MOHAMMAD FARZADNIA
Dissertation
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D i g i t a l C a s t i n g II
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OK A r d u i n o II
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OK A r d u i n o I
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Recycling Material
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T e c h n i ca l S t u d i e s
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P e r f o r ma t i v e S l a b s
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P h o t o g r ap h y
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DISSERTATION_DESIGNING OF WATER MUSEUM VIA DIGITAL ARCHITECTURE
PORTFOLIO
ISFAHAN, ISFAHAN, IRAN
ANIMATION
2017
Tutor: Amin Ghadirian Regarding the lack of appropriate water and the importance of this precious matter in our life, My dissertation was supposed to focus on designing a museum of water in order to aware people of the Costs, Tools and the Process of producing healthy water. There are 2 elevators in two sides of the ramp for accessing the next floors. Inside the ramp, there are objects and tools which have been used by our ancestors. There are also explanation sheets about water & importance of this matter in our life.
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MOHAMMAD FARZADNIA | PORTFOLIO
DISSERTATION_DESIGNING OF WATER MUSEUM VIA DIGITAL ARCHITECTURE ISFAHAN, ISFAHAN, IRAN 2017
33-pol Bridge
Game Island
Ferdowsi Bridge
Location : Game Island, Between Ferdowsi & 33 Pol Bridges, Zayandeh Rud River, Esfahan, IRAN
MOHAMMAD FARZADNIA | PORTFOLIO
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DISSERTATION_DESIGNING OF WATER MUSEUM VIA DIGITAL ARCHITECTURE ISFAHAN, ISFAHAN, IRAN 2017
Based on my researches, water molecule has 6-polygonal structure. It can be seen from every water molecule around the world. Therefore, I used this structure as main shape in my design. The whole idea is about sharing space among components via spin_attractors. Metaball is a complement for implementing this theory. Components (cores) share space via special technique based on tendency. These tendencies are used for drawing curves. Every tendency is a layer which is also used for creating volume. As you see, the purpose is about gathering spaces around together via spin forces whereby volumes fit on their places appropriately. These spin forces divide space around them and cause soft curves which are used for plan and walls. Although, I selected only few principal curves for my goal.
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MOHAMMAD FARZADNIA | PORTFOLIO
DISSERTATION_DESIGNING OF WATER MUSEUM VIA DIGITAL ARCHITECTURE ISFAHAN, ISFAHAN, IRAN 2017
This diagram shows how this theory turn to idea for drawing and generating spaces. The idea was about using water`s flow in site plan and gathering 3 principal items including “Museum”,”Amphitheatre” and “Office“ + “Landscape” via using digital architecture and folding methods. These are 18 variations of magnetic fields based on changing 3 factors including : Rotation radius, Rotation degree and Intensity of charge points. Finally, one variation was designated for creating plan. *The generations are in vector mode. In order to see more details, Please zoom on page in PDF version*
MOHAMMAD FARZADNIA | PORTFOLIO
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DISSERTATION_DESIGNING OF WATER MUSEUM VIA DIGITAL ARCHITECTURE ISFAHAN, ISFAHAN, IRAN
Manager Room
Financial Room Amphitheatre Director Room
Museum
Museum
W.C Women
W.C Men
Buttery Room
Museum Director Room
Audio Visual Room
VOID
Conference Room
Secretary
2017
Plan_Top View
3RD Floor Plan
2ND Floor Plan
There are 6 plans that explains the location of every designed component. Office zone and amphitheatre are in second floor. The ramp, which is the principle part of the designed museum, starts in ground floor and ends in third floor. It shows the objects which have been used during years and their roles in our contemporary world.
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MOHAMMAD FARZADNIA | PORTFOLIO
DISSERTATION_DESIGNING OF WATER MUSEUM VIA DIGITAL ARCHITECTURE ISFAHAN, ISFAHAN, IRAN
Information-Security
Garner
Museum
Museum
Temporary Gallery
Installation
VOID
Gallery
Garner
W.C Women
W.C Men
Praying Room Men
Protection Room
Praying Room Women
2017
1ST Floor Plan
Ground Floor Plan
Basement
The first floor consists of temporary gallery and amphitheatre. Amphitheatre, Permanent gallery and Entrance are in the ground floor. The basement contains installation and garner.
MOHAMMAD FARZADNIA | PORTFOLIO
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DISSERTATION_DESIGNING OF WATER MUSEUM VIA DIGITAL ARCHITECTURE ISFAHAN, ISFAHAN, IRAN 2017
Ground Floor, Entrance The structure that is shown in renders, has detail which is available on detail`s section of my dissertation portfolio. Every triangle on structure has a panel that can react to the natural sun-light, however there is no panel in renders due to my PC`s restrictions. Stones` patterns are also available on the same section. Renders of gallery, aquarium & ramp are on renders` section.
