mondo | stadia - Issue 10

MELBOURNE CRICKET GROUND

DIRIYAH ARENA

GEORGE VAUGHAN

VIDEO FOCUS

A complete audio revamp at MCG, with Auditoria and Rutledge AV providing a d&b audiotechnik system.

A groundbreaking temporary 15,000seat stadium delivered by Arena Group for the Clash on the Dunes.

Ascot Racecourse’s Head of Technology discusses the Smart City project at the historic venue.

We take a closer look at the impressive products and eye-catching projects from the world of video.

ISSUE 10 - FEBRUARY | MARCH 2020

THE INTERNATIONAL PUBLICATION FOR TECHNOLOGY IN SPORTING VENUES

ISSUE 10 - FEBRUARY | MARCH 2020 WWW.MONDOSTADIA.COM

Enterprise Center – St. Louis, MO, USA

RAPID ROI

SOUND SOLUTION FOR SPORTS VENUES

L-Acoustics systems are renowned for their uniform, full-range, natural sound. Our flexible, lightweight systems project crystal clear sound onto your audience. From top to bottom, your fans will hear great sound that puts them into the heart of your sports action. Their flexibility allows your venue to alternate seating configurations and event types and still achieve flawless sound. Let our systems help you achieve maximum ROI for your sports venue. l-acoustics.com

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10 WELCOME

t’s been over 10 years since the AT&T Stadium, the home of the Dallas Cowboys, first opened its doors - and it has certainly proved to be one of the most impressive venues in the NFL over the past decade. However, that hasn’t stopped the team from continually looking to improve, with Electro-Voice and ChyronHego providing new, state-of-the-art audiovisual technology to keep the Arlington-based stadium ahead of the curve.

We’ve also focussed on the historic Melbourne Cricket Ground (MCG), which has undergone a complete audio transformation, with a new d&b audiotechnik system now in place, courtesy of Auditoria and Rutledge AV. After the much-anticipated rematch between Anthony Joshua and Andy Ruiz Jr., we’ve also taken a closer look at the groundbreaking Diriyah Arena - the temporary venue that hosted the event in Saudi Arabia.

Issue 10’s main interview is with George Vaughan, Head of Technology at Ascot Racecourse, who gave us a fascinating insight into the venuewide project that will see Ascot develop its Smart City aspirations with the introduction of some key, high-end technology. George will be presenting the Ascot Racecourse project at our AGORA conference in Amsterdam on 13 February at ISE, with a Q&A panel session following the talk, too, featuring representatives from Bose Professional, UtterBerry, Kappture and Looking Glass.

The AGORA programme also includes speakers from FC Barcelona, FC Bayern Munich, Wolverhampton Wanderers, KSS Architects, Johan Cruijff ArenA, Norway Football Federation and many more. See you there!

I

Sam Hughes Editor

CONFERENCE: JUNE 13-19 EXHIBITS: JUNE 17-19 LAS VEGAS CONVENTION CENTER LAS VEGAS, NEVADA

“The long flight from Europe is well worth it.

InfoComm has a different atmosphere to ISE and the education programme is outstanding.”

Kevin McLoughlin AV Manager 1 Wimpole Street

Register for InfoComm 2020 today at infocommshow.org.

MELBOURNE CRICKET GROUND

DIRIYAH ARENA

GEORGE VAUGHAN

VIDEO FOCUS

A complete audio revamp at MCG, with Auditoria and Rutledge AV providing a d&b audiotechnik system.

A groundbreaking temporary 15,000seat stadium delivered by Arena Group for the Clash on the Dunes.

Ascot Racecourse’s Head of Technology discusses the Smart City project at the historic venue.

We take a closer look at the impressive products and eye-catching projects from the world of video.

ISSUE 10 - FEBRUARY | MARCH 2020

THE INTERNATIONAL PUBLICATION FOR TECHNOLOGY IN SPORTING VENUES

ISSUE 10 - FEBRUARY | MARCH 2020 WWW.MONDOSTADIA.COM

Cover image courtesy of Electro-Voice Editor Sam Hughes s.hughes@mondiale.co.uk

Deputy Editor Emma Bilardi e.bilardi@mondiale.co.uk

Editorial Assistant Emma Davidson e.davidson@mondiale.co.uk

Digital Editorial Assistant James Robertson j.robertson@mondiale.co.uk

Senior Account Manager Jamie Dixon j.dixon@mondiale.co.uk

Account Manager Laura Iles l.iles@mondiale.co.uk

TEAM TALK

006 Rafael Pérez-Esparza, Daplast

Design & Production Zoe Willcox z.willcox@mondiale.co.uk

10 INSIDE…

VENUE FOCUS

TEMPORARY STRUCTURES

070 Diriyah Arena | Diriyah, Saudi Arabia LIGHTING

DRAWING BOARD

076 Signal Iduna Park | Dortmund, Germany

Mel Capper

010 Forest Green Rovers Stadium | Gloucestershire,

AUDIO

m.capper@mondiale.co.uk

England

080 FirstEnergy Stadium | Ohio, USA

012 Everton Stadium | Liverpool, England

BROADCAST

014 Emirates Old Trafford | Manchester, England

082 FINA Aquatics Championships | Gwangju, South

Managing Editor Rachael Rogerson-Thorley r.rogerson-thorley@mondiale.co.uk

Korea SECURITY

CEO Justin Gawne

KICK OFF

086 3D Simulation for Stadium Security | Dallmeier

j.gawne@mondiale.co.uk

016 Video

NETWORK INFRASTRUCTURE

Finance Director Amanda Giles a.giles@mondiale.co.uk

Credit Control ar@mondiale.co.uk

Group Chairman Damian Walsh MONDO | STADIA is published by Mondiale Media Limited, Strawberry Studios, Watson Square, Stockport, SK1 3AZ, UK Tel: +44 161 476 8340

092 Henry Ford Detroit Pistons Performance Center | Detroit, USA

INTERVIEW

COMMUNICATIONS

032 George Vaughan | Ascot Racecourse

098 German Racing | Riedel

042 Jonas Djian, Marios Christodoulou | STSI

EXTRA TIME 102 GL events

THE FULL PITCH

104 Pliant Technologies

048 Melbourne Cricket Ground | Melbourne, Australia

106 NEXO

060 AT&T Stadium | Texas, USA

108 disguise 110 WFS Africa 112 Event Diary 114 Full Time

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RAFAEL PÉREZ-ESPARZA, DAPLAST Innovative seating solutions in sport stadia.

Images: Daplast aplast is one of the most

wide-range of seating solutions available.

line, in order to harmoniously combine

established companies in the sector

Nowadays, seats are far more important than

different areas in the same venue.

of seating for sports and leisure

furniture providing comfort to spectators, or

Our R&D department is constantly working

facilities. Through its dedicated

security elements that define and organise

on new product development, including new

brand, Insitual, the Spanish manufacturer

a venue capacity. They differentiate areas,

production techniques and materials, to

proposes a wide range of backless and

spread messages and communicate the club’s

cover all the market trends we identify. Our

backrest shell seats, tip-up seats, VIP seats

identity.

last launched model, ‘Sitwood’, made with

and bleachers suitable for all its customers’

Besides the distribution of coloured seats

the ultimate noble material, was specifically

needs and projects. After more than 40 years

creating spectacular visuals, our customers

developed for the Narbonne Arena, France,

supplying and installing stadium seats across

are looking for a complete line of dimensions,

that opened last December. It has already been

the five continents, the company is still

finishes and accessories. For example, our

requested for other European projects, and the

committed to innovation. MONDO | STADIA

Avatar Seat Family proposes four tip-up

trend is likely to become stronger.

spoke to its General Manager, Rafael Pérez-

models. Firstly, basic seating for main areas,

Esparza, about the impact of good stadium

compact seating for narrow bleachers, and

Flexible seating solutions for the challenging

seating.

then the upholstered premium and suite

world of sport

versions for preferenced areas. Numbering,

In 30 years, Daplast has installed more than

Creating an identity through personalised

armrests, logo and coasters are also available

three million seats worldwide, in 2,000 unique

stadia seating

to improve the fan experience. The Avatar

venues across the world. We have learned

The seating in sport stadia has become

is true to our seats’ general characteristics

that for big projects, we need to go beyond

increasingly demanding in design and

(security, ergonomic and quality requirements)

the seat production itself, and I believe that

functionalities, and we are now seeing a

and all the versions follow the same design

the business decisions we have made in the

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TEAM TALK

007

TEAM TALK

last decade took us there. Today we integrate

spectator vision, to working in different

worldwide. Our brand, Insitual, is ready to

and develop every phase of each seating

phases in a two-year project, to hand in hand

continue wining international projects, and

project with our own resources; design and

progression with construction. We also spent

we are currently working on several venues

development, engineering, plastic and metal

a lot of time reconfiguring areas during the

including the Fez Stadium in Morocco, Saint

manufacturing, logistics and installation. That

project, covering areas like the capacity of

Michel Ice Arena in Canada, Sadar Stadium in

specialisation allows us to meet and resolve

VIP sections and modifying grandstands’

Pamplona, Spain, and the National Stadium

the specific needs of a project.

sectors. Developing ourselves across all areas

of Luxembourg. We have always worked while

Last September we finished the installation

of our seating solution has definitely been

looking forward, committed to innovation, and

of 40,000 Avatar seats in the Anoeta Stadium,

key in providing satisfactory solutions. We

2020 won’t be any different, with the expected

recently named Reale Arena, Spain. This is

have constantly adjusted our production and

release of interesting new seating solutions.

the perfect example of the flexibility our

installation planning in order to meet the

company can display - obviously in products

deadlines.

as the Avatar family speaks for itself, but

008

also in processes and human resources. We

The future of Daplast and enhanced seating

had to overcome different challenges: from

solutions

the adaptation and creation of seat supports,

After some difficult years for the sector,

to the existing bleachers to allow optimum

fortunately, many projects are underway

WWW.MONDOSTADIA.COM

www.insitual.com

Recording Formats See recording formats, resolution and frame rate.

Mounting Points Standard ¼ inch mount points on top and bottom.

Heads Up Display View critical status and recording information or swipe to hide it.

Timecode Lock timecode for perfect sync with camera recordings.

Advanced Connections 12G-SDI, HDMI, microphone inputs and more.

Shown with scopes enabled!

Built in Scopes Professional waveform, vectorscope, RGB parade and histogram.

HDR Display Super bright 2,500 nit HDR display with 100% DCI P3 color.

Media Info Displays remaining record time on all available media.

Audio Meters Professional audio metering with customizable ballistics.

SD Card Recorders Single or dual SD card recorders use standard, inexpensive media.

Blackmagic Video Assist 12G HDR Add HDR monitoring, professional scopes and dramatically better record codecs to any camera!

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Blackmagic Video Assist 12G HDR lets you add professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats. Available in both 5 inch or 7 inch models, you get 2,500 nit HDR screens, professional broadcast scopes, focus assist, 3D LUTs, tally, higher capacity batteries, native Blackmagic RAW recording from supported cameras and more.

The 12G-SDI and HDMI connections are multi-rate which means they automatically switch speeds, making them compatible with all SD, HD, Ultra HD, 2K and 4K DCI equipment and formats. Formats such as 720p, 1080i, 1080p and Ultra HD are all supported at up to 60 frames per second. You can even record 2K and 4K DCI formats at up to 25 frames per second for digital film work!

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The screen is easy to see in bright sunlight, the built in scopes automatically change to HDR, and all files, SDI streams and HDMI streams are tagged with the correct PQ and HLG metadata information according to the ST2084 standard.

If your camera records compressed H.264 or uses expensive, proprietary media, then adding a Video Assist will let you record better looking images! You get industry standard ProRes and DNx recording, along with Blackmagic RAW for select cameras. Plus, the larger display and focus assist tools make it easier to frame and focus shots. Images are recorded onto inexpensive SD cards or you can even record to external USB-C disks.

Built In Scopes Ensure Compliance to Standards Blackmagic Video Assist 12G HDR features professional SDR and HDR scopes for technical monitoring so you can ensure compliance to broadcast standards.

You get a traditional waveform monitor, vectorscope, RGB parade and histogram for checking levels and clipping. The scopes can be overlaid on live video or the picture can be viewed in a small window at the top right of the scope!

Blackmagic Video Assist 5" 12G HDR ��������������� 725€* Blackmagic Video Assist 7" 12G HDR ����������������895€*

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*SRP is Exclusive of VAT.

12/12/19 4:26 pm

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FOREST GREEN ROVERS STADIUM Gloucestershire, England Renderings: Zaha Hadid Architects orest Green Rovers FC has been given planning consent for an all new wooden stadium. Set to be the ‘greenest football stadium in the world’, the new 5,000-seater, fully timber residence will house a landscaped car park with 1,700 spaces, two grass training pitches, and, of course, Forest Green Rovers, who became the world’s first fully vegan football team back in 2017.

Focussing predominantly on sustainability and the impact of a stadium’s carbon footprint, it is planned that the new space will see 500 new trees planted, as well as 1,500km of hedge put in around the grounds. Following on from the team’s introduction of bamboo shin pads and ‘eco-kits’, the build aims to be as low carbon and low impact as possible. A number of measures have been introduced to minimise energy use, water use, waste and pollution, including the recycling of rainwater and the serving of vegan food to players, staff and fans.

The stadium’s roof is covered with a transparent membrane, which contributes to turf growth, minimises stark shadows for players and fans, and reduces the volumetric impact of the stadium from distant views in the surrounding landscape. Fans will be as close as five-metres from the pitch and the position of every seat has been calculated to provide excellent, unrestricted views of the entire field of play. The stadium’s continuous spectator bowl surrounding the pitch will maximise matchday atmosphere.

The new ‘Eco Park’ stadium will be situated eight miles away from the current build at New Lawn Ground, Nailsworth, England. There are also plans to create affordable, green housing in place of the demolished old stadium, this will consist of around 80 zero-carbon homes. Despite initial fears that the stadium could be detrimental to the local area, the granting of planning permission has confirmed a new era for Forest Green Rovers and the architectural developments of sporting stadia in the future.

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EVERTON STADIUM Liverpool, England Renderings: Meis Architects he final designs for Everton Football Club’s new stadium have recently been submitted. The 52,000-seater stadium at Bramley-Moore Dock, Liverpool, England, is set to have a transformational impact on North Liverpool. At the heart of the proposal is a stunning brick, steel and glass façade, which takes inspiration from the historic maritime and industrial buildings nearby.

Following feedback from the club’s public consultation, the design has evolved to include a standalone multi-storey car park, while additional environmental measures, including wind baffles, have been incorporated in the final proposals. The plans also include an extensive public space, featuring a fan plaza east of the stadium, that can be used on both matchdays and non-matchdays for pre and post-match entertainment.

The design of both the North and South stand’s lower tiers will make it easier to adopt rail seating and, depending on future legislation, could also be converted into areas for safe standing. Fans will also be seated as close to the action as possible, with all stands offering unobstructed sightlines. A water channel is also set to be maintained to the west of the stadium to ensure the visual continuity of the dock system – a key feature of the outstanding universal value of the World Heritage site – with the historic dock wall on the western side of the channel exposed. The site’s grade II Listed hydraulic tower will also be restored to create a unique visitor attraction, attracting tourists on non-matchdays, and a range of Bramley-Moore Dock’s historic features, including capstones, mooring posts and old railway tracks, will be restored.

The overall design of the stadium will also help amplify the noise within the walls to capture the intensity and intimacy of a football match, while also limiting the amount of noise pollution in the surrounding area.

Working closely with Liverpool City Council and heritage bodies throughout the entire design process, the stadium will respect and preserve the rich heritage of the area, while also bringing a derelict dockland back to life.

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EMIRATES OLD TRAFFORD Manchester, England Renderings: BDP Architects lans for a new cricket stadium at Emirates Old Trafford have been granted approval, seeing a 4,850-seat extension to the current venue in Manchester, England, making it the largest ground outside of London, with a 26,700 capacity. The plans include the construction of a new stand that will replace the original ‘Red Rose’ suite, containing members’ facilities, a new museum, a ticket office and a shop.

The redevelopment coincides with the transformation of the suburb, including the town hall and surrounding areas, in a new ‘Civic Quarter’, which will cover 120-acres. The proposals also include a new leisure centre, new homes and offices, and

P

improved pedestrian and cycle routes. With the extension of a nearby Hilton hotel proposed too, which will see a sixstorey block built on the eastern side of Brian Statham Way and a glazed link pedestrian bridge that will connect with the existing hotel, Emirates Old Trafford is looking to become an unrivalled venue for business, sport and leisure.

The new stadium has been designed by BDP architects, which previously designed the grounds popular ‘The Point’ events venue, which opened in 2010. Costing £60m, the redevelopment is welcomed by the club and fans as it looks to continue a future hosting major competitions and matches.

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KICK OFF | VIDEO A closer look at products and projects from the world of video.

ALLIANZ ARENA LEDCON Allianz Arena, home to FC Bayern Munich, is widely known for its unique exterior of inflated ETFE plastic panels. The first stadium in the world with a full colour-changing exterior, Allianz Arena can now add the largest stadium displays in Europe to its extensive resume.

The biggest project for LEDCON Systems GmbH to date, the video wall was commissioned during the arena’s 2017 refurbishment and completed, at the end of February the same year.

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In 2019, the arena added a 200-metre sq LEDCON UPix6 LED, 4K video wall to both curves in the arena. The rear sides of the displays were additionally equipped with a 40-metre sq video wall so that the fans standing behind the displays don’t miss anything.

