“Rear Window” (1954)

D3. Professor Donald Watters

Fall 2008

The Door, Window, Stairs project, was an opportunity to define an analysis cock’s 1954 movie, “REAR WINDOW”. The movie featured, “A wheelchair committed murder.” (IMBD) Within the context of this movie developed spatial tures or frames, identifiable modular spaces, an itenerary or registration of private spaces within a context.

DOOR, WINDOW, STAIRS

place within context and the context of place. The objective was to analyze spatial elements within Alfred Hitchbound photographer spying on his neighbors from his apartment window and becomes convinced one of them has spatial qualities, that showed projections of hierarchy, trajectory and transluceny of views, movements in different aperof spaces, a gap or thresold that defined a direct public view, identifiable grid systems, and an anlysis of public versus