2012 SUMMER JAZZ

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「兩廳院夏日爵士派對」10 周年慶 眾星雲集 魅力登場 2003 年兩廳院首度推出「夏日爵士派對」，開始煽起眾家樂迷對爵士的熱情。今年，邁入十周年的「兩廳院夏日爵士派對」，繼續在熱情洋溢的夏天魅力登場！ 「兩廳院夏日爵士派對」除了廳內四場精選節目演出外，8 月 24 日、25 日將先在藝文廣場推出兩場精采戶外演出，為本系列節目揭開序幕。很謝謝台灣賓士， 第六年提供這個系列獨家贊助，今年且擴大參與，支持戶外演出，使樂迷們都能免費參與，在夏日的爵士音符中為自己「不安分的藝術靈魂」注入清涼。

「2012 兩廳院夏日爵士派對」廳內四場節目可謂眾星雲集：首場 8 月 26 日是被《紐約時報》讚譽為「史上最偉大爵士樂手之一」的次中音薩克斯風大師喬 ‧ 洛瓦諾（Joe Lovano）親自領軍的「喬 ‧ 洛瓦諾 Us Five 爵士五重奏」。洛瓦諾在 2004 年首度抵台即造成轟動，今年再次來台，必將再掀起騷動！ 9 月 1 日由年高七十六歲，曾為爵士巨匠約翰 ‧ 柯川（John Coltrane）鼓手的亞伯特 ‧“圖堤”‧ 希斯 (Albert“Tootie”Heath) 搭配享譽國際知名拉丁爵 士小號大師麥可 ‧ 摩斯曼（Michael Mossman），以及葛萊美提名薩克斯風手安東尼歐 ‧ 哈特（Antonio Hart），與國內黃瑞豐、董舜文、魏廣晧等一流 樂手以千變萬化的演出形式同台飆樂，讓您一次盡享最純粹的爵士風情！

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9 月 5 日場，全球最佳爵士大樂團「明格斯爵士大樂團」的十四位爵士高手首度來台，為台灣樂迷忠實呈現二十世紀爵士標竿查爾斯 ‧ 明格斯（Charles Mingus）樂風。這個為了紀念明格斯，由其遺孀成立的明格斯爵士大樂團，成軍超過二十年，獲獎不計其數。樂團延續一代大師音樂精神，完美融合豐富和 聲與歡樂藍調，即使是第一次聽爵士樂的觀眾，也會不自覺地愛上他們的演出。

9 月 8 日的最後壓軸將由縱橫流行、藍調與靈魂樂壇五十年的葛萊美爵士天后佩蒂 ‧ 奧斯汀（Patti Austin）以精湛口技與抒情唱腔，演繹爵士第一夫人艾拉 ‧ 費茲潔蘿（Ella Fitzgerald）演唱過的復古爵士經典。這位四歲即登上紐約阿波羅劇院舞台，五歲灌錄唱片，發行專輯二十多張的樂壇長青樹，閒適的唱腔， 魅力讓人無法阻擋！佩蒂 ‧ 奧斯汀近年專注於詮釋傳奇爵士大師們的作品，使她的演出有著濃烈的懷舊風情。首次抵台，深刻不矯情的抒情唱腔，將把您帶 入讓人低迴不已的復古爵士中！

十周年慶的「兩廳院夏日爵士派對」為樂迷準備的戶外大禮是 8 月 24 日的日本 Fusion 天團「T-Square 方格子樂團」，方格子首度於 2009 年來台曾造成轟動， 今年是二度與台灣樂迷見面。8 月 25 日國內知名「Soy La Ley 古巴爵士樂團」、「世界軌跡樂團」、「絲竹空爵士樂團」亦將熱鬧登場，同台競藝。

這麼多場精心安排的夏日爵士饗宴，敬請拭耳以待！ 兩廳院 藝術總監

Tenth Summer Jazz at the NTCH Assemblage of artists and magnetism In 2003, the NTCH launched Summer Jazz, igniting the passing for jazz lovers in Taiwan. This year marks the tenth anniversary of the series, which continues to out-passion the sizzling summer.

Beside the four indoor programs, two outdoor performances will open the series on August 24th and 25th. Much appreciation is dedicated to MercedesBenz Taiwan, the exclusive sponsor of the series for six straight years. This year, the company expands its support to outdoor performances, providing free admission to music fans.

The four indoor concerts are a gathering of jazz masters. On August 26th, saxophonist Joe Lovano will lead in Joe Lovano Us Five. With his first visit to Taiwan in 2004 causing a stir, his upcoming visit will surely rock the town!

On September 1st, NTCH Summer Jazz Project will feature drummer Albert “Tootie” Heath, jazz trumpeter Michael Mossman, and jazz alto saxophonist Antonio Hart with Taiwan’s leading artists Rich Huang, TUNG Shun-wen and Stacey Wei. On September 5th, 14 members of the Mingus Big Band will present 20th century jazz standard bearer, Charles Mingus, in a true and faithful way. The Mingus Big Band, founded by his widow for the remembrance of the artist, has been established for more than 20 years and received countless awards.

The band fuses rich harmony and festive blues, making even first-time jazz listeners fall in love with them uncontrollably.

On September 8th, Patti Austin, a pop, blues and jazz music singer and a Grammy award winner, will interpret the “First Lady of Song,” Ella Fitzgerald’s jazz classic with her magnificent skills and lyrical style. This longtime artist, who made her debut at the Apollo Theater at age four, had a recording contract at age five, and has released more than 20 albums, has an unstoppable charm with her laid-back voice. She has recently concentrated on interpreting works of jazz legends, making her performance exude a strong retro flavor. Her first visit to Taiwan will take the audience to a lingering retro jazz atmosphere with her profound and revealing voice.

On the outdoor side, the tenth Summer Jazz will present T-Square from Japan on August 24th. The band made a sensation during its first visit to Taiwan in 2009 and they will return to meet their fans again this year. On August 25th, Soy La Ley, Orbit Folks and Sizhukong from Taiwan will also amaze the audience with their talents.

The jazz party will surely feast your ears to your heart’s content!

Artistic Director

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8.24 T-SQUARE Fri. 19:30

兩廳院 夏日爵士戶外派對

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日本 Fusion 神話

方格子樂團

Keizoh Kawano

Masahiro Andoh

Satoshi Bandoh

Takeshi Itoh

T-SQUARE 方格子樂團

T-SQUARE

成軍於 1976 年，由吉他手安藤正容所領軍的方格子樂團是當今日本最受歡迎

T-Square, the most welcomed jazz fusion band in Japan nowadays,

的融合爵士樂團之一，在吸取美國爵士精神的同時，創造出自己獨特的日式風

assimilates the spirit of American Jazz and creates its own unique Japanese

情。他們的音樂廣泛運用本國文化元素，不單以移植西方文化為滿足，同時在

style. Founded in 1976, led by the guitarist Masahiro Andoh, T-Square blends various music elements in its compositions, including Japanese folk

創作中融入包含日本民歌旋律與流行音樂韻律等風格。透過多產的錄音，讓國

tunes and rhythms of Japanese pop music. They insist on employing their

際上的爵士樂壇見證其日式爵士的實力。

mother country’s cultural elements, rather than adopting those of the West.

With their prolific productions, T-Square earns its status in the international

從搖滾巨星般的舞台魅力，到無懈可擊的演奏技巧，方格子樂團無論就外在或

jazz world with its Japanese jazz.

演出功力皆廣受肯定。過去 30 年中，方格子樂團曾多次獲頒日本金唱片大賞

T-Square prevails in both features and skills. They have the stage glamour

融合爵士年度最佳專輯獎項，對其藝術成就更是錦上添花。

of rock stars and flawless skills. In the past three decades, T-Square has won “Album of the Year” in the Jazz Fusion category of Japan Golden Disc Award.

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8.25 Sat. 19:30

兩廳院 夏日爵士戶外派對

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Sizhukong 絲竹空爵士樂團

東方變種新搖擺

Sizhukong 絲竹空爵士樂團 Orbit Folks 世界軌跡樂團 Soy La Ley 古巴爵士樂團 不安分的跨界追尋

捨我其誰拉丁熱情

Orbit Folks 世界軌跡樂團 9

「兩廳院夏日爵士戶外派對」第二日集結了國內三團同台競藝。跨越古今、東西、標準、拉丁，在靜謐的夏日夜晚挑起跨界的靈魂騷動。 絲竹空爵士樂團聚集了一群極具開創性格的爵士樂和國樂界音樂家，使古典的韻味與爵士的即興碰撞出超乎想像的獨特聲響，開創了原生自台灣的音樂新風格。成軍七年以 來發行了【絲竹空】、【紙鳶】、【旋轉】等專輯；曾榮獲金曲獎流行演奏類最佳專輯和最佳製作人獎，以及金音獎最佳樂手和最佳現場演出獎。絲竹空將古樸規矩的段落 融入了跨界元素與律動，既典雅又隨興，讓人忍不住自由搖擺。 世界軌跡樂團（Orbit Folks）取名的本意，是希望運用軌道（Orbit）的追尋，將失落各地的民族傳統音樂（Folks）一一尋回。成立於 2009 年，2010 年發表首張專輯【失 落的環節】（The Missing Link），2011 年榮獲金曲獎傳統暨藝術音樂類最佳專輯製作人及最佳跨界音樂專輯獎。音樂總監吳馬丁不斷開創台灣音樂的新紀元，兩年多來， 世界軌跡參與無數的音樂演出以及一系列「傳統與爵士的橋樑」大學巡迴演出，締造了盛大的迴響。 Soy La Ley 是台灣少數承襲古巴音樂傳統的樂團。“Soy La Ley”源自 Pete "El Conde" Rodríguez 的專輯，意思是“I am the law”，這種捨我其誰的宣示，代表著職業樂手 們在音樂路上的執著與熱情。團長徐崇育畢業於紐約大學爵士演奏碩士，承襲了 Machito、Tito Rodríguez、Tito Puente 的傳統；吸取紐約西班牙哈林區渾然天成的拉丁爵 士文化，八年的紐約洗禮後，他於 2010 年返台成立樂團，秉持著融合爵士與古巴音樂的初衷，在拉丁節奏中，讓聽眾感受到爵士樂即興的不可預期與驚奇。

Soy La Ley 古巴爵士樂團

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The NTCH Summer Jazz Outdoor Party—

Sizhukong, Orbit Folks and Soy La Ley On the second day of the Summer Jazz Outdoor Party, the NTCH gathers three domestic ensembles for a Jazz face-off! With styles crossing the traditional and modern, the eastern and western, and Standard and Latin, they will set the summer night on fire!

The first ensemble, Sizhukong, is famous for its innovative style that fuses the improvisational element of Jazz with traditional Chinese music. Having released three albums, Sizhukong, Paper Eagle, and Spin, the seven-year-old band received numerous recognition from the Golden Melody Awards and the Golden Indie Music Awards.

Graceful and spontaneous, its music is perfect for listeners to swing along!

The second group, Orbit Folks, aims to bring back different kinds of traditional folk music that are lost among the “orbit”. Founded in 2009, the band released their first album The Missing Link in 2010, which won Best Album Producer and Best World Fusion Album in the 2011 Golden Melody Awards. Music supervisor Martijn Vanbuel has sought to bring music in Taiwan to another level. The combination of folk music and Jazz has delighted many music lovers.

Soy La Ley is one of the few Afro-Cuban Jazz bands in Taiwan. The band name, coming from Pete “El Conde” Rodríguez’s album title, means “I am the law,” which stands for the members’ perseverance and passion for music. Leader Vincent Hsu founded the band in Taiwan in 2010 after eight years of absorbing the Latin Jazz culture in New York’s Spanish Harlem. Integrating Jazz with Cuban music, the band will surely bring unexpected surprises to the audience’s ears.

