Spatial Designer Portfolio

PORTFOLIO THE

OF MINERVA CH IA

ABOUT ME

SOFTWARE SKILLS

EDUCATION NANYANG POLYTECHNIC | DIPLOMA IN SPATIAL DESIGN APR 2019 - APR 2022 YUAN CHING SECONDARY SCHOOL | O-LEVELS CERTIFICATE

65%

50%

75%

90%

Ps

Id

Pr

Photoshop

InDesign

Premiere Pro

Microsoft Word, PowerPoint, Excel

65%

50%

50%

40%

AutoCAD

3ds Max

Revit

SketchUp

JAN 2014 - APRIL 2018

EXPERIENCE INTERN DESIGNER BAUM PROJECT | MAY 2021 - AUG 2021

Office internship, interior design FULL-TIME STAFF

CHÂTERAISÉ | DEC 2018 - JAN 2019

Patisserie preparation and storekeeping

H

ello, I'm Minerva Chia.

NOTABLE AWARDS

I'm a Spatial Designer based in Singapore.

I graduated from Nanyang Polytechnic with a Diploma in Spatial Design.

DIRECTORS LIST

I like to follow fashion, high art, emotion, and find inspiration among them.

Philosophy, language, and relationships are interesting to me, because they can make people grow.

My passion for art goes back all the way to my childhood days, and I am always striving to explore my limits, as well as the way design evokes emotions.

NANYANG POLYTECHNIC | 2019 1ST SEMESTER EDUSAVE AWARD FOR ACHIEVEMENT, GOOD LEADERSHIP AND SERVICE (EAGLES) YUAN CHING SECONDARY SCHOOL | 2017

ENGLISH

CHINESE

KOREAN

Primary language

Basic

Basic reading & writing

HOBBIES

FASHION

Email: minervachia@gmail.com City of stay: Singapore

LANGUAGE SKILLS

FILMOGRAPHY

GAMING

SPORTS

I love fashion and feel that there's no style that should not be worn or flaunted, and video games have been a part of my life since I was a child, Torchlight being one of my first "real" games.

My interest in filmography came a while later, heavily influenced by movies and music videos, leading me to create my own films with the help of Premiere Pro. My favourite sports are frisbee, volleyball and various track and field sports which I managed to score some medals in.

CONT NTENTS ENTS ACADEMIC

1

THE XPERLOOP Year 2 Studio (Individual Work)

2020, MAY

2

Page 4

3

BLUI Year 2 Studio (Individual Work)

2021, JAN

Year 3 Studio (Individual Work)

2021, MAY Page 14

4

Page 22

5

PETAIN ROAD

HETEROTOPIA

02

03

04

05

06

Year 1 Model (Individual Work)

2019, NOV Page 34

COSY Year 2 Project Management (Group Work)

2020, AUG Page 38

PROFESSIONAL

6

01

SEMI-DETACHED RESIDENTIAL Internship Work

2021, MAY Page 42

PERSONAL

7

COLLECTION OF ARTWORKS

Page 46

07

THE XPERLOOP

YEAR YEA R 2 SEME SEMESTER STER 3 STUD STUDIO IO 01

When exper experience ience and Hyperloop Hyperloop Transportation Technologies come together.

An interactive pop-up space for Hyperloop Transportation Technologies to spread their reach during the COVID-19 pandemic.

5

1. THE V VERB ERBS: S: READING | BOUNCING THE GOAL Our group of 3 were first tasked to select 2 verbs, then demonstrate visual actions we would use to represent them.

THE CHALLENGE

We were encouraged to think out of the box and imagine ways of representing reading and bouncing in different creative ways that did not explicitly show the action.

01

02

A PAIR OF EYES READING Pupils bouncing | Eyes reading

01

TIME PASSING Second hand bouncing | Eyes reading

03

PLAYING A SONG ON A GUITAR

04

WRITING A GROCERY LIST

05

A WEIGHING SCALE

04

Strings bouncing | Eyes reading

Pencil bouncing | Eyes reading

02

Scale hand bouncing | Eyes reading

A succesion of 3 videos were made, from 2 minutes long to 1 minute, and lastly a mere 30 seconds.

