cocks

2

021 was a big year for Dubai’s hotel industry, with

Sensory elements, from a Black Tea fragrance by Le Labo

towering monoliths, seaside palaces and urban lifestyle

to the lobby playlist, as well as landscaping and abundant

properties all opening their doors to capitalise on the

foliage by American garden designer Madison Cox, also

influx of visitors to Expo 2020. But one new addition towards

052

contribute to the element of surprise.

the end of the year brought a sense of calm, simplicity and

The seeming simplicity of the lobby’s soaring lines belies

minimalism to the city more often known for its superlatives.

their complexity. “We went through about 15 iterations of

The 275-room Dubai Edition landed in November just off

the space,” Shah-Mulani confirms. “At the time, curves

Downtown’s buzzy Sheikh Mohammed bin Rashid Boulevard,

weren’t really a thing, and LW isn’t typically known for

a prime spot lined with palm trees, restaurants and cafés

organic shapes. We’re very architectural with clean lines

located a few steps from Dubai Mall and the Burj Khalifa.

and a linear approach to design.” For this project however,

While many of the city’s hotels feature grand entrances

the team decided to take a risk and presented the concept

with sweeping driveways, arrival at the Edition’s low-slung,

of the arch to owners Bhatia & Co. The risk paid off, and the

softly-lit porte cochère comes with a sense of the unexpected.

design was further developed into the dramatic dome-like

Pooja Shah-Mulani, Design Director at LW Design, has

space that is now emblematic of the property, with dark oak

worked on the project from concept to delivery and describes

wood panelling ensuring that the vaulted venue doesn’t feel

the experience as being punctuated by “moments of wow”,

too ecclesiastical.

from the first glimpse of the three-storey spiral staircase to

Sharing the lobby yet separated by three steps and a

the 15m cathedral-like arched ceiling with a dramatic Czech

false façade, is Italian restaurant Duomo. The overall

crystal chandelier hanging from its centre.

design language here is unchanged, though the space is

“As you look through the double doors from the porte

differentiated by mustard-yellow Chesterfield sofas lining

cochère, only the first spiral of the staircase is visible,” says

the perimeter and a mesmerising artwork by Barcelona-

Shah-Mulani. “Guests don’t actually know what it is. When

based studio Onionlab. Projected onto the ceiling at night,

they come through and see that it rises up and up, that’s

it creates an ambient yet dynamic display that progresses

the first wow. Then they see the chandelier, so there’s an

from abstract patterns to scenes reminiscent of the works

architectural wow in the volume.”

of the Old Masters.

This sentiment is echoed by General Manager, Daniel

Out on Duomo’s cosy terrace, olive trees in large terracotta

Kingston. “The moment guests step through the door, they

planters divide seating areas that feel private yet connected

get a sense that we are not a typical property,” he explains.

at the same time. Rather than facing out to the street, Shah-

053

Sharing the lobby yet separated by three steps and a false façade, Italian restaurant Duomo is lit up by night thanks to an immersive ceiling installation by Onionlab

Mulani explains that the terrace is designed as

York-based photographer Landon Nordeman.

an inward-looking experience, with seating

Its design is also warmed with the use of walnut,

facing towards the building. And while the Burj

rattan and parlour palms, complemented by

Khalifa is clearly visible in the distance, it is also

teak chairs and an acacia chef’s table, while

reflected in the large picture windows, creating

the individual large-scale components of the

a layered effect against the backdrop of the

terrazzo floor have been deliberately sized to

dining room and light projection.

create a sense of differentiation, yet remain

Aside from Duomo, the hotel’s other food and beverage outlets – Leon, Jolie and Thia – each

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homogenous in colour so as not to distract from the overall aesthetic.

have their own distinct visual narrative. The

Thia meanwhile flips the concept of a pool

unexpected is key at Leon, a speakeasy-style

terrace on its head. Rather than being an

bar located just off the lobby. Pops of colour,

extension of the pool with a daytime focus,

from pink bar stools to teal sofas, contrast with

the brief was for an evening venue with a full-

a dark stone mosaic floor, while in the low light,

service bar. “The key when starting on a space

scalloped oak walls look like the drapes of black

is firstly understanding what we’re designing

curtains, providing a completely different

it for,” says Shah-Mulani. “When we began

energy from the rest of the property.

thinking in that way, we forgot about the

On the mezzanine level, French brasserie

day function because people will come to the

Jolie intentionally moves away from the all-day

pool and use it as they need to. They won’t

dining concept. Anchored by a large bar topped

necessarily visit a pool bar they have been to in

with marble and flanked by moss green leather

the day if it’s not designed to be a bar at night.”

stools, the high-energy restaurant has been

At dusk, Thia’s poolside cabanas and recliners

enhanced by a series of fashion shots from New

cleverly convert into sofa seating, while the

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lighting goes down and the music pumps up to

nature of the guestrooms, all of which share

add to the ambience. The walls are also covered

a uniform design based around light oak

in natural-look artificial greenery for that

wood and travertine, along with the hotel’s

Instagram moment, and to cope with summer

supremely comfortable beds, leads to a blissful

temperatures that top 45 degrees Celsius, the

sleep experience. Unusually for Dubai, where

bar and furniture are made from weather- and

hotel rooms are more likely to feature marble,

temperature-resistant teak.

leather wall panels and wallpaper, those at

Equally considered for the climate, the 100m

Edition are entirely clad in timber, imparting

tower’s façade was envisioned by Cristina

a sense of warmth, intimacy and cosiness with

Wakamatsu, Design Director and Partner at

a look that is much more minimalist than

LW, who combined a glass frontage with bronze

most of the city’s other accommodations. “The

screens, textured grey cladding, natural stone

guestrooms have three-metre ceilings and

and timber – all set at a 45-degree angle to the

full-height windows that provide spectacular

base podium.

views, so the architectural volumes, spaces and

According to LW’s Founding Partner Colin Doyle, this angling of the building has a clear

of simplicity,” says Shah-Mulani.

intent. “The planning principles are derived

It’s a refreshing change in a city where less

from the desire to capitalise on the Burj Khalifa

doesn’t always mean more. Judging from the

views,” he explains, adding that the orientation

number of guests already snapping photos in

of the lobby and the triple-height Duomo ceiling

the public spaces, the hotel seems to be striking

are also designed to maximise the vista.

a chord with an audience hungry for a taste of

Bedding down for the night, the uncluttered

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envelopes create a good base for adding a layer

minimalist sophistication.

EXPRESS CHECK-OUT Owner: Bhatia & Co Developer: Sol Properties, Jarvis Investment Management Operator: Marriott International Architecture and Interior Design: LW Landscaping: Madison Cox Main Contractor: Bhatia Company www.editionhotels.com

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21/12/2021 13:14

One & Only Portonovi MONTENEGRO Jean Michel Gathy and HBA dream up One & Only’s first European resort, where the coastal setting takes centre stage.

Words: Lauren Ho • Photography: Courtesy of One & Only Resorts

L

et’s begin with that indoor pool. Sensually clad in grigio marble with copper and antique bronze accents, it’s the arched alcoves that are the wow factor here. Inside each

niche, glass mosaics in a spray of ombré sunset tones produce a warm glow that is further intensified by lighting that contours the arches, which also creates a mirrored reflection on the pool’s surface. The result is certainly dramatic and unsurprisingly a favourite space for Paula O’Callaghan. As a Partner at HBA and lead designer on the project, O’Callaghan was inspired by the Basilica Cistern in Istanbul to “capture a similar temple-like nuance”. This is especially notable at the spa’s dazzling arcaded entry, which she says is “the perfect way to initiate guests into the spa’s holistic, transformative treatment experiences”.

The architecture and initial concept design for One & Only Portonovi was, in fact, spearheaded by Jean Michel Gathy of Denniston, while HBA collaborated to craft the interiors and bring the space to life. “One & Only is a playful brand, but always with a sophisticated offering and here, we have a fantastic spa managed by Chenot,” says Gathy.

Indeed, in a bid to elevate its health and fitness offering while establishing itself as a year-round destination, the hotel has joined forces with Swiss health and wellness brand Chenot to unveil Chenot Espace – a sprawling 4,000m2

sanctuary with 28 treatment rooms and a pioneering menu. This starts with advanced diagnostic tests, which are followed by a tailored programme of treatments that covers everything from medical needs to human performance, aesthetics and fitness.

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The resort’s collection of restaurants and bars includes Japanese eatery Tapasake (above) and intimate bar Caminetti (bottom right), both designed by Social F+B

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From its position at the entrance of the Adriatic

and create a design befitting of the enigmatic views,”

Sea’s fjord-like Boka Bay, One & Only Portonovi – the

she continues. “The spaces within the hotel tell a

brand’s first outpost in Europe – is at the heart of

background narrative for this special place without

Montenegro’s charming coast, sculpted by brooding

becoming the primary focus.”

mountains and rolling emerald hills that are dotted

And so, the lobby is an ode to Montenegro’s

with perfectly-preserved walled medieval towns. More

national flower, the mimosa; the marble walls are

precisely located in Portonovi, a luxury destination

swathed in sheer embroidered drapery with a mimosa-

featuring a collection of residences and a 238-berth

inspired floral motif, while beneath dramatic barrel-

marina for yachts and superyachts, the resort provides

vaulted ceilings, a standout handblown glass canopy of

an anchor with its fine-dining offering, summer

smoky amber tones is fixed to a frame of intertwining

beach-club vibes and destination spa.

branches that form the shape of a mimosa tree. This

The hotel itself is a tumble of red-roofed buildings

sits above a striking boulder sculpture mirroring the

defined by arched windows and geometrical columns

region’s jagged cliff edges and jutting rocks, while

that take their cues from the monastic architecture of

fireplaces bookend either side of the lobby to complete

the region and its rich Venetian and Ottoman history.

the grand castle aesthetic.

“You’re in Montenegro, you’re not in Miami Beach

Fireplaces are a running theme throughout. In the

or Bangkok,” says Gathy when asked about the brief.

hotel’s intimate bar, Caminetti – which means ‘little

“It’s an underlying rule in our business that you

fireplaces’ in Italian – a wall of fireplaces separates

should always have a sense of place.”

the outdoor balcony from the indoors. Here, under

O’Callaghan adds: “One merely has to look at

the soft glow of flickering flames are a collection of

the surrounding terrain and bays to understand the

leather armchairs and sofas, marble and copper tables,

location is truly magical and breathtaking. The key

Maya Romanoff marquetry wallcoverings and a burnt

objective was to capture the essence of the region

terracotta bar offering barrel-aged cocktails.

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In each of the guestrooms, a circular fireplace

in neutral oatmeal tones that is amplified by a

sits between the spacious balcony, bedroom, and

handblown glass light fixture containing grains

bathroom, creating a relaxed boundary between

of sand that hangs above the bar. Also designed

the three areas. “Traditional Montenegrin

by Social F+B, Tapasake – the brand’s Japanese

dwellings had fireplaces in the centre, where

restaurant, which can be found at some of the

family members would gather to tell stories,”

other One & Only properties too – comes in the

explains Gathy. The ample bathrooms, which

form of a chilled poolside beach club, where raw

are the same size as the bedrooms themselves,

finishes explore the Japanese idea of imperfect

pull double duty as a space to relax – or as

beauty while still capturing a sense of place.

the designers call it, a ‘library lounge’ - with

Shortlisted for a number of AHEAD accolades

a chaise lounge as well as a bathtub that

including in the Landscaping & Outdoor Spaces

transforms into a daybed, making it the ideal

and Spa categories, the resort, in true Gathy

indoor spot from which to recline and absorb

style, is a timeless and solid offering that has

those mesmerising mountain views.

been brought to life by HBA, who executed the

This is rounded out by the resort’s collection

design with attention to detail. “Every trip to

of restaurants, including La Verandah, which

this region is a treat,” shares O’Callaghan. “After

serves a European menu with Montenegrin flair

a long journey through remote mountain passes

in a relaxed and open setting that is enhanced

from Podgorica, as soon as the Kotor shoreline

by a Mediterranean palette of indigo blue

appears, I always feel a sense of escape and

hues, antique bronze details, and dove grey

adventure to somewhere truly enchanting and

furnishings. In Sabia, Michelin-starred chef

special.” Gathy concludes: “As I often say, what

Georgio Locatelli, together with Social F+B – a

counts for me is when a guest wants to return

department of HBA – created an elegant space

to the hotel.” That’s certainly the case here.

EXPRESS CHECK-OUT Owner / Developer: Azmont Investments Operator: Kerzner International Architecture: Denniston Interior Design, Lighting Design and Art Consultant: HBA Interior Design: Social F+B Landscaping: Cem Botanic (resort), Star Landscape (private homes) Main Contractor: Impresa Pizzarotti www.oneandonlyresorts.com

NEBULA RUG by Esti Barnes in collaboration with Gianluca Franzese www.topfloorrugs.com +44 20 7795 3333

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The Carlyle A Rosewood Hotel NEW YORK For its latest collaboration with Rosewood, tonychi studio transforms a Manhattan landmark with only the lightest touch.

Words: Guy Dittrich • Photography: © Durston Saylor

I

t’s not unusual to see a dog or two passing through the lobby of a hotel now and then, but the canines roving past the check-in desks at The Carlyle looked very much at

home, their paws clicking across the black-and-white Deco geometry of Dorothy Draper’s marble flooring that welcomes guests – and dogs – to the iconic property.

Designed by architects Bien & Prince in the Upper East Side neighbourhood of Manhattan, a block to the east of Central Park, The Carlyle was completed in 1930 – the same year as the Chrysler Building – and its immediate environment is quintessentially New York; the shopping experience of Madison Avenue is right on the doorstep, as is the Museum Mile of The Met and Guggenheim fame, while under canvas awnings, uniformed doormen wait to open the yellow cab doors for their returning apartment residents.

The Carlyle is like this too. Guests and dogs are greeted with equal appreciation, welcomed with genuine warmth and familiarity. There’s no doubt that many locals also see The Carlyle as theirs. And that is not to miss the good and the great who have stayed there. Every US President since Truman has visited, along with celebrities and royalty.

The Carlyle is a cooperative building with 29 residences – each of whose owners is a shareholder – spread throughout the building rather than on dedicated floors. After becoming the management company in 2001, Rosewood Hotel Group

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In the Lower Gallery at Dowling’s, dramatic, high-sheen tortoiseshell patterned panels curve across a wall that is fronted by supersize mirrors and red leather banquettes

waited over a decade before enlisting New York-based

who crafted the whimsical wall illustrations of Central

tonychi studio to begin a sensitive refurbishment,

Park scenes – and is a major crowd-puller, often with

having worked with the internationally acclaimed

a substantial queue at the door. And only minimal

practice on Rosewood London and the flagship in

intervention has been required at Café Carlyle, a

Hong Kong.

cabaret and supper club experience whose minor

Being every inch a neighbourhood hotel, albeit an

upgrades – set to be revealed soon – will complement

expensive one, The Carlyle epitomises Rosewood’s

the existing musical-themed murals by French artist

mantra of ‘a sense of place’. Fitting then, that

Marcel Vertès, the Oscar-winning art and costume

leading the refurbishment for tonychi studio was

director behind the 1952 version of Moulin Rouge.

William Paley, who remembers visiting the hotel as

Additional to the redesign of 155 of the 189

a boy to watch live performances and celebrate his

guestrooms and suites, some of which feature private

grandfather’s birthday. Hyperlocal indeed. Paley

terraces thanks to the set back nature of the 35-floor

knows the ghost of the hotel – “a ghost resistant to

tower’s upper stories, the remit for tonychi studio

change” – and like many grand dame properties, any

included the Lower Gallery and restaurant. In keeping

change to The Carlyle is carefully scrutinised.

with the idea of a sense of place are themes driven by

“We touched each space lightly, but it was still a

the building and Draper’s Art Deco touch, the French

transformation,” he explains, citing the replacement

Forties design style that was very popular in the

of all windows with new ones in the original style

Upper East Side, and the idea of minimal, noticeable

thanks to the permission of local heritage authority

intervention. But as is frequently the case, less is often

the Landmark Preservation Commission. Inside, too,

more complicated to achieve.

certain elements of the public spaces are little altered to protect the legacy of the hotel.

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Take the guestrooms and suites, for which there is around a 50:50 split across the hotel. The greatest

The lobby and lift foyer see the drama of Draper’s

issue faced was the structural elements. “Many rooms

Hollywood Regency style of bold contrasts, Rococo

have the same footprint, but all have different, oddball

and Baroque touches untouched. Several other areas

column and beam junctions,” Paley explains. Such

of the property are also “sacred” per Paley, including

intrusions were overcome by a variety of panels and

the Upper Gallery, an intermezzo space linking the

open shelving. “The whole philosophy was invisible

lift lobby with a second street entrance on Madison

design; design that can’t be seen,” adds Paley. This

Avenue, as well as the hotel’s bar and restaurant,

gives the rooms a heritage feel that is also new. The

where the Ottoman style created by set-designer Renzo

feeling of an extremely well cared for original.

Mongiardino and based on Istanbul’s Topkapi Palace

The panelling took two directions. On the one

has been retained. The Bemelmans Bar also remains

hand unique, white mouldings. Clean, sometimes

unchanged. Opened in 1947, the space takes its name

reversed but each drawn several times to get the right

from Austrian-born polymath Ludwig Bemelmans –

proportions. A process applied numerous times in every

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In the guestrooms, gold-coloured panelling is reflective of the ceiling treatment at Bemelmans Bar, while bespoke pieces by tonychi studio nod to Italian designer Ico Parisi

room. Less is more indeed. The other panels are golden,

“These were made by Côté France and designed by us

reflective of the ceiling treatment in Bemelmans and

in the style of, and in homage to, Ico Parisi, who made

lined with hammered nickel. Offsetting the gold sheen

so many great sofas in the ‘50s that fill Upper East Side

and elevating the suite experience are soft and sensual

apartments to this day,” Paley confirms.

waxed linen wall panels, while small art pieces and books are arranged on shelving in living spaces.

