AVICII ARENA
BERNABÉU
BARCLAYS ARENA
INTERVIEW - AJA VIDEO SYSTEMS
Meyer Sound revamp the audio at the iconic Stockholm venue, with a new Constellation acoustic system.
Moment Factory collaborate with Real Madrid to create a permanent, multi-level interactive journey for fans.
TRISON execute an ambitious digital vision, managing the entire installation of Samsung displays..
We speak to Andy Bellamy, Technical Director, about the ever-changing infrastructure of the modern stadium.
ISSUE 45 - DECEMBER | JANUARY 2025/26
THE INTERNATIONAL PUBLICATION FOR THE SPORTING VENUE ECOSYSTEM
45 WELCOME
here is something truly special about venues that bridge the gap between historic architecture and futuristic technology - and I’m delighted that ISSUE 45 is packed with examples of how the world’s most iconic arenas are reinventing themselves to meet the demands of the modern spectator. The stunning Avicii Arena in Stockholm is a perfect example - to ensure the venue remains at the pinnacle of live performance, Meyer Sound has implemented a massive audio overhaul using its Constellation system. Elsewhere, we’ve explored d&b audiotechnik’s latest project at Coca-Cola Arena in Dubai. As one of the busiest multipurpose venues in the Middle East, the need for a versatile, world-class system was paramount. We also take a closer look at Moment Factory’s collaboration with Real Madrid to create Realmadrid Games. This world-first permanent multimedia activation transforms the corridors of the Bernabéu into a multi-level interactive journey. By turning underutilised spaces into a year-round attraction, the project sets a new benchmark for sporting venues across the world. In Hamburg, TRISON has spearheaded a visual upgrade at the Barclays Arena, installing cutting-edge Samsung displays that bring a new level of clarity to every seat in the house. We’ve also taken a deep-dive into Star Live and how they are uniquely positioned at the intersection of sport, entertainment, and brand experiences, delivering the complex infrastructure that makes spectacular events possible. As ever, there are plenty more venues, technology, and interviews inside, too. Finally, we hope you have a fantastic break over Christmas, and we look forward to a big year in 2026!
T
Sam Hughes Chief Creative Officer & Editor-in-Chief
CLIENT: CLIMATE PLEDGE ARENA
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From Venue to Destination Our award-winning team provides solutions for the most complex, large-scale, and immersive installations. AV & Experiential Design
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45 INSIDE…
Cover Image: Coca-Cola Arena Chief Creative Officer & Editor-in-Chief Sam Hughes s.hughes@mondiale.co.uk
Chief Commercial Officer Jamie Dixon j.dixon@mondiale.co.uk
Design & Production Dan Seaton d.seaton@mondiale.co.uk
Dave Bell d.bell@mondiale.co.uk
Finance Director Amanda Giles a.giles@mondiale.co.uk
Credit Control ar@mondiale.co.uk
Group Chairman Damian Walsh
MONDO | STADIA is published by Mondiale Media Limited, Strawberry Studios, Watson Square, Stockport, SK1 3AZ, UK Tel: +44 161 476 8340
Printed By Buxton Press
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TEAM TALK
VENUE FOCUS
006 Enabling Your Vision Without Compromise | TSL Products
VIDEO
066 Barclays Arena | Hamburg, Germany
INTERVIEW
074 Ülker Arena & RAMS Park | Istanbul, Turkey
012 Andy Bellamy | AJA VIdeo Systems
LASERS & SFX
018 Karam Kathuria | Renkus-Heinz
078 CareFirst Arena | Washington, D.C., USA
THE FULL PITCH
EXTRA TIME
022 Avicii Arena | Stockholm, Sweden
082 Push Beyond: Stadium Technology And The Future Fan Experience | ISE 2026
VENUE FOCUS
084 Circadian Lighting: Mercedes-AMG PETRONAS Formula 1
ENGINEERING
Case Study | Signify
030 Engineering The Crossover | Star Live
086 IP KVM: Enabling Complete Control Without Boundaries
FAN ENGAGEMENT
| Adder Technology
040 Bernabéu | Madrid, Spain
088 Chief | Velocity Outdoor Pedestal System
AUDIO
090 Tasker | Cable Drums
050 Eisarena Salzburg | Salzburg, Austria 056 Coca-Cola Arena | Dubai, United Arab Emirates 064 Palais des Sports | Dijon, France
ENABLING YOUR VISION WITHOUT COMPROMISE SL’s Hummingbird control and
choices can be – they might not integrate
companies like Riot Games for Esports, or Fuse
orchestration ecosystem, together
with existing technology you use or with
for the U2 residency at Sphere, Las Vegas, TSL
with wider integrated solutions in
each other. In a stadium, you might need to
provides the glue to enable seamless hosting of
audio and power, allow stadia and
integrate COTS and other IT equipment with
different companies for different events.
arena production teams to design, implement,
AV and Broadcast tools, but they don’t natively
With technology widely used by the likes of
adapt and scale their event and venue
integrate.
NEP, Game Creek Video, Dome Productions,
workflows the way they want.
Whether you are looking to control a range of
Gravity Media, Zoom, the IPL, La Liga, MLB,
Modern stadia need to be experiential
different third party vendors’ equipment in
NHL, NFL, MLS, WWE, TSL is ideally placed to
entertainment venues capable of delivering
your broadcast studio and control room, as
ensure your venue meets their requirements.
compelling in-venue moments for fans and
English Premier League (‘EPL’) club Brighton
“Our client’s Stadium Broadcasting was
high-quality broadcasts and streams for
needed at their AMEX Stadium, or want to
due to go live on a tight deadline. TSL was
audiences elsewhere.
simplify complex switcher and tally workflows
amazing – remoting in, programming several
TSL’s range of advanced technology solutions
like Texas Tech University at their Jones AT&T
complex devices, and helping to get it all up
honed over nearly 40 years of experience in
Stadium, or need to integrate a variety of
and running.” -Stan Wagnon, Lubbock Audio
live broadcast and events can support these
equipment from different worlds to deliver
Visual, Inc.
goals by:
groundbreaking fan experiences like Esports
• Delivering integrated, flexible control
Stadium Arlington (‘ESA’), TSL Hummingbird
CONTROL
workflows across your venue’s IT, AV and
can support all this and more.
TSL Hummingbird is an ecosystem of modular
broadcast systems;
As Corey Dunn, then Executive Director of
control and orchestration applications which
• Meeting the needs of third-party production
ESA, explained when needing a control layer
include routing, tally, machine control, facility
and event companies, managed service
capable of integrating across broadcast, AV, IT
control and DDR server/clip control.
providers or broadcasters to seamlessly
and gaming console technology:
These can be delivered alongside and
integrate to and operate in the venue;
“We needed an advanced and user-friendly
integrated with multiple other vendors’
• Delivering intelligent power distribution and
system. Operating with TSL has benefited
solutions and endpoints, in SDI, IP or hybrid
management to all your equipment and server
both the crew and talent and has allowed us
environments, on premise, remote, in the
racks to ensure uptime resiliency and deliver
to expand our storytelling capabilities with its
cloud, or a combination.
sustainability enhancements;
ability to control and interface with third-
MLB and NASCAR events use TSL’s DDR
• Ensuring audio confidence both in venue and
party devices.”
control integrated with other vendors’ servers
downstream.
Furthermore, any stadium or arena needs
and systems while NFL integrates TSL’s Tally
to be able to integrate smoothly with the
control with varied other technology.
INTEGRATE
third parties who come on site to produce a
Importantly TSL also offers a range of unifying
When selecting technology to fit your
variety of different events, whether this be
hard and soft Human Machine Interface
workflow, it can be frustrating how limiting
your OB Trucks for live sports, or production
(‘HMI’) panels which can be used to control
T
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TEAM TALK
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007
TEAM TALK
008
your choice of systems and equipment. These
AUDIO CONFIDENCE
deployment acts as great pull through for
are highly configurable to user preference too,
TSL’s largest presence in stadia to date is
venues.”
giving teams the freedom to set them up in
with their range of audio monitoring units
the way that suits them, for example Arlington
(‘AMUs’) that are in venues from the Bernabeu
POWER RESILIENCY
Esports Stadium used soft panels to customise
to T-Mobile Park with the likes of Mercedes-
Of course, all efforts to put on a great show
multiple operations with intuitive, drag-and-
Benz Stadium, McLane Stadium, Lambeau
come to nothing if there are any issues with
drop controls.
Field and Levi’s Stadium in between, while
power. To ensure all of the above can even
also having been deployed in arenas like B&W
happen, TSL also offers a range of rackmount,
AUTOMATE
Hallerne Copenhagen for the Eurovision Song
intelligent, managed power distribution units
Efficiency is an essential objective of any
Contest.
(‘PDUs’), that enable remote monitoring and
modern workflow and Hummingbird enables
Fan experience both in the venue and at home
management of rack equipment and power
process automation across many different
is the critical objective of any venue and
and include options for automatic failover in
use cases from NHL arenas using automated
audio quality is critical to that. Having tools
dual-input models to help provide additional
ad insertion workflows with SCTE, to SoFi
to confidence monitor and QC the variety of
layers of infrastructure redundancy. Alongside
Stadium using TSL to interface between
incoming feeds available and the outbound
deployments in data centres and CARs/CERs,
different technologies and automate triggers
mix is essential to ensuring audio delivery
these are used in venues by the likes of La Liga
and cues for actions from a variety of
meets that need.
and global Esport events.
equipment. This could be everything from
Furthermore, operators and audio engineers
Overall therefore, whether your venue needs
KVM switches in an IT set-up to broadcast
are often freelance and move between venues,
align more with preparing for a U2 residency
routers.
broadcast facilities, sound desks for concerts
at the Sphere, a NFL game at Mercedes Benz
Key to automation efficiency is also making
and OB trucks, so having easy to use, familiar
Stadium, the Billie Eilish tour at the O2 and
Stadium teams’ jobs simpler and quicker, as
interfaces designed with their roles in live
Co-Op Live, an EPL game at the AMEX, or
Ian Godfrey, CTO at TSL, explains through one
events in mind is key. As Tom Pollard, VP of
League of Legends Worlds at the Dong’an Lake
example:
Product at TSL explains, this is the start point
Sports Park, TSL is ready to help you deliver
“In a modern Stadium you will regularly be
for TSL in their AMU designs:
great experiences without compromise.
switching between use cases – perhaps an
“We’ve always ensured we take the AMU
NFL game one day, then the Taylor Swift
user’s feedback into account and look to
ERAS tour, before a Monster Trucks event and
present them with an interface that is simple
then a boxing night with another NFL game
and easy to use in a live environment, without
in between. If you have to reconfigure your
compromising on the key functions that
control room setup every time, that is time
the AMU exists for – delivering high quality
consuming and error-prone. Saving your
audio, accurate and reliable metering and
configuration and setup for a particular event
ease of control and selection. For an audio
type as a preset to be recalled next time you
engineer working in a stadium it is essential
require it, can save countless hours through
to find they will be working with units they
automated setup.”
are familiar with, so TSL’s extensive global
WWW.MONDOSTADIA.COM
tslproducts.com
Award-Winning Interoperable Technology for Enhancing Experiences
Control & Monitoring, Power Distribution & Management
Innovative Audio Solutions
Interoperable Control Solutions
Efficient Power Management
Award-Winning Products
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Stadia & Arenas
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45 INTERVIEW
“In our 30+ years in business, we have seen standards come and go, but we have always supported the needs of our customers throughout one transition to another.”
“With our advanced Beam Steering solution, we deliver high intelligibility in the most acoustically challenge spaces.”