03

05

2. SEEIN SEEING THE THE UN UNSE SEEN EN

1. THE V VERB ERBS: S: READING |

1

COLLAGE

2

COLLAGE | TRACING

7

3

PLAN | FIRST DRAFT In my first tracing draft, I felt that I hadn’t really let my mind wander enough and mostly focused on how the collages were literally appearing.

I did add in some unseen elements, however they seemed to be quite random with no correlation to the overlapping frames.

A visually-pleasing aesthetic work yes, however this challenged myself to dive deeper into my imagination for the final version.

4

PLAN | FINAL After adjusting the frame arrangement slightly, I began to dwelve more into my imagination as I created the final draft plan.

I tried to encompass the movement of the clockhands and the passing of time in my tracings. I also paid more attention to the difference in shadow and light at certain areas of overlapping.

I feel that the end outcome still slightly resembles an aesthetic piece, however I am much more satisfied with theessence of this drawing and now am able to see a bit more than what is the “seen”.

5 6

SECTIONAL | FIRST DRAFT

SECTIONAL | FINAL After completing the plan drawing, it is of course natural to now construct the sectional!

I did try quite hard to visualise the sectional of my plan drawing at first, but it turned out quite different. Similar in some sense but a bit too different.

For the final version, I attached the plan drawing to the top of the paper so that I could easily connect and immerse myself in creating the side view of this growing dimension.

I’ve learnt more about how to create dynamic and organic forms, rather than “flat” ones. Sectional elements should also be connected to the plan in a more 3-dimensional manner.

9

3. TH THE WOR WORLD LD

FRONT

ELEVATION

T

hus began our journey on creating a world that we had created based off the plan and sectional drawings previously.

My world included almost an infinite amount of lines and tubes, as well as giant curving and arching forms breaking the surface and diving under.

Due to the sheer amount of tubes, many of them would cross or connect with other forms, creating pathways and mini spaces.

TOP

My first model was still too focused on the bigger details and unsatisfactory due to the limiting variety of materials so I planned to further zoom in on an even smaller joint.

The default interlocking position Interlocking via diamond recess

INTERLOCKING

Similarly to shortening the video length and the hand drawing exercise we did at the beginning, I would now be zooming in on the minuscule details and expand on them.

MODULE B

Moving on, we were now tasked to further our creative process by creating a model of a small detail from The World.

MODULE A

5. THE THE MO MOD DUL ULES ES

THE JOINTS

4. DET DETAIL MO MODEL

The position on the left with long frame downwards Square frame slot and side diamond

Certain key areas that brought the whole model together, these joints acted as the pivots and slots of Module A and B. For example, the long frame in the top left image is able to comfortably swing past the bottom ‘V’ of Module A and slot into the recess.

Default with long frame outside

11

W

4. HY HYPE PERL RLOOP OOP TRANSP TRANSPOR ORT TATI ATIO ON TEC ECH HNOL OLOG OGIES IES

5. CR CREATI ATION ON PRO PROCE CESSS IDEATION & DRAFTING

SITE ANALYSIS

FIRST DRAFT

0.1 ABOUT Hyperloop Transportation Technologies firmly believes that transportation should be reinvented. A futuristic pipedream that has been made into reality, Hyperloop TT is leading the world’s most exciting adventure track by track.

GLASS OPENINGS SECOND DRAFT

0.2 THE TEAM Hyperloop TT has established a network of more than 800 highly skilled individuals across five continents with partnerships in universities and corporations. This passion-driven, unstoppable team works across countries, time-zones and disciplines to build towards this future.

0.3 THE HYPERLOOP

SLEEK AND FAST

FORM MAKING

In a size similar to a small commercial aircraft without wings, hyperloop’s pressurized capsules float on a frictionless magnetic cushion within the tubes.

With a sleek and metallic appearance, The Hyperloop unit is sure to catch the eye of any passerby and entice them to take at least a step inside this curious-looking space.