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Artwork on the walls was kept deliberately sparse to allow focus on the views, though there are several

There is constancy too in the marble-clad

artistic interventions, including table lamps with glass

bathrooms, which feature Lefroy Brooks brassware

box bases, into which sculptures by Christopher Flach

and beaten silver sinks by Waterworks. Underfloor

and teacups by Eleonor Boström are placed. All the

heating is yet another luxury, as are amenities like Etro

decorative lighting was designed by David Singer,

hand soaps, Kiehl’s lotions and Diptyque toiletries.

Principal in charge of lighting at tonychi studio,

And in the bedrooms, Frette linen sees guest’s initials

while occasionally lining the walls are wallpapers

monogrammed onto their pillowcase, while remote-

with vignettes of Central Park that echo the style

control powered blinds glide up to reveal sweeping

of Bemelmans. Some feature a bunny, which Paley

views of the city that never sleeps.

refers to as the “spirit guide of the hotel” – an

Seeking to focus on those views, suites overlooking

imaginary benevolent presence. Each guestroom door

Central Park come with soaring picture windows.

also features a small, shiny metal leaf marker that

High-back Heritage chairs by Frits Henningsen

references the park, tying the theme together and

for Carl Hansen & Søn alongside chrome pharmacy

reinforcing the feeling of connectedness.

reading lamps by RH Contract add to the opulent feel.

The other major area of work was the restaurant.

Most other furnishings, from bedside tables to circular

“This had become tired,” says Paley, adding that Sonia

ottomans and sweeping asymmetric sofas, were

Cheng, CEO of Rosewood, “wanted it to become a

designed by tonychi studio specifically for the project.

neighbourhood favourite again”. Renamed Dowling’s

after a former owner of the hotel, business is now

were replaced for a softer look, while walls

going gangbusters, with guests dropping down

covered in artwork retain their original Fortuny

into the high-ceilinged volume via a short flight

fabric. “It wasn’t in great shape but it’s pretty,”

of steps that lead first to the Lower Gallery. This

says Paley. “We layered the ebonised, French

antechamber sees the greatest intervention.

polished walnut panels to our own design and

Dramatic, high-sheen tortoiseshell patterned

then layered the artwork over the panels.”

panels curve across a wall that is fronted by

Working with art curator Nat Choy of Rare

supersize mirrors, between which are red

Phenomenon, pieces from scores of artists,

leather banquettes. “Drawn, prototyped and

New York-based and global, with meticulously

adjusted to perfection,” describes Paley of these

selected frames, were hung, one-by-one, along

items loosely inspired by some early Draper

with five Bemelmans paintings recently acquired

settee profiles.

at auction over the course of three weeks.

In the main 80-cover restaurant, chairs by

Paley is justly proud of what has been

Artistic Frame are dressed in fabrics by Raf

achieved at The Carlyle, a project as close to his

Simmons for Kvadrat amongst others, while

heart as it is to its Manhattan neighbourhood,

brown leather banquettes are stitched with a

while in a written tribute to the world-famous

geometric pattern that references the carpet.

hotel recently published by Assouline, Cheng

Tabletops on the other hand are beautifully

comments: “Around the world, there are just

patterned in laser etched leather by Steve Sparks

a handful of properties that have this kind

of Capricorn Leathers, who also collaborated on

of legacy. I can’t think of any other property

the upholstery of a central banquette feature.

that speaks to a sense of place more than The

The existing chandelier, fireplace and wall sconces were retained and only some lamps

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Carlyle.” A tradition respected and now brought up to date.

EXPRESS CHECK-OUT Owner / Operator: Rosewood Hotel Group Interior Design: tonychi studio Art Consultant: Rare Phenomenon Main Contractor: Humphrey Rich www.rosewoodhotels.com

THE URGE TO EXPLORE SPACE

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Canopy by Hilton LONDON CITY Hilton’s lifestyle brand lands in London, with designers Acme looking to the surrounding neighbourhood to craft the interiors.

Words: Catherine Martin Photography: © John Athimaritis

W

hen Hilton Worldwide announced its

office block wasn’t particularly in line with the

entry into the lifestyle segment with

brand, so an innovative solution was required to

the launch of Canopy back in 2014,

create a more pleasing aesthetic. “We had many

London came high on the wish-list of cities in

discussions with 4C about the design of the hotel

which to plant its flag. Described as locally-

and they wanted a firm who could transform the

inspired with one-of-a-kind design features,

look and feel of the entire building, not only

the brand positions each property as a natural

the interiors,” explains Christopher Webb, Vice

extension of its neighbourhood. But, like all

President of Architecture & Design EMEA at

hotels that are defined by their surroundings,

Hilton. “This hotel is about being brave, doing

location was key, and in a city as diverse as

something new, exciting and unexpected, so

London, the right spot wasn’t so easy to come

they came up with Acme.”

by. So when it transpired that 4C Hotel Group

The multi-disciplinary studio founded by

were developing a site in East London – in close

Friedrich Ludewig is behind a number of

proximity to the eclectic neighbourhoods of

landmark developments, from shopping malls,

Shoreditch, the city, Spitalfields and Whitechapel

educational facilities and cultural institutions

– it was deemed the ideal opportunity for

to entire district masterplans, but at the time,

Canopy’s London debut.

they had never before designed a hotel. Acme’s

The Minories masterplan, which includes

appointment as both architect and interior

office and residential components as well as

designer could be seen by some as a risk, but for

a landscaped park and smaller urban squares,

Webb, it was an opportunity. “If someone has

required the adaptive re-use of an existing

designed 300 hotels, they know the formula,”

building, a move that supports both 4C and

he explains. “By using a firm that is relatively

Hilton’s sustainability goals, however the 1980s

new to the sector, different ideas come up. We

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Public spaces feature artwork curated

by Muzeo and Dais, while Elegant Clutter collaborated with the Hilton team to source an extensive collection of styling pieces

knew that Acme were really creative in other fields so they

they awaited slaughter; as well as contemporary influences

just applied their expertise to a hotel.”

from the likes of Brick Lane, Whitechapel Art Gallery and

The team may have required additional guidance through

Spitalfields Market.

the planning stages of the hotel’s design, but it seems the

“The challenge was to find interesting ways to take those

risk has paid off. The façade in particular is standout, a style

stories and turn them into something contemporary for a

that Hilton might not have had the confidence to take on if

hotel setting,” explains Ludewig, who spent weeks delving

it wasn’t for Acme’s track record. “It would have been really

into the archives in search of inspiration. “Some references

easy to do something constrained and expected, but Acme

are subtle, while others are more fun,” he continues, adding

are well-known for their façades,” points out Webb. “Their

that although a selection of finishes carry through multiple

idea was to clad the entire building to make it a glistening

spaces, “there’s enough difference in materiality for each to

beacon in East London – it’s completely transformed it.”

have its own identity”.

It is indeed a transformation. The former office block

On arrival, check-in is a low-key affair with the Canopy

still stands to house the majority of the hotel, though its

brand favouring an inviting welcome table rather than

nondescript exterior is now cloaked in a handsome bronze

the typical unwieldy counter. Here, it takes the form of a

façade that extends to an adjacent building and newbuild

haberdashery cabinet in homage to the East End’s historic

portion, harmoniously joining the structures to appear as

textile industry, with open shelves displaying a selection of

one. The new skin is made up of 1,900 aluminium fins, based

retail items as well as curios sourced in collaboration with

on just three modules that are rotated and repeated to create

Elegant Clutter. The wider lobby, known as Canopy Central,

a three-dimensional pattern that rises rhythmically to the

is an open-plan space comprising a lounge and café, which,

upper floors to dramatic effect.

in line with the brand aesthetic, naturally flow into one

For the interiors, Acme were tasked with developing a

another and feature plenty of natural daylight. Where it does

scheme that reflects the rich history and culture of the

differ from other properties in the Canopy portfolio is in the

surroundings, aligning with Canopy’s brand identity of being

design; once again, interiors take cues from the history of

an extension of its neighbourhood. From their nearby studio,

the surrounding neighbourhood. The inset carpet at check-

the team – led by Ludewig together with project lead Eleni

in for example is inspired by a floral pattern handwoven by

Meladaki – set out in search of the tales and traditions that

the Huguenots, while Freedom Café – which also serves as a

characterise the area. “Neighbourhood and partnerships are

local hang-out – takes its identity from the Freedom Press,

key to Canopy,” explains Webb. “Acme’s studio is based in

an anarchist publishing house and bookseller on Whitechapel

Shoreditch so it couldn’t be better placed. They spent a lot of

High Street. Materials and finishes, both in the café and

time researching and created an amazing narrative; there’s

throughout the hotel, follow a ‘raw meets refined’ approach

a different story to every space.”

in which exposed concrete and textured plaster sit alongside

Acme’s research unearthed countless stories from across

glossy walnut and polished brass.

the surrounding neighbourhoods, some dating back to the

Though the lobby is open-plan, Acme have used a selection

15th and 16th centuries, others relating to the present day.

of furniture to effectively create zones that are equally

There’s the silk weaving skills of the Huguenots, who

suited to work and socialising; a curving sofa upholstered

settled in East London having fled religious persecution in

in emerald velvet defines the outer perimeter, while clusters

their native France; and nearby Butcher’s Row and Blood

of armchairs occupy the central lounge, accompanied by

Alley, where livestock would be herded and held in pens as

leather sofas, communal tables and bar seating. There’s

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For the brand’s signature over-bed canopy, Acme created a pleated headboard that rises and curves over the bed, mirroring the aluminium fins on the façade

also pockets of quiet where guests can hide

represent the penny squares that were once

away from the activity of the public spaces. Up

stitched together to form a quilt. Look close

on the mezzanine, a row of two-seater tables

enough, and there’s some playful references to

provide a spot to work, while, partitioned from

the hotel and its designers too. Embroidery also

the lobby by a double-sided bookcase, The

covers the backs of the banquettes, adding a

Retreat is a cosy lounge. According to Ludewig,

softness to the otherwise industrial palette of

the design concept here takes inspiration from

weathered copper, antique bronze and powder-

the Young British Artists, a group of creatives

coated metal cladding.

from the 1980s including the likes of Damien

In credit to Acme, every space has been given

Hirst, Rachel Whiteread and Angus Fairhurst. A

the same level of care and attention, with the

romantic interpretation of taxidermy and tattoo

interiors telling enough stories to fill a book.

art pairs with honest materials such as wool,

The ground-floor lift lobby draws inspiration

linen, brass and walnut, complemented by the

from the former Church of Holy Trinity; built

warmth of an open fire.

on the same site as an abbey occupied by the

Rounding out the public spaces, the hotel’s

Minoresses – the nuns from which Minories

main restaurant weaves in – quite literally –

takes its name; Acme’s interpretation sees

further influences from the textile industry.

a chamber-like space clad floor-to-ceiling

Named Penny Squares after the pieces of fabric

in tactile velvet, with an ecclesiastical light

that were used to teach girls how to sew through

installation hanging overhead. Even the lengthy

the 1800s, the 120-cover dining room primarily

corridors upstairs have added interest thanks

speaks of working with yarn. Occupying one

to painted portraits of the diverse mix of locals

wall, sheer drapes embroidered with historic

observed at Spitalfields Market.

motifs, scenery and patterns in a bold red yarn

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Local details too can be found in the 340

guestrooms and suites, a rare find for such a

confirms Ludewig. Being more accustomed to

large key count. “We asked ourselves how we

residential projects where only small quantities

could design interiors that talk to the building

of furniture are specified, Acme particularly

and their surroundings,” says Ludewig, adding

enjoyed the scale of the project and being able

that he wanted to create something special for

to design everything bespoke – including the

the brand’s signature over-bed canopy. “Rather

open wardrobe that neatly combines storage

than a generic feature, we made a canopy that

space and mini-bar amenities. Ludewig also

feels like it’s for this particular hotel,” he

commends the creative freedom given by 4C

continues, pointing out the pleated timber

and Hilton. “When we were appointed, there

headboard that curves over the bed, mirroring

was only Canopy Reykjavik open, so the brand

the aluminium fins just outside the window.

book was just a few pages,” he quips. “We knew

Guestrooms come in many forms owing to the

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we could have fun with it.”

adaptive re-use of the building, with interiors

For Hilton, the success has been in the narrative

bringing together a variety of influences seen

that Acme has brought to the scheme, through

throughout the hotel: exposed concrete ceilings

their research and connections to local artists

feed into the raw-meets-refined aesthetic; a

and makers, whose works and craftsmanship

faded-effect floral wallpaper and abstract rug

can be seen in every space. “We’re blessed with

reference the textile patterns of the Huguenots;

the most amazing stories from this corner of

a fur throw speaks of Butcher’s Row; and a

East London,” concludes Webb. “Just by looking

shelving unit framing the television is dressed

to the surrounding neighbourhood, Acme have

with curios such as old metal letters that

been able to draw so much inspiration and find

relate to the printing press. “They don’t come

creative ways to showcase it in the hotel; that’s

from nowhere, everything has a relationship,”

what Canopy is about.”

EXPRESS CHECK-OUT Owner / Developer: 4C Hotel Group Operator: Hilton Worldwide Architecture and Interior Design: Acme Lighting Design: Nulty Art Consultants: Dais, Muzeo F&B Branding: Gorgeous Group Procurement: Blue Moon Landscaping: Gillespies, Spacehub Main Contractors: Radford Group, X Construct www.hilton.com

Ona Collection

Simple as Nature Inspired by the Mediterranean, the warm spirit of Ona makes your guests feel at home.

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AAFF_Ona Campaign_Sleeper Magazine.indd 1

10/1/22 14:00

Hotel Bohinj SLOVENIA Ofis Architects channel the spirit of adventure to transform an alpine resort in Slovenia’s Triglav National Park.

Words: Abby Lowe • Photography: © Ziga Intihar

O

n 27 August 1778, eight years before the first recorded ascent of Mont Blanc, four men from the small lakeside town of Bohinj in the northwest of

Slovenia scaled its highest peak for the very first time. Led by surgeon Lovrenc Willomitzer and fellow adventurers Matevž Kos, Luka Korošec and Štefan Rožič, the courageous and ultimately victorious ascent to the 2,864m summit involved scaling vertical rock while faced with dense fog and high winds. For many, it’s one of the first examples of modern alpinism and for that reason alone, is a feat held in high esteem by all Slovenians.

A statue of these four inspiring men now resides over the newly renovated Hotel Bohinj, formerly Hotel Kompas, and it is their intrepid spirit that has fuelled the transformation by native firm Ofis Architects. The project spanned structural reinforcement, interior refurbishment and sustainable renovation, but crucially remained loyal to local traditions and the location overlooking the picturesque Lake Bohinj, the jagged peaks of the Triglav National Park in the distance, and the nearby church of Janez Krstnik.

“We all have a close relationship with this region, so we wanted to stay harmonious with the environment,” explains Rok Oman, Head Architect at Ofis. “The project was twice as difficult as a newbuild because we didn’t plan for the existing state of the building; I was sitting there one day and thought the best option would be to make changes to the existing façade.” As such, the basic volume of the space

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In the hotel’s new restaurant, coniferous timber conjures warmth, while a distinctly Bohinj thread nods to the region’s history

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has been preserved yet aesthetic renewal has come in

‘hayracks’, or the typical architectural structures and

many forms, from the exterior’s larch wood cladding

monuments of Slovenian craftsmanship that pepper

and a double-height lobby to bespoke interiors and a

the Bohinj region. That doesn’t mean they are immune

brand-new restaurant.

to artistic interpretation however. “The spatial

The results are striking. From the outside, the

contrast from large to small and two-dimensional

sandy grey pillars of larch soar skywards like the

to three-dimensional perspective is a David Lynch-

peaks surrounding the hotel, and over time, they too

inspired provocation from our point of view,” Oman

will take a battering from the elements, morphing

quips. “We looked to create an irony of space, almost

and changing shade with each passing day. Inside,

a hallucinogenic effect!”

the same coniferous timber takes on an entirely

Fortunately, terra firma is easily rediscovered in

different feel, conjuring warmth amid the alpine stage,

each of the 69 guestrooms, most of which feature

especially with the backdrop of a brightly burning

balconies, and where the ubiquitous larch wood takes

fire at the centre of the remodelled foyer. It’s all tied

centre stage once more, providing a neutral, restful

together with a distinctly authentic Bohinj thread that

space for relaxing. Every chair, bench, bed, light

with each step further into the building reveals the

and soft furnishing is entirely bespoke, a move that

region’s history, practices and traditions.

is repeated across the space. “Everything was made

“With the interiors, we wanted to present the Bohinj

uniquely for this hotel,” Oman explains. “We had an

story as well as the techniques and crafts that concern

emotional attachment to it and didn’t want anything

the region,” Oman confirms. “So the design is about

to go wrong, so all the furnishings were done by our

the synergy between conceptual art and design in

broader family. Nothing was outsourced.” It’s an

relation to the vernacular.” That box has been ticked

approach that reaps rewards, not least in its lofty

many times over but nowhere more visibly than in the

design ambitions but also in maintaining a deep

long, communal corridors, which serve as an ode to

connection to the local area and its people.

