mondo | stadia - Issue 17

AXA TRAINING CENTRE

PHOENIX SUNS ARENA

MARK T. BLACK

SEATING FOCUS

Liverpool FC’s new, state-of-the-art training facility, designed by KSS, is officially open as the club’s HQ.

The Suns home has been upgraded, with L-Acoustics and Daktronics providing a new audiovisual system.

IA Stage’s President discusses his career and the company’s impressive work on sporting arenas.

We showcase stadium projects and high-end products from the seating industry.

ISSUE 17 - APRIL | MAY 2021

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ISSUE 17 - APRIL | MAY 2021 WWW.MONDOSTADIA.COM

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17 WELCOME

irst of all, make sure you register for your free ticket to AGORA Online. We’ve got a whole host of panels and keynotes lined up, with some incredible projects covered by expert speakers, including WWE ThunderDome, Dacia Arena, Ascot Racecourse, Co-op Live, Major League Cricket and more. AGORA Online will run from 20-21 April. You can sign up for your free ticket here: https://bit.ly/3dTm8YZ Our cover story for ISSUE 17 is the impressive Dacia Arena, which has established itself as one of the most forward-thinking venues in Europe, with state-of-the-art technology and big plans for the future.

Elsewhere, we’ve taken a deep dive into the Formula E World Championship in Saudi Arabia - a huge, ambitious event that’s definitely worth checking out.

Over in the US, we’ve also covered the audiovisual upgrade at Phoenix Suns Arena, with L-Acoustics and Daktronics providing high-end systems.

Also, with Liverpool FC opening its new AXA Training Centre, we’ve focussed on the design of the venue and how KSS approached the project to deliver one of the best facilities in football.

I also spoke to Mark T. Black, President of IA Stage, to discuss his career and the work that his company have been doing in arenas across North America.

There’s plenty of other projects and products covered, too, with our Kick Off focussing on seating, a Q&A with AEON LED and guest column from Pro Media Audio Video EU. See you at AGORA Online!

F

Sam Hughes Editor

17 INSIDE…

Cover Image: Courtesy of Dacia Arena Editor Sam Hughes s.hughes@mondiale.co.uk

Assistant Editor Emma Davidson e.davidson@mondiale.co.uk

Digital Content Manager James Robertson j.robertson@mondiale.co.uk

Senior Account Manager Jamie Dixon j.dixon@mondiale.co.uk

Account Manager Laura Iles l.iles@mondiale.co.uk

Design & Production Dan Seaton d.seaton@mondiale.co.uk

Dave Bell d.bell@mondiale.co.uk

CEO Justin Gawne j.gawne@mondiale.co.uk

Finance Director Amanda Giles a.giles@mondiale.co.uk

Credit Control

TEAM TALK

006 Pro Media Audio Video EU

MONDO | STADIA is published by Mondiale Media Limited, Strawberry Studios, Watson Square, Stockport, SK1 3AZ, UK Tel: +44 161 476 8340

AUDIO

DRAWING BOARD

050 Palace of Martial Arts | Nur-Sultan, Kazakhstan

010 Riverbank Arena | Adelaide, Australia

LIGHTING 054 Optus Stadium | Perth, Australia COMMUNICATIONS

KICK OFF

058 36th Americas Cup | Auckland, New Zealand

012 Seating

Printed By Buxton Press WWW.MONDOSTADIA.COM

ARCHITECTURE

046 AXA Training Centre | Liverpool, England

ar@mondiale.co.uk

Group Chairman Damian Walsh

VENUE FOCUS

EXTRA TIME INTERVIEW

062 Venue Tech Directory

019 Mark T. Black | IA Stage

064 Full Time | AEON LED

THE FULL PITCH 028 Phoenix Suns Arena | Phoenix, Arizona 032 Dacia Arena | Udine, Italy 038 Formula E | Diriyah, Saudi Arabia

PRO MEDIA AUDIO VIDEO LAUNCHES EUROPEAN OFFICE WITH EXPERT TEAM Images: Pro Media Audio Video, Jon SooHoo / © Los Angeles Dodgers LLC, SoFi Stadium & Hollywood Park

uilding on its distinguished

In March, Eddie, a seasoned professional,

With his full support, Eddie and Andy are now

45-year history, Pro Media

brought decades of experience working

building on this renowned reputation from the

Audio Video - a world class

in audio systems, network design and

new location, sister company Britannia Row

technology integrator - recently

electroacoustics to the European office. Over

Productions’ London base.

made significant moves into Europe with the

the last few weeks his formidable work ethic

Pro Media Audio Video has an impressive

establishment of a new division and office led

has been instrumental in establishing new

back catalogue in professional sporting circles

by integration industry expert Eddie Thomas.

business.

and goes beyond the expected as stadium

Headquartered in Lititz, Pennsylvania, the

Eddie’s forte is large format audio systems.

technology advances. Accomplishments in

company has been in operation since 1978 and

He has an enviable CV in stadia and arena

stadiums and arenas stateside include the

joined the Clair Global Group of businesses

projects, allowing him to lead Pro Media Audio

AT&T Stadium in Texas, which is home to the

in 2019. It did so with a multidisciplinary

Video EU into an exciting new era.

NFL’s Dallas Cowboys; LA’s Dodger Stadium,

approach and an illustrious history in live

The company has now made its second senior

where fans and international tourists alike

production and the integration of technologies

appointment. To augment Eddie’s profound

travel to watch live action baseball and SoFi

into world class performance and sports

skills, Andy Rigler has joined Pro Media Audio

Stadium -home of the LA Rams & Chargers.

venues.

Video EU as Business Development Manager.

Under Eddie’s direction, Pro Media Audio

Pro Media Audio Video comes to Europe

With more than 30 years of experience of

Video EU will benefit from the knowledgeable

with a legacy of construction to production

his own, Andy’s career has spanned live

backing of both the Clair Global family of

experience in the design, integration,

performance, music composition, sound

companies and a considerable international

installation and operation of world class AV

recording, pro audio system sales and AV

distribution and dealer network.

systems. The company is built on a foundation

integration. His in-depth knowledge of

He commented: “I enjoy working with

of client focus and technical expertise. This

installed sound and audio manufacturing

designers and consultants to create meaningful

is accomplished through a comprehensive

places him in prime position for this next

and technologically sound solutions and I’m

understanding of how to achieve the clients’

challenge alongside Eddie.

very excited about this brand-new opportunity

vision for an ever-increasing, meaningful fan

Pro Media Audio Video has been led to success

in such an impressive global business.

experience.

in the US by General Manager, Ted Leamy.

“I am looking forward to developing and

B

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TEAM TALK

Eddie Thomas

Andy Rigler

SoFi Stadium.

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007

TEAM TALK

Dodger Stadium

008

working on a range of new and challenging

have been so humble and welcoming. Our

experts that listen, anticipate and act to offer

projects, working with both clients and

EU network already has an immense global

solutions at competitive prices even in the

manufacturers, pushing the boundaries of

business reach and I’m looking forward

most challenging of times.

technology and delivering client expectations.

to building trust with new customers and

As per its American HQ, Pro Media Audio Video

It’s a great feeling to know that we at Pro

cultivating strong relationships alongside

EU has been created to deliver with distinction.

Media Audio Video EU will be able to deliver

Eddie.”

With the doors to the European office open for

new and ground-breaking projects”.

As a complete systems integrator and

business, the growing team is ready to help

Like Eddie, Andy too has been involved in

technology partner, Pro Media Audio Video

realise the technical aspirations of its new

major venue integration and has a keen

utilises both in-house and expert designers

client base.

interest in stadia and arenas following

from the fields of audio, AV, network

“Following the successful launch of Pro

almost 15 years developing projects with Bose

management, IT comms and infrastructure for

Media Audio Video EU, and with the welcome

Professional. “I really enjoy the integration

a wide range of activity in multiple business

addition of Andy to the team, we are now

of both sports stadia and live music venues.

sectors.

developing strategic partnerships and exciting

A lot of passion goes into these huge builds,”

This offering is something Andy relishes: “I

new arena and stadium projects across the

explained Andy.

love connecting pieces of the puzzle; from

EMEA region,” concluded Eddie.

The company further benefits from its first

consultants to design, integration to happy

two European staff members having already

customers, and ultimately, watching the

enjoyed a cohesive working relationship on

audiences be entertained. The important

numerous past venues.

thing is the user-experience. When people are

Andy expanded: “Eddie and I have had a very

genuinely impressed with the quality of the

easy working relationship and are now able

technology, and when it truly enhances their

to share this new vision. Eddie is a brilliant

time in a space, you know you’ve succeeded.”

designer, so it’s exciting to be working this

With a solid team in place, Pro Media Audio

closely with him.

Video EU will follow the blueprint of core

“Pro Media Audio Video has an enormous

values that has been established by the

amount of credibility, and the whole team

company over the last five decades: technology

WWW.MONDOSTADIA.COM

www.promediaaudiovideo.com

RIVERBANK ARENA Adelaide, Australia Rendering: Premier of South Australia

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DRAWING BOARD

re-elected Marshall Liberal Government will build a new 15,000-person multipurpose indoor arena in the Adelaide Riverbank precinct.

The new arena proposal has been developed by the Adelaide Venue Management Corporation and has undergone preliminary assessment by Infrastructure South Australia.

Announced by Premier Steven Marshall, the arena is to be built immediately west of the Morphett Street Bridge and will cost approximately $700 million.

Final costs will be released later in 2021 after further consultation and technical work.

“This project will create jobs for South Australians and help cement Adelaide as one of the most liveable cities in the world,” said Premier Steven Marshall.

“Our investment will take recent government and private investment in entertainment and convention infrastructure along Adelaide’s riverbank precinct to more than $2 billion.”

The new arena, which will replace the Adelaide Entertainment Centre, will be capable of hosting concerts, conventions and court sports – including

A

basketball, netball and tennis.

Sport and entertainment events in South Australia are currently limited by the capacity of the Adelaide Entertainment Centre and its location. The Adelaide Entertainment Centre currently has a total capacity of 11,300, with only 9,600 for basketball and netball.

The new arena will seat 15,000 for all events.

An underground tunnel below Morphett Street will provide a direct link with the Adelaide Convention Centre and will increase exhibition space by 5,600 sq metres.

This is a significant new element to the project which is different to previous proposals. This significant increase in exhibition space will allow SA to compete for major international conferences and events that it can’t currently bid for.

Construction of the arena will commence when major works for the new Women’s and Children’s Hospital is estimated to conclude in 2025. Once final costings are determined later this year, funding will commence in 2023 on planning and preparation for construction.

This timing will provide certainty and stability to the South Australian construction sector.

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KICK OFF | SEATING A closer look at products and projects from the world of sports seating.

2020 SEAT 2020 SEATING The 2020 Seat is the third-generation multi-purpose seat technology that provides all fans with a unique experience of their own choice by allowing them the option to sit or stand together in the same area.

The regulatory compliant 2020 Seat design comprises an elevated seat to raise seated fans’ eye levels to the same height as standing spectators and can be fitted with a guardrail to provide the optimum safe standing option, or without a guardrail to improve views and levels of comfort to enhance the matchday experience.

The 2020 Seat will ensure that ambulant disabled, non-visibly disabled and those fans who are unable to stand for long periods will be able to access all parts of a stadium, rather than be excluded from areas where fans stand.

Hibernian FC’s safety officers said: “The seats have gone down well in away areas as the supporters in these areas feel that it is far better than what they have at their home stadium.’

The 2020 Seat installation at Wycombe Wanderers, which was installed over two years ago, has proved to be a great success, too. Unlike traditional safe standing areas, where all fans have to sit or stand at the same time, in the 2020 seating area, at any one time, there will be a mix of fans standing and sitting, all enjoying a great view.