The new displays double the video area compared to the previous installation. www.ledcon.de

KICK OFF

SATELLITE MODULAR LASER SYSTEM DIGITAL PROJECTION The projector head is fundamentally compact, quiet, lightweight and consumes very little power. This simplifies and improves every stage of a system design, from transportation and installation to serviceability and lifespan. By separating the projection head from the light source and linking the two by robust and flexible fibre-optic cables up to 100m long, Digital Projection offers the installer true flexibility, particularly where space and access are restricted. Compare the installation and rigging of heads weighing in at between 10kg and 35kg, with that of more traditional integrated projectors, which can weigh as much as 150kg and the difference is clear.

The projector market is now widely converted to solid-state illumination, most projectors are now ‘lasers’, but in the majority of cases this means that blue lasers are used to stimulate phosphor, which in turn emits broadspectrum light. This has great benefits over traditional lamps in terms of life, stability and reliability, and some amazing Laser Phosphor projectors are now available, however, this technology is becoming mature and has certain practical limitations.

In a large venue space, as laser phosphor projectors get brighter, they are inevitably becoming larger, heavier, and more power-hungry; factors which together can create challenges for many installations and applications. Laser phosphor technology has transformed the projector market and will continue

to be a cost-effective solution for many applications; however, we should consider what other approaches can complement and perhaps in the longer term, replace it.

In parallel with further improving its laser phosphor illumination, Digital Projection has been exploring direct RGB Laser Illumination, which offers the same benefits as Laser Phosphor in terms of life and stability but adds truly amazing colour and contrast. In addition to the on-screen benefits that RGB laser illumination offers, the nature of the emitted light from these direct lasers facilitates its efficient coupling into fibre optic cables.

This fundamental characteristic of direct RGB lasers is the basis of Digital Projections new approach: separating the light source, with its associated power and thermal management, to a remote location, thus enabling a small, compact projection head that only contains the minimal optical and video processing.

The company’s new approach is called Satellite MLS. Satellite MLS offers a small number of simple building blocks that allow users to address a wide range of applications, from single projector installs to complex, multi-channel domes, caves and simulators. www.digitalprojection.com 017

KICK OFF

EIDSIVA ARENA INFILED Eidsiva Arena is the home venue for the Lillehammer Ice Hockey Club, one of the top clubs in the major league in Norway.

Installers, Bright Norway, chose a media cube from Infiled with a pixel pitch of 3.9mm and custom curved corners.

With a high-resolution screen and curved corners, it constitutes a flexible screen, where graphics can be seamless and a great viewing experience is achieved from all angles.

Besides serving the needs of the ice hockey club, the attending spectators and sponsors, it can be used for concerts and live events in the venue.

The corners are made up of standard curved modules to get the correct radius and are made from the same production series as the other modules. This is to ensure the uniform colours of the whole screen.

The screen has a specific gravity of 2,990kg. In addition, comes the weight of the suspension structure as well as cabling, etc. This is estimated at 200-250kg. The total weight of the cube is 3,250kg.

Primary support was provided with truss between four glulam arches by Bright. Two chain hoists were mounted in each of these trusses.

“The new media cube will give the club an opportunity to attract more sponsors and advertisers and thereby create more revenue through promotional sales, as well as providing a better experience during the matches,” said Alexander Stalsberg, Media Producer for Eidsiva Arena. “We want to run interviews, live streams and we will be able to have graphic animations and run interactive competitions.

The hall will also be used for concerts and other large events, again to create revenue for the club. The possibilities seem endless. www.infiled.com

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T: + 44 (0)20 7608 7900 info@wilkinsoneyre.com www.wilkinsoneyre.com

Architecture by

@wilkinsoneyre wilkinsoneyre wilkinsoneyre

Lord’s Cricket Ground The new Compton and Edrich Stands, designed by WilkinsonEyre, will be ready for use in the 2020 season

INTERACTIVE OVERLAY PLATFORM PROMETHEAN As sports media broadcast and consumption transforms from linear to digital, fan expectations are changing too - empowered to choose and with plenty of options, they are demanding more and more from the matches they watch.

Sports fans are no longer bound by broadcast tradition or glued to the gogglebox in the corner of the room, they are informed by technology, following personally curated tastes and trends. To date, this has been largely achieved through second screen applications, but those can be distracting - or downright disruptive to the main event. Learning from the esports space, the Promethean team determined that the ultimate offering needed to be on one screen, a consistent and immersive experience that keeps the fans focused on the action - and allows sports operators and brands to reach their audience when they are most engaged.

Promethean offers an online solution for dynamically programming interactive video overlays across live and video content on the web, mobile and OTT platforms. The tool allows sports broadcasters to place contextual and relevant overlays in real-time, delivering engaging customer interactions and driving measurable ROI. Broadcasters can also create and manage overlays remotely, with scheduled activation programming for VOD and real-time publishing for live streams.

Promethean’s overlay platform includes four key elements. The first is the Promethean Broadcast Centre online suite, which allows easy and real-time operation of interactive overlays for live and VOD, on desktop, mobile and Smart TV devices. Sports broadcasters can also use Promethean Insights to access a 360° overview of their overlay campaigns performance, with analytics reporting down to individual overlays and activation data. Thirdly, Promethean AI Autodrive automates overlay operations for live and VOD. Broadcasters 020

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can define criteria for the automation engine, schedule overlay activations in advance or set event-based trigger conditions. Finally, Promethean TurnKey Solutions provide tailored creative and consulting assistance for specific overlay campaigns and business objectives. Sports broadcasters can pick their video topic and get started with full overlay templates and preset schedules serving their exact needs.

These templates can be used in multiple layers depending on the broadcasters value proposition. Some of the key pillars include contextual and tailored e-commerce experiences that maximise revenue returns from shoppable moments throughout the sports video streams, branded overlay experiences within sponsorship campaigns to maximise ROI and up-selling related broadcast services such as SVOD subscriptions or loyalty programs. This even works in-stadium, allowing venues to manage concession queues with timely discounts or drive merchandise sales for the MVP. With Promethean overlays, sports broadcasters can add a layer of interactivity to their live and on-demand videos that will enhance and contextually augment content. This will offer true differentiation for their audience with an entirely new interactive viewing experience. These overlays also represent effective opportunities to increase ROI on video content costs. Broadcasters can support on-stream transactions with HTML iFrame web overlays, deploy email or phone number subscription campaigns, incentivise mobile app downloads, sell clickable advertising or sponsorship placements. By matching video content with contextual overlays, sports viewers are met with offers at just the right moment, driving unprecedented conversion rates. www.promethean.tv

KICK OFF

TWICKENHAM STOOP STADIUM CONCEPT GROUP Premiership Rugby club Harlequins has partnered with Concept Group for the design and installation of four new LED displays. The new screens come as part of the clubs’ move to increase fan engagement and modernise their current technology.

The specified Daktronics LED display technology is renowned for unmatched colour contrast, technical reliability and excellent viewing angles.

The two smaller horizontal stand displays mounted above the East and West stands measure one-metre by 5.5-metres and are designed for displaying match scores and club branding.

The larger displays measure four-metres by seven-metres and are located at Northwestern and Southeastern corners of the pitch. These full-motion video displays will be used for sponsor advertising and club updates as well as engaging the audience with player profiles and match announcements.

Concept has also provided the club with the powerful Show Control platform

from Daktronics, allowing for dynamic control of display content.

Feedback from the club has been positive as Head of Operations, Jen Motet, stated: “We have been considering upgrading our scoreboards and installing permanent big screens for some time, and we decided to move forward having had detailed discussions with Daktronics. Concept Group were the systems integrator, and from the start, we were impressed with how they took on the project and drove it forward – especially given an in-season install which presented timeline challenges.

“The team were adaptable throughout the process and worked with us to ensure minimal impact in a live stadium environment. The screens themselves have had nothing but positive feedback – they are bigger, more impactful and help drive our aspirations on providing an improved experience for our match day and non-match day customers.” www.conceptsigns.co.uk 021

KICK OFF

LAMBEAU FIELD STADIUM DAKTRONICS While fans are already enjoying live events as they see their favourite teams compete right before their eyes, stadiums and arena’s are looking to add to the experience in a positive way. Installing LED video displays in gathering areas allows for fans to come together to enjoy an atmosphere they can’t get at home. And this experience is constantly evolving and improving.

In today’s live event environment, fans are showing up earlier than ever before, even hours before the event begins to soak in a larger experience.

They’re grabbing food and drinks near the stadium and gathering with other fans prior to the doors opening. Their enthusiasm and anticipation for the upcoming event grows as more people start showing up.

After the event, fans are staying longer. They don’t want that adrenaline rush of their team’s hard-fought battle to end. They celebrate the victory with other fans and linger near the stadium to extend the overall experience.

The areas in which fans gather in around the stadium are called entertainment districts, and venues are capitalising on these areas by providing fans with more to do before and after events. Constructing these adjacent and sometimes attached entertainment locations creates a complete entertainment destination which encourages fans to extend their experience while also providing a means for additional revenue generation.

A fixture of entertainment districts includes LED video technology. Displays in these areas draw fans in, capture their attention and show them the content they want to see. Before games, they can air pre-game shows or rival games currently taking place. They can build excitement for the upcoming game by 022

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showing historical and highlight footage of the home team’s past successes.

The Green Bay Packers recently added Daktronics LED displays to their stadium, Lambeau Field, and their entertainment district, Titletown. Six video walls measuring 7ft high by 12ft wide feature 1.9mm line spacing inside the stadium and three video walls measuring 4.5ft high by 8ft wide feature 1.5mm line spacing inside Titletown.

These displays bring a focal point and additional energy to the space as fans come together to enjoy the live event. They share live feeds of the game as well as additional revenue-generating advertising for the captive audience in the venue.

As this entertainment district trend grows, more teams and venues are capitalising on the opportunity to create a greater experience for their fans, while increasing their revenue at the same time. They are creating shared experiences that fans crave and encouraging them to come to their venue to re-experience those emotions again and again.

Every moment of an event - before, during and after - creates the full experience for the fans, and LED displays in entertainment districts are there to provide that experience for every event. www.daktronics.com

IMPOSSIBLY SMALL

63mm

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63m

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CV380-CS Experience Performance, Portability, And Versatility Packed Into A Remarkably Small And Lightweight Frame. The New Marshall CV380’s 8.5 Megapixel sensor captures stunning progressive or interlaced video up to 4K, with professional adjustment settings made locally or from the convenience of the truck.

Full-Sized 6G-SDI and HDMI Outputs 8.5 Megapixel (1/2.5”) Sensor (4:2:2) Up to True 4K or UHD 4096x2160 at 30fps

All Full-HD (Progressive or Interlaced) Formats Up to 60fps Remote Adjust and Match White Balance, Pedestal, Gain, and More (RS-485 or OSD Joystick) and Interchangeable Lens Options Lightweight and Durable build with Convenient 1/4-20” Mounts For more information, visit www.marshall-usa.com

THE POINT

SOURCE LOUDSPEAKER

PERFECTED

Dispersion characteristics can be changed in seconds through the addition of optional magnetic flanges (P12) or horns (P8/P10) to optimise cabinets for a wide range of fixed installations and touring applications, including wedge monitor.

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Thinking. Inside the box.

13/01/2020 09:16

KICK OFF

IPTV AND DIGITAL SIGNAGE SOLUTION FOR SPORTS VENUES VITEC

VITEC’s IPTV and Digital Signage Solution for Sports Venues combines broadcast-quality IPTV distribution with powerful digital signage, video wall, and menu board capabilities into an all-in-one integrated solution. The platform is the ideal solution for sports stadiums and arenas - of any size - that need a secure, scalable, cost-effective way to distribute video, display dynamic signs, drive video walls, and manage menu boards using their existing IP network, including LAN, WAN and wireless. It offers the most advanced IPTV experience with live streaming, on-demand video, digital recording, mosaic player, time-shifted TV, and a customisable look-and-feel designed to raise the bar on video engagement for fans and management staff alike. The system’s content security and user-access controls are certified by military users and broadcasters for local and multi-site applications. The digital signage module uses hardware-based powerful endpoints to deliver eye-catching digital content with dynamic data and full HD IPTV content - all managed from a centralised server.

The Platform was engineered to affordably extend the game action onto concourses and all guest areas to keep fans immersed in the live experience.

It can also drive multiple video walls, digital signage, and menu boards with rich tools and capabilities that simplify the deployment, management, content creation, and integration of these systems.

VITEC’s IPTV and Digital Signage Solution for Sports Venues is recognised as a leading solution for streaming video and signage with the latest compression standard HEVC (H.265) up to 4K, in addition to HD and SD live, and on-demand streams in MPEG-1/2/4 and H.264 formats. The solution also drives video wall content down to the individual screen level and can intelligently manage menu boards. The dynamic video wall capabilities differ from other video wall solutions available on the market. Rather than stretch a single image across multiple screens, the platform offers the flexibility to scale the image to the precise format and size needed for each screen. Users can also manipulate image objects around the video wall canvas. The result is a polished, professional-looking video wall attraction, free of artifacts and distortions.

For menu boards, the system offers dynamic control of content. Prices can be updated in real-time, even during events, allowing venues to optimise prices based on food inventory throughout the game. This on-demand capability gives organisations the advantage of driving sales and maximising revenue opportunities. To further food sales and customer satisfaction, the solution also integrates with concession cashier and ordering systems. Using a tablet

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to enter the customer’s name, the platform will display the name and the estimated time of completion for the order on the screens in the concession area. This workflow is automated, requiring no input or monitoring from busy concession staff. Because this functionality is integrated into the digital signage capabilities, it’s simple and straightforward to manage and operate.

VITEC’s platform was engineered with scalability and customisation in mind.

Not only is it ideal for the most state-of-the art professional sports facilities in the world, but it’s perfectly suited for small-scale professional and collegiate deployments that have a smaller inventory of screens that still require a live, high-quality feed of the game. Organisations can add more displays into the display network by leveraging the powerful scalability of the platform. In addition, when new facilities are built, such as an athletic centre or practice facility, organisations can further expand the display network to those buildings. VITEC continues to rapidly advance the platform by adding innovative functionalities that allow customers to continually enhance the video experience provided to their users. This gives organisations a platform that’s just as ready for today’s technology requirements as it is tomorrow’s evolution.

VITEC’s IPTV and Digital Signage Solution for Sports Venues has been deployed in a multitude of professional and collegiate sports complexes, including Sacramento Kings’ Golden 1 Arena, the Minnesota United FC soccer stadium, Notre Dame, and others. Inside the arenas and stadiums, fans are treated to an eye-catching visual experience in- and-out of their seats, allowing them to watch the game no matter where they are in the facility. In Golden 1, for example, guests won’t go more than six-metres without looking at a monitor, whether on the concourse or at the concession stand. The organisation was able to leverage the unique and powerful streaming and digital signage capabilities across more than 700 screens within the facility. This comprehensive and dynamic offering has allowed Golden 1 to improve the visibility and effectiveness of its sponsorship campaigns beyond static signage. VITEC backs the completely customisable solution with unprecedented support, which includes sending technical staff onsite throughout each phase of the installation. Once finalised, VITEC sits in on sporting events to ensure reliability. In addition to a hands-on sales and support team that ensure successful deployment and operation after installation, VITEC continues to expand the feature set of the system. Paired with lifetime support, this future-proof system reimagines the fan and facility management experience. www.vitec.com

W H AT YO U D O IN TH E D ARK W ILL M AKE YO U SH IN E BRIGH T

www. das audi o. com

KICK OFF

REESE STADIUM NEVCO Yale University in New Haven, CT collaborated with Nevco to bring a brand new video display, scoring and audio solution to Reese Stadium, which houses four of the Bulldog’s teams including the 2018 NCAA DI Men’s Lacrosse National Champions.

Reese Stadium is one of the finest multi-purpose athletic venues in collegiate athletics, and has been further enhanced by a new Nevco full colour, 10mm LED Video Display and Stadium Pro 1000 Sound System. The video display stretches over 44-inches wide and stands more than 19-inches high, offering over 774,000 vibrant pixels to grab the attention of fans and get them on their feet.

At the top of the structure, covertly hidden behind a mesh sound scrim prominently displaying REESE STADIUM sits the Stadium Pro 1000 Sound System.

The sound system brings the noise, delivering fans a concert-like audio experience audible from every seat in the stadium. From pre-game music, player introductions, and complementary HYPE graphics to support the announcer’s commentary, the new video display, scoring and audio solution will provide an experience not soon to be forgotten by fans.

“We are grateful to have the opportunity to work with Yale to provide such an exceptional upgrade to Reese Stadium,” said Eric Light, Nevco Vice President of Sports Video. “The new video display, Stadium Pro Sound System, and scoring upgrades will completely revamp the stadium, bringing a renewed energy to fans attending Bulldogs games.”

Yale University worked with Nevco’s HYPE Creative Services to develop and create numerous custom branded graphics and fan prompts to showcase on 026

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the new video display, including logo animations, fan prompts, and more.

The Bulldogs will control their video display with the MotionRocket Sports Video Control System Software, allowing for any combination of thrilling live in-game action, instant replays, fan prompts, sponsorship messages, and animated graphics to engage fans and enhance the game-day atmosphere at Reese Stadium.

Rounding out the Bulldogs’ upgrades are a Model 3680 scoreboard featuring Intelligent Captions, which automatically changes sports between lacrosse, soccer, football, baseball, or softball, a Model 5633 with additional penalty timers, and LED Shot Clocks with 24-inch Digits and 14-inch Game Timers.

Reese Stadium’s new additions all call for attention with Nevco’s new translucent white digits.

“Coming off of the 2018 Men’s Lacrosse National Championship, we wanted to make enhancements to the stadium that match the quality of play from our four varsity teams who compete there.” said Kevin Discepolo, Assistant Athletic Director of Facilities, Operations, and Events at Yale University.

“Nevco has been a great partner in bringing that vision to a reality. With the lacrosse seasons starting, we’re excited to see the new dynamic that the new Nevco video board and sound system will bring to our fans and players at Reese Stadium.”