Andy Bellamy Technical Director AJA Video Systems
Karan Kathuria Director of Sales & Business Development Renkus-Heinz
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INTERVIEW
ANDY BELLAMY TECHNICAL DIRECTOR AJA VIDEO SYSTEMS As the line between professional broadcast and in-venue entertainment continues to blur, the technical infrastructure of the modern stadium has never been more critical. Fans now expect a home broadcast-level of fidelity, complete with 4K resolution and HDR vibrancy, the moment they step into the stands. To understand how venues are navigating this high-stakes shift from SDI to IP and beyond, MONDO | STADIA spoke with Andy Bellamy, Technical Director for EMEA at AJA Video Systems. With over three decades of heritage in film and television production, AJA is now positioned as a vital ‘translator’ for the sporting ecosystem, providing the hardware and virtual tools necessary to bridge the gap between traditional reliability and next-generation scalability.
Can you introduce yourself and tell us about your role?
ColorBox provides low-latency, intuitive and accurate
My name is Andy Bellamy, and I am Technical Director
camera color space conversions and HDR format
for AJA Video in the EMEA regions.
conversions, in a very small and easy-to-deploy form factor. AJA has been committed to supporting HDR
Can you introduce AJA to our readership?
workflows since the beginning, with most products
AJA Video Systems have been producing hardware for
preserving HDR metadata signaling throughout.
film and television production workflows for more than 35 years, building industry-leading video capture
Everyone is talking about the move to IP for
cards, digital recording devices, video routers, frame
scalability, but the reality is often a hybrid
synchronizers and scalers, digital converters, and
environment. Do you see AJA acting as the ‘translator’
professional streaming solutions.
for venues that want to step into IP without ripping out their entire SDI backbone?
Can you tell us a bit more about how AJA fits into the
We recently released the IP25-R Mini-Converter,
sporting venue ecosystem?
which is a great way to bridge from a 4K and HD
We have extensive reach into that area, in particular
SMPTE ST 2110 network into SDI and HDMI where
we have a range of fiber channel converters that help
needed. The device is perfect for driving multi-viewers
to route signals throughout stadia with almost zero
and other monitor sources while keeping all the great
latency. Driving large display technology takes video
benefits of 2110. We’re committed to helping our
I/O, and our range of KONA cards are perfect for this,
customers span both IP and SDI workflows. AJA also
alongside our SDI routers, HDR conversion tools, and
has tools for NDI conversions, as well as Dante AV.
frame syncs. Do you think we are approaching a point where the We are seeing a massive shift where the in-venue
distinction between an ‘AV Tech’ and a ‘Broadcast
experience is expected to match the fidelity of the
Engineer’ is disappearing? And does that blending of
home broadcast. As stadiums upgrade to 4K and
skills change how you have to design user interfaces
HDR to meet these ‘broadcast standards,’ how is AJA
or control panels for your equipment?
helping AV teams bridge that gap?
The rise of 2110-based technology does require a
Our HDR and color products, such as the 4K-capable
new skill set, which expands the skills needed as a
ColorBox, are perfect tools for in-stadium HDR setups.
contemporary broadcast engineer or AV technician.
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013
Having deeper knowledge of fiber connectivity, switching,
Virtual KONA product that we are developing in conjunction
and specialised time clocks is essential, alongside traditional
with AWS. In our 30+ years in business, we have seen
networking know-how. As we progress, these roles will
standards come and go, but we have always supported the
potentially just fully merge alongside streaming skills, like
needs of our customers throughout one transition to another.
how we have seen video editors take on sound editing roles. Looking ahead, is AJA’s focus on helping venues move fully to the cloud/IP, or do you see a long future for hardware that bridges the gap? What is coming up in terms of new products and solutions? AJA remains committed to the technologies our customers are using such as SDI and IP, with products connecting both worlds during this vital transitional period. We are also committed to the development of virtual tools, such as our
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12-15-2025_AJA_Mondo Stadia_IBC_2025 _What's New_Dec_Jan_Ad_EN.indd 1
12/8/25 2:47 PM
Venues, Clubs & Architects Enquiries
Supplier Enquiries
Sam Hughes s.hughes@mondiale.co.uk
Jamie Dixon j.dixon@mondiale.co.uk
M Y KO N O S , G R E E C E | 1 2 - 1 5 M AY 2 0 2 6 For clubs, venues, architects, consultants, and suppliers of sporting venue projects, STADIA | SESSIONS is an intimate space to share ideas, specify projects, and meet with the industry.
www.stadiasessions.com
KARAN KATHURIA DIRECTOR OF SALES & BUSINESS DEVELOPMENT RENKUS-HEINZ Stadium projects often require strict adherence to
environments. How does Renkus-Heinz leverage its steerable
international guidelines (such as FIFA’s minimal SPL
technology to ensure the system complies with acoustic
requirements or FIBA standards). How does Renkus-
parameters and avoids the ‘muddy’ sound typical of large
Heinz ensure its systems meet these rigorous performance
bowls?
benchmarks right out of the box?
Through our advanced beam steering solutions, we deliver
FIFA’s peak sound level expectations are 105 dB SPL, and
high intelligibility even in the most acoustically challenging
Renkus-Heinz ensures this through a blend of beam steering,
spaces. By collaborating closely with acoustic consultants and
line arrays, and point source solutions. By using precise EASE
factoring every parameter into our simulations, we are able to
simulations of the stadium, we are able to determine the most
guarantee the best possible performance.
accurate speaker localisation to deliver the FIFA standard of uniformity of ± 3 dB SPL.
How does your technology maintain high STI and intelligibility specifically when competing with crowd noise?
A modern stadium is an ecosystem, not just a venue. How
Stadiums are high-energy spaces, and ensuring intelligible
does your audio architecture interface with other critical
audio in such challenging environments demands a careful
life-safety systems to ensure seamless operation during
balance of power and technology. Renkus-Heinz provides
emergencies?
some of the most advanced engineered pro audio solutions,
Renkus-Heinz solutions embrace key safety industry
such as beam steering, which - when coupled with high-
standards—such as EN54, IP55, and IP64—ensuring they are
power loudspeakers - ensures high dB SPL performance.
fully compliant with all necessary requirements. From VIP suites to the concourse and the pitch itself, Architects are increasingly demanding that AV technology
requirements vary. Can you explain how your system
remains ‘invisible.’ How do you balance the need for high-
handles flexible Zone Management to deliver different audio
pressure audio coverage with the aesthetic requirements of a
experiences to different parts of the venue simultaneously?
landmark stadium?
Renkus-Heinz solutions are highly adaptable across a wide
With a diverse portfolio of pro audio solutions, Renkus-
range of applications. We integrate seamlessly with leading
Heinz designs every stadium uniquely, inspired by the goal
third-party control processors—including Q-SYS, Atlas,
of minimal aesthetic intrusion. Our columns feature slim
and Symetrix—ensuring our solutions cater perfectly to
designs that render them virtually invisible. Additionally, we
comprehensive zone management.
offer customised colour options for most of our loudspeakers, allowing them to gel seamlessly with the ambience of the
Venues today are 365-day profit centres. How does your
environment.
system bridge the gap between a standard PA system for announcements and a high-fidelity performance system
Stadiums are naturally reverberant and acoustically hostile
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capable of supporting live concerts or entertainment?
INTERVIEW
At Renkus-Heinz, we endeavour to adapt to evolving industry
For the facilities management team, downtime is not an
trends, such as immersive sound and active acoustics.
option. What capabilities does the system offer for real-time
To achieve the best ROI from a venue, it is essential to
monitoring? Can it proactively alert the technical team to
accommodate diverse formats like concerts and stand-up
component health issues before they become failures?
shows. Through our alliance with Amadeus Acoustics - a
The RHAON II System Manager is our comprehensive software
renowned provider of immersive and active acoustic solutions
suite for controlling and monitoring all Renkus-Heinz
- we deliver best-in-class experiences. We have a fully
loudspeaker systems. It is now faster and more reliable,
equipped experience centre in the Netherlands to showcase
offering a streamlined, intuitive workflow that is easy to
these capabilities, and we will be opening our second centre
programme and fully compatible with both Gen5 and legacy
in Asia in Q1 2026.
products. Looking ahead, our engineering team is developing RHAON III, which will introduce:
We are seeing rapid shifts in audio networking and software.
- An Intuitive UI: Rebuilt from the ground up to prioritise
How is the Renkus-Heinz system architecture designed
efficiency and focus.
to stay in sync with the next 5-10 years of technological
- Specialised Workflow Modes: Dedicated Identify, Control,
evolution?
and Monitor modes for specific tasks.
Renkus-Heinz products feature Dante digital signal
- Advanced Zone Control: The ability to simultaneously
distribution via our optional ‘RD’ (Renkus-Heinz Dante)
manage delay, inputs, gain, EQ, and beam steering across
amplifier and card versions. This integration inherently
multiple loudspeakers.
includes AES67 compatibility and network redundancy.
- Deep Monitoring: Real-time insights into amplifier
Consequently, Renkus-Heinz loudspeakers can seamlessly
telemetry, voice coil status, temperature, power consumption,
stream high-performance audio alongside equipment from
and voltage.
other manufacturers, even those using different native AoIP protocols such as RAVENNA or Livewire.
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45 THE FULL PITCH
022 Avicii Arena | Stockholm, Sweden
THE FULL PITCH
AVICII ARENA Stockholm, Sweden Images: Meyer Sound
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vicii Arena is one of Europe’s most iconic
Constellation, and Ana Lorente, senior acoustic engineer, in
venues—an architectural marvel and the largest
collaboration with Anders Jørgensen and the installation team
spherical building on the continent. Towering
at Danish AV integrator and consultancy firm Stouenborg,
85 meters high and spanning 110 meters in
based on the original concept from acoustician Adam Foxwell
diameter, the steel, concrete, and glass globe encloses more
and Sebastian Holm from Efterklang.
than 600,000 cubic meters of space, with seating for up to
“This is not a typical Constellation system,” Jørgensen says.
14,000 for sports. As part of a comprehensive renovation, the
“We call it an audience enhancement system. It’s designed
arena now features a landmark Meyer Sound Constellation®
to create the feeling of being embraced by the crowd—so
acoustic system—redefining what’s possible for sports
spectators can actually hear each other, even across such a
events.
vast space.” For sporting events, Constellation’s real-time
The project showcases a Constellation installation of
processing ensures that crowd noise, chants, and music are
unprecedented scale. By moving beyond traditional concert
evenly redistributed throughout the arena to elevate the
halls, it sets a new standard for how active acoustics, in
emotional connection. “One of the key motivations for this
concert with physical building acoustics, can transform the
install was ice hockey,” he continues. “In Sweden, fans sing
experience in massive, multipurpose venues. The system was
to each other from opposite ends of the arena. Before the
designed by Meyer Sound’s John Pellowe, project director for
upgrade, fans couldn’t hear one another—now they can.”
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Achieving that kind of seamless coverage in a venue of this
Galileo® GALAXY network platforms and the NADIA™
scale required extraordinary precision. “The grid is 35 meters
integrated digital audio platform.
above the arena floor. You can’t just send someone up to
The entire system is segmented into 12 distinct zones,
tweak a speaker angle. It all had to be perfect on arrival,”
enabling precise spatial control. “We’re redistributing the
says Pellowe.
excitement,” says Pellowe. “If the north end of the arena
The retrofits, based on an array of 12 Meyer Sound
starts a chant or cheer, the system can carry that energy
ULTRA-X40™ and 72 ULTRA‑X42™ compact point source
across the entire venue. It’s about creating a more unified
loudspeakers and 72 shotgun microphones, are all precisely
and visceral experience.”
angled and suspended from a custom-built acoustic ceiling.
