M.Farzadnia Architecture Portfolio (2012-2017)

MOHAMMAD FARZADNIA

Dissertation

03

D i g i t a l C a s t i n g II

08

OK A r d u i n o II

12

OK A r d u i n o I

16

Recycling Material

19

T e c h n i ca l S t u d i e s

22

P e r f o r ma t i v e S l a b s

25

P h o t o g r ap h y

29

DISSERTATION_DESIGNING OF WATER MUSEUM VIA DIGITAL ARCHITECTURE

PORTFOLIO

ISFAHAN, ISFAHAN, IRAN

ANIMATION

2017

Tutor: Amin Ghadirian Regarding the lack of appropriate water and the importance of this precious matter in our life, My dissertation was supposed to focus on designing a museum of water in order to aware people of the Costs, Tools and the Process of producing healthy water. There are 2 elevators in two sides of the ramp for accessing the next floors. Inside the ramp, there are objects and tools which have been used by our ancestors. There are also explanation sheets about water & importance of this matter in our life.

03

MOHAMMAD FARZADNIA | PORTFOLIO

DISSERTATION_DESIGNING OF WATER MUSEUM VIA DIGITAL ARCHITECTURE ISFAHAN, ISFAHAN, IRAN 2017

33-pol Bridge

Game Island

Ferdowsi Bridge

Location : Game Island, Between Ferdowsi & 33 Pol Bridges, Zayandeh Rud River, Esfahan, IRAN

MOHAMMAD FARZADNIA | PORTFOLIO

04

DISSERTATION_DESIGNING OF WATER MUSEUM VIA DIGITAL ARCHITECTURE ISFAHAN, ISFAHAN, IRAN 2017

Based on my researches, water molecule has 6-polygonal structure. It can be seen from every water molecule around the world. Therefore, I used this structure as main shape in my design. The whole idea is about sharing space among components via spin_attractors. Metaball is a complement for implementing this theory. Components (cores) share space via special technique based on tendency.

These tendencies are used for drawing curves. Every tendency is a layer which is also used for creating volume. As you see, the purpose is about gathering spaces around together via spin forces whereby volumes fit on their places appropriately. These spin forces divide space around them and cause soft curves which are used for plan and walls. Although, I selected only few principal curves for my goal.

05

MOHAMMAD FARZADNIA | PORTFOLIO

DISSERTATION_DESIGNING OF WATER MUSEUM VIA DIGITAL ARCHITECTURE ISFAHAN, ISFAHAN, IRAN 2017

This diagram shows how this theory turn to idea for drawing and generating spaces. The idea was about using water`s flow in site plan and gathering 3 principal items including “Museum”,”Amphitheatre” and “Office“ + “Landscape” via using digital architecture and folding methods. These are 18 variations of magnetic fields based on changing 3 factors including : Rotation radius, Rotation degree and Intensity of charge points. Finally, one variation was designated for creating plan. *The generations are in vector mode. In order to see more details, Please zoom on page in PDF version*

MOHAMMAD FARZADNIA | PORTFOLIO

06

DISSERTATION_DESIGNING OF WATER MUSEUM VIA DIGITAL ARCHITECTURE ISFAHAN, ISFAHAN, IRAN

Manager Room

Financial Room Amphitheatre Director Room

Museum

Museum

W.C Women

W.C Men

Buttery Room

Museum Director Room

Audio Visual Room

VOID

Conference Room

Secretary

2017

Plan_Top View

3RD Floor Plan

2ND Floor Plan

There are 6 plans that explains the location of every designed component. Office zone and amphitheatre are in second floor. The ramp, which is the principle part of the designed museum, starts in ground floor and ends in third floor. It shows the objects which have been used during years and their roles in our contemporary world.

07

MOHAMMAD FARZADNIA | PORTFOLIO

DISSERTATION_DESIGNING OF WATER MUSEUM VIA DIGITAL ARCHITECTURE ISFAHAN, ISFAHAN, IRAN

Information-Security

Garner

Museum

Museum

Temporary Gallery

Installation

VOID

Gallery

Garner

W.C Women

W.C Men

Praying Room Men

Protection Room

Praying Room Women

2017

1ST Floor Plan

Ground Floor Plan

Basement

The first floor consists of temporary gallery and amphitheatre. Amphitheatre, Permanent gallery and Entrance are in the ground floor. The basement contains installation and garner.

MOHAMMAD FARZADNIA | PORTFOLIO

08

DISSERTATION_DESIGNING OF WATER MUSEUM VIA DIGITAL ARCHITECTURE ISFAHAN, ISFAHAN, IRAN 2017

Ground Floor, Entrance The structure that is shown in renders, has detail which is available on detail`s section of my dissertation portfolio. Every triangle on structure has a panel that can react to the natural sun-light, however there is no panel in renders due to my PC`s restrictions. Stones` patterns are also available on the same section. Renders of gallery, aquarium & ramp are on renders` section.