The project was completed in anticipation of the men’s and women’s lacrosse seasons, debuting on February 16 in a men’s lacrosse match up against Villanova. www.nevco.com

KICK OFF

ENHANCING FAN EXPERIENCE THROUGH VIDEO EXTERITY Stadiums and venues around the world recognise that success hinges on more than just what happens on the pitch. More than ever, fan engagement within each facility is a critical part of the overall experience as well as return on investment – and video is playing an increasingly vital role.

Audiovisual is a crucial element that can span every facet of the fan experience. Starting from the venue entrance, IP video-driven screens are used to reinforce branding, engage with arriving supporters and create a buzz. In central areas, displays provide visitors with information about seating, other facilities, services and amenities. These signs are often dynamically managed to cater for unique events or special offers, as well as for contingencies such as seating section or exit changes. In bars and restaurants, digital signage screens help to entice spending – alongside live video that ensures fans don’t miss a second of the action.

Stadium networks are increasingly merging with broadcast TV elements. One notable example is The Open, Britain’s major annual golf tournament where, in venues like St Andrews, the existing fibre-based network runs in parallel with IP video solutions – enabling fans to watch crisp, high-quality video in real time from any location around the hospitality village. This set-up also ensures lossless streaming from AV encoders straight to a 36m LED video wall situated in the media centre, which delivers live feeds to on-site broadcasters.

Leveraging over 600 Exterity media players, HD-SDI and HDMI encoders and satellite and Freeview TV gateways at The Open as backup, the distribution of content from capture to delivery to every screen is controlled centrally 028

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from the single AV management system. Broadcast coverage includes feeds from the main broadcasters, which are encoded and distributed through the IP video system. This enables fans to watch golf news and live commentary during the quieter periods, adding value to the overall experience.

For venues aiming to deliver the highest levels of video fidelity along with extremely low latency, Exterity’s AvediaStream Transcoders, 4K Encoders and ArtioPortal Desktop all support NDI, NewTek’s AVoIP standard. In a typical scenario, cameras positioned around a stadium capture the live action. An NDI Tricaster Studio on premise enables production of these live feeds. An Exterity Transcoder then transcodes the AVoIP feeds into IPTV feeds, so they can be shared and viewed across the entire concourse as part of digital signage, ensuring that fans feel immersed in the action wherever they are within the stadium.

Video distribution within stadiums is relatively mature and the biggest driver is the shift towards an all IP infrastructure, with the challenge of a more broadly connected ‘campus’ that might comprise a stadium, conference facilities, press room, on-site restaurants and a hotel. For older venues, this can mean installation of new structured cabling and switching to accommodate IP networks. However, once this initial retrofit is complete, AV options increase in flexibility and provide potential for new and innovative deployments. www.exterity.com

KICK OFF

SIXWAYS STADIUM ADI Worcester Warriors wanted to transform the appearance of their Sixways Stadium in order to improve the fan experience and attract new commercial partners. They had an existing LED screen which was failing and not suited to delivering the club’s vision.

Warriors approached ADI to present some new concepts for how they could transform their stadium using display technology and understand how best to commercialise the new platform.

ADI helped Worcester Warriors, transform their matchday experience by installing new digital display technology at the Sixways Stadium.

The entire length of the South Stand was given a digital makeover thanks to the installation of 260sq.m of integrated LED display technology.

The new display provides a high impact platform through which to engage fans and create value for sponsors.

ADI installed three new giant LED screens and digital ribbon, which are controlled by a content management system which gives the club the flexibility to deliver separate content across each display, or synchronise the output in order for a brand or message to take over the entire platform. As well as designing and manufacturing the new displays, ADI assumed the role of Principle Contractor, managing the installation of the new infrastructure over a two week period.

As well as installing the new display technology, ADI connected the stadium to its remote production facility in Preston where a team of producers, editors and graphics operators create and manage the live matchday content delivered into the stadium.

The digital infrastructure was designed to offer new opportunities for Warriors’ commercial partners, who are able to interact with fans in a far more creative and dynamic way.

Warriors launched a range of new commercial opportunities to help regional and national partners utilise the new digital infrastructure, and worked with

ADI to develop a new Business Club scheme which offers opportunities for businesses large and small.

ADI’s team of engineers installed the new digital display platform in time for the start of the 2019/20 Guinness Premiership season. The resulting installation provides Worcester Warriors with a new high impact digital platform that has offers much greater flexibility than a traditional LED screen.

The scale and layout of the digital platform offers the ability to engage and inform fans by displaying match data, scores and statistics, alongside interactive social media content, whilst simultaneously delivering the live match feed, highlights or refereeing decisions.

Another key benefit of the new platform is its ability to synchronise content across every display – delivering powerful fan rousing content, or sponsor messaging which takes over the entire South Stand.

“The new display infrastructure doesn’t just transform the appearance of the stadium, it revolutionises the way fans experience the game,” said Worcester Warriors’ Operations Director, Peter Kelly.

“We want to create one of the best experiences in live sport - not just in rugby. So it’s important to us that the new displays are used to create a highly interactive experience for fans. That means bringing together the best of social media, match stats, and creative video content to create a meaningful experience that feels new and exciting every week.

“The team at ADI have helped us at every stage of the process – they’ve provided the answers to every technical, commercial and content question we’ve had to define a really strong solution. The end result won’t just look incredible but, thanks to ADI’s guidance, we’re confident it will deliver on key fan engagement and commercial goals.” www.adi.tv

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10 INTERVIEW

“I think it’s really important to not just deliver technology, but deliver technology that is going to be useful for the business and consumer – and it has to be technology that they understand.”

“It’s such a dynamic, exciting industry to be involved in and I want STSI to be a vehicle that encourages others to enter the industry and gain the knowledge to have a real impact.”

George Vaughan Head of Technology Ascot Racecourse

Jonas Djian Founder STSI

GEORGE VAUGHAN Head of Technology, Ascot Racecourse

How has it gone at Ascot Racecourse so far?

“This is a very prestigious venue with a lot of history, hosting one of the world’s biggest events in Royal Ascot every year, so it demands global attention.

But I thought there was an opportunity to enhance that experience with technology.”

So, in my first few months at Ascot, I took a great deal of time to assess the environment, but, since the Autumn of 2018, we’ve done quite a lot of work here. I think it’s important not to deliver technology for the sake of it but deliver technology that is going to be useful to the business and the customer. That has been a key driver in all the upgrades we’re doing at Ascot, as it was for those I did at Twickenham.

I never went to visit too many other stadiums – I wasn’t particularly interested in what other venues were doing. I’ve always been more interested in what the people who inhabit these spaces are doing in other areas when they’re not with us. Unless you work in a stadium, you probably spend relatively little time there so understanding how your customer engages with technology in areas they visit more frequently - airports, supermarkets, restaurants or gyms – can help to deliver initiatives that people are already familiar with.

Were you brought on board at Ascot Racecourse with this technology upgrade in mind?

Not completely. When I was brought in, I obviously had a vision of what I thought could be done and it was aligned with where the business wanted to go, but I needed to assess the venue first. I did come on

First of all, can you give us some background to your career?

board with the idea of identifying these opportunities. This is a very

I’ve been involved in technology and sport for over 20 years. I spent a

prestigious venue with a lot of history, hosting one of the world’s

lot of time working at Twickenham Stadium, where I was responsible

biggest events in Royal Ascot every year, so it demands global attention.

for initiating high-profile projects there, including making the venue

But I thought there was an opportunity to enhance that experience with

fully contactless ahead of the Rugby World Cup. There were several

technology. Obviously, there is 300 years of tradition behind Ascot – and

other revenue savings initiatives implemented, too, which delivered

this needs to be protected – but we also need to recognise as a business

operational improvements and together with my team, helped the venue

that in this modern age, tradition doesn’t necessarily provide safe refuge

win seven major industry awards between 2015 and 2018.

any longer. Everything is changing so quickly; you need to constantly

I’ve also been called upon to provide advice for other supporting

keep an eye on that evolving horizon. Fortunately, I have a very engaged

organisations including football, the Olympic committee and the Rugby

and forward thinking board of directors who understand the needs of the

World Cup as well venues in the UK and around the world. I have a

modern consumer.

broad range of experience, so outside of sport, I have been involved in key international projects around health, education, travel and

When was the last time there was an upgrade at Ascot Racecourse prior

entertainment – and I see this as crucial to understanding the true

to the recent project?

nature of the customer.

Ascot had a big overhaul back in 2006 as part of the stand rebuild, so

In early 2018, I joined Ascot to take up the exciting new challenge as

about 12 years before my arrival. Going into this project, I was conscious

Head of Technology for the racecourse.

that when one considers the pace of change the next 12 years was likely

INTERVIEW

INTERVIEW

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to be three. The business was very open to the vision of looking at Ascot

who attend than other sports such as football, rugby or cricket. These

not just as a venue, but also as a Smart City.

companies see something in our venue that they don’t necessarily see in many stadiums. In a stadium, you enter – often at the last minute

Tell us more about the Smart City idea…

– take your seat and, outside of half time, that is where you’ll be

We have a really interesting template for a Smart City. A lot of other

positioned for the duration of your stay. Our customers are more likely

stadiums and venues will promote that message, but I think we can

to move around and explore the racecourse.

justify it better than most. If you think about a race day at Royal Ascot, you could have up to 75,000 people here, spending seven hours as our

It’s quite interesting that such a historic venue like Ascot Racecourse

guests – sometimes longer – but they only get to see around 24 minutes

has a lot in common with the US sporting venues and what they do

of sport. So, for the rest of the time, what are they doing?

outside of the sport itself…

Customers may not watch any two races from the same location, they

Yes, there are definitely similarities. Another comparison would be

visit different places around the venue to eat, drink and bet throughout

a theme park – we share a lot of common ground. If you look at

the day. Plus, a lot of people might not come here just for the racing –

something like Disney World, you’re unlikely to go every week, you’re

it’s quite a big fashion event as well. There’s a lot of picture taking and

unlikely to go every year and, when you’re there, you spend a lot of

selfies!

time just negotiating the environment. Your key moments – the rides –

We have a unique gender split, which makes it quite attractive when

require you to queue up, you’ll have the two or three minute explosion

engaging with technology companies. We have a lot more women

of excitement until the next one. And that is similar to the number

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INTERVIEW

of races that we have here, so, for us, there is a lot that we can learn

brands of audio anywhere in the world. So, for us, I think there was a

sharing comparable experiences.

good synergy and we see this as the first step in a growing relationship between two like-minded brands seeking to build on the opportunities

Moving onto the project at Ascot Racecourse, can we discuss the new

both have to offer.

audio setup? Why did you choose Bose?

I was actually at the ISE (Integrated Systems Europe) tradeshow last year

Audio is extremely important to us throughout the duration of an event.

when Bose launched their ArenaMatch system. I heard them in action

A football stadium, for example, may use it to play some music or make

and I was really impressed – and I have to say, since the project began

an announcement, but, generally, during the 90 minutes of the game,

– and it’s due to finish at the end of March – we’ve been delighted with

they won’t be using that system outside of announcing the goalscorer or

the way it’s been delivered. It’s not just Bose, of course, we have SSE,

an emergency request. But, for us, the racing commentary is all played

who are implementing the system. The two companies work brilliantly

through the audio system. We also have music and sing-a-long sessions

together. We’re talking almost 1200 loudspeakers for the venue overall

that take place at the end of each day at Ascot Royal; we’ll get up to

that are being put in, so it’s a big deployment.

25,000 people congregating around the bandstand for a sing-a-long.

036

When it came to looking for partners, we had to make sure we chose one

So, are they doing the wider audio system for commentary, as well as

that could really deliver on the audio enhancement. We came down to

other areas, such as the corporate boxes, for example?

two in the end, but when you look at us as a brand and you look at Bose,

Yes, everything. So, for those corporate boxes, we’re looking to bring

we both inhabit that sweet spot in the lifestyle space. I think Bose were

in individual loudspeakers that will run PA/VA, as well as allowing

immediately drawn to that and they could see their potential customer

customers to be able to connect to those speakers with their own

base here at Ascot. They are arguably one of the most recognisable

devices. It’s completely changed what we’re listening to now and the

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INTERVIEW

way we are listening to it, as we’ve already got a large proportion of the

Kappture are a supplier I was already familiar with from my time at

loudspeakers in place.

Twickenham. They are a versatile business – they offer traditional POS, but they also deliver that on tablets and mobile devices. What has been

Moving onto the visual element, is it Samsung that have provided the

very exciting is seeing that deployment here at Ascot; we have close to

technology there?

400 POS units and around 50 tablets across the business.

We worked with Samsung on the 4K television upgrade – and that’s

We also launched mobile payments across retail with Kappture and

still ongoing. We have around 800 television but this number increases

Ingenico, utilising the PAX mobile, handheld device and turning it into a

to over 1300 screens for Royal Ascot. We made a decision to utilise the

fully functioning POS. We ran that last year and it proved successful, so

“on-chip” technology in the new panels which meant we were able to

we have plans to expand on that for 2020.

dispense with the amino boxes for the distribution of the signal. That’s

I have good relationships with WorldPay, MasterCard and Visa, so we’re

worked really well – we ran it live for the first time across all boxes

working with those payment partners to deliver new initiatives. One

and open areas of the venue for Royal Ascot last year and are currently

specific application we are very excited about is MasterCard’s Pay by

continuing that upgrade.

Bank solution, which goes live here at the racecourse later this month;

When the stand was rebuilt, a deal at the time was done with Sony.

we’ve done the first ever deployment of Pay by Bank from a tablet and a

Believe it or not, those televisions had been in place since 2006 or 2007

till. It’s been integrated with Kappture, so that we can roll it out across

– and they were still going in 2018! It’s not just been a surface chance,

the entire estate and that’s never been done anywhere else before.

it’s a full upgrade of all of those screens to allow us the future capability to deliver 4K content via technologies such as Sky’s Brightbox system.

Has that had a big impact in terms of fan experience?

What we’re trying to do is drive more people to pay by card as you then

You’ve also gone with Kappture for the POS system, too?

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whereas a contactless transaction can take five or six seconds. So, thinking about the turnover of customers, moving them over from cash to card has given us some real improvements. Operationally, we’re now looking at the development of a new system for the boxes, which will allow us to deliver a solution for our corporate customers, once again based around the Kappture architecture.

Have you introduced NFC ticketing also?

Yes, that’s been a really exciting programme of work. I’d worked with Apple first at Twickenham, but we never realised digital ticketing at the time as Samsung were a sponsor and they weren’t comfortable with us pushing Apple tickets. But we’ve been on it here with my team for the last year and it’s now available to customers if they wish to purchase a digital ticket. They can now scan in via their phone or Apple watch. Also,

“We have a really interesting template for a Smart City. A lot of other stadiums and venues will promote that message, but I think we can justify it better than most.”

as we accept Apple Pay everywhere across the venue, that is another bonus as it means we can deliver a pretty seamless experience via mobile. Order your ticket online and have it delivered directly to your handset; you come to the venue with your device, scan in and then use the same device to pay for everything.

We’ve also been working with Google, so we’ve got Google Tickets, which we’re testing now and that should be ready for the next race event

the US and Bayern Munich are doing it in Germany, but we’re certainly

in March. In terms of having both Apple and Google tickets, we’re one of

the first racecourses.

the very few venues in the world that is offering that – there’s a few in

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INTERVIEW I just wanted to ask about the corporate boxes – there’s obviously a lot at Ascot Racecourse, so is there a lot of work on those in terms of technology upgrades, too?

Absolutely. Liz Pattinson has headed up the corporate box refurb programme at Ascot. We have 230 boxes in total – that’s more than any other venue in Europe. We’ve put new Samsung 4K screens in each of these boxes and are rolling out wireless charging points with specialist brand Chargifi as well as the Bose audio system I’ve already mentioned.

Finally, we’ve also been exploring smart sensors in the boxes to allow for the monitoring of things like climate control and we are looking at additional systems to manage box security and people movement for the future.

Augmented Reality is something you’ve also implemented – how is AR being used at Ascot Racecourse?

We’re using it for key events at the moment, working with a company called Looking Glass who I’d heard about via MasterCard. It’s effectively activating certain experiences, so we did something for Royal Ascot where if you held the app over the Royal Ascot poster, it would activate a video – and then you were entered into a competition at the end by entering your e-mail address. We also did something for a couple of other events throughout the year. The Frankel race, for example, as you walked up to a stand with your phone, it would play back a video. It doesn’t need WiFi as the video sits in the app, so you don’t actually need connectivity to view it, which makes it quite appealing.

We’ve also been trialling some other initiatives on race days around the Looking Glass platform. It’s a really good way to engage with people – again using technology that is familiar to all people.

Can you give me a little bit more insight into the work you’ve done with UtterBerry?

We have been trialling smart badges and people movement solutions with Utterberry. Their CEO, Heba Bevan OBE, is a Royal Enclosure member so she provided some interesting insights to these pilots from a customer perspective. This was a great example of how working with a leading edge technology company and its talented team of young minds can help to provide unique and innovative solutions. The prototypes looked incredible and were indistinguishable from the standard race day swing badges. You would never know they had some of the most advanced AI driven technology inside them!

Finally, how do you seen the sporting venue industry developing over the next few years?

From my point of view, IT Directors and Heads of Technology need to take a much more broad and modern approach to their roles. The world is changing dramatically and we also need to be mindful of delivering something that has sustainability as part of its initiative as well. Look beyond your comfort zones. Understanding the customer is as much about knowing what they do when they’re not in our venues.

We shouldn’t be afraid to learn from other sectors. Just like Netflix has changed movies, Spotify has changed music and the likes of Amazon has changed retail, we’d be naïve to think that our sector won’t be impacted by the same kind of change.

The new generation prefer to have everything come to them as opposed to going out and seeking it and I believe we will see the impact of that in stadiums and sporting venues over the next 10 years.