The project’s time constraints were extreme. What would
“The ceiling is shaped like a Pringle potato chip—bent in
typically be a three-month on-site installation had to be
two directions,” says Jørgensen. “That introduced challenges
completed in just two weeks due to scheduling demands
for how we could mount, aim, and space the speakers
surrounding the 2025 IIHF World Championship. The
and microphones.” The new acoustic ceiling, designed by
Stouenborg team pre-built and tested the entire system in
Efterklang, dramatically improves the reverberation time of
their Copenhagen workshop, with each loudspeaker and
the venue and is a key in allowing the Constellation system
microphone pre-angled, rigged, and labeled for pinpoint
to work as designed. Everything is driven by Meyer Sound
placement. “We knew we had zero margin for error,” says
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THE FULL PITCH
Jørgensen. “That meant months of planning, modeling,
active acoustic technology and Spacemap Go spatial sound
and building off-site so that the install could go up without
design tools—made its debut during the 2025 IIHF World
hesitation. We created a suspension system that would work.
Championship (May 9–25), delivering powerful, immersive
Each speaker had its own individual angles and off-center
sound engineered to match the venue’s monumental scale
mounting.”
and architectural ambition.
Spacemap Go functionality is built into the system, allowing
“We wanted to create a space that delivers more than just
access to immersive effects without adding complexity. “We
sound—it brings people together,” says Mats Viker, CEO of
created six different presets that you can choose from with
Stockholm Globe Arena Fastigheter AB, the venue’s owner.
six inputs,” says Jørgensen. “Each of those inputs is routed
“Whether fans are cheering a goal or on the edge of their
differently depending on the preset. You just load one, listen,
seats in overtime, Constellation makes every moment feel
and go—that kind of behavior is what we’re aiming for.”
shared.”
The Avicii Arena project reflects an expansion in Meyer Sound’s approach to large-scale venue audio. “We’re proving that immersive audio and active acoustics have value far beyond the concert hall,” says Pellowe. “It’s about delivering a richer, more connected audience experience.” The new Meyer Sound system—featuring Constellation
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45 VENUE FOCUS
ENGINEERING 030 Engineering The Crossover | Star Live
FAN ENGAGEMENT 040 Bernabéu | Madrid, Spain
AUDIO 050 Eisarena Salzburg | Salzburg, Austria 056 Coca-Cola Arena | Dubai, United Arab Emirates 064 Palais des Sports | Dijon, France
VIDEO 066 Barclays Arena | Hamburg, Germany 074 Ülker Arena & RAMS Park | Istanbul, Turkey
LASERS & SFX 078 CareFirst Arena | Washington, D.C., USA
ENGINEERING
ENGINEERING THE CROSSOVER How Star Live Bridges Sport, Entertainment & Brand Experiences Images: Star Live, Alamy, Big Brother Recordings Limited
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ENGINEERING
W
ith audiences demanding higher production
Today’s stadiums and arenas operate at a pace and
values, rights-holders expecting commercial
complexity once reserved for major touring productions. A
growth, and operators seeking year-round
football stadium may need to serve as a concert venue within
utilisation, the pressure to deliver seamless
48 hours; a world-class tennis site may require premium
cross-sector transformation has never been greater.
hospitality suites, broadcast compounds and sponsor
Across the live events landscape, stadiums and arenas are
environments that appear for a fortnight before being
no longer single-purpose buildings with fixed seasonal
removed without a trace.
schedules – as venues they are expected to host elite sport,
This presents operators with three critical challenges:
headline concerts, broadcast operations, brand activations,
technical consistency across sectors, operational efficiency
premium hospitality and community events, often within the
under compressed timelines, and absolute safety for the
same week.
workers and users of all the temporary facilities.
These converged live environments require far more than
Roger Barrett, Technical Director at Star Live, points to the
flexible programming; they demand an engineering-led
near-impossible scenarios this coming together creates,
infrastructure capable of working across the technical,
where efficiency is paramount.
operational and commercial expectations of sport,
“Using the Oasis tour as an example, we were providing a
entertainment and brands – without compromising safety,
service as a contractor - where we were going into stadiums.
quality, aesthetics or speed.
One actually had a football match just a few days after the first wave of Oasis shows. Our load-out period had to be so
Sector Convergence: The New Operational Reality
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compressed that as we were taking things out of one end,
they were laying new grass at the other end.”
do,” Barrett notes. “The architects that do stadiums don’t
The solution required a feat of engineering logistics, coined
generally pick up all those niceties.”
the ‘rolling takeover’:
This gap necessitates significant, often retrospective,
“The only way we could make that work was this rolling
technical intervention.
takeover over a 24-hour period. We were pushing things out
“We get involved doing technical changes to the venue that
at one end, and they were coming in with a new pitch at the
make it quicker to install concert-type equipment. That
other.”
might be retrofitting steelwork in the roof, putting a grid system that can be lowered down, or - in the case of the
Modular Solutions Built for Multi-Format Venues
Principality Stadium in Cardiff - developing systems where
With an approach centred on engineering-led modularity,
things can be pre-fitted whilst the roof is open, thereby
Star Live’s systems are designed to meet and often exceed the
knocking several days off the load-in schedule.”
technical requirements of sport, entertainment and branded experience environments.
A Safety Philosophy: Design-First
The foundation of Star Live’s work often begins with
The deployment of these modular and temporary facilities
acknowledging a simple truth about large venues: they
is underpinned by a strict safety philosophy that places the
weren’t built for music.
burden of proof on the design, not the site team.
“Most stadiums are built for sport, and they’re not generally
“The critical thing is that we’re not asking anybody who
designed to facilitate concerts, even though some of them
builds things on site to say that it’s safe. We’re asking them
are funded on the basis that that’s what they’re meant to
to say they’ve done what the designers said was safe in the
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ENGINEERING
first place. That’s the fundamental part of it.”
remarkably similar,” says Barrett. “You’ve got people who
This system ensures that safety is engineered in from
want to be seated for a reasonable length of time in the same
the start, a process that is then verified during a physical
place to watch something that happens in front of them.”
inspection based on the structure’s final use.
However, not all sports are static. The design challenge shifts
“It starts with a risk assessment of the end use,” he explains.
dramatically for events where the audience moves to follow
“The scope might say ‘VIP Platform’. If it is going to be
the action.
used for table based dining facilities or it is to be used for
“The big difference in the sporting world is golf. For
people dancing to a rock band every night, there will be
instance, at the Ryder Cup, people want to follow the action,
two entirely different risk profiles with two different design
so you have a quite dramatic change in the dynamics. In
requirements.”
those particular cases, there would be a lot more attention on flow rates - probably having more exits than the normal
Formula E, Wimbledon & Ryder Cup: Audience Dynamics
requirement when you’re expecting those very rapid, major
Star Live’s expertise lies in understanding the core audience
flows in and out.”
dynamic of an event and designing for it. While superficially
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different, Formula E and Wimbledon share operational
The Anfield Transformation
similarities.
Sometimes, the convergence challenge requires a complete
“Formula E and Wimbledon... in our world, they’re
re-engineering of the venue itself. Anfield, a historic
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ENGINEERING
stadium, had safety certification issues that prohibited
Mexico City Mothergrid: Entertainment-Grade Rigging in a
concerts.
Sporting Environment
“It was actually written into the ground safety certificate at
Star Live has developed a niche in transforming former
Anfield for many years that they weren’t allowed to do music
Olympic facilities into commercially viable music venues
concerts.”
using its proprietary Mothergrid system. After successfully
The solution required Star Live to act as a consultant and
transforming the post-Olympics basketball arena in Beijing
propose a radical structural change:
(which became the busiest music venue in China) and the
“We said, ‘The only way you’re going to actually put shows
London Copper Box, they recently took on one of their most
in is to put a proper truck entrance in one corner,’ which
complex projects in Mexico City.
meant changing the whole layout of the stands.”
The venue, built for the 1968 Olympics, is a massive, high
To prove the concept, Star Live built a temporary, truck
ceilinged, circular structure with a complex geodesic roof. “It
testing system on-site. “We built an entire temporary
was actually one of the most complex installs to plan,”
system. We built a temporary ramp that could take trucks
Barrett recalls. “Everything that looks like a square when you
that would replicate something that would later be done in
look up at it is kind of a weird lozenge shape.”
concrete. Now, of course, it’s a fairly major concert venue,
The solution was a modular rigging grid capable of
based on doing that.”
supporting lighting, audio and video systems that could be lowered to load equipment and raised quickly, allowing the
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EXPERIENCE MAT TERS
Ullevaal Stadium Oslo, Norway, Home of the Norway National Football Team
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ENGINEERING
venue to rapidly turn over events.
This is the central dilemma in modular design: large, pre-
“The extra income that they generate per extra show is
assembled sections save time on site but mean “shipping vast
probably around half of the capital cost of putting that
amounts of fresh air around.” Flat-packing can condense the
system in. They’re looking at a potential of up to 40 or 50
freight but inevitably takes longer to build.
extra shows a year. So, from a business point of view, it’s
“We’re developing systems that aim to find the best
transformative.”
compromise in this scenario that affects all touring systems.” Star Live’s engineering-led approach ensures that future
The Road Ahead: Modular and Sustainable
venues can operate as dynamic platforms – capable of
As the coming together of sport, entertainment and branded
adapting to whatever the calendar requires, while
experiences accelerates, venues will increasingly rely on
continuously driving the industry toward more sustainable,
partners that combine technical credibility with operational
high-quality, and structurally sound solutions.
agility. The next major challenge lies at the intersection of logistics, speed, and sustainability. “The drive, partly commercial, partly environmental, will be about, how can you condense things down to move them, but install them just as quick?”
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FAN ENGAGEMENT
BERNABÉU Madrid, Spain Images: Moment Factory
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FAN ENGAGEMENT
M
oment Factory, the global entertainment studio,
in interactive technologies, video projections, dynamic
collaborated with Real Madrid C.F. to create
lighting, ambient music, and responsive sound effects.
Realmadrid Games, a multi-level interactive
Behind the scenes, Moment Factory’s operating system
journey through the corridors of the newly
X-Agora, orchestrates the interactive ecosystem.
transformed Bernabéu stadium. This world-first permanent
Throughout this connected journey, participants advance
multimedia activation sets a new benchmark for stadiums
from rookies to elite team members by tackling dynamic
and arenas worldwide. The experience extends the fan
practice drills, collaborative challenges, and adrenaline-
journey beyond match days, fostering deep engagement
fueled gameplay. Using a connected device, a custom avatar,
through immersive interactivity while transforming
and a web app that tracks progress in real time, visitors are
underutilized spaces into a dynamic, year-round attraction.
fully immersed in the action—joining their heroes on the
Since 2020, Moment Factory has worked closely with Real
field.
Madrid C.F. to create innovative experiences that engage fans
“Creating this experience with Real Madrid has been an
while staying true to the club’s core values, culminating in
incredible honour,” said Stéphane Raymond, Executive
the launch of Realmadrid Games. Through a unique gamified
Director of Custom Experiences at Moment Factory. “By
approach, the experience transports visitors to the heart of
bringing the identity and values of such an iconic sports club
the Club, bringing its eight fundamental principles to life
to life through creativity and technology, and by collaborating
with interactive play, while strengthening the connection
with passionate local teams, we believe we have crafted an
between fans, the team, the stadium, and the city of Madrid.
experience that allows visitors to connect with Real Madrid’s legacy in a profoundly emotional way.”