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Sizhukong 絲竹空爵士樂團

Orbit Folks 世界軌跡樂團

Soy La Ley 古巴爵士樂團

作曲、鋼琴、鍵盤 ─ 彭郁雯 PENG Yu-Wen, composer, piano, keyboard

低音大提琴 ─ 吳馬丁 Martijn Vanbuel, double bass

低音大提琴 ─ 徐崇育 Vincent HSU, double bass

作曲、中西打擊、胡琴 ─ 吳政君 WU Cheng-Chun, composer, percussion, huqin

塔布拉鼓 ─ 若池敏弘 Toshihiro Wakaike, tabla

長笛 ─ 蔡子琪 Jenni TSAI, flute

電貝斯 ─ 藤井俊充 Toshi Fujii, bass

小提琴 ─ 黃偉駿 Stephane HUANG, violin

長號 ─ 尼克 ‧ 哈維耶 Nick Javier, trombone

笛、簫 ─ 黃治評 HUANG Chih-Ping, di, xiao

鋼琴 ─ 曾增譯 Mike TSENG, piano

鋼琴 ─ 林政憲 Jason Hayashi, piano

柳琴、中阮 ─ 陳芷翎 CHEN Chih-Ling, liuqin, zhongruan

廷巴鼓 ─ 林森元 Benson LIN, timbales

爵士鼓 ─ 林冠良 LIN Kuan-Ling, drum

康加鼓 ─ 趙貴民 A-Gui CHAO, conga

歌手 ─ 以莉 ‧ 高露 Ilid Kaolo, singer

打擊 ─ 阪本健志 Takashi Sakamoto, percussion

8.26 Sun. 14:30

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Joe Lovano Us Five 爵士天王

喬‧洛瓦諾爵士五重奏 薩克斯風 ─ 喬 ‧ 洛瓦諾 鋼 貝 鼓 鼓

琴 ─ 詹姆士 ‧ 懷德曼 斯 ─ 彼得 ‧ 斯拉佛

手 ─ 歐帝斯 ‧ 布朗三世 手 ─ 法蘭西斯可 ‧ 梅拉

Joe Lovano, saxophone James Weidman, piano Peter Slavov, bass Otis Brown III, drums Francisco Mela, drums

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© Jimmy Katz

薩克斯風

喬‧洛瓦諾 傳奇薩克斯風手洛瓦諾獲紐約時報讚譽為「爵士史上最偉大音樂家之一」，也

抓週一般預測了他的成就。他父親東尼 ‧ 洛瓦諾（綽號大 T）是高音薩克

獲得葛萊美獎的肯定。在長達三十年的演出生涯中，他屢屢創新，開發音樂的

斯風手，老洛瓦諾不只教會兒子入門基礎，更傳授吹奏的力度和詮釋等箇中

新方向。洛瓦諾成功的祕訣，在於他毫無所懼地探索新概念與新的主題，不斷

奧祕，亦時常帶兒子出席國際名家的現場演出，包括松尼 ‧ 史提特、穆迪

地拓展爵士樂藝術的新語彙。

（James Moody）、 迪 吉 ‧ 葛 拉 斯 比（Dizzy Gillespie）、 安 蒙 斯（Gene Ammons），還有拉山 ‧ 科克（Rahsaan Roland Kirk）。

2009 年以來，洛瓦諾以他的樂團「我們五人」（Us Five）作為主要的重心，

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這是個年輕、充滿活力的樂團，成員包括鼓手布朗三世（Otis Brown III）與

高中畢業後，洛瓦諾進入波士頓知名的柏克利音樂學院，他剛出道時與知

梅拉（Francisco Mela）、貝斯手斯博丁（Esperanza Spalding）、鋼琴家懷

名 樂 手 搭 配 演 出， 包 括 朗 尼 ‧ 史 密 斯（Lonnie Smith）、 傑 克 ‧ 麥 杜 夫

德曼（James Weidman）。樂團最新發行的專輯【鳥之歌】獲得葛萊美獎提名，

（“Brother” Jack McDuff），還有 1976-79 年間，與伍迪 ‧ 賀曼為期三年

這張唱片是洛瓦諾與藍調之音唱片公司合作的第 22 張專輯，並且是與該公司

的巡迴演出。

攜手二十周年的代表作。這張唱片探索查理 ‧ 帕克的音樂作品，突破以往向 「鳥」（帕克的綽號）致敬唱片的窠臼。洛瓦諾不贊同有人覺得他這張唱片是

離開賀曼的樂團後，洛瓦諾落腳紐約市，不久加入梅路易斯樂團，從 1980 年

老調重彈，他說「我並沒有把這張唱片當成口水歌來做」。2011 年爵士樂記

持續到 1992 年，每週一晚上在美國老牌爵士俱樂部 Village Vanguard 演出，

者協會將這張唱片列為年度最佳唱片，並將 Us Five 列為年度最佳小型樂團。

並與樂團灌錄了六張唱片。直至今日，洛瓦諾依然抽空參與這個樂團的特別演

這張唱片也獲得 DownBeat 編輯特選為年度唱片，而 Us Five 的錄音處女作

瓊斯致敬的唱片。這張唱片獲得 2007 年葛萊美獎提名。

出，於 2007 年也與漢克 ‧ 瓊斯（Hank Jones）一起發行向漢克的哥哥泰德 ‧

─ 2009 年發行的【民俗藝術】（Folk Art），收集洛瓦諾不同風格的原創音樂， 為樂團贏得 2010 美國爵士樂記者協會（JJA）爵士音樂獎年度最佳樂團項目，

洛瓦諾 1981 年加入保羅 ‧ 摩先樂團（Paul Motian），此後長期與史科非

以及 DownBeat 樂評票選最佳爵士團體。不僅如此，洛瓦諾得獎三連貫，還包

爾（John Scofield）、 漢 考 克（Herbie Hancock）、 艾 爾 文 ‧ 瓊 斯（Elvin

括美國爵士樂記者協會年度最佳樂手、最佳中音薩克斯風手，以及 DownBeat

Jones）、查理 ‧ 哈登（Charlie Haden）、卡拉 ‧ 貝里（Carla Bley）、包比 ‧

的年度中音薩克斯風手等獎項。

胡志森（Bobby Hutcherson）、比利 ‧ 希金斯（Billy Higgins）、大衛 ‧ 霍 蘭（Dave Holland）等人合作。

洛瓦諾 1952 年出生於俄亥俄州克利夫蘭，小時候就開始演奏中音薩克斯 風。有張洛瓦諾嬰兒時期的照片，在母親懷抱中的他就抓著薩克斯風，如同

洛瓦諾與藍調之音唱片長期的合作關係，始自 1991 年，這些年來拿下八次葛

© Jimmy Katz

萊美獎提名，其中 2000 年的【52 街主題曲】專輯贏得最佳大樂團獎項。 前些年洛瓦諾與另外兩位同世代的中音薩克斯風大師大衛 ‧ 李博（Dave Liebman）和已故的麥可 ‧ 貝瑞克（Michael Brecker）合作「薩克斯風高峰 會」，投注大量的時間在錄音室與現場演奏。這項合作計畫所發行的首張唱片 【凝聚靈氣】2004 年由 Telarc 唱片公司發行。貝瑞克過世以後，拉維 ‧ 科 川（Ravi Coltrane）遞補遺缺，發行了第二張專輯【純潔之光】（Seraphic Light）。 2008 年，洛瓦諾加入 SF 爵士樂團，取代了雷德曼（Joshua Redman），參 與巡迴演出與錄音。樂團中還有小號手道格拉斯（Dave Douglas）、長號手 尤班克思（Robin Eubanks），以及同屬藍調之音唱片公司的哈里斯（Stefon Harris）。 樂 團 的 陣 容 尚 有 知 名 爵 士 樂 手 齊 儂（Miguel Zenon）、 洛 司 妮 （Renee Rosnes）、潘曼（Matt Penman）、哈蘭（Eric Harland）等人。 洛瓦諾 2008 年的唱片【交響樂曲】（Symphonica）獲得葛萊美獎提名，他 與世界知名西德廣播交響樂團（WDR）一起合作，演奏由艾班尼（Michael Abene）編曲指揮的精選作品。 誠如紐約時報的班 ‧ 拉帝夫所說，「爵士樂史上最偉大樂手之一的稱號，洛 瓦諾當之無愧。」

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saxophone

Joe Lovano

Hailed by the New York Times as “one of the greatest musicians in

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jazz history,” Grammy Award winning saxophone giant Joe Lovano has distinguished himself for some three decades as a prescient and path finding force in the arena of creative music. The secret to Lovano’s success is his fearless ability to push the conceptual and thematic choices he has made in his quest to find new modes of artistic expression within the jazz idiom.

Since 2009, Lovano’s main vehicle for his exploration has been Us Five a dynamic young band—which features drummers Otis Brown III and Francisco Mela, bassist Esperanza Spalding, and pianist James Weidman. The band’s most recent release, the Grammy Nominated – Bird Songs*— Lovano’s 22nd album for *Blue Note Record’s (the release of which marked his 20th year on the label) is an exploration of the Charlie Parker’s songbook that breaks the mold of Bird tribute records. “I didn’t approach this as a tribute record,” states Joe Lovano, dispelling right off the bat any preconception that his latest album is a mere retread. In 2011 the JJA (Jazz Journalist’s Association) named Bird Songs Recording of the the Year and named Us Five Small Ensemble of the Year. It was also the Downbeat Editor’s Pick for

© Jimmy Katz

Album of the Year. Us Five’s debut recording—2009’s Folk Art*—was a wide-

collaborated with John Scofield, Herbie Hancock, Elvin Jones, Charlie Haden,

ranging set of Lovano’s original compositions that resulted in Us Five being

Carla Bley, Bobby Hutcherson, Billy Higgins, Dave Holland, Ed Blackwell,

awarded Best Small Ensemble of the Year at the *2010 JJA Jazz Awards and

Michel Petrucciani, Lee Konitz, Abbey Lincoln, Tom Harrell, McCoy Tyner,

winning the Best Jazz Group of the Year category in the 2010 DownBeat

Ornette Coleman, Jim Hall, Bob Brookmeyer and many more.

Critics Poll. Lovano completed a double-triple of awards by also winning the JJA’s Musician and Tenor Saxophonist of the Year, and DownBeat’s Jazz Artist and Tenor Saxophonist of the Year.

Lovano was born in Cleveland, Ohio in 1952, and began playing alto saxophone as a child. A prophetic infant photo of Lovano shows him cradled in his mother’s arms along with a saxophone. His father, tenor saxophonist Tony “Big T” Lovano, schooled Lovano not only in the basics, but in dynamics and interpretation, and regularly exposed him to live performances of international jazz artists such as Sonny Stitt, James Moody, Dizzy Gillespie, Gene Ammons, and Rahsaan Roland Kirk.

Upon graduation from high school he attended the famed Berklee College of Music in Boston. Lovano’s early professional gigs were as a sideman with organists Lonnie Smith, Brother Jack McDuff, and a three-year tour with the Woody Herman Thundering Herd from 1976 to 1979.

Lovano’s illustrious relationship with Blue Note Records began in 1991 and includes eight Grammy nominations with a win in the Best Large Ensemble category for 2000’s 52nd Street Themes.

Also In recent years, Lovano has spent a good deal of time collaborating, both in the studio and the concert hall, with two other premier tenor saxophonists of his generation – Dave Liebman and the late Michael Brecker in the collective Saxophone Summit. Their first release Gathering of the Spirits was released in 2004 on Telarc. After the untimely passing of Michael Brecker, Lovano and Liebman were joined by Ravi Coltrane on their acclaimed sophomore release, Seraphic Light.

In early 2008, Joe replaced Joshua Redman in the tenor saxophone chair of the touring and studio ensemble, the SFJazz Collective. Also in the Collective were trumpeter Dave Douglas, trombonist Robin Eubanks, and fellow Blue Note Recording Artist vibraphonist Stefon Harris. They joined

After leaving Herman’s band, Lovano settled in New York City where he

Miguel Zenon, Renee Rosnes, Matt Penman and Eric Harland in this popular

eventually joined the Mel Lewis Orchestra for its regular Monday night

ensemble of some of today’s most exciting jazz players.

concert at the Village Vanguard; playing from 1980 to 1992 – recording six albums with the Orchestra.

Lovano’s 2008 release and Grammy nominated Symphonica placed him in front of the world-renowned WDR Big Band and WDR Rundfunke Orchestra

To this day, Lovano finds time for very special performances with the

performing some of the saxophonist’s most acclaimed and cherished

Vanguard band and recently paid tribute to Thad Jones with Thad’s brother

compositions as arranged and conducted by Michael Abene.

Hank Jones, on the Grammy nominated, 2007 release, Kids: live at Dizzy’s Club Coca-Cola.

Lovano joined the Paul Motian band in 1981 and has since worked and

As Ben Ratliff opined in The New York Times, “It’s fair to say that (Lovano’s) one of the greatest musicians in jazz history.”