We shouldn’t be afraid to take risks. After all, where is the innovation in being just like everybody else?

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JONAS DJIAN & MARIOS CHRISTODOULOU Sports Tours & Speakers International Can you give us some background in terms of your journey in the

Event Management in Australia. I started in APOEL in April 2013 as the

industry – and explain your current role?

Operations Manager of the club - APOEL is a multisport club with two entities in regards to management and administration. APOEL FC for

Jonas: I have had a range of roles within the sporting industry, notably

football and the club for the rest of the sports. I was responsible for

at Stade de France, where I was the Venue Manager. I’ve also worked

the everyday operations for nine sports including futsal, basketball and

as the Venue Marketing Manager for the FIFA Women’s World Cup 2019

volleyball.

in France. As well as these roles, I am a successful speaker, having

In November 2014, I was asked to become the Operations Manager for

covered numerous topics within the sporting venue industry at various

the football department. I’m responsible for the organisation of all

conferences across the world.

APOEL matches, home and away, local and international. That entails communication and cooperation with all involved parties, such as

Marios: I am currently the Operations Manager for APOEL FC in Cyprus.

opponents, fan groups, stadia, police, the Cyprus Football Association

After a short career in Supply Chain and Logistics, I studied Sports and

and UEFA. At the same time, due to the size of the club, I am the

Ticketing Manager and the Safety Officer of the team – I represent APOEL in draws and conferences.

Moving onto STSI - can you give us some insight in terms of what gave you the idea to set that up?

Jonas: In 2017, I created a group called ‘Stadium Tours’, with the main idea being to bring the sporting venue industry – in fact, anyone working in a sporting environment – together, allowing the exchange of knowledge and ideas across the world. So, the group has organically grown to the point where it now contains a lot of talented people who, I believe, can not only help each other greatly, but also those making their way in the industry. The industry itself is growing every day – the technology used in sporting venues is incredible. I mean, it’s moving at

“The industry itself is growing every day – the technology used in sporting venues is incredible.

I mean, it’s moving at such a fast pace that it really can be difficult to follow.”

such a fast pace that it really can be difficult to follow.

All this led to me speaking with schools, colleges and universities and putting together a team to create a catalogue of expert speakers. I really believe in this project, particularly as some areas in terms of sporting venues and facilities are not as developed as Europe, for example.

We can provide students’ access to experts in a whole range of areas, whether that is stadium management, security, ticketing, fan experience

for fans.

and so on. It’s important that those at the heart of the industry can share their experience and provide for fellow professionals and the

What areas of expertise are covered by STSI’s speakers?

future generation.

Marios: Each speaker usually brings their own expertise and we try Marios: There is a big market for speakers around the world, especially

to cover the whole spectrum of the sports industry. Just to mention a

in the sports sector as it is becoming more professional day-by-day.

few areas: women’s football, fan engagement, ticketing, sponsorship,

There are several schools and conference organisers that have to

sports marketing, digital in sports, venue management, club and match

approach every single speaker individually to create their programme.

operations, leadership and inspirational speakers, too.

STSI serves as a single-point reference to book your speakers for a course or a conference. In the same way, we also have our Tours

Jonas: Adding to that, there’s even an introduction to journalism,

department, which can create custom-made tours for any entity in the

connectivity, stadium economics – we’ve got all angles covered!

industry.

All of our speakers have worked closely on events, going back to World Cup 1998 in France, so we have seen the evolution of the sector. As

Which speakers are already part of the STSI project?

well as that, there have been professionals involved in UEFA and FIFA tournaments and the Olympic Games, all while being a huge part of

Marios: We cooperate with a variety of speakers from Europe and the

clubs or federations.

Americas, but we are constantly adding speakers from around the world.

We look for experienced professionals with hands-on experience in their

What are the aims for STSI – what do you hope to achieve in the

field. Clubs are not involved directly with STSI, but we have speakers in

future?

the catalogue that are currently working or have worked for big clubs like PSG, OGC Nice, AZ Alkmaar, Corinthians, FC Dallas, Real Sociedad,

Marios: The main aims are to enter the European market dynamically

SC Internacional, Girodins de Bordeaux, Fluminense and, of course,

and establish our name as the main provider of sports speakers in

APOEL FC!

schools and conferences. Concurrently, we want to be able to provide sports tours to our clients. A bit further the road, we want to tap to the

Jonas: We have many ex-professionals from the world for sport, too,

rapidly growing Asian market.

such as Marcelo Hargreaves da Costa, the former volleyball player, and Mbo Mpenza, the former Belgium international footballer. As well as

Jonas: The likes of Asia and the Americas are definitely long-term

professional athletes, who can offer some incredible insight, we have

targets for STSI, however, we are very confident in what we’re doing.

some high-level experts like Bas Schnater, formerly of AZ Alkmaar and

We believe we have an enviable catalogue of speakers already – and

one of the best around in terms of fan experience knowledge. There’s

I’m sure that’s only going to improve in time. It’s such a dynamic,

Guillaume Lairloupe, too, who did an amazing job at AccorHotels Arena

exciting industry to be involved in and I want STSI to be a vehicle that

in Paris. Obviously, I could go on and on – it’s impossible to mention

encourages others to enter the industry and gain the knowledge to have

everybody, but the main focus is that is from pros to pros and from fans

a real impact.

10 THE FULL PITCH

048 Melbourne Cricket Ground | Melbourne, Australia 060 AT&T Stadium | Texas, USA

MELBOURNE CRICKET GROUND Melbourne, Australia Words: Christopher Holder | Images: Auditoria, MCC

THE FULL PITCH

T

he Melbourne Cricket Club (MCC) has spent A$25m on a new

decision. This wasn’t empty PR-speak, it was a consistent theme in

audio system and there’s no direct return on investment.

every meeting, and at every decision point through the project.”

The MCC, which managers the iconic Melbourne Cricket Ground (MCG), puts the fans first, and a large capital

SMART STADIUM STRATEGY

investment such as this is all about the fan experience - the key

Fan engagement and fan experience has led the MCC’s Smart Stadium

tenants, broadcasters and the advertisers are all given consideration, but

strategy for some seven years now. The push was precipitated by the

ultimately the MCC is in the business of being crowd pleasers.

urgent need to address the fans’ desire to stay connected. High-density

The audio and EWIS upgrade encompasses the bowl PA, as well the vast

Wi-Fi was quickly rolled out. LED was then the main focus - firstly

areas within the stands - the concourses, bars and entry/exit points. In

the LED ribbons around the ground and then the huge (326 sq metres

all, some 3,500+ loudspeakers were installed.

apiece) Daktronics vision boards. Some 2,000 IPTV displays were also part of the mix.

RESULTS NOT NUMBERS

The audio upgrade leads Phase 2 of the technology push. MCC’s Rey

Running point on the audio upgrade was the MCC’s General Manager

explained: “The fan feedback made it clear to us that the 10-year-old

of IT & Innovation, Rey Sumaru. After an exhaustive submission and

sound system didn’t meet expectations - it was too loud in certain

interview process, the MCC selected Auditoria as its audio consultant,

places or you couldn’t hear it in other places.

while Rutledge AV, A Diversified Company won the job to install and

“We had three options: a hybrid solution, where we could attempt to

integrate the technology. In fact, Rutledge AV was the head contractor

fix and improve the current systems; to only replace the loudspeakers

on the job, subcontracting all the electrical, building and mechanical

in the seating bowl; or to upgrade the whole stadium’s audio. Our

HVAC work.

recommendation was for a totally new, custom-designed solution.”

Right from the first meeting, Auditoria - headed by Scott Willsallen -

050

became aware that this was no ordinary upgrade. The directive, from

THE CONTENDERS

the MCC board down, was for the audio to help provide the fans with an

Auditoria quickly got to work modelling various PAs in the bowl. Scott

exceptional game day experience. This was to be far more than simply

picks up the story: “The message to us was clear: ‘we want this to be the

reaching a desired SPL or acceptable STI figure, this upgrade was about

best it can possibly be. Don’t let anything interfere with the early design

connecting fans with the on-field excitement and drama.

process. If we get to a point where we have a design for the absolute best

“Those early discussions were about how engaging, how interesting

but the best is beyond the capacity of the structure of the roof or beyond

and how exciting we could make the entire journey of the fans’ day,”

the budget, then we’ll come back from that point if necessary. But the

recalled Scott. “And using that as an overarching philosophy to every

goal here is to design something that is as good as it can possibly be

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THE FULL PITCH

within the constraints of the building architecture.’”

systems are the ones that are pointing at your face. As you exit, a

The Auditoria design for the bowl PA was whittled from some 10 or 12

completely different set of loudspeakers point at your face.” As you

possibilities down to two, with consideration not only given to weight,

exit there will be some 12 or 16 d&b audiotechnik 5S surfacemount

cabling requirements, output and coverage, but to manufacturer and

loudspeakers pointing at your face, assisting with public transport

regional distributor support, too.

information and more.

After a tender process, d&b audiotechnik won the day via its Australian

These are high-quality, high-performance, relatively high-cost public

distributor, NAS, based on a V-Series and Y-Series bowl PA design.

announcement loudspeakers and go some way to exemplifying the customer-focussed approach to this upgrade. “It’s about intelligibility

STRAIGHT OUT OF THE GATE

and listener comfort,” noted Scott. “Plus it provides more options down

The headline is no doubt the massive d&b audiotechnik V-Series and

the track if the MCC decides to use those loudspeakers for entertainment

Y-Series bowl PA and the equally massive undertaking it was to get the

content - the system is up to the task.”

arrays into position. But what makes this MCG story more than a ‘big PA

The other hero of the messaging and wayfinding PA systems is QSC’s

in a big stadium’ is the thought, care and investment that has gone into

Q-SYS. Few will be surprised to hear that Q-SYS was given the job

the entire fan experience; an experience that starts the moment fans

of routing digital audio to and fro around the stadium, but it also

enter the giant sports coliseum’s orbit.

distinguished itself in many of its control roles. In this case, the matrix

As Auditoria’s Scott and Senior Consultant, Luis Miranda spent time

of matching the right recorded message to the right zone on the correct

with the MCC project team, they developed a strong sense of how

game day was deceptively complex, but Rutledge AV provided the MCC

great audio could assist in helping fans get to their seats and navigate

with a deceptively easy Q-SYS-based control interface to ensure smooth

ticketing and security. An understanding of the fans’ journey led to

sailing. The entry/exit systems also allow messages to be recorded and

Auditoria designing two entry systems and one exit system.

played on the fly, if necessary, along with the ability for MCC spruikers

The first is a longer-throw system above the entry gates. From about

to wander with a Shure wireless mic and take over the messaging.

60-metres away, the PA begins to help direct fans to the right gate. As

“Rutledge did a great job building that control interface,” noted Scott.

you approach the gate a row of 12 or 16 - depending on the gate - d&b

“It’s super easy to use and all done in Q-SYS.”

audiotechnik 5S loudspeakers provide less frequent and more specific messaging, such as ‘have your ticket out’, or ‘have your bags ready for

FEEDING THE BOWL

inspection’.

Once through the turnstiles you’re part of the game day experience and

After the game is over an entirely separate set of loudspeakers takes

the focus of all the fan-facing technology is about engagement and

care of exit messaging. As Scott put it: “If you’re entering, then those

entertainment. Leading the charge is the prodigious d&b audiotechnik

051

THE FULL PITCH

bowl PA.

we went from embarking on a task of almost insurmountable difficulty,

The line source bowl PA comprises 72 hangs. Each hang comprises

to something that may not have been ‘routine’, necessarily, but at least

various combinations of V-Series and Y-Series elements, and V-SUBs.

was highly manageable. The guys we were working with were excellent.

Each loudspeaker element is addressed by a d&b audiotechnik amplifier.

They were all willing to make it work,” recalled Matt.

Designing a system for optimal coverage is one thing; designing it to

“The aesthetics of the array are worth noting,” observed Rey. “We didn’t

reside in the roof structure of an existing grandstand is another entirely.

want something that looked like a bolt-on. The arrays blend in with the

The MCG comprises two main grandstands (north and south), each an

stadium architecture.”

entirely different structure.

“In the case of the Northern Stand, the shape of each frame was

It was Rutledge AV’s task to attach the PA to the roof. The design went

different because of the arc of the roof,” furthered Scott. “We had

through a number of iterations in order to keep weight down, as well

the architectural drawings validated with a survey but you only have

a refinement of the approach to allow Rutledge AV and its specialist

to be out by a degree or two to really notice it when you’re throwing

sub-contractors time to install the PA between the venue’s existing

45-metres to the first row of the seating. Thankfully, the installation

event schedule, and in a way that had minimal impact on the hallowed

matched the drawings and then, switching it on, the reality matched the

turf. Able Engineering took care of the specialist fabrication work, ITE

plan, which was a very pleasing outcome.”

Engineering was engaged for its hoist and fly gear experience, and

052

Vertigo provided the specialist high-altitude rigging expertise.

EVEN COVERAGE

The frames and arrays were fabricated and assembled off site. Each array

Audio priority number one was even coverage - every seat in the house

was then transported onto the ground and raised to a higher stand level

needed to be the best seat in the house. The d&b audiotechnik range is

whereupon Vertigo took care of the final stage of winching it into place.

engineered to assist system designers in this regard.

At this stage Rutledge AV, headed by Project Director Matt Edgcumbe

d&b audiotechnik V-Series takes care of the long throw of the arrays and

and Project Manager Daniel Woodward, could only look on with all

Y-Series the shorter throw requirements for the upper bowl.

fingers and toes crossed.

“Electronically, the gain difference between the two is minimal because

“The beauty of the preliminary meetings and refining the approach was

the V-Series is a more efficient loudspeaker,” explained Scott. “So we

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THE FULL PITCH

use the more efficient box for the longer throw. The same philosophy

the bowl and you will covered by a pair of E8’s and a cardioid subwoofer.

applies to the under balcony systems, where we run d&b audiotechnik

Another four or five rows back and the last row of E8’s takes over, which

E8’s and the xS-Series 5S loudspeakers and subwoofers. The whole

continue to provide coverage up into the standing room areas.

system balances. Select the right product in terms of sensitivity and coverage, and the system as a whole isn’t choked by one poorly chosen

TAMING THE ACOUSTICS

product.”

Stadia are almost by definition, acoustically hostile. They are huge

This is an important factor when designing a huge PA ecosystem. If

concrete edifices with an endless array of reflective surfaces only

all the loudspeaker components of the stadium system are correctly

ameliorated somewhat by the soft, squidgy human occupants come game

selected, positioned and commissioned then no single enclosure or

day. Stick a roof on and things only get worse.

amplifier will red line before another. Turning up the MCG PA is a

Any attempt to soften the acoustics of a stadium feels futile. Acoustic

like pushing the stick on an A380 rather than co-ordinating a flying

treatment might be routinely applied to other performance venues where

sculpture of 3,500 drones.

you pump sound reinforcement, but a stadium is seen as a lost cause.

Not so the MCG, which installed an extraordinary amount of sound

054

UNDER BALCONY

absorbing acoustic material - 3,000 sq metres, in fact.

With an official capacity of 100,024, the Melbourne Cricket Ground

There are two main areas benefitting from the Megasorber acoustic

stands at number 10 on the global list of stadium heavyweights. Both

treatment: in the under-balcony seating which is now covered by so

the Northern and Southern MCG stands have vast under-balcony areas,

much more PA; and the vast atrium areas at the top of the Northern

shadowed from the main PA. Previously, the under-balcony areas were

Stand, home to bars, concession stands and other cacophonous public

under-serviced, while the new design would ensure the 10s of thousands

areas.

of under-balcony fans would enjoy uncompromised sound.

“I don’t think we’ve ever previously been given the chance to specify

“You shouldn’t be disadvantaged if you’re two rows further forward

acoustic panelling in a stadium,” noted Auditoria’s Luis. “The reason for

as opposed to two rows behind,” said Scott. “A lot of effort went into

that is the cost, as well as durability concerns in the weather, and the

delivering the same kind of energy - sound pressure level, bandwidth

panels’ ability to absorb broadband noise.”

and excitement - in those under-balcony areas.”

Luis had experience working with the Australian-made Megasorber

Each of the 58 under-balcony bays packs a hefty PA punch: a cardioid

product in industrial applications where it proved to be hard wearing.

subwoofer, four d&b audiotechnik E8 eight-inch two-ways, and

The fact that Megasorber produces a 100mm-thick panel was also a big

four d&b audiotechnik 5S five-inch two-way loudspeakers. As you

drawcard: “It’s twice as thick as most other panels and means we get a

walk from the field of play and as soon as you can’t see a V-Series

fuller-frequency attenuation,” he noted.

array loudspeaker you’re on axis of the primary coverage of the d&b

The Rutledge AV team installed the acoustic panels by gluing it to the

audiotechnik xS-Series 5S coaxial loudspeakers. Move a little further up

ceiling of the atria and around the under-balcony areas. The results have

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been remarkable, taming the reverb time of the atria from 3.5 seconds

for broadcast sound. So Scott was keen to take the quality of the piped

down to 2.5 seconds. The Megasorber panels have also helped to restrict

crowd noise up a few notches.

the extra energy going into the under-balcony areas from leaking back

He said: “It would have been very easy to stick an SM58 mic on the

out, maintaining a higher intelligibility for those in the coverage of the

catwalk and go with that. But we also thought this would be a good

main arrays.

opportunity for us to provide the broadcaster with a more interesting

“The difference is quite amazing,” observed Rutledge AV’s Daniel. “If

crowd sound. We located 20 microphones around the stadium. These

you walk between Level 1 of the Northern Stand and Level 1 of Southern

are mid-side, dual-element shotgun mics, which allow us to blend

Stand [without the acoustic treatment], you can instantly hear the

how much mid versus how much side we want on a mic-by-mic basis.

difference. The background noise is so much more controlled in the

This means you can fine tune your crowd mic sound depending on the

North. It’s made a huge difference.”

size of the event, and create presets based around how the audience is dispersed and how full the bowl is. Those presets create a stereo mix

ROAR OF THE CROWD

that’s distributed to all of the media areas. What’s more, it appears as a

It’s always been a paradox: some of the most expensive seats in a

fader on the touchscreens in all of the bars and function rooms so they

stadium are often the most disconnected from the atmosphere of the

can choose to have that audience feed or not.”

game. Sure, the catering might be amazing but often the atmosphere in

056

corporate suites and function rooms is sterile.