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MOHAMMAD FARZADNIA | PORTFOLIO
DISSERTATION_DESIGNING OF WATER MUSEUM VIA DIGITAL ARCHITECTURE ISFAHAN, ISFAHAN, IRAN 2017
Ground Floor, Permanent Gallery The permanent gallery shows different art-works in comparison with museum. This part has radial structure and it can be seen in Plans` sheet & in details` sheet. There is also a temporary gallery above this floor that can be used for designers`, painters` and others` art-works. Every panel has unnatural lighting below & above them which has executive detail.
MOHAMMAD FARZADNIA | PORTFOLIO
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DIGITAL CASTING II_CONCRETE CASTING ISFAHAN, ISFAHAN, IRAN
MORPHOGENESISM.COM VIDEO
2014
Tutor: Zubin Khabazi
My Position: Mould Making
Teammates: Zoha Meisami, Foroogh Dehdashti, Soroush Baharzade, Nasim Marefat, Parham Mazaheri, Pejman Mardani, Marzieh Forghani, Reyhane Sistani, Maryam Mohammadi, Mehrnoosh Kohandel, Farahnaz Soleimani, Saeid Sadeghian, Mohammad Soroush Jooshesh, Adib Iravani, Ali Nosouhiyan, Soroush Asadi, Saba Vaseghi, Niloufar Gharavi, Esa Alishahi, Saeid Kalantari
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MOHAMMAD FARZADNIA | PORTFOLIO
DIGITAL CASTING II_CONCRETE CASTING ISFAHAN, ISFAHAN, IRAN 2017
MOHAMMAD FARZADNIA | PORTFOLIO
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DIGITAL CASTING II_CONCRETE CASTING ISFAHAN, ISFAHAN, IRAN 2017
This project focused on a shell made out of the pre-cast concrete pieces. While the concrete pieces were strong enought to bear the load of compressive forces, since it was not a single piece, tension cables added to the system for attaching them togetehr with tensile forces. Two systems worked together in the formation of the shell.
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MOHAMMAD FARZADNIA | PORTFOLIO
DIGITAL CASTING II_CONCRETE CASTING ISFAHAN, ISFAHAN, IRAN 2017
MOHAMMAD FARZADNIA | PORTFOLIO
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OK ARDUINO II_SPIDER PROJECT ISFAHAN, ISFAHAN, IRAN 2015
Tutor: Amin Bahrami
My Position: Programmer
Teammates: Shahrouz Beheshti, Negar Behzad, Niloufar Rahimi, Masoud Ghasemi
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MOHAMMAD FARZADNIA | PORTFOLIO
OK ARDUINO II_SPIDER PROJECT ISFAHAN, ISFAHAN, IRAN 2015
Hook
Stepper Box (Portable, hanging on the vertical surface)
Box Stepper Gear
Power Suply
Microcontroler ARDUINO
Grasshopper
Stepper Motor, Servo
Pen holder Pen or Marker (Moving inside the fixed cylinder) Pen holder (The way that pen and servo motor work with each other
Servo motor (Converting the rotational movement to the linear one)
MOHAMMAD FARZADNIA | PORTFOLIO
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OK ARDUINO II_SPIDER PROJECT ISFAHAN, ISFAHAN, IRAN 2015
C a
b
y
B
a , b > 30 mathematical relations
Sin ___a = Sin ___b = Sin ___c A B C
A c
x
Cos a =
x ___ B
x = B.Cos a
Sin a =
y ___ B
y = B.Sin a
Developing the project through two Ultrosonic
Geometrical justification
for Reset the plotter and recognizing the coordinates of Pen holder
L Stepper 1
Stepper 2
T1
T2 Ultrosonic Sensor
Ultrosonic A
Gravity
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Ultrosonic B
MOHAMMAD FARZADNIA | PORTFOLIO
OK ARDUINO II_SPIDER PROJECT ISFAHAN, ISFAHAN, IRAN 2015
MOHAMMAD FARZADNIA | PORTFOLIO
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OK ARDUINO I_SNAKE PROJECT
TEHRANPLATFORM.COM
ISFAHAN, ISFAHAN, IRAN 2015
Tutor: Amin Bahrami
My Position: Programmer
Teammates: Saeed Iranpoor, Parinaz Kabiri, Hosein Yazdani
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MOHAMMAD FARZADNIA | PORTFOLIO
OK ARDUINO I_SNAKE PROJECT ISFAHAN, ISFAHAN, IRAN 2015
Frequency
Input
140 - Threshold of Pain 130 - Jet Taking Off (200 ft.away) 120 - Operating Heavy Equipment 110 - Night Club (w/music) 100 - Construction Site 90 - Boiler Room 80 - Freight Train ( 100 ft.away) 70 - Classroom Chatter 60 - Conversation ( 3ft.away) 50 - Urban Residence 40 - Soft Whisper (5 ft.away) 30 - North Rim of Grand Canyon 20 - Silent Study Room 10 0 - Threshold of Hearing (1000 Hz)
Running Motors
Drawing
Period Noise Wave
Wavelength
120
1 second Time
1
2
3
Frequency = 3 Hertz
Sound Source
90 dB
84 dB
1
2
110 100 90 80 70 60 50
Sound pressure level (dB)
Typical Sound Levels (dBA)
Sound Analyzing
Frequency
Speaker completely forward
Speaker at rest
40 30 20 10
Speaker completely rearward 0
78 dB 3
4
Distance in meters
Slow
20
50
100
300
1K Frequency (Hz)
3K
10K 20K
90
180 Degrees
270
360
Fast
One thing that has always been considered for human is an ability to visualizing sound and drawing Pictures. So we studied about audio input and output parameters and tried to analyze the frequency and intensity of sound, because the frequency and intensity of sound is important for us to analyzing sounds.We used two gearboxes motors because of limitation of using servo and stepper motors.also, to create different patterns, some holes designed that can access to goal by changing arm position. One of two motors run by maximum of frequency and other motor run by intensity of sounds. Also, the motors move Opposite direction of each other.