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鋼琴

piano

做為一位才氣縱橫並廣受好評的爵士鋼琴家，詹姆士 ‧ 懷德曼已擔任各種

A valued and talented pianist, James Weidman has been a sideman and

不同編制樂團的伴奏逾二十年的時間，並曾與包含艾比 ‧ 林肯、史帝夫 ‧

accompanist in many settings over the past 20 years, from Abbey Lincoln

柯曼、凱文 ‧ 馬荷格尼與喬 ‧ 洛瓦諾等重量級音樂家攜手演出。伴奏之

and Steve Coleman to Kevin Mahogany and Joe Lovano. He has also proven

外，懷德曼亦開始在樂團領導與作曲上建立自己的聲望，其上一張個人專輯

to be an increasingly significant bandleader and composer. His most recent

【Three Worlds】更被視為鋼琴家本身的生涯代表作。在貼近當代主流爵士

CD, Three Worlds, is arguably his finest recording to date. James Weidman's

的同時，懷德曼的音樂從不會顯得了無新意，而是透過獨具巧思的和絃進行

music fits into the modern mainstream of jazz without being predictable.

與配置，在多變的節奏與速度中展現自身對音樂的高度控制力。

With original chord changes and voicings, his mastery is demonstrated with

詹姆士‧懷德曼

James Weidman

various changes in rhythm and time. 詹姆士 ‧ 懷德曼生長於美國俄亥俄州的楊斯鎮。就學於楊斯鎮大學期間，

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懷德曼決心成為一位爵士樂手，並於畢業後二年移居至爵士樂重鎮紐約。抵

James Weidman was born and raised in Youngstown, Ohio. It was not until

達紐約後，懷德曼先花了一年的時間與巴比 ‧ 華森合作，之後則花五年時

attending Youngstown University that he became serious about becoming

間做為史帝夫 ‧ 柯曼領銜的 Spirit of Life 樂團一員。除了上述經驗外，與

a jazz musician. Two years after graduating college, he moved to New York.

艾比 ‧ 林肯合作的六年時間，亦是另一個影響懷德曼甚劇的學習經驗。其

After a valuable year spent working with Bobby Watson, he had a five year

他重要的合作關係包含與卡珊卓 ‧ 威爾森為期二年的配合（同一組合亦在

stint with Steve Coleman's Spirit Of Life Ensemble. Another very significant

Blue Skies 唱片公司留下錄音），與凱文 ‧ 馬荷格尼合作長達十一年時間， 以及與爵士女伶葛羅莉雅 ‧ 琳恩的一年搭檔。

learning period took place during Weidman's six year tenure with Abbey Lincoln. Other important associations included two years with Cassandra Wilson (including recording Blue Skies), working with Kevin Mahogany for

除了擅長為各種風格的爵士歌手伴奏外，懷德曼亦經常參與純演奏的爵士樂 演出，並與薩克斯風手 TK Blue 共同領導非洲－加勒比海風格的爵士四重奏 樂團 Taja。他的器樂錄音包含在 People Music 廠牌與鼓手馬文 ‧ 史密斯、 貝斯手貝爾登 ‧ 布洛克的三重奏演出，以及與鋼片琴手傑 ‧ 豪格與女伶夏 玲 ‧ 道恩所共同錄製的爵士四重奏專輯【All About Time】

an 11-year period and one year with Gloria Lynne.

While James Weidman gained a strong reputation for his ability to accompany a diverse variety of jazz singers, he also appeared regularly in instrumental settings. He co-led the Afro-Caribbean jazz quartet Taja with saxophonist TK Blue. The pianist is showcased in a trio on People Music with drummer Marvin "Smitty" Smith and bassist Belden Bullock. He also recorded All About Time, a quartet set with vibraphonist Jay Hoggard and vocals from Charlene Dawn.

bass

Peter Slavov

貝斯

彼得‧斯拉佛

Born to the family of legendary Bulgarian drummer Peter Slavov Sr, Peter

做為傳奇保加利亞鼓手老彼得 ‧ 斯拉佛之子，彼得 ‧ 斯拉佛自 12 歲便

has been playing bass since the age of twelve. In 1998, he received a

開始演奏貝斯。1998 年，他獲得柏克利音樂學院所提供的獎學金，並於

scholarship from Berklee College of Music and moved to Boston in 1999.

1999 年正式於波士頓定居。自抵達美國開始，彼得 ‧ 斯拉佛開始和許多

Since moving to the US, Peter Slavov has performed and/or recorded with

舉世聞名之音樂家合作演出與錄音，如喬 ‧ 洛瓦諾、昆西 ‧ 瓊斯、法蘭

world-renowned artists, such as Joe Lovano, Quincy Jones, Francisco Mela, Danilo Perez, George Garzone, Sophie Milman, Kevin Mahogany,

西斯可 ‧ 梅拉、丹尼諾 ‧ 培瑞茲、喬治 ‧ 加爾宗、蘇菲 ‧ 米爾曼、凱文 ‧ 馬荷格尼、賽門 ‧ 夏辛、傑米 ‧ 哈達以及山姆 ‧ 亞黑等。

Simon Shaheen, Jamey Haddad and Sam Yahel, among others.

Peter has performed at some of the most prestigious venues and festivals,

彼得 ‧ 斯拉佛曾於許多廣負盛名的音樂節與場地演出，音樂節包含蒙特瑞

including The Monterey Jazz Festival, The North Sea Jazz Festival,

爵士音樂節、北海爵士音樂節、安伯利亞爵士音樂節、於法國昂蒂布舉辦

Umbria Jazz Festival, Jazz a Juan(Antibes), Olympia (Paris), Massey Hall

的瑞昂爵士音樂節、巴黎爵士音樂節、蒙特利爾爵士音樂節、紐奧良爵士

(Toronto), La Cigale (Paris), Paris Jazz Festival, Montreal Jazz Festival,

音樂節、法國的馬席亞克爵士音樂節、杜拜爵士音樂節、伊斯坦堡爵士音

Bataclan(Paris), New Orleans Jazz Festival, The Jerusalem Theater

樂節等爵士界重要盛事；場地則包含巴黎的奧林匹亞劇院、多倫多的馬賽

(Jerusalem), MGM Grand (Las Vegas), Jazz in Marciac, Dubai Jazz

廳、巴黎的蟬夜總會、耶路撒冷的耶路撒冷戲院、拉斯維加斯的 MGM 大

Festival, Istanbul Jazz Festival, Skopje Jazz Festival, Boston Globe Jazz

酒店、紐約的鳥園、世界各地的藍調之音爵士俱樂部、馬德里的 54 巷爵

Festival, Birdland (New York), The Blue Note (New York, Milan, Tokyo,

士烘焙坊、克里夫蘭的賽佛倫斯音樂廳、充滿傳奇色彩的紐約哈林區名頓

Nagoya),The Jazz Bakery, Calle 54 (Madrid), Bimhuis (Amsterdam),

劇院，以及阿姆斯特丹、倫敦、巴黎以及柏林等地的爵士指標場館。

Moods am Schifbau (Zurich), Widder Bar (Zurich), Zappa(Tel Aviv), Ronnie Scott's (London), Duc des Lombards(Paris), A-Trane(Berlin),

彼得 ‧ 斯拉佛目前合作巡迴的演出團體包含喬 ‧ 洛瓦諾率領的 Us Five

Severance Hall and the legendary Minton's Playhouse in Harlem.

五重奏以及喬 ‧ 洛瓦諾歐羅巴四重奏、法蘭西斯可 ‧ 梅拉的古巴薩哈拉，

Peter is currently touring with Joe Lovano's Us Five and the Joe Lovano Europa Quartet, Francisco Mela's Cuban Safari, as well as with the trio of Cuban piano sensation Alfredo Rodriguez.

以及古巴天才新秀阿弗雷德 ‧ 羅德里奎茲所領導的鋼琴三重奏。 做為波士頓歷史久遠的瓦力咖啡館駐店貝斯手，彼得 ‧ 斯拉佛曾與包含溫 頓 ‧ 馬沙利斯與洛伊 ‧ 哈葛羅等當代大師同台演出。他目前定居於紐約。

As the house bassist at historic Wally’s Café in Boston, Peter has accompanied the likes of Wynton Marsalis and Roy Hargrove. Peter Slavov is currently based in New York City.

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鼓手

drums

紐澤西州哈肯薩克市土生土長的鼓手兼作曲家歐帝斯 ‧ 布朗三世的

Hackensack, N.J. native, drummer and composer Otis Brown III pursued

音樂背景，始於他在德拉瓦州立大學攻讀音樂的求學經歷，以及當

his musical education in college at Delaware State University. It was there

時所結識的傳奇爵士小號手唐諾 ‧ 拜爾德。德拉瓦州立大學畢業之

where he would meet legendary trumpeter Donald Byrd. He later was

後，布朗三世取得獎學金，前往紐約新學院大學繼續學習，並追隨

awarded a scholarship to attend the prestigious New School University in

包含賴瑞 ‧ 高定斯、山姆 ‧ 亞黑、巴斯特 ‧ 威廉斯、雷金 ‧ 沃

New York City and study with musicians such as Larry Goldings, Sam Yahel,

克曼，以及爵士鼓前輩約翰 ‧ 萊里、卡爾 ‧ 艾倫、何瑞修 ‧ 赫南

John Riley, Carl Allen, Horacio “El Negro” Hernandez, Lenny White, TS Monk

德茲、連尼 ‧ 懷特、小瑟隆尼亞斯 ‧ 孟克與路易斯 ‧ 納許等知名

Jr., Buster Williams, Reggie Workman, Lewis Nash. Many of his classmates,

音樂家深造。除了布朗三世本身之外，許多他的同學如與藍調之音

along with Otis himself, are some of the top musicians in the world today.

簽約錄音的羅伯 ‧ 葛雷斯伯、馬可斯 ‧ 史崔克蘭、Bilal、Tiombe

Musicians like Blue Note recording artist Robert Glasper, saxophonist

Lockhart 以及約翰 ‧ 艾利斯等，皆已成為世界上頂尖的新一代音

Marcus Strickland, Interscope recording artist Bilal, recording artist Tiombe

樂家。

Lockhart, London’s Grand Central vocalist Niko, and saxophonist John Ellis.

對許多人來說，唯有真正獨樹一格的鼓手才有能力為歌手伴奏，而

With the widely know fact that it takes a special kind of drummer to support

歐帝斯 ‧ 布朗三世最自豪的成就，莫過於擔任許多今日最多產的爵

vocalists, Otis is especially proud of the work that he’s done with some of

士歌手伴奏一職。這其中包含珍妮 ‧ 布里森（一代薩克斯風大師迪

today’s most prolific vocalists. They include Jeannie Bryson (daughter of

吉 ‧ 葛拉斯比之女）、梅莉莎 ‧ 沃克、茱蒂 ‧ 席爾凡諾、莉莎 ‧

Dizzy Gillespie), Ronnell Bey, Melissa Walker, Judi Silvano, Lisa Henry, Carla

歐帝斯‧布朗三世

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亨利、卡拉 ‧ 庫克、凡妮莎 ‧ 魯賓、Bilal、Tiombe Lockhart，

Otis Brown III

Cook, Vanessa Rubin, Bilal Oliver, Tiombe Lockhart, and Peter Cincotti.

以及彼得 ‧ 辛科提等。1999 年，歐帝斯的演奏吸引了葛萊美獎得

In 1999 Otis’ playing garnered the attention of Grammy award winning

主、薩克斯風大師喬 ‧ 洛瓦諾的注意，並受邀加入由洛瓦諾所領銜

saxophonist Joe Lovano who then hired Otis to play in his trio, quartet and

的三重奏、四重奏與九重奏組合。雙方的合作關係持續至今。

nonet. He has been performing with him ever since.