09

MOHAMMAD FARZADNIA | PORTFOLIO

DISSERTATION_DESIGNING OF WATER MUSEUM VIA DIGITAL ARCHITECTURE ISFAHAN, ISFAHAN, IRAN 2017

Ground Floor, Permanent Gallery The permanent gallery shows different art-works in comparison with museum. This part has radial structure and it can be seen in Plans` sheet & in details` sheet. There is also a temporary gallery above this floor that can be used for designers`, painters` and others` art-works. Every panel has unnatural lighting below & above them which has executive detail.

MOHAMMAD FARZADNIA | PORTFOLIO

10

DIGITAL CASTING II_CONCRETE CASTING ISFAHAN, ISFAHAN, IRAN

MORPHOGENESISM.COM VIDEO

2014

Tutor: Zubin Khabazi

My Position: Mould Making

Teammates: Zoha Meisami, Foroogh Dehdashti, Soroush Baharzade, Nasim Marefat, Parham Mazaheri, Pejman Mardani, Marzieh Forghani, Reyhane Sistani, Maryam Mohammadi, Mehrnoosh Kohandel, Farahnaz Soleimani, Saeid Sadeghian, Mohammad Soroush Jooshesh, Adib Iravani, Ali Nosouhiyan, Soroush Asadi, Saba Vaseghi, Niloufar Gharavi, Esa Alishahi, Saeid Kalantari

11

MOHAMMAD FARZADNIA | PORTFOLIO

DIGITAL CASTING II_CONCRETE CASTING ISFAHAN, ISFAHAN, IRAN 2017

MOHAMMAD FARZADNIA | PORTFOLIO

12

DIGITAL CASTING II_CONCRETE CASTING ISFAHAN, ISFAHAN, IRAN 2017

This project focused on a shell made out of the pre-cast concrete pieces. While the concrete pieces were strong enought to bear the load of compressive forces, since it was not a single piece, tension cables added to the system for attaching them togetehr with tensile forces. Two systems worked together in the formation of the shell.

13

MOHAMMAD FARZADNIA | PORTFOLIO

DIGITAL CASTING II_CONCRETE CASTING ISFAHAN, ISFAHAN, IRAN 2017

MOHAMMAD FARZADNIA | PORTFOLIO

14

OK ARDUINO II_SPIDER PROJECT ISFAHAN, ISFAHAN, IRAN 2015

Tutor: Amin Bahrami

My Position: Programmer

Teammates: Shahrouz Beheshti, Negar Behzad, Niloufar Rahimi, Masoud Ghasemi

15

MOHAMMAD FARZADNIA | PORTFOLIO

OK ARDUINO II_SPIDER PROJECT ISFAHAN, ISFAHAN, IRAN 2015

Hook

Stepper Box (Portable, hanging on the vertical surface)

Box Stepper Gear

Power Suply

Microcontroler ARDUINO

Grasshopper

Stepper Motor, Servo

Pen holder Pen or Marker (Moving inside the fixed cylinder) Pen holder (The way that pen and servo motor work with each other

Servo motor (Converting the rotational movement to the linear one)

MOHAMMAD FARZADNIA | PORTFOLIO

16

OK ARDUINO II_SPIDER PROJECT ISFAHAN, ISFAHAN, IRAN 2015

C a

b

y

B

a , b > 30 mathematical relations

Sin ___a = Sin ___b = Sin ___c A B C

A c

x

Cos a =

x ___ B

x = B.Cos a

Sin a =

y ___ B

y = B.Sin a

Developing the project through two Ultrosonic

Geometrical justification

for Reset the plotter and recognizing the coordinates of Pen holder

L Stepper 1

Stepper 2

T1

T2 Ultrosonic Sensor

Ultrosonic A

Gravity

17

Ultrosonic B

MOHAMMAD FARZADNIA | PORTFOLIO

OK ARDUINO II_SPIDER PROJECT ISFAHAN, ISFAHAN, IRAN 2015

MOHAMMAD FARZADNIA | PORTFOLIO

18

OK ARDUINO I_SNAKE PROJECT

TEHRANPLATFORM.COM

ISFAHAN, ISFAHAN, IRAN 2015

Tutor: Amin Bahrami

My Position: Programmer

Teammates: Saeed Iranpoor, Parinaz Kabiri, Hosein Yazdani

19

MOHAMMAD FARZADNIA | PORTFOLIO

OK ARDUINO I_SNAKE PROJECT ISFAHAN, ISFAHAN, IRAN 2015

Frequency

Input

140 - Threshold of Pain 130 - Jet Taking Off (200 ft.away) 120 - Operating Heavy Equipment 110 - Night Club (w/music) 100 - Construction Site 90 - Boiler Room 80 - Freight Train ( 100 ft.away) 70 - Classroom Chatter 60 - Conversation ( 3ft.away) 50 - Urban Residence 40 - Soft Whisper (5 ft.away) 30 - North Rim of Grand Canyon 20 - Silent Study Room 10 0 - Threshold of Hearing (1000 Hz)

Running Motors

Drawing

Period Noise Wave

Wavelength

120

1 second Time

1

2

3

Frequency = 3 Hertz

Sound Source

90 dB

84 dB

1

2

110 100 90 80 70 60 50

Sound pressure level (dB)

Typical Sound Levels (dBA)