Realmadrid Games – The Experience
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Designed for all ages and skill levels, Realmadrid Games
Innovative Multimedia Solutions for Sports Venues
engages both loyal fans and newcomers through friendly
Realmadrid Games shows how multimedia solutions can
competition. Two levels of the stadium’s corridors are
transform an underutilized sports venue into a unique,
transformed into a multisensory environment using the
year-round attraction. Its modular and flexible design allows
studio’s Augmented Games platform, as well as its expertise
specific zones to be concealed during matches, enabling the
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FAN ENGAGEMENT
installation to integrate seamlessly into the stadium without
fan experiences by leveraging its expertise in active
disrupting regular operations. By extending offerings on
entertainment and its reputation as a trusted partner for
non-match days, this helps the venue become a top-of-
global sports brands. Building on past collaborations with
mind tourist destination.The experience also offers unique
FIFA, NFL, NBA, NHL, ESPN, the Vancouver Canucks, as well
opportunities for sponsor brand integration, embedded in the
as activations for the Super Bowl, MomentFactory continues
overall journey.
to innovate to shape the future of sports entertainment
Real Madrid has also entrusted Moment Factory to produce
worldwide.
immersive media content for the panoramic interior display screens of the Bernabéu. These dynamic visuals appear across the stadium’s cutting-edge surfaces — including the 360-degree high-resolution halo ribbon — on both match and non-match days. With competitive socializing on the rise, this project reinforces Moment Factory’s leadership in immersive
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FAN ENGAGEMENT
Q&A: Jamie Reilly, General Manager - Sports & Entertainment, Moment Factory Take us back to 2020 - how did this conversation with Real
process. We had to ensure that even though we were using
Madrid first begin?
state-of-the-art technology, the culture and history of Real
Timing is often everything. It was a complex project that
Madrid were deeply embedded in the experience. That is
started with an RFP, but what they really wanted to do was
where the partnership and continuous collaboration became
disrupt and innovate how they engage with fans on non-
so important.”
game days. They already had tours and a museum, but with the massive renovation of the Bernabéu, they wanted to
Can you walk me through the visitor journey?
increase the offer. The goal was to better immerse fans into
Upon arrival, fans create their own avatar. They essentially
the ecosystem of Real Madrid and the world of football. Since
become a Real Madrid player in full kit - we even image their
creative innovation, technology, and bringing people together
face onto the character. That was a really important part of
is what Moment Factory does best, that is really how our
the experience for us; it’s not just about playing games, but
collaboration started. It was a great opportunity because Real
feeling like you are part of something greater.
Madrid allowed us to push the boundaries of what we had
You go through a series of interactive experiences based on
done before. It’s quite exciting.
soccer skill sets. You can compare your metrics with friends, family, and even actual Real Madrid players. It helps you
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Real Madrid is a club steeped in history and tradition.
understand just how talented these athletes are. It isn’t just
How did you convince them to take a risk on something so
visual, either; we play with sound. We have a room with the
futuristic?
Real Madrid badge and a specific soundscape so you feel the
It’s always a balancing act. We come in as experts in what
cheers and chants as if you were in the stadium. It takes
we do - creating experiences, defining the right creative
about 45 minutes to an hour, spread over two floors.
approach, and thinking through both the technology and the
What I find most innovative is the multi-usage of the
user experience to get the best possible output.
environment. In a stadium, the corridors are critical for
However, we approach every partnership with a lot of
ingress and egress - moving 60,000 to 90,000 people safely.
humility. We aren’t the experts on Real Madrid, so we have
That real estate is precious. To solve this, all the hardware
to remain humble. I wouldn’t say there was resistance -
is in the ceilings, utilising zero floor space. We use simple
they were very open to the ideas - but it was an education
canvases that roll down over concessions and nets to contain
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the balls. On non-game days, it’s an immersive experience.
This allowed us to work with all the stakeholders to properly
On match days, they turn it off, roll up the canvases, and it
think through critical factors, such as the load and capacity
returns to being a functional corridor for concessions and
in the ceilings, to ensure the final installation would be as
crowd movement.
optimal as possible. That is precisely why we started this project back in 2020.
How do you make a game fun for both a 7-year-old and a 40-year-old ultra-fan?
How do you translate “values” into “gameplay”?
It’s a question we get asked often, and honestly, the answer
That’s a good question. The process can vary dramatically
is quite surprising: the way we build the games is highly
based on the project. Sometimes clients come in with a very
adaptable and modular. We can adjust the speed and the
clear vision of what they want. However, in many instances -
metrics based on the user.
which was a bit the case with Real Madrid - they simply say,
Crucially, they are built to be very visual and intuitive. A child
‘We want something innovative.’
or a grandparent can instantly figure out what they need
This is where our integrated, multi-step process becomes
to do, because we simplify the user experience through the
vital. It starts with what we call a conception phase. This
visual design and the soundscape.
phase is critical because it allows us to spend time truly
In the case of Realmadrid Games, you are measuring your
understanding the brand, the culture, the history, the
own skill set, but the system is versatile: we can slow down
parameters, and the objectives.
the gameplay to be more accessible, or accelerate it to create
With our internal talent, we start by proposing several initial
a real competition for athletes. The key is that the system
ideas - maybe five - and then it becomes a very iterative,
is modular and intuitive, ensuring minimal instruction is
back-and-forth process. It is not a parachute process. We
required to get through the entire experience.
bring in our expertise and guide the client toward the best possible output based on our understanding of their mandate.
What were the challenges?
We ensure there are constant updates, conversations, and
I would say the greatest challenge is that the Bernabéu was
creative outputs to confirm, ‘Yes, this is the right direction.’
a massive renovation, not a new build. You are constantly
Once we have agreement, we move into a thorough design
dealing with existing parameters within which you have to
process where we outline everything in detail, and then we
find solutions.
go into production. This tiered approach allows us to make
When you’re dealing with massive infrastructure projects, the
sure we are not leaving any opportunity untouched and that
multimedia component often comes last, after the walls are
we are acting as the best possible experts to our partners. It
built and the core construction is done. What is really critical
also allows us to take the time to properly understand their
with these types of projects is having a clear idea from the
history and nuances to ensure we are truly elevating the final
get-go of the desired output. If that conversation happens too
experience.
late, you either have to backtrack on some of the construction work or you face limitations.
Why is the “year-round” model so critical for modern
In the case of Real Madrid, luckily enough, we didn’t have
stadiums?
many major challenges because we came to the table early.
I think optimising the non-match day schedule is definitely
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FAN ENGAGEMENT
a part of it, but we have to think much broader. These
Do you think this is the blueprint for all future stadiums?
destinations are massive - they take up a lot of real estate -
I think, and I certainly hope, that what we did at Bernabéu
and the teams that play there are embedded into a sense of
becomes a benchmark for the industry.
community.
It demonstrates the opportunity of using technology in an
So, yes, there is massive opportunity in utilising the real
agile and dynamic way. It allows venues to fundamentally
estate that sits underutilised outside of game days. But
rethink their space, optimising how they program the
it’s also about how you connect the venue with the wider
location throughout the year - not just for games, but also
community. This could be through programming content on
for concerts, events, and other opportunities. The agility
the outside of the venue, or having a public space where fans
of the system is where the true value lies, as it helps create
can come and watch the game. You have a limited capacity
different levels of engagement with fans and the broader
for ticket sales, so how do you connect with your broader fan
community.
base - both local and non-local?
The only other thing I would emphasise, which I find specific
In the case of Real Madrid, we also created highly adaptable
to the sports and entertainment industry, is that a stadium or
pre-show and during-show content for the LED ring in the
an arena is fundamentally a box for storytelling.
bowl itself. This helps engage the fans who are physically
But the system we built is highly modular and adaptable.
there, but also those watching on broadcast.
For example, we could take one of our Realmadrid Games
Ultimately, it’s about expanding and personalising the
and adapt it as a pop-up event in the city centre to celebrate
fan experience in collective environments. This can be as
a major victory, like winning the Champions League. That
simple as activations within the city center, fan zones during
flexibility means the wealth of opportunities becomes
playoffs or the World Cup, or even enhancing the retail and
endless. It’s really about changing the mindset to realize the
merchandising experience. There are endless opportunities
results and influence that this adaptable content can achieve.
to make fans feel like they are part of a movement, going beyond just the people who are sitting in a seat watching the game.
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PITCH PERFECT SOUND
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Thinking. Inside the box.
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EISARENA SALZBURG Salzburg, Austria Images: KV2 Audio
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nown as Mozart’s birthplace and as the backdrop
than a dozen conflicting coverage angles in each section –
of The Sound of Music, the Austrian city is
making speech intelligibility practically impossible. To add to
home to EC Red Bull Salzburg – the eleven-time
the problem, the glass, concrete, metal, and perfectly smooth
championship-winning ice hockey team. The
ice surface caused intense reflections that further reduced
professional league club play their home games at Eisarena
clarity. EC Red Bull’s Operations Team turned to KEY-WI
Salzburg (Kunsteisbahn), an indoor arena with a capacity
MUSIC, Salzburg’s leading music shop. “As a Salzburg-based
of 3,400 spectators. After more than a decade relying
supplier and installation partner, KEY-WI MUSIC is always
on a patchwork, inconsistent sound system, the venue’s
looking to support local projects,” says Gerhard Bernegger,
Operational Team turned to a new solution powered by point
Founder and CEO of KEY-WI MUSIC. “As always, we
source experts, KV2 Audio, to finally deliver clear, intelligible
evaluated solutions from major manufacturers, but we were
game announcements.
confident that only KV2 could deliver an audio experience
Over the years, the venue’s sound system had been assembled
that met every technical requirement of the venue.”
from mismatched components and no longer met the high-
To gauge a reliable first impression of a KV2 system, an on-
performance, festival-level expectations of professional
site test was conducted at Eisarena Salzburg by audio-visual
sports venues. Existing loudspeakers were mounted in three-
engineering specialists AV MATTR, who led the project’s
box clusters aimed in different directions, resulting in more
technical management and system integration. “When I
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was consulted, it was clear that the only viable solution was
intelligibility, musical impact and operational reliability.
a coherent, high-quality point source system,” notes Tim
“At the heart of the system are ten SL412 wide dispersion
Niedermeier, CEO of AV MATTR. “In my previous projects
loudspeakers, which act as the main PA,” explains Trevisan.