歐帝斯 ‧ 布朗三世所參與的錄音包含與奧利佛 ‧ 雷克大樂團合作 的專輯【Cloth】、爵士鍵盤手洛宏 ‧ 考克三重奏於 Sunnyside 公 司發行的【Spinnin】，以及與榮 ‧ 傑克森三重奏合作、唐 ‧ 布列 登與布魯斯 ‧ 威廉斯跨刀演出的現場專輯。

Otis can be heard on the Oliver Lake Big Band’s album “Cloth”, the Laurent Coq trio’s Sunnyside release entitled “Spinnin”, and an upcoming live album by the Ron Jackson trio with special guests Don Braden and Bruce Williams.

drums

鼓手

Francisco Mela

法蘭西斯可‧梅拉

Francisco Mela was born in Bayamo, Cuba. Inspired by his artistic

法蘭西斯可 ‧ 梅拉出生於古巴的巴亞莫。在受到同樣極具藝術天賦的

father and the explosive sounds of Irakere, Mela immersed himself in

父親以及古巴爵士名團 Irakere 震撼心靈的音樂影響下，梅拉開始投入

Cuban traditional music and the jazz being played and performed in

古巴傳統音樂以及故鄉當地爵士樂演出的懷抱。2000 年，梅拉移居至

his hometown. Mela moved to Boston in 2000 to pursue a degree at

波士頓，於柏克利音樂學院攻讀學位。很快地，校方開始注意到梅拉

the acclaimed Berklee College of Music. The faculty quickly recognized

豐富的音樂才華，進而決定聘請梅拉在學校擔任教職工作。在聽過其

that Mela had much to offer students and promptly hired him to teach at the school. Fellow Berklee faculty member and world-renown saxophonist Joe Lovano heard Mela and was immediately impressed, hiring him soon thereafter to play in his quartet. Since 2005, Mela has

演出後，同在學校任教的世界級薩克斯風樂手喬 ‧ 洛瓦諾對梅拉極為 讚賞，也隨即邀請梅拉加入他的四重奏。自 2005 年起至今，梅拉儼然 已成為喬 ‧ 洛瓦諾四重奏以及洛瓦諾新的演出團體 Us Five 五重奏重 要的一員。

been an integral part of Joe Lovano’s quartet and his new group “Us

梅拉獨特的演出風格與聲響亦吸引了鋼琴大師肯尼 ‧ 巴倫的注意。

Five”.

2007 年梅拉加入巴倫所領導的鋼琴三重奏，直至 2009 年底為止在世

Mela’s unique style and sound was noticed by piano legend Kenny Barron. Mela joined Barron’s trio in 2007, performing and touring all

界各地巡迴演出。2009 年，梅拉接到爵士樂傳奇鋼琴家麥考伊 ‧ 泰 納的邀請，成為其鋼琴三重奏的新鼓手。

over the world until late 2009. In 2009, Mela was tapped by jazz legend

梅拉於 2006 年發行了個人的第一張錄音【Melao】，並被權威爵士樂

McCoy Tyner to join his trio.

網站 All About Jazz 評選為年度最佳專輯之一。在其最新的演出企畫古

Mela’s first CD, Melao, was released in 2006 and called one of the best albums of the year by All About Jazz. Mela’s latest project, Cuban Safari, is an amalgamation of his favorite bands that inspired him to become a drummer – Miles Davis’ fusion group featuring Chick Corea and Keith Jarrett, Weather Report, and the Latin-jazz super group Irakere. In the Fall of 2011, Mela will release a studio recording, Tree of Life, on Half Note Records featuring his band Cuban Safari and guest vocalist Esperanza Spalding.

巴薩哈拉中，梅拉志在向影響他成為一位爵士鼓手的眾前輩致敬，這 包括了邁爾士 ‧ 戴維斯的融合爵士團的主要成員奇克 ‧ 柯瑞亞與凱 斯 ‧ 傑瑞特、氣象報告樂團以及拉丁爵士超級天團 Irkare 等。2011 年秋，梅拉以古巴薩哈拉的名義，與爵士女歌手絲柏汀於 Half Note 廠 牌發行了該團首張錄音【Tree of Life】。

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9.1 Sat. 19:30

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NTCH Summer Jazz Project featuring Albert “Tootie” Heath, Michael Mossman, Antonio Hart 東西爵士好手武林大會師

兩廳院夏日爵士節慶樂團 亞伯特 ‧“圖堤”‧ 希斯（Albert “Tootie” Heath）、麥可 ‧ 摩斯曼（Michael Mossman）、

安東尼歐 ‧ 哈特（Antonio Hart）、黃瑞豐、魏廣晧、董舜文、許郁瑛、山田洋平、張坤德、李承育、 Nick Javier、Nicolas Rusillon、廖志銘、吳政君 特別感謝

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亞伯特‧“ 圖堤 ”‧希斯

藉著他明晰、充滿信心的互動及無懈可擊的韻律感，亞伯特 ‧“圖

1990 年代，他加入由上一代硬咆哮演奏者組成的「河濱團聚樂隊」，

堤”‧ 希斯成為 1950 及 60 年代標準爵士及自由爵士樂隊指揮第

樂隊中成員包括吉米 ‧ 希斯、奈特 ‧ 艾德利、湯米 ‧ 弗拉納甘、

一位指名邀請的鼓手。他的經典表演被收錄在與約翰 ‧ 柯川、傑 ‧

巴瑞 ‧ 哈里斯、鮑勃 ‧ 克藍修、隆 ‧ 卡特及夥計蒙哥馬利等。

傑 ‧ 強生、魏斯 ‧ 蒙哥馬利及尤瑟夫 ‧ 拉提夫等大師合作的超 過四百張硬式咆哮與後咆哮的專輯中。

希斯兄弟 1997 年再度合作，為「協和爵士廠牌」錄製了 1997 年 的【就如我們說的】及 1998 年的【爵士家庭】。

希斯是賓州費城人，出生於一個音樂世家。哥哥伯斯 ‧ 希斯為貝 斯手，另一位哥哥吉米 ‧ 希斯則吹奏簧樂器。企圖跟隨兩位哥哥

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的腳步，亞伯特在 12 歲時開始學長號，15、16 歲左右才改學打鼓。

自 1986 年起，希斯任教於史丹佛大學的爵士樂工作坊。同時他也 獲選為包括加州大學洛杉磯分校、柏克萊分校及培普丹大學在內的 多所大學的駐校藝術家。2004 年，希斯創立了「全鼓真言─歷史性

1957 年，希斯前往紐約發展，很快地就與費城同鄉約翰 ‧ 柯川一

敲擊樂器演奏的爵士樂傳奇」樂隊。在演出中，包括希斯、班 ‧ 萊

起錄音。與柯川共事之後，希斯成為紐約炙手可熱、大家爭相邀請

利、比利 ‧ 哈特、艾德 ‧ 席格潘、路易士 ‧ 海斯、傑基 ‧ 威廉斯、

的鼓手之一。

查理 ‧ 裴西浦、李翁 ‧“杜谷”強克勒及雷洛伊 ‧ 威廉斯等爵士 前輩鼓手聚在一起，單單使用多種鼓的組合，演奏經典的爵士名曲。

1969 年，希斯首度發行由他挑大樑的專輯【傳統】。臨時召集組 成的八重奏團成員包括了小號手唐 ‧ 薛瑞及鋼琴手賀比 ‧ 漢考

近年來，讚揚希斯一家三兄弟─亞伯特、伯斯及吉米為爵士樂史所

克。

作的貢獻的樂評及藝評日益增多。由傑西 ‧ 布洛克執導的關於希斯 兄弟的紀錄片【弟兄們的爵士樂】中蒐集了許多檔案材料、現場演

1970 年代中至晚期，希斯正式與他的兩位哥哥伯斯及吉米組成希

出片段，及他們影響力深厚的生涯中與無數爵士樂手的對談。三兄

斯兄弟樂隊，經常以三重奏的形式演出，並於 1978 年錄製【穿

弟中年紀最輕的亞伯特（當然他的成就毫不輸給兩位哥哥）的錄音

越】，又於 1983 年錄製了【弟兄們及他人】。希斯的專輯數量在

足以提供給高雅、現代且具有互動性質的硬咆哮鼓樂演奏作為大師

1980 年代驟減，但他依然活躍於樂壇，參與許多名家飆技演出。

班課程的教材。

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Albert “Tootie” Heath

Albert “Tootie” Heath's clean, self-assured interactions and

yet he remained active enough to participate in a number of strong sessions.

impeccable swing feel made him a first-call drummer among straight-

In the 1990s, Heath performed as part of the Riverside Reunion Band, a

ahead and free-leaning bandleaders in the fifties and sixties. His

collective of veteran hard-boppers including Jimmy Heath, Nat Adderley,

classic approach can be heard on more than 400 hard-bop and post-

Tommy Flanagan, Barry Harris, Bob Cranshaw, Ron Carter and Buddy

bop recordings with, among others, John Coltrane, J.J. Johnson, Wes

Montgomery.

Montgomery and Yusef Lateef.

Heath was born in Philadelphia, Pennsylvania. Delivered into the most musical of families, Albert is the younger brother of bassist

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Percy Heath and reedman Jimmy Heath. Wanting to follow in the footsteps of his brothers, Heath started to play trombone at age 12 before switching over to the drums in his mid-teens.

The Heath Brothers reunited in 1997 and released two records for the Concord Jazz label 1997’s As We Were Saying and 1998’s Jazz Family.

Since 1986, Heath has been a faculty member at the Stanford University Jazz Workshop. He has also been an artist-in-residence at UCLA, UC Berkeley, and Pepperdine, among others. In 2004, Heath formed “The Whole Drum Truth” Jazz Legends in Historical Percussion Performance. In the

Heath moved to New York in 1957, and soon thereafter recorded

program, combinations of veteran jazz drummers including Heath, Ben

with fellow Philadelphian John Coltrane. Following his work

Riley, Billy Hart, Ed Thigpen, Louis Hayes, Jackie Williams, Charli Persip,

with Coltrane, Heath became one of New York's most in-demand

Leon “Ndugu” Chancler, and/or Leroy Williams perform classic jazz tunes

drummers.

entirely on multiple drum-kits.

In 1969, Heath released his first album as a leader, Kawaida. Included

In recent years, critical and artistic praise has increased for Albert, Percy

in the briefly assembled octet were trumpeter Don Cherry and pianist

and Jimmy as one of the great family legacies in jazz history. Brotherly Jazz, a

Herbie Hancock.

documentary film about the Heath Brothers directed by Jesse Block, includes

In the mid to late 1970s, Heath officially united with his brothers Percy and Jimmy to launch the Heath Brothers Band. The trio performed frequently and recorded Passin Thru in 1978 and Brothers and Others in 1983. Heath’s recorded output decreased in the 1980s,

archival materials, live performance clips, and interviews with countless jazz musicians on their influential careers. The last yet certainly not the least of the three brothers, Albert “Tootie” Heath’s discography serves as a masterclass in tasteful, modern, interactive hard-bop drumming.

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Michael Mossman 麥可‧摩斯曼

結合小號手、長號手及作曲家身分於一身的麥可 ‧ 摩斯曼自 17 歲起就活躍於國際爵士樂 壇。他不只和自己所組的樂隊合奏並錄音，此外，單單將他曾合作過的樂隊指揮名字列出 來，就如同音樂界的名人錄。目前摩斯曼擔任「林肯中心非裔暨拉丁美洲裔爵士樂團的爵 士樂部門」的首席小號手。 摩斯曼的獨奏專輯【歐瑞夏組曲】曾獲得拉丁葛萊美獎的提名，他也在由林肯中心非裔暨 拉丁美洲裔爵士樂團演出、獲得葛萊美獎提名的專輯【一個難忘的夜晚】中擔任首席小號 手暨編曲者。 擔任過馬奇托樂團、秋吉敏子帶領的大樂隊及隆尼爾 ‧ 漢普頓樂團的首席小號手之後，摩 斯曼被聘任為藍調之音唱片的「少獅樂隊」─「藍調之外」的音樂總監。他率領這個樂隊 為藍調之音唱片錄製了四張專輯之後，樂隊宣告解散，而摩斯曼轉加入霍拉斯 ‧ 希爾佛五 重奏。 除了為霍拉斯 ‧ 希爾佛五重奏效力之外，摩斯曼曾與迪吉 ‧ 葛拉斯比、亞特 ‧ 布雷基、

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喬 ‧ 漢德生、麥考伊 ‧ 泰納、蓋瑞 ‧ 穆利甘、喬 ‧ 查維努、史萊德 ‧ 漢普頓、秋吉敏 子、喬治 ‧ 古朗茲、鮑勃 ‧ 明澤、史蒂夫 ‧ 圖瑞、安東尼 ‧ 布拉克斯登、羅斯可 ‧ 米 歇爾、湯姆 ‧ 皮爾森及查理 ‧ 明格斯樂團赴各處巡迴演出並錄音。 當摩斯曼還是馬奇托樂團的一員時，他也熱衷於拉丁爵士樂，曾與提托 ‧ 波因提、艾迪 ‧ 帕爾米耶瑞、奇科 ‧ 歐法利爾、雷 ‧ 巴瑞托、丹尼爾 ‧ 龐斯、以色列 ‧“卡查歐”‧ 羅培茲、帕奎托 ‧ 德希維拉、畢波 ‧ 瓦爾德茲及米歇爾 ‧ 卡密洛等樂手合作並錄音（包 括在影片《二不為過》中客串演出）。摩斯曼也曾經為喬 ‧ 漢德生贏獲葛萊美獎的大樂隊 專輯創作並改編樂曲。 摩斯曼曾經演奏古典及現代的古典樂曲，合作對象包括芝加哥室內樂團在內。他曾為 Koch Schwann 唱片錄製丹尼爾 ‧ 許奈德的小號奏鳴曲，也為 MM1 唱片錄製了兩張古典的獨奏 專輯。 摩斯曼曾經任教於歐柏林音樂學院、羅格斯大學、社會研究新學院、布倫菲德學院、曼哈 頓維爾學院及紐澤西夏季藝術學院。目前他擔任紐約市皇后學院中亞倫 ‧ 柯普蘭音樂學院 的爵士樂研究部門的教授暨主任。

Trumpeter, trombonist and composer Michael Mossman has been active on the international scene since the age of 17. Mr. Mossman has performed and recorded with his own groups and with bands led by a virtual who's who of the music industry. He currently is lead trumpeter with Jazz at Lincoln Center's Afro-Latin Jazz Orchestra.