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This is echoed in the hotel’s sustainability

retire to their room to gaze up at stars, made

efforts too, which include measures like making

clearer thanks to the hotel’s refined approach

use of a pre-existing space and reducing energy

to lighting, or “nothing flashy” as Oman puts

usage, but more integrally, as Oman points

it. And if that wasn’t enough, the spa features

out, its commitment to place and people. “We

Finnish and Turkish saunas, a relaxation room

aimed to preserve this energy in which guests

with a salt wall, and a heated outdoor whirlpool

are responsible to the local community,”

that is a welcome reprieve for those who don’t

he ponders. “It’s important to respect local

want to swim in the lake and reaffirm their

identity. Vernacular architecture and all that

connection to nature.

encompasses – that’s what was crucial for us

Speaking to Oman, one gets the sense that

to follow. It’s not generic sustainability but it

architecture and design in Slovenia is, like the

is common sense.”

rest of the country, still uncovering its sense of

The locale is felt vividly across all areas of

meaning and identity, or at least, that’s how it

the hotel. In the refreshed restaurant, for

seems from within Slovenia itself – perspective

example, diners are served a hearty feast from

is always the most beneficial of tools. But it’s

the surrounding region. After a day of trekking

felt strongly here, inside the walls of Hotel

the newly opened Juliana Trail, which weaves

Bohinj, a place that is utterly in tune with its

through the snowcapped peaks of the Julian

surroundings. “This is a monument to the four

Alps, guests are presented with a menu plumped

guys who conquered Triglav – their spirits,

full of pumpkin, beetroot, trout and chicory,

hearts and vision,” he concludes. And, some

alongside glasses of rich red wine sourced

would say, to all that Slovenian architecture is

from Slovenia’s exemplary wine regions. From

now and yet to become.

here, they can warm their feet by the fire or

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EXPRESS CHECK-OUT Owner: Merlak Investicije, Alpinia Architecture and Interior Design: Ofis Architects Graphic Design: Futro Design Landscaping: Radivoj Oblak Lighting Design: Arcadia www.hotelbohinj.si

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ai163894570315_Sanipex Sleeper Dec Print.pdf

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10:41 AM

Hotel Indigo DUBAI DOWNTOWN For its Middle Eastern debut, Hotel Indigo journeys from Dubai’s past as a trading post to its present as a hub for art, fashion and design.

Words: Matt Turner Photography: Courtesy of IHG

tories of Emirati culture and heritage, past

S

The respect for local arts and culture is

and present, are interwoven throughout

apparent on arrival. In the lobby, a digital

Hotel Indigo Dubai Downtown. Interior

artwork by Turkish-American designer Refik

design consultancy Dsgn has fused traditional

Anadol entitled ‘Wind of Dubai’ stretches along

references with contemporary influences in

the wall behind the reception desks, with an

a fitting response to the property’s location,

algorithm based on the city’s weather patterns

at the point where the historic Dubai Creek

creating an ever-changing, data-driven

meets the Business Bay and Design District

backdrop. Even the reception desks themselves

neighbourhoods that increasingly define the

reference local culture; one is carved in deep

city’s future.

walnut, conjuring images of the large wooden

Like the rest of IHG’s Hotel Indigo portfolio,

gates in the Emirati homes of Nad el Sheba.

the brand’s Middle Eastern debut doesn’t

Another has a metal lattice pattern inspired

subscribe to a cookie-cutter design aesthetic,

by the facecoverings worn by Emirati women,

instead priding itself on individuality and

whilst one more has a mother-of-pearl inlay

leaving no doubt as to the location where guests

as a nod to the pearl-diving industry on which

are resting their head.

Dubai was founded.

Developers Sunflower FZE have also made

In the corridor leading to the Open Sesame

every effort to distinguish the hotel from its

restaurant, dhow boats, traditionally used for

glitzier, more anonymous competitors, to the

pearl-diving in the Creek, are repurposed to

extent that the Dubai Department of Tourism

function as lobby seating. Majlis fabric adorns

& Commerce Marketing (DCTM) made it one of

a bedouin-inspired chandelier overhead. Even

the only developments of its kind in the Emirate

the traditional handmade rugs underfoot have

to be awarded its ‘Boutique’ classification.

a story to tell, having come into being thanks

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Anchored by an Instagram-worthy entrance clad in Christian Lacroix fabrics, Open Sesame is styled as a pop-up market with soukinspired stalls

to the support of the Fatima Bint Mohamed

takes cues from the nearby culturally-eclectic

Bin Zayed Initiative – a charitable foundation

district of Satwa. An installation by local artist

established to empower low-income Afghans.

Max Cramatte dominates, alongside graffiti by

The entrance to Open Sesame is perhaps the

South African-born creative Paul Bruwer and

hotel’s most Insta-worthy moment, clad in

Syrian artist Baseem Rayyes. The pan-Asian

fabrics by French fashion designer Christian

menu offers cocktails and light bites inspired by

Lacroix and framing the perfectly composed

street food and hawker markets of the Far East.

seating arrangement beyond. The restaurant

Moving up into the guestroom floors, the

itself is styled as a pop-up market, with souk-

emphasis shifts from a historic vision of Dubai

inspired stalls and embroidered abaya patterns

to a more contemporary one hooked around

in the entrance. A loose combination of furniture

the city’s future as a hub for art, design,

can also be rearranged to create alternative

fashion and jewellery. Artworks adorning

spaces, allowing for exhibits, fashion shows

the corridors include over 200 pieces curated

and all-day dining.

through associations with the Alserkal Cultural

Elsewhere on the ground floor, the Bakala

Each floor is dedicated to one artist – not only

surrounded by creative artwork, from a printed

locals such as Badr Abbas, but also Dubai-based

wallpaper commissioned by artist Daniel Wegera

expatriates like Zahra Gulraiz – a British UAE

to woven tapestry rugs. Juices are created using

resident who mixes colourful Pop Art style with

fruit and vegetables from Emirates Bio Farm,

traditional Arabic calligraphy. The carpets along

whilst guests can purchase artworks displayed

the corridors also feature subtle references such

around the hotel from the concept store.

as the iconic Burj Khalifa and hanging lanterns

In the adjacent Off The Wall bar, the design

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Foundation, Tashkeel and XVA Gallery.

Jooos juice bar, bookshop and concept store are

imprinted into their weaves.

089

Guestroom interiors are designed according

environment: “To create a modern yet authentic

to two distinct themes: ‘art and design’ or

local look and feel, a variety of products were

‘fashion and adornment’, with bespoke rugs by

brought together in the full bathroom supply,”

Ege Carpets providing a key point of distinction

say the group. “The modern cross-handles of

between the two. All rooms feature an eclectic

a bespoke-finished bronze basin mixer blends

mix of local and international designers, artists

the lines between modern and traditional,

and suppliers. Dubai’s role as a key trading hub

contrasting beautifully against the mother-of-

for the region is playfully expressed through

pearl finish mosaics. The warm metallic tone of

elements of recycled timber, casegoods based on

the copper hammered inset basin and vintage

quirky interpretations of vintage chests, walls

bronze basins both complement the carved

stamped ‘fragile’ and headboards reminiscent

wooden stands too and emulate the sand dunes

of old-fashioned suitcases, buckled shut.

of the surrounding desert.”

Lamps based on shisha pipes provide another

Rounding out the offer, the suites provide

immediately recognisable local touchpoint.

generous spaces with added luxury thanks to

The views outside are echoed in the feature

designer furnishings by Moroso. Floor-to-

wallpapers behind the bedheads, while in the

ceiling windows overlook envy-inducing views,

Creek-facing rooms, a surrealist mural spans

be it towards the Dubai Canal, the nearby Design

the wall, depicting the cloudy sky at sunset –

District or the shimmering skyline beyond.

complete with flying camel.

Bathrooms

meanwhile

Whichever way guests look at this hotel, it is were

kitted-

out by Sanipex, whose brief specified that materials needed to emulate the surrounding

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hard to avoid a sense of Dubai’s rich past and ever-evolving future coming together.

EXPRESS CHECK-OUT Developer: Sunflower FZE Operator: IHG Hotels & Resorts Architecture: Godwin Austen Johnson Interior Design: Dsgn www.ihg.com

www.paolomoschino.com

092

Leven MANCHESTER Brothers Joshua and Ben Senior join forces with Wellbrook Hospitality to launch the first in a series of hotels designed for living.

Words: Ben Thomas Photography: © Mariell Lind Hansen (unless otherwise stated)

H

aving recently been named the third best city in the world by Time Out – beaten only by Amsterdam and San Francisco, and surpassing London in 13th place

– the Northern Powerhouse of Manchester is on the up. Its hospitality scene too has seen dramatic growth in recent years, with new openings popping up left, right and centre.

Many of these openings have been conversions of heritage buildings, with developers looking to preserve the region’s rich architectural history while creating urban hubs fit for the modern day. Such was the case for local entrepreneurs and brothers Joshua and Ben Senior, who – under their investment vehicle Branco Capital – purchased a 20th century building in the Gay Village nearly a decade ago with the aim of one day transforming it into a hotel.

Situated on the corner of Chorlton Street and Canal Street, the structure dates back to Manchester’s industrial past and was first used as a cotton warehouse, before later taking shape as a brewery and comedy club. To reimagine the site, the brothers went in search of a partner that could help breathe new life into its walls while retaining a sense of character and charm. Enter Wellbrook Hospitality, the brainchild of industry innovators and former colleagues Timothy Griffin, PJ Kenny and Shanthan Balakrishnan, who cumulatively spent 20 years as senior leaders at Ennismore.

Together, they have created design-led brand Leven, with Manchester marking the first in a global network of sites.

Taking its name from the Dutch phrase ‘to live’, Leven was born out of the notion that there is nothing more important

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© Heiko Prigge

The lobby features green velvet sofas and soft leather armchairs, together with a brass-topped bar encased in emerald green scallop tiles and backed by steel shelving

than the current moment in time. So, it seems

with a canteen-style wooden table anchoring

fitting that the group’s debut builds on the

the space and a corner sofa in turmeric velvet

former life an existing property, retaining its

sitting beneath original artworks by Lillie

red brick walls, cast iron columns and timber

Bernie. And it isn’t just here that art plays a

beams while bringing it up to date through slick

key role in the visual narrative, with around 300

materials and lighting.

individual pieces displayed across the hotel.

“We crafted a design that not only honours

“The use of art was two-fold,” Griffin

the fabric of the building but has an essence that

explains. “Firstly, our selections represent the

is scalable to future Leven sites,” says Griffin.

spirit of Leven – curating spaces that welcome

“The interior space planning was informed by

a community of individuals, each unique in

the original locations of the windows, historic

who they are – meaning the artwork is eclectic,

entry points and direction of natural light.”

inspiring and at times unexpected. Secondly, its

The journey through history begins from the get-go, with guests passing through an entrance

distinctly residential, putting guests at ease.”

that occupies the loading dock of the former

This residential feel is most evident in the

warehouse before reaching the lobby. Here,

42 rooms, which are split into four types: Life

they can kick back on green velvet sofas and

Size (standard bedroom); Living Space (one-

soft leather armchairs, grab a coffee, or order

bedroom suite); Living Large (one-bedroom

a cocktail from a brass-topped bar encased in

duplex penthouse suite); and Living The Dream

emerald green scallop tiles and backed by a

(two-bedroom duplex penthouse suite).

blackened steel shelving.

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mindful use adds a layer of atmosphere that is

Accessed via corridors clad in floor-to-ceiling

Across the hall, a walkway leads to a lounge

timber panels and painted a charming Farrow

area geared towards co-working and socialising,

& Ball Card Room Green – which complements

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soft textured carpeting and an industrial mesh

relaxed and homely – meaning they can be

ceiling – the rooms blend the structure’s

enjoyed on guest’s terms. We embraced the

industrial bones with sleek modern amenities,

juxtaposition of raw materiality and more

bringing together calming colour palettes,

calming layers.”

tactile fabrics, and materials like natural wood

Despite the transformation, working with a

and stone to harmonise with the Victorian fabric

historic building meant the team were presented

of the former warehouse.

with a handful of unexpected challenges along

All feature oak parquet or timber floors,

the way, from the painstaking preservation

bespoke furniture and bathroom amenities

of a six-storey façade – which at one stage,

by Grown Alchemist, whilst Naturalmat has

says Griffin, required more scaffold than any

supplied its 100% natural Barle mattresses,

other project of its kind in the UK – or the

Skinny Salcombe bed base, pillows and duvets.

elaborate moisture protection required in the

Some rooms also boast freestanding bathtubs,

sub-basements given the building’s proximity

while others have fully-equipped kitchens, with

to the adjacent canal.

every appliance housed behind cabinetry. Those

Come Spring, these sub-basements will be

who would prefer to skip the cooking can even

reborn as a restaurant and speakeasy-style

hire a private chef to do the honours as they

cocktail bar with soaring ceilings, bringing yet

cosy up in their complimentary, limited-edition

another culinary hotspot to the Cottonopolis.

Leven socks and take in the views of the city

For now, however, Leven is staying true to its

through Crittall-style windows.

ethos of living in the moment by using the

“The interior design needed to be consistent

space to showcase the work of nine Manchester

with the brand pillars,” explains Griffin. “Our

creatives through a programme of subterranean

spaces are stylish and sophisticated but warm,

exhibitions. A fitting way to continue its story.

EXPRESS CHECK-OUT Owner: Branco Capital Operator: Wellbrook Hospitality Architecture: Halliday Meecham Interior Design: Timothy Griffin, Joshua Senior Lighting Design: By Form Art Consultant: Wellbrook Hospitality Procurement: Aro Procurement Landscaping: Verde Green Main Contractor: Seddon Construction Project Manager: CBRE www.liveleven.com

bespoke hotel bedroom furniture

The Queens Hotel, Leeds

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Curtis Furniture SPACE Nov_Dec.indd 1

21/10/2021 11:10

H15 Luxury Palace KRAKÓW Hotelier Grzegorz Rygiel tasks architect Mariola Tomczak with restoring a 19th-century palace to its former glory, marrying heritage with contemporary touches.

Words: Kasia Dietz • Photography: © Piotr Gesicki (unless otherwise stated)

I

n the heart of Kraków’s old town, a stone’s

marks the second H15-branded property from

throw from the Rynek Główny, sits one

Dobry Hotels – the first being H15 Boutique in

of the city’s most prestigious addresses.

Warsaw, a member of Design Hotels. While both

Dotted with a rich variety of architectural

hotels are different in their architectural styles,

styles, ranging from Renaissance to Baroque

they share the same approach in marrying

to Gothic, the neighbourhood is teeming with

heritage with contemporary touches.

national treasures and historic landmarks. Yet

“Due to the museum value of the facility as

H15 Luxury Palace tells a unique story. The

well as the interior design elements, I proposed

newly-opened hotel was indeed a palace in

a continuation of what the Lubomirski family

its heyday, having been formed by connecting

started,” explains Tomczak, who consulted with

three adjacent townhouses and occupied by the

the Bureau of Historic Preservation on every

Lubomirski family through the 1800s. Over the

architectural and interior design detail. “The

years, the property has taken on various uses.

scheme combines a respect for history with

In the 1850s it became a cultural centre, hosting

contemporary elements of architecture and art,

art exhibitions and social gatherings including

using precious materials such as natural stone,

a showcase of Polish antiquities by the Kraków

wood, metals and glass.”

Scientific Society. Following World War II, it

From the outset, historic details abound. At

operated as the headquarters for the French

the entrance, a Baroque metal gate remains

Institute, and more recently was the setting for

intact, while inside, original timber tiles were

two popular nightclubs.

carefully cut and replaced. “The floor in the

It

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wasn’t

until

2016

that

historical

lobby is a historic masterpiece of paving stones

conservation and expansion of the Lubomirski’s

made from larch. It was removed, restored and

former home began, with owner Grzegorz Rygiel

then meticulously relaid,” Tomczak confirms.

enlisting architect Mariola Tomczak to restore

Even the Baroque-era ceiling in the main hall

the mansion to its former glory. The partnership

has maintained its original luster.

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Original murals decorate the ceilings of four imperial apartments, while linen drapes open to reveal original window casements and handblown glass

Such elements blend seamlessly with modern

apartments, where original murals decorate the

furnishings, from velvet couches and reception

ceilings – some of which feature elaborately detailed

counters in brushed brass by Tom Dixon – the

wooden beams – and linen drapes open to reveal the

latter reminiscent of medieval dining benches – to

same window casements and handblown glass that the

refurbished stucco ceiling decorations accented by

Lubomirski family once looked through. “Fireplaces

gold lighting fixtures. Elsewhere, the floors on the

and chandeliers may have changed locations but all are

landing are decked with Carrara granite, while family

original,” adds Tomczak. Paintings from the family’s

busts appear throughout the space in a playful contrast

museum collection hang on the walls too, while

to vibrant paintings by artist Ivo Nikić. “The main

additional furnishings were crafted by Polish and

staircase, crafted from original black oak, is finished

European factories according to Tomczak’s direction.

with spatial abstract installations by the same artist,

The museum quality continues to the ceremonial

whose pieces also adorn the walls of all guestrooms

conference room on the first floor, where coats of arms

and corridors except the first floor,” says Tomczak.

century fireplaces stand on either side of The Crest

and suites – each of varying sizes and some with

Hall’s salon. Along with portraits of the Lubomirski

balconies – there’s glimpses into the lives of the

and Czartoryski families, one painting is also on

palace’s previous inhabitants, with family portraits

exhibit at the city’s Wawel Royal Castle, the former

and antique armoires keeping the Lubomirski legacy

seat of Polish rulers. For events, the hotel’s facilities

alive. “I had furnishings from the original palace at my

extend to a 140m2 club space below ground, and future

disposal,” shares Tomczak, adding that the bathrooms

plans include a stage for live entertainment as well as

are dressed in Italian marble to “integrate with the

a wine cellar, tasting room and landscaped gardens

colours of the rooms.”

for al fresco dining.