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With the advent of the double row or higher pitch advertising boards being implemented at many grounds to significantly increase advertising revenues, the elevated seat will raise seated fans’ sightlines above these higher boards, thereby avoiding a significant reduction in capacity due to seat kills.

The 2020 Seat also offers cost saving benefits to stadium developers, as the elevated seat and enhanced fans sightlines will allow the reprofiling of existing terraces without demolition and will reduce the height of new stand construction by lowering terrace gradients and the overall height of stands.

The versatile 2020 Seat has been adapted to enable its use on the flat and in the Golden Circle to give concert goers a new unrivalled experience. www.2020seat.co.uk

KICK OFF

LONDON STADIUM ARENA GROUP While it is no secret that the ongoing COVID-19 pandemic has been devastating for the global events and sporting industries, the Arena Group is proud to have been able to persevere, adapt, and excel in the delivery of a number of world-class projects throughout 2020, despite the challenging conditions and restricted landscape.

In February 2020 Arena was awarded a contract with E20 Stadium LLP, owners of London Stadium, to develop new seating systems in the north and south of the stadium, a project that was delivered at the height of the pandemic, on-time, in budget and without COVID-related incident.

The contract saw Arena deliver two new lower tier stands bringing 6,000 fans up to four-metres closer to the pitch than the existing system allowed. The design created a traditional ‘kop’ feel to the seating arrangement for pitch-based events, such as football, helping to enhance the match-day experience for fans. The system also allows for faster seat moves between events to help reduce costs in the UK’s largest multi-use stadium.

Graham Gilmore, CEO of London Stadium, said: “We are delighted to have delivered this project because of the additional benefits it brings, both in terms of bringing the stand closer to the pitch and providing more efficient seat moves.

“Our multi-use Stadium brings major global sporting and entertainment events to London, along with Premier League football, benefiting the local and city-wide economy. This is a further example of the efficiencies and improvements we are driving to create a sustainable business for the long-term.”

Designed, engineered, and built using Arena expertise exclusively, the iconic venue received a totally bespoke solution, utilising a combination of Arena’s highly versatile modular Arena Super Deck coupled with a custom development of the proprietary demountable Clearview tiered seating system, the ultimate spectator experience was created.

Terry Smith, Managing Director of Arena Seating, said: “Arena Seating have been at the forefront of the temporary and

permanent seating sector for nearly 50 years, our expertise in stadia development is unique. With undoubtedly the largest dedicated team of seating specialists in the UK, we offer truly bespoke and highly tailored solutions.”

With flexibility in mind, the system features a large, decked area, which significantly increases the versatility of the venue, reducing the time taken to changeover events by 60% and increasing accessibility for wheelchair users. Finished in a unique cladding solution, which covers any exposed sub-structure in claret red, this seamlessly blends the concourse into the existing stadium infrastructure.

The innovative seating system delivers two new, lower Clearview tiered grandstands behind the goals, creating a more traditional football stadium aesthetic and bringing fans up to four meters closer to the action.

Arena’s seating system has been built to the world’s highest fire safety standards and is fully design compliant with FIFA, UEFA and Premier League Standards.

Following the successful delivery of the seating retrofit, London Stadium appointed Arena Group to install safety rails for more than 3,000 spectators. The rails will be installed in the upper tier of the South Stand to compliment the current layout following consultation with the Sport Ground Safety Authority (SGSA).

The work is a positive move to ensure a safe experience for all football spectators at the venue and the first phase of work was completed on 31st March 2021.

Terry concluded: “We are delighted to continue our innovative partnership with London Stadium, taking their challenging briefs for bespoke seating solutions from concept through to design and build is what we thrive on. The new safety rails will deliver further improvements to the London Stadium visitor experience ensuring fans can enjoy events from the comfort of their seats, with great sight lines and most importantly, safely.” www.arenagroup.com

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QUANTUM CAMATIC SEATING Stadium seating is not a simple matter, whether you’re building an outdoor stadium with a capacity of 80,000 seats, or a boutique indoor arena of 2,000 seats, there is no-one-sizefits-all approach and countless hours of meticulous planning are required from preliminary design through to installation for all well delivered projects. It is the strategic planning that ensures optimised sightlines for all spectators, no unnecessary seat-count losses, on time and on budget delivery, and most importantly a comfortable memorable game day experience for spectators. The best stadiums and arenas are those that engage the fan-experience by putting spectators at the forefront of their design. Seating can often be overlooked, but is one of the most fundamental components in enhancing the spectator experience and should be recognised for the key technical roles that seating provides within any stadium or arena. This is why architects, venue owners and operators around the world choose Camatic Seating.

Camatic Seating has been producing world-leading seating systems to stadiums and arenas around the world for more than 30 years, during which time they have become the go-to resource for expert seating solutions. As the leading supplier to the National Football League (NFL), Major League Soccer (MLS) and Grand Slam Tennis, Camatic has built a reputation within the industry for having the right skill set to deliver the best-inclass seating solutions that are designed to perform and push past all client expectations. Camatic Seating do not only provide stadiums and arenas with high quality products, but it is the superior technical capabilities in seating and project experience that sets Camatic from the rest and allows for any situation to be solved professionally and efficiently. Camatic Seating is arguably the only seating company in the world to maintain all phases of the seating design and manufacturing in house, developing products that are not only comfortable but globally certified to perform in the harshest environments from blistering heat and high UV to sub-freezing temperatures, in all conditions Camatic seats are built to last.

The flagship product from Camatic is the Quantum, which is defined as the industry standard for high quality professional sports arena seating. The Quantum system has brought to

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market the revolution of beam mounted seats, which provides ease of install, ease of maintenance and the ability to reconfigure over the life of the facility amongst many other profound benefits. With more than a million sold around the world, there’s no arguing Quantum is the world’s best stadium and arena seating system.

In the past 12 months Camatic has completed the mammoth task of supplying more than 180,000 seats to three professional league stadiums within the United States, amongst many other projects around the world at a concurrent time including Wimbledon Court One and The Curragh Racecourse. The aforementioned stadiums are SoFi Stadium (Los Angeles and Chargers Stadium), Allegiant Stadium (Las Vegas Raiders) and Globe Life Field (Texas Rangers) all of which could not have been delivered without the resources and skill that comes with Camatic’s long term experience. The Raiders team understood the importance of seating while designing the Allegiant Stadium.

“Camatic Seating out of Australia provided all the bowl seating in the stadium - they are one of the sports industry leaders in stadium seating and that was certainly one of the biggest reasons why they were selected,” revealed Joe Wright of Allegiant Stadium.

Camatic are pleased to have recently launched several new products to market that are generating keen interest from architects and key decision makers. This includes the Quantum SQ 150, a compact fold-down retractable system that has the ability to retain arms and cup holders when used in a retractable setting, a feat which has not been seen before in a stadium.

Camatic has also brought to market the Valencia Sport Fixed, an ultra-luxury suite seating system adapted from cinema seating technology and designed for VIP sections and owners suites.

The success of Camatic is ensured long into the future with projects including West End Stadium (Cincinnati FC), Empower Field at Mile High (Denver Broncos), Arrowhead Stadium (Kansas City Chiefs), SDSU Aztec Stadium and numerous other projects around the world. www.camatic.com

KICK OFF

RAILSEAT 100 FERCO SEATING For the first time ever football clubs with all-seater stadia have received correspondence from the SGSA to suggest they consider installing rail seats in their grounds.

Persistent standing in all-seater stadia is an issue familiar to all Safety Officers and Operations Directors. Now the SGSA has advised them in a note accompanying their new stadium licence that in such areas they ought to consider using rails seats to enhance spectator safety.

Ferco has installed nearly 17,000 rail seats all over Europe and is the market leader in this field. Now, with the requirements of Premier League and EFL clubs specifically in mind, it has further developed its range of products to include the RailSeat 100.

It enables stadium operators to address the existing issue of persistent standing, while simultaneously preparing for formally permitted standing in the future.

The RailSeat 100 has a modern aesthetic and conforms to Green Guide specifications for ‘seats incorporating barriers’. It features a self-tipping, moulded seat with a unique 100mm closed depth, making it the slimmest such seat on the market.

It leaves clearway space of at least 0.21 sq metres (the Green Guide requirement for standing spectators), even on row depths of no more than 600mm. The seat has the strongest seat-base of any on the market and has the highest level of protection against vandalism.

The robust and durable construction from quality materials means low levels of maintenance and replacement and reduced whole life costs to the club. The high-strength continuous metal rail acts as a protective barrier, which makes surging or crushing physically impossible.

The RailSeat 100 has a number of added safety features built into its design, including, for example, the absence of leg or finger traps through having a fully enclosed hinge at the very back of the seat.

Where legislation permits, the 100mm closed depth also facilitates an increase in standing capacity on any seating row 800mm deep or more, as already provided for by the Green Guide.

Ferco’s RailSeat 100 gives clubs a seating solution that is safe, creates space and is very strong.

Safety and protection from falling forward is a given for all rail seats. But safety from leg and finger traps is not. With the RailSeat 100 it is.

Space is also a key requirement, as standing fans need more of it.

If seats incorporating barriers eat too much into the space along the row, there is a risk of fans spilling out into the aisles and the imposition of a capacity reduction. The RailSeat 100 takes up only 100mm of that vital space.

Strength is key in areas occupied by boisterous fans. Seats made of single sheets of flimsy plastic easily break, and are especially susceptible to damage in areas where fans stand. The RailSeat 100, with its metal back and double-skinned blow-moulded seatbase, is much more robust and resistant to rough treatment. www.arenagroup.com

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KICK OFF

ECO-AVATAR DAPLAST Daplast, through its brand Insitual, has launched ECO-seating solutions as a green option to manufacture its Avatar stadium seating line. Following its clients’ requirements, Avatar plastic seating range could be manufactured with up to 55% recycled raw materials. It is the highest percentage offered in the market maintaining the same final product quality and strength and the same offer in colours range.

Daplast wanted to be sure that the final product was going to maintain the same technical behaviour with recycled raw materials than with new plastics. This was not possible with the raw materials available in the market in the past. Quality is one of the company’s pillars and it was a must that recycled materials behaviour didn´t decrease final product resistance and durability.

After a long research and investigation with different raw material suppliers, Daplast have found the best technical solution in terms of quality and sustainability. These recycled raw materials also proceed from different recycling processes.

Now it’s guaranteed that it can produce the Avatar Seating line with up to 55% recycled raw materials maintaining the same quality and resistance.

With this technology, recycled raw materials maintain the same standard product characteristics, it does not limit the range colour to green or black as other recycled materials do.

Thanks to the combination of two types of recycling processes, recycled material availability is no longer a problem. It allows flexible production - even adjusting the production timelines to the most demanding project deadlines - which is another of Daplast’s strengths.

The company’s suppliers are improving their Circular Economy 016

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processes as well. Furthermore, these processes are very important to reduce greenhouse effect emissions.

A recycled raw materials percentage proceed from mechanical recycling, but the most important aspect is that another percentage proceed from chemical recycling, a new system that allows to combine different kinds of plastic without the need to separate them previously and enables to recycle more plastic waste that otherwise would continue in landfills.

In addition, chemical recycling process saves greenhouse effect emissions in comparation with other recycling systems.

What is more, Daplast’s suppliers guarantee the origin of recycled raw materials with a certificate from an independent institution, which helps its clients to obtain LEED Certification for their sports venues.

Another one of the company’s goals is to improve our processes and the use of resources to obtain a sustainable production, based in Circular Economy. It has strict control of all processes, so it is able to measure and improve each action to reduce greenhouse effect emissions, saving water and energy as well.