Michael's solo album, the Orisha Suite, was nominated for a Latin Grammy. Michael is also featured as lead trumpet and arranger on the Grammy nominated album, Un Noche Inolvidable by the Lincoln Center Afro-Latin Jazz Orchestra. Following stints as lead trumpet with the Machito Orchestra, Toshiko Akiyoshi, and with the Lionel Hampton Orchestra, Michael became the musical director of Blue Note Record's "young lion" group, Out of the Blue. He recorded four albums for Blue Note with this group before disbanding to join the Horace Silver Quintet.

In addition to Horace's group, Michael has toured and recorded with Dizzy Gillespie, Art Blakey, Joe Henderson, McKoy Tyner, Gerry Mulligan, Joe Zawinul, Slide Hampton, Toshiko Akiyoshi, George Gruntz, Bob Mintzer, Steve Turre, Anthony Braxton, Roscoe Mitchell, Tom Pierson, and the Charles Mingus Orchestra.

Michael has also been a key performer in Latin Jazz since his days with Machito. Mr. Mossman has performed and recorded with Tito Puente, Eddie Palmieri, Chico O'Farrill, Ray Barretto, Daniel Ponce, Israel "Cachao" Lopez, Paquito D'Rivera, Bebo Valdez and Michel Camilo (including a screen appearance in the motion picture Two Much). Mr. Mossman has composed and arranged scores for Joe Henderson's Grammy winning Big Band album.

Michael Mossman has performed classical and contemporary classical pieces including with the Chicago Chamber Orchestra. He has recorded the Daniel Schnyder Trumpet Sonata on the Koch Schwann label and has recorded two solo classical albums for MM1.

Michael has held positions on the faculties of the Oberlin Conservatory of Music, Rutgers University, The New School for Social Research, BloomďŹ eld College, Manhattanville College, and the New Jersey Summer Arts Institute. Michael is currently Professor and Director of Jazz Studies at the Aaron Copland School of Music at Queens College in New York City.

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Antonio Hart

安東尼歐‧哈特

哈特是一位活躍於美國的薩克斯風手。他在進入柏克利音樂學院就讀時，才正式學 爵士演奏。在校期間，哈特師隨比爾 ‧ 皮爾斯、安迪 ‧ 麥克基及喬 ‧ 維歐拉等。 這三位老師為他奠定了成為職業樂手應當具備的根基。此外，哈特在柏克利音樂學 院結交了多位好友，其中對他影響重大的是洛伊 ‧ 哈葛羅，他倆花了三年的時間巡 迴世界各地演出，並錄製了哈葛羅最初三張專輯。哈特覺得哈葛羅在生活中、在音 樂上都如同他的兄弟一般，哈特第一張專輯【第一次】就邀請哈葛羅合作。這段時間， 哈特同時在皇后學院攻讀碩士，師隨大名鼎鼎的吉米 ‧ 希斯及唐納德 ‧ 拜爾德。 他很幸運地獲得吉米 ‧ 希斯的協助，製作他的第二張專輯【你不曉得我在意嗎？】 哈特獲得碩士學位，並領銜錄製了另外三張 CD 專輯。最新的一張專輯、為 Impulse 唱片錄製的【我挺在這裡】贏得 1998 年葛萊美獎「最佳爵士樂器樂獨奏」類的提名。 哈特及他的樂隊的巡迴演出及講座教學行程非常忙碌，在演奏及創作上持續追求精 益求精。

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Hart is an active saxophonist in America. Hart's Jazz study began at the Berklee College of Music in Boston. There, he studied with Bill Pierce, Andy McGhee, and Joe Viola. The three teachers gave him the foundation he needed to develop into a professional musician. In addition, he made many friends at Berklee, but the most important was Roy Hargrove. They spent three years touring the world and recording Hargrove's first three records. Hart considers Hargrove to be his brother in life and music. He even used Hargrove on his first recording For the First Time. In this period of time, Hart also worked on a Masters Degree at Queens College. There he had the opportunity to learn from the great Jimmy Heath and Donald Byrd.

Hart felt blessed and honored when Mr. Heath produced his second recording Don't You Know I Care.

Hart has earned his Masters Degree and recorded three more CDs as a leader.

The latest, Here I Stand on the Impulse label, has earned Hart a 1998 Grammy nomination for "Best Jazz Instrumental Solo." He spends a great deal of time on the road with his band performing and giving clinics. He is constantly trying to get to higher levels on his horn and in his writing.

台灣流行音樂界資深音樂人、爵士音樂演奏家、閩南語歌曲 - 詞曲創作者。錄 音室鼓手、爵士鼓教育推廣者、爵士音樂推廣者。擔任及參與過無數的流行歌 曲唱片專輯錄音、各大城市文化藝術音樂節慶活動，經常受邀參與大型樂團於 國家音樂廳演出，以及小型爵士樂團（黃瑞豐爵士四重奏）在 PUB 演出。 Veteran musician of Taiwan’s pop music scene, jazz performer, composer of Hokkien songs and lyrics, studio drummer, promoter of jazz-percussion education and jazz music. Regularly invited to record pop albums and art festivals held in various cultural metropolises. Regularly invited to perform with orchestras at the Concert Hall of the NTCH, and leads Rich Huang’s Jazz Quartet in pub performances.

Rich HUANG, Taiwan’s king of drums 黃瑞豐

31 紐約市立大學爵士小號演奏碩士。師事於紐約爵士林肯中心首席小號手 Prof.

Michael Philip Mossman 及 Dizzy Gillespie All Star Big Band 首 席 中 音 薩 克 斯風手 Prof. Antonio Hart 與前台北愛樂助理指揮兼長號演奏家 Dr. John Van Deurson，在美期間積極參與樂團演出及錄音等活動；現活躍於台灣爵士樂壇， 並任教於多所學校推廣爵士音樂教育。 M.A. in Jazz Trumpet Performance from the City University of New York.

Studied with Prof. Michael Philip Mossman, the principal jazz trumpeter at Lincoln Center, Prof. Antonio Hart, the principal alto-saxophonist of Dizzy Gillespie All Star Big Band, and Dr. John Van Deurson, Assistant Conductor and trombonist of Taipei Philharmonic. Active in band performance and recording in New York. Currently an avid jazz musician in Taiwan, and teacher at several schools promoting jazz music.

Stacey WEI, trumpeter 魏廣晧

畢業於美國麻州波士頓柏克利音樂學院（Berklee College of Music）爵士演奏系，曾擔任過周華健、黃小琥巡迴演唱會 專屬管樂手，同時也是雙燕樂器與 Hercules 品牌形象代言人，多次舉辦個人巡迴演奏會，其足跡遍佈全球，其 2008 年 發行的首張創作專輯【歡 ‧ 日 ‧ 紀】獲得第二十屆金曲獎最佳編曲人獎，受邀的錄音工作更是不斷，對於音樂教學活 動更是不遺餘力。演出風格充滿熱情、節奏豐富、旋律充滿個人特色，是目前台灣樂壇最活躍的薩克斯風手！ Graduated from the Dept. of Jazz Performance at the Berklee College of Music. Has been the exclusive woodwind player for tour concerts of Emil Wakin Chau and Tiger Huang. The spokesperson for KHS and Hercules. Held several individual tour recitals in Taiwan and around the world. His first album with his compositions published in 2008, One Day, garnered the 20th Golden Melody Award in the Best Music Arranger category. Regularly invited for recordings and is an avid music educator. With his passion, dynamics, and individuality, Tung is the most active saxophonist in Taiwan’s jazz scene.

S.W. TUNG, saxophonist 董舜文

32 郁瑛於 2009 年 12 月取得美國紐約州立大學帕切斯學院爵士鋼琴演奏碩士學位。 赴紐約留學期間，曾於帕切斯表演藝 術中心等紐約著名爵士音樂俱樂部演出，並曾於 2007 年參與紐約「爵士即興雜誌—現場 !」第一屆爵士音樂節的演出， 也曾應邀多次於駐紐約台北經濟文化辦事處表演。郁瑛於 2010 年 2 月自紐約返台定居，至今積極投入並參與各種音樂 表演活動，曾多次以二重奏、三重奏以及四重奏的方式舉辦個人的爵士鋼琴演奏會，亦曾跨界流行音樂界參與演出。 M.A. in Jazz Piano Performance from Purchase College at State University of New York. Has performed at renowned jazz pubs in New York, including the Performing Arts Center of Purchase College. Has performed in the First Annual Jazz Improv LIVE! 2007 Convention and Festival. Has been invited to perform at Taipei Economic and Cultural Office in New York several times. An avid performer in domestic musical activities after returning to Taiwan in February 2010. Has held jazz piano concerts leading duos, trios, and quartets. Also joins pop performances.

Yuying HSU, pianist 許郁瑛

2001 年美國柏克利音樂學院畢業，主修爵士貝斯演奏。2002 年成為“Miles Ahead”超里程樂團貝斯手，於台北及台中舉辦巡迴音樂會， 並且舉辦多場音樂教學講座。2006 年擔任董舜文演奏會貝斯手。2008 年受邀擔任兩廳院夏日爵士音樂夏令營低音提琴講師，同年於上 海 Barhulu 與劉軒、魏廣晧演出。目前投入於台灣專業音樂演出、錄音及教學工作。 Graduated from the Berklee College of Music in 2001. Major in Jazz Bass Performance. Bassist of “Miles Ahead” Band from 2002 onwards, with tour concerts held in Taipei and Taichung and workshops. Bassist of the Concert of S.W. Tung of 2006. Lecturer of Bass for the NTCH’s Summer Jazz Workshop in 2008. Collaborated with Xuan Liu and Stacey Wei in Barhulu, Shanghai. Currently active in professional music performing, recording, and education.

Yohei Yamada, bassist 山田洋平 2001 年獲波林格林州立大學（Bowling Green State University）薩克斯風演奏文憑 ; 而後再入北德州大學（University of North Texas） 取得薩克斯風演奏碩士學位，並學習爵士音樂。2007 年發行首張專輯【Reliance】。爵士大樂團作品《都會台北 Metropolitan Taipei》 獲 2009 年國家文化藝術基金會補助。2009 年發行古典專輯【Fantaisei】，並入圍第 21 屆金曲獎傳統藝術類最佳編曲人獎。著有《爵 士樂理入門》上、下冊（世界文物出版社，2007 年出版）、《薩克斯風即興教本》（世界文物出版社，2010 年出版）。 Earned his Diploma of Saxophone Performance from Bowling Green State University in 2001. M.A. in Saxophone Performance from

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University of North Texas; also studied jazz music. Recorded his first album Reliance in 2007. His work for big jazz band Metropolitan Taipei was funded by the National Culture and Arts Foundation in 2009. His classical album of 2009 Fantaisei was nominated for the 21th Golden Melody Award in the Best Musical Arranger category. His books include: The Elements of Jazz Theory (2007) and The Textbook of Saxophone Improvising (2010).