CONVERGED NETWORK

A new feature of the MCG audio upgrade sees crowd atmosphere being

The MCG is committed to running all its AV and IT traffic on one

fed back into the bars via the loudspeaker systems. Stadia may be one

converged network: everything from the IPTV, the corporate networks,

of Auditoria’s strong suits but so are large-scale opening and closing

the Wi-Fi, the LED ribbon boards and now the PA digital audio

ceremonies, which require sophisticated ambience microphone setups

distribution run on the one converged IP network.

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THE FULL PITCH

Q-SYS is renowned for playing nicely on the network which was a big

with their own pair of Q-SYS Cores.

selling point for the MCG. “With Q-SYS on our network we can integrate it into our building

PRODUCTION CAPABILITY

management system, which is now integrated to the EWIS,” said

The MCG’s game-day production capabilities have been beefed up

Rey. “From an operational perspective - ease of operation, ease of

considerably. At its heart is a new DiGiCo SD9 mixing console (with dual

management and maintenance - it’s been a huge improvement. We’ve

redundant 4REA4 mix engines) stationed in the MCG’s system control

got visibility of the whole network.”

room. The MCC’s AV & Broadcast Lead, Tim Phypers, and his team now

Rutledge AV has had the audiovisual maintenance contract for the MCG

have access to more audio sources and inputs around the ground that

for some time now and getting the audio and EWIS on the network has

can feed back into the system. And with the new console’s companion

been a huge boon for its on-site team.

Waves SoundGrid plug-in platform, the team has all the processing

“We didn’t have monitoring of the old EWIS,” explained Daniel. “We

power it needs.

relied on a monthly test to determine if a zone wasn’t working, and a

The MCC has also invested in sufficient gear to cater to most live

yearly test of every loudspeaker. Now it’s all completely monitored.”

production challenges, such as live bands and events. The longer-term

“EWIS compliance was a key reason for using Q-SYS,” concurred Matt.

savings from owning, rather than hiring, the gear will quickly repay the

“We had to demonstrate to the building surveyor that we are using

initial investment.

EWIS-compliant components throughout the whole stadium.”

The armoury now includes high-spec Shure Axient wireless equipment

Rutledge AV has designed the signal transport network to be dual

and the Shure Frequency Manager.

redundant, with two Q-SYS Cores each running AES digital audio and an

The results Tim and his team are now achieving are like night and day.

analogue audio backup to the amplifiers. The venue is broken up into

“No matter where you’re sitting, you’re getting the highest possible

VLANs - main bowl, bars, function rooms, production suite, EWIS - each

audio,” he noted.

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TECHNICAL INFORMATION AUDIO: d&b audiotechnik Y-Series, V-Series loudspeakers | d&b audiotechnik E-Series, xS-Series loudspeakers | d&b audiotechnik amplifiers | QSC Q-SYS Core processors | QSC Q-SYS CXD Series networked amplifiers | QSC Acoustic Design Series loudspeakers | QSC Q-SYS touchscreen controllers | DiGiCo SD9 digital mixing console | Shure Axient Digital Wireless System

The difference isn’t limited to the attention of audiovisual techs and audio boffins. Opera singer, Greta Bradman (The Don’s granddaughter), sang the national anthem on day one of the 2019 Boxing Day Test in front of some 80,000 fans. It was a stunning performance, but the positive response wasn’t limited to those listening in the stands. “The feedback we received from Greta was really gratifying,” said Rey. “She really noticed the change in the sound quality - there wasn’t any disconcerting echo on the field of play and she said she felt very comfortable with the system, which was reflected in her amazing performance.”

ICONIC STADIUM The Melbourne Cricket Club is more than a stadium manager. The club is the custodian of Australia’s home of sport and takes its responsibility to improve and enhance the icon very seriously. But as a venue, at the end of the day a key element to the MCG’s success is hosting events and attracting audiences.

“One of the biggest challenge stadiums have these days is getting fans out of their living rooms and sports bars,” reflected Rey. Melbourne can

KEY PERSONNEL Melbourne Cricket Club General Manager IT & Innovation: Rey Sumaru | Project Manager: Susi Schroeder | AV & Broadcast Lead: Timothy Phypers Rutledge AV, A Diversified Company Project Manager: Dan Woodward | Project Director: Matt Edgcumbe | Project Coordination: Susanna Salmi, Tegan Collier, Jacinta Smith, Chris Collier | Site Supervisor: Tim Lesich | Design Engineers: Paul Jamieson, Menaka Gunawardana, Tim Arrell | CAD: Mehak Bansal, Jarryd Edgcumbe | Field Engineers: Victor Laubscher, Jesse Widgery | Network Engineer: Alex Bollom | Bid Manager: Shane Cannon Auditoria Principal: Scott Willsallen | Senior Consultant: Luis Miranda Case Meallin Project Manager: Emma Pearce

be wet and miserable in football season and oppressively hot in cricket season, so it’s our job to provide an experience that encourages fans to return - to provide an atmosphere they can’t get anywhere else. That’s a key reason for the investment.

ITE Project Manager: Frank Agosta | Engineers: Martin Clenick, Frank Hall | Supervisor: Andrew Agosta

“In addition, we want to be known as one of the most iconic stadiums in the world, not just because of our size, but because of what we do – the experiences that we deliver. We want to be at the forefront, so we can’t afford to rest on our laurels. This extensive upgrade to the stadium’s audio system it at the heart of that desire. We are leading the way and investing in new technology to ensure that all visitors to the

Vertigo Project Manager: Daniel Hutchinson | Supervisor: James Kiely Able Industries Project Manager: Michael Martyn | Engineer: Andrew Briggs

MCG have an incredible experience, no matter where they sit!”

MAIN CONTRACTOR: Rutledge AV, A Diversified Company | AUDIO CONSULTANT: Auditoria | SUB CONTRACTORS: Able Engineering, ITE Engineering, Vertigo, AE Smith, Nilsen Electric, Van Pelt Builders | SERVICES CONSULTANT: IRWIN Consult | DISTRIBUTORS: NAS Solutions, Group Technologies, Technical Audio Group, Jands | BRANDS: d&b audiotechnik, QSC, DiGiCo, Shure, Megasorber | WEBSITES: www.rutledge.com.au, www.auditoria.systems, www.ableengineering.com.au, www.ite.net.au, www.vertigo.net.au, www.aesmith. com.au, www.nilsen.com.au, www.irwinconsult.com.au, www.nas.solutions, www.grouptechnologies.com.au, www.tag.com.au, www.jands.com.au, www.dbaudio.com, www.qsc. com, digico.biz, www.shure.com, www.megasorber.com 058

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THE FULL PITCH

AT&T STADIUM Arlington, Texas

Images: Electro-Voice, ChyronHego

T

The AT&T Stadium, Arlington, Texas, is home to the famous Dallas Cowboys of the NFL. Renowned for its retractable roof and ramped up rivalry matches, the stadium has recently been embracing

the benefits of its new Chyron-Hego based arena graphics system, as well as an expansion of its audio system from Electro-Voice. With the stadium holding events including the Superbowl, and also the most valuable team in the NFL, the new video and audio upgrade now has the ability to enhance even the smallest games.

Headlining the video project was Click Effects PRIME, ChyronHego’s integrated graphics toolset for delivering live arena and stadium based audiovisual presentations to any canvas size, with any number of outputs, in any resolution.

Click Effects PRIME - together with the latest versions of ChyronHego’s Paint, and Virtual 1st - is ushering in a new era

062

of 4K production on the LiveFX Endzone board at AT&T

Eventually, Click Effects PRIME will drive 4K graphics to

Stadium.

every display in AT&T Stadium, including the huge centre-

“We have one of the most complex shows in in-arena

hung LED, two levels of ribbon boards, gap boards over

sports, so we don’t have one machine that fits all of our

the four entrances, and more than 3,000 smaller screens

needs, we look for different specialists. We link remotes

located throughout the stadium.

all throughout our Click Effects systems to create those

The new native GPU-based technologies in Click Effects

immersive moments in games,” said Jake Kelso, Manager

PRIME give the Cowboys the power to deliver HD and

of Events Presentation for the Dallas Cowboys. “The paint

UHD content to multiple screens simultaneously, and

telestration tool, especially, has brought a new dynamic

synchronise multiple outputs in native resolutions. This

that we can use for sponsorship, highlights and live

capability makes ‘moments of exclusivity’ or MOEs

playback, and that versatility is huge.”

possible, in which the team is able to trigger multiple

The Cowboys’ first LED to display 4K content, and the

displays throughout the stadium network and display

team’s first Click Effects PRIME installation is the largest

a single, exciting graphic on each, for example, a large

LiveFX Endzone board. Used primarily for game support

“Touchdown!” graphic when the Cowboys score or an

graphics such as replay videos and fan entertainment

eye-catching image of a key player as they reach a lifetime

during breaks, the board went live with 4K video clips and

career record.

graphics driven by Click Effects PRIME.

In addition to Click Effects PRIME, the Dallas Cowboys have

“ChyronHego systems have been our mainstay since

utilised the latest versions of the Paint telestration tool,

day one. Personally, I’ve been using its products for the

and Virtual 1st ‘down and distance’ football graphics tool.

better part of my 40-year career, which gives me a keen

The Cowboys’ deployment of Paint and Virtual 1st is unique,

perspective on how well these technologies have improved

with inputs from two separate cameras delivering north and

and evolved,” said Dwin Towell, Director of Broadcast

south views to the centre-hung screen to give each fan the

Engineering for the Dallas Cowboys. “Our migration to

best possible viewing angle. Paint and Virtual 1st are able to

4K will eventually require replacement of every screen

calibrate both inputs quickly and automatically to show the

and system in this stadium, but we’ve never questioned

virtual first down line and enable telestrated explanations

whether ChyronHego was the right graphics provider in

of replays from any vantage point on the field.

this huge undertaking. With Click Effects PRIME being the

When the Dallas Cowboys opened AT&T Stadium in

perfect example, these solutions are mature, dependable,

2009, it boasted the world’s largest Electro-Voice sound

and very well-supported. Also, since ChyronHego is an

system in a permanent installation, including over 240

industry-standard for graphics production, it’s easy to find

line-array loudspeakers from the X-Line family. Gary

technicians who are well-versed in the systems.”

French, Audio Engineer in charge of the Dallas Cowboys,

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THE FULL PITCH

057

THE FULL PITCH

the AT&T Stadium wanted to ‘improve coverage, loudspeaker

real-world experience hand-in-hand with predictive computer

delay management and evaluate the performance possibilities

models to improve a system,” he said. “By listening to the

inside the venue’ with the recently updated audio system.

customer, we find ways to improve a system that already

The design team, spearheaded by Kevin Day of WJHW, selected

sounds great. We’re all extraordinarily pleased at the increased

Electro-Voice systems for their audio quality, reliability and depth

intelligibility we’ve achieved.”

of control provided by the IRIS-Net processing and monitoring

The upgrade includes two added XLC arrays on each side of the

platform. After enthusiastic approval from team owner Jerry

stadium, plus the addition of one more loudspeaker element to

Jones, Pro Media Audio Video was enlisted to help coordinate the

the 14 existing arrays serving the 400 level, for a total of 54 added

challenging installation.

boxes. The system is also bolstered with 20 additional Electro-

Fast-forward to 2019, noting that the many touring concert

Voice TG series amplifiers, each equipped with RCM-26 remote

acts coming through the world’s largest domed stadium simply

control DSP modules. One additional NetMax N8000 digital

do not carry enough PA to provide adequate coverage for the

matrix controller was also added. The IRIS-Net platform’s proven

upper seating areas, the audio team decided to take advantage of

stability and scalability was a key factor in the expansion.

Electro-Voice’s scalability to address the challenge.

“Having used this system for every type of event, it’s amazing

“We’re always working to improve the fan experience for all

how flexible it is,” added Gary. “We’ve had no real issues with it

events, not just on game days,” said Gary. “Most concert tours

this whole time, and Electro-Voice is there for us whenever we

augment their traveling systems with our Electro-Voice arrays

decide to tweak something. After 10 years, everything still looks

as the delay system for the upper levels. We decided a little extra

and sounds new and I’ve been really happy with it. You can’t ask

coverage would be a big upgrade for those events.”

for more than that. Our stadium is, and continues to be, one of

The Cowboys’ audio team worked with System Programmer,

the most technically up to date for live sports and entertainment

Richard Bratcher, along with original design and installation

in the world,” he concluded.

partners including Kevin Day of WJHW, Head Engineer, Demetrius

As the AT&T stadium is one of the most expensive stadiums ever

Palavos, and COO, Ted Leamy of Pro Media Audio Video, and the

built, the new video and audio systems have added to the further

Electro-Voice engineering team. Together, they determined that

finer things this venue has to offer. Fans will never miss the

the 14 XLCi127DVX compact three-way delay systems covering the

action, whether they’re watching a home game or The Rolling

upper level could be scaled up to produce smoother coverage with

Stones in roaring concert alongside 100,000 other fans. The AT&T

improved intelligibility.

stadium can now continue its legacy and look forward to a new

Ted Leamy of Pro Media Audio Video reports that the upgrade

age of HD, sonic sounding sport, in a venue that is looking to be

went very smoothly: “This project is a great example of using

one of the best the USA has to offer.

SYSTEM INTEGRATOR: Pro Media Audio Video, WJHW | BRANDS: Electro-Voice, ChyronHego | WEBSITES: www.promediaaudiovideo.com, www.wjhw.com, www.electrovoice.com, www.chyronhego.com 064

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11:00 CASE STUDY: How the Allianz Arena has evolved as a connected stadium

Benjamin Steen - Head of Customer Care, Digital Licencing & Stadium, FC Bayern Munich

11:30 PANEL: How technology is enhancing Johan Cruijff ArenA’s ambition to be one of the most innovative and sustainable stadiums in the world Chair: Sam Hughes - Editor, MONDO | STADIA magazine Speakers: Jeroen van Iersel - Marketing Manager, Johan Cruijff ArenA Stephen Hogg - Head of Sports Projects, d&b audiotechnik

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Dan Goldstein Senior VP, Content & Communications, AVIXA

13:15 PANEL: How state-of-the-art audiovisual technology makes Tottenham Hotspur Stadium more than just a football ground Chair: Sam Hughes - Editor, MONDO | STADIA magazine Speakers: Ewan Prentice - Business Development Manager, Daktronics Ryan Penny - Business Development Manager Large Venues, Harman

14:00 PANEL: Understanding the value of eSports for clubs and stadiums

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15:30 KEYNOTE: with guest Q&A: How key technology upgrades are developing Ascot Racecourse’s Smart City aspirations Speaker: George Vaughan - Head of Technology, Ascot Racecourse Guests: Andrew Motley – Commercial Director, Kappture Andrew Rigler - Manager UK & IRL, Bose Professional Iain Case - Director, Looking Glass Heba Bevan OBE - CEO & Founder, UtterBerry

16:15 PANEL: From stadium rock to opening ceremonies – exploring the technical requirements for a true multipurpose venue Chair: Stew Hume - Editor, TPi Magazine Speakers: Bob Boster - President, Clear-Com Julien Laval - Application Manager, L-Acoustics

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10 VENUE FOCUS

TEMPORARY STRUCTURES

SECURITY

070 Diriyah Arena | Diriyah, Saudi Arabia

086 3D Simulation for Stadium Security | Dallmeier

LIGHTING 076 Signal Iduna Park | Dortmund, Germany

AUDIO 080 FirstEnergy Stadium | Ohio, USA

BROADCAST 082 FINA Aquatics Championships | Gwangju, South Korea

NETWORK INFRASTRUCTURE 092 Henry Ford Detroit Pistons Performance Center | Detroit, USA

COMMUNICATIONS 098 German Racing | Riedel

TEMPORARY STRUCTURES

DIRIYAH ARENA Diriyah, Saudi Arabia

Images: Arena Group & MediaPro International

F

rom the moment Andy Ruiz knocked out Anthony Joshua and caused one of the biggest upsets in boxing history, speculation was rife as to when and, more importantly, where the rematch would take place.

As soon as it was announced that Diriyah, Saudi Arabia, had beaten both New York’s Maddison Square Garden and Cardiff’s Millennium Stadium to the rights to host the event, the race was on to ensure that everything would be in place for the first-ever World Heavyweight Title fight to take place in the Middle East.

In order to do justice to the momentous event, it was decided that an entirely new purpose-built arena would be constructed for the occasion. With just a six-week lead time, international event solutions company, Arena, took on the mammoth task of designing and installing the 15,000-seat Diriyah Arena and hospitality structure – all in time for fight night on 7 December.

“The timeframe was very dynamic,” commented Elaine O’Dwyer, Design Director. “We had just two weeks to develop the design concept before production started. This meant we had to really rely on our extensive knowledge of local material finishes and supplier capability to ensure that we were designing something that was deliverable in procurement and production timeframes.”

Elaine explained that, despite the tight deadline, Arena’s close relationship with the client made everything run smoothly.

“Luckily, the client was aligned with our aesthetic and trusted our judgement, so we were on the same page regarding the finishes from the beginning,” she said. “There are a lot of detailed decisions to be made on a design and build a project like this, so we worked very closely with suppliers to keep on top of that.”