To get official recognition of its efforts, Daplast are currently working along with the Spanish Government to measure, control and reduce our emissions in each process. It is working to be listed in the Ministry for Ecological Transition company register, which collects the efforts of Spanish organisations in the calculation and reduction of greenhouse gas emissions generated by their activity. www.daplast.com

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17 INTERVIEW

“We want to expand our network of SkyDeck dealers around the world. Other than that, we made a promise to ourselves to come up with at least one new accessory or improvement to the SkyDeck line every year.”

Mark T. Black President IA Stage

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INTERVIEW

MARK T. BLACK President, IA Stage

Firstly, tell us a little bit more about your

for many years to follow.

background.

I came back to New York married. I started taking

My family moved to Menden, NY, when I was in high

classes at the Finger Lakes Community College to

school and I met a great group there. In fact, Jack

pursue a degree in Construction Management, but I

Hoffend (IA Stage Sales Manager) and I were in high

was still PMing with Hoffend & Sons full time. You

school together.

could say I was a PM with other talents. I was the

As far as the engineering side goes, it’s spotty. I tell

cavalry – you know, the guy you send out to handle

people I got my engineering degree sitting around a

it, whatever it was. I was also troubleshooting control

campfire. There is no real rhyme nor reason – I mean,

systems. It wasn’t a job that ended at 5pm – it was

I’ve always tinkered with things.

24/7.

After graduation, I went to work in the largest BMW/ Triumph motorcycle dealership in north New York. I

Tell us more about your work on performing art

was the assistant in the parts department - I really

centres…

loved my job. I became the parts manager and within a

Throughout the 1980s, I was involved in the

year, then I was the General Manager at 19 years old.

construction of many of the major performing art

I spent every dime I made on racing. On Friday nights,

centre projects in the United States and, later, at

I was beneath the lights TT racing. Sundays, I raced

numerous theme park projects for Universal, Epcot,

two different classes of motorcross. I was into trials

Walt Disney World - Orlando, Disneyland - Anaheim,

riding, too, which is all about balance.

MGM, Busch Gardens, Sea World, Legoland, Cypress Gardens, and DAK. This work translated nicely into

When did you start working with stage machinery?

sound stage and studios, such as Paramount - CA,

I was in Venezuela for three years from the age of 23 –

Century – CA, Univision – FL, Nickelodeon, Telemundo

it was there where I began installing stage machinery

– FL, WAPA, WFTS, NBC, ESPN, the Golf Channel, and

in 1978 when I was sent to a project. Shortly after

Choral Ridge.

arriving, I became the installation superintendent for what was, at the time, the largest art centre project in

How did IA Stage begin?

the world - the Sala De Conciertos Rios Reyna would

I spent 13 years at Hoffend & Sons as Senior Project

remain the largest performing arts project in the world

Manager, but, my wife is from Venezuela and, with

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INTERVIEW

two boys, we had to get out of the snow. Having always been

to have.

into motorcycles, Daytona sounded promising. I talked to

At the risk of sounding like Jack, you can only push it so

some teachers and the overall vibe was healthy. It was the

far; I mean, why wouldn’t you have SkyDeck? If you have a

right decision and it was a great move.

choice between heavy monster catwalks or full coverage fall

We found this delightful community called Port Orange and

protection. You can leave the tools on the perimeter and get

started this little company installing stage machinery up and

what you need quickly and safely to complete your work. It’s

down the east coast. I was also working part time as a stage

an all-round time saver.

hand.

Bob Wall, originally with JR Clancy, then with Hoffend &

How does a sporting venue project usually start for IA

Sons, was a great hoist designer and engineer. We were

Stage?

at Hoffend together and he’s one of the best. Duncan also

We’re usually asked early on to collaborate with an architect

worked with Hoffend. He came from George Thomas Howard

or structural engineer. The reason we get called in early is for

Associates as a consultant.

the facility impact studies - sweet spots in framing members are generally what we’re asked to provide input on.

What does IA Stage provide for sporting venues?

We provide arena rigging services; we can hang audio

What are the main things you have to take into

systems, clusters and so on; divider curtains; and netting

consideration when working on a stadium/sporting venue?

systems – similar to safety netting systems at theme parks.

One of the main things to understand is that it is a

However, our main product is SkyDeck.

collaborative work. It’s going to affect the public to improve fan experience and using venues for rallies, emergency

022

Can you tell me more about SkyDeck?

stations and so on, stadiums wind up being more than an

It’s super light-weight, bullet-proof fall protection. SkyDeck

entertainment venue. So, throughout the construction,

used to be treated as nice to have, but it’s becoming a need

having a team that’s working together is essential.

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Redefining the Stadium Experience

INTERVIEW

Catwalks of yesterday were always in the outer perimeter

FL, too - there’s a big arena down there where the Florida

in a couple of rings and were there for sports lighting more

Panthers play.

often than not. Built to support people to walk on and the

The Forum was the place to be for Clippers games. You could

lighting, which was heavier back then. We don’t have the

see Jack Nicholson sitting in the stands, stoned out of his

need for heavy catwalks, so let’s get more access and cut your

mind. Arsenio Hall was always there in the front row, too.

budget with full coverage. Even for people who aren’t afraid of heights, it’s still scary. It’s still a risk. You have to respect

How have things been for IA Stage during the pandemic?

every tiny move you make on steel beams or catwalks.

Well, to start off, we were designated as a construction firm, an essential business, because we do new construction for

Which sporting venues have you worked on?

school auditoriums, etc. During that time, we completed

The Forum, Little Caesars Arena, Chase Center. Red Rocks

several significant SD projects. White River was finished

and SoFi Stadium and Hollywood Park. Some field houses

during the pandemic. Red Rocks, start to finish, during

at universities, too, as well as gymnatoriums all over the

the pandemic also. By virtue of being a construction elated

US school system. We’ve also worked on a new facility at

enterprise, we were able to keep everyone busy. A number of

Henderson Events Center in Nevada.

the larger projects were closed down or cancelled. Right now, we’re delighted to see some of them are coming back.

Do you have any stadium/sporting venue projects coming up in the near future?

Whare are IA Stage’s plans for the next few years?

Sure, we’ve got some things in development. We’re excited

We want to expand our network of SkyDeck dealers around

about many of the planned facilities around the world

the world. Other than that, we made a promise to ourselves

that are in various stages of development. We have been

to come up with at least one new accessory or improvement

contacted, but we can’t discuss details at this time. There’s a

to the SkyDeck line every year. That’s how we developed

desire for SkyDeck in several of these already.

gas-assisted trap doors, the grid plugs, the grid wells, the EdgePro, the super-tight woven tension grid that you can’t

What would you say has been your favorite stadium/

drop a wrench through, the tiered or stepped grid. We’re

sporting arena project so far?

working on the concept of a sloped grid. We owe ourselves

Well, you know what I’m fond of is the NHL-mandated

another one!

protective netting systems. And the BB&T Center in Sunrise,

024

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17 THE FULL PITCH

028 Phoenix Suns Arena | Arizona, USA 032 Dacia Arena | Udine, Italy 038 Formula E | Diriyah, Saudi Arabia

THE FULL PITCH

PHOENIX SUNS ARENA Phoenix, Arizona Images: Christy Radecic & Phoenix Suns

I

t’s had multiple names since it first opened in June of 1992, but the Phoenix Suns Arena - formerly America West Arena, US Airways Center, Talking Stick Resort Arena, and PHX Arena - has been the home of the NBA Phoenix Suns since day one.

What has changed recently is how the venue looks and sounds, with a new L-Acoustics Kara II loudspeaker system in place and a full Daktronics videoboard kit out, just in time for the 2021 NBA season, which began with a Suns win over the Dallas Mavericks on December 23, 2020.

Designed by AV consultants at WJHW and installed by Pro Sound & Video, a Solotech company, the new Kara II system is part of the $230 million Project 201: PHX Reimagined, designed to convert the nearly 30-year-old arena into a state-of-the-art sports entertainment venue for Phoenix Suns and WNBA Phoenix Mercury fans.

According to Pro Sound & Video, the arena’s management specifically requested an L-Acoustics PA system as part of the ongoing and extensive venue renovation, including new distributed sound systems for the arena’s concourses and back-of-house areas. “The venue’s management has had positive experiences with L-Acoustics in other locations in the past, and the brand has become widely accepted by NBA arenas,” said Pro Sound.

The integrator pointed out that Kara II was chosen for its light weight and powerful output capability. “We had to stay within certain weight limits on the steel for this project, especially since the system is designed to be pulled up and out of the way, potentially, when touring shows come through with their own sound systems,” they explained. “We worked very closely with the structural engineers to make sure we were well within the weight limits. At the same time, this is a large venue” - Phoenix Suns Arena has a seating capacity of over 18,000 - “and the sound needs to cover the entire seating area and court. Kara II is not only compact and lightweight, but it also has a lot of power for its size. And it offers a lot of sonic transparency as well.”

With the number of fans in attendance still being strictly limited per current safety protocols, acoustical reflection and reverberation issues from empty seating areas are a potential concern. “Thankfully, Kara II has a tight dispersion directivity and high degree of speech intelligibility,” Pro Sound added. “Those have become more and more important in sports venue sound designs and are reasons why L-Acoustics is seen in more arenas and stadiums.”

Phoenix Suns Director of Engineering and AV Technology, Gary Gillespie, agreed, citing hearing L-Acoustics systems installed at the NFL Arizona Cardinals State Farm Stadium and NHL Arizona Coyotes Gila River Arena in nearby Glendale. “I’m also a live-sound mixer, so I’ve had a lot of experience with L-Acoustics, and I’m a fan of their sound,” he said. “But our team leadership also highly values the intelligibility that Kara II brings to speech in the arena and the fact that L-Acoustics WST systems never cause ear fatigue for the fans. It’s just a great-sounding system.”

The arena’s new system comprises six arrays of 14 Kara II enclosures for a total of 84 Kara II, plus a hang of four SB18i subwoofers flown in a cardioid configuration directly behind each Kara II array. In addition, there

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are 28 short-throw X12 coaxials deployed as a delay ring. All

inventory, plus eight more enclosures rented from the local

of these are powered by 43 LA4X amplified controllers - 36

shop of Clearwing Productions, now make up six hangs of six

for the main PA and seven for the delays - providing over

Kara II and are dedicated to the virtual crowd-noise system

170 channels of amplification. Furthermore, a single LA12X

developed by Firehouse Productions for the NBA’s Orlando

powers eight A10 loudspeakers positioned underneath the

‘bubble’ last season, now in place at most NBA venues.

center-mounted scoreboard serving as court fills. Self-

“Kara II’s Panflex update provided us with the extra speakers

powered, coaxial 108P monitors are also installed in the new

we needed for the crowd-noise system at exactly the right

media editing suite to replicate the response of the Kara II

time,” furthered Gary. “We began to see ROI right away on

main bowl system for accurate media reproduction.

what we had thought would be extra inventory, and it turned

The design of the Phoenix Suns’ new sound system originally

a frown upside-down. And with up to 3,000 fans allowed

called for eight hangs of Kara. However, this was changed to

inside now, the system truly makes it sound like a full house.

accommodate revised weight-load requirements for touring

L-Acoustics, Pro Sound & Video, and WJHW really partnered

systems. With last year’s addition of Panflex to the original

with us to create a greatly enhanced experience for both the

Kara loudspeaker model, providing four-in-one directivity,

fans and the players.”