The capsules are engineered and designed for ultra-high speeds using cutting-edge composite materials and safety features. HyperloopTT developed a Vibranium™, smart material with sensors embedded between carbon-fiber, fuselage skin to monitor and transmit critical information regarding temperature, stability and integrity, all wirelessly and instantly.

The exterior dons Hyperloop TT’s signature cololur scheme, silver, red and gray and there are walls of clear glass that passerbys can see in and visitors can see their surroundings or the MRT station above.

PREVIOUS SKETCHES

TOP VIEW

7. THE THE EXP EXPERI ERIE ENCE CONCEPT Built to resemble a Hyperloop capsule itself, my space aims to educate and raise awareness about Hyperloop TT and their efforts.

INTERIOR The interior includes comfortable seating similar to the real deal, where people can sit down and look around the place at a safe social distance from each other.

TOTAL EXPERIENCE As the MRT above the site arrives and departs, my proposed structure will come to life with lights on the floor and walls, while a departing announcement is activated.

When the mrt leaves the station, “passengers” of the space can look up through the skylights and experience the structure beginning to travel as a low hum of energy is heard from the “inductrack” and the air conditioning is slightly increased.

All in all this creates a complete sensory experience for visitors in a busy location with high circulation.

AT THE SITE

For further elaboration:

VIEW OF THE MRT

13

PETAIN ROAD

YEAR YEA R 3 SEME SEMESTER STER 1 STUD STUDIO IO 02

My task: To create a space in Petain Road where Peppers Accor belongs, blending the culture of the shophouse with resort getaway dreams and productivity.

15

PEP EPP PERS AC ACC COR

PET ETAI AIN N ROAD ROAD

The Peppers brand is distinguished by its refined indulgence, attention to detail, and excellent personal service.

From country estates to relaxing beachside resorts, from worldclass golf resorts to romantic vineyard retreats, Peppers combines personal and friendly services with exceptional food and wine.

Elegantly-furnished bars, open spaces to recline and bask in the sprawling views of urban and coastal life.

The shophouses at Petain Road (Jalan Besar) are nearly 100 years old and built in 1926-1931.

Before becoming private condominiums, the area was used as a vegetable farm in the early 20th century, and then brothels by the 1930s.

Man viewing the selection of women

Reconstruction, 1956

Soul Surfers Paradise

PET ETAI AIN N ROAD ROAD Rubbing of flower tile patterns

Rainwater and debri pile up at entrances

Back alley

P

Rain splatters in

Shaded view of clouds

etain Road was a short walk from City Square Mall at Farrer Park MRT (Mass Rapid Transit) station, and Kerrisdale condominium. There was also a big field across where people frequently brought their dogs to, as there was a bag of free tennis balls to borrow. However, to get to Petain Road, you would have to cross an unsheltered road.

The sun path allowed for a beautiful sunset behind the cityscape from the front view of the shophouses.

The fields and paths in front of the shophouses were also generally unobstructing, allowing for a clear view of Petain Road from afar.

17

LAYO LA YOU UT DR DRA AFTS FIRST DRAFT

SECOND DRAFT: 1ST STOREY

THIRD DRAFT: 1ST STOREY

SECOND DRAFT: 2ND STOREY

THIRD DRAFT: 2ND & 3RD STOREY

Our task was to create a space that would have a workspitality function, that invigorates Peppers Accor.

Other than the general hotel amenities, my idea was to have a restaurant, small bar, relax area, spa, and workspaces. Guests could opt for a balcony room, classic suite, or sky suite which has a roof view of the cityscape right from a bathroom on the level above.

ENTRANCE MODEL OF WATER FEATURE IDEA

FINA NAL L FL FLO OOR PL PLAN AN WORKSPITALITY & MINI PANTRY

2ND STOREY

1ST STOREY WALKWAY VOID TO LOBBY

LOUNGE LOUNGE RECEPTION WORKSPITALITY

BALCONY UNIT 1 SKY SUITES

BALCONY UNIT 2

CLASSIC SUITE

RESTAURANT BAR

SPA

TOILET

ZEN

KITCHEN

A

s guests enter Petain Road, they are greeting by a beautifully designed reception where staff are waiting to aid them with anything they need, and plush sofas surrounded by water to lounge in, should there be a need to relax for a moment.