MOHAMMAD FARZADNIA | PORTFOLIO
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OK ARDUINO I_SNAKE PROJECT ISFAHAN, ISFAHAN, IRAN 2015
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MOHAMMAD FARZADNIA | PORTFOLIO
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RECYCLING MATERIAL ISFAHAN, ISFAHAN, IRAN 2013
Tutor: Raha Ashrafi
My Position: Assembling
Teammates: Amir raeisi, Maryam Amini, Shamim Sheshbolooki, Arezoo Mozaffari
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MOHAMMAD FARZADNIA | PORTFOLIO
RECYCLING MATERIAL ISFAHAN, ISFAHAN, IRAN 2013
This exercise was a study in reprocessing waste materials. Understanding the aptitude of a material which would otherwise be discarded, and subsequently re-inventing a pertinent use for it was the fundamental objective of this study. The constraints consisted of the amount of material available to each group as well as the type of material available. Each group determined a plausible use for the material and elected a particular method of joining, construction and assembly; again, based on the material potential.
MOHAMMAD FARZADNIA | PORTFOLIO
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RECYCLING MATERIAL ISFAHAN, ISFAHAN, IRAN 2013
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MOHAMMAD FARZADNIA | PORTFOLIO
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TECHNICAL STUDIES ISFAHAN, ISFAHAN, IRAN 2013
Tutor: Raha Ashrafi
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My Position: Drawing + Assembling
MOHAMMAD FARZADNIA | PORTFOLIO
TECHNICAL STUDIES ISFAHAN, ISFAHAN, IRAN 2013
Paper as an accessible , inexpensive material, is simple enough to be operated by the inexperienced, and yet is flexible enough to create complex geometries and 3 dimensional shapes through specific techniques. This created the opportunity to better understand how to interact with a material, understand its capabilities and experiment with techniques through identifying the control points and control values it depends on. The ultimat goal was to design a wall with a unique bottom-up approach.
MOHAMMAD FARZADNIA | PORTFOLIO
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TECHNICAL STUDIES ISFAHAN, ISFAHAN, IRAN 2013
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MOHAMMAD FARZADNIA | PORTFOLIO
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PERFORMATIVE SLABS_FLOATING SLABS PROJECT
VIDEO
ISFAHAN, ISFAHAN, IRAN 2013
Tutor: Farshad Mehdizade
My Position: Maquette Making
Teammates: NegarAmiri, Hamed Abbasi, Safura Kazemi, Mohsen Moeini, Behzad Moayedi, Mohammad Meyzari
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MOHAMMAD FARZADNIA | PORTFOLIO
PERFORMATIVE SLABS_FLOATING SLABS PROJECT ISFAHAN, ISFAHAN, IRAN 2013
Inappropriate shapes
Appropriate shapes
Plan_Curves for laser cutting
This project focused on the slabs which can react based on enviroment and requirement.These slabs are able to move via air pumps whereby we will have more spaces. In order to create these spaces, we were required to use appropriate geometries based on their responsiveness which brings us more reactions. Alterability item has been considered in this project whereby you can alter spaces by your own desire.
MOHAMMAD FARZADNIA | PORTFOLIO
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PERFORMATIVE SLABS_FLOATING SLABS PROJECT ISFAHAN, ISFAHAN, IRAN 2013
AIR PUMP
AIR PUMP
AIR PUMP
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MOHAMMAD FARZADNIA | PORTFOLIO
PERFORMATIVE SLABS_FLOATING SLABS PROJECT ISFAHAN, ISFAHAN, IRAN 2013
MOHAMMAD FARZADNIA | PORTFOLIO
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PHOTOGRAPHY THUNDER MAN
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MOHAMMAD FARZADNIA | PORTFOLIO
PHOTOGRAPHY PATTERN TO THE FUTURE
MOHAMMAD FARZADNIA | PORTFOLIO
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PHOTOGRAPHY INFINITY
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MOHAMMAD FARZADNIA | PORTFOLIO
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MOHAMMAD PORTFOLIO
FARZADNIA 2012-2017