Kara II was a game-changer for the Suns. Now, one box

Alongside the meticulous sound system, Daktronics partnered

could cover any audience geometry and offer consistent

with the Phoenix Suns to manufacture and install an

coverage and SPL distribution with precise focus in four

18-display LED super system totalling 55.1 million LEDs,

different directivity patterns: 70º or 110º symmetrical and

including a new centerhung configuration as well as lobby,

90º asymmetrical, focussing directivity to either the left or

ribbon, tunnel, scorer’s table and locker room displays.

right. In its 70º configuration, Kara II packs a full 2 dB more

“A renowned leader in digital displays, Daktronics has

than in 110º. That prompted design changes that allowed just

been instrumental in the significant transformation at

six arrays to fulfill the coverage requirements of the bowl

the reimagined Phoenix Suns Arena,” said Phoenix Suns

without having to alter the product specification from Kara II.

President & CEO Jason Rowley. “When we welcome fans

L-Acoustics Soundvision 3D modeling software was used

back to the home of the Phoenix Suns and Phoenix Mercury,

to execute the system design and all revisions quickly and

they’ll be surrounded by remarkable technology that will

accurately. This particular revision provided the venue with

truly elevate the fan experience at every turn.”

28 additional Kara II from the original order that Gillespie

The centerhung, which is six times larger than its

and the Phoenix Suns management team decided would

predecessor, features four LED video displays, two facing the

serve as onsite production inventory and be used as a flexible

sidelines and two facing the ends of the arena. The sideline-

multi-use, in-house special-events production audio system.

facing displays each measure 25 ft high by 33 ft wide and

Anyone in arena management knows to “expect the

the end-facing displays each measure 25 ft high by 29.5 ft

unexpected.” As fate would have it, those extra Kara II

wide. All four feature 5.9mm pixel spacing to bring crisp,

enclosures came in very handy almost immediately after the

clear imagery to fans in every seat of the arena. The entire

NBA directed their teams to implement their own enhanced

centerhung features 3,100 sq ft and it would take 292 60-inch

crowd-noise systems for the current season. The additional

televisions to cover the entire centerhung’s digital footprint.

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THE FULL PITCH

“The fan experience at live events remains a crucial element

each be divided into multiple zones to show any variety

for professional sports teams,” said Daktronics President and

of content including live video, instant replays, up-to-

CEO, Reece Kurtenbach. “This LED installation for Phoenix

the-minute statistics and game information, graphics and

Suns Arena will bring fans a next-level experience and we’re

animations, and sponsorship messages.

excited to be a part of the reimagination of their arena.”

The Suns’ locker room and training facility each feature a

Two custom-shaped lobby displays combine for more than

display with 1.5-millimeter pixel spacing. These displays

6,700 sq ft of digital space to welcome fans into the arena.

can be used to show replays of the action and to help with

One display measures approximately 26 ft high by 202 ft

preparation for the game and the Suns’ current or upcoming

long, and the other measures approximately 26 ft high by 113

opponent.

ft long. The height of each display fluctuates as they curve

Phoenix Suns Arena also benefits from Daktronics’ Show

and wind their way into the main seating bowl. Both displays

Control solution, that provides game-day operators with

feature 3.9mm pixel spacing to provide high-resolution

a robust, easy-to-use interface that can coordinate and

imagery at close viewing distances.

integrate all digital signage throughout the venue with

“The Suns are catering to their fans in multiple locations

the touch of a button. “It works by allowing quick and

outside of the main seating bowl as evidenced by their two

easy change of messaging, videos, graphics, and more on

new lobby displays,” said Reece. “As the fan experience spills

any display tied into the system, and for coordination of

out into the concourses and other gathering areas in event

all displays to share the same message in a moment of

venues, adding technology to connect with audiences in

exclusivity venue wide,” explained Rusty Lenners, Sales

those areas has become increasingly important to team and

Representative at Daktronics. “From a control perspective,

sponsor branding. This installation will be a great example

it allows the arena to coordinate a production of any size,

of improving opportunities to connect with people in those

ranging from Suns games to corporate and special events

areas.”

when only a few of the LED displays may be used. The

Additionally, two ribbon displays are installed along the

versatility and organization it provides for production is

seating fascia totalling nearly 1,900 ft in length and six

always advancing and on the cutting-edge of the industry.”

tunnel displays are installed above entrances to the seating

Phoenix Suns Arena’s newest AV upgrade is another huge

bowl. Courtside, three LED scorer’s tables were also installed.

step for the venue and its fans, combining state-of-the-

These displays allow the opportunity to highlight sponsors

art audio with digital displays that will not only immerse

throughout events while providing supplement information

onlookers in the game day experience, but will also provide

and graphics to the centerhung displays.

the venue with a modern interior, capable of hosting some of

The centerhung displays are capable of variable content

Arizona’s most important matches.

zoning allowing each to share one large image or they can

BRAND: L-Acoustics, Daktronics | INSTALLER: Pro Sound & Video | AV CONSULTANTS: WJHW | WEBSITES: www.l-acoustics.com, www.daktronics.com, www.prosound.net, www.wjhw.com WWW.MONDOSTADIA.COM

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THE FULL PITCH

DACIA ARENA Udine, Italy Images: Dacia Arena

O

pened in 1976, Dacia Arena – traditionally known as Stadio Fruili – is the home of Serie A football club, Udinese Calcio. As well as hosting Udinese matches, the 25,000-seat stadium has been the venue for FIFA World Cup and UEFA Champions League games,

along with a wide range of concerts, including the likes of Bruce Springsteen, Coldplay, Madonna, AC/DC and Metallica.

In recent years, as one of the few clubs that owns their stadium, Udinese Calcio have been very ambitious in developing Dacia Arena – both structurally and in terms of technology when it comes to transforming it into a true, state-ofthe-art multipurpose venue.

Speaking to MONDO | STADIA, Alberto Rigotto, Project Manager at Dacia Arena, explained further: “Initially, from a legislative and technology perspective, the minimum required works were carried out in order for the venue to be compliant and operational.

“The technology design was fully developed afterwards – specifically, the lighting design and the environmental comfort were developed in order to create a modern, comfortable and efficient venue. The intention was, and still is, to guarantee the best match-day experience to our fans. We’re pleased that our work is recognised now at a national level.”

Udinese are keen to emulate the successful stadiums in America, bringing more people and revenue to the club outside of the traditional match day. This renovation includes television studios, commercial offices, a medical centre, a museum, a fitness centre and more, as well as welcoming back large-scale concerts.

It doesn’t stop there, either, as Alberto furthered: “We are working hard in order to let our stadium become the first-ever fully smart stadium in Italy.

This will happen as soon as possible in four steps: full connectivity in every area; full digital processes for every service delivered at the stadium; fully cashless for food and beverage, merchandising, ticketing and seat delivery service; managing the digital transformation with blockchain solutions. The blockchain will allow Dacia Arena to be perceived as a real hub, where all the commercial activities and the entertainment events will interact 24/7.

“Our ambition is that Dacia Arena will be the first smart arena and the first green stadium in Italy. A green stadium means 100% recycling processes for event waste - fully plastic-free and eco-sustainable with zero emissions.”

JMA Wireless, a global leader of wireless technology systems, has been laying the groundwork for the new, digital experience for fans with their work at Dacia Arena.

Infrastructure Wireless Italian, S.p.A. (INWIT), the leader in wireless managed infrastructure and services across Italy, commissioned the installation of JMA Wireless’ XRAN virtualised RAN software connected to a high-capacity indoor coverage system based on JMA TEKO DAS (Distributed Antenna System), to offer high quality voice and data connection.

The solution marks the emergence of true all-software RAN technology, empowering a radically new approach in large venues, delivering on significant efficiencies, and enabling flexibility to deliver new capabilities faster than ever before. Moreover, it earmarks the shift toward managed service providers like INWIT, who provide the ability to operate edge network elements such as vRAN (virtualised radio access networks) in collaboration with mobile operators.

Andrea Casini, Senior Vice President, International Business, at JMA Wireless, takes up the story: “At Dacia Arena, the club wanted a solution aligned with the new stadium design. XRAN is a virtualised baseband solution that allows extreme savings in OPEX with significant reductions of power, footprint, and cooling required to provide high performance and capacity at crowded

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THE FULL PITCH

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locations, while maintaining full mobility.

modern, safe and sustainable sports facility in order to offer

“Thanks to those key features, it’s the ideal solution

a unique experience to all the fans and visitors. Udinese

for densification, while also allowing easy plug-in edge

Calcio chose Fael LUCE as we were able to provide the perfect

computing and Internet of Things.”

lighting solution, strictly in line with the objectives of the

“XRAN fits perfectly into our Neutral Host DNA, as provider

entire project.”

of multi-operator and multiband solutions,” said Giovanni

The project at Dacia Arena was particularly ambitious and

Ferigo, CEO at INWIT. “Never before has the wireless

challenging, with Fael LUCE acting on several fronts and

industry had such a breakthrough that enables this level

developing the lighting system in three phases to ensure Serie

of network efficiency and agility to adapt to fast changing

A matches went ahead, as well as the stadium renovation

demands. XRAN changes everything.”

itself.

The demand for connectivity during matches at Dacia Arena

“Fael LUCE delivered more than 400 high flux floodlights,

is ever increasing and, with this system in place, it has

with a vertical and horizontal average illuminance higher

brought the fans significant new capacity.

than 2000 lux, meeting the UEFA lighting requirements,”

“Cost, simplicity, footprint, power, and cooling changes

said Flavio. “The technological lighting upgrade has

dramatically with XRAN,” said Remo Ricci, President of

maintained the same levels of illumination and achieved an

TEKO Systems at JMA Wireless. “XRAN was designed from

improvement in light uniformity and visual comfort for both

its inception to close the gap between rapidly growing in-

players and audience, all while reducing energy consumption

building mobile connectivity demands and today’s complex,

overall.

proprietary hardware solutions that were unable to evolve

“The renovation project included the placement of the

and adapt for multi-operator services.”

floodlights inside the stadium. The floodlights were installed

The selection of XRAN for Dacia Arena further demonstrates

in the inner ring of the roof of the main stand and on three

to the world what the evolution to software RAN can deliver.

temporary high-mast towers, at an installation height of

XRAN provides significant cost efficiencies by utilising

27-metres above the pitch in order to offer a perfect lighting,

standard commercial servers, digital fibre connectivity, and

fulfil UEFA requirements and allow Udinese to play put

tools that streamline operations.

matches as normal.

With the digital infrastructure in place, other areas have also

“We are the exclusive lighting partner of Udinese Calcio and,

been a focus for Dacia Arena, such as the lighting, as the club

with over 50 years of experience in lighting football pitches,

began to modernise throughout.

we were able to fully meet the club’s expectations.”

