MAY 21 – JUNE 13, 2026
PREVIEW: MAY 20 | MAIN STAGE | PG-13
FROM THE ARTISTIC DIRECTOR
Welcome back for The Grand’s 2025 - 2026 theatrical season! We’re so excited that you could join us once again as we continue to bring you professional-quality theatre, at community theater prices. This year’s season features some great comedy and great drama. The production you’re about to see, The Producers, is one of my favorite shows. We’re thrilled to welcome back Jamie Rocha Allan, who has directed several shows here at The Grand. He has put together a fantastic cast, and our entire production team has done a wonderful job. I sincerely hope you enjoy the show!
This year we are also proud to continue our partnership with Excellence in the Community to bring you free community concerts once a month featuring some of Utah’s most talented musicians. We hope you will join us for these free concerts and see just how much amazing talent we have in our great state. Please remember to show your continued support for The Grand by helping us spread the word about our productions and all the incredible local talent they showcase. We would not be able to continue without the ongoing support of patrons like you. Helping spread the word about our shows and events really does make a difference! Thank you, and ENJOY THE SHOW!
Seth Miller Artistic and Executive Director
The Grand Theatre
“Aproducer could make more money with a flop than a hit.” These words first started rattling around in Mel Brooks’ mind long before The Producers ever made it to Broadway. In 1947, while working for a down-at-the-heels Broadway producer, he saw firsthand the practice of always raising just a little more money than the budget required, meaning that even a producer with a string of flops could stay in business. But how can you guarantee a flop, get rich, and take your winnings all the way to Rio?
“Springtime for Hitler: A Gay Romp with Adolf and Eva at Berchtesgaden” was Brooks’ answer. Conceived at first as a joke, the play within the play was not only perfect for Bialystock and Bloom’s ultimate flop, but Brooks’ own way of combatting the anti-semetic Nazi rhetoric he’d been subjected to all his life. “If I get on the soapbox and wax eloquently, it’ll be blown away in the wind, but if I do ‘Springtime for Hitler’ it’ll never be forgotten.”
While initially a tough sell, The Producers would go on to be a sleeper hit, netting Brooks an Academy Award for Best Screenplay and cementing him as one of the legends of American comedy for the next 50 years. When adapting the film for Broadway with Thomas Meehan, he further refined the show with a talented cadre of collaborators to add more musical numbers, more jokes, and an even more outlandish “Springtime”. The musical would win 12 Tonys (the most ever) and spawn yet another movie, becoming in Mel’s words “the gift that just keeps on giving.”
LIAM ISAAK
Assistant Stage Director
THE PRODUCERS
Presents
A Mel Brooks Musical
Book by MEL BROOKS THOMAS MEEHAN
Music and Lyrics by MEL BROOKS
Original direction and choreography by SUSAN STROMAN
By Special arrangement with Studio Canal
Stage Director JAMIE ROCHA ALLAN
Musical Director JONATHAN MCDONALD
Choreographer JESSICA PACE LYELLS
Stage Manager CAROLINE CAIN
Scenic Design CARA ANN POMEROY
Properties Design MÁIRE NELLIGAN
Lighting Design JOSH MARTIN
Sound Design JOE KILLIAN
Costume Design SHANNON MCCULLOCK
Hair and Make-Up Design ERIN MCCULLOCK
Set Dressing ARIKA SCHOCKMEL
Technical Director ADAM DAY
Assistant Stage Director LIAM ISAAK
1st Assistant Stage Manager IO CARLING
2nd Assistant Stage Manager TARA GONTKOVIC
THE PRODUCERS is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com
Any video and/or recording of this production is strictly prohibited.
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CAST OF CHARACTERS
Max Bialystock
Leo Bloom
BJ WHIMPEY
LUKE GONZALEZ
Ulla MCKENNA WALWYN
Franz Liebkind
Roger De Bris
SKYLAR HAWKER
DOUG WILLIAMS
Carmen Ghia ANDREW REESER
Ensemble CAROLINE ANDERSON
TREVOR BLAIR
GRACE CHAVEZ
ELLE DENLEA
KATIE DRAKE
HENRY FISCHMAN
CATHERINE FROLICH
AIDAN HUGHES
ASH MCKNIGHT
BRANDWYNN MICHELLE
JACK NEVES
MELIA PORTER
JUSTIN RAVAGO
HANNAH RICH
OLIVIA LARUE STARKS
CHRISTOPHER STECK
JUDD THORLEY
MUSICAL NUMBERS
ACT I
Overture
Opening Night
The King of Broadway
We Can Do It
I Wanna Be a Producer
In Old Bavaria
Der Guten Tag Hop-Clop
Keep It Gay
When You Got It, Flaunt It
Along Came Bialy
Act I Finale
ACT II
Entr’acte
That Face
Haben Sie Gehört Das Deutsche Band?