Walking further in, there is a restaurant to eat and chat in, as well as a bar with a great view of the Zen Garden. Guests can also easily access the washrooms and workspitality area, and go for a well-earned massage at the spa.

Staff can pick up deliveries from the backdoors of the kitchens and spa rooms, and the washrooms can be accessed for maintenance from the back of the shophouse. These doors can be locked to prevent misuse.

3RD STOREY

SKY BATHROOMS

On level 2, the hallway features a stunning view to the lobby below, where guests can look over the water features and palm fronds.

Balcony units give access to scenic view through the shophouse windows, while classic and sky suites allow guests to look up at the sky and cityscape of Singapore right from their bathtub.

19

FINA FI NALL RE REND NDE ERIN ING GS

BALCONY UNIT

BED

MATERIAL BOARD

ENTRANCE BATHROOM

• • • • •

Tropical plants Assortment of wood stains, veneer & type Marble & granite variations Textile flooring Natural & transparent elements

The balcony room is a 2-person unit features a king-sized bed, a widescreen television, a fully-furnished bathtub and shower, and not to be forgotten, personal balcony with a jacuzzi.

PATIO SEATING

JACUZZI WITH A VIEW

The Zen Garden is situated just right around the corner from the bar.

The transparent, yet solid glass partition is to show how relaxation and indulgence are one of the same.

The Garden aims to allow you to increase your focus on senses around you and connect with a higher level of peace.

21

BLUI

YEAR YEA R 2 SEME SEMESTER STER 2 STUD STUDIO IO 03

The analysis of an urban city and its roots, and how the senses of the human body play an important role in the connections we make.

23

THE LINE THROUGH THE CITY

Using my phone's compass to not veer off-course

MY SLICE

Sketch of my slice through Perennial mall

Our first task was to walk down our given line through town, as accurately as we could, and observe.

Confused but intrigued, each of us went down our individual paths.

Change of building style

Actually accidentally hit my head on the ledge here, and went to the hospital...

Dripping of rainwater

Endless sculpture

Flowers with flowers?

25

THE 1100 S SEN ENS SES An in-depth analysis of 10 common senses we humans feel but are not usually aware of while on our daily commute.

This exercise allowed me to pinpoint target areas in the site full of memories and interactions.

BRIGHTNESS MEMORIES OPEN AREA SOUND TEMPERATURE

COLOUR TEXTURE SYMMETRY EMOTION SMELL

MODEL CREATED FROM THE EXPERIENCE

27

HOW HO W MY MY SLI SLICE CE M MIIGH GHT. T...

VISUALISE THE CONNECTION BETWEEN PEOPLE AND THE ENVIRONMENT FOR STUDENTS OF LIFE, IN ORDER TO BE MORE IN TOUCH WITH AND AWARE OF EMOTIONS AND THE PATTERN OF HUMANITY.

1ST MODEL

PLASTIC FILM GLASSES

I used some mostly opaque plastic as lenses for a pair of glasses.

The lenses would block out everything except for blurry vision of light sources.

This would allow me to completely focus on the elements around me and use a heightened sense of hearing, smell and touch.

Blurs of vibrancy can still be seen.

The signature reddish-purple of the SBS bus service is seen here.

OVERLAYING OF REAL & ALTERED Looking directly at the sun

Warmer tones of lighting could be seen at brighter outdoor areas such as outside the National Museum

Cooler and paler tones were observed at more indoor areas (SMU Connexion)

Looking upwards

Looking downwards

DISTORTION 1 (PATTERNS)

2ND MODEL

WATER GLASSES

Rather than using a semi-translucent plastic sheet, now I will be looking directly through water that will distort my vision as I move.

The water in the glasses makes interesting patterns with the shadows on the floor and sunlight.

Patterns and elements are dragged and merged.