– from the Haus für Mozart to the Haus der Philharmonie
“We then deployed two ESD10 and four ESD12 loudspeakers
Salzburg – KV2 systems have proven their ability to deliver
in the near and far-range perimeter zones, driven by
clarity and coverage in highly reflective and acoustically
SL3000D and ESP2000D amplifiers.
demanding spaces. After the on-site test, it was clear that
“A key challenge in this type of venue is wavefront tearing,
KV2’s point source philosophy and exceptional midrange
an issue commonly seen in ice rinks,” he continues. To
resolution were uniquely suited to Eisarena’s challenging
reduce this destructive filtering, all loudspeakers were aimed
acoustics, and all alternative proposals were quickly
in the same direction toward the audience and aligned with
dismissed.”
a central delay line rather than a single point. “This method
With the primary goal of achieving uniform coverage while
allowed us to guarantee a coherent wavefront with stable
minimising reflections – and without adjustments to the
localisation across the entire spectator area.”
arena’s acoustics – Tim Niedermeier worked alongside lead
As expected for a venue of this type, a strong resonance
system designer, Stefano Trevisan of KV2 Audio Deutschland,
was observed around 160–180 Hz. “Instead of increasing
to develop a precise KV2 system that optimises speech
overall system levels, we pulled the main loudspeakers out
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of the full-range mode and attenuated the problematic
“Where speech intelligibility was previously non-existent in
frequencies directly via EQ,” says Niedermeier. “Even under
large sections of the venue, spoken word announcements are
these constraints, the system still delivers a focused +3 dB
now delivered with clarity and consistent coverage across the
of punch at 70 Hz – ensuring that music cues and stingers
audience zones.”
remain impactful, while vocal clarity stays intact.” Signal
“The planning support, technical depth, and overall system
distribution is run over redundant Dante (primary/Secondary)
performance surpassed levels others simply couldn’t
via Netgear AV-Line switches with analog fallback, managed
match,” adds Bernegger. “Working with partners like KV2
by Linea Research ASC48 processors. FOH operation and
Audio and AV MATTR makes projects not only incredibly
monitoring are handled by a Yamaha QL1 using a custom-
successful, but also genuinely enjoyable.” The new system
built control interface.
has fundamentally improved the game day experience
The combination of KV2’s point source technology and linear
– spectators can follow what happens on the ice while
delay design has significantly elevated the arena’s sound
engaging with announcements, creating a more cohesive and
system to new heights. “Eisarena Salzburg has proven once
immersive audio experience.
again that even in challenging environments, a coherent
054
point source approach and a clean signal chain deliver
Partners: EC Red Bull Salzburg, KEY-WI MUSIC, AV MATTR,
consistent, high-quality results,” remarks Niedermeier.
KV2 Audio
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COCA-COLA ARENA Dubai, United Arab Emirates Images: d&b audiotechnik
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rom concerts to sports to corporate events - with
directivity of the GSL, KSL, XSL and SL-SUB products from
artist-loving musicality, maximum efficiency,
the SL-Series, plus the very latest Compact Cardioid Line
and finesse, the newly installed d&b audiotechnik
Array (CCL), the finished system delivers clean and consistent
loudspeaker system at Dubai’s Coca-Cola Arena
sound across the entire 17,000-capacity venue.
is not your average upgrade. It’s a global testament to the
“At Coca-Cola Arena, we aim for five-star quality in every
uncompromising power of d&b’s total broadband directivity
detail of the audience and artist experience. Choosing d&b
control and cardioid technologies - in a venue, and region,
audiotechnik was about more than technology – it was about
where experience matters most.
partnering with a brand that our team and our technical
Dubai’s Coca-Cola Arena, one of the Middle East’s most
experts truly trust. This installation represents the pinnacle
high-profile multi-purpose entertainment venues, has just
of audio performance, ensuring that every seat in the house
completed a major sound system upgrade using the latest
receives the same exceptional standard,” said Mark Jan Kar,
loudspeaker system technologies from global leader, d&b
General Manager of the Coca-Cola Arena in Dubai and SVP
audiotechnik. Including the extraordinary full-bandwidth
of Entertainment, Content, and Programming for Legends
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Global (MENA).
Jones added: “In an arena, controlling sound is notoriously
The d&b team was led by Brad Maiden, General Manager
difficult. That’s why the SL-Series is so valuable: its
of the Middle East office in Dubai and included Steve
signature cardioid behaviour ensures that as you move to the
Jones, Head of Education & Application Support (EMEA).
sides or behind the arrays, levels drop off consistently across
They worked closely with the Arena’s sound crew and
all frequencies.”
representatives from Coca-Cola Arena and Legends Global to
Of the new CCL, he adds, “Despite its compact size, it still
refine the system design, then brought in one of the world’s
delivers cardioid control down to the lowest frequencies,
most respected live sound engineers, Marc Carolan (Muse), to
which is remarkable. It slots in perfectly with the larger SL-
fine-tune the installation.
Series cabinets, meaning we can provide effective cardioid
Carolan commented: ”I’m very familiar with GSL and KSL
solutions for any space, maintaining intelligibility and clarity
systems in arenas, but being part of a permanent installation
from front to back.”
and having the time to really listen and refine things –
The new solution, aimed at giving the venue’s audiences the
without my production manager shouting at me – has been
best possible sound experience while being rider-friendly,
great. Steve and the whole team have done a fantastic job.
is designed with multiple levels of coverage that can be
The system is world-class.”
activated or deactivated as needed by the multi-purpose
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AUDIO
venue, enabling flexible control for any type of event, without
of sound quality for artists and audiences, but also in the
compromising sound quality. The main system was finessed
efficiency with which we deliver events. Our ambition is to
using d&b’s ArrayProcessing software. On the control side, a
be the region’s must-play venue, and investing in the best
complete Milan network is implemented.
possible infrastructure, including audio, gives us that edge.”
“Consistent coverage is critical. I’ve been a long-time d&b
“At d&b we work with the world’s top tours, venues, and
user, and I know I can rely on their systems to deliver
artists,” says Maiden, “and it’s been a pleasure collaborating
coverage as promised. Tonality is equally important. What
with Coca-Cola Arena and Legends Global to help create
I love about GSL in particular is that it isn’t just a technical
this benchmark for entertainment in the Middle East.
tool – it feels like a musical instrument. It has a very natural,
The installation of our flagship SL-Series further elevates
musical quality that allows the art to really shine,” said
Coca-Cola Arena on the global stage, as a venue known for
Carolan.
technical excellence and world-class quality, something
Mark Jan Kar added: “Having d&b’s modular audio systems
we’re thrilled to be part of.”
allows us to seamlessly transform the Arena from concerts to sporting events to corporate shows, at speed and without compromise. That flexibility is critical given the volume and diversity of our business. This upgrade ensures we can compete with the world’s top venues – not only in terms
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AUDIO
PALAIS DES SPORTS DE DIJON Dijon, France
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amed after the former French international handball player, the Jean-Michel Geoffroy Sports Hall in the French city of Dijon was inaugurated on January 21, 1977.
Home to the JDA Dijon Basket basketball and the Dijon Métropole Handball teams and known as the Palais des Sports, fans at the stadium have a reputation for being particularly knowledgeable, and also vociferous in their support, resulting in an often-noisy atmosphere in the 4000seat arena.
Images: NEXO
So, a primary focus of the brief for a new sound system centred around a requirement for significant improvements in the intelligibility of match commentary. Nicolas Gaillard, Audiovisual Project Manager for BurgundyFranche-Comté at information and communications technologies specialists BVS worked in collaboration with NEXO Engineering Support to propose a system which could meet exacting performance criteria in what is a highly reverberant space. Modelling performance using NEXO’s NS-1 configuration
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software, a system was designed using just 16 of the
“This distributed design allows a reduction in distance
company’s latest P18 point source speakers. Deployed in
between the source and listener” says David in conclusion,
active mode with processing and amplification from a rack of
“which helps to achieve higher STI values”.
six 4-channel NEXO NXAMP4X4Mk2 Powered TD Controllers,
“The P18 is a unique product” comments NEXO’s French
P18s achieve a peak SPL of 142dB and a full frequency
Sales Manager Jean-Jacques Vias. “At this price, no other
response of 50 Hz to 20 kHz, meaning no subs were required
speaker brings the same combination of high power and full
in the installation.
bandwidth.”
“The P18 brings a number of advantages to arena installations of this size” reports NEXO ES team member David Hochstenbach following final on-site tuning at the Palais. “There’s no need for subs and it’s easier to get a consistent frequency response over the venue as distributed point sources are so much easier than line arrays to deal with. And rigging and cabling are also greatlysimplified, further saving on cost. At the Palais, a ring of four P18s address the north, south, east and west stands from a location directly above the centre of the court, with additional pairs of P18s above the fronts of each stand.
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BARCLAYS ARENA Hamburg, Germany Images: TRISON
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arclays Arena, Northern Germany’s largest
after a competitive process, AEG selected us to deliver the
multifunctional events venue, is a cornerstone of
installation.”
Hamburg’s cultural and sports calendar. Operated
Alexander Griebl, Production Director at Barclays Arena,
by the Anschutz Entertainment Group (AEG), the
furthered: “The decision for the new project at Barclays Arena
arena, which boasts a capacity of up to 16,000 spectators, is
was straightforward: our old fascia board’s lifetime had been
home to a diverse range of events, from international concert
stretched far more than enough.
headliners to resident teams like the Veolia Towers Hamburg
“As for our choice to work with TRISON, that was a direct
(basketball) and HSVH (handball).
result of our primary partnership with Samsung.”
Located in the Altona Volkspark district, the venue has
TRISON managed the entire installation process,
consistently sought technological excellence since its opening
substructure, static calculations, and scaffolding to
in 2002. Its strategic partnership with Samsung Electronics
meticulously integrate the new LED infrastructure,while
as its Official Technical Partner is the latest commitment to
navigating the tight scheduling demands of a busy event
modernisation, focusing on dramatically upgrading the digital
calendar.
infrastructure to set new benchmarks in event presentation.
“The old system was seventeen years old and lacking in
The execution of this ambitious digital vision was expertly
modern capabilities. While the original installation was
handled by the system integration specialists, TRISON. Their
robust for its time, the product itself had major limitations
role was critical, extending far beyond simple hardware
in terms of its brightness, resolution, and the fact that spare
installation to encompass the complex logistical and technical
parts were no longer available,” Martin added.
integration required to bring the Samsung displays to life.
“Furthermore, the original installation used a front-service
Martin Orr, Business Development Manager at TRISON,
cabinet, making maintenance extremely difficult. Service
explained further: “We were first involved with AEG last year,
technicians constantly required ladders, cherry pickers, and
completing the initial major project at Uber Arena in Berlin
platforms to access and repair the system.
in August. Following that success, we were invited to tender
“The new solution, like the one we installed at Uber Arena,
for the Barclays Arena project in Hamburg. Given the specific
utilises a top-service cabinet, which completely transforms
demands and our successful track record, we decided to again
maintenance. Technicians simply lift the cabinet out from
propose the use of the Samsung top-service product, and
the top, allowing them to service or replace the entire unit
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quickly, safely, and efficiently, eliminating the need for
“The feedback since the system went live has been
expensive and time-consuming access equipment.”
outstanding. We’ve already seen the system handle quite
TRISON’s expertise was vital in the precise mechanical fitting
a few major events. A key detail to mention is that during
and alignment of the 400 individual Samsung LED cabinets
the handover and power-up with the client, there was not a
along the curved, approximately 300-metre-long perimeter
single faulty LED. Everything was fully operational from the
of the upper seating tier, creating a seamless, unified display
very start,” said Martin.
surface.
“The client manages the system themselves during concerts
They ensured the entire system was fully calibrated for
and other events - we simply installed the controllers and
optimal brightness and viewing angles, guaranteeing
necessary equipment within their media room. They are
the high-quality, flicker-free performance - essential
incredibly happy, largely because the resolution is nearly
for broadcast - and long-term reliability required for a
two-and-a-half times better than the previous system.
demanding event venue.
“We also specified the system to be an outdoor-grade LED
The core of the upgrade is the new Fascia Board, built
cabinet due to the venue’s operational challenges, such as
primarily from Samsung’s robust XHB Fascia-Series LED
opening doors that introduce humidity and temperature
cabinets, specifically engineered for large-scale venue
variations. This means it is incredibly robust. It also comes
environments. These displays blend superior visual fidelity
with a significant brightness capability, up to 7,000 nits.
with extreme durability.