TEMPORARY STRUCTURES

072

While Arena’s original role was the construction of the

being accommodated.”

stadium and the build of the hospitality structure, due to a

Maram explained how the team catered to last-minute

third-party design supplier pulling out of the project, the

requests for “two structures to house the athletes and

company also completed a total redesign of the interiors

the media”. She commented: “The athletes’ structure

of the hospitality structure. Maram Al Dagher, Account

(20-metre by 55-metre) included showers, bathrooms,

Manager at Arena, explained how the team rose to the

changing rooms, offices and a full fit-out including

challenge. “Initially, the majority of the Arena team was

furniture. The 20-metre by 75-metre media structure

based in Dubai, so we spent a significant amount of time

comprised a press room and working space. We also

travelling back and forth to Saudi,” she began. “After

supported the client with supplementary structures such as

receiving confirmation of the project, the amount of time

prayer tents, offices and staff catering tents.”

that we spent on-site in Saudi increased significantly, and I

Also, in addition to the usual health and safety

more or less relocated for the duration.”

requirements, Arena had to ensure that the work was

Arena created a double-storey, double aspect royal

signed off by the Royal Guard, due to an expected visit

hospitality structure for over 2,000 guests, with its own

from Saudi’s Crown Prince, Mohammad bin Salman bin

roof terrace giving great views to all the action. The

Abdulaziz Al Saud.

material finishes were inspired by the local Ad Dhiriyah

Logistically, the project represented a huge challenge, as

‘mud’ architecture, with natural organic colours and

not only did Arena have to transport 8,000 of its proprietary

textures to the finishes. The interior housed, luxurious

Clearview seats from Dubai, but it also had to bring over

lounge, dining and food presentation areas for VIP guests,

the remaining 7,000 seats and special kit from the UK.

as well as The Royal Box.

Terry Smith, Managing Director, Seating, was delighted

As well as supporting the appointed groundworks supplier

at how the teams worked together to meet the deadline.

in order to ensure that the works were completed “to a high

“I’m thrilled that our international teams worked so well

enough standard to support our structures”, Arena also

together, this was a real team effort between Arena Middle

“undertook multiple meetings with each of the different

East & Asia, and Arena UK.”

suppliers to ensure that the client’s requirements were

Paul Barger, CEO of Arena Middle East & Asia, was proud of

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the project. “It’s incredible what we’ve managed to achieve

The extensive video requirements saw CT deliver more

in such a short space of time,” he commented. “We’re

than 750 sq metres of LED for the groundbreaking event.

really proud of our UK and Middle East divisions, who

The impressive over-ring display consisted of four 63 sq

have spent the past six weeks working with a team of 175

metres outdoor LED screens and was designed to ensure all

people to deliver a project of such scale and specification.

spectators never missed a second of the action, as it created

We are one of the few companies that can offer a full

a 360° visual spectacular that was visible from anywhere

turnkey solution for events of this size, from design and

within the arena.

construction through to the luxurious high-quality interiors

To further enhance the spectator experience, 336 sq metre

and the solution we have delivered has been described as

of LED was used to wrap around the truss tower legs, with

utterly breath-taking.”

each tower leg making up of 84 sq metre outdoor LED. The

Terry was also delighted at the positive media coverage of

content interacted with the over-ring LED and displayed

the event, pointing out “the fact that there was so much

sponsorship logos, rounds and point scores.

emphasis placed on the whole venue being a temporary

All front row and VIP attendees had the luxury of seeing

build in Saudi – something never done before”. He added:

four 36 sq metre LED screens, which were situated inside

“We have received a huge amount of positive feedback.”

the over-ring LED, showing live content throughout the

Elaine concurred: “We have received the most tremendous

event. CT also supplied 13 sq metres of LED and four 84-

response,” she said. “This event has captured the attention

inch Samsung TVs for the media centre, as well as 43, 43-

of media and sports fans worldwide and the client is very

inch TVs for the premium hospitality area.

appreciative of what we achieved in a very challenging

For content management and playback, CT utilised two

timeframe. We are very happy to have been part of the team

active Green Hippo Boreal media servers with two as

putting KSA on the international sporting map.”

backup. Control was managed from a linked Barco E2 and

With the arena in place, Blink Experience, on behalf of

S3 system. Dhyaan Parikh, CT’s Project Manager, explained

Saudi Arabia’s General Sports Authority, called upon

the system: “Barco E2 and S3 were used due to the reliable

Creative Technology (CT) to deliver the eye-catching video

screen management interface,” he commented. “The whole

elements of the event.

workflow was in 4K, which consisted of our Lightware

073

TEMPORARY STRUCTURES

UBEX 4K fibre, Lightware 2.0 matrix, Novastar 4K LED

such a high-profile and huge production.”

processors and 2.1km of quad core fibre.”

Shaam was keen to pay tribute to the hardworking “team of

Chad Smith, Head of Technical onsite added: “CT did a

professionals” who “delivered flawlessly yet again”. Project

fantastic job and should be exceptionally proud of their

Manager, Sheldon Alphonso; Senior Audio System Engineer,

efforts. There was never an issue with the changing scope

Nithin Simone; Senior Lighting Operator/Crew Chief,

and last-minute additions, and CT were always on hand

Gregory Angelo; Senior Rigger, Brian Salvana; and MediaPro

to assist and get stuck in – even if it wasn’t within their

International Head of Department Rigging, Colin Silvers

remit.”

were all key to the successful delivery of the event.

The lighting, audio, trussing and rigging elements of the

Rainy conditions in the build-up to fight night presented

event were handled by MediaPro International. The main

something of a test, but Shaam commended his crew on

lighting rig comprised 60 Claypaky Mythos 2s, 36 Claypaky

overcoming the challenge. “Our team is used to handling

Sharpys, 60 Robe Spiiders, 70 SGM P10s and 30 SGM P5s.

such situations,” he commented. “Client expectations

An MA Lighting grandMA2 full size was used for control,

are always met 100%.” On the subject of client relations,

with two NPUs. Meanwhile, on the audio front, MediaPro

Shaam noted that MediaPro’s relationship with Blink

supplied 24 L-Acoustics Karas accompanied by 16 SB18s.

Experience has always been a positive one.

MediaPro’s COO, Shaam Pudaruth, described the show

“We have been working with Blink Experience for quite

as “a great success”. He elaborated: “The client, Blink

some time now, and it’s always a real pleasure interacting

Experience, and their end client were extremely pleased

with their whole team,” he concluded.

with the overall delivery. This event was televised to millions live on TV, and we were really proud to be part of

INSTALLER: Arena | BRANDS: Claypaky, Robe, SGM, MA Lighting, L-Acoustics, Green Hippo, Samsung, Barco, NovaStar | WEBSITES: www.arenagroup.com, www.ct-group.com, www.mediapro-av.com 074

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LIGHTING

SIGNAL IDUNA PARK Dortmund, Germany

Images: Zumtobel Group

Z

umtobel Group recently illuminated Borussia Dortmund’s home venue, supplying the Signal Iduna Park, Germany’s largest football stadium, with a new LED floodlight solution ready for international

tournaments. The brand-new modern light installation has been implemented as a state-of-the-art turnkey solution that will work to enhance the matches that pass through the stadium, as well as giving the venue a polished well-lit look for it’s next exciting season.

The new lighting solution from the Zumtobel Group’s Thorn brand was recently implemented for the first time and fulfils all of the requirements for the German Bundesliga, as well as for the upcoming UEFA EURO 2024. Borussia Dortmund benefited from the Zumtobel Group’s turnkey service – an all-inclusive package ranging from lighting planning and project management during implementation, to commissioning.

“With its Thorn brand, the Zumtobel Group offers many years of expertise in the lighting of sports facilities, especially field of play,” said Alfred Felder, CEO at Zumtobel Group. “For the LED floodlight system, which meets the highest international standards, we have contributed our competence as a full-service provider. We are delighted that the legendary Borussia Dortmund stadium is now equipped with state-of-the-art lighting technology and lighting quality for the field of play.”

With a capacity of more than 81,000 spectators, and an atmosphere that has been hailed as ‘out of this world’, Signal Iduna Park is the largest and most successful football stadium in Germany. The new floodlight solution includes 252 Thorn ALTIS LED floodlights that ensure flicker-free operation to support HDTV-broadcasting and super-slow-motion with their superior colour rendering. The new lighting design achieves the illuminance level requirements stipulated by the German Bundesliga and the UEFA. All 252

floodlights are connected to a common IP-based system

sustainably invested in the basic technical equipment

that allows flexible controllability and dynamic lighting

of the stadium. For the implementation, we chose our

effects in real time.

long-standing partner, the Zumtobel Group,” explained

The Zumtobel Group’s brand, Thorn, is a competent

Dr. Christian Hockenjos, of Borussia Dortmund’s Director

lighting partner for field of play, and has a long and

Organisation. “With 2,100 lux in the direction of the

successful track record as a trusted global supplier of

cameras, we now clearly exceed the DFL minimum

professional, as well as recreational sports lighting

requirements and already meet the UEFA requirements for

solutions, both for indoor and outdoor facilities. It has

the EURO 2024.”

extensive experience in designing tailored illumination

As the stadium was also equipped with a new augmented

systems for special sports applications, including field

reality solution recently, the lighting system has become

of play lighting, using solutions that optimally combine

another welcome addition to Signal Iduna Park. Last year,

aesthetics, optical performance, energy consumption,

saw the stadium use Supponor’s Digital Board Replacement

durability and easy maintenance.

virtual advertising technology to target fans and audiences

Zumtobel Group are no strangers to the world of sports

through advanced technologies that replace physical

stadiums. The new floodlight system is the latest in a series

advertising to maximise advertising opportunities in live

of lighting projects that the group has already realised for

sports. The new lighting system will allow this technology

the BVB: The Zumtobel brand previously implemented the

to reach its full potential through the use of HDTV

LED shop concept for the new ‘BVB FanWorld’ in 2014,

broadcasting.

as well as other fan shops of the club. In 2017, Zumtobel

Borussia Dortmund is looking towards a bright future with

redesigned Signal Iduna Park’s lighting in the main

a stadium that sparkles in a splendour of new technology.

grandstand and the VIP entrance, area west, as well as the

For the UEFA EURO 2024, Signal Iduna Park can confidently

training centre Dortmund-Brackel. As of now, the Zumtobel

say its stadium is looking to be one of the best included in

Group has completely redesigned the entire interior lighting

the championship – thanks to the Zumtobel Group and its

experience of the stadium, also adding the LED floodlight

new lighting solution.

system.

“With the new highly modern floodlight, we have

BRAND: Zumtobel Group | WEBSITES: www.zumtobelgroup.com 078

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BROADCAST

079

FIRSTENERGY STADIUM Cleveland, Ohio Images: ATK Audiotek

F

080

irstEnergy Stadium in Cleveland, Ohio has been

Powersoft’s M-Force drivers and X4 power amplifiers to

the home of the Cleveland Browns football team

bring the necessary kick to the FirstEnergy project.

since it was originally built twenty years ago in

When Kirk was approached to help the stadium deliver

1999. Currently seating almost 70,000 fans, the

more impact to the fans, several solutions were discussed.

stadium has spent the last few years incrementally building

As with most outdoor sports arenas, FirstEnergy has a large

up its live sound capacity with large renovations in 2014

distributed system intended to have as wide of a spread as

and 2015 to accommodate its robust turnouts. Realising

possible.

that its existing sound system was inadequate to achieve

Unfortunately, this can have the effect of diminishing

the desired energy and impact, the management hired

the impact of sound as opposed to just hearing it. “They

Californian firm ATK Audiotek to address the problem.

wanted the sound system to bring a more exciting energy

ATK Audiotek Senior Design Engineer, Kirk Powell, has

into the stands,” Kirk explained. “Any time you have an

designed live sound solutions for sports stadiums for

outdoor stadium you have to move a lot of air, and in this

years and has prior NFL experience, working on the last 18

case, it wasn’t able to go as low as it needed to give that

Super Bowls. This included Super Bowl 50 where, the firm

nice punch to the audience.”

M-Force drivers were utilised, Kirk once again turned to

Kirk’s immediate recommendation to stadium management

WWW.MONDOSTADIA.COM

AUDIO

was to implement Powersoft’s M-Force drivers in each

effective in these types of installs.”

quadrant of the stadium to provide the needed push. Kirk

Kirk worked with the stadium integrator Pro Media Audio

had tested M-Force previously at Superbowl 50 after

& Video to install and maintain the system, ultimately

Powersoft had sent him units to try out and found himself

using two M-Force boxes and two Powersoft X4 power

immediately impressed with the results. Commenting

amplifiers in each quadrant of the stadium to provide the

on the setup he noted how efficient the M-Force was

desired push. Once the setup was installed, the reaction was

compared to other drivers of similar size. “I’m blown away

immediately positive from the stadium sound crew. “The

by how efficient it is. It’s a lot of power in a very small

stadium operations people were really excited when they

package,” he said. “In a stadium side-line, space is at a

started hearing it,” Kirk said. “It made a dramatic impact

premium, so if we can save space, while still having that

on the system and they are very happy with the results.”

powerful impact, it makes a big difference.”

The system has currently been in action since the pre-

ATK Audiotek has had a long history with Powersoft, using

season, with the full impact of it felt at the opening game

its amplifiers in many systems and installs. When it came

back in early September. Although the install is currently a

to the M-Force subwoofer boxes that the company uses,

rental, Kirk said that if the proof of concept works as well

they worked directly with Powersoft to develop them,

as it has been, that the stadium has the option of making

ensuring that they would have the best subwoofer for any

the M-Force subwoofers permanent. “It totally achieved

application. “We wanted a box that we could use at live

the effect that they were looking for and when you fire up

events, so Claudio and the team at Powersoft brought us

M-Force with the music between plays you can really feel

a prototype that we’re still currently using,” Kirk said. “It

it as an audience member,” he said. “It rocked the stadium

goes incredibly low, but we’ve found that it’s incredibly

and it really keeps you in the game.”

SYSTEM INTEGRATOR: Pro Media Audio Video | BRAND: Powersoft | WEBSITES: www.powersoft-audio.com, www.atkaudiotek.com 081

BROADCAST

FINA AQUATICS CHAMPIONSHIPS Gwangju, South Korea

Images: Movicom

T

he FINA World Aquatic Championships 2019 were held in Gwangju, South Korea, across five separate venues. A championship that every two years sees a host of agile, aquatic athletes compete in a long course 50-metre pool to

win established titles, the event was recently deployed with a number of Movicom camera systems to capture every detail of the occasion and help FINA advance its coverage.

Now celebrating its 18th year, Movicom, a leading provider of robotic and mechatronic speciality camera systems worldwide, supplied the games with two separate Robycam 3D cable camera systems, across two of the five venues. This particular system provided the ability to move a camera seamlessly in almost any way needed, in 3D. The model uses a specially developed mathematical system as a base for real time control of four automated winches, advanced gyro-stabilisation and motion control techniques.

The championships were also equipped with Movicom’s cutting-edge Robyrail, a high speed, flexible camera system that can be remotely controlled across tracks.

At the large Nambu University Municipal Aquatics Center, where close to 11,000 spectators watched swimming and diving, the original Robycam 3D cable camera system was installed to take advantage of its large operational area of 200-metre by 200-metre, and flexible installation options. The Aquatics centre’s domed roof presented a challenge for installation but the Robycam 3D system worked flawlessly, providing continuous coverage

BROADCAST

084

WWW.MONDOSTADIA.COM

during the event and broadcast.

software is designed to set safety zones which can easily

In the smaller Yeomju Gymnasium, which first opened in

exclude physical objects from the Robycam’s working area,

1987, the FINA organising committee built two temporary

this guarantees the system’s safety and eliminates human

pools that were used for the artistic swimming events

error in the heat of the broadcast moment.

during the championships. The Robycam 3D Compact

At the Doha FINA Swimming World Cup 2019, Qatar,

system was placed here to cover all angles of the event.

another solution by Movicom - the Robyrail track camera

The lighter and smaller profile Compact system has an

system with a Gyro-stabilised R3 Head was used to cover

operational area of 80-metres by 80-metres and is perfect

competitive swimming events. Movicom also provided

for venues where space is tight and time for rigging is

several POV cameras at the start and finish positions to fill

limited.

out the broadcast coverage.

“Our wide portfolio of equipment and technical flexibility

The Robyrail system uses a monorail system which keeps

was a key factor in our success in Korea,” said Oganes

its working footprint minimal, a critical feature, yet it

Gevorkyan, Head of Operations for Movicom. “All aspects

achieves staggering speeds of 13-metres per second to

of the project were considered from ceiling height, stadium

match peak athletic performance. Fibre-optic cable is used

size, installation time and location limitations, but our

for video and power to keep the system light and fast. The

team was able to come up with and implement plans to

system software allows for maximum customisation of

provide two full 3D cable camera systems with different

speed, safety areas and even automated move operation.

rigging methods, specifically addressing each venue’s

The Robyrail system was deployed alongside the 50-metre

unique requirements.”

pool at the Hamad Aquatic Center in Doha, covering every

Both Robycam models offer gyro-stabilised heads and are

race and keeping track of all the action.

equipped with integrated Compass AR Tracking, which

Last year, over 2,500 athletes competed in the

allows the use of complex AR graphics as provided by many

championships and the event was seamlessly broadcast

major broadcast graphics companies. The Motion Control

worldwide.

System software that runs the Robycom models allows

Thanks to Movicom, the coverage and quality of the

operators to record camera movements, then reproduce

broadcast content was unique, showing the real-time

and even adjust these recorded flying paths. Replicating

adrenaline of the games and placing the viewer right there,

desired trajectories is of great benefit for AR and graphics

poolside, with the athletes, making waves in the future of

integration, or while working in close proximity to physical

world sport coverage.

objects. System safety is a priority, so the operational

BRAND: Movicom | WEBSITE: www.movicom.tv

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SECURITY

VIDEO SECURITY IN STADIA DALLMEIER & 3D SIMULATION Images: Dallmeier

M

any stadiums all over the world have placed their confidence in video security equipment from Dallmeier.