Cheng-Yu LEE, saxophonist 李承育

於美國柏克利音樂學院爵士演奏系就讀，主修次中音薩克斯風。參與合作過的樂團及樂手包括：底細爵士樂團、變形蟲爵士樂團、夢想 家薩克斯風四重奏、Taipei All Star Big Band、Coop Big Band (Boston)、Fenway Brass Art Orchestra (Boston)、山狗大樂團、長榮交響 樂團、國家交響樂團、台灣爵士大樂團、愛悅爵士大樂團、台北爵士大樂團、彭靖惠、Corrinne May、Sugizo & X-Japan、范曉萱、盧廣仲、 蘇打綠及黃瑞豐老師等。 Graduated from Berklee College of Music, majoring in alto-saxophone. Collaborated with Dizzy Jazz Band, Metamorphosis Jazztet, Dreamers Saxophone Quartet, Taipei All Star Big Band, Coop Big Band (Boston), Fenway Brass Art Orchestra (Boston), San Geou Tal Band, Evergreen Symphony Orchestra, National Symphony Orchestra, Taiwan Big Jazz Band, Philharmonic Big Jazz Band, Taipei Jazz Orchestra, Ching-Hui Peng, Corrinne May, Sugizo, X-Japan, Mavis Fan, Crowd Lu, Sodagreen, and Mr. Rich Huang, among others.

Kunter CHANG, saxophonist 張坤德

出 生 於 瑞 士 法 語 區，9 歲 起 學 習 小 號， 從 小 就 隨 著 瑞 士 多 位 名 管 風 琴 師 演 出。 隨 Gabriele Cassone 學 習教學及巴洛克小號以及古樂，於 2003 年獲洛桑音樂院教學文憑（瑞士）；在 Eric Aubier 指導下， 於 1998 至 2001 年在法國國立馬梅森音樂院獲 Excellence 獎加全體裁判一致通過及第一獎（2000）與 Perfectionnement 獎（2001），並在 2000 年獲得巴黎市音樂院第一獎。2001~2007 年活躍於瑞法境內多 古典與巴洛克管絃樂團執行許多宗教音樂節，並涉及爵士音樂，有 Cosa Nostra Jazz Band 等團體。2008 年 三月份成為 NSO 小號首席。 Born in the French-speaking part of Switzerland. Studied trumpet at nine. Collaborated with several renowned Swiss wind performers since his childhood onwards. Studying teaching, Baroque trumpet playing, and ancient music with Gabriele Cassone. Earned Diploma d'Enseignement, Conservatoire de Lausanne, Institutde musique, Lausanne, Suisse in 2003. Garnered premier prix de trompette (1998), prix d’excellence à l’unanimité, avec les félicitations (2000), and prix de perfectionnement (2001) at CNR de Rueil-Malmaison, under the guidance of Eric Aubier. Awarded the premier prix de trompette from the conservatoire municipale de ville de paris (2000). Between 2001 to 2007, actively participated in classic and baroque orchestra, religion music and jazz in Switzland and France. Collaborated with Cosa Nostra Jazz Band. Currently the principal trumpeter of the NSO.

Nicolas Rusillon, trumpeter & trombonist

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Nick Javier 是一位同時身兼爵士長號演奏、作曲和編曲三種身分的美國爵士樂手。在過去的十二年中，Nick Javier 曾獲邀在美國、荷蘭、丹麥、德國、日本與台灣各地表演，並與世界知名的爵士大師們同台較勁。 Nick Javier 現在是台灣 All Star Big Band、Nick Javier 爵士五重奏、The Killer 3000、美國 Ashton Moore 爵士五重奏與日本 Tomoyuki Okabe 爵士四重奏長號手。Nick Javier 先後於美國密西根州立大學與會荷蘭皇 家音樂院 Koninklijk Conservatoire, Den Haag 獲得爵士演奏碩士與爵士演奏學士文憑。 An American jazz musician as trombonist, composer, and arranger. Invited to perform in the United States, Holland, Denmark, Germany, Japan, and Taiwan in the past twelve years. Collaborated with internationally renowned maestros. Currently a trombonist of Taiwan’s All Star Big Band, Nick Javier Jazz Quintet, The Killer 3000, Ashton Moore Jazz Quintet (USA), Tomoyuki Okabe Jazz Quartet (Japan). Earned his B.A. and M.A. in Jazz Performance from Koninklijk Conservatoire in Den Haag and Michigan State University respectively.

Nick Javier, trombonist

Jimmy LIAO, guitarist

WU Cheng-Chun, percussionist

廖志銘

吳政君

曾與國際陶笛大師宗次郎、東洋二胡教父賈鵬芳等於國家音樂廳同台演

畢業於國立台灣戲曲學院，擅長南胡、拉丁打擊樂器、中國打擊樂器、

出。爵士樂園音樂表演。豐華唱片職業樂手，曾與歌手彭靖惠等至東南

世界手鼓、爵士鼓等多項樂器。近年來更以紮實的國樂素養以及多方

亞國家進行專輯巡迴表演。現場 live 專職業樂手，於 Simple Life 簡單

位的打擊才華，跨足世界音樂、爵士樂、拉丁音樂、流行音樂等各領

生活節與歌手許茹芸、林志炫搭配樂團表演。錄音室職業樂手，曾錄製

域，經常與知名音樂人於世界各地合作演出。目前擔任絲竹空爵士樂

ENERGY、小松拓也、FIR 等專輯，擔任流星花園 2、東森幼幼台等電視

團、Momtunos 拉丁樂團、异境音樂表演藝術工作室藝術總監、Brown

節目配樂等。另為各大飯店及爵士音樂節等活動邀請樂手及講師。

Sugar（黑糖餐廳）每週日拉丁樂團打擊樂手，並受聘為國立台灣戲曲 學院兼任講師，同時創立個人音樂表演藝術工作室 EJ Music Studio。

Collaborated with prestigious maestros of ocarina Sojiro and of Erhu Jia Peng Fang at NTCH. Joined concerts of the Jazz Paradise.

Graduated from National Taiwan College of Performing Arts.

Professional musician of Forward Music, touring the Southeast Asia

Excelling in erhu, Latin and Chinese percussions, frame drums, and

with Ching-Hui Peng and others. Professional musician for live

drum sets. With his solid training in traditional music and versatile

performances, collaborating with Valen Hsu, Terry Lin, and orchestra

skill in percussion, Wu is distinguished for processing a variety of

at the Simple Life Festival. Professional studio musician, recording

performances in world music, jazz, Latin music, and pop music,

albums including Energy, TAKUYAKOMATU, and FIR. Arranging music

collaborating with renowned Chinese musicians. Currently art director

for the TV show Returns of Hana yori Dango and programs hosted by

of Sizhukong, Momtunos, and EJ Music Studio. Percussionist of the

the YoYo TV. A performer and instructor regularly invited to appear at

Sunday Latin Orchestra at Brown Sugar. Adjunct instructor at his alma

renowned jazz festivals and activities.

mater. Founded EJ Music Studio, a studio of performing arts.

35

9.5 Wed. 19:30

36

Mingus Big Band 當今最佳爵士大樂團

明格斯爵士大樂團

37

Charles Mingus

明格斯爵士大樂團

查爾斯‧明格斯

產量豐富的一代爵士大師查爾斯 ‧ 明格斯（Charles Mingus），身

身兼作曲家與貝斯手，查爾斯 ‧ 明格斯於 1979 年辭世之後，為了紀念他的

後為世人留下的作曲遺產規模之鉅，在 20 世紀美國音樂史上堪稱數

音樂精神，受到大師感召並以他為名的三大知名音樂團體—明格斯爵士大樂團

一數二。大師逝去後，曾獲得葛萊美獎主辦單位—美國國家唱片藝術

（The Mingus Big Band）、明格斯王朝樂團（The Mingus Dynasty）以及明

與科學學院（NARAS）在 1997 年的典禮上頒發終身成就獎。不只如

格斯管絃樂團（The Mingus Orchestra）應運而生。自卡內基音樂廳舉辦的第

此，美國國會圖書館於 1993 年將查爾斯 ‧ 明格斯所有的作品檔案

一場查爾斯 ‧ 明格斯紀念音樂會開始，這些樂團就在明格斯遺孀溫嘉羅（Sue

和資料納入館藏，品項遍及樂譜、錄音紀錄、信件往來、照片、紀念 物和文字創作等。他死後的殊榮，還包括美國郵政管理局為他發行的 專屬紀念郵票。時至今日，不管演奏查爾斯 ‧ 明格斯樂曲的爵士樂

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Graham Mingus， 本 姓 Ungaro） 的 指 導 下 定 期 演 奏。 他 們 於 1991 年 起， 曾多年固定每週於紐約市演奏，目前在當地極富盛名的爵士樂演奏場地 Jazz Standard 的表演更場場座無虛席。

團巡迴至何方，只要樂聲響起，大師的精神就如繞樑的音樂般，依舊

明格斯爵士大樂團 、明格斯王朝樂團及明格斯管絃樂團頻繁在美國本土以

悠揚迴盪。

及世界各地巡迴演出，成績非常亮麗，時時成為重要爵士音樂節、大學和藝 術中心的熱門話題。三樂團名下共有九張專輯，其中六張獲葛萊美獎提名肯

Charles Mingus left behind one of the largest legacies of composition in 20th century American music. At the 1997 Grammy Awards ceremony, he posthumously received NARAS's Lifetime Achievement Award. In 1993, his entire catalog of work—scores, recording tapes, correspondence, photographs, memorabilia and writings—were acquired by the Library of Congress. Mingus was honored with a US postage stamp. Today, his spirit looms over the Mingus repertory bands wherever they perform.

定。各樂團樂手曾經分別於 1989 年和 2007 年，在指揮家舒勒（Gunther Schuller）的帶領之下，參與錄製查爾斯 ‧ 明格斯為高達 31 名樂手寫就，卻 來不及完成的傑作—《墓誌銘》（Epitaph）。 這三個樂團的創立，不只是為了考掘大師各個作品，也是為了鑽研查爾斯 ‧ 明格斯音樂的各種演奏方法。

The Mingus Big Band, the Mingus Dynasty, and The Mingus Orchestra are three repertory bands created to celebrate the music of the composer and bassist, Charles Mingus, who died in 1979. Under the artistic direction of Sue Mingus, these bands have performed regularly since the first tribute concert at Carnegie Hall following •

明格斯爵士大樂團在三個樂團中最為活躍、能見度也最高，連平常不會 參加爵士樂表演的觀眾都常常慕名而來。他們也是今天眾多頂尖表演者 和亮眼新人的出發點。

his death. They have had a weekly residency in New York City since 1991, currently performing to sold-out audiences at Jazz Standard.

The bands tour successfully and extensively in the United States and abroad, headlining major jazz festivals, universities and arts centers.

•

靈活、專業的明格斯王朝樂團，則是在大師豐富、繁雜的作曲中，拓展

The bands have nine recordings to their credit, six of which have

較多的個人獨奏和實驗空間。

been nominated for Grammys. In 1989 and 2007 musicians from the Mingus bands participated in a presentation of Epitaph, Mingus’

•

明格斯管絃樂團較專注於作曲，較少強調獨奏。它獨特的聲音源於較廣 的曲目，並且採用爵士樂中少見的低音管、低音豎笛、法國號以及吉他 等樂器。

2009 年 為 紀 念 查 爾 斯 ‧ 明 格 斯 因 肌 肉 萎 縮 症 逝 世 30 週 年， 三 個 樂 團 以 1959 年發行、已屆滿 50 週年的三張專輯—【Mingus Ah Um】、【Mingus Dynasty】以及【Blues and Roots】致敬。

masterwork written for 31 musicians and conducted by Gunther Schuller.

The three repertory bands were created to showcase not only different orchestrations but different approaches to Mingus music.

•

The Mingus Big Band is the most active and well known,

在明格斯遺孀溫嘉羅的藝術指導下，這個 14 人的大樂團組合曾在 1991 年

attracting audiences that might not even typically come to

到 2004 年年間，每週四晚間固定在紐約市 Fez under Time Café 演奏，並於

see jazz and providing a home base for many of today’s top

2004 年 5 月至 2008 年 10 月之間每週駐場紐約。其後，明格斯爵士大樂團

performers and exciting new players.