Accommodations also include four imperial

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from notable Polish families line the ceiling and 19th-

From the maze of hallways into the 71 guestrooms

The subterranean level is also home to a gym,

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swimming pool, sauna, steam room and

16th-century openwork backrest of the bench

three treatment areas defined by 15 -century

flanking the restaurant will draw the eye of

stone walls that required special treatment.

the visitor, while Flemish tapestries from the

“After long-term geological research, we

same period will add even more seriousness and

received a permit to strengthen the side walls

museum charm,” confirms Tomczak.

th

in the basement,” Tomczak explains. “After

Already open and equally rich in history,

reinforcement and cleaning, they can be seen

Bistro The Hours on the ground floor is set

in the spa, bar, club rooms and wine cellar.”

beneath the palace’s original vaulted ceilings

The history of Poland can also be discovered

and uses mirrors to enlarge the space. A sizeable

at the hotel’s signature restaurant, opening this

bar connects its two rooms, both of which are

Spring. Once occupied by an orangerie, the space

decorated with Fornasetti wallpaper and custom

takes guests on a journey back in time with chef

sofas. Here, guests can turn back the hours,

Mateusz Suliga, who puts a modern twist on

and the centuries, dining on local products and

historic recipes. “We will reconstruct the dishes

recipes also prepared by Suliga. “In centuries

of old Polish cuisine, little known not only

gone by, Polish cookery was enriched by the

abroad but even in Poland itself,” says Suliga.

flavours of Italian, French, Jewish, Hungarian

“This way, diners can discover the richness of

and Austrian cuisine. It was here in Kraków that

our culinary heritage.” The story being told

trade routes from the Far East led into Europe.

will fuse regional produce, Polish crafts and

This is where culinary fashions and novelties

treasures from small family farms. In addition

spread,” says Suliga. At The Hours, and the

to plants, Tomczak plans to decorate the venue

wider hotel for that matter, this mélange of

with wicker chairs from Feel Good, Carl Hansen

history and culture is brought back to life.

and Ton, as well as her own sofa designs. “The

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EXPRESS CHECK-OUT Owner: Grzegorz Rygiel Operator: Dobry Hotel Architecture and Interior Design: Mariola Tomczak www.h15palace.com

TUUCI21102021_SLEEPER_Creative_2021_cnt.indd 1

21-10-2021 13:27:18

Rosewood Villa Magna MADRID Rosewood debuts in the Spanish capital with the transformation of a beloved establishment in the Salamanca neighbourhood.

Words: Agnish Ray Photography: Courtesy of Rosewood Hotel Group

I

n September 2021, a glittering collection of

of Rosewood Hotels & Resorts, marking the

over 3,000 pieces of decoration, furniture and

brand’s debut in the country.

fine art went up for sale at Spanish auction

Entering its new chapter, the refurbished

house Ansorena, including originals by artist

property has opted for smart and stylish over

Javier Solís and designer Thomás Urquijo. The

fuss and frills. Australian design practice Bar

catalogue belonged to Madrid’s Villa Magna

Studio – based between Melbourne and Madrid

hotel, a beloved establishment that has stood in

– was appointed for the makeover, producing

the swish Salamanca neighbourhood since 1972.

a sophisticated destination that houses 154

Spanish newspaper El País reported that

guestrooms, 53 of which are suites.

among the items going under the hammer were

In the Grand Premier Castellana room, the

objects used by the likes of Gregory Peck, Julio

black-and-white zigzag pattern of Alarwool’s

Iglesias, Madonna and Tom Cruise. It gives a

carpet contrasts with a deep blood-orange wall,

flavour of the guests that have passed through

which is complemented by leather touches in

Villa Magna’s doors over the decades, who also

the form of a charcoal green headboard, burnt

include royal families from Jordan, Belgium

orange chair and brown bed bench. The curved

and Holland, housed here during the wedding

edges of the bedside tables add a retro feel,

of Prince Felipe and Letizia Ortiz in 2004.

while the bathrooms – complete with toiletries

The hotel had, however, been closed ever since Spain’s first lockdown in March 2020. With the

by French beauty brand Maison Cauliéres – feature a cool and contemporary pale marble.

much-talked-about auction in the Autumn,

Downstairs, the designers wanted to create

it was out with the old and in with the new,

openness between the spaces, expanding

as Villa Magna returned the following month

previously small and partitioned areas to

in a new incarnation under the management

create visual connections from one side of the

105

In the Grand Premier Castellana room, the black-and-white zigzag pattern of Alarwool’s Axminster carpet contrasts with a deep blood-orange wall and leather furniture

hotel to the other. “One of the key elements

cocoa, nuts, berries, meringues and macaroons

was to connect indoor and outdoor,” explains

are on display in jars around the workspace,

Maria Garcia-Arribas, Director of Bar Studio’s

where chefs prepare desserts and pastries for

Madrid office. “We opened up views with glass

both hotel guests and walk-ins.

connections. Now there are layers in the hotel that guests want to explore.”

106

Across the front of the property is all-day dining venue Las Brasas, whose three sections

The practice also believed it was important

can be joined or separated by the sliding

to establish a residential atmosphere, which

partitions and retractable blinds. Floor-to-

they see as one of the defining features of the

ceiling and windows provide views of the hotel’s

Rosewood aesthetic. As such, Garcia-Arribas

front garden while diners enjoy recognisable but

explains that the team installed new fireplaces

refined Spanish favourites, from grilled Atlantic

to act as “elements of gathering”, used soothing

octopus to Iberian pork shoulder, or classics like

piedra de campaspero limestone in the entrance

ensaladilla Rusa – Russian salad, a Spanish

areas, and added petrol blue lacquered timber

staple – enlivened by the addition of prawn

wall panels for a pop of colour in the lounge and

carpaccio and dollops of fish roe.

library. Contemporary chandeliers throughout

The star attraction of the gastronomy offer

also feature stained-glass baubles hanging in

is Amós by Jesús Sánchez, whose three-

bunches from bronze stems.

Michelin-starred flagship restaurant is located

At one end of the parlour sits in-house

in Villaverde de Pontones in northern Spain.

patisserie, Flor y Nata, where dark timber

The new outpost marks Sánchez’s debut in

cabinets and crisp white marble counters reflect

Madrid and offers diners a flavour of the hilly,

the design of Madrid’s traditional pastry shops,

coastal region of his award-winning original

according to Garcia-Arribas. Baking goods like

establishment, with Esencia and Memoria

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108

tasting menus serving dishes from pigeon

Rosewood Villa Magna arrives hot on the

pâté, Cantabrian anchovies and seafood ravioli

heels of several luxury openings in the Spanish

to caramelised duck, hake loin with cockles and

capital, including Ritz Mandarin Oriental and

beef tenderloin with a Picón Bejes-Tresviso blue

Four Seasons. With Edition and JW Marriott

cheese sauce. Topping things off is a fig tart

properties on the way, the city’s surge in

named after the chef’s daughter and a crumbly

high-end hospitality is persisting despite the

almond cake with a velvety liquid inside.

pandemic, meaning competition is fierce.

Over in the Tarde.O cocktail bar meanwhile,

General Manager Charles Morris, who has

the lights are dim and romantic while the glossy,

taken charge of Villa Magna since 2011, says

reflective finish of a lacquered ceiling catches

the hotel has always been a favourite for Latin

the flicker of candles and softly shaded lamps,

American, Mexican and Hispanic travellers, and

complemented by furniture in a moody palette.

is certain that the new offering will continue

Continuing the theme, the doors are lined with

appealing to those markets. “We have a lot of

silvery embossed leather, while a large mirror

repeat clientele and we expect them to return,”

– treated with acid to create a muddy, antique

he explains. “And, of course, there’s our local

and damaged effect – spans the wall behind the

community, which I think will only blossom.”

bar. On the menu, Head Barman Carlo Proverbio

Recent openings have certainly raised the bar

has crafted several cocktail lists, including one

for the city’s hospitality scene, though Morris

devoted to the negroni. Each version pays

believes that this is just the beginning. “We

tribute to a place he has lived, from his Italian

want the luxury traveller to think of Madrid as

birthplace of Alba – a negroni infused with

a top destination, in the same way they think

truffle – to Madrid’s Salamanca neighbourhood,

of Paris and London,” he confirms. “We hope

a negroni sweetened by madrone berries.

that this is the start of something very special.”

EXPRESS CHECK-OUT Owner: RLH Properties Operator: Rosewood Hotel Group Architecture: Ramon de Arana Interior Design: Bar Studio www.rosewoodhotels.com

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Middle Eight • The Guardsman LONDON Shiva Hotels expands in the UK capital with two independent properties – one inspired by nature and the other creating the feel of a members’ club – designed by Tonik Associates.

Words: Matt Turner • Photography: Courtesy of Shiva Hotels

F

ounded in 2001 by former derivatives trader Rishi

Overlooking Sycamore, The Balcony lounge area with its

Sachdev, Shiva Hotels has hitherto been best known

herringbone parquet flooring, marble-clad open fireplace

for its portfolio of UK properties operated under various

and deep curved sofas has a more tranquil library-like feel.

Hilton brands.

But the lockdown of 2020 saw a change in direction, and

Here, guests can enjoy afternoon tea, browse the bookshelves or play board games.

in May 2021 it softly opened two independent properties

Middle Eight occupies the former site of music venue

in the heart of London: Middle Eight, a luxury lifestyle

Kingsway Hall, its name referencing the section often used

hotel in Covent Garden, and The Guardsman, a low-key

to break up the chorus and verse of songs. Its 12 suites

boutique offering on the doorstep of Buckingham Palace,

are each named after a well-known piece of music with

both designed by Tonik Associates.

a ‘middle-eight’ bridge and have been cleverly carved

Shiva Hotels says it has “a desire to drive a more engaged,

out of a first-floor space, which was formerly host to the

responsible and purpose-driven era,” in which its team

windowless meeting rooms of the eponymous Kingsway

will “question the status quo, push boundaries, innovate

Hall Hotel to provide light-filled volumes with internal,

sustainably, enrich employee wellbeing and have meaningful

naturally-illuminated courtyards and living walls. The 190

social impact with a small environmental footprint.”

rooms stacked above are designed to maximise space and

This ethos is evident in the design of Middle Eight,

minimise their environmental impact, with black lacquer

which takes its inspiration from nature and is brought to

mini-bars integrated into brass railed casegoods, and sofas

life through the use of organic materials such as stone and

and pouffes upholstered in soft-brushed ivory velvet, fringed

wood with a soft, tonal colour palette running throughout.

with gold accent fabrics. Silhouetted metal artworks on the

Motifs inspired by the elements are immediately visible on

walls meanwhile reference the street entertainers and artists

arrival into the atrium lobby, with its undulating feature

of the surrounding neighbourhood.

wall, curved ceiling panels and handcrafted reclaimed oak

The hotel’s connection to the building’s musical past is

reception desk. To the left of the entrance, an eyecatching

most explicit in the basement bar and event space QT – a

display with hundreds of burnished leaves is suspended over

speakeasy with its own street entrance and private cinema

the Sycamore bar. The adjacent restaurant offers an all-day

for live performances and screenings, which aims to bring

menu of Italian and Californian dishes, with live DJs adding

the spirit of Covent Garden’s famous piazza into the hotel.

to the informal and sociable ambience. Timber flooring,

Sachdev states: “At Middle Eight, we will choose to do

brass accents and geometric wall panels complete the look.

things not because they are easy, nor because it’s what

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112

everybody does. We will choose to do them

connects these spaces to a brasserie-inspired

because they represent our collective vision

restaurant and bar in the basement.

of what’s right. We will inspire guests, teams,

In the guestrooms, with square-footage at a

communities and partners to believe in and

premium in such a prestigious location, a fully

share our world view. And we will challenge our

mirror-clad bathroom enclosure enhances the

industry competitors by disrupting the status

sense of space within the rooms themselves.

quo and offering our residents a genuinely new

The six residences occupying the top three

option – a conscious choice to experience luxury

floors on the other hand are designed with

with purpose.”

longer-stay guests in mind. These sumptuous,

Though a British theme runs through both of

self-contained apartments all boast generous

Shiva Hotels’ new properties, with carpets by

living spaces, dining areas and either a kitchen

Brintons, lighting by Chelsom and bathrooms

or kitchenette, together with options such as a

supplied by CP Hart, a very different take on

private chef, a valet and 24-hour room service.

luxury is provided at The Guardsman. This

Central to the proposition is a high, yet

newbuild boutique comprises 53 guestrooms

unobtrusive, level of personal service. Guests

and six residences and has been designed to

may not quite be waited on hand-and-foot

replicate the atmosphere of a private members’

to the same degree as the residents of nearby

club, with Tonik Associates elegantly fusing

Buckingham Palace, but they can request a

old and new to “look at traditional Britishness

specific room or residence along with their

through a 21st century looking glass”.

preferred brand of drinks, menu items or

In the ground floor Drawing Room and Library, comfortable armchairs, enveloping sofas and a carefully curated art collection create a club-like feel, while a feature staircase

bathroom products, all of which will be prepared ready for their arrival.

Middle Eight (previous page and top left) mixes organic materials such as wood and stone, while The Guardsman (bottom left and above) has a members’ club feel

EXPRESS CHECK-OUT Owner / Operator: Shiva Hotels Architecture: Ray Hole Architects (Middle Eight), Dexter Moren Associates (The Guardsman) Interior Design: Tonik Associates www.shiva.co.uk

113

EVOHIDE ™

MISTRAL FRee Part of the

collection

75% sustainable content vegan leather

Less is More www.morberneurope.com

Yours VALENCIA First-time hoteliers Daphne Kniest and Wouter Kock take a leap of faith to create a minimalist retreat inspired by its trendy locale.

Words: Lucy Lovell • Photography: © Alfonso Calza

W

andering through the vibrant, bohemian

To create a serene retreat in the centre of a

neighbourhood of Russafa, it’s almost

bustling barrio. “Calm and minimalistic but not

impossible to imagine a time when

cold,” continues Kniest, who had a very clear

people would fear to walk its streets. Around

idea for Yours from the start. “We wanted to

a decade ago, one of the area’s most neglected

create a cosy feeling so looked at it from the

roads, Calle de Cuba, had yet to benefit from

perspective of creating a home for our guests.”

the influx of Valencia’s creative community.

Together with Russafa-based architecture

Number 19 in particular was a building falling

studio Eseiesa, Kniest and Kock embarked on

into disrepair. Dating back to 1887, it housed the

a hunt for the perfect building. Five years into

long-abandoned remnants of a laundrette and

their search, they found number 19, but it was

was in desperate need of restoration. For most it

on a road left behind by the area’s otherwise

would have been a no-go, but for fearless first-

blossoming growth. “It was still a little

time hoteliers Daphne Kniest and Wouter Kock,

dangerous,” Kniest recalls of Calle de Cuba.

it was the perfect location for their new venture.

“But there were plans for restaurants and a

The Dutch couple had been running a small

nearby park. We saw the potential.”

bed-and-breakfast in a nearby neighbourhood

While the building ticked all the boxes, it

for almost five years, but the rented site was

wasn’t without considerable problems, all of

restricting the growth of the business. They had

which kept architect Irene Soriano very busy

big plans but needed more autonomy over the

indeed. “It’s a historic property. The restoration

building. “We had a different style in mind,”

was challenging,” she recalls. “If there’s a list

says Kniest of their former business. “We said to

of unusual things, you’ll find them all here.”

ourselves that the next step would be something

The most notable restriction was the protected

that we can design from scratch.” Their vision?

19th-century façade. But, according to Soriano,

115

Interiors are softened with tactile sofas and gently scented candles, while black metal chairs and light fittings provide a colour contrast

116

there was not much to protect. With little more than

Upstairs there are 12 guestrooms, each a haven of

crumbling render to work with, the team created

neutral colours and warm lighting. For Kniest, colour

ornate plasterwork around the balconies and

was key to making the hotel feel cosy. “There’s not

constructed new French double doors to replicate

a lot of colour, but there’s no white,” she explains.

the originals and bring the frontage back to life.

Walls are light oatmeal, the dove-grey concrete

After a long construction process, drawn out by

floors are speckled with terrazzo, and fittings are

red tape and regulations, Yours opened in August

crafted from birch. The artwork too is monochrome,

2021, though the classic façade gives nothing away

accentuating the texture of the paint applied to the

of the radical changes that took place inside. With

canvas. “The decoration is minimal but it adds

the exception of the exterior, every wall in the hotel

warmth,” Kniest confirms.

was removed to make way for a new minimal layout.