DISTORTION

2 (FOGGINESS)

“How my slice might visualise the connection between people and the environment for students of life, in order to be more in touch with and aware of emotions and the pattern of humanity” is applied here as my vision is altered, allowing me to be more in touch with my other senses and see different views of my surroundings.

The water reflects and distorts light, magnifying and minimising elements.

OBSERVATIONS

MOTION

This perhaps can represent how without intervention, human emotions and thoughts can be very obscured.

We might only need somebody to help us take off the “glasses” to see clearer.

I observed that bright areas exposed to sunlight are pleasant to see and create mesmerizing reflections and patterns on the glasses.

However, dark areas seem terribly moody and not as pleasant to view.

As we view these frames one by one, we can see the dragging, blurring, reflecting and obscuring in these visuals very clearly.

29

SIT ITE E ANA NALY LYSI SISS TARGETED SITE: SMU CONNEXION (FINAL)

CONCE CO NCEP PT IIDE DEATI ATIO ON Concentration of sunlight on beams

Possible weaving movements of building • • • •

High human circulation and traffic.

Accessible via public and personal transport.

Open space and natural lighting.

Nearby amenities (Restroom, eateries)

TARGETED SITE: SINGAPORE NATIONAL MUSEUM (DRAFT)

Usage of the motion captures as inspiration for the exterior of the space.

PATTERN INTEGRATION

I was drawn to the patterns of bubbles on liquid surfaces as I was more observant of them while using my goggles to walk through my slice.

They were very intriguing as the individual bubbles, pockets of air, would push and cram against each other, unbeknowingly creating a curving pathway within the whole group of bubbles.

The pathway would thicken and thin, depending on how scarce space was.

DRAFT SKETCHING

The curving shape of Blui contrasted the straight and disciplined beams.

BUBBLES ON THE SURFACE OF LIQUID

31

PRO PR OPO POSA SAL L

MATERIAL BOARD

GROUND LEVEL

BASEMENT LEVEL

BASEMENT CEILING VIEW

Be it on their daily commute or afternoon jog, as people walk through SMU Connexion, a curving and organic shape starts to form, curling over passerby that are attracted to the curious patterns on the floor and new space to explore.

Upon moving closer, they realise that they can see through the floor and into the level below. The floor is not entirely transparent, thus, they have to move around and perhaps position themselves to see without any obstruction.

Down on the basement level, people can rest on benches and enjoy the artwork thats painted on the ground by the sun's rays through the glass patterned floor above.

FLOOR PLANS

SECTIONS

WATER GLASSES

33

HETEROTOPIA

YEAR YEA R 1 SEME SEMESTER STER 2 MOD MODEL-M EL-MAKI AKIN NG 04

To materialise a concept to describe certain cultural, institutional and discursive spaces that are somehow 'other': disturbing, intense, incompatible, contradictory or transforming.

35

IDE DEAT ATIO ION N HOWL'S MOVING CASTLE

DRAFT SKETCH

UTOPIA HETEROTOPIA

W

hen hearing the defintion of heterotopia the first time, I was reminded of a Studio Ghibli movie I watched a long time ago, Howl's Moving Castle.

In the movie, Howl, an incredibly talented wizard who was rumored to eat the hearts of beautiful women, travels through the country in a mechanical castle, stitched together haphazardly by his magic.

FIRST DRAFT OF MODEL

The impossible castle represents HETEROTOPIA because it is able to reinvent itself and change its rooms on Howl's will, as well as travel without any issue despite solely using a fireplace as an energy source, and defying physics and engineering. The castle renovation scene can be found at the bottom of this page through a QR code.

Later on in the movie, Howl shows Sophie (Protagonist) his secret garden, his UTOPIA, where there is no disturbance or violence, only beautiful flower fields where Sophie can relax in.

DYSTOPIA

Lastly, throughout the whole movie, a raging war is going on, which Howl must help fight in, lest his powers be taken away. There are fighter planes that bomb the town, causing many buildings and lives to be lost, leaving everything engulfed in a crimson red haze. This would be the DYSTOPIA of the movie.

I'd highly encourage anybody to watch this beautifully-made movie.