在紐約名聞遐邇的爵士樂俱樂部 Jazz Standard 推出「週一明格斯」（Mingus Mondays）表演，並與明格斯王朝樂團和明格斯管絃樂團輪番上陣。

•

The nimble and expert Mingus Dynasty allows for more individual solo expression and experimentation within the rich

明格斯爵士大樂團頻繁在美國本土以及世界各地巡迴演出，名下共推出十張專

complexity of Mingus compositions.

輯，其中七張曾獲葛萊美獎提名肯定，並於 2011 年獲得葛萊美「最佳爵士專 輯」肯定。

•

The Mingus Orchestra plays with the intensity of the Mingus Big Band, but with a focus on composition and less emphasis

39

on soloing. Its distinctive sound emerges from an expanded repertory and more exotic instrumentation, including bassoon, bass clarinet, French horn, and guitar – instruments not heard in the other ensembles and, rarely, in jazz music.

Mingus Big Band Members 明格斯爵士大樂團成員

In 2009, the bands are currently honoring the 30th anniversary of Mingus’ death from ALS by celebrating the 50th anniversary of three seminal albums released in 1959, Mingus Ah Um, Mingus Dynasty, and Blues and Roots.

Under the artistic direction of Sue Mingus, this 14-piece band performed Thursday nights from 1991 to 2004 at Fez under Time Cafe in New York City. It maintained weekly residencies in the city from May 2004 until October 2008, when it began "Mingus Mondays" at Jazz Standard where it alternates with the Mingus Orchestra and

40

小號 trumpets ─

阿維夏伊 ‧ 柯恩（Avishai Cohen）

艾利克斯 ‧ 斯匹亞金（Alex Sipiagin） 傑洛米 ‧ 裴爾特（Jeremy Pelt） 薩克斯風 saxophone ─

韋恩 ‧ 艾思考佛瑞（Wayne Escoffery） 艾利克斯 ‧ 佛斯特（Alex Foster）

亞伯拉罕 ‧ 波頓（Abraham Burton） 克萊格 ‧ 韓迪（Craig Handy）

Mingus Dynasty.

傑森 ‧ 馬歇爾（Jason Marshall）

The Mingus Big Band tours extensively in the United States and

長號 trombones ─

abroad, and has ten recordings to its credit, seven of which have been nominated for Grammys, in 2011, they have won the “Best Large Jazz Ensemble Album” at the Grammys.

安迪 ‧ 杭特（Andy Hunter）

羅賓 ‧ 尤班科斯（Robin Eubanks） 厄爾 ‧ 麥金泰爾（Earl McIntyre） 鼓 drums ─

唐諾 ‧ 愛德華茲（Donald Edwards） 貝斯 bass ─

波力斯 ‧ 柯茲洛夫（Boris Kozlov）

鋼琴 Piano ─

宋海倫（Helen Sung）

小號 Trumpet

阿維夏伊 ‧ 柯恩 Avishai Cohen

薩克斯風 Saxophone

韋恩 ‧ 艾思考佛瑞 Wayne Escoffery

阿維夏伊 ‧ 柯恩是一位來自以色列，目前居住於紐約的爵士音樂家。他

自從 2000 年移居至紐約後，葛萊美得主韋恩 ‧ 艾思考佛瑞變成為眾人

於 1997 年獲得瑟隆尼斯 ‧ 孟克爵士小號比賽第三名的殊榮，也曾與許

皆知的爵士薩克斯風手之一。他在 37 歲時就已經以主樂手的身分錄製 7

多著名的爵士樂手錄製專輯和同台演出。

張專輯，也曾受到許多樂手邀請錄製專輯。

Avishai Cohen is a New York City-based jazz musician originally from Tel Aviv, Israel. He has 3rd place in the prestigious Thelonious Monk jazz trumpet competition in 1997, and recorded and played with many notable jazz artists.

Since moving to New York City in 2000, Grammy Award winning tenor saxophonist Wayne Escoffery has become one of the Jazz world's most talented rising stars and in-demand sidemen.At only 37 he has recorded seven CDs as a leader and been on numerous recordings as a sideman.

艾利克斯 ‧ 斯匹亞金 Alex Sipiagin 艾利克斯 ‧ 斯匹亞金出生於俄羅斯雅羅斯拉夫爾。斯匹亞金以獨奏家的 身分錄製 13 張專輯，並與他的樂團於歐洲、亞洲和俄國演出。 Alex Sipiagin was born in Yaroslavl, Russia. As a soloist, Sipiagin has 13 recordings out to his credit, and has toured extensively throughout Europe, Asia and Russia with his group.

傑洛米 ‧ 裴爾特

艾利克斯 ‧ 佛斯特 Alex Foster 艾利克斯 ‧ 佛斯特是一位爵士界重量級的薩克斯風手。他是明格斯爵士 樂團家族的音樂總監，目前正在完成他的全新個人創作專輯。 A musical heavyweight, saxophonist Alex Foster has been a part of many of the world's most influential sounds to date. He is the musical director of the Mingus Big Band, Orchestra, and Dynasty, and is currently completing his latest album featuring all original compositions.

Jeremy Pelt 傑洛米 ‧ 裴爾特從 1998 年畢業於美國波士頓柏克利音樂學院後定居在 紐約。而他的第一個爵士演出機會便是與明格斯爵士大樂團。 Jeremy Pelt arrived in New York in 1998 after graduating from Berklee College of Music, and Mingus Big Band is his first professional Jazz playing gig.

亞伯拉罕 ‧ 波頓 Abraham Burton 亞伯拉罕 ‧ 波頓在 1998 年加入了明格斯大家庭，期間不斷於歐洲、亞 洲、美洲與世界各地出名的爵士樂手錄製唱片和巡迴演出。 Since 1998 to present, Burton has been a part of the Mingus family. He has recorded and toured throughout Europe, Asia, and the United States playing in all three bands along side some of the greatest musicians of our time.

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克萊格 ‧ 韓迪 Craig Handy 韓迪扮演重要的連繫角色，將明格斯性急且充滿自信的聲音傳承給明格斯樂團。 韓迪無疑不斷努力的貢獻自己去完成更多的夢想，為爵士音樂歷史寫下難以抹 滅記錄。

長號 Trombones

安迪 ‧ 杭特 Andy Hunter 杭特是一位獲獎無數的作曲家與音樂家，包括 2002 年國際爵士長號協會比賽第 一名，2005 年於芬蘭赫爾辛基舉辦的安提 ‧ 瑞桑尼國際爵士比賽第一名，和

Handy has contributed a Mingus-like brash and confidence tone to the Mingus Dynasty—an association which led to another important connection.

Handy will undoubtedly fulfill many more dreams, as he strives to contribute his own perfect choruses to jazz history.

傑森 ‧ 馬歇爾 Jason Marshall

2006 年於美國華盛頓哥倫比亞區的 ETW 全國爵士長號比賽第一名。除此之外， 杭特也是 2003 年瑟隆尼斯 ‧ 孟克爵士長號音樂比賽最受歡迎的決賽者之一。 Hunter has won first prize in the 2002 International Trombone Association Jazz Competition, the 2005 Antti Rissanen International Jazz Competition in Helsinki Finland and the ETW National Jazz Trombone Competition in Washington D.C. in 2006. He was also a popular finalist in the Thelonious Monk Jazz competition of 2003.

傑森 ‧ 馬歇爾自 2003 年定居在紐約後，持續了他特有的搖擺風格的表演方式。

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他目前與雷恩 ‧ 哈爾葛瑞佛的 RH Factor 樂團和雷恩 ‧ 哈爾葛瑞佛爵士大樂

羅賓 ‧ 尤班科斯

團演出。

Robin Eubanks

Jason Marshall's 2003 arrival in New York City signified the continuation of hard swinging, forward thinking baritone saxophone playing. He is currently playing and touring with Roy Hargrove’s band RH Factor and the Roy Hargrove Big Band.

尤班科斯在他的世代中是首位爵士長號手，也是一位對觀眾具有強烈影響力的音 樂家。眾多美國的大學和學院都常演出他的作品，也將他的作品重新編制演出。 Eubanks is the premier jazz trombonist of his generation, and an artist whose impact on audiences has proven powerful and lasting. Colleges and universities throughout the United States are performing Robin's original works and have arranged his music for their ensembles.

厄爾 ‧ 麥金泰爾 Earl McIntyre 厄爾 ‧ 麥金泰爾曾獲得全國藝術天賦獎的爵士學、爵士作曲，和爵士教育的藝 術補助金，紐約州藝術委員會授予的藝術補助金，和被 NARAS 提名為「年度 最有價值演奏家」（Most Valuable Player of The Year）。 McIntyre has received the National Endowment for the Arts grants for jazz study, jazz composition, and instruction. He is a recipient of grants from the New York State Council of the Arts, and has been nominated for the "Most Valuable Player of The Year" award from the NARAS.

鼓 Drums

鋼琴 Piano

唐諾 ‧ 愛德華茲

宋海倫

Donald Edwards

Helen Sung

1994 年獲得路易斯安那州藝術大使之音樂作曲獎後，愛德華茲成為新紐

曾為甘迺迪中心 Mary Lou Williams Jazz Piano Competition 的得獎者

奧良爵士音樂圈中最受矚目的鼓手之一。愛德華茲出版過兩張專輯，也

和被溫頓 ‧ 馬沙利斯 2011 年選為 Who's Got Next: Jazz Musicians to

參與許多音樂製作。

Watch 的作曲家及鋼琴家宋海倫在爵士界如火焰般的綻放。宋海倫目前 也與許多知名的樂團合作，包括明格斯爵士大樂團和與葛萊美得主鼓手

After winning the Louisiana Arts Ambassador's Award for Composition in 1994, Edwards became one of the most sought after drummers on the New Orleans music scene. Edwards has two recordings and is also involved in the production of numerous recording projects.

貝斯 Bass

泰瑞 ‧ 琳 ‧ 卡爾特恩的專輯【Mosaic】。 Winner of the Kennedy Center's Mary Lou Williams Jazz Piano Competition and named by Wynton Marsalis as one of his 2011 "Who's Got Next: Jazz Musicians to Watch." Sung can currently be seen with fine ensembles including the Mingus Big Band and drummer Terri Lyne Carrington's Grammy-winning Mosaic Project.

波力斯 ‧ 柯茲洛夫 Boris Kozlov 出生於莫斯科，柯茲洛夫從 1995 年開始參與紐約流行音樂製作，並於 1998 年開始加入明格斯爵士大樂團。 Born in Moscow, Kozlov has been presented on NY recording scene working with various pop-music projects since 1995. In 1998, he started performing with the Mingus Big Band.