What’s most striking about the property is how

Downstairs, an open-plan lounge features a coffee

structure and design blend into one. Polished

bar sculpted with stucco plaster, which doubles as an

concrete floors echo the raw finish of board-formed

informal reception. The space is softened with tactile

concrete ceilings above. Throughout the building

sofas and gently scented candles, while black metal

they are in fact one and the same, a technical detail

chairs, tables and light fittings provide a colour

that allowed the architects to save on space and build

contrast. Custom-made wooden benches run parallel

to the height restrictions dictated by the building’s

with the straight lines of the building’s structural

protected façade. “The architecture was really

beams, guiding guests inside like the markings on a

important right from the beginning,” says Soriano.

runway. Everything points towards the plant-lined

“Sometimes when you work on a project, someone

terrace, where a swimming pool and modernist

else comes in to dress the interior. With this project,

lounge chairs from Ferm Living invite guests to kick

it was necessary to consider everything about the

back and relax.

structure from the outset; light switch locations were

118

planned out years in advance, emergency lights

But perhaps the best local partnership was

were hidden, and wires were tucked from view.”

with the architecture studio. The collaboration

For Kniest and Kock, it was an obvious choice

between the owners and Eseiesa was no doubt

to support local businesses. Not only would it

made easier by their location; they are practically

help the local economy, but it afforded them

neighbours. “I visited the building on a daily

easier working relationships, an invested team,

basis to measure everything and manage the

and a more sustainable supply line. In fact,

builders,” Soriano explains. “I was just glad the

nearly everything for the hotel was sourced

studio was so close.” The proximity doesn’t just

from the city itself. The owners also worked

mean more site checks, it encourages a personal

alongside Valencia-based interior designers

investment in the project.

Juanjo Pico and Jorge Soriano, who helped track

“I like this kind of work,” says Soriano

down the area’s best artisans, resulting in a

earnestly. “It’s like you’re restoring life to the

raft of stylish fittings such as cloud-like sofas

city through its buildings. What’s more, you

by furniture studio Viccarbe; elegant pendant

create a neighbourhood that’s safer, where

lighting by Arkoslight; and in the double-

people want to live.”

height loft rooms, a delicate metal staircase

As the redevelopment of Russafa continues

that resembles a piece of origami. Decorative

and Calle de Cuba is reinvented yet again, this

elements were made locally too, including

type of renovation ensures that the street retains

a modern take on Spanish botijos – or rustic

a little something of itself. By carefully sourcing

ceramic jugs traditionally used by farmers to

locally made products and working with local

keep water cool – which guests can buy at the

professionals, Kniest and Kock have not only

hotel’s boutique shop. Even the coffee is roasted

created a beautiful minimalist hotel, they have

in Valencia by Bluebell Coffee Roasters.

also created a community around it.

EXPRESS CHECK-OUT Owners: Daphne Kniest and Wouter Kock Architecture: Eseiesa Arquitectos Interior Design: Daphne Kniest, Wouter Kock, Juanjo Pico, Jorge Soriano Branding: Estudio Savage Graphic Design: Vedeyo Lighting Design: Arkos Light www.thisisyours.es

Build Back Better As the hotel sector strives towards more efficient and ecofriendly development solutions, modular construction could be on the rise in the years to come.

Words: Ben Thomas

F

rom shorter lead times to lower building costs, greater quality control and reduced carbon footprints, there’s a list of reasons for hospitality brands to consider modular construction, the method in which a hotel is built room-by-room in a factory before being transported to site.

While many developers and operators have been slow to

capitalise on the use of industrial prefabrication, CitizenM has been at the forefront of the movement for over a decade; the Netherlands-based group launched its first modular hotel in Amsterdam in 2008 with the help of Dutch design studio Concrete, and since then has worked with the firm to add nine more modular properties to its portfolio, gleaning insight into the best practices along the way.

“Prefabrication not only enables faster construction and easier quality control, but also guides the architectural aesthetic of our modular locations,” says Chief Development Officer Harold Reniers. “No matter how they’re assembled, CitizenM’s modular buildings are recognisable in their urban surroundings for their identifiably square units, clean lines and artwork on the façades.”

Another operator exploring this method is Yotel, which marked its entry into the modular landscape with Yotel Amsterdam Noord in 2019. Having witnessed early success, the group plans to roll-out several more as part of its growth strategy, with the latest Yotel and YotelPad AnyTown models designed to allow for the adoption of the method. In addition, both assume a traditional frame and transfer structure for the

In New York, Danny Forster & Architecture has designed AC NoMad (top) – slated to become the world’s tallest modular hotel at 26 storeys – as well as Hudson Yards Autograph (bottom) in Manhattan

“Prefabrication not only enables faster construction and easier quality control, but also guides the architectural aesthetic of our modular locations.”

HAROLD RENIERS, CITIZENM

ground-floor podium level, enabling flexibility

Namibia, Bacalar and AlUla last year. Having

outperform traditional techniques by 68%. The

over their front- and back-of-house spaces.

created its own factory in Mexico, Habitas is

environmental advantages extend across the

“We have always had one eye on modular

now able to manufacture rooms before on-site

construction process, with fewer truck deliveries

construction – it aligns with our brand DNA

construction has begun, standardising several

and speedier timeframes for crane work.

of efficient and forward-thinking real estate,”

modules before flatpacking and shipping them

“Consumers are driving change, demanding

reveals CEO Hubert Viriot. “It can also give our

to site, where they are assembled like Lego. As

more sustainable hotels but even if that wasn’t

hotels a unique exterior aesthetic – something

a result, the group achieves lead times of under

the case, these standards will be enforced by

guests have come to know and love about us.”

12 months – something it hopes to replicate as

incoming legislation,” explains Walsh, whose

And it’s not just future-focused brands like

it expands to new locations in Mexico, Saudi

studio employs a zero carbon and zero waste

CitizenM and Yotel pushing boundaries, as

Arabia, Costa Rica and Bhutan. “Traditional

policy. “Investors want appreciating assets

hospitality’s big guns are also making waves in

hotels follow a linear process that can take

and brands want low-cost operations, so it is

the world of prefabrication; Marriott now has

three to four years from concept to opening,”

becoming the norm rather than the periphery.”

more than 30 modular hotels – including the

explains co-founder Kfir Levy. “By designing,

For Habitas meanwhile, the aim is to tread

under-development AC NoMad New York City,

manufacturing and developing our properties

lightly without compromising design integrity

billed as the tallest of its kind in the world at 26

in-house, we’ve streamlined the process.”

and the guest experience. “We all need to

storeys – while Hilton has bolstered its modular

For British architecture firm Studio Anyo,

be more conscious of the planet – it’s our

portfolio over recent years with new openings

which uses a Modern Method of Construction

responsibility,” Levy insists. “Owners and

from Garden Inn, Home2 Suites and Hampton.

(MMC)

off-site

operators are being forced to change their

Designed by Danny Forster & Architecture and

construction with on-site techniques – faster

development practices to foster environmental

named as runner-up at Radical Innovation 2019,

build times are essential in the hospitality

consciousness and more sustainable methods.”

where it was pipped to the post by Connectic

market. “Hotels are revenue-generating assets

– a modular concept from Cooper Carry that

and every night they are closed is revenue lost,”

DECISIONS, DECISIONS

could be used to build a pop-up hotel in remote

says founder James Walsh. “MMC programmes

Notwithstanding

areas or help solve space issues in dense urban

can be up to 50% faster than conventional

environmental benefits, modular construction

cores – AC NoMad is using patented technology

methods and mean a hotel can be open and

does come with challenges, including the

that trains 3D cameras on each module at five

earning much sooner.”

front-loaded nature of the design process,

different points during the construction process,

process

–

combining

its

efficiency

and

given that complex changes are off-limits once

meaning contractors and architects, as well as

PROTECTING THE PLANET

off-site stakeholders, can keep track of what’s

Another benefit of industrial prefabrication is

creation of a unique DNA is another obstacle,

taking shape.

the more responsible use of resources, including

with operators weighing up how they can mass

a reduction of the time needed on site as well as

produce modules without taking a cookie-cutter

lower waste and noise pollution levels.

approach. In many instances, the solution is to

ACCELERATED ASSEMBLY

units have been produced. Adaptability and the

So why is prefabrication becoming such a

According to Reniers, CitizenM’s modular

ensure that while 80% of a project is repeatable,

popular method within the hotel sector? One of

approach offers plenty of sustainability rewards

the remaining 20% is characterised by creative

its key advantages is speed, as preparation and

as it uses a parametric design procedure,

elements. And then there’s site constraints to

foundation work can often be undertaken whilst

which lessens construction waste to just

consider, with modules needing to be easily

units are being prepared.

2%, down from 10-20% for a typical build.

manoeuvred into position, especially in heavily

This is certainly the case for experience-led

Shortened timeframes also lower carbon

populated cities like New York and London.

hospitality group Habitas, which built on the

emissions, and when it comes to embodied

“It’s important to flag that modular

success of its Tulum resort with openings in

carbon, analyses shows that modular methods

construction isn’t without its drawbacks,”

123

“We have always had one eye on modular construction – it aligns with our brand DNA of efficient and forwardthinking real estate.”

HUBERT VIRIOT, YOTEL

says Viriot. “Our experience has taught us that

modular methods to authorities, with its next

establishing relationships with best-in-class

modular hotel, a 226-room development in

manufacturers is critical. We have also learned

London Victoria, slated to open later this year.

that modular needs to be assessed on a project-

From an architectural viewpoint, Walsh

by-project basis – not every opportunity makes

expects a well-funded manufacturer to enter

sense, with variables such as unique design and

the market with a semi-automation process

real estate constraints, financial feasibility, and

that will drive the industry forward through

transport and accessibility issues. Despite this,

lean systems. “AI tools connected to parametric

we are optimistic that with growing experience,

design are being developed to assess sites and

we will get better at assessing these needs.”

these will be tied to production software,

Walsh agrees that experience is crucial,

On a lighter note, and potentially providing

are caused by lack of know-how: “Developers

developers with a source of inspiration for their

need to appreciate that because the programme

upcoming ventures, the Lego Group will soon

is faster, design decisions are earlier and fixed,

be adding a hotel to its modular city collection.

so the risk profile is different to a typical build.”

Celebrating 15 years of sets from the line-up,

FUTURE FORECASTS

Having witnessed early success with Yotel Amsterdam Noord in 2019, the group plans to roll out more modular hotels using its Yotel and YotelPad AnyTown models

124

bringing with them new levels of efficiency.”

adding that most issues with modular projects

the three-storey model comprises over 3,000 pieces and is furnished inside and out with a

As the industry gets to grips with prefabrication,

lobby, terrace, art gallery and penthouse suite.

Levy expects to see more work done in the field

There’s also mini-figures to staff the property,

and less in a centralised factory, with pop-

including a bellboy, receptionist and barista. If

up workshops and mobile facilities reducing

Lego’s new addition is anything to go by, then

logistics and transportation needs to streamline

modular construction could be on the rise as

the process even further, while CitizenM is

the hotel sector strives towards more efficient

dedicating time to present the benefits of

and eco-friendly solutions in the years to come.

Hotel Construction Pipeline Global Despite the ongoing challenges faced by the hospitality industry, there has been little impact on the future pipeline according to research by Tophotelprojects.

The data shows that there are a total of 7,231 hotels in the pipeline globally, accounting for over 1.5 million rooms – only marginally lower than early 2021 figures.

Asia Pacific is once again the most active region with 2,612 projects signed, followed by North America (1,780 projects) and Europe (1,750 projects). By country, China, USA and UK lead the way, while India climbs into the top five thanks in part to significant expansion for Marriott International; W Jaipur, Moxy Mumbai and JW Marriott hotels in Agra, Chennai and Goa are all in the works.

Also recording an uptick in development is Vietnam, which enters the top ten following increased interest from international operators, in addition to new offers from homegrown groups such as Wink Hotels.

Honing in on the top cities, Dubai, London and New York continue their reign as the most active hotel development markets in the world, while new entries in the top ten include Suzhou (47 projects), Riyadh (45 projects) and Bangkok (43 projects).

TOP CITIES DUBAI Projects 118 Rooms 35,335

CHENGDU Projects 62 Rooms 13,709

LONDON Projects 100 Rooms 17,919

SHANGHAI Projects 59 Rooms 15,346

DUBLIN Projects 53 Rooms 7,565

RIYADH Projects 45 Rooms 10,342

NEW YORK Projects 66 Rooms 16,532

LOS ANGELES Projects 54 Rooms 11,088

SUZHOU Projects 47 Rooms 10,370

BANGKOK Projects 43 Rooms 11,397

TOP COUNTRIES

With over 500,000 rooms expected to open globally in 2022, the big question now is whether consumer demand will match the volume of new supply.

Projects Rooms

Tophotelprojects is a data service to support the design, build, furnishing and operation of hotels worldwide. For more information visit: www.tophotelprojects.com

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Projects Rooms

1

2

3

4

5

CHINA 1,476 344,209

USA 1,437 277,706

UK 426 62,802

GERMANY 352 54,925

INDIA 180 28,093

6

7

8

9

10

MEXICO 130 29,953

VIETNAM 124 52,628

UAE 172 48,092

SAUDI ARABIA AUSTRALIA 159 168 29,018 69,358

BUSINESS CENTRE

CONSTRUCTION PHASE Of the 7,231 projects in the pipeline globally, 32% (2,302 projects) are in planning and 43% (3,136 projects) are under construction. A further 9% are in the final stages of fit-out and set to open imminently.

VISION

PRE-PLANNING

PLANNING

CONSTRUCTION

PRE-OPENING

Projects 164 Rooms 40,609

Projects 954 Rooms 191,049

Projects 2,302 Rooms 455,976

Projects 3,136 Rooms 714,448

Projects 675 Rooms 139,151

GROUPS AND BRANDS Marriott International has the most projects in the pipeline globally, with growth coming primarily from the Marriott and Courtyard brands. New signings for IHG’s Hotel Indigo sees it climb the rankings of most active brands while Hilton Hotels & Resorts takes top spot.

931 748 473 465 351

Projects

Projects

Projects

Projects

Projects

BRAND

PROJECTS

ROOMS

Hilton Hotels & Resorts

139

39,843

Hilton Garden Inn

123

22,730

Marriott Hotels & Resorts

118

32,889

Hampton by Hilton

99

14,312

Doubletree by Hilton

92

20,160

Hyatt Place

90

15,843

Hotel Indigo

89

15,459

Courtyard by Marriott

87

15,965

Holiday Inn Hotels & Resorts

74

19,522

Hyatt Regency

71

18,868

YEAR OF OPENING

2022 (38%)

2023 (23%)

2024 (9%)

2025 (5%)

UNCONFIRMED (25%)

127

The intelligence source for the hotel investment community

Market newcomers eye growth

in 2019. With North America trading 10% to 15%

Francis Davidson called a “stellar quarter”,

below and Europe lagging in around 20% below.

guidance was raised to an expected USD200-

Recently listed accommodation business Soho

I’d expect that there’s significant capacity to

205m of revenues for the full year.

House has reported on the pace of its recovery,

increase pricing or member fees, and I think

The company continues to innovate with

while serviced apartment group Sonder is

we can really justify that on the basis that the

its app-based guest services. The quarter saw

stalling on its planned SPAC listing in the US.

membership offering has become significantly

an improved version launched, with Davidson

richer.”

noting: “We continued to build out the operating

Soho House, under its new brand Membership Collective Group, achieved an IPO on the New

The group’s IPO left a net USD338m in

system for hospitality which we believe will

York market. Sonder, which has long trailed

proceeds, which will be used to pay down

translate into a better guest experience and

its reversal into an already listed vehicle, has

USD20m of preference shares and USD105m of

superior economics.”

moved back the completion deadline of the deal

debt facilities. Afzal said the group’s reporting

The group continues to trade in the red,

from end October 2021 to end January 2022. In

continued to roll in growth costs: “We report

however the metrics are improving. Third

addition, it has trimmed its valuation from

our adjusted EBITDA fully burdened for growth,

quarter losses were USD4m at the property level,

USD2.2bn to USD1.925bn.

meaning that we include expenses that are

an improvement of USD8m over the second

associated with the growth of our business.”

quarter. Frits van Paasschen, already a member

MCG saw revenues improve 57% year-onyear in the third quarter to USD180m. The

Soho House global president Andrew

of the Sonder board became lead independent

company declared a net loss of USD76m, and

Carnie underlined the group’s key offering:

director, while Gilda Perez-Alvarado, global CEO

adjusted EBITDA of USD9m for the quarter.

“Membership is where it starts and where it

of the hotels and hospitality group at JLL, joined

The group reopened hotels and clubs, and

finishes for us. Some people have subscribers,

the board.

launched Soho House premises in Paris and

we have members. Some people have content,

The improving performance came as a further

Tel Aviv, taking its portfolio to 32 properties.

we have houses and the more houses we open,

USD110m of investment was injected into the

Following the end of the quarter, the group

the more members we get.”

business at the end of October. The funds came

announced it has signed to take over the former

He sees no reason why the business will not

from SPAC vehicle Gores Metropoulos II, as well

NoMad hotel in Manhattan, which will become

bounce back: “Back in 2019, we were running

as Fidelity Management, BlackRock, Atreides

its second Ned-branded hotel. The 167-room

super high at 95% and that’s without any

Management and Senator Investment Group.

property is expected to launch in summer 2022,

booking engines, it’s all website and app. We

A further USD220m has been lined up by way

ahead of a previously revealed Ned planned for

see that continuing to grow throughout the

of loan notes from previous investors. “We

Washington DC. Earlier next year, Soho Houses

quarter, back to 2019 levels by Q1 as people start

strongly believe that Sonder is the hospitality

in Nashville, West Hollywood and Brighton are

to travel more.”

brand of tomorrow and have high conviction

Sonder, which has grown as a serviced

that the company will continue to grow, which

Total memberships grew by 16,663 to 144,503

apartments-meets-tech business, is now

is why we are increasing our initial investment,”

and membership revenue grew by 21% to

increasingly expanding its business by signing

said Alec Gores, CEO of Gores Metropoulos II.