Alberto takes up the story: “The lighting was provided by

The ticketing and access control is another major area that

the Fael LUCE, who were chosen after a careful selection

was focussed on specifically by the club as they developed

among all the principal companies in that sector. The whole

Dacia Arena, as Alberto explained: “For this, we worked

illumination is based on the most advanced standards in

closely with Zucchetti, a leader in this field. We strategically

order to guarantee perfect lighting in any kind of conditions.”

chose to implement a high number of turnstiles in order to

Eng. Flavio Sangiorgio, R&D and Vice General Manager, Fael

guarantee fluid and spaced-out access to our fans, avoiding

LUCE, added: “We are the leading company in the supply of

queues and keeping them safe.

innovative and sustainable lighting systems. We study and

This aspect is crucial in creating a modern and comfortable

realise advanced, professional, best-in-class lighting systems

stadium, so that the fans can enjoy the match-day experience

for sports facilities, commercial infrastructures, urban areas

in the best way. Gilberto Polledri, Product Manager at

and more. With our experience, we are a reliable partner

Zucchetti, takes up the story: “Zucchetti has been the

for projects, such as the one at Dacia Arena for Udinese

supplier of the access control system at Dacia Arena since

Calcio.“The main purpose of the project was to create a

2007, following a call for tenders for renovation of the old

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THE FULL PITCH

stadium and installation of an automated access control

a web-based platform, which allows them to view summary

system. When it came to the renovation project, Udinese

synoptics, the general operating status of the system as well

Calcio stated its intention to continue its relationship with

as specific sectors. They can also check the progress of the

Zucchetti.

access flows with different levels of detail and even search for

“They needed to expand and develop the access control

a particular person and display the images collected during

system from a technological point of view and specifically to

access.”

ensure the utilisation of the most modern media used in the

The system that is in place allows for close monitoring of the

ticket/subscription sales phase, while trying to safeguard the

flow of spectators and helps with the management of a more

investment made in previous years and keeping part of the

orderly, fragmented and controlled access phase, which is of

existing system.

vital importance when fans are gradually welcomed back to

“Our group was also asked to ensure faster and safer access

the stadium.

for spectators and to integrate our access system with the

“We are already setting up interfaces to connect with

video surveillance system so that, in real time, we could

databases of COVID-free or vaccine passport systems when

match the face of the fan to the ticket used during validation,

they become operational,” said Gilberto.

with the aim of increasing the level of control and therefore

Gilberto concluded: “Our relationship with Dacia Arena

security inside the stadium.”

management staff has always been very good from the start;

The Zucchetti system installed consists of a total of 70

there is maximum cooperation on both sides. The fact that

readers mounted on full-height turnstiles, capable of reading

this cooperation has been going on for 14 years now is proof

one- and two-dimensional barcodes from smartphone

that our customer is satisfied. Udinese Calcio has always

displays and RFID tags. Season ticket-holders usually enter

been a company dedicated to progress. For us, it is not just a

using RFID cards, while casual spectators use traditional

customer, it is also a partner with whom we can continuously

paper, print-at-home or smartphone tickets.

improve and develop our solutions.”

The new readers installed mount a 10-inch display on the

Dacia Arena is certainly a stadium that keeps on pushing the

spectator entrance side that allows the club to show practical

boundaries of what is possible and, with the renovation and

and commercial information on every single gate.

technology in place, it is sure to achieve the goals set out by

Gilberto added: “All the readers are connected in real time to

the club and continue to be recognised as one of the most

the Zucchetti stadium access control software, installed at the

forward-thinking venues.

DataCenter of the facility, which is connected to the ticketing

“Our main mission was and is to marry the excellence

service provider and to the IP cameras installed on the gates.

and the functionality of the elements chosen in order to

All readings, whether valid or not, are recorded and managed

maintain the high standards expected of a modern venue,”

centrally and locally.

said Alberto. “Dacia Arena is a jewel that is ready to adapt

“Udinese Calcio employees and law enforcement personnel

to whichever technological implementation is required - we

gain access to the data relevant to them in real time by using

always pursue the best.”

BRAND: JMA Wireless, Fael LUCE, Zucchetti | WEBSITES: www.jmawireless.com, www.faelluce.com, www.zucchetti.com 036

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THE FULL PITCH

ABB FIA FORMULA E WORLD CHAMPIONSHIP Diriyah, Saudi Arabia Images: STAMiNA Productions / ADI

T

he 2020/21 ABB FIA Formula E World Championship got underway on 26-27 February, with a double-header in Diriyah, Saudi Arabia. Returning to the UNESCO World Heritage site for the third season in a row, this year saw

the first ever Formula E night races, with the latest low-power LED technology being utilised to create a spectacular show while reducing energy consumption by up to 50% compared to most non-LED technology.

Conducting the planning and organisation of the event once again was STAMiNA Productions, while the Ministry of Sports (MOS) appointed Blink Experience to handle the host city scope. Working closely with stakeholders Formula E (FE), MOS, Saudi Arabian Automobile and Motorcycle Federation (SAMF) and the promoter, CBX, the team was able to ‘achieve the impossible’ and hold this world-class international event in the middle of a global pandemic.

Jennifer Gazeas, Head of Venue Design, Track and Overlay for the Diriyah E-Prix at STAMiNA Productions, explained how the team adapted to the ever-changing COVID-19 situation. “We shared a goal of holding the first ever night race for Formula E,” she began. “Holding the majority of meetings on Zoom, we all made it work and showed that with these tools, we can still plan together and show incredible resilience and professionalism.”

She added: “This project needed to be meticulously planned, defined, implemented and executed with the objective of delivering the greatest experience for the fans attending and watching on TV. There were over seven months of design work, including extensive civil works consultation with the local authorities for the track resurfacing programme, track lighting and planning a COVID-19 safe event.”

The Saudi-based agency brought onboard a number of trusted suppliers for the project, including ADI, Empro and MediaPro International. “The list of global and local suppliers that worked with us is extensive - each one brings their own individual experience and technical expertise which, when combined, allowed us to bring the impossible to fruition,” stated Jennifer.

“There are always last-minute changes, and it’s then when you need a family of suppliers to call upon who are proactive, fully committed and supportive. At STAMiNA, our suppliers and partners are as important as our personnel and if there is a need for support for any contractor to allow them to do their best, then we will always provide that support.”

As is to be expected on such a high-profile, international event, Formula E and the governing body of motorsport, the FIA, set strict controls to manage the risk of COVID-19. “It was up to us in partnership with the MOS, FE and SAMF to ensure that these controls were managed and exceeded,” furthered Jennifer. To that end, the site adopted a ‘bubble’ approach. A number of hygiene and health and safety measures were also in place, including temperature check and hand sanitising on entry, compulsory mask-wearing and regular PCR testing.

With an ever-evolving COVID-19 situation and certain restrictions changing daily, STAMiNA had to ensure that the lines of communication

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between them and their ecosystem of delivery partners,

month build on-site. “Around 30% of our kit was dispatched

contractors and suppliers were kept open. “Knowledge

from Dubai, so we set up a prep and zone distribution team in

exchange is crucial right now,” Jennifer underlined. “All

our warehouse in Riyadh before it arrived,” he revealed. “As

industries are trying to adapt to ‘the new normal’, so the

the kit arrived in Riyadh, it was sorted into the relevant zones

need for conversation is greater than ever. With the help

and loaded onto trucks to be dropped off in the relevant areas

of our government, which offered fantastic leadership and

of the site.”

support, we were able to host an event that applied all

Starting with audio, Sheldon talked MONDO | STADIA

the logistical and health measures to the highest global

through the extensive supply. “We provided a complete audio

standards.”

system, including a redundant Dante network for the entire

Aside from COVID-19 issues, the team also had some

site with more than 13km of fibre cables supported by our

difficult weather to contend with, including flash floods and

in-house network racks,” he began. The company’s complete

high winds. “There was not a lot we could do apart from

range of L-Acoustics products were deployed for the event,

‘weathering the storm’, so to speak,” Jennifer recalled. “It

including K1s, K2s, KARAs, 112Ps, 5XTs, X8s, X15s, KS28s and

caused some delays. However, we had a clear plan, a detailed

SB18s, as well as 20 LA RACK IIs. A total of 11 Yamaha QL1

build schedule and great suppliers with the ability to adapt

and two CL5 consoles were used for control, while 15 network

safely.”

racks were deployed around the venue to manage the massive

With all involved pulling together to ensure that the event

length of fibre cabling. “We also had 50 power loudspeakers,

would be a success, Jennifer was delighted with the team

which were used for various small areas, as well as a Shure

effort. “It was incredible to see Diriyah up in lights for the

Axient digital microphone system and various Pioneer CDJ-

night race and to top it off with a tremendous fireworks

2000NXS2 players and DJM-900NXS2 mixers.” The MediaPro

display,” she concluded. “It was fantastic to see the positive

crew meanwhile kept in contact via a Clear-Com FreeSpeak

conclusion of an event we collectively delivered against

system.

all odds, all while being able to support contractors and

The lighting inventory included: 66 Pix Arc LED Battens; six

stakeholders enough to showcase the city and the country.”

Claypaky 1500 Spots; 16 Scenius Profiles; 33 Robe Spiider LED

MediaPro International delivered a complete turnkey

Washes; 18 BMFL Blades, 16 Film Gear 1Ks; 20 2Ks, 21 ETC

technical solution for the event, including audio, lighting,

Source 4 Profiles; two Avolites ART 2000 dimmers; 30 SGM

comms, TV screens, SFX, trussing and rigging. “We have a

P10s, 14 Q7s; as well as 26 LED parcans and 182 LED rigger

great relationship with STAMiNA and have delivered quite

floodlights. “Everything was controlled with two MA Lighting

a few projects for them in the past,” explained MediaPro

grandMA2 light consoles with NPUs, as well as four Avolites

COO, Shaam Pudaruth. “MediaPro was the go-to company

Pearl Tiger Touch II desks,” Sheldon noted. “These fixtures

for them as we have the required in-house equipment and

were used to provide solutions for all performance areas,

manpower in the region to deliver this massive event.”

the podium and press conference stages, as well as general

MediaPro Senior Project Manager, Sheldon Alphonso, detailed

lighting of grandstands, pedestrian bridges, entrance gates

how his team prepared for the project, ahead of the one-

and branding areas around the track.”

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THE FULL PITCH MediaPro’s video supply comprised TV screens throughout the site, as well as control and video network signal for the BOSS | EMOTION CLUB premium hospitality area, the media centre and various office spaces and control rooms.

The company deployed a range of Samsung LED TVs, including 68 Samsung 55in, two Samsung 75in and eight 80in. Content ran through a fibre network, with controllers including a Barco E2 Tri-combo Event Master Processor with an array of MacBook Pros.

In terms of trussing and rigging, Sheldon explained that around 550-metres of Litec 30cm by 30cm and 40cm by 40cm trussing were used, as well as eight CM one-tonne

“This project needed to be meticulously planned, defined, implemented and executed with the objective of delivering the greatest experience for the fans attending and watching on TV.”

motors. “We provided support structures for our lighting, audio and also cable bridges for the site where crew had to run cables across roads,” he clarified.