We fully recognise that they will never need to operate it
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EVERYTHING
STADIUM AUDIO, VIDEO AND LIGHTING SOLUTIONS
HARMAN Professional Solutions EMEA | European.marketing@harman.com | Learn more at pro.harman.com
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at that full power; however, when we first turned it on, the client’s reaction was immediate and positive. The capability is brilliant.” Alexander concluded: “The impact of the new screens on the fan and event experience is incomparable. The resolution and sharpness of the new Fascia Board are quite simply stateof-the-art. This technological upgrade opens entirely new creative and commercial possibilities for both us and our partners. “We’ve already seen several major touring productions successfully integrate the board into their show designs, and the response from our partners, advertisers, and event promoters has been overwhelmingly positive.”
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ÜLKER ARENA & RAMS PARK Istanbul, Turkey Images: DELTACAST, LEDECA
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ounded in the early 2000s, DELTACAST has been passionately enhancing fan experiences through tailor-made graphic solutions. From broadcasters to stadiums, our pioneering spirit drives us to continually push the boundaries of what is
possible. Headquartered in Liège, at the heart of Europe, DELTACAST designs and develops a complete range of in-house graphic products, crafted by a dedicated team of talented engineers and computer scientists. “At DELTACAST, we believe that technology should serve people, not replace them. Innovation, for us, is only meaningful when it adapts to real-world needs, feels intuitive, and adds genuine value. This is why we take a human-centred approach, grounded in flexibility, collaboration, and close support. We do not just deliver tools — we create adaptive, futureready solutions backed by high-level technical expertise and personalized service. Because behind every project, there are people, visions, and stories waiting to be brought to life”, emphasizes Lionel Dutilleux, Marketing Manager at DELTACAST. LEDECA, a Turkish company founded 19 years ago and composed of 120 team members, offers solutions and display systems for a wide range of vertical markets, including sports arenas, DOOH, retail, stage, building facades, and custom designs. With production facilities in Turkey and in China, coupled with a German center, LEDECA operates in more than 40 countries. Orhan KAPLAN, CEO at LEDECA, adds: “I began my professional life as an academic after university, and our company was initially established in a Technopark within the university. LEDECA is a technology company; in the years that followed, in response to our customers’ demands and the needs of our sector, we launched both our own companies in Turkey, which provide solutions for LEDECA, and companies in China and Germany, which provide operational strength to us and all our solution partners.” LEDECA and DELTACAST have come together for outstanding sports projects. On one hand, DELTACAST offers its DELTA-stadium solution. LED content management for live events is at the core of DELTA-stadium. As an allin-one solution, it provides a comprehensive suite of tools for creating and distributing content across every type of stadium screen — from jumbo screens and center-hungs to corner screens, LED ribbons, and scoreboards.
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In addition, the system includes a powerful graphics template
major projects: stability, robustness, flexibility, and dedicated
editor, match score management, integration with external
support,” affirms Orhan KAPLAN, CEO at LEDECA.
data sources and third-party providers, as well as social
“We delivered fully reliable turnkey solutions built with
media content integration. Moreover, it provides full control
robust redundancy and hot-swapping capabilities. The SHOW
of lighting, sound, and pyrotechnics — all within a scalable,
CONTROL version was specifically designed to manage an
fully redundant, all-in-one solution.
entire live show with absolute stability. Alongside this, we
On the other hand, LEDECA has been appointed by
provided comprehensive training and ongoing support. Our
Galatasaray SK FC to lead the digital transformation of RAMS
goal was to eliminate any operational risk while maintaining
Park. The project includes the installation and management
the highest-quality standards for LEDECA. In doing so, we
of approximately 1,700 sq. metres of LED screens.
ensured the satisfaction of these two legendary clubs,” points
In parallel, Fenerbahçe BC turned to LEDECA for the biggest
out Alexandra HENRY, Sales Manager at DELTACAST.
media cube in Europe, located in Ülker Arena. This cube is
Ali SAYAN, Project Manager at LEDECA concludes: “What
made of 427 sq. metres of high-resolution LED screens.
I appreciate the most with DELTACAST is that I can do
To deliver such projects, LEDECA uses multiple high-quality
whatever I wish — this powerful tool makes all my projects
materials, including its own LED displays. To make sure the
feasible.”
right content is sent at the right time, to the right place, and fully synchronized, LEDECA did not hesitate to select DELTA-stadium to complete its global offer. “To achieve such projects, the main challenge is time. We must be able to meet short deadlines and, above all, deliver a reliable solution. DELTACAST represents the perfect match for these
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DELTA-STADIUM
THE PERFECT MATCH LED CONTENT MANAGEMENT
ENGAGE YOUR FANS With the SHOW CONTROL version, create an immersive experience by synchronizing lighting, LED displays, audio, fireworks, smoke effects, and more. Captivate your fans and turn every single match into a spectacular event.
ENRICH YOUR CONTENT Benefit from the STATS PERFORM integration to save time preparing your match and showcasing specific players or team data. Stay connected with your community on social media via CURATOR and interact live with your fans.
MAXIMIZE YOUR SPONSORSHIP REVENUES Easily transform any LED surface into advertising space with our new mapping option. Manage sponsor ads and deploy unique special effects to deliver targeted messages, while automatically tracking ad exposure time for transparent reporting.
MORE INFO
SELECT YOUR SERVICES Choose the right level of support for commissioning, installation, and updates. DELTACAST specialists are available to assist you remotely or on-site and ensure a high standard of execution.
EFFICIENT LIVE OPERATION Use our sports-dedicated interface or connect directly to the referees’ scorepads to avoid missing any crucial game information. Build custom playlists, configure dynamic sports dashboards, and export your own launchpads to operate live via your web browser or Stream Deck.
LASERS & SFX
CAREFIRST ARENA Washington, D.C, USA Images: X-Laser
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asketball fans in Washington, D.C., get to enjoy an even more spectacular visual experience during each Washington Mystics game this season. The team’s in-game video content
now features eye-catching effects generated by X-Laser projectors. Shown on video boards at CareFirst Arena during pregame player introductions and at key moments throughout each game, the clips showcase individual Mystics players surrounded by dynamic laser beams. And to enhance the viewing experience for all fans, whether attending in person or watching at home, the team also intersperses the clips during its TV broadcasts. “With the growth of this league and how each team has stepped up its gameday production, we wanted to have lasers add something really special to the Mystics’ visuals,” said Tayler Durantini, Director of Show Production for
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Monumental Sports & Entertainment. “X-Laser helped us
On the technical side, Ramnath programmed and controlled
attain the really cool ‘laser banding’ effects for our media day
the lasers using Pangolin Beyond Ultimate software, with
video shoot. The content we got looks awesome, and their
onsite safety interlock handled by the X-Laser EtherStop
team delivered just what we needed.”
system. The Mystics’ production team dialed in the camera
Earning assists for the production were a couple of all-stars
settings necessary to capture the “laser banding” effect,
in the X-Laser network. MAXTENN Productions provided
which required a specific shutter speed and compatible
the laser fixtures from their rental inventory. One Skywriter
hardware to achieve.
HPX MF-10 fixture provided the downward beams, while two
The results impressed Mystics players and team officials alike
Skywriter HPX MF-5 fixtures flanked from floor level to add
throughout the media day event. With the WNBA season now
dimension to the display. Professional laser show designer,
underway and the unique content in use, X-Laser is proud to
Nisha Ramnath, of Phase Designs, composed the exact laser
contribute to an enhanced gameday experience for Mystics
effects, colours and cues needed.
fans.
Ramnath expertly matched the Skywriters’ output to the Mystics’ red, white and blue primary palette, and generated golden hues that are part of the team’s special “Rebel” colorway. She also created pixel-perfect silhouettes of the team’s logos seen at the players’ feet during the shoot.
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Laser Without Limits
CHANGE THE GAME From adding distinct dazzle to in-arena and broadcast video content to pixel-perfect custom animations, X-Laser systems bring game-changing laser effects to any team’s visual experience.
A new ground for the sporting venue ecosystem
www.X-LASER.com sales@x-laser.com | 1.866.702.7768
Imagery owned by X-Laser USA and used with permission. This is not an endorsement of X-Laser by the team, league, player or arena.
25-26 November 2026 Business Design Centre, London stadiaexpo.com
45 EXTRA TIME
COLUMN 082 Push Beyond: Stadium Technology And The Future Fan Experience | ISE 2026 084 Circadian Lighting: Mercedes-AMG PETRONAS Formula 1 Case Study | Signify
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PUSH BEYOND: STADIUM TECHNOLOGY AND THE FUTURE FAN EXPERIENCE AT ISE 2026 s February approaches, ISE will once again take over Barcelona with ISE 2026 from 3–6 February at Fira de Barcelona, Gran Via. This year’s show is set to be a defining moment for the stadium and large-venue landscape: a place to see the technologies that will shape tomorrow’s productions, make meaningful industry connections, and tap into education that genuinely moves the craft forward. This year’s theme, ‘Push Beyond,’ isn’t just a slogan – it’s a call to action for stadium operators, venue managers, and technology professionals to experience the next frontier in live sports and entertainment technology.
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Lighting & Staging: Immersive Spectacle and Sustainable Solutions The Lighting & Staging Tech Zones, located in Halls 6 and 8.1, is a mustvisit for anyone involved in stadium production. Here, the latest in intelligent lighting, motion tracking, video mapping, and holography converge to create immersive experiences that begin the moment fans enter the venue. Expect to see brands like ETC, Clay Paky, Robe, and Elation demonstrating energy-efficient LEDs, modular designs, and advanced control systems that not only dazzle but also support sustainability goals. The integration of IoT and AI enables lighting to adapt dynamically to crowd movement and ambient conditions, enhancing both spectacle and operational efficiency.
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practical insights into lighting, audio, staging, and the integration of technology to elevate large-scale spectator experiences. A particular highlight for stadium professionals is the Venue of the Future session (4 February, 14:00–14:40), where Anders Jørgensen, Project Manager at Stouenborg, shares insights from Stockholm’s Avicii Arena, discussing how immersive active electroacoustics are transforming fan experiences and setting new standards for stadium environments. The programme also explores production design and creative staging for large-scale ceremonies, installations, and immersive experiences, demonstrating how venues can diversify their offerings and deliver memorable events beyond traditional sports or concerts. Introducing Spark: A Catalyst for Innovation At the very heart of ISE 2026 is Spark, a dynamic new initiative dedicated to fuelling creativity, collaboration, and breakthrough thinking across the creative industries, located in hall 8.1. Spark is where trailblazers and pioneers converge, driving fresh dialogue and forging new pathways for the future. More than just a feature, Spark is a central platform for discussion and inspiration, uniting diverse voices to catalyse the next big leaps in event technology and experience. Don’t miss your chance to be part of this unique, cross-vertical exchange, where innovative ideas set the stage for tomorrow’s live events.
Digital Signage and Retail Technology: Transforming the Fan Experience Enhancing the fan experience is central to stadium operations, and ISE provides an excellent platform to discover innovative solutions for improvement. ISE 2026’s Digital Signage & DooH Tech Zone in Hall 4 showcases how stadiums are leveraging digital signage to inform, entertain, and engage. From weather-responsive displays to interactive wayfinding and AI-driven content personalisation, digital signage is now central to the fan journey. The Digital Signage Summit, taking place Wednesday 4 February, 10:30-14:30, will offer exclusive insights into trends such as managed services, cybersecurity, and the convergence of signage with retail and hospitality, ensuring stadiums remain at the forefront of audience engagement. Stadium retail is another area that is rapidly changing, as it moves forward into the digital era. Fuelled by the latest breakthroughs in AV technology, including AR and mobile integration, stadium retail is making shopping more experiential and personalised. AI-powered recommendations, gesture-controlled displays, and connected inventory systems are streamlining operations and creating new revenue streams. At ISE 2026, the spotlight on retail innovation will reveal how flagship stores and dynamic retail media networks are turning every purchase into a story, deepening emotional investment and brand loyalty among fans.