Cinematic pictures belong to Howl's Moving Castle, Toho Co., Ltd., 2004

Howl's Moving Castle renovation scene:

The drafts I made focus on elements that I thought would be included in my heterotopia, such as stars, celestial elements, cascading light, and otherworldly angelic creatures.

HET HE TER EROT OTOP OPIA IA

01

LIGHTING

02

WAVE

03

CENTERPIECE

04

ROOFING & BASE

05

RIBBED PILLARS

Stars & atmospheric light | Fairy lights

Organic elements | Fishing line

Celestial mass | Resin-casted ball & Holographic sheets

Earth | Clay

Cascading light & texture | Fishing line & clear tubing

FINAL DRAFT

37

COSY

YEAR YEA R 2 SEME SEMESTER STER 1 P PRO ROJE JEC CT MANAGE NAGEME MEN NT 05

A team project with fellow coursemates to create an interior layout and brand for a fictatious spa company with the identity of a make-believe interior design firm. (COSY)

39

COSY SP SPAT ATIIAL DE DESIG IGN N FIRM FIRM PRODUCED BY AN AUTODESK STUDENT VERSION

18045

PRODUCED BY AN AUTODESK STUDENT VERSION

9810

BLOOM was the brand we created for our client, a fictatious spa company.

BLOOM focused on being organic, providing a relaxing experience and a quick getaway from stress.

Simple and aesthetic earthy tones with the use of biodegradable materials for packaging to promote Bloom's organic products.

10820

3454

NOTES

3638

BLOOM's physical space consisted of: • 5 treatment rooms • Reception • Lounge • Outdoor patio • Retail display • Small office

1490

Accountants Office

1.

FIGURED DIMENSIONS SHALL BE TAKEN IN PREFERRED TO SCALED DIMENSION. ANY DISCREPANCY MUST BE REPORTED IMMEDIATELY TO DESIGNER BEFORE PROCEEDING RELEVANT.

2.

FOR DETAIL DRAWINGS OR INDIVIDUAL DISPLAY WALL TO REFER TO OTHER DRAWINGS.

3.

FOR FINISHES TO REFER TO OTHER DRAWINGS.

4.

FOR SERVICES TO REFER TO OTHER DRAWINGS.

5.

FOR DETAILS OF GRAPHICS TO REFER TO OTHER DRAWINGS.

REV

9350

2500

Display Area

DATE

DESCRIPTION

A

B

C

Lounge WIP

D

PROJECT TITLE:

16780

2500

PROJECT MANAGEMENT

1608

Storage Room

CLIENT:

NA

3903 DRAWING TITLE

FLOORPLAN 1

1173

DRAWING NO:

3609 5530

18620

DNR.2B-001

SCALE:

AS SHOWN

DRAWN BY:

COSY

CHECKED BY:

HU WEIREN NICHOLAS

DATE :

03-09-20 APPROVAL

PRODUCED BY AN AUTODESK STUDENT VERSION

osy is a dedicated team of individuals who strive to give clients meaningful and new experiences through design.

We aim to create the the best solutions shaped just for you to optimize your space and guide your every step of the way to breathe life into your space.

THIS DRAWING IS THE PROPERTY OF NYP AND WE RESERVE THE COPYRIGHT TO ALL OUR DESIGNS WHICH CANNOT BE REPRODUCES (WHETHER PART/WHOLE OR MODIFIED) WITHOUT FIRST OBTAINING OUR WRITTEN CONSENT. CONSTRAVENTION WILL BE PROSECUTED. THIS DRAWING IS SUBJECTED TO MODIFICATION OF ITS DESIGN AND MEASUREMENT FROM TIME TO TIME TO SUIT CONSTRUCTION PURPOSES.

SIGNATURE

PROJECT DIRECTOR: CLIENT:

1193 15465

CEILING PLAN

FLOOR FINISH PLAN -

-

-

-

PRODUCED BY AN AUTODESK STUDENT VERSION www.autodesk.com/revit www.autodesk.com/revit

Consultant Address Address Phone Fax e-mail

Consultant Address Address Phone Fax e-mail

Consultant Address Address Phone Fax e-mail

-

-

-

-

Consultant Address Address Phone Fax e-mail

Consultant Address Address Phone Fax e-mail

Consultant Address Address Phone Fax e-mail

Consultant Address Address Phone Fax e-mail

-

-

No.