Opening Night (Reprise)
You Never Say “Good Luck” on Opening Night
Springtime for Hitler
Where Did We Go Right?
Betrayed
‘Til Him
Prisoners of Love
Prisoners of Love (Reprise)
Leo and Max
Goodbye!
ABOUT THE CAST
CAROLINE ANDERSON (Ensemble/Dance Captain) is jubilant to be back at The Grand with the talented cast and crew of The Producers. Her recent credits include Judy in 9 to 5 (Midvale Arts), Lorraine in Jersey Boys (The Ruth and Nathan Hale Theater), Arabella in Sleepy Hollow (West Valley Arts), Ensemble in The Drowsy Chaperone (The Grand), Fiona in Shrek (Bluffdale Arts), and Tess in Crazy for You (Sandy Arts Guild).
TREVOR BLAIR (Ensemble) is glad to be back at The Grand! Previous credits here include The Full Monty (Dave Bukatinsky), Jesus Christ Superstar (Annas), Arsenic and Old Lace (Officer Brophy), Sweeney Todd (Beadle Bamford), Dead Certain, and Curtains. Other recent credits include singing with Utah Opera Chorus in their production of Fidelio (Capitol Theater), and Distant Worlds: Music From Final Fantasy (Abravanel Hall). He holds a BFA in Musical Theater from the University of Utah.
GRACE CHAVEZ (Ensemble) is from Sandy, Utah and is currently a Junior in the Musical Theatre Program at the University of Utah! Grace has recently been seen as Pilar in Legally Blonde and Vocalist in Xanadu (UofU); Ensemble in Fate? A New Musical ( The Grand); Mal in Descendants the Musical (Sandy Arts Guild); and Winnifred in Once Upon a Mattress (Jordan High School). Instagram @grace. chavez.4
ELLE DENLEA (Ensemble) is humbled to be making her Grand debut! Originally from Southern California, Elle is a rising senior in the University of Utah’s Musical Theatre program, where she has appeared in their main stage productions of Everybody, Xanadu, and
Urinetown. Recent credits include Jovie in Elf the Musical (Ziegfeld Theatre); Josephine Strong, and u/s Pennywise in Urinetown (Babcock Theatre); Maria in The Sound of Music, Marian Paroo in The Music Man, and Ariel in The Little Mermaid (ESCAPE Theatre).
KATIE DRAKE (Ensemble) is ecstatic to be back at The Grand after appearing in Jesus Christ Superstar last year. Other past credits include A Midsummer Night’s Dream (Titania/Hippolyta), Catch Me If You Can (Carol Strong), and A Christmas Carol (Mrs. Cratchit) at CenterPoint Legacy Theater. In real life, she works in public relations, plans travel adventures for her family, and enjoys reading in the bathtub.
HENRY FISCHMAN (Ensemble) is a freshman at the University of Utah currently studying musical theater. He is extremely excited to be working on his first musical with The Grand. Some of his past credits include Chicago, Matilda, and a few original works at the U through Open Door Productions. Enjoy the show!
CATHERINE FROLICH (Ensemble) is currently a freshman at the University of Utah getting her B.F.A. in Musical Theater. Some previous credits include Little Women (Beth) and Addams Family (Alice). She is so excited to be a part of her first show at The Grand.
LUKE GONZALEZ (Leo Bloom) is making his Grand debut! Luke has been doing musical theatre for the past 10 years and has loved every minute. Recent roles include: Charlie Brown (You’re a Good Man Charlie Brown), Kevin J/Ali (Come From Away), Major Holmes (Secret Garden), and more.
ABOUT THE CAST
SKYLAR HAWKER (Franz Liebkind) has been performing on stage for over 30 years, and is very excited to be performing again here at the Grand Theatre! Past credits include The Full Monty (Harold), Mamma Mia! (Bill Austin), Sweeney Todd (Beadle Bamford), She Loves Me (Ladislav Sipos), and Jekyll & Hyde (Spider).
AIDAN HUGHES (Ensemble) is enthralled to be returning to The Grand for The Producers. Credits include American Idiot (The Grand), Something Rotten (Murray Cultural Arts), The Cherry Orchard (UofU), and The Heart of Robin Hood (UofU).
