SCULPTURE TWO / An exercise in PURE composition.

Page Key A0 - Process A1 - Cardboard 1 A2 - Cardboard 2 A3 - Cardboard 3 B1 - Breakdown B2 -

Cardboard was used at preliminary stages, due to the ease and quickness it allows in creating rigid forms, portraying a cohesive mass. The choice towards selecting a single form stemmed from the added value that certain forms allowed for in terms of permutations, deriving from their mirrored geometry, giving it holistic form an added value of complexity to its perceived simplicity. Protrusions in the base plate complimented such

Such

complexities

derived

Such such

compositions as shadows,

from

manipulating

a

single

cuboid

through

simple

geometrical

cuts,

Permutations

B3 - Tilted (Regular) B4 - Tilted (Linear) B5 - Stacked C1 - Plaster Casting C2 - Wax Casting 1 C3 - Wax Casting 2 C4 -Comparisions C5 -Comparisions D1 - Forms D2 - Final Form D3 - Macro Shots

revolved widths of

around corridors,

varying heights, tiltings, relating and their effect on the treatment

of

to

the

aspects base.

Wax was favoured due to its tangibility and ease when casting. Variations in tonalities of shades of whites where used as to better determine which would better relate to the overall form, also in relation to the plastered base and other pieces. The casting and the setting of the wax gave an unseen dimensional quality irregular textures created as the wax set, a quality allowing for various aspects in terms of materiality.

Variance in tones, shades, dried surfaces etc, of the material were further appreciated.