Tech Tours: Behind-the-Scenes Access to Barcelona’s Iconic Venues Don’t miss your chance to see first-hand how AV Technology is playing a role in Barcelona through our unmissable Tech Tour Programme, organised in collaboration with Catalan Audiovisual Cluster. Curated to offer unique experiences, stadium and live events professionals should consider attending Alfa5 XXR Sports: Barcelona’s playground for tech-enhanced athletics or Mediapro Xperiences tour at Barcelona’s iconic Camp Nou, taking place Friday 6 February 16:30-18:00, allowing visitors to dive into cutting-edge interactive spaces with arena legends bought to life.
Live Events Stage: Real Insights for Real-World Production & Events The Live Events Stage, located in Hall 6 (Lighting & Staging Zone), is an essential destination for stadium professionals and venue managers attending ISE 2026. Throughout Tuesday 3 – Thursday 5 February, the stage delivers a comprehensive programme of panels, interviews, and case studies, all open access and free of charge. Carefully curated by leading industry figures, the content speaks directly to the challenges and opportunities faced by stadium operators, venue technical leads, broadcast AV teams, and production managers. The sessions offer
ISE 2026 is where stadium innovation, technology, and creativity unite. Whether you’re seeking the latest in lighting, signage, retail, or staging – or looking to be inspired the next wave of fan experiences – Barcelona is the place to be this February. Don’t miss your chance to be at the heart of innovation in live events. Register for FREE with the code ‘mondostadia’ and secure your place at the industry’s most anticipated event: https://www.iseurope.org/welcome/registration.
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Why This Matters Now Between expanded venue technologies, immersive and experiential productions, and increasing demand for multi-disciplinary event creation, the need for cross-functional teams - lighting, audio, video, staging, rigging, venue tech - has never been greater. For anyone involved in stadiums, concerts, immersive entertainment or cultural venues: this is a chance to hear directly from the people doing the work, to benchmark your practice, to connect with peers, and find your place in the next wave of stadium technology and live events production. Be Part of the Next Evolution in Stadium Life
Lighting that brings your stadium to life Elevate every moment with high-performance sports luminaires and connected systems, engineered for flexible, multi-purpose venues. Deliver broadcast-quality, uniform, shadow-free illumination with advanced light management, seamless scene transitions, and immersive, customizable light shows that captivate fans, broadcasters, and athletes. Smart controls optimize energy use, simplify operations, reduce maintenance, and support sustainability goals — all while creating unforgettable experiences and unlocking new revenue streams through sponsor branding and promotional opportunities.
Learn more about our sports lighting solutions www.signify.com/global/applications/sports
CIRCADIAN LIGHTING: MERCEDESAMG PETRONAS FORMULA 1 CASE STUDY Elina Dayanova, Global Segment Manager, Healthcare and Education Practice ince Signify started partnering with the Mercedes-AMG PETRONAS Formula 1 Team in 2024 to drive our shared passion for sustainable technology and responsible innovation, we’ve learned a great deal about the punishing Formula 1 racing season schedule and the unique challenges that drivers face to achieve and maintain peak performance. The team drivers and trainers, in turn, have learned a great deal about how light can help them do just that. Every year for 10 months, starting in March to December, the Mercedes-AMG PETRONAS Formula 1 Team participates in 24 races on five different continents. With all the shifting time zones, night and day races, and long airline flights, jet lag becomes a serious issue—and if it isn’t addressed effectively, racers quickly find themselves at a competitive disadvantage. Addressing jet lag requires that drivers manage their sleep and waking cycles effectively, no matter where in the world they find themselves.
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What is jet lag, anyway? Of course, Formula 1 drivers aren’t the only ones affected by jet lag. You’ve likely experienced jet lag, too, and its unpleasant effects are likely familiar to you: fatigue, inability to concentrate, unpredictable spikes in hunger, irritability, and—perhaps worst of all—disturbances to your sleep/wake cycle. Jet lag can be a serious nuisance, but do you know what causes it? It’s not the second cup of coffee you had at the airport, and it’s not that drink you had with your in-flight meal. It’s actually caused by disruptions to your circadian rhythm. The circadian rhythm is a 24-hour internal “body clock” that governs the sleep/ wake cycle and other vital aspects of human physical and mental health. When you shift multiple time zones quickly, the circadian rhythm gets out of sync, and you experience the symptoms of jet lag. Fortunately, jet lag goes away after a few days, and you start to feel better. This means that your internal clock has readjusted to the current time zone, and your 084
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circadian rhythm is more or less aligned with the 24-hour day in whatever part of the world you happen to be. What’s light got to do with it? You may not know it, but light plays a profound role in regulating the human body clock. The right type and intensity of light at the right time of day helps to keep the circadian rhythm properly aligned (or entrained). The wrong type and intensity of light, on the other hand, can wreak havoc. Light produces obvious and profound visual effects in us. It also produces nonobvious but equally profound non-visual effects. There are receptors in the eyes, alongside the well-known rods and cones, with a direct line to the region of the brain—the suprachiasmatic nucleus of the hypothalamus—that regulates the human circadian rhythm. This third kind of receptor contains a photopigment known as melanopsin. Melanopsin has a lot to do with the functioning of “sleep hormones” like melatonin and tryptophan, as well as with cognitive and affective processes in general. Melanopsin is most sensitive to short wavelengths of visible light—that is to say, blue light. Not surprisingly, the amount and timing of the blue light we get during each 24-hour period has a lot to do with our circadian health. Curiously, the eyes’ melanopsin receptors don’t work in tandem with the human visual system, but entirely independently. We know this because experiments have demonstrated the melanopic effects of light even on people who are completely blind. So, what kind of light do you need, and when? The science—supported by randomized controlled trials and research-based recommendations—indicates that proper circadian entrainment requires a good strong dose of bright blue light for a couple of hours in the morning, when we need to be awake and alert, and dimmer, warmer (non-blue) light in the evening, when we’re getting ready for sleep. “Light has a massive impact on my performance,” affirms driver George Russell of
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the Mercedes-AMG PETRONAS F1 Team. “We’re traveling the globe and we’re often changing time zones, and I’ve learned to recognize that seeking light at certain times of the day and avoiding light before bedtime always helps me sleep better. Having cool bright light during working hours around the engineering office and in my driver room before races keeps me awake, sharp, and ready to perform.” The experience of jet lag without getting on a jet Unfortunately, you don’t have to have actual jet lag to experience the symptoms of jet lag. Many of us, including office workers and shift workers, spend 90% of our time indoors, and so may frequently experience impaired performance, brain fog, and sleep disruptions—not exactly because we aren’t spending enough time outdoors, but because we’re not getting the right kind and intensity of light at the right time. To address this situation, Signify has innovated a number of solutions using a combination of dynamic LED luminaires, flexible controls, and science-based lighting recipes designed to cater to the circadian needs of people who spend most of their time under artificial light. With our circadian lighting solutions, we can deliver the optimum kind and quality of light throughout the day for focus, productivity, and high performance. Our solutions can be used in application areas as diverse as office workspaces, hospitals, schools, hotel guest suites, and stadium locker rooms. NatureConnect NatureConnect gives a skylight illusion that turns dark or windowless areas without access to natural daylight into engaging spaces by mimicking daylight. NatureConnect replicates a view to the sky, using light scenes that boost energy levels and that help windowless spaces feel in sync with nature. One study shows that NatureConnect has a positive impact on alertness and vitality of workers. Another study confirms that people who work under NatureConnect without access to daylight miss daylight less. “NatureConnect Dayrhythm adjusts the level of blue light that we are exposed to. This not only helps us to stay awake and be sharp during the day, but at the end of the day it helps us to wind down as well,” says Zhaoming Li, Senior Performance and Simulation Engineer for the Mercedes AMG PETRONAS F1 Team. While NatureConnect cannot be formally classified as daylight according to EN17037, the European standard for daylighting in buildings, it meets the standard’s maintained illuminance requirements for indoor workplaces as well as its highest recommendation levels for daylight provision. A NatureConnect skylight is designed to be indistinguishable from a real window, creating a daylight effect and increasing feelings of spaciousness. The blue sky experience uses light recipes with high melanopic levels to maintain high performance while at the same time offering functional lighting, and improving light uniformity and distribution to minimize shadows. This helps support work on tasks that require precision, such as examinations and data analysis in healthcare settings.
spectrum between the hours of 9 am and 1 pm, the right time of day and the right duration to regulate the circadian rhythm. Melanopic daylight efficacy ratio (M-DER) is a metric that assesses how effectively a light source stimulates the human circadian system as compared to daylight. BioUp-compatible luminaires achieve a high M-DER of up to 0.97 at 5000 K, delivering melanopic benefits to people indoors with limited exposure to natural light. BioUp is available on select Philips products in Europe and select Ledalite, Day-Brite, and Alkco luminaires in North America. Interact circadian lighting Interact connected lighting offers circadian lighting capabilities for its office, education, healthcare, hospitality, and sports systems. These capabilities are implemented using dynamic, Interact-ready connected LED luminaires—tunable white and full-color—and evidence-based lighting recipes (dynamic lighting scenes) designed to have a positive impact on mood, performance, and overall well-being. Circadian lighting with Interact contributes to requirements laid out in healthy building standards such as BREEAM and WELL. Achieving healthy building certifications increases the value of commercial properties and makes them more inviting to high-value employees. In hospitality settings, Interact uses specially designed lighting behaviors to help guests get the best night’s sleep possible and wake up naturally and refreshed in the morning. In sports facilities, uniquely designed lighting recipes for dressing rooms can enhance focus, intensity, or relaxation as needed. In educational settings, circadian lighting can help improve performance on tests and reading speed. And in healthcare, circadian lighting can support the healing process, lower errors rates, and reduce patient elopement incidents. The importance of a getting good night’s sleep It’s impossible to overstate the importance of a good night’s sleep for ensuring that people can feel well and perform at their best. “It’s been a journey for me, learning the impact light has on your own personal performance, and the impact it has on your sleep,” says Mercedes F1 driver George Russell. “For me, sleep is free performance. If you can have a good nine hours’ sleep, you’re not putting hard work into that, and that makes you feel better. When you get into the right rhythm, that really has a positive impact.” What’s true for world-class racers is also true for employees in office buildings, hotel guests, and people who work from home. People need light to live their lives and perform well at their jobs, and people need the rhythms of natural light to feel awake and alert during the day and to sleep well at night. For the majority of us who spend most of our waking hours indoors, circadian lighting implemented by dynamic LED luminaires and science-based lighting recipes are a must-have. There’s simply no other way for people to see well, feel well, and perform at their best.
BioUp BioUp is a technology that allows for precise adjustments to certain wavelengths in the LED light spectrum. By increasing the amount cyan light in the spectrum, BioUp supports the biological impact of light without changing its visual color or intensity. Technically speaking, BioUp creates a cyan peak at 480 nm in the visible light WWW.MONDOSTADIA.COM
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ADDER TECHNOLOGY IP KVM: Enabling Complete Control Without Boundaries oday’s live sports broadcasters are under immense pressure to deliver flawless, high-quality content to fans anywhere in the world. Although the on-screen viewing experience may appear effortless, it is supported by a tightly coordinated network of processes that unfold off the pitch to bring the live action to the audience. Operators must deliver multi-angle replays in response to on-field decisions, manage a continuous flow of multi-format video feeds and produce instant edits enhanced by real-time graphics and analysis – all without disrupting the viewer’s experience. Many broadcasters are expected to tailor content for multiple platforms simultaneously, from linear television to streaming services and social media highlights, which requires even more precision, speed and flexibility across the entire production. At the same time, the sports production landscape is undergoing a complex and accelerated transformation. Broadcasters are being challenged to rethink how their production ecosystems are designed, built and managed. At the heart of this transition are the systems that power these technologies. One solution becoming essential in this evolution is Internet Protocol-based (IP-based) infrastructure. With its scalability, interoperability and flexibility, IP offers a future-proof foundation, capable of adapting to the ever-growing demands of live sports broadcasting.