Finally, MediaPro also provided SFX for the event, with four

the details of the first, second and third placed drivers as

MagicFX CO2 Stadium Blasters, four Stadium Shots and 18

they passed under the gantry on each lap, before displaying

Showven Sparkulars adding to the visual appeal.

the name of the winning driver and team as they took the

The project came at a busy time for MediaPro, with the team

chequered flag.

fresh from delivering the Dakar Rally podium and the Saudi

“As expected, the global pandemic provided its fair share of

Super Cup finale, as well as working on the Saudi Cup horse

challenges in the planning stages, but the 2021 Diriyah E-Prix

race simultaneously. “We have a fully operational team

turned out to be a showcase for innovation across technical

based in Riyadh,” Shaam noted. “It was a great boost to be

event production, creative LED applications and cutting-

able to work on this project given the current circumstances

edge sports pres,” commented Thomas Taylor, ADI Account

worldwide. Every job that takes place at the moment is a

Manager for Formula E.

blessing and helps keep our crew busy. We’re extremely

“Formula E supported ADI in exploring new concepts

proud to have been part of delivering this international event

that would elevate the experience at the circuit and the

successfully.”

engagement with remote audiences via global broadcast, and

The visual spectacle was improved even further thanks to

we have developed a range of impressive solutions that will

some dazzling new LED technology from ADI. Despite the

continue to evolve during Season 7.”

absence of spectators en masse, the small number of VIPs in

Working on the Diriyah E-Prix for the third year running,

attendance were treated to a range of creative LED content

Blink Experience was appointed by the MOS to handle all host

in several hospitality areas. ADI also deployed curated LED

city aspects of the project, from event operations, to traffic

content throughout the circuit to activate commercial brand

management, security, infrastructure and logistics. “Our

partners and add to the atmosphere for those watching on

scope of work for this year was incredibly varied and included

television.

everything from security, to power, hygiene and facilities

Guests to the premium hospitality area, BOSS | EMOTION

management,” said Maher Andari, Managing Director, Blink

CLUB, were greeted by three 2.5-metre by 5.5-metre LED

Experience KSA.

towers built into the welcome gantry, featuring super-sized

Having grown from a small operation that was founded

Formula E drivers and models wearing HUGO BOSS clothing.

in Dubai back in 2003, Blink Experience currently employs

As well as three 11.25 sq metre 3mm indoor LED screens, the

more than 120 full-time staff, with key offices in Dubai,

hospitality area boasted a super-wide 33.75 sq metre display

Abu Dhabi, Riyadh and Jeddah. In addition to its full-time

in 48:9 aspect ratio. With 4K processing and output, ADI’s

staff, the company also has access to an extensive network

Editors assisted in creating bespoke super-wide content,

of specialists from all over the world, who are deployed on a

with the hospitality screen also supporting multiple picture-

freelance basis according to the specific needs of the event.

in-picture formats, including live race feed, social media,

“These are people who we have a long-term relationship with

timings and brand messaging.

and trust to help deliver our events to the highest standard,”

The BOSS | EMOTION CLUB Garden featured a high-

Maher revealed, adding that around 50 team members were

resolution LED tunnel displaying an immersive desert

engaged on this project.

landscape, complete with surround sound of swirling winds

While originally the event was due to be open to the public,

blowing across the sand, as well as a further three 11.25 sq

changing COVID-19 protocols meant that it had to switch

m 4mm outdoor LED screens. While in the Aquafina Oasis,

to being held behind closed doors. “These kinds of last-

an outdoor shisha bar, ADI produced content including a

minute requests were completely understandable given the

continuous digital waterfall in order to bring two dual-sided

circumstances,” Maher reflected. “We had to adapt extremely

four-metre-high LED-clad towers to life.

quickly to the changing reality of the situation to ensure that

In a scaled-up version of the concept that debuted in the

we were on top of any changes and every eventuality was

Formula E Season 6 finale in Berlin, the podium doubled as

planned for.”

a TV studio for the English-language programme throughout

race days, with control of the side screen handed over to FE’s

help fulfil the project includes: Al Fares International Tents

English language gallery for pre- and post-race analysis and

(temporary event structure, fit-out and furniture); Al Laith

interviews.

(scaffolding structure for premium hospitality); MediaPro

The impressive setup included a cinematic 32:9 backdrop for

International (tools and machinery rental for audio, video

the podium ceremonies, with the addition of a nine-metre

and lighting); MOTUS | ONE (traffic management); Derea

by 7.5-metre side screen. Both screens were fed via separate

Albelad S.S Est (security and safety services); and Aggreko

4k vision mixing and processing, with ADI managing local

KSA (primary and secondary power).

content and switching between feeds. Another eye-catching

“We have developed strong relationships with a number of

LED solution was deployed on the finish line gantry. Using

key suppliers, who we work with regularly to deliver events

bespoke software, the LED gantry automatically displayed

throughout the region,” Maher commented. “That said, for

The list of suppliers Blink Experience called upon to

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041

THE FULL PITCH

every project, we go through a thorough procurement process

it has completed recently for the MOS, including the Dakar

where we challenge suppliers to deliver the best proposal,

Rally for the past two years, and the richest horse race in the

as well as the best commercial structure, which ultimately

world, the Saudi Cup. “All these projects show that we are

benefits our clients.”

trusted and how our relationship with the MOS has grown

Blink Experience engaged Aggreko to provide power for the

over the years,” commented Maher. “We are chosen because

event. “We received a list of areas that needed primary power

of our people, our knowledge and our experience.”

and the size of equipment needed in each area,” explained

Maher explained how the extensive experience among

John Devine, Aggreko Project Manager on-site, who added

the team brings with it increased expectations. “That fact

that all generators were running on eco-friendly biodiesel.

that this is the third time that we have delivered the project

“Our job was to then install all the units up to the main

means that expectations are extremely high,” he commented.

distribution panel, carry out a full inspection and test. We

“We need to show evidence of everything from the smooth

then installed and provided all the secondary power.”

delivery, to applying learnings from previous years and

To ‘get ahead of the game’ the Aggreko team arrived on-

increasing cost efficiencies. We have to raise the bar even

site in mid-January. “We wanted to install all our products

higher than in previous years and over-deliver when it comes

before the main bulk of companies came onto site,” he

to the expectations of the client.”

explained. “As we know from previous years, dropping 60

Unlike many in the industry, Blink Experience has

large units in such a short period of time is a challenge, so

remained relatively busy since the onset of the COVID-19

we arrived a little earlier to make life easier for ourselves.”

pandemic – something which Maher believes stands the

Also, the team was aware that parts of the track would be

company in good stead for the future. “We have learned a lot

inaccessible once the track surface had been laid, “so, getting

from the experience about how to deal with both major and

our products in place before this was crucial,” he added.

minor events in this ‘new normal’ we now find ourselves in,”

COVID-19 measures notwithstanding, the biggest challenge

he commented.

of the project was the flash flooding during the build. “Some

“We are a flexible company that has always adapted to

of the generators had to be uplifted and relocated from the

overcome any obstacles that have been thrown in front of

areas that the flooding occurred,” he recalled. “This was a

us. We’re very lucky and grateful that we’ve been given the

challenge as we were restricted on space within this area, but

opportunity to work throughout these extremely challenging

we achieved our goal in the end.”

times for the industry and we intend to take everything that

John was especially pleased with the attitude of the team,

we’ve learned to continue to create successful events for our

who dealt admirably with the various COVID-19 restrictions

clients.

throughout the process. “You never really understand how

“We are proud to have been a part of delivering the historic

much of a hindrance it [COVID-19] is, with all the hurdles

first-ever night races in Formula E,” Maher concluded.

we had to jump over to do the simplest things,” he recalled.

“We’re excited for next season and looking forward to the

“This could have frustrated the guys, but they just got on

continued success of the event.”

with it and incorporated this into their daily workflow.”

For Blink Experience, the project was one of a number that

BRAND: L-Acoustics, Yamaha, Shure, Pioneer Pro Audio, Clear-Com, Claypaky, Robe, ETC, Avolites, MA Lighting, Samsung, Litec, MagicFX, Showven, ADI | INSTALLER: MediaPro | ORGANISER: STAMiNA Productions | LOGISTICS: Blink Experience | WEBSITES: www.l-acoustics.com, www.yamaha.com, www.shure.com, www.pioneerproaudio.com, www. clearcom.com, www.claypaky.it, www.robe.cz, www.etcconnect.com, www.avolites.com, www.malighting.com, www.samsung.com, www.litectruss.com, www.magicfx.eu, www. showven.cn, www.adi.tv, www.mediapro-av.com, www.stamina.sa, www.blinkexperience.com 042

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MANICA

Lead Design Architect of Allegiant Stadium, Las Vegas, NV

manicaarchitecture.com

mondodr.com | mondostadia.com | mondodrawards.com/emea-apac | mondodrawards.com/americas | mondostadia-agora.com

17 VENUE FOCUS

ARCHITECTURE 046 AXA Training Centre | Liverpool, England

AUDIO 050 Palace of Martial Arts | Nur-Sultan, Kazakhstan

LIGHTING 054 Optus Stadium | Perth, Australia

COMMUNICATIONS 058 36th America’s Cup | Auckland, New Zealand

ARCHITECTURE

AXA TRAINING CENTRE Liverpool, England Images: KSS

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046

iverpool’s AXA Training Centre is

conference room. Externally, the building sits

located at the northern end of the

in a landscaped environment with three new

club’s existing training academy

external pitches and games areas for the first

at Kirkby, bringing the first team

team.

squad to this site for the first time.

First, the siting and orientation of the

Arranged over two levels, the building is

building within the expanded Kirkby site

divided into separate wings containing

was carefully considered. Creating the right

facilities for the first team and U23 squads

relationship between building and pitches,

with shared space between. The state-of-the-

and, crucially, between the new training

art facilities include a full-size sports hall

centre and the existing academy was a critical

and gyms for performance training, medical,

step in creating a site order which responded

sports science and hydrotherapy areas for

to the club’s functional needs and ethos for

injury management, as well as player dining

the new combined facility.

and recreation, administration offices,

The linear nature of the building presents

dedicated television studios and a press

the maximum frontage to the pitches,

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048

establishing a clear, natural relationship between building

reflecting the strength and ambition of the club. Use of the

and playing space. This composition also reinforces the

club’s colour is controlled, so, when it is used, it delivers a

separation between first team and academy, creating a

powerful impact.

private, secluded area for the first team players.

To ensure the facility is uniquely Liverpool FC, the club’s core

The building itself is designed as a series of one and two-

values have been embedded within the architecture, interior

storey volumes. Fenestration and the use of glazed areas to

and graphic design of the building to create a cohesive and

divide the façades provide a counterpoint to the linear nature

holistic approach. Each wing has key references to fans,

and help to articulate these volumes. A key feature was

trophies, players, and song lyrics, integrated in varying

the use of double-height atria spaces on either side of the

ways, but all designed together as part of the user experience

building to break up the building mass and introduce natural

journey.

light via rooflights into the centre of the plan.

Unlike stadia, training centres are the day-to-day workplaces

The club’s values were interpreted in the building’s form

for footballers and coaching staff and need to be an

and material language. A deliberately restrained palette of

inspirational and motivational environment. Each club works

robust, natural, materials with an inherent simplicity has

in different ways and therefore, while they have similar

been selected and crafted into a dramatic form that fulfils

components, no two training centres are the same. It is down

the functional requirements of the training centre, while also

to KSS to understand the subtle differences, and design a

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ARCHITECTURE

bespoke facility that responds to the club’s aspiration and

in Europe, including Red Bull Salzburg and Hoffenheim.

values, while addressing site context, design quality and

KSS also researched the latest trends in the workplace

budget.

and education sectors, and it was able to use its extensive

The journey to completing the AXA Training Centre

knowledge of the sports hospitality sector. It was important

involved wide-ranging global research, development, and

to draw on other industries to enhance the experience for

collaboration over more than four years. KSS conducted a

everyone at the facility, while making sure Liverpool were

benchmarking review of training ground innovations and best

getting the most up-to-date, modern environment.

practices in this country, across Europe and in the United States. This included visiting KSS’ designed training centres for Brighton & Hove Albion FC and Tottenham Hotspur FC, which is widely recognised as one of the top facilities in the Premier League. Liverpool and KSS also visited facilities

ARCHITECT: KSS | WEBSITES: www.kssgroup.com WWW.MONDOSTADIA.COM

049

AUDIO

PALACE OF MARTIAL ARTS Nur-Sultan, Kazakhstan Images: DAS Audio

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050

ocated in Kazakhstan’s capital city of Nur-Sultan,

how they first got involved with the project: “Infoline KZ are

the new Palace of Martial Arts is a 32,000-sq

one of the leading companies that can do this kind of work

metre training facility for both professional

in the Kazakhstan region. The main contractor company

and amateur martial arts athletes. Built by the

contacted us about this project - they wanted us to support

Samruk Kazyna Sovereign Wealth Fund at a cost of $50.8

them with regards to both the design of the project and the

million, the four-storey venue includes a gym, fitness centre,

construction of the work. We explained that we could do all

mini football pitch, 25-metre swimming pool and hotel. Able

of the professional sound systems from design to the finished

to welcome up to 5,000 spectators, the Palace of Martial Arts

stage. So, from there, we began our design with leading

will host boxing, judo, weightlifting and wrestling events.

products. They liked what we suggested and decided to work

As one of the most unique and impressive sporting facilities

with us.

in Kazakhstan, it was vital that the technology was able

“For the Palace of Martial Arts, there is a sound system for

to match, particularly when it came to the audio system.

the arena itself and then another for the entrance foyer and

Infoline KZ, design and installation experts, were called in to

VIP lounge areas. The brief was to establish a system to

assist with the project.

manage these areas from a one point, as well as ensuring

Mehmet Ercoban, Project Manager at Infoline KZ, explained

the sound was equal and clear. We also provided wireless

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microphones for uninterrupted coordination between the

to choose partners who have proven themselves across the

team during the events.”

world in terms of products used for a variety of projects. We

With over ten years of experience, it was clear that DAS

decided to walk this road with DAS Audio. Together with the

Audio would be the right partner for this kind of installation.