USD51m, accounting for more than a quarter

hotel properties to the brand. In October, it

At the end of the quarter, Sonder’s portfolio

of total revenues. CEO Nick Jones commented:

added a Paris property, the 48-unit Sonder

stood at 6,300 units trading, with a further

“We’re still seeing strong demand for our

Atala, after hiring former Interstate and IHG

16,000 signed into the pipeline.

memberships, and with our waitlist currently

executive Jean-Charles Denis to lead its French

sitting at 66,800, we have visibility toward and

expansion. During the quarter, it also signed

HA PERSPECTIVE

confidence in our future growth.”

more than 600 units in Mexico, and opened over

By Chris Bown: Soho House feels like a business

300 units in two Dubai locations.

that’s got some tailwinds. Never mind grinding out

set to open.

The group said average occupancy is around

128

70%, while average day rates are up 35% year-

The group announced record third quarter

a loyalty programme, how about a membership

on-year. CFO Humera Afzal said the bounceback

revenues of USD67.5m, up 155% year-on-year.

programme; you charge handsomely for coming on

had been strong: “In September, the UK was

RevPAR improved to USD126, up 26% on the

board, and limit access. That’s when you really get

trading at around 10% above comparative levels

previous quarter. On the basis of what CEO

profitable; engaged members who keep on paying.

BUSINESS CENTRE

We’ve covered elsewhere the increasingly blurred

Can it do so and build a profitable scale business?

In Mumbai, this month has seen the opening

link between hotels and workspaces; Soho House is

Maybe, if it keeps vertically integrated so that the

of a first pod hotel, backed by the Indian Railway

already milking this, with both types of assets in the

real estate component is driven by the superior

Catering & Tourism Corporation. The project,

portfolio, and obvious choices for cross-selling. The

operating returns.

within the city’s central railway station, will be

Less convincing are the dalliances into things

delivered with partner Urban Pod Pvt. Initially

Having built its base, MCG would love to grow on

like Soho Home, the homewares offshoot. This can

the site will launch with 48 pods across three

an asset-light basis, as per the major hotel groups.

certainly add significant incremental revenues and

types - classic, ladies and private.

Its deal in Manhattan, taking over the former

profits but it also risks diluting the specialness of the

NoMad hotel, is indicative that it has a compelling

Soho House name.

opportunity is increasingly becoming clear.

The project has been long in the making, having first been discussed in 2018, with an

proposition for landlords; and with the eye of the

As a warning from history, Pierre Cardin went

opening date in 2020 first promised. The

public markets now able to look over the numbers,

from being a fashion icon to having articles like one

pods in Mumbai are set up with free Wi-Fi, a

the group has an opportunity to go toe-to-toe with

in 2005 in the Harvard Business Review with the

luggage room and shower rooms. The capsules

pure hotel brands, when owners are looking to

headline ‘How not to extend your luxury brand’.

themselves measure around 2x2.5m, featuring a TV, USB chargers, locker, air conditioning and

repurpose their assets. Mama Shelter or Soho House?

Hmmmm. It all looks so attractive… So who’s going to challenge? It’s worth considering that Soho House has spent a good few years burnishing its brand –

Pod hotels grow appeal

smoke detectors. Railway spokesman Sumit Thakur commented: “This unique facility will be a game changer in the way passengers travel in

a would-be clubhouse rival will struggle to build a

The pod hotel, famously used by overworked

India by rail, especially those on business trips.

brand faster.

Japanese businessmen, is seeing a revival as

The pod concept is more suitable for frequent

So while MCG is all about being social, Sonder

entrepreneurs across Europe, America and Asia

travellers, backpackers, single travellers,

is, in absolute contrast, the hotel brand for people

look to build on its international appeal out of

corporate executives and study groups.”

who never want to see anyone. It’s taking on hotels,

the pandemic.

but won’t be running a front desk, it seems – everything’s done by the app.

HA PERSPECTIVE

And in the UK, 2021 saw a new pod hotel

In Spain, start-up Optimi Rooms has

launch in the coastal town of St Leonards, with

just opened its second site, in Madrid, after

16 pods of accommodation opened in a former

successfully trading from its first site in Bilbao

retail premises. The site adds to a handful

since summer 2019.

of individually owned properties across the

By Andrew Sangster: There is a fundamental flaw

“We are not a hostel, nor are we a room, but

country offering the compact format, often

at the heart of the Soho House come MCG business

we are more comfortable than some hotels,”

as an option alongside larger rooms or shared

model: its allure comes from its unobtainability. The

said founder Inaki Zabala in an interview with

hostel dormitories.

Groucho Marx crack that he would never join a club

Spanish newspaper El Pais. “We have patented

At airports, the pod hotel continues to be a

that would have him as a member sums it up.

this large capsule model in Spain and have

feature in several locations. Operator Izzzleep

brought them from China exclusively for our

has units at two of Mexico’s airport terminals,

hotels.”

while Yotel operates its larger format sleeping

Take away the exclusivity aspect and then selling Soho House membership becomes a harder problem.

It can work but then you are in the more traditional territory of brands.

The price premium on brands at the mass market

Building on the experience of its 48-capsule site in Bilbao, the Optimi in Madrid will be larger at 82 units.

pods at Amsterdam, Paris, Gatwick, Istanbul and Singapore airports.

One issue for pod hotels is how they are

level within hotels has remained relatively modest.

Elsewhere in Spain, Fernando Constante

classified. In Spain, a lack of en-suite facilities

Brands have instead sold themselves on their

launched a capsule hotel in Puerto de la Cruz on

means authorities are inclined to mark them

distribution capabilities and access to technology

the island of Tenerife in mid-2020. Constante,

down as hostels. And authorities in many

and procurement.

who has adapted his pods for Europe, even

global cities mandate a requirement for hotel

Soho House does not have the tech or distribution

giving occupants a view, told El Pais: “Our goal

accommodation to have an external window.

or procurement capabilities of the biggest hotel

is to open new markets in a sector where it

brands and so it must retain its exclusivity edge.

seems everything has already been invented.”

129

HA PERSPECTIVE

The framework will deliver a common set of

There is also the regulatory push. Governments

By Chris Bown: A well established format in Japan,

standards for measuring hotel sustainability,

are moving to introduce new legislation, that

pod or capsule accommodation has never travelled

which can be applied equally to a single hotel

will drive improved energy efficiency in both

very well. Will the aftermath of the pandemic be its

as to the portfolio of a major group. It will sit

new and existing buildings. Siobhan Cross, a

time? Strangely, it appears that in Covid times, people

alongside a further Alliance initiative to develop

partner at Pinsent Masons, is keeping a close

are more comfortable in their own little pod than

a Pathway to Net Positive Hospitality.

eye on UK government moves as new legislation

they are sharing a bunk in a room full of strangers.

Representing around 30% of the industry via

evolves, and commented: “Landlords of non-

And with accommodation prices strengthening on

its membership, the Alliance will be combining

residential properties need to think about taking

the back of strong demand, maybe now is the time

a stepped approach with simple practical tools,

steps now if they are to achieve the minimum

for pods to really go global.

and aims to get every hotel to act on improving

Energy Performance Certificate bands targeted

its sustainability, no matter where it starts.

by the government.” Legislation is likely to

HA PERSPECTIVE

Acknowledging the need for all in the value

require building owners to report their energy

By Andrew Sangster: Although I once stayed in a

chain to act, the Alliance has launched an affiliate

use, and formulate a plan to reduce the carbon

capsule hotel in Tokyo, it’s not an experience I’m in

membership to encourage the involvement of

intensity of their properties to an agreed level,

a hurry to repeat. But there are customers who will

developers, owners, investors and franchisees

over a specified timescale.

find the convenience and price appealing.

in the sustainability process.

Alliance chair Wolfgang Neumann told Hotel

awareness is concerned, I think funders are

pioneered by the likes of Yotel and easyHotel but

Analyst: “I think there’s an awakening - we’re

more aware of the direction of travel but owners

without even en suite facilities. The pricing will need

moving on. Ticking the box is no longer good

and operators less so - although key brands now

to reflect this.

enough, it’s becoming more and more of an

have well developed sustainability strategies,

issue, with customer expectations rising.”

so hopefully are travelling towards the type of

Whitbread too has its own take, ZIP, which is billed

improvements the policy and future regulation

as ‘basics done brilliantly’. This has en suites but is

Neumann said that sustainability and energy

in less desirable locations and rooms half the size of

efficiency are now high on the agenda of those

a Premier Inn.

undertaking due diligence and valuing assets.

Many improvements in building energy

With the exception of Yotel, which styles itself as a

While many understand that more efficient

efficiency do deliver a payback in reduced future

first-class airline cabin, the key consumer appeal is

buildings cost less to run, “there’s this enigma

operating costs. But a new report put together

price. And in some markets this will work. But just as

about the cost of investing in sustainability”.

by EY Parthenon and Booking.com warns the

is designed to produce.”

budget hotels in edge-of-town locations have fallen

“The Alliance is trying to guide and lead,

accommodation sector globally will require an

out of favour and the old-style Formule 1 hotels

but also to come up with tools. There are a

investment of USD768bn to achieve net zero

with shared bathrooms down the corridor have had

lot of hotels who haven’t started the journey;

by 2050. That global figure does, however,

to undergo a rebranding targeting a hostel crowd,

regardless of where you are, just start it.”

include a substantial sum required to invest in

the size of the market for the super price conscious

In addition, the WTTC has been working with

green energy supply – something that is not

customer unwilling to stay in a hostel does not look

the UN Environment Programme (UNEP), the

the responsibility of the hospitality or tourism

huge. If we see a lot more ZIP hotels I will, erm, zip it.

UN Framework Convention on Climate Change

sector directly.

(UNFCCC), and Accenture to develop a Net

Commitments to reducing carbon are

Zero Roadmap. “The Travel & Tourism sector

increasingly making their way into hotel

is taking this opportunity to be a catalyst for

funding deals. There is a green discount to be

change,” said Julia Simpson, WTTC President

had from lenders, currently worth perhaps 0.5%

With climate change on everyone’s minds

and CEO. “We have a responsibility towards

on interest costs, for certified green loans; and

as COP26 took place in Glasgow, hotel and

our people and planet. Our sector can be part of

banks are warning that it won’t be long before

hospitality organisations are stepping up their

the change that is urgently required to mitigate

the counterpart to a green discount, the brown

commitments to change. Responses have

impacts and adapt to the threats posed by

penalty, will be added for those seeking finance

included many more signatories to the Basic

climate change.”

for inefficient buildings.

Not easy being green

130

She added: “So far as the hotel sector’s

Pod hotels sit alongside the windowless rooms

Sustainability framework, a joint venture

The roadmap provides recommendations

The latest to knuckle down is Hongkong &

launched by the World Travel & Tourism

across setting baselines and emission targets;

Shanghai Hotels (HSH), which has just agreed a

Council (WTTC) and the Sustainable Hospitality

monitoring and reporting; collaboration;

HKD1.25bn refinancing package with HSBC and

Alliance, alongside major hotel groups and

finance and investment; and building awareness

Mitsubishi UFJ Financial Group, a global leader

travel partners.

and knowledge of climate change.

in ESG finance. Terms of the sustainability-

BUSINESS CENTRE

linked loan bind HSH to demonstrate continuous

that there is a problem when it comes to climate

reductions in waste, carbon intensity and energy

change but divergent views as to precisely what

use. In addition, some of the group’s properties

the problem is and even more divergent views on

are written into the loan as needing to reach

what to do about it. It is fortunate then that there

agreed performance levels under the EarthCheck

is already work being done to clarify more precisely

certification system.

what sustainability means in the context of the hotel

Jonathan Drew, Managing Director, ESG

sector, and by 14 of the biggest hotel groups globally.

Solutions, Global Banking at HSBC commented:

Being sustainable has moved beyond being

“Sustainability-linked loans are a smart and

a marketing slogan and now requires credible

effective way to incentivise positive change. It

measurement and reporting tools as sophisticated

is encouraging to see HSH set out ambitious

investors apply the forensic analysis normally

targets relating to key impact metrics for their

deployed on finance onto whether sustainability

global business and take leadership to support

targets and benchmarks are being hit by companies

the development of green and sustainable

seeking money.

finance markets in Hong Kong.”

There remains the ‘stick’ of negative publicity

And Clement Kwok, CEO of HSH, added:

and regulatory difficulties if there is gross failure on

“These sustainability-linked loans are an

these measures but the ‘carrot’ of more attractive

important milestone as we seek to integrate

financing costs is now increasingly being dangled.

sustainability in all aspects of our business, and

Hotel buildings are an obvious source of carbon

to improve the lives of our people, our guests

emissions. Savills, in its report Property and

and the communities in which we operate.”

Carbon published in April 2021, estimated 40% of the UK’s carbon footprint was attributable to the

HA PERSPECTIVE

built environment. Rapid headway is being made

By Chris Bown: The warning signs are pretty clear

to reduce carbon emissions but for hotels, the

now. Anyone owning or running a hotel needs to

operational carbon output is a particular challenge

take carbon reduction seriously - because consumers

as reducing it can also reduce perceived consumer

are becoming increasingly interested, regulators are

benefits from the stay.

ratcheting up the ante, and financiers are concerned

The big challenge is going to be air travel. Goldman

too. Anyone with a draughty, leaky old hotel is on

Sachs, in its series of reports dubbed Carbonomics,

notice - you need to start planning upgrades.

points out that airlines’ share of CO2 emissions in

And even newer buildings, too, need assessing for

Europe had double since 1990. It remains relatively

practical improvements.

small at about 4% but, as net zero initiatives gain

Owners, operators and brands need to work

traction, the share taken by airlines is set to soar.

together on this, so that sensible, practical steps are

This will create more pressure on governments to act.

implemented. As ever, in a new and fast-changing

Hotels, particularly resort hotels and gateway

field, everyone will need to be wary of taking the

city centre properties, are reliant on airlift for much

wrong advice, and wasting money on new fangled

of their business. If this airlift becomes a target for

kit that doesn’t deliver as promised.

green taxes – as it surely will – then this will create

Thankfully, there are now a growing range of

headwinds for the sector’s growth.

tools and support systems, many being developed by

The options for reducing carbon are to curtail

organisations with the broad support of the industry.

activity, make the activity more efficient in carbon

It’s time to grab a tool, and start measuring.

terms or to offset the activities emissions create through carbon sequestration initiatives. While there

HA PERSPECTIVE

are some efficiency measures available to airlines,

By Andrew Sangster: Sustainability is increasingly

such as fleet renewal by cleaner engined aircraft

an “hurrah” word. What it actually means in reality

and sustainable aviation fuels, they cannot reach net

is what matters and divining that has become

zero on these measures alone. And new propulsion

harder and harder. There is widespread consensus

technologies are some way off.

Hotel Analyst is the news analysis service for those involved with financing hotel property or hotel operating companies.

For more information and to subscribe visit: www.hotelanalyst.co.uk

131

Performance Data November 2021 vs 2019*

(year-over-year % changes and absolute values)

Covid-19 Update: Fluctuations continue around the world As the world nears the two-year mark in the pandemic, hotel performance recovery continues to play out unevenly across world markets. Recovery also continues to encounter new challenges, such as the rapid spread of the Omicron variant and subsequent new restrictions at the end of 2021.

CANADA

Despite month-on-month performance declines, absolute levels inch closer to pre-pandemic figures. Room rates continue to show recovery momentum with less of a seasonal drop off than historically.

The most recent monthly data at the time of writing displays the uneven nature of global performance.

US performance levels for November are lower than the previous month, but indexed comparisons with 2019 fare better. Included in the month, the country posted its best Thanksgiving week on record. In Asia, China – which was the first country to reach 2019 levels earlier in the pandemic – has seen significant fluctuations with performance declines tied to restrictions. Markets in parts of Europe also saw declines in November amid rising Covid case counts, even before the announcement of Omicron. The UAE, which has been more successful than most in reopening to international travel, has moved further ahead in recovery. And after a difficult winter in the southern hemisphere, Brazil’s occupancy is once again on the rise and ADR is exceeding 2019 comparables.

Regardless of location, recovery continues to be closely aligned with pandemic restrictions.

So, while the world continues to push forward, there are inevitably going to be setbacks and short-term hurdles to clear for the hotel industry.

Occupancy 18.4 % to 49.7% ADR 6.3% to CAD138.52 RevPAR 23.6% to CAD68.85 USA

On an absolute basis, US performance is its lowest since July 2021. However, this was to be expected due to seasonality, and levels come closer to pre-pandemic comparables than in the previous month.

Occupancy 6.2% to 57.6% ADR 2.4% to USD128.50 RevPAR 3.9% to USD74.03

BRAZIL

Brazil’s 58.5% occupancy is its highest of the pandemic era.

Occupancy 8.8% to 58.5% ADR 5.4% to BRL342.11 RevPAR 3.9% to BRL199.98

CHILE

ADR is the highest in the country since March 2020.

STR provides premium data benchmarking, analytics and marketplace insights for global hospitality sectors.

For more information and to subscribe visit: www.str.com

132

Occupancy 6.8% to 54.8% ADR 21.5% to CLP65,034.42 RevPAR 16.1% to CLP35,655.25

BUSINESS CENTRE

UK

The UK posts its second highest ADR since September 2019. While occupancy is lower than October on an absolute basis, the indexed comparison with 2019 is higher.