ASH MCKNIGHT (Ensemble) is ecstatic to be making their Grand Theatre debut! Most recently they were on stage in The Prom at the Ziegfeld Theater, although you may have seen them in The Producers at the Ziegfeld recently as well! They love performing, choreographing, and costume designing at theaters across northern Utah.
BRANDWYNN MICHELLE (Ensemble) is back for a 3-peat at The Grand! Brandwynn Michelle brings over 30 years of experience, a deep love of live theater, and an alarming ability to remember lines (most of the time). Having survived everything from Shakespeare to suspicious community theater lighting, they’re thrilled to return to a place that feels like home. When not onstage, they can be found insisting this might be their “last show”—a claim consistently disproven by standing ovations, and the lure of one more curtain call.
JACK NEVES (Ensemble) has been acting since he was three years old. His passion for theatre stretches from acting to directing and even to lighting and sound design. Some of his favorite projects have been directing The Guy Who Didn’t Like Musicals, playing Gomez in Addams Family, and his various roles in the Lightning Thief.
MELIA PORTER (Ensemble) has been performing for most of her life. She is currently getting her BFA in Musical Theater at the University Of Utah. When she’s not performing, she’s getting matcha with friends or writing songs. This is her first show at The Grand, and she is so excited for you all to see it. Enjoy the show!
JUSTIN RAVAGO (Ensemble) expresses gratitude for getting to perform at The Grand. Some favorite roles include Sparky in Forever Plaid (The Ruth and Nathan Hale), Mrs. Taylor in Bat Boy (Salt Lake Acting Company), Chip Tolentino in The 25th Annual Putnam County Spelling Bee (Good Company Theatre), and Cosmo in Singin’ in the Rain (Image Factory).
ANDREW REESER (Carmen Ghia) is delighted to be back at The Grand after playing Will in American Idiot earlier this year. Previous credits include Shrek the Musical (Lord Farquaad), Dracula, Ragtime, The Magician’s Elephant, How to Succeed…, Something Rotten, Titanic, School of Rock, Sweeney Todd, Into the Woods, and Grease
HANNAH RICH (Ensemble) is ecstatic to be returning to The Grand for the third time! Her recent credits include: Urinetown (Babcock Theatre), Dear Evan Hansen (Pioneer Theatre Company), and A Christmas Story (CPT).
ABOUT THE CAST / CREATIVE TEAM
OLIVIA LARUE STARKS
(Ensemble) is originally from the Los Angeles area and a recent graduate from Salt Lake School for the Performing Arts, where she was part of the Dance Conservatory, and the Music Conservatory’s Vocal Ensemble. She has been trained in Ballet (ABT), Jazz, Tap, Contemporary, Lyrical, Modern, Hip Hop, K-Pop, and Musical Theatre dance styles. Olivia has been dancing and performing on stage since the age of 4 and has been part of over 30 stage productions. She has been recognized for her outstanding performances by the Utah High School Musical Awards in both 2024, and 2025.
CHRISTOPHER STECK
(Ensemble) is happy to be a part of The Grand’s production of The Producers. His recent credits include American Idiot (The Grand), Lightning Thief (Cottonwood Heights Arts), Jesus Christ Superstar (The Grand), and Jekyll and Hyde (West Valley Arts).
JUDD THORLEY (Ensemble) is elated to be returning for his second production at The Grand. He was previously seen here in the Ensemble of American Idiot. Judd is currently a student at the University of Utah in the Actor Training Program. Other credits include R.U.R. (Domin), Onyx Rest (Sudds), and as a dancer in Nightmare Cabaret at Lagoon Amusement Park.
MCKENNA WALWYN (Ulla) is a Salt Lake City based actor. She is a Pacific Conservatory of the Performing Arts alum and received her BFA in Acting from Utah State University. Some recent credits include: Lady Macbeth (Parker Theatre), Calpurnia/Octavius in Julius Caesar (Whispering Room Theatre), and Whatsername in American Idiot (The Grand). Enjoy the show! @mckennawalwyn
BJ WHIMPEY (Max Bialystock) is an actor/vo artist based in Utah, represented by McCarty Talent Agency. You may remember BJ from First Date or Forever Plaid here on The Grand’s stage. Some of BJ’s favorite credits include: HCTBeauty and the Beast, Treasure Island, Murder on the Orient Express, Strictly Ballroom The Musical, Phantom; WVPA - Clue:On Stage; Weber State - Will Rogers Follies, Sleepy Hollow The Musical, The Lion in Winter, Assassins; Ogden Musical Theatre - Shrek: The Musical. BJ holds a Bachelor’s Degree in Musical Theatre from Weber and works as a freelance Actor, Voiceover Artist, Audiobook Narrator, and substitute teacher for the Ogden School District.