Description

Date No.

Project Management ICA2

-

Reflected Ceiling Plan

3/9/20

Project number

Drawn by

Author

Date

Checker

1 : 50

A002 1

Floor FInish 1 : 50

-

Date

Checked by

1

Floor Finish

-

001

Project number

Scale

1 : 50

Date

Project Management ICA2

Reflected Ceiling Plan -

Description

001 3/9/20 Author

Drawn by

Checker

Checked by

A001 Scale

1 : 50

1/9/2020 11:22:22 PM

-

-

Consultant Address Address Phone Fax e-mail

1/9/2020 11:22:32 PM

C

LAYOUT PLAN

BLO BL OOM RE RENDER NDERIN INGS GS ENTRANCE

RECEPTION

LOUNGE & FUNCTION AREA

OUTDOOR PATIO

TREATMENT ROOMS

SMALL OFFICE The budget was well kept under $150, 000 and furniture was both locally and internationally sourced to bring the best for Bloom.

General furniture: $9,695 Office & reception furniture: $13,624 Lighting: $7,587 Treatment room amenities: $16,718 Retail display: $2,245 Covid-19 precautionary measures: $728 Total: $50,600

A warm tone was heavily emphasied throughout the space, and various materials were used for the walls and flooring, such as wood planks and stone.

Customers are able to glance over the retail display as they walk into the spa, and rest at the lounge.

The treatment rooms are enclosed in glass but have curtains that staff can pull closed if privacy is needed.

All in all, the space is extremely open and homey.

Renderings done through Revit

41

SEMI-DETACHED RESIDENTIAL

YEAR YEA R 3 INTER INTERNS NSH HIP WIT WITH H BAU BAUM M PR PROJEC OJECT T 07

A professional project for a semi-detached residential headed under Baum Project Pte. Ltd.

43

PLAN & EL ELEVA EVATIO TION N DRA DRAW WING 1ST-STOREY

A semi-detached house is one half of a pair of two houses, each with its own land title, separated by a common party wall along one side of the premises.

The pair of semi-detached houses is attached either side-to-side or back-to-back as illustrated above.

Our project required us to design 3 storeys of a semi-detached, including an attic, for a family with 3 young daughters.

ELEVATIONS

2ND-STOREY

3RD-STOREY

LIVING ROOM ELEVATION

COLO OLOU URR-M MAPPIN PING G

45

COLLECTION OF ARTWORKS

PERS PE RSON ONA AL WO WORK RK 08

My personal photography and paintings.

47

W

PAIN AINT TIN ING G&P PH HOTO TOGRA GRAP PHY Spider-Man: Into the Spider-Verse scene

My love for fashion and just clothes in general bloomed in the beginning of 2020. Although my style has fluctuated and changed over the course of 2 years, I still very much enjoy putting different styles together before I go out to meet friends and family.

I believe the future of fashion is unlimited as there are so many ways to accentuate the human body with all its edges and curves. Anybody can flaunt whatever they wear so long as they know they look good.

The Great Wave Off Kanagawa (Hokusai)

Personally, I would love to be more daring with my clothing and push my boundaries, however, fast fashion items are not exactly the most environmentally-friendly, and Singaporeans tend to stare for a bit too long sometimes...

I hope to wear out bolder outfits with confidence and flair in the near future.

I have always enjoyed different techniques of art, and painted in watercolour frequently in 2018. My object of painting would be inspired from recent activities and sights, such as the movie Spider-Man: Into the Spider-Verse, Teacher's Day cards, food cravings, etc.

My favourite painting of mine is the one reflecting the beautiful Edo artwork of Hokusai, The Great Wave Off Kanagawa.

W

Cloud movements

By taking consistent pictures of a window view, we are able to observe the scenes that the sun and clouds paint for us throughout the day.

My dearest, Percy

Korea trip, June 2019

49