In addition to the technical advantages of the patented Panomera technology, the decisive factor in the award

of a project is often something else entirely: the new, innovative approach the German manufacturer has adopted for project planning and implementation.

Like many national football leagues, the teams of the English Premier League also suffer from unacceptable incidents such as lighting of pyrotechnics and throwing projectiles, hate crime and vandalism. That is why, as early as 2013, Everton opted for a video security solution from Dallmeier. Today, 14 of 20 clubs of the 2019–20 Premier League have implemented Dallmeier Panomera multifocal sensor systems – including the likes of Arsenal, Chelsea, Liverpool and Manchester United.

Teams in the top flight of English football are also involved in the Champions League and Europa League, so it is also extremely important for them to satisfy the safety regulations imposed internationally by UEFA and similar bodies. For this purpose, Dallmeier solutions enable high-resolution capture of expansive areas, such as the stands, with a minimum number of camera systems. With Panomera cameras, multiple operators have the capability to zoom in on suspicious activities independently of each other, while the system continues recording the entire scene. This combination of the advantages of PTZ and megapixel cameras, an optimum overview of the situation is obtained, which can also be searched in the required minimum resolution at any time afterwards. This enables the clubs to achieve continuity of video evidence, get instant ID of people and events, and so reduce potential penalty payments.

088

Many video installations these days are extremely complex,

photographs and Google Maps information are sufficient

large-scale projects. Reliability and flexibility therefore

to create models that are usable for planning. The entire

have the highest priority, particularly in the planning

solution including cameras, sensors and other components

phase as well. How is it possible to ensure that a new video

is then simulated in the finished 3D model of the customer

security system will indeed satisfy all of the customer’s

environment. This procedure is very important for detecting

requirements? What happens if unexpected changes have to

adumbrations, for example, that is to say areas that are not

be made while the project is in progress? How can the costs

captured by a camera because other objects are in the way.

and labour associated with on-site installation be kept as

With 3D project simulation, the problem can be addressed

low as possible? When designing its solutions, Dallmeier

immediately and eliminated either by repositioning the

relies on an ingenious 3D simulation which not only offers

cameras or adding further components. In this way, the

the highest degree of planning reliability for its solutions,

customer has an exact plan of the future layout, in which

but is also able to adapt rapidly and flexibly to changes.

all details have been taken into account.

“Throughout our selection procedure, the Panomera

Before the 3D model is prepared, workshops are held jointly

cameras from Dallmeier were able to deliver images of the

with the customer to define the security objectives and

highest quality time after time, not only in normal daylight

compile a product requirements document and a scope

conditions, but also under weaker floodlighting, that is to

statement. One specification may be for example that

say not only live but also in the recording with the highest

a pixel density of at least 250 pixels per metre (px/m)

resolution quality in all regions of the images,” said David

or higher is achieved in all areas of a stadium that are

Lewis, Head of Security & Stadium Safety, Everton F.C.

accessible to the public. This key parameter is defined

“Moreover, with the Panomera cameras we can capture

in a DIN rule and ensures that the recording quality is

large expanses, the entire area of the stands, for example,

sufficient to enable unknown individuals to be identified

with just a small number of systems. Ultimately, these

with certainty in the event of an investigation. Thus, with

considerations were the critical factor in our decision to

the 3D simulation it is child’s play to ensure that the 250

award Dallmeier the contract for video security at Goodison

px/m specification is achieved literally in every last corner:

Park.”

Colour coding in the 3D simulation makes it possible to

An entire team of experts is dedicated to 3D simulation

say exactly where the value has been reached, and where it

and planning at Dallmeier. The customer delivers

needs to be improved, possibly by changing the position of

plans in two- or three dimensions, in DWG format for

a camera or replacing it with a different model.

example, from which the engineers and graphic designers

The outstanding benefit of this method for the

build precise, three-dimensional simulations of the

customer was demonstrated quite convincingly during

customer’s environment. If there is no other solution, even

a project involving several large stadiums, in which the

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SECURITY

089

SECURITY

announcement was made at an on-site inspection as the

install the total solution, since the approach minimises

installation was already in progress that the upper tiers

imponderables.

of the spectators’ stands in all stadiums were to be roofed

The problem is a familiar one particularly to the decision

over. Naturally, a sudden modification of this magnitude

makers in the IT department - complex systems are

represents an enormous challenge for any planner, since

implemented, and only then does the real integration work

it would entail extensive changes in the positioning of the

start, with the associated plethora of variables. This is

cameras, the selection of camera models and indeed of

why Dallmeier has chosen another way, with the Factory

the overall concept. And of course no more time could be

Acceptance Test (FAT). All components of the total solution

made available for it. But the Dallmeier 3D project planning

are set up on the Dallmeier FAT Centre, and the final

team was able to plan and implement all of the necessary

environment is tested in live operation until everything

changes in less than two days.

functions flawlessly. Optionally, individuals or even entire

From the product database linked with a system developed

departments of the customer’s employees can receive

by Dallmeier itself, just a few clicks are needed to choose

training on the systems in Regensburg before they are

from an extensive range of camera models and put together

installed.

the optimum configuration. Once the overall environment

An equally important factor in the decision by stadium

has been finalised, the system generates a complete parts

operators to work with Dallmeier is the company’s patented

list containing all components, which then serves as

Panomera camera technology. Panomera cameras were

the basis for a purchase order. A particular bonus is the

first introduced onto the market in 2011 and are equipped

automatic generation of CamCards – precise configuration

with up to eight sensors per system, thus enabling coverage

documents for each individual camera. With this

of immense expanses at a precisely defined pixel density

information, the person tasked with building the system on

and with considerably fewer cameras. This in turn reduces

site knows exactly which camera must be mounted where,

management effort while increasing operating convenience

at what height and at what angle. Besides the dramatic

and thus also security. Both are responsible for a significant

time savings, the major advantage lies in the stability of

reduction in total operating costs.

the planning – it can be predicted with a very high degree of accuracy how much time and labour it will take to

BRAND: Dallmeier | WEBSITES: www.dallmeier.com 090

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T24i | T12i United players for the games.

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NETWORK INFRASTRUCTURE

HENRY FORD DETROIT PISTONS PERFORMANCE CENTER Detroit, USA Images: Rocket Fiber

S

ince their arrival in 1957, the Detroit Pistons have become one of the most storied franchises in the NBA. With over 2,300 regular-season and playoff victories, the club has celebrated three NBA Championships (1989,

1990, 2004), five NBA Finals appearances (1988, 1989, 1990, 2004, 2005) and 11 Eastern Conference Finals appearances. The club made its return to Detroit in 2017, playing games at the new, state-ofthe-art Little Caesars Arena.

Away from game day, the Henry Ford Detroit Pistons Performance Center, opened in October 2019 is a new, comprehensive sports medicine, treatment and rehabilitation facility. The 100,000 sq ft facility, designed by ROSSETTI, is also the new training facility and HQ for the Detroit Pistons. The Pistons’ move to the new building completes their return to downtown Detroit. State-of-the-art amenities include an innovative player locker room and lounge, full-service kitchen/dining facilities, spacious weight room, hydro and cryogenic treatment systems, green space and courtyard locations for outside access, private and public parking structures, and a dedicated Henry Ford Health System Sports Medicine Building that will be connected to the performance centre via a covered walkway.

Located two miles north of Little Caesars Arena in the New Center area, the dense urban neighbourhood currently lacks robust community services and amenities. An overarching goal of the Pistons was to make the facility welcoming to the neighbourhood and Detroit community. This strategy is leading the trend toward performance centres emerging as community assets and catalysts for development. Twenty-five thousand square feet of leasable, ground level space is available for community businesses. Blink Fitness and Plum Market have signed on as tenants. In addition, a variety of spaces are available for community events, youth

NETWORK INFRASTRUCTURE

basketball clinics, and wellness programming.

of their network infrastructure, and a state-of-the-art broadcast

As part of the plan to make the Performance Center a state-of-

set, incorporating a fully integrated control room for seamless

the-art facility for Detroit Pistons, a partnership with Rocket Fiber

broadcast and editing capabilities.”

has been announced, with the Detroit-based technology company

“The Network infrastructure includes diverse and redundant

serving as the official internet and network services partner.

connectivity with ability to scale up to unlimited bandwidth, the

“Our organisation was looking to build a scalable network

fiber network was built on a dedicated Carrier Fiber Optic Ring

infrastructure that will allow us to quickly assimilate new

to support high security, capacity and connection volume within

technologies for our basketball operations team as well as support

the network of the facility. This dedicated Ring provides a secure

our existing requirements for a robust multi-media department

connection for all business and basketball IT functions, data

and a demanding business operations environment. To that end,

collection recording services and cloud access. The geographically

we needed to ensure that bandwidth and security would never

diverse Cloud Pod Platform can assist with workload and

be an issue,” explained Chris Pittenturf, Senior Vice President,

migration assistance for future Pistons technology partners, while

Information Technology and Analytics at Detroit Pistons.

the WIFI network that covers every inch of the facility.”

“It was imperative to partner with a company who could pivot

During the design phase, the Rocket Fiber team met with the

quickly when objectives change, or mature, and innovate with

Pistons to understand their technology requirements.

us as we strive to use technology as a competitive advantage.

Edi explained: “Our goal was to bring their technology dreams

With the organisation’s move to the New Center area of city,

to life. Given that the Performance Center is their corporate

coupled with our owner Tom Gores’ desire that the new facility

headquarters and state-of-the-art practice facility, we needed

serve as a catalyst for economic growth, the partnership with a

to make sure we were providing the best technology both in the

Detroit-based technology firm like Rocket Fiber achieves multiple

office and courtside.

objectives.”

“We made sure to design the Pistons network to optimise the

Edi Demaj, Co-Founder & COO, Rocket Fiber, takes up the story:

different applications in the building, ranging from AV and

“After 29 years of playing at The Palace of Auburn Hills, the

security to the analytics cameras and sensors that the players

Detroit Pistons announced plans to move the team and basketball

rely on for live feedback on performance. Most importantly, we

operations 31 miles back to Detroit. A Detroit start-up itself,

designed and built a network that is scalable, future proof and

we knew this would be the perfect opportunity to combine our

won’t require investment outside of equipment upgrades to

networking technology and infrastructure with one of the city’s

handle whatever the future needs will be.”

most beloved teams.

Pistons’ Vice Chairman, Arn Tellem, lauded the partnership as one

“The Pistons originally issued an RFP for its networking and

094

that provides great value for the organisation from an information

technology buildout, and we eagerly responded - with the goal

technology perspective while also continuing investment in

of becoming the official network services provider for the Detroit

Detroit and the surrounding business community.

Pistons. The overall buildout included a full design and building

“We are pleased to work with Rocket Fiber as the official internet

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Renkus-Heinz, beyerdynamic, Biamp, LEA Professional, Radial Engineering, WorkPRO, MC², XTA & Australian Monitor EXCLUSIVE UK DISTRIBUTOR Integrated Solutions | Professional Audio | Music & Performance

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NETWORK INFRASTRUCTURE

and network services partner on the new Henry Ford

phone applications.

Detroit Pistons Performance Center,” said Arn. “Rocket

“From a team standpoint, the Rocket Fiber infrastructure

Fiber is a Detroit-based company that provides outstanding

will allow business operations to manage communications,

technology and customer service while looking beyond its

databases, file storage and retention with high capacity and

business interests to be a great partner in the community.”

high security. From a basketball operations standpoint, the

The multi-gigabit speed internet will be available to

platform supports performance data systems, health and

Pistons’ staff, players, fans and guests throughout the

wellness initiatives and other integral analytical systems.”

facility. Fans will be able to enjoy a streamlined, digital

Rocket Fiber also hold the naming rights to the

experience, and receive instantaneous access to player stats

Performance Center’s broadcast studio. The Rocket Fiber

and highlights through scoreboards, television broadcasts

Studio contains seven unique broadcast sets along with

and phone applications – allowing for unprecedented

windows from ceiling to floor that give fans and the general

insight into the sport.

public an opportunity to look directly at the playing court

The Rocket Fiber platform is a first-of-its-kind in

from street level. A fully integrated control room allows for

professional sports and provides the Pistons with a platform

seamless broadcast and editing capabilities.

that will not only take full advantage of current cutting

Although it’s in its early stages, the new platform from

edge technologies, but will also allow them to rapidly

Rocket Fiber has been a huge success.

integrate future technologies. The infrastructure in place

“We are still in the break-in period of our network and are

allows business operations to manage communications,

in the process of optimising the wireless infrastructure, but

databases, file storage and retention with high capacity and

we have only met or exceeded our expectations to date,”

high security. From a basketball operations standpoint, the

concluded Chris.

Rocket Fiber platform supports performance data systems, health and wellness initiatives and other analytical systems.

“The overall networking infrastructure will benefit the team, and its fans,” Edi added. “From a fan standpoint, the multi-gigabit internet will allow them to enjoy a streamlined, digital experience, and receive instantaneous access to player stats and highlights - broadcast through a variety of mediums, including television, scoreboards and

BRANDS: Rocket Fiber | WEBSITES: www.rocketfiber.com 096

WWW.MONDOSTADIA.COM

A-Series

Assume nothing.

It takes very little time for the A-Series to reveal its true colors: Coverage options to spare.

Extra clever acoustic control. More flexibility. Fewer compromises.

Approach sound reinforcement from a different angle: dbaudio.com/a-series

More art. Less noise.

A-Serie_245x318_4.indd 1

19.07.19 15:03

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COMMUNICATIONS

GERMAN RACING | RIEDEL COMMUNICATIONS Germany

Images: Riedel

R

iedel Communications has teamed up with

video streams, as well as direct playout for live streams on

horse racing organisations German Racing and

social media outlets.

German Tote to create future-oriented formats

The Riedel service includes a MediorNet media

for broadcasts of German horse racing. Through

infrastructure to control all camera signals and processed

the partnership, the three organisations are committed

world feed signals, as well as centralised and decentralised

to delivering significant added value for both viewers and

intercom systems to ensure smooth production processes.

broadcasters. One result will be new camera solutions and

“A focus on innovation, with an eye to the technical

high-end equipment for more effectively capturing the

possibilities, has been a Riedel trademark from day one,”

fast-paced action of the horse races, with real-time visuals

said Thomas Riedel, CEO, Riedel Communications. “Our

that explain and illuminate the action for viewers. With this

new partnership with German Racing and German Tote

visual and editorial redesign, broadcast coverage of horse

is a prime example. The future of German horse racing

racing will become even more attractive and accessible to

starts now, as we work together to create a unique viewer

broader audiences.

experience and pave the way for entirely new production

As an integrator of innovative technologies, Riedel will

formats.”

enable state-of-the-art production and program formats,

Jan Pommer, Managing Director of German Racing, was just

assuming responsibility for all aspects of video production

as enthusiastic about partnering with the communications

in close cooperation with its partners and content agencies.

company: “In Riedel, we have found an excellent partner

To this end, Riedel developed a comprehensive, IP-based

for cutting-edge sports broadcasts that leverage the

premium service for horse race production. A central

best aspects of thousands of sports productions. Riedel’s

element of this new technical infrastructure is the Riedel

pioneering technical solutions will bring new perspectives

Atmosphere Media Cloud, which combines digital content

to horse racing. In cooperation with our partners from

management and internal production systems in a single

German Tote, we can now take the transmission of our

OTT platform. The powerful and intuitive platform enables

telegenic sport to a new level.”

convenient management of all data, graphics content, and

BRAND: Riedel | WEBSITE: www.riedel.net 099

Subscribe to

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10 EXTRA TIME

PRODUCT FOCUS

EVENT DIARY

102 GL events

112 Conferences & Exhibitions

104 Pliant Technologies

106 NEXO 108 disguise

EXPO 110 WFS Africa

FULL TIME 114 Guillaume Lairloup | Event Venue Experts

EXTRA TIME

GL EVENTS | RAPTOR he Raptor, is a cost-effective, safe standing seat unit with an integrated continuous guardrail, designed to allow safe standing as well as comfortable seating for spectators.

Originally developed to complement GL Events’ range of stadium seats, the Raptor will appeal to a wide range of clubs because it can be retrofitted - with minimal cost, commitment or disruption to any existing stadium seating product, quickly and cost-effectively transforming all-seater stands or sections into safe standing areas.

The stadium construction and seating specialist’s latest offering was developed in partnership with its long-term stadium seating partner, KH Seating, with input from GL Events’ clients throughout the world of football, as well as fan groups that have called for designated safe standing areas at football clubs.

The Raptor allows stadium managers to incorporate safe standing into their existing permanent, semi-permanent and temporary grandstands.

It is custom-made according to tread or riser mount, with variable seat-width and rail height, offering a variety of custom-retrofitting and refurbishment options. The product also allows for colour-matching,

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making this innovative launch a versatile and cost-effective rail seating solution on the market.

The Raptor features an all-steel, galvanised guardrail that creates a robust personal safety barrier between rows of standing spectators and is integrated into every tip-up seat. This horizontal rail provides a personal safety barrier for fans, allowing them to stand in a safe environment, with the option to lean against the rail of the row in front, while offering protection from crowd surges and other potentially dangerous behaviour.

Its design meets and supports capacity regulations, complying with SGSA Green Guide specifications for spectator accommodation – section 12. Tested by the Furniture Industry Research Association (FIRA), it exceeds the minimum imposed load of 2.0 kN/m length.

GL events’ many satisfied customers within the Football League include Boreham Wood, Blackpool, Watford, Exeter City, Barnet and Plymouth Argyle. www.glevents.co.uk

VISUALIZE

a proven wireless intercom FreeSpeak II is the market leader, delivering proven performance across six continents and outer space.