Occupancy 12.7% to 68.0% ADR 5.3% to GBP99.62 RevPAR 8.1% to GBP67.74

CHINA FRANCE

November marks France’s fifth consecutive month with ADR above EUR120.00.

The country’s occupancy index to 2019 is slightly lower than October.

Occupancy 14.2% to 56.8% ADR 5.4% to EUR121.17 RevPAR 9.5% to EUR68.88

Amid rising Covid cases and subsequent restrictions, China’s occupancy is its lowest since August and even lower than November 2020 (62.1%). ADR and RevPAR levels are the lowest in the country since August 2021 and January 2021 respectively.

Occupancy 32.3% to 45.8% ADR 12.7% to CNY399.42 RevPAR 40.9% to CNY182.93

UAE

EGYPT

With international tourism flows being restored, Egypt’s occupancy level is its highest since November 2018. ADR is its highest since July 2021 and pushes RevPAR to its highest point since August 2018.

Occupancy 0.3% to 73.6% ADR 17.0% to EGP1,481.06 RevPAR 17.2% to EGP1,089.50

Lifted by the much-anticipated Expo 2020, absolute ADR and RevPAR levels are the highest in the market since January 2016 and March 2015 respectively.

Occupancy is at its highest point since November 2019.

Occupancy 0.2% to 82.9% ADR 32.1% to AED755.43 RevPAR 31.9% to AED625.97

AUSTRALIA

Reflecting the end of lockdown and eased travel restrictions, Australia’s absolute ADR level is its highest since April 2021, while occupancy and RevPAR are the highest since June 2021.

*Due to the steep, pandemic-driven performance declines of 2020, STR is measuring recovery against comparable time periods from 2019

Occupancy 41.4% to 45.7% ADR 4.7% to AUD183.94 RevPAR 44.2% to AUD84.06

133

SIPPING

AHEAD EUROPE

WAT C H H I G H L I G H T S O N C AT C H - U P

www.aheadawards.com

000

NoMad London scoops an impressive five awards in Europe as the industry comes together for a Blitz Kid-inspired evening to celebrate the best in hospitality experience and design.

Following a pandemic-induced hiatus, AHEAD Europe returned to Battersea Evolution in November for a New Romantics-themed ceremony held in collaboration with Global Sponsor RH Contract. In keeping with the popular ‘Black Tie With A Twist’ dress code, the community of developers, operators and designers in attendance were asked to wear their Blitz Kid attire to celebrate the best hotel designs across Europe in style.

Having met and mingled with their industry peers, guests were invited into the ballroom, where Awards Director Matt Turner welcomed everyone before introducing Christopher Webb, Chair of the judging panel and Vice President of Architecture & Design at Hilton Worldwide, to share some opening remarks.

“This year, we have seen breathtaking restoration and newbuild projects, as well as awe-inspiring architecture delivered with a true and bold sense of place,” said Webb to the 700-strong audience. “We have also seen emerging hospitality concepts, unique one-off projects and exquisite retreats, all awakening our spirit of wanderlust once again. There has been a continued trend for specialisation too, be that the finest theatrically-designed bars, a handcrafted cabin for two, or perhaps a once-in-a-lifetime suite with panoramic views overlooking Europe’s finest capital cities. So,

lets celebrate this wonderful and unique year of design that I know made myself and the other judges both dream and smile again.”

The awards portion of the event kicked off with Michelin-starred chef Angela Hartnett MBE, who took to the stage to present the Outstanding Contibution Award to husbandand-wife Robin and Judy Hutson, founders of The Pig Group. In just ten years, the pair have taken their restaurants-with-rooms brand from one property in the New Forest to eight across the UK, changing the way designers and hoteliers view country house hotels in the process. What makes the couple so deserving of the accolade is their investment in the business, and not just from a financial perspective. Both are heavily involved in each project from start to finish – with Judy responsible for the design and maintenance of the new properties, and Robin managing renovations and long-term strategic growth.

From a luxury cabin with panoramic views of the Tuscan hills to a Swedish lighthouseturned-boutique-hotel on a remote rocky islet, originality reigned supreme across the rest of the awards. Winners were announced

by AHEAD’s loyal line-up of sponsors and supporters, with those victorious on the night getting their hands on a bespoke crystal glass trophy designed by Lasvit.

JUDGING PANEL Alba Biedermann – Design Hotels Chris Penn – Birch Hotels Christopher Webb – Hilton Dennis Irvine – Richmond Intl Federico Toresi – Accor Geraldine Dohogne – Beyond Design Henry Reeve – IHG Iype Abraham – Edwardian Group Annalyn Hood – Design Hotels Jason Wischhoff – Minor Intl Linda Boronkay – Linda Boronkay Design Studio Matthew Seal – Marriott Intl Richard McConkey – UDS Stefan Rier – Noa* Tina Norden – Conran + Partners

AHEAD

B A R , C LU B O R LO U N G E / V I S UA L I D E N T I T Y BERTIE’S BAR AT THE FIFE ARMS – BRAEMAR Artfarm / The Fife Arms Hotel / Russell Sage Studio Kicking off the ceremony was the Bar, Club or Lounge award, which went to Bertie’s Bar at The Fife Arms Hotel. The glamorous whiskey bar, named in King Edward VII’s honour, emulates storytelling through its authentic design with “no detail left aside, from the personalised whiskey bottle to the logo and bill slip.” Later in the evening, The Fife Arms also took home the prize for Visual Identity. According to one judge, the hotel establishes a “stunning sense of place through colour, tone and iconography that seamlessly relates to the holistic design approach”, while another praised the “playful yet classic” design concept with great attention to detail.

GUESTROOMS

VILLA COPENHAGEN – DENMARK Nordic Hotels & Resorts / Krook & Tjader / Universal Design Studio / Goddard Littlefair Villa Copenhagen won over judges with its guestrooms, envisioned by Universal Design Studio. Inspired by the building’s Neo-Baroque style, the context of local architecture and artworks by Danish master Vilhelm Hammershøi, the studio created 381 rooms across the property’s five floors.

Unique for a project of its size, the hotel houses over 55 room typologies, all designed to give a sense of subtle beauty, quality and timelessness. Described by the judges as “calm, elegant and beautifully designed”, the guestrooms boast a clean aesthetic with an “effortless and exquisite” design.

HOTEL NEWBUILD HOTEL MILLA MONTIS – MARANZA, ITALY Oberhofer / Roland and Franziska Oberhofer / Peter Pichler Architecture With new projects popping up across the region, Hotel Newbuild has become an increasingly competitive category.

So, what made Hotel Milla Montis stand out to the judges?

Conceived by Peter Pichler Architecture, the hotel is a contemporerary reinterpretation of the region’s vernacular architecture, as well as the classic wooden barn. One member of the judging panel used the words “poetic, tactile, confident and authentic” to describe this unique newbuild, while another applauded the studio’s work as “an unbelievable piece of architecture” that interacts well with the surrounding nature.

AHEAD

H O T E L R E N O VAT I O N & R E S T O R AT I O N

OKU IBIZA – SPAIN Westfort Capital / Oku Hotels / MG&AG Architects For this renovation and restoration, Oku Hotels enlisted father-son-duo MG&AG Architects to transform the former Casa Cook building and its neighbouring plot into Oku Ibiza.

Comprising a trio of low-rise grey concrete structures, the hotel eschews the all-white aesthetic synonymous with the island, instead favouring raw and natural materials. “Although they are very modern buildings, we wanted to create a natural look; when you see the architecture from a distance it doesn’t stand out,” Miguel Garcia Quetglas told Sleeper. The panel applauded the hotel’s tactility, describing it as “excellent and incredibly consistent in its clear, contemporary language.”

S PA & W E L L N E S S / L A N D S C A P I N G & O U T D O O R S PA C E S

SIX SENSES IBIZA – SPAIN Beachbox Hotelco / Six Senses Hotels Resorts Spas / Jonathan Leitersdorf / Nova Ingenieria “When people leave Ibiza, what do they need? Another holiday.

So we wanted to create a place where people leave feeling recharged,” explained architect and real estate developer Jonathan Leitersdorf in the last issue of Sleeper. Successful in its mission, the ultra-luxury wellness-focused retreat deservedly took home the award for best spa and wellness facilities. And it wasn’t just the resort’s wellness focus that impressed the judges, with its landscaping and outdoor spaces also receiving an accolade for its “seamless integration of local plants and trees” and focus on sustainability.

LO D G E S , C A B I N S & T E N T E D C A M P S CASA OJALÁ – TUSCANY, ITALY Casa Ojalá / Rosewood Castiglion del Bosco / Beatrice Bonzanigo The Lodges, Cabins & Tented Camps category first became highly competitive in the AHEAD MEA awards. Now other regions have stepped-up their game, so much so that the category has been introduced to AHEAD Europe for the first time. Scooping the inaugural trophy was Casa Ojalá, a luxury cabin in Tuscany that offers a “360-degree guest experience in glamping” with a “true connection with nature”. The judges were “fascinated” and “impressed” by the unique concept’s mechanical system, which allows guests to effortlessly control their comfort and privacy with the pull of a cord.

RESORT

CERVO MOUNTAIN RESORT – ZERMATT, SWITZERLAND Cervo / Mls Architeckten / Dreimeta Following an eight-month renovation that commenced in Summer 2020, the updated Cervo is a reconceived haunt for the modern nomad where sustainability, connection to nature, and a glocal experience reign supreme. Redesigned by Dreimeta, the remodelled spaces are a modern interpretation of the Alpine lifestyle, with a decidedly more outward-looking perspective of the world. “Quirky, responsible and nestling beautifully in its landscape”, the judges concluded of the resort, which offers “a different type of luxury” that focuses on sustainability and its connection with nature.

SUITE

HERBS VILLA AT EKIES ALL SENSES RESORT – HALKIDIKI, GREECE A+P Efstathiadis / Agarch+ Architects / Fytron Landscapes / Alexandra Efstathiadou The Europe Suite category comprised a host of strong contenders, but there could be only one winner. So, how did the Herbs Villa beat off the competition? Located in the Ekies All Senses Resort complex, the suite embodies everything the hotel has to offer. Spread across two levels and accomodating up to four guests, the 80m2 villa offers an interesting mix of “local and contemporary, texture and architectural elements,” a combination that the judges perceived to be both original and authentic.

NEW CONCEPT PATER NOSTER LIGHTHOUSE – HAMNESKAR, SWEDEN National Property Board Sweden / Toplite Invest / Stylt Trampoli The judges were totally in awe of Pater Noster Lighthouse, located on the remote island of Hamneskar off the west coast of Sweden. A former home for generations of lighthouse keepers, today the historic site offers an alternative take on luxury hospitality for experience-seeking travellers. Design agency Stylt Trampoli has converted the landmark into a guesthouse that combines Sweden’s nautical beauty and unique surroundings, with the judges defining the unique and unconventional concept as “exceptional” on all levels.

AHEAD

E V E N T S PA C E S / H O T E L C O N V E R S I O N / L O B B Y & P U B L I C S PA C E S / R E S TA U R A N T / H O T E L O F T H E Y E A R

NOMAD LONDON Sydell Group / Bow St Hotels / NoMad / EPR Architects / Roman & Williams

NoMad London was the biggest winner of the night, taking home an impressive five awards including Hotel of the Year. Situated in Covent Garden opposite The Royal Opera House, the first international NoMad property takes residence in the Grade II-listed building formerly occupied by Bow Street Magistrates Court and Police Station. The landmark transformation, carried out by EPR Architects and Roman & Williams together with main contractor Beck, earned the award for best Hotel Conversion in the region.

The NoMad Restaurant headed up by Executive Chef Ashley Abodeely, took the second F&B accolade for its “clever use of space, which gives guests a great arrival experience”, while the attention to detail throughout the hotel meant NoMad was also triumphant in the Lobby & Public Spaces category. Judges praised the shared areas for “providing guests with an

intriguing journey of discovery with a series of individual spaces leading to one another.”

According to the panel, the interiors make the best use of the floorplan, with every area from the lobby to the library “well-appointed”.

The original courtroom, now the Magistrates’ Ballroom, has been re-imagined as a formal space with two adjacent private dining rooms and a separate bar. When picking their Event Spaces winner, the panel applauded the “exceptional” décor, describing the venue as “punchy, provocative and dramatic”.

The judges were so bowled over with NoMad London that it scooped the most coveted award of the evening, the AHEAD Europe Hotel of the Year. “NoMad London is a masterclass in creating a complete experience,” commented the panel. “Every space delights, delivering spectacular design and a wonderful sense of theatre.”

2022 DATES ANNOUNCED SOON

www.aheadawards.com

W I N N E R O F F I V E AWA R D S I N C L U D I N G T H E C OV E T E D AHEAD EUROPE ‘ H OT E L O F T H E Y E A R ’

Working in close collaboration with the professional team, BECK are delighted to have been the main

contractor on NoMad London. To find out more, please contact Vanessa Budd: vbudd@beckinteriors.com

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SPOTLIGHT

Reviving the Roaring Twenties Combining technology, craftsmanship and art, Gessi’s Venti20 collection honours the classic Art Deco forms of the 1920s.

Words: Ben Thomas

he Roaring Twenties will always be

T

Merging form and function in equal measure,

each offering a different take on Art Deco. The

remembered for the emergence of Art

the evocative bathroom range – comprising

chromatic qualities of nickel, for instance,

Deco – a style that influenced everything

mixers, shower components, wall-hung WCs and

enhances the purity of the basin mixers, while

from architecture and interior design to fashion,

bidets, together with washbasins, coverplates

a warm bronze finish adds a modern zing to

furniture and everyday objects.

and accessories such as soap dispensers and

timeless shapes, and a brushed copper strikes

Characterised by bold geometric forms and

towel rails – takes on a linear look with refined

a balance between industrial and artisanal

lavish ornamentation, the movement continues

silhouettes, while the craftsmanship of the

craftsmanship. And then there’s matte black,

to inspire creatives to this day, with many

handles and the base of its long umbrella spouts

which rounds out the collection with its soft

looking to revive the spirit of the age in the

reimagine classic shapes for a new era.

aesthetic and subtle technical feel.

modern world. Such was the case for Italian

“Deco had the merit of being a very expansive

While reviving the Roaring Twenties was

manufacturer Gessi, whose recently-launched

style,” notes Violán. “We have never seen a

the primary ambition, Venti20 also recognises

Venti20 collection honours the signature

style flourish so quickly. For Venti20, we looked

a shift towards wellness in the hotel sector.

elements of the ‘20s – think detailing, iconic

to reproduce those precious objects.”

“The bathroom was once seen as an obligation,

This fusion of past and present is evident

whereas today it is a space that people want to

Conceived by Spanish designer-artist

across the collection, from the jewel-like high

feel comfort in,” Violán reflects. “Nowadays,

Lázaro Rosa Violán, who has worked with the

sink mixers with their reflective curves and

taking care of the bathroom is crucial as it plays

likes of Marriott International, Mondrian and

cuts, to a ceiling spout that embodies the chic

a key role in the guest experience. For me, this

Soho House since founding Barcelona-based

cleanliness of minimalist design. Three-hole,

room is everything.”

LRV Studio in 2002, Venti20 does away with

wall-mounted mixers follow the artful aesthetic

Looking ahead, Violán hopes his collaboration

nostalgic replicas in favour of carefully dosed

too, integrating the stylistic traits of the wider

with Gessi will inspire a new generation of

retro notes, blending elegantly detailed profiles

range into sleek handles and slender spouts.

bathroom designs, celebrating the best of the

style and a playful essence.

with fluted bodies and pure lines that come

Violán worked closely with Gessi to achieve

past while catering for the modern traveller. “As

together as functional, contemporary works of

this symbiosis, often stopping by the brand’s

in the 1920s, today we are talking about a new

art in the bathroom.

production facility in Italy to see his designs

cultural, aesthetic renaissance,” he concludes.

“When we took on the project, we considered

first-hand. “It was important for us to visit the

“Let’s hope that this explosion of joy and shapes

two or three aspects and the one that emerged

factory because otherwise we would certainly

will influence the response to the Venti20

as most interesting to me was the inspiration

have approached the project differently,”

collection, which, as well as being highly

of nature,” says Violán. “We wanted to create a

he confirms. “It was a surprise, like living

versatile has nuances that work in harmony

connection between nature and art, which is also

the fantasy every designer has of working

with a range of architectural environments.”

the origin of design. This is what happened in

with a company that combines technology,

the 1920s when architecture underwent radical

craftsmanship and art in a single object.”

change. Suddenly the straight line appeared at the basis of all design forms.”

Part of channelling the essence of the ‘20s also involved selecting the right finishes, with

According to Gessi, great design has emotional power and the ability to instil beauty into everyday objects. Venti20 does just that.

www.gessi.com

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SPOTLIGHT FLOORCOVERINGS

From sustainable carpet tiles to antimicrobial vinyl, we take a look at the latest innovations shaping the world underfoot.

Tsar Carpets Forma Melbourne-based Tsar Carpets has launched Forma, its largest collection to-date comprising a series of high-concept, hand-tufted floorcoverings that set a new standard in rug design and manufacturing techniques.

Featuring original, never-before-seen textures, colour combinations and patterns, the collection explores themes of energy and optimism, blurring the lines between applied design and fine art. www.tsarcarpets.com

1.

2.

3.

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4.