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Introducing the ADDERLink® INFINITY Range The ADDERLink INFINITY range of high performance IP KVM matrix solutions provide sports broadcasters with the freedom to operate without limitation, offering endless opportunities to enhance production workflows. Designed to boost operational efficiency and strengthen inter-team collaboration behind the scenes, it allows operators to stay focused on the game – not the technology powering it. The ADDERLink INFINITY range has become an industry pioneer, supporting cutting-edge deployments across major global tournaments, the 086
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world’s largest stadiums and biggest live sporting events. This proven track record across the most complex installations demonstrates its ability to continuously perform under pressure. Effortless Control of Devices Anywhere in the World Engineered for high pressure, mission-critical environments, the ADDERLink INFINITY range brings the ‘A game’ to live sporting productions. Offering pixel perfect image quality, ultra-low latency and limitless scalability across the network, these IP KVM solutions extend USB, video and audio signals over a standard 1Gb network. With this level of performance, production teams can stay fully focused on the action without worrying about the quality or reliability of the systems behind the scenes. This capability is especially beneficial when producers and directors need rapid access to systems that may be housed in multiple locations, enabling real-time collaboration and decision-making even when teams are geographically dispersed. High Performance Infrastructure to Match High Performance Action In live sports environments, every second counts. Operators responsible for replay, graphics, editing and camera control rely on immediate, uninterrupted access to the systems driving the broadcast. Even a momentary delay, dropped frame or loss of control can compromise content quality and risk missing game-defining moments. High performance IP KVM bridges the gap between operators and workstations whether they are in the next room or connected across a wider IP network. The ADDERLink INFINITY range delivers a remote access experience that feels identical to working on a local machine, ensuring operators maintain complete control, full situational awareness and real-time insight into the action. This level of
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responsiveness reduces operator fatigue by eliminating the frustration of input lag or display inconsistencies – a significant benefit during long tournaments or multihour broadcasts. KVM Without Limits: Infrastructure that Responds to the Requirements of the Team Broadcasters must adapt quickly as the game unfolds and flexible, responsive architecture is essential to support operators to capture all the action. This is where the ADDERLink INFINITY range excels. These IP KVM solutions offer an adaptable design capable of supporting a wide variety of infrastructure configurations, from simple point-to-point connectivity, to expansive matrix systems that span entire stadiums, multiple teams, buildings or remote facilities. For compact and mobile environments like Outside Broadcast (OB) trucks, this IP KVM system enables direct point-to-point connectivity between operators and their workstations, or seamless operation across a LAN with no distance limitation. Adder’s award-winning ADDERLink INFINITY ZeroU™ IP KVM transmitters provide the ideal solution when rack space is at a premium, mounting discreetly behind workstations or servers to free up valuable rack units without compromising quality or efficiency. As OB trucks continue to support remote and hybrid production models, the flexibility to offload key systems to centralized hubs becomes increasingly valuable for managing equipment load and improving long-term costs efficiently. For larger or more complex installations, the ADDERLink INFINITY range can expand without limits to form a complete IP KVM matrix. In this configuration, any operator on the network can access any machine from any location. This architecture provides the flexibility needed for distributed broadcast teams, allowing seamless access to shared resources across onsite and remote production environments. This model also supports emerging workflows such as REMI (Remote Integration Model) production, where core operations are performed at centralized broadcast centers, reducing travel requirements while maintaining high production values. Whether the ADDERLink INFINITY range is deployed in a point-to-point or matrix format, IT teams can centrally manage systems via the ADDERLink INFINITY Manager. This allows administrators to control operator access, monitor system
activity, configure post-production workflows and adjust replay routing during live events. By centralizing management, broadcast teams can maintain peak efficiency and operational resilience, ensuring content is delivered to dedicated sports fans. Preconfigured workflows and user-specific profiles reduce setup time and minimizes human error during high-pressure broadcasts. Enhancing Every Stage of the Live Sports Workflow Live sports production requires multiple specialist teams to work in parallel, with each member needing the right level of access to various systems at precisely the right time to keep the production moving. From replay and graphics to camera shading and editing, every operator depends on fast, reliable control to perform at their best and deliver the broadcast experience fans expect. The ADDERLink INFINITY range underpins every stage of the live production workflow, providing the precision, flexibility and high performance essential to the game. By supporting PQ (Perceptual Quantizer) and HLG (Hybrid Log-Gamma) versions of HDR (High Dynamic Range), operators can review color-accurate video without needing access to a specific reference monitor on their desk. This can lead to a significant reduction in costs and a more fluid end-to-end workflow. Future-Proofing Next Generation Sports Broadcasting Live sports broadcasting is undergoing rapid transformation shaped by increasingly flexible working practices and the emergence of new technologies. To stay ahead, broadcasters need infrastructure capable of adapting to the latest systems. The ADDERLink INFINITY range provides a future-proof foundation built to support the next generation of sports production and the technology that supports it. With adaptable deployment options, limitless scalability and reliable performance on site and remotely, Adder’s IP KVM solutions empower production teams throughout the live sporting action. As fan engagement trends continue shifting toward personalized, data-rich viewing experiences, adopting infrastructure that can evolve to support new data sources, analytics engines and immersive overlays will be essential to staying competitive in the broadcasting landscape. adder.com/infinity WWW.MONDOSTADIA.COM
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CHIEF Velocity Outdoor Pedestal System hief, a brand of Legrand | AV, announced its new Chief® Velocity Outdoor Pedestal System is now shipping. The system is a modular outdoor digital signage pedestal mount with options for single, double or triple displays. Ideal for quick service restaurant (QSR) drive-through menu boards and wayfinding signage, the system supports Samsung and LG 55inch outdoor displays and can easily accommodate future expansion. The new Chief Velocity Outdoor Pedestal System features a modular design, providing a reduced long-term cost of ownership that allows end-users to make the most of their digital signage investment. “The modularity of the Chief Velocity System allows for a streamlined installation process, and supports future growth and expansion,” said Beth Torgerson, Chief Product Marketing Manager, Legrand | AV. “Ideal for QSR menu boards and wayfinding signage, its modular design makes it easy to modify by simply updating a single display to a dual or triple display, without having to start from scratch.” Chief Velocity is designed for quick setup and requires only two people for installation. No heavy-lift equipment is necessary — eliminating equipment rental costs. Simplified French cleat display mounting provides fast, safe installation with lateral shift for zero bezel-to-bezel
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gaps. Efficient installation minimizes downtime for drive-through services, helping to preserve revenue and maintain customer flow. The Chief Velocity system components are shipped on a standard 48” pallet, which easily fits in a smaller receiving dock. The slotted base plate provides 15 degrees of rotational mounting flexibility to ideally position the menu boards for the specific demands of each site. The new system is designed to withstand harsh weather conditions and comes complete with outdoor-rated finishes that meet stringent UL 2442 Part 2 requirements. This includes robust galvanized steel with outdoor-rated primer and powder-coat, and compatibility with bestin-class outdoor displays from Samsung and LG.
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High Performance Infrastructure for High Performance Action
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In live sports broadcasting, production teams work ‘in the moment’. From replays and onscreen graphics, to editing and camera control systems, delivery of flawless content to dedicated fans is essential. Any delay, dropped frame or momentary loss of control can compromise the broadcast. The ADDERLink® INFINITY range of high performance IP KVM unifies operators and workstations in real-time so they can focus on the game and not the technology that powers it. Get connected and stay in control with Adder today.
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TASKER Cable Drums asker has decided to enlarge its range of assembled cables by inserting a new line of assembled cable drums ready to use. These drums are realized with flexible sheaths suitable for outdoor use and high-quality connectors. To meet a wide variety of working needs, we thought to create different categories according to application: Audio, Video, and Data. The first cable series is designed for DMX applications in Audio and lighting and includes our TSK1038 PUR and C862 respectively, with one and two pairs. The first one is a single-pair DMX cable with a $2 \ times 0.35 \text{ mm}^2$ section and braided tinned copper shielding. The second one is its double version, $2 \times (2 \times 0.35 \text{ mm}^2)$, with the addition of Kevlar traction inner elements, giving it double strength and resistance. These cables can be combined with 3- and 5-pin Neutrik XLR ($NC3M/FXX-B$ and $NC5M/FXX-B$) if you wish to have free connectors, along with Schill cable drum GTRM series. Alternatively, they can be combined with one panel connector ($NC3MD-LX-B$) and one free connector, using Schill cable drums GTS0 series.The second series is designed for video broadcast transmission and involves Tasker T42 PUR and TR11 PUR Extraflex. Our T42 PUR is an HD-SDI coaxial cable with a stranded conductor and tinned copper double braid, allowing 12GSDI signal transmission up to 58 m or 3GSDI up to 100 m. TR11 PUR Extraflex instead, is a triaxial cable with a stranded silver-plated copper conductor and double braid, one in silver and the other one in red copper—a perfect combination for professional cameras interconnection up to 300 m. We combine the coaxial cable with the Neutrik 75 Ohm rear TWIST connector ($NBNC75BUU11X$). For the triaxial, we rely on Fischer Connectors, one of the leaders in this sector, using the 1051 series for both double free connector and free/panel connector combinations.
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These two solutions are assembled with Schill GTS0 (for free/free connectors) and GTRM (for free/panel connectors) series cable drums. We have at the end the third series, dedicated to data transmission over LAN cables, which nowadays involves not only data but also digital audio and video over IP. Specifically for this purpose, we have Tasker C725 PUR, C728 PUR, and C726 PUR. The C725 PUR is a Cat.5e S.-U.T.P. 26/19 AWG with total braided shielding and double sheath, perfect for communications on the DANTE protocol. The C728 PUR is a Cat.6A S.-F.T.P. 24/7 AWG with individually shielded pairs (aluminum foil), tinned copper braid, and a double sheath. Thanks to its bigger section, it is ideal for video transmission on the HD-BASET protocol. The C726 PUR is a Cat.7 F.T.P. 26/7 AWG with individually shielded pairs (aluminum foil) and tinned copper braid, perfect for the typical high connection speeds of data centers. We combine these cables with high-quality Neutrik EtherCON connectors ($NE8MC-B$, $NE8FDP-B$, and $NE8MX6-B$), mounted on Schill GTMFK series drums with a lockable door to protect the connectors.To keep up with the times, we also present a series of cabled drums with multimode optical fiber with Neutrik OpticalCON connectors (both two and four channels) and a drum with SMPTE cable and Lemo connectors for broadcast. All of these solutions are ready on stock for 50, 75, and 100 meter standard lengths, but we can easily customize them as you wish! Tasker daily strives to research and develop new products and materials, also creating custom productions. This approach allows you to have a specific solution for every single customer and to always anticipate upcoming technologies, providing new products to meet the needs of today and tomorrow. We are always ready to realize customized cables with production and delivery times that never exceed 20 working days.
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Over 120 displays at Intuit Dome, including the one-of-a-kind halo display, are designed to deliver an elevated experience.