EXTRA TIME

PLIANT TECHNOLOGIES | MICROCOM he newly released MicroCom systems offer a simple to operate and affordable intercom solution where solid wireless performance is required. Available in 2.4GHz and 900MHz (where legal), MicroCom M and MicroCom XR provide full-duplex, multi-user intercom for applications where highquality audio, excellent range, and low-cost are essential.

MicroCom M is an economical single-channel system that features a 10-hour lithium ion battery operation and has the ability to have up to five full-duplex users. MicroCom M is compact and water-resistant and provides quality communications at an attractive price point.

MicroCom XR is a robust two-channel intercom system that provides extended range and a 15-hour field-replaceable battery, as well as the ability to have up to 10 full-duplex users. MicroCom XR features an easy-to-read OLED display, and an optional I/O feature for connection to existing intercom systems, drop-in charger and is IP67-rated. Both of these lightweight beltpacks are built to endure the wear and tear of everyday use. Additionally, both the M and XR versions provide for unlimited listening users in addition to duplex users, all without the need for a base station, providing flexibility for a range of applications.

“At ISE 2020, alongside the latest CrewCom system, we are excited

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to showcase our new digital intercom solutions, MicroCom M and MicroCom XR, to audiovisual and system integration professionals,” said Gary Rosen, Vice President, Global Sales, Pliant Technologies. “The MicroCom system has already generated a great deal of interest in the market. We can now provide solutions for even modest wireless intercom applications and budgets, and serve the needs of customers that have been looking for an intercom solution with the quality, features, and price of MicroCom M and MicroCom XR.” The company’s wide variety of professional SmartBoom headsets have now also been expanded to include versions for use with MicroCom M and MicroCom XR beltpacks. Pliant’s enhanced line of communications headsets, including its recently updated SmartBoom LITE and SmartBoom PRO headsets, incorporates a convenient flip up microphone muting feature and are specifically designed for exceptional comfort, flexibility, and durability as needed in the most demanding professional environments.

Pliant Technologies will feature its latest digital wireless intercom systems, MicroCom M and MicroCom XR, at ISE 2020 (Booth 7-V229). www.plianttechnologies.com

EXTRA TIME

NEXO | P8 & P10 he P8 and P10 are true multi-purpose performers that have serious ambitions to become just as ubiquitous in the audio marketplace as their predecessors, the classic PS Series cabinets that made NEXO’s global reputation.

The P8 arrives exactly 20 years after the launch of the PS8, a supercompact stage monitor and PA loudspeaker which, together with the larger PS10, became a staple product in rental inventory for audiovisual and audio production companies, and a common sight in fixed installations.

At its manufacturing HQ just north of Paris, France, NEXO has invested in a new tooling and assembly plant to produce the curvy modern enclosures that are the signature of its new P+ Series. Re-imagined for the 2020s, the P8 and P10 models will put entirely new possibilities into the hands of the sound designer and engineer. They offer an exceptional performance-to-size ratio, precise polar control and outstanding sonic quality, as well as innovative features, the kind already seen in the first P+ Series model, the P12, launched six months ago.

Inside custom birch and poplar plywood shells, the P8 features a coaxial eight-inch low frequency driver with 1.5-inch diaphragm high frequency driver, and the P10 has a coaxial 10-inch Neodymium low frequency driver and 1.7-inch diaphragm high frequency driver. The horn driver can be rotated in both cabinets, something of a NEXO trademark after it was innovated in the PS Series. However, in the new P+ Series, the quick-release Magnelis steel grille can be quickly removed, allowing the horn to be swapped out, changing the standard 100º by 100º dispersion for a 110º by 60º alternative. The ability to achieve such wide dispersion and power will appeal to corporate audiovisual users, keen to make small cabinets perform like big cabinets.

The custom-designed coaxial drivers are at the heart of these loudspeakers, responsible for smooth, clean sound and impressive SPL

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output: 129dB peak for the P8 and 136dB peak for the P10. Special attention has been given to the design of the cooling system of the low frequency driver, ensuring outstanding power handling. Frequency response is 66Hz-20kHz for P8, and 63Hz-20kHz for P10. Such specifications position the new P+ Series cabinets at the top of the point source category in today’s market.

The footprints of the two new P+ cabinets are very compact, and the enclosures are light in weight. The P10 measures 497mm high x 384mm wide x 274mm deep, and weighs 15kg. The P8 is just 423mm x 276mm x 250mm, weighing 12kg.

Both P+ Series models are available in touring and installation versions.

In the Touring version, two large handles on each side hold a 35mm pole stand adaptor and Speakon connector for discrete connection when the cabinets are used on pole stands or in wedge monitor applications. Two other Speakon connectors are included on the back plate. In the Installation version of the cabinets, a cable gland with a two core cable for audio input ensures IP54 protection when it is used outdoors.

The new P+ Series models are accompanied by a comprehensive range of accessories, enabling them to be used in a wide variety of touring and installed applications. NEXO has applied the same design principles to the accessories, so that there is an element of interchangeability within the range, which will be an advantage to holders of rental inventory.

P10 and P8 have a choice of power sources, with the NXAMP4x2Mk2 and NXAMP4x1Mk2, as well as the affordable NEXO DTDcontroller and DTDAMP4x1.3, which can drive one P10 or two P8 per channel.

NXAMPs offer a dedicated set-up for each horn to ensure perfect coverage at any frequency. www.nexo-sa.com

Retractable roof over No.1 Court at Wimbledon (c)AELTC/Bob Martin

A winning double at Wimbledon Retractable pitch at Tottenham Hotspur (c)THFC

We are proud to have worked alongside the All England Lawn Tennis Club to engineer and install our second retractable roof at Wimbledon, this time over the iconic No.1 Court.

May play continue, whatever the weather.

We also created and installed the world-first dividing retractable pitch – and grow lights – at Tottenham Hotspur’s stunning new stadium, the pivoting seats at Wembley, the removable crossing at Ascot, and much more besides…

Pivoting seats at Wembley

Find out more at scxspecialprojects.co.uk Removable course crossing at Ascot

EXTRA TIME

DISGUISE | R17 isguise, the solution for creative and technical professionals to imagine, create and deliver the world’s most spectacular live experiences recently launched r17, the latest update to its award-winning software. Designed in response to feedback gathered from disguise’s community of artists and technicians, r17 dramatically enhances the experience of building projects, unlocks better ways to work, and saves time and effort when producing incredible live visuals. disguise software enables users to ‘previsualise’ every pixel of a project before an event or installation. Doing this helps users align and delight every stakeholder ahead of time and deliver on schedule. r17 introduces to previsualisation powerful ‘Manipulators’ that give users the ability to select multiple objects on a 3D stage and offset, rotate and scale them at the click of a mouse. The feature dramatically improves efficiency and usability, reducing the time and effort needed to set up a project.

In r17, disguise has also taken compositing to the next level with ‘PreComps’. Using the flexible timeline, users can now route video content between different layers, enabling them to blend and mix content sources to create a complete look.

This new workflow allows users to create a pre-composition of layers which can be reused in multiple locations, making

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timelines cleaner and more flexible. Also SockPuppet projects which allow users to control disguise via a lighting desk, iPad or networked device - now perform better and need less complex setups. r17 also includes ‘NDI support’. Users can now stream an NDI source from content tools to the disguise stage, all in realtime, unlocking new workflows for esports, fixed installations, and TV productions. Integration with NDI can also be used as a streaming preview from content tools, such as 3DSMax or AfterEffects that enable users to finesse content accurately insitu, saving time and speeding up workflows. disguise’s latest release r17 has already tested positively with select users that took part in the beta programme. According to Zach Peletz, Video Programmer and founder of Turning Point Studio, “Probably one of the more exciting things about r17 is PreComps going gold. I’ve been using PreComps in their various forms for a year now and it’s great to see how far they’ve come and the new possibilities they provide. This is actually the core of what we’ve developed for an upcoming show. It’s a major step forward.” www.disguise.one

PROFESSIONAL

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Learn more at PRO.BOSE.COM

NEXT-GENERATION ARRAY TECHNOLOGY

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WORLD FOOTBALL SUMMIT AFRICA ollowing the successful expansion into Asia, World Football Summit, a MONDO | STADIA partner, is branching out further and landing in Africa, perhaps the most football-passionate region on the planet and home to some of the fastest growing economies in the world. Different reports estimate that around 2.2 billion people could be added to the global population by 2050 and more than half of that growth will occur in the African continent. That, together with Africa’s unmatchable capacity for generating talent, makes the continent a potential international football hub. That’s why this event will mark the beginning of a long-term relationship between WFS and Africa.

While the speakers at this platform for discussion and networking come from all corners of the world, there is a distinct and explicit African focus and some of the biggest names in the African football industry will be on the stages of the Durban International Convention Centre on March 17th and 18th to share their insight into the major topics of the day.

The headline name is Fatma Samoura, the FIFA Secretary General. Since the

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summer of 2019, she has also worked as FIFA General Delegate for Africa and is the most influential figure in African sport. With two decades of experience in the United Nations, and having served as a country representative and Deputy Humanitarian Coordinator in the Republic of Djibouti, Cameroon, Chad, Guinea, Niger, Madagascar and Nigeria, Fatma’s experience is unmatchable and her insight will be a star attraction at WFS Africa.

Fatma is regularly referred to as the most powerful woman in sport, and there are several other important women who will be speaking at this conference.

In addition to the FIFA Secretary General, another big voice at FIFA will be in attendance; Isha Johansen, the President of the Sierra Leone Football Association, has also been confirmed. She has been touted as potentially being the first female leader of FIFA and has been president of her nation’s federation since 2013. She is also the founder of FC Johansen, a Sierra Leone club that started out in 2004 with the objective of using sport to support young people that made it to the country’s top division.

Desiree Ellis, the Head Coach of South Africa’s women’s national team

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and the current Confederation of African Football Women’s Coach of the Year, is another confirmed speaker, along with other women making a difference in sport, such as Sports Connect Af- rica CEO Cynthia Mumbo, Malaika founder, Noëlla Coursaris Musunka, Afro Visionary Legacy founder, Lebogang Chaka, Zambia Football Association Board Member, Brenda Kunda, Aseanchi Director of Sports Business, Yvonne Namai, SuperSport Sportscaster, Carol Tshabalala, and Journalists, Angela Akua Asante and Usher Komugisha.

With the event being held in South Africa and with various South African topics on the agenda, there will be several voices from the host country, including Desiree. She will speak about the South Africa women’s national team’s first ever trip to the World Cup in 2019. Other local experts include South Africa Football Association President, Danny Jordaan, LaLiga’s Managing Director for South Africa, Marcos Pelegrin, Africaid CEO, Marcus McGilvray, South Africa’s first licensed FIFA agent Michael Makaab, Goal. com’s Africa Managing Editor, Steve Blues, and former Bafana Bafana player Sibusiso Zuma.

There’s also a very international feel to the inaugural WFS Africa, as there is at every WFS event. This is epitomised through speakers such as LaLiga President, Javier Te- bas, Marseille General Director Laurent Colette, World League Forum General Secretary, Jerome Perlemuter, Facebook Strategic Partnership Manager, Kike Levy, Sevilla Marketing, Commercial and Retail Officer, Ramón Loarte, and former Argentina International and Estudiantes Chairman Juan Sebastián Verón.

With the summit’s experts hailing from the fields of sponsorship, retail, politics, football governance, technology, journalism, charity work, consultancy, marketing, social media and more, there is insight to be had for every kind of professional in the football industry.

Of course, there will be a focus on stadia as well, as there has been at previous WFS events, and as there will be at future ones. With professionals involved in the hosting of football tournaments, and with representatives from some of the clubs and leagues with the most modern facilities in the world, infrastructure will be a significant theme over the course of these two days.

Some of the speakers have very specific experiences in the launching and redevelopment of stadia to share. For example, there’s the case of Juan Sebastián Verón, the Chairman of Argentine side Estudiantes. They recently reopened their Estadio Jorge Luis Hirschi, which has the EDGE Environmental

Certification of sustainable construction, granted by the International Financial Corporation of the World Bank. It’s the first stadium in the world to receive this special certification.

With this convention taking place in 2020, a full decade on from South Africa’s World Cup, the legacy of that 2010 tournament will be one of the key conference concepts. The organisation of that tournament will be evaluated and there will be significant reflection on and evaluation of the infrastructure decisions that were made at the time.

South Africa has recently pulled out of the running for the hosting of the 2023 Women’s World Cup and that decision will be discussed in depth too, especially as the country could decide to put their case forward to host the 2027 event. The women’s game as a whole will be a major theme, especially considering how many influential female speakers are in the WFS Africa line-up.

Discussions of technology always feature prominently at WFS events and that’ll be the case once more. General advancements will be analysed and discussed, but there will also be specific discussion of how African football can embrace new systems and products. That includes technology for stadia and the implementation of VAR in African football’s top venues and competitions.

Among the other debates set to be had at the conference, there’s the issue of sponsorship and ROI in African football, there’s the idea of ‘sportainment’ and making a trip to the stadium is about more than just the 90 minutes, there’s the topic of youth football development and how to bring along the next generation. There’s also the prospect of a new broadcasting landscape with the rise of OTT and there’s the subject of the reshaping of tournament structures. Plus, there will be discussions and talks about philanthropy in football and some of the amazing charity work carried out across the continent. Clubs, governing bodies, leagues, organisations and players are becoming increasingly involved in humanitarian activities, and some of the success stories will be told on the stages of the Durban International Convention Centre on March 17th and 18th. africa.worldfootballsummit.com

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EVENT DIARY 2020

Integrated Systems Europe 11th - 14th February, Amsterdam, Netherlands www.iseurope.org

The Stadium Business Summit 21st - 22nd April, Manchester, England www.stadiumbusinesssummit.com

ALSD Conference 21st - 24th June, Dallas, Texas www.alsd.com

International Federations Summit 12th - 13th February, Lausanne, Switzerland www.majoreventsinternational.com

Coliseum APAC May 2020, Beijing, China www.coliseum-online.com

WFS Asia 1st - 2nd July, Kuala Lumpur, Malaysia asia.worldfootballsummit.com

MONDO | STADIA presents AGORA 13th February, Amsterdam, Netherlands www.mondostadia-agora.com

Football Innovation Forum 29th May, Istanbul, Turkey fif.worldfootballsummit.com

PLASA Show 6th - 8th September, London, England www.plasashow.com

WFS Africa 17th - 18th March, Durban, South Africa africa.worldfootballsummit.com

Major Events Summit 10th - 11th June, Birmingham, England www.majoreventsinternational.com

IBC 11th - 15th September, Amsterdam, Netherlands show.ibc.org

Coliseum Summit Europe 18th - 19th March, London, England www.coliseum-online.com

InfoComm 13th - 19th June, Las Vegas, USA www.infocommshow.org

Prolight+Sound 31st March - 3rd April, Frankfurt, Germany www.pls.messefrankfurt.com

MONDO | STADIA presents AGORA June 2020, Las Vegas, USA www.mondostadia-agora.com

NAB Show 18th - 22nd April, Las Vegas, USA www.nabshow.com

International Sports Convention 17th - 18th June, London, England www.internationalsportsconvention.com

WFS 2020 23rd - 24th September, Madrid, Spain www.worldfootballsummit.com ALSD International 12th - 13th October, TBC www.alsdinternational.com

17 JUNE 2020 LAS VEGAS ENTER YOUR STADIUM OR ARENA PROJECT NOW M O N D O D R AWA R D S . C O M

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F ULL TIME GUILLAUME LAIRLOUP | EVENT VENUE EXPERTS Tell us more about Event Venue Experts...

Event Venue Experts was founded by a team of likeminded entrepreneurs who are passionate about sport and entertainment. For the last 20 years, our experts have been pivotal in the launch or refurbishment of the largest facilities in France, including Stade de France, Roland Garros, AccorHotels Arena, Groupama Stadium, Allianz Riviera Stadium, Paris La Défense Arena, Vélodrome National, Orange Vélodrome, as well as several international projects in Asia, Africa or Australia.

Bolloré Média: Managed IT/Broadcast projects for two DTT channels. M&A by Canal+ and building relocation.

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TV5Monde: Managed the convergence between IT and broadcast. Design and implementation of a new IT system during the relocation of the company, overseeing operations in a 24/7 environment.

What do you do in your role?

I manage end-to-end, ICT, broadcast and digital transformation projects; specialising in the sports, entertainment, media and culture industries.

I have led multimillion euro, high-profile transformation projects, integrating and standardising processes and platforms across multiple locations.

Next big thing in terms of sporting venue technology?

The 5G networks will be a game changer, as it will enable a new generation of digital services.

For the venue owners, it will help them operate as smart buildings - industrial IoT – AI-driven energy analytics.

It will also give the media a low-latency distribution network, enabling UHD 8K and will bring a completely new viewing experience, with the introduction of immersive 360 video with data-driven AR, for example.

What venues have you worked on?

AccorHotels Arena: Led the digital transformation of the largest sports and concert arena in France. Complete revamp of the building, its technology, business model and strategy.

Favourite sporting venue?

Paris La Défense Arena - the best rugby experience in the world. It’s a hybrid venue; an indoor rugby stadium and concert hall, with a capacity of up to 40k. You always feel close to the action, no matter where you are in the stadium.

It has the unusual quality of making every show feel like an intimate gig, even though it’s in a stadium. Roger Waters and Rammstein shows were particularly awesome!

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INTERESTED IN AGORA VEGAS? CONTACT: SAM (S.HUGHES@MONDIALE.CO.UK) SPONSORSHIP: JAMIE (J.DIXON@MONDIALE.CO.UK) OR LAURA (L.ILES@MONDIALE.CO.UK)