1. Topfloor by Esti Matrix

2. Nanimarquina Formula Contract

3. Ice International Captured

4. IVC Commercial Imperfection

Topfloor by Esti, a luxury rug and carpet atelier based at Design Centre Chelsea Harbour in London, bridges the gap between floorcoverings and artwork; its distinctive designs combine premium materials and craftsmanship with innovative techniques to create statement pieces. The company’s latest project, Matrix, is a partnership with Italian artist Gianluca Franzese. Based on Franzese’s artwork, the collection comprises a series of limited-edition, hand-knotted and hand-tufted pieces. According to Topfloor founder Esti Barnes, transposing Franzese’s geometric designs onto rugs has been “the most challenging yet rewarding collaboration so far”. www.topfloorrugs.com

Nanimarquina has launched a new contract division to provide bespoke solutions and address the needs of architects and interior designers. To kick-start the venture, the Spanish manufacturer has unveiled the Formula Contract collection, which has been created with sustainability in mind.

Handmade in India and Pakistan, the series comprises five models and 30 colours, offering more than 250 possible combinations for both indoor and outdoor settings. The collection is also crafted using local fibres and recycled materials, from Eco-sheen and Jutex biodegradable to chemical-free cleaning products and recycled plastic packaging. www.nanimarquina.com

For over 50 years, Dutch family business Ice International has specialised in creating bespoke, handmade loose rugs and wall-to-wall carpets for high-end residential and luxury hospitality clients such as Four Seasons, for whom the company is a preferred vendor and has worked on a number of projects worldwide. Its newest range, Captured, comprises soft materials such as Merino wool and silk in neutral colours with a golden touch. The design team set out to achieve a specific feeling with the new collection; the movement within the designs simulates a sparkle of luxury captured in the moment, similar to the embracing feeling of a soft breeze. www.rugs.nl

Inspired by the ancient Japanese aesthetic of wabi-sabi and acceptance of the transient, Imperfection is the newest sustainable carpet tile collection designed

by IVC Commercial. A response to the current climate, the range counters the continual pressure to achieve perfection and is available in three designs – Grit, Bruut and Rupture. Grit is an all-over grain and Bruut is a raw textured design, while Rupture’s golden crack is an homage to the ancient Japanese craft of Kintsugi.

Imperfection also uses Econyl yarn, a performance nylon made from fishing nets, ghost nets, old carpets and fabric scraps that are regenerated through a depolymerisation process. www.ivc-commercial.com

SPOTLIGHT

2.

3.

1.

4.

1. Deirdre Dyson All At Sea

2. Bolon Patricia Urquiola

3. Stone Circle Bespoke Service

4. Ege Carpets The Marmorosch

All At Sea by Deirdre Dyson is the result of the metaphorical and literal disconnect from ‘normal’ life that has taken place during the pandemic. The nine-piece collection comprises Graded Sea, which incorporates a rainbow of the hues of the ocean, as well as Golden Glints and Sunlit, for which Dyson interplays wool and silk to illustrate the reflections of the colours of the cliffs. Shallows meanwhile concentrates on the flow of water; Sun Shaft depicts the light pouring through a tunnel; and the unusually shaped Seashell demonstrates that carpets don’t have to be round, rectangular or square. Finally, Starfish is taken from a photograph of a blue starfish in shallow waters. www.deirdredyson.com

Swedish design company Bolon has collaborated with architect and designer Patricia Urquiola to launch a new flooring collection. Comprising a single design that comes in four colours – grey, beige with blue details, a clay-pink and calming green – the range contains recycled materials, has a high-performance classification of 33 Heavy commercial, and comes with a 15-year warranty. While working on the series, Urquiola found a resemblance between the weaving technique of Bolon flooring and the Japanese tradition of Sashiko stitches. By developing, experimenting and combining the two, the colours, patterns and designs emerged naturally. www.bolon.com

Stone Circle has fabricated and installed marble flooring in many of London’s most prestigious hotels. One of the techniques available as part of the company’s bespoke service is book-matching, wherein the marble’s veins are mirrored and matched. This was used to dramatic effect in one of its London projects, where the firm installed a polished Black Wave marble floor to the bathroom of a suite. To create a truly unique look, it is also possible to inlay different marbles to create patterns within the floor. This is carried out on Stone Circle’s waterjet machines, which cut stone into the required design before bonding it on to sheets to allow for accurate installation. www.stone-circle.com

Founded in 1938, Ege Carpets is one of Europe’s leading companies in the design, development and manufacturer of unique, high-quality carpets with a clear focus on sustainability. Most recently, the Danish company specified carpets to add diverse yet harmonious ambience to the spatial rooms for the newly-opened Marmorosch Bucharest hotel in Romania. To uphold the luxurious characeristics of the Autograph Collection

by Marriott brand, the creative team behind the five-star property employed Ege Carpets’ Highline concept, which offers 100% freedom of design to create bespoke carpet that is carefully crafted to complement the guest experience. www.egecarpets.com

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SPOTLIGHT

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2.

150

3.

1. Creative Matters Pendry Manhattan West

2. Ulster The Art of Ulster

3. Amtico Spacia

Creative Matters has produced floorcoverings for hotels around the world for more than 25 years. Most recently, the Toronto-based company reunited with Gachot Studios for the third time to devise floorcoverings for the newlyopened Pendry Manhattan West. Gachot wished to retain a residential atmosphere amongst the lobby reception.

As such, the carpet design firm recommended a handknotted rug made in Afghanistan using local Ghazni wool in cut pile to bring remarkable dynamism to an otherwise simple design. For other areas of the hotel, Creative Matters supplied rugs hand-knotted in Nepal; rugs hand-tufted in Thailand and India; Axminster carpet handdetailed in China; and rugs hand-loomed in India. Ali McMurter, Managing Partner at Creative Matters, notes: “Gachot is familiar with our process and believed our skill with the full range of construction techniques would help them achieve a cohesive look throughout the hotel.” www.creativemattersinc.com

Family-owned company Ulster Carpets continues to create what it calls The Art of Ulster with some of the world’s leading carpet designers. The concept is based around utilising the large canvas that flooring offers to create bespoke pieces that wouldn’t look out of place in an art gallery. As demonstrated in projects across the globe, the versatility and talents of Ulster’s designers results in striking schemes that leave a lasting impression. These unique design talents are combined with Ulster’s patented weaving technology to give interior designers the freedom to express their creativity, which is enhanced by a partnership approach that is key to transforming ideas into reality. The perfect combination of design and manufacturing capabilities gives Ulster a unique advantage in the market and is the reason why The Art of Ulster can be found within a number of luxury hotels, casinos and cruise liners. www.ulstercarpets.com

Four years in the making and following more than 100 hours of customer research, Amtico has revolutionised its popular Spacia Luxury Vinyl Tile (LVT) collection with a fresh look and new designs. Spacia boasts over 90 products – 46 Woods and 48 Stones – devised to help architects, designers and specifiers meet client briefs, whilst creating a sense of calm through the wellbeing benefits of biophilia. Following the trend for warmer, natural finishes in commercial interiors, Woods have been arranged into six versatile and usable palettes including cool, warm and the new golden tones to provide a variety of texture and colour. The Stones have also undergone a refresh, with products now available across seven palettes, including new trend-driven designs – marble, terrazzo and tones. As part of the enhanced collection, Spacia now comprises antimicrobial protection against MRSA and E.coli. www.amtico.com

LOBBY AREA RUG AT THE PENDRY MANHATTAN WEST HOTEL WITH GACHOT STUDIOS MADE OF 100% TIBETAN WOOL, HANDKNOTTED IN NEPAL PHOTOGRAPHY PENDRY MANHATTAN WEST

WWW.CREATIVEMATTERSINC.COM LABEL STEP PARTNER – IMPROVING THE WORKING AND LIVING CONDITIONS OF CARPET WEAVERS, AS WELL AS PROMOTING ENVIRONMENTALLY FRIENDLY METHODS OF PRODUCTION.

CM_SLEEPER MAG AD_DEC 2021_FA.indd 1

2021-12-14 2:48 PM

Book a visit to The Banking Hall, our furniture showroom in the heart of Clerkenwell!

Each visit is tailored to fit you and your upcoming project, giving you full access to try our range of furniture, utilise our specifications room and even explore the old vaults.

This is only the beginning, so keep an eye out for our Table Place Chairs expansion program!

Book your visit on our website today!

@tableplacechairs / +44 (0)330 1222 117 tableplacechairs.com

SPECIFIER

SPECIFIER

Il Fanale Cone A clear reference to the natural simplicity of form, Il Fanale’s Cone range comprises pendant lamps and wall lights for indoor and outdoor spaces. In creating the collection, the Italian manufacturer wanted to pay homage to elements of the earth by dressing traditional iron in organic nuances, thanks to a special burnishing process. As such, the indoor versions come in antiqued iron, Grafene and Morocco finishes, while the outdoor series features antiqued brass with a cover in white satin glass. www.ilfanale.com

SPECIFIER

DUX Hospitality Range From the iconic opulence of the Burj Al Arab in Dubai to the enigmatic charm of Pater Noster in Sweden, luxury hotels around the world rely on DUX beds by DUXIANA to provide guests with the ultimate sleep experience. Later this year, the brand will launch a five-piece hospitality range that follows its component-based design philosophy for the benefit of sustainability and economics.

“We’re proud of our deep commitment to sustainability and the environment, which has led us to be pioneers in designing a beautiful new bed system, selecting fabrics and materials that are environmentally sound as well as starting us on a journey of revitalising our entire hospitality range,” says CEO Henrik Ljung. www.duxiana.co.uk

Stellar Works Space Invaders Characterised by bold forms and a sense of playfulness, the Space Invaders collection from Stellar Works blends functionality with quality materials and craftsmanship. Supported by a minimal metal frame, the Dhala rechargeable lamp is made up of a series of shapes that invade its structure and create a unique modularity of stacked elements, while Murano glass beads – seemingly resting on a ceramic base – alternate with different colours and finishes, concealing LED strips inside. A metal handle and the option of legs, in addition to a cable and rechargeable version, make Dhala a versatile lighting solution for any hospitality environment. www.stellarworks.com

Preciosa Diamond Cloud Diamond Cloud by Czech lighting brand Preciosa is inspired by the Bohemian Diamond Cut, which was created specially to emphasise a crystal’s properties in combination with light. The suspension of the components and their crafted arrangement, along with the special cut, means that Diamond Cloud excels in the refraction and reflection of light, while the combination of carefully placed triangular rods, with various surface treatments and precise cuts, gives the range its geometrically clean and contemporary composition. As the concept is one of Preciosa’s Signature Designs, interior architects and designers can choose the size, shape, component finishes and illumination methods of the piece. www.preciosalighting.com

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The worlds first super boutique hotel, The Londoner,

by EE Smith Contracts

2 5 M O R R I S R D, L E I C E S T E R , L E 2 6 A L T E L : 01162 7 0 694 6 W W W. E E S M I T H .CO. U K S O C I A L @ E E S M I T H CO N T R AC T S

SPECIFIER

LZF Candelabro Designed by LZF’s co-founder and Creative Director Mariví Calvo, the Candelabro suspension light unites the finest collection of wood veneer pendants. En masse, these create a striking light show, with popular luminaires – including Agatha, Mikado, Raindrop and Totem – coming together in what the Spanish brand describes as the embodiment of its greatest hits. Hovering amid the lights are several golden birds, each conveying a magical world of wonder.

Together, these birds and the various pendants stage a thrilling opus in light, a majestic piece that draws the eye at every angle. www.lzf-lamps.com

Gubi Howard When Space Copenhagen was commissioned to design the interiors for 11 Howard in Manhattan’s SoHo district, co-founders Signe Bindslev Henriksen and Peter Bundgaard Rützou wanted to create bespoke lighting that would not only withstand the heavy traffic of a hotel environment but would also develop a richer patina over time. After reaching out to longstanding collaborator Gubi, the duo developed the Howard collection, which comprises chandeliers, pendants and a wall lamp – all with sculptural silhouettes. A celebration of New York’s material palette as seen through Scandinavian eyes, the range is dominated by dark metals and industrial aesthetics that reference the urban typology and colours that surround the hotel. Constructed using the latest prototyping technology to ensure optimal design, the Howard Chandelier comprises either four or six ‘octopus’ arms that create a statement for the hotel lobby or restaurant, while the Howard Pendant features a carefully crafted spun brass shade with a gunmetal finish and brushed brass interior that adds a sense of warmth to any setting using the soft light that it casts. www.gubi.com

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SPECIFIER

LSA International Spring/Summer 2022 Designed to bring people together and enhance shared dining experiences, LSA International’s S/S 2022 collection features a range of tableware combining porcelain, mouth-blown glass and natural oak, as well as handmade glass decanters with wooden stoppers, architectural vases and modern, tall-stemmed Crystalline wine glasses. Throughout the series, the London-based design studio has sought to use tactile yet sustainable materials such as FSC-certified wood and glass. Founded in 1966 and conscious of provenance and craft, LSA’s intention is to create contemporary, relevant product ranges that endure in both quality and style. www.lsa-international.com

Studio 104 104 Collection Studio 104 has unveiled the 104 Collection, a pre-designed formal and casual uniform range that can be ordered and delivered twice as fast as its usual bespoke projects, and to a smarter budget.

Specifically targeted at the luxury sector, the 47-piece series has been conceived to accommodate a wide selection of brand styles and locations, with an eclectic palette of colours and materials catering for both traditional and modern hotels in varying climates.

In line with the bespoke ethos of the company, each client also has the ability to customise the uniforms to meet their individual tastes at no extra cost, meaning no two uniform designs are the same. www.studio-104.com

Morbern Evohide EvoHide Mistral Free is the latest addition to Morbern’s MorGreen collection of eco-friendly coated fabrics, which are produced without any chemical fire-resistant additives yet still achieve the European Fire Norm EN1021 required for IMO MED wheelmark certification. As well as being 100% vegan, phthalate-free and REACH-compliant, EvoHide is formulated with bio-attributed PVC resins and bio-based plasticisers derived from soya beans oil.

Furthermore, the 100% recycled polyester backing fabric is made from used plastic water bottles. The appearance and properties of EvoHide can be tailored to meet designers’ expectations, from plain leather-look surfaces to textile-inspired grains. www.morberneurope.com

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England DU: 06.12.2021

11. – 15. 2. 2022 FRANKFURT / MAIN

GLOBALLY UNITED Success comes from collaboration. Ambiente presents the panorama of the consumer goods market. It is the forum that drives contract business forward. Partners come here to meet and benefit from expertise, innovative strength and trend competence. GOING. LIVE. AGAIN. New digital features support business.

Information and tickets: ambiente.messefrankfurt.com/ contractbusiness Tel. +44 (0) 14 83 48 39 84 info@uk.messefrankfurt.com

73087-015_AM_Anzeigen_Contract_Business_Sleeper_242x284 • FOGRA 39 • CMYK • js |

the show

GEKKO HOUSE FRANKFURT Frankfurt am Main, Germany ARCHITECT(S): Scharnberger Architekten und Ingenieure INTERIOR DESIGNER(S): Morgen Interiors SUPPLIED BY: LAUFEN

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ADVERTISING INDEX ISSUE 100

AD Associates

044

Ligne Roset

014

Albrecht Jung

041

LSA International

057

Aliseo

049

LZF Lamps

164

Ambiente

159

Mandarin Stone

119

Arte

016

Morbern

114

Astro Lighting

002

Naturalmat

095

Beck

143

Newmor

125

Chelsom

163

Paolo Moschino

091

Creative Matters

151

Palecek

109

Curtis Furniture

097

Preciosa

077

Radical Innovation

157

DUXIANA

012-013

EE Smith

155

RH Contract

Ege

072

Riobel

071

EPR Architects

134

Roca

079

Ethimo

019

Roman

101

Sanipex

086

Gessi Get Laid Beds

010-011

006-007

117

Stellar Works

008-009

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085

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037

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027

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051

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033

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152

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063

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146

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160

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104

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039

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103

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069

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029

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005

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A Galactic Getaway

Disney World transports Star Wars fans to a galaxy far, far away with a cosmicinspired hotel experience.

From large-scale conventions to an official Star

even plot a secret mission. On-board experiences

Wars Day on May 4, fans of the space opera

include training on the inner workings of the

will go to great lengths to honour the legacy of

spacecraft’s navigation and defense systems

George Lucas’ iconic franchise, but never have

at The Bridge, learning the traditional art of

they had the chance to play a starring role in

wielding a lightsaber, and even jumping on a

the story themselves. That was until the launch

shuttle-pod transportation system to travel

of Star Wars: Galactic Starcruiser – a two-

to the remote terrestrial planet of Batuu – or

night hotel experience at Disney World, which

Disney’s Hollywood Studios – where the mission

allows enthusiasts to embark on their very own

continues at Star Wars: Galaxy’s Edge. And to fuel

adventure to a galaxy far, far away. Departing

passengers along the way, The Sublight Lounge

in March 2022, the inaugural voyage will see

and Crown of Corellia Dining Room will serve

guests board a launch pod before stepping inside

up a selection of extraterrestrial-inspired drinks

the Halcyon, where they will reside in a cabin

and dishes. Despite all this cosmic creativity,

or suite with an other-worldly view of space.

there have been concerns over the future of the

Throughout their stay, wannabe Jedis will be

experience, with many put off by its US$5,000

given the opportunity to interact with a series of

price tag. Given the mixed reviews since its

cosplay characters such as Rey, Chewbacca and

launch, Disney will be hoping that the force is

Kylo Ren, tuck into galactic cuisine and perhaps

with them when the journey begins this Spring.

© Walt Disney World Resort

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