DAS Audio team, we started to make acoustic calculations,

The challenge was to get the right sound level in each and

loudspeaker selection, discussed hanging points and angles,

every area, especially in the main arena, where it was vital

and the selection of the central audio equipment. They even

to guarantee that music and voice could be heard without

came from Spain to Kazakhstan.”

any distortion, given the large size of the hall. This challenge

In the main arena, the distribution of the system was

would offer the audience an unparalleled experience, both at

strategically designed to achieve uniform SPL and tonal

the main arena, as well as in the other halls of the venue.

balance throughout the audience. Infoline KZ opted for 84

Mehmet continued: “The design process is the most laborious

Event Series line arrays, in particular the Event-210A, a

job. It is the most important step to work with partners who

three-way powered model that provides high pressure and

will provide us with all kinds of technical support in the

intelligibility in both voice messages and music reproduction,

design process, make acoustic calculations and support what

turning the main arena into a completely versatile space. The

kind of equipment we will use. In this context, we wanted

system’s ease of use and installation means that maintenance

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051

AUDIO

and adjustment do not require additional efforts to generate a

Audio.

spectacular experience.

Mehmet added: “We used wired and wireless microphone

“We preferred DAS Audio’s Event Series line array

equipment that was to be utilised for events - we preferred

loudspeakers, as we have used this them in our previous

the Shure products as they are reliable and proven. We used

projects. We received positive feedback from our customers

Tascam when it came to the media player. Finally, we also

and employers in our previous experiences, plus DAS Audio’s

used an RTS intercom system to ensure the coordination and

experienced team also supported us in turning to this

communication between the team during a sporting event.”

product,” Mehmet added.

While the overall project was a huge success, it wasn’t

Alvaro Plumed, Application Engineer at DAS Audio, furthered:

without its challenges, particularly when it came to the

“We used line array clusters, strategically located to focus the

climate in Kazakhstan, as Mehmet explained: “The biggest

energy in the seats. This configuration covered 100 percent

challenge we faced during the installation was in hanging the

of the audience area with high dynamic range and the same

loudspeakers. Heating grids were added by the mechanical

tonality in all the seats.

team as they could not heat the arena sufficiently, due to the

“Great attention was paid to avoid the excitation of reflective

region being so cold. These heating grills prevented us from

areas, such as walls or windows, and, therefore, minimise the

hanging the loudspeakers at the height we wanted. With the

energy in the reverberant field. The angulation and directivity

support of DAS Audio engineers, we determined new points

of the sound systems allowed the audience to be kept in the

and adjusted the appropriate angles by lowering the height of

direct field and the energy of echoes was drastically reduced,

the loudspeakers.”

achieving clarity and increasing intelligibility.”

Working with DAS Audio, Infoline were able to complete

Completing the rest of the installation, the Factor- 8-T

the project one month before the target date, delivering a

system was presented as the ideal choice. This full-range

state-of-the-art audio system that is perfect for all types of

loudspeaker houses an eight-inch, low frequency transducer

sporting events – both national and international - at the

with a 1.5-inch voice coil. The high frequency unit is a one-

Palace of Martial Arts.

inch soft dome ferrofluid cooled tweeter, featuring wide

“This project was the perfect harmony between both teams

dispersion characteristics to cover large areas and provide

and, through this, we were able to deliver our work without

exceptional sound quality in any room. BI Group, one of

any difficulties. The most important things that bring success

the largest construction companies in Kazakhstan in charge

in a project are working with professional vendors and teams

of all the building work, expressed their satisfaction and

who love their job,” Mehmet concluded.

enthusiasm about the results achieved for Infoline, and the quality of the sound and customer service offered by DAS

BRAND: DAS Audio | INSTALLER / DESIGNER: Infoline KZ | WEBSITES: www.dasaudio.com, www.infoline-kz.com 052

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Host Venue: Liverpool FC’s Anfield Stadium

I N T E R N AT I O N A L

Europe’s Leading Premium Seat & Hospitality Conference & Exhibition September 6 - 7, 2021 Anfield Stadium Liverpool, UK

Leading the Premium Seat Industry Since 1990

Everton Football Club’s Goodison Park

An innovative hybrid event, offering physical & virtual opportunities

Keynote speakers Alan Gilpin, Interim CEO, COO & Managing Director, Rugby World Cup, World Rugby and Nick Sautner, CEO, Eden Park Stadium, plus Rob Hunden, President, Hunden Strategic Partners will be providing an overview of the latest sports venue developments worldwide.

M&S Bank Arena Liverpool

50+ Speakers, 35+ Exhibition Stands, Networking Events and more…

State-of-the-Art Venue Tours: Liverpool FC’s Anfield Stadium, Everton FC’s Goodison Park, and M&S Bank Arena Liverpool Presented by:

I N T E R N AT I O N A L Leading the Premium Seat Industry Since 1990

For more information: alsdinternational.com or katie@alsd.com

LIGHTING

OPTUS STADIUM Perth, Australia Images: Peter Bennetts

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054

ptus Stadium has one of the most advanced and

an important community asset, we wanted to be able to represent

eloquent facade lighting systems of any stadium in the

visually what was occurring within the community at different

world. This lighting system has been used to activate

times, providing both support and unity.

not only the stadium and its precinct, but as a catalyst

“We have seen the stadium bathed in pink for breast cancer

for the reactivation of Perth, the ‘City of Lights’.

awareness, lit up in shamrock green for St Patrick’s Day,

The 60,000-seat venue, a design collaboration between Hassell,

and in orange for Harmony week, a celebration of Australian

COX and HKS for the Westadium consortium, was named the

multiculturalism and diversity. One of my personal favourites has

‘World’s Most Beautiful Stadium’ as recipient of the Prix de

been when it has been bathed in red for ‘Red Nose Day’ and, of

Versailles Award in 2019.

course, when Manchester United were in Perth and played both

COX’s Project Director, Matthew Batchelor, discussed the big ideas

Perth Glory and Leeds United.

behind the lighting infrastructure and strategy: “Our key idea was

“Early in the design stages we worked with lighting consultant,

to provide an ability to brand the stadium in any way the venue

Stantec, to apply the lighting strategy to the architectural

operators could imagine or desire. Obviously, team colours, from

framework and technical infrastructure. Later, our contractor,

the purple of the Fremantle Dockers to the blue and yellow of the

Multiplex, engaged Philips to make it happen. Importantly, it’s

West Coast Eagles were important. Just as vital, though, as such

about much more than just the stadium and its immediate precinct.

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LIGHTING

It’s about the journey to and from the city and across the

Stuart Harper, COX’s Design Lead for the new Sydney

Matagarup Bridge to the stadium precinct – a journey and an

Football Stadium added: “The New Sydney Football Stadium

experience through light.”

in Moore Park will build on similar theme lighting principles

From the outset, the stadium has been designed to be a

established at Optus. Featuring over 2km of linear RGB

catalyst for activation of the Burswood Peninsula and the

LED fittings that trace the ribbon-like façade, and weave

wider city. The lighting strategy ties consciously and directly

their way internally and externally, the façade lighting will

into Perth’s vision of itself as a ‘City of Light’. Back in 1962,

celebrate the fan arrival experience; amplifying the sense of

astronaut John Glenn became the first American to orbit

anticipation as fans converge on the stadium steps, from the

the Earth in the Friendship 7 spacecraft. As Glenn flew over

new light rail stop or over the Albert ‘Tibby’ Cotter Walkway.

Perth, its citizens all turned on their lights in a gesture of

Through programmed effects and curated colour transitions,

connection and celebration. Glenn observed that the city was

the façade lighting scheme will project the event theme to the

clearly visible from space, and Perth’s worldwide reputation

surrounding precinct and engaging both fans and passers-by

as a ‘City of Light’ began.

in the event atmosphere.”

60 years later, the lighting thread that begins at Optus

Matthew described the future of lighting as being already

Stadium travels across the Matagarup Bridge, and will soon

here: “We have the capability now to broadcast what is

continue across to the famous cricket ground, the WACA

happening inside the stadium onto the façade. Imagine being

- which, as a major improvement, will be changing their

able to watch an eSports championship taking place inside in

lighting system to LED - and continue the coloured thread

a virtual arena from a vantage point in the Parklands.”

from Burswood, and ideally through the heart of the city and its public realm, touching Perth Concert Hall, Council House and onwards to Kings Park.

CONSORTIUM: COX, Hassell, HKS | LIGHTING CONSULTANT: Stantec | CONTRACTOR: Multiplex | WEBSITES: www.coxarchitecture.com.au, www.hassellstudio.com, www.hksinc.com, www.stantec.com, www.multiplex.global 056

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COMMUNICATIONS

36TH AMERICA’S CUP Auckland, New Zealand Images: Riedel

R

iedel’s leading-edge hardware and software technologies was at the core of the 360º concept for the coverage of the 36th America’s Cup presented by PRADA, provided for the event by host broadcast partner, circle-o. The concept included an innovative technology approach combining live TV production, event infrastructure, and race

management for the premier sailing event, that took place in the Hauraki Gulf off Auckland, New Zealand.

Italy’s Luna Rossa PRADA Pirelli won the PRADA Cup Challenger Selection Series, defeating INEOS Team UK. That team faced the defender of the America’s Cup, Emirates Team New Zealand, on March 6.

Riedel delivers innovative camera solutions, new audio technologies, and sensor technology embedded in a comprehensive technical infrastructure. This was supported by an on-site team of 30 members managing all audio, video, communications, tracking, and data transmission systems, including signals from on-board cameras, chase boats, and helicopters. Since all camera, microphone, and transmission systems must withstand extreme marine conditions, Riedel provided bespoke equipment aboard each competing yacht.