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9.8 Sat. 19:30

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Patti Austin Concert 抒情爵士天后

佩蒂‧奧斯汀演唱會 歌手 ─ 佩蒂 ‧ 奧斯汀 鍵盤 ─ 麥可 ‧ 里奇堤

貝斯 ─ 理查 ‧ 伊恩 ‧ 哈蒙 鼓手 ─ 史提芬 ‧ 哈薩波婁

Patti Austin, vocal Michael Ricchiuti, keyboard Richard Ian Hammond, bass Steven Hasapoglou, drums

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Š Carol Friedman

佩蒂‧奧斯汀 身為全球知名的表演者暨贏獲葛萊美獎唱片獎的音樂家，佩蒂 ‧ 奧斯汀以她

我開始準備這張專輯時，曾與艾拉共事的夥伴一一現身。我的印象是當她步出

自在遊走於從通俗及靈歌到爵士及主流音樂等不同音樂領域的能力，獲得世界

舞台後，她以整個生命來唱。她很少重覆同樣的樂句，她具有優異的技巧去駕

各地同儕及聽眾的尊崇與愛戴。在五歲時就獲得第一張唱片合約，以致樂齡已

馭一切。」

超過 50 年的「紐約客」佩蒂至今已經錄製了將近 20 張專輯。 【獻給艾拉】包含了佩蒂最出色的一些演出，如〈帕格尼尼先生，你得搖擺〉

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奧斯汀是爵士樂長號手古登．奧斯汀（Gordon Austin）之女，也是音樂傳奇

及〈月有多高〉兩首忠實且精確重現費茲潔拉原始錄音的曲子。後一曲的旋律

瓊斯與迪納．華盛頓（Jones and Dinah Washington）的教女，在世界知名

著重在艾拉當年錄下的最扣人心絃的即興演唱；至於〈帕格尼尼先生，你得搖

的哈林區阿波羅劇院與華盛頓同台，獻出她的舞台處女秀。在 70 年代，她毫

擺〉因多變的節奏及令人折服的高潮，需要無比的精力及聲音的力度。佩蒂回

無疑問是紐約的合聲伴唱天后，她的聲音出現在保羅賽門（Paul Simon）、

憶「我選這些歌，因為艾拉演出這些曲子時成績斐然。我花了三週去分析一個

凱特史蒂芬斯（Cat Stevens）、詹姆斯布朗（James Brown）、喬庫克（Joe

個音符。」當她站在熱切期盼的聽眾面前演唱並錄製【獻給艾拉】專輯時，這

Cocker）、貝蒂蜜勒（Bette Midler）、羅伯塔佛雷克（Roberta Flack）、路

兩首歌，包括整場演出，獲得熱烈迴響，全場起立鼓掌 15 分鐘。當佩蒂將費

得汎德魯斯（Luther Vandross）、黛安娜羅斯（Diana Ross）的身後與無數

茲潔拉的名曲〈一籃禮物〉、〈我愛的男子〉及柯爾 ‧ 波特的電影歌曲〈歐

朗朗上口的商業廣告歌曲中。

蒂絲小姐的悔悟〉與〈我們的愛待在這裡〉在世界各地的舞台重現後，這樣的 反應成為慣見的現象。

奧斯汀在 1980 年代獲得葛萊美獎提名單曲〈來吧！寶貝〉及獲得奧斯卡提名 單曲〈如何讓音樂永駐？〉（兩曲都由她的教父昆西 ‧ 瓊斯製作）奠定她在

繼 2004 年葛萊美獎提名的【獻給艾拉】之後，佩蒂又向另一位當代作曲大師

爵士樂壇之穩固地位後，開始將注意力轉向創作不朽的美國歌本的三位巨人─

致敬。2007 年發行的【前衛蓋希文】為佩蒂帶來她早該獲得的第一座葛萊美

艾拉 ‧ 費茲潔拉、蓋希文及艾靈頓公爵。在過去幾年內，這樣的音樂素材與

「最佳爵士聲樂專輯」獎，並持續地讓世界各地的聽眾領略她詮釋抒情歌曲的

架構，在世界各地為她帶來新的聽眾，不論以何種形式伴奏的音樂會門票都銷

絕佳技巧。

售一空，並獲得一項葛萊美獎提名及她第一座葛萊美獎。 在佩蒂獲得葛萊美獎三年之後，她的注意力轉到傳奇人物艾靈頓公爵，製作了 包含了精心製作的 13 首樂曲的【獻給艾拉】是佩蒂向這三位不朽的音樂前輩

新專輯【艾靈頓公爵的絕活】。2011 年在西德廣播公司大樂隊搭配下於德國

致敬所錄的三張專輯中的第一張，它由佩蒂、西德廣播公司大樂隊暨樂團及葛

演出，再度由邁可 ‧ 阿畢納製作，佩蒂催生了一張捕捉艾靈頓公爵不朽的作

瑞格 ‧ 費爾德節奏樂器組於 2001 年於德國科隆愛樂廳現場錄音。2003 年發

品精髓的專輯。她回憶道「我對艾靈頓公爵的作品非常熟悉，我在 17 或 18

行之後，它贏得極高的評價及一座葛萊美獎提名，也讓佩蒂創立了女性獨角秀

歲左右時聽到他的音樂。它們具有獨特的結構，貝西伯爵及湯米 ‧ 朵塞大樂

並以敘述的方式分享艾拉及自己的音樂生涯作結束的表演形式。隨之而來的是

隊的演奏也深具力量。我第一次聽就著迷了，且一直被吸引。」

持續來自全球的邀約，而她對這位傑出聲樂家作品的詮釋也碌續獲得報章及聽 眾的讚揚。

藉由【艾靈頓公爵的絕活】、【前衛蓋希文】及【獻給艾拉】，佩蒂完成了毫 不輸給三位大師原始錄音的美聲、氣勢及華貴的第一套三部曲，並展現她在處

一開始佩蒂花了兩個月聆聽艾拉的歌曲，再度感受這位歌手的藝術價值。「當

理這些絕妙素材時無人可及的巧思。佩蒂表示「我的確有意創作一場將每張專

輯的音樂合而為一的演出，它們都取自不朽的美國歌本，並巧妙地交織在一 起。」 隨之而來的【獻給艾拉】及【前衛蓋希文】為佩蒂的爵士生涯開啟新的大門， 她與世界各地無數交響樂團、大樂隊及爵士四重奏的合作，不僅在爵士界受歡 迎，並贏獲持續的讚揚與人數急增的聽眾。佩蒂認為她在 2009 年與大名鼎鼎 的艾爾 ‧ 賈羅、黛安 ‧ 瑞芙、迪 ‧ 迪 ‧ 布里姬沃特及喀特 ‧ 艾林同任塞 隆尼斯 ‧ 孟克音樂院的聲樂比賽評審一事是她個人生涯的高峰。 身為虔敬的人道主義者，佩蒂花相當多的時間為防治愛滋病的組織義演。而藉 著【藍色運動】表現出她對美國及世界各地的家暴事件的關懷與看法。這是 【歐普拉秀】特別以家暴事件為主題的特集，它給予佩蒂靈感錄了 2011 年由 香納奇唱片發行的【聲音的勸導】的主要樂段〈靠上帝的恩典〉。佩蒂是參與

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2010 年單曲〈我們在同一世界：援助海地的 25 位藝術家〉演出的藝術家之一， 她共同創立了「靠我肩上」基金會來監督計畫的執行。 除了錄製 2012 年發行的【艾靈頓公爵的絕活】外，佩蒂還忙著與知名的歌手 ／歌曲創作者布蘭達 ‧ 盧塞爾（〈到這裡來〉、〈暗處的鋼琴〉）、希達 ‧ 賈瑞特（麥可 ‧ 傑克森的〈鏡中人〉）及編曲者兼製作人馬文 ‧ 華倫（曾是 「Take 6 六人組」成員之一）合作譜曲。也籌劃 2012 年以【艾靈頓公爵的絕 活】、【前衛蓋希文】及【獻給艾拉】為重心的演出行程，思考如何讓所選各 曲維持原貌，又融合為一齣完整的表演。 追求完美的佩蒂不斷嘗試不同領域的素材，以她作為招牌的靈魂及通俗音樂的 混合樂型震撼了聽眾，而且未曾讓她天生的音樂性受到妥協。她表示「我們將 持續與西德廣播公司大樂隊推出這樣的獻禮。它讓我們有機會向那些卓越的藝 術家、歌手及作曲家致敬，同時回顧美國不朽的音樂史。」

© Andrea Canter

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Patti Austin Patti Austin’s ability to move deftly through a diverse range of

Kicking off this amazing trilogy created by Patti in tribute to three timeless

musical material - from pop and soul to jazz and standards as a

musical pioneers is For Ella, a thirteen-track tour-de-force album recorded

renowned global performer and Grammy award-winning recording

live in 2001 with the WDR Big Band and Orchestra and the Gregg Field

artist has earned her the respect and admiration of her peers and

Rhythm Section at the Koln Philharmonic Hall. Released in 2003, For Ella

audiences the world over. Celebrating an incredible five decades of

garnered rave reviews and a Grammy nomination, opening the door for Patti

music-making - given she got her first record deal at the age of five

to perform what has become essentially a one-woman show complete with

- the native New Yorker has created an amazing legacy of work that

dialog during which she shares both about Fitzgerald’s life and her own

covers close to twenty albums.

musical journey. The result has been a constant schedule of shows across the globe with Patti’s deft interpretations of the great vocalist’s work garnering

Austin, the daughter of jazz trombonist Gordon Austin and

praise from press and audiences alike. Originally Patti spent two months

goddaughter of musical legends Jones and Dinah Washington, made

listening to Ella’s catalog and was instantly reminded of the singer’s sheer

her stage debut with Washington at the world-famous Apollo Theater

artistry: “Once I started preparing for the album, people would flow into my

in Harlem. During the 70s she was the undisputed "queen" of the

life that had worked with her… What I realized was that, once she hit the

New York session scene; her voice was heard behind everyone from

stage, she sang like her life depended on it. Her vocal licks were so finite, she

Paul Simon, Cat Stevens, James Brown and Joe Cocker to Bette Midler,

had such incredible technique, such mastery…”

Roberta Flack, Luther Vandross and Diana Ross and on countless memorable commercial jingles.

For Ella contains some of Patti’s finest performances including “You’ll

After building a solid reputation for herself as an international

and precise recreations of Fitzgerald’s original recordings. The latter tune

hitmaker in the ‘80s, thanks to the Grammy-nominated hit "Baby

featured some of the most intense vocal scatting Ella ever committed to

Come To Me," her now classic duet with James Ingram and the follow-

record; while “Paganini” - with its shifting tempos and stunning climax,

up duet, the Oscar-nominated "How Do You Keep the Music Playing?"

required incredible stamina and vocal power. “I picked those songs because

- both produced by her godfather Quincy Jones - Patti began turning

Ella gave such virtuoso performances on them. I literally spent three weeks

her attention to three of the architects of the Great American

dissecting them note-for-note,” Patti recalls. When she finally stepped in

Songbook, Ella Fitzgerald, George Gershwin and Duke Ellington.

front of the eager audience to perform and record For Ella, the response to

Have To Swing It (Mr. Paganini)” and “How High The Moon,” both faithful

both songs - indeed to the entire show - was overwhelming and resulted in

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a fifteen-minute standing ovation, a phenomenon that has been repeated

Advice. Patti was one of a host of artists on the 2010 single, “We Are The

constantly since Patti has continued bringing Fitzgerald chestnuts like “A

World: 25 For Haiti” and she has also co-created an organization dedicated

Tisket A Tasket,” “The Man I Love,” the cinematic Cole Porter tune “Miss

to mentoring, the “Over My Shoulder” foundation.

Otis Regrets” and “Our Love Is Here To Stay” to life on stages across the world.

In addition to working on The Excellence of Ellington in 2012, Patti’s been busy writing with acclaimed singer-songwriter Brenda Russell, Siedah

Patti followed the success of the 2004 Grammy-nominated For Ella with

Garrett and arranger/producer Mervyn Warren while planning a performance

another homage to one of music’s greatest modern-day composers. Released

schedule for 2012 that will focus on her Ellington, Gershwin and Fitzgerald

in 2007, Avant-Gershwin netted Patti her first, much-deserved and long

recordings.

overdue Grammy Award for “Best Vocal Jazz Album” and continued alerting

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international audiences to her finely-honed skills as a masterful lyrical

A consummate performer, Patti Austin is a genre-shifting artist who

interpreter. Three years after her Grammy win, this multi-talented artist

continues to thrill audiences with her trademark mix of soulful jazz and

has put her focus on the legendary Duke Ellington with a new project, The

pop, never compromising her innate musicality. She states, “We’re definitely

Excellence of Ellington. Initially performed in Germany with the WDR Big

going to continue to do more of these tributes with the WDR Big Band.

Band in 2011 and working again with Michael Abene, Patti has conceived a

It’s giving us the opportunity to honor the marvelous artists, singers and

set of recordings that captures the essence of Duke’s timeless body of work.

composers while tracing some of America’s great musical history.”

With The Excellence of Ellington, Avant-Gershwin and For Ella, Patti has completed an initial trilogy that honor the beauty, majesty and magnificence of the original recordings while most assuredly giving audiences her own inimitable ‘take’ on this wonderful material. “I definitely intend to create a show that incorporates music from each of the albums,” says Patti. “It’s all music from the great American Songbook and it weaves together nicely.”

A dedicated humanitarian who has devoted considerable time to performing for AIDS-related organizations over the years,, her “Blue Movement” is Patti’s personal crusade to bring awareness and new insights into the domestic violence crisis in the USA and around the world. It was a domestic violence-related episode of “Oprah” that inspired “By The Grace Of God,” one of the key cuts on Patti’s 2011 release on Shanachie Records, Sound

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