Sound Analyzing

Frequency

Speaker completely forward

Speaker at rest

40 30 20 10

Speaker completely rearward 0

78 dB 3

4

Distance in meters

Slow

20

50

100

300

1K Frequency (Hz)

3K

10K 20K

90

180 Degrees

270

360

Fast

One thing that has always been considered for human is an ability to visualizing sound and drawing Pictures. So we studied about audio input and output parameters and tried to analyze the frequency and intensity of sound, because the frequency and intensity of sound is important for us to analyzing sounds.We used two gearboxes motors because of limitation of using servo and stepper motors.also, to create different patterns, some holes designed that can access to goal by changing arm position. One of two motors run by maximum of frequency and other motor run by intensity of sounds. Also, the motors move Opposite direction of each other.

MOHAMMAD FARZADNIA | PORTFOLIO

20

OK ARDUINO I_SNAKE PROJECT ISFAHAN, ISFAHAN, IRAN 2015

21

MOHAMMAD FARZADNIA | PORTFOLIO

THIS PAGE IS LEFT BLANK INTENTIONALLY

RECYCLING MATERIAL ISFAHAN, ISFAHAN, IRAN 2013

Tutor: Raha Ashrafi

My Position: Assembling

Teammates: Amir raeisi, Maryam Amini, Shamim Sheshbolooki, Arezoo Mozaffari

23

MOHAMMAD FARZADNIA | PORTFOLIO

RECYCLING MATERIAL ISFAHAN, ISFAHAN, IRAN 2013

This exercise was a study in reprocessing waste materials. Understanding the aptitude of a material which would otherwise be discarded, and subsequently re-inventing a pertinent use for it was the fundamental objective of this study. The constraints consisted of the amount of material available to each group as well as the type of material available. Each group determined a plausible use for the material and elected a particular method of joining, construction and assembly; again, based on the material potential.

MOHAMMAD FARZADNIA | PORTFOLIO

24

RECYCLING MATERIAL ISFAHAN, ISFAHAN, IRAN 2013

25

MOHAMMAD FARZADNIA | PORTFOLIO

THIS PAGE IS LEFT BLANK INTENTIONALLY

TECHNICAL STUDIES ISFAHAN, ISFAHAN, IRAN 2013

Tutor: Raha Ashrafi

27

My Position: Drawing + Assembling

MOHAMMAD FARZADNIA | PORTFOLIO

TECHNICAL STUDIES ISFAHAN, ISFAHAN, IRAN 2013

Paper as an accessible , inexpensive material, is simple enough to be operated by the inexperienced, and yet is flexible enough to create complex geometries and 3 dimensional shapes through specific techniques. This created the opportunity to better understand how to interact with a material, understand its capabilities and experiment with techniques through identifying the control points and control values it depends on. The ultimat goal was to design a wall with a unique bottom-up approach.

MOHAMMAD FARZADNIA | PORTFOLIO

28

TECHNICAL STUDIES ISFAHAN, ISFAHAN, IRAN 2013

29

MOHAMMAD FARZADNIA | PORTFOLIO

THIS PAGE IS LEFT BLANK INTENTIONALLY

PERFORMATIVE SLABS_FLOATING SLABS PROJECT

VIDEO

ISFAHAN, ISFAHAN, IRAN 2013

Tutor: Farshad Mehdizade

My Position: Maquette Making

Teammates: NegarAmiri, Hamed Abbasi, Safura Kazemi, Mohsen Moeini, Behzad Moayedi, Mohammad Meyzari

31

MOHAMMAD FARZADNIA | PORTFOLIO

PERFORMATIVE SLABS_FLOATING SLABS PROJECT ISFAHAN, ISFAHAN, IRAN 2013

Inappropriate shapes

Appropriate shapes

Plan_Curves for laser cutting

This project focused on the slabs which can react based on enviroment and requirement.These slabs are able to move via air pumps whereby we will have more spaces. In order to create these spaces, we were required to use appropriate geometries based on their responsiveness which brings us more reactions. Alterability item has been considered in this project whereby you can alter spaces by your own desire.

MOHAMMAD FARZADNIA | PORTFOLIO

32

PERFORMATIVE SLABS_FLOATING SLABS PROJECT ISFAHAN, ISFAHAN, IRAN 2013

AIR PUMP

AIR PUMP

AIR PUMP

33

MOHAMMAD FARZADNIA | PORTFOLIO

PERFORMATIVE SLABS_FLOATING SLABS PROJECT ISFAHAN, ISFAHAN, IRAN 2013

MOHAMMAD FARZADNIA | PORTFOLIO

34

PHOTOGRAPHY THUNDER MAN

35

MOHAMMAD FARZADNIA | PORTFOLIO

PHOTOGRAPHY PATTERN TO THE FUTURE

MOHAMMAD FARZADNIA | PORTFOLIO

36

PHOTOGRAPHY INFINITY

37

MOHAMMAD FARZADNIA | PORTFOLIO

THIS PAGE IS LEFT BLANK INTENTIONALLY

MOHAMMAD PORTFOLIO

FARZADNIA 2012-2017