To achieve this, Riedel harnessed the combined horsepower of the Riedel family of solution providers, ranging from Pidso’s antennas and radar systems over Igtimi’s GPS tracking

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COMMUNICATIONS

technologies to highly specialised nautical know-how from

oldest international sporting trophy,” said Thomas Riedel,

Riedel’s Porto R&D hub. Entrusted with the overarching

CEO and Founder, Riedel Communications. “Decades of

technology concept for the America’s Cup coverage, Riedel

experience in the most demanding production environments

also closely integrated services and technologies from

now culminate in this very special project with very special

other technology partners into the extensive production

challenges. Together with our partner suppliers, all of whom

infrastructure, including well-respected manufacturers like

represent the global standard in their fields, our team has

iXblue, Sennheiser, and Lawo.

created a seamless production infrastructure that has enabled

In addition to on-site engineers, Riedel also provided

circle-o to take its live coverage to thrilling new levels. Their

extensive remote support from its award-winning Remote

stunning coverage opens up entirely new perspectives on

Operations Center (ROC) in Wuppertal, Germany. The

sailing and perfectly illustrates the great impact technology

ROC serves as a monitoring and engineering hub through

can have on entertainment formats and the tangibility of

which operators can remotely access the entire system

sporting events.”

setup in Auckland, including video, audio, and intercom

Stephen Nuttall, Managing Director, Production and Media

signals. This enables the ROC team to monitor and control

Rights, America’s Cup added: “With Riedel’s unified

essential parameters of the equipment aboard the racing

technology approach and industry-leading innovation at

yachts, including camera control, audio setup, GPS data

the heart of the operation of the 36th America’s Cup, the

transmission, and battery management, and support the on-

premier sailing competition, we intend to deliver the best

site crew in optimising system performance.

possible experience for established and new fans of the sport

“We were thrilled to be playing such a foundational role

of sailing.”

in this year’s battle for the America’s Cup, the world’s

BRAND: Riedel | WEBSITES: www.riedel.net 060

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INTERNATIONAL FEDERATIONS SUMMIT 2021 A virtual Campus of networking workshops You choose which workshops deliver the best value for you

21-22 April

2020 was the year of content

But people are bored with the old style virtual conference

2021 is the year of connectivity

Time for some innovative thinking and something different...

- Share the solutions that you are currently providing to venues - Have a conversation with those venues to understand their challenges & potential solutions - Gain access to key decision makers within sports federations & venues - Grow your brand profile among the key decision makers by sponsoring the summit or a workshop A choice of venue-oriented workshops is available on either the 21st or 22nd April, curated in partnership with:

We are confirming a number of key venues.

Already confirmed are: Valencia FC

Olympiapark Munchen

AELTC

BC Zalgiris Kaunas & Zalgirio

+44 (0) 20 7709 2350 • summit@majoreventsint.com

VENUE TECH DIRECTORY A closer look at some of the latest, state-of-the-art technology for sporting venues.

MXE5 MATRIX MIX ENGINE DYNACORD www.dynacord.com • • • • •

Plug-ins for Crestron and Q-SYS control software for easy integration into media control systems.

Application Programming interface (API) for general integration into existing IP-based media and building control.

New training videos and web-based training for MXE5 and TPC-1.

The performance audio matrix with 24 x 24 crosspoints provides comprehensive routing and mixing capabilities.

Ideally suited for fixed installations in stadiums and sports venues, convention, conference and event centres.

TRINITY INSTALL PK SOUND www.pksound.ca •

• •

•

•

AURORA SERIES ABSEN www.absen-europe.com • • •

• •

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Boasts a 10,000-nit brightness and 1,280mm x 960mm standard panel size.

Weighs only 25kg per sq metre, reducing transportation costs and simplifying installation.

Absen’s renowned maintenance features are continued on the Aurora Series, with front and rear installation a simple and fast two-three step process.

Thanks to the high contrast ratio, the series is designed to display a high image quality even under direct sunlight.

Waterproof, with an operating temperature between -40 and +50 degrees Celsius, the series promises to perform every hour of the day.

WWW.MONDOSTADIA.COM

Brings the voicing and coverage control of the Trinity family to performance installations and live event spaces in discreet new all-black enclosures.

Stunning SPL and clarity can be precisely controlled with variable coverage in both the vertical and horizontal planes.

Intelligibility is improved by directing the system’s energy away from reflective surfaces as coverage is adjusted to meet the architectural design of the venue.

Two dual-diaphragm high-frequency transducers, coupled directly to an integrated planar waveguide, significantly reduce distortion across the high-frequency band.

A 6,000 W Class D amplifier maximises headroom while maintaining crystal clear audio and exceptional output.

VENUE TECH DIRECTORY

DBP RTS www.rtsintercoms.com • • • • •

Operate DBP in partyline mode with OMS (OMNEO Main Station) or in portable keypanel mode with an RTS matrix (ODIN/ADAM).

Connect DBP to a PoE switch via OMS/ODIN/ADAM and up to six DBPs can be daisy chained together.

Lightweight and ergonomic design with full-colour icon-based menu navigation for quick setup and intuitive operation.

Patent-pending design aesthetics make DBP comfortable and easy to use.

Over-molded ergonomic volume knobs and rubber enclosure detailing provide extra grip and drop resistance, and it is IP53 rated for protection against dust and water spray.

MIRAGE SST-6P CHRISTIE www.christiedigital.com • •

• • •

A dual-head 18,000 lumen, 4K, 6-Primary 3D RGB pure laser projection system.

Creates bright, colourful, and detailed 3D images for venues including theme parks, attractions and giant screen dome theatres.

90% efficient at projecting light onto the screen, and whitescreen compatible for blending the multi-projector arrays.

With TruLife electronics, Mirage SST-6P delivers 4K 3D content up to 120fps per eye, with an option of up to 480fps at 2K. The projection system uses two fibre-coupled projection heads with remote light sources and chillers.

CV420-30X MARSHALL www.marshall-usa.com • • • • •

Professional grade 8.5-megapixel Sony 4K sensor.

Up to UHD (3840x2160p) resolution at 60fps delivers crystal clear video.

Long 30x zoom range expands effective reach from ultra-wide (4mm) to telephoto (135mm).

Simultaneous output options through SDI, HDMI, and/or IP with onecable to camera setup.

Flexible IP formats available with HEVC, Secure Reliable Transport (SRT) and NDI®.

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FULL TIME

AEON LED Shahil Amin | VP Sales & Marketing, AEON LED Can you tell us more about AEON LED? AEON LED is our premier sports lighting luminaire brand, under our HyLite LED lighting family.

HyLite LED is a well-diversified manufacturer of high-quality, future-generation, energy-efficient lighting products that are engineered for years of dependable performance. Our company focusses on innovation by providing efficient and costeffective lighting solutions, all while using 98% recyclable and sustainable materials in doing so.

HyLite LED Lighting, a family-owned, certified MBE/DBE/ACDBE, operates out of a 58,000 sq ft facility in Charlotte, North Carolina. Our organisation is dedicated to providing customers with the highest quality products for use in the commercial, sporting, institutional, and industrial markets. At HyLite LED Lighting, our commitment to conserving energy is more than just ‘going green’. We desire to leave behind a better environment for our children and future generations to come.

What do you provide when it comes to stadiums and sporting venues?

As far as sports lighting solutions are concerned, we offer a full, dynamic range of options for the customer, each engineered specifically for their particular needs. Whether customers are looking to light up their local neighbourhood park, or their professional sporting team’s stadium, AEON is poised to meet any location’s specific needs.

Which sporting venue projects have you worked on recently?

Our latest project was a tennis court complex for the City of Atlanta, Georgia. To minimise upfront costs they used the existing 48 poles and did a one for one replacement of the 108 traditional Metal Halide Fixture to 108 pcs. 230W AEON Sports Luminaires. They get more control of the lights and, with AEON, you get instant ON/OFF capabilities and don’t have to wait for the lights to turn on.

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We also completed the Fant-Ewing Coliseum at the University of Louisiana Monroe in Monroe, Louisiana. The 8,000-seat arena needed better light levels for broadcast and AEON provided the solution that exceeded their expectations. They got better light with lower maintenance and energy costs. The AEON solution is allowing the University to save time, money, and resources on more productive projects, instead of changing failed lamps and ballasts.

Do you have any sporting venue projects coming up?

We are always in the process of engineering a new photometric study for many different types of venues, both domestically and internationally.

We have a few exciting projects in the works at the moment that we will be able to share with you later this year.

How has it been for the company over the past year?

Similar to most businesses, the pandemic did affect our business in some way. While some municipalities and school districts saw sports take a back seat, with capital spending going towards safety, others saw an opportunity to upgrade their facilities while the venues weren’t being used. This allowed us the opportunity to help plan out customer’s facilities when they are ready to make the switch towards LED lighting.

What are the aims for AEON Lighting over the next few years?

Our goal is to help as many customers as possible make the transition towards energy-efficient lighting. With a complete and dynamic range of products, we have solutions for the most basic of facilities to the most complex. We will be able to look at each individual venue and customise a value based solution for each.

What is your favourite sporting venue?

As a small, family-owned business, we take pride in every project we complete. Our goal is to help as many customers as possible achieve their goals in regard to excellent illumination, ease of installation, and enjoying the benefits of reduced energy and maintenance costs. We did do a nice project at the finish line straightaway at Nashville Fairgrounds that stands out. We were happy to see a NASCAR Legend, Dale Earnhardt Jr, point out via social media that the track was looking great. It certainly was a nice feather in the cap to hear that kind of comment.

How do you see stadium lighting technology developing over the next few years?

I would say the hottest trend at the moment would be the shift from having simply a sporting venue and transitioning that into an entertainment venue through lighting. Many spaces are looking to fill their seats for other events such as concerts, fairs, etc. By having a fully controllable LED lighting system in place that can be turned on instantly with no warm-up period, and colours that can highlight specific events, more and more facilities are making that switch.

This allows for additional revenue streams when sporting events may be in the off-season. These upgrades will simultaneously improve the fan experience by being engrossed in the moment during normal sporting events. The flashing of the home team colours upon entry or scoring, being able to highlight social causes and fundraising by flashing those colours, etc. all add to a more dynamic fan experience. www.aeonledlighting.com

SHAHIL AMIN Shahil is the Vice President of Sales & Marketing at AEON LED.

NASHVILLE SPEEDWAY The speedway completed and installed 40 of the 520W AEON LED Luminaires across the front edge of the canopy covering the main grandstands.

FANT-EWING COLISEUM The University of Louisiana-Monroe replaced the traditional 104 400W MH Fixtures with 54 230W AEON LED Luminaires that significantly reduced energy and maintenance costs, and enhanced the quality of illumination for broadcasting games.

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EVENT DIARY 2021

MONDO | STADIA presents AGORA Online 20th - 22nd April, Online www.mondostadia-agora.com

ISE 2021 15th - 16th June, Amsterdam iseurope.org

SPORTEL Monaco 5th - 7th October, Monaco www.sportelmonaco.com

International Federations Summit 21st - 22nd April, Online www.majoreventssummit.com

ISE 2021 23rd - 24th June, London iseurope.org

NAB Show 10th - 13th October, Las Vegas www.nabshow.com

CABSAT 24th - 26th May, Dubai www.cabsat.com

ALSD International 6th - 7th September, Liverpool www.alsdinternational.com

InfoComm 2021 23rd - 29th October, Orlando www.infocommshow.org

ISE 2021 1st - 2nd June, Barcelona iseurope.org

IBC 2021 10th - 13th September, Amsterdam show.ibc.org

ISE 2021 8th - 9th June, Munich iseurope.org

World Football Summit 22nd - 23rd September, Madrid www.worldfootballsummit.com

SMALL

FORM FACTOR

BIG

IMPACT

MEDIORNET FUSION 3 & 6 Standalone IP Converter & Multiviewer Miniature SFP frame for UHD / HD / SD Installable close to signal sources or destinations For full IP or IP-SDI hybrid solutions

SDI

IP Gateway App J2K/JXS

MULTIVIEWER 16 x 1

JPEG-2000 / JPEG-XS En- / Decoder Apps

DIGITAL SIGNAGE

16x1 / 9x1 / 4x1 MultiViewer Apps

FUSION 6

CONNECTIVITY HDMI ETHERNET FIBER SDI

FUSION 3

IP VIDEO

SOFTWARE-DEFINED

DISTRIBUTED

SCALABLE

FLEXIBLE

www.riedel.net

/VIDEO

20-21 APRIL 2021 | WWW.MONDOSTADIA-AGORA.COM

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