DOUG WILLIAMS (Roger De Bris) is absolutely thrilled to be returning to The Grand stage after appearing as Thomas Jefferson in 1776. Other favorite Grand performances are Cinderella’s Prince in Into the Woods, George Deever in All My Sons, Kurland in Song of Singapore, and Johnny Cantone in 1940’s Radio Hour. Doug holds a BFA in Music Dance Theatre from BYU, and lives in Holladay, UT.
ABOUT THE CREATIVE TEAM
MEL BROOKS (Book, Composer & Lyricist) Director, producer, writer and actor, Mel Brooks is the recipient of three 2001 Tony Awards (Best Score, Best Book of a Musical, Best Musical) and two Grammy Awards (Best Musical Show Album and Best Long Form Music Video) for The Producers. Mr. Brooks began his distinguished career during television’s “Golden Age” as a writer for Sid Caesar on Your Show of Shows in 1951. In 1968, he wrote and directed his first feature film, The Producers, starring Zero Mostel and Gene Wilder, which earned him an Academy Award for the best original screenplay written directly for the screen.
ABOUT THE CREATIVE TEAM
His visionary film company, Brooksfilms Limited, founded in 1980, has produced some of America’s most distinguished films, among them: David Lynch’s The Elephant Man, David Cronenberg’s The Fly, Frances, Richard Benjamin’s My Favorite Year and 84 Charing Cross Road, starring Anthony Hopkins and Mr. Brooks’ wife Anne Bancroft.
CAROLINE CAIN (Stage Manager) is a graduate of the U of U with her BFA in Stage Management. Caroline has worked for the Grand Theatre since 2008, becoming their resident stage manager in 2013. Credits include: Jesus Christ Superstar, Pride and Prejudice, Sweeney Todd, Harvey, Head Over Heels, Noises Off (PSM); Rocky Horror Picture Show, West Side Story, First Date, Marvelous Wonderettes, Spamalot, and The Musical Comedy Murders of 1940. Other credits include Footpath Theatre Company’s Western Minerals and Their Origins (2025) Dead Certain (staged reading 2021), Heat Death of the Universe (2021), Plan-B Theatre’s Script in Hand Series (2018); The Great Salt Lake Fringe Festival (2016); Wasatch Theatre’s Vanya, Sonia, Masha and Spike (2016).
IO CARLING (1st ASM) is a Stage Management student at the University of Utah. Io has worked with The Grand for over a season now and is excited for future shows to come! Io’s credits include: Legally Blonde (1st ASM, Meldrum Theater), The Full Monty (ASM, The Grand), DREAMGIRLS (ASM Intern, The Grand), Xanadu (2nd ASM Meldrum Theater), Amal and the Night Visitors and Other Holiday Favorites (ASM, The Grand), Drowsy Chaperone (Backstage crew, The Grand), Dancing at Lughnasa (PA, Studio 115).
TARA GONTKOVIC (2nd ASM) is so delighted to work on her first show at The Grand! She’s from Columbus, Ohio, and has voyaged her way to Salt Lake where she is currently a Stage Management student at
the University of Utah. Some previous ASM credits include: You’re a Good Man, Charlie Brown (UofU Opera), Rossum’s Universal Robots (UofU Theatre), Ride the Cyclone (Webster Conservatory), Our Dear Dead Drug Lord (Webster Conservatory), Bye Bye Birdie (Westerville Civic).
LIAM ISAAK (Asst. Director) is thrilled to be joining The Grand as an assistant director. They’ve been directing and teaching theatre and film for the past 7 years, mentoring, and directing students at the Utah Shakespeare Festival. Previous directing experience includes A Midsummer Night’s Dream, Hamlet, and The Foreigner.
JESSICA PACE LYELLS
(Choreographer) loves being at The Grand! Jessica is on the dance faculty at the Salt Lake School for the Performing Arts where she teaches contemporary dance and musical theater dance. Some of her favorite shows to choreograph have been Head Over Heels, The Wizard of Oz, The Lightning Thief: A Percy Jackson Musical, [title of show], and You’re a Good Man, Charlie Brown. Jessica Graduated from the University of Utah with a BFA in modern dance. She has danced professionally in San Francisco, Torino, Italy, and Salt Lake City.
JOE KILLIAN (Sound Design) holds a B.F.A. in sound design and stage management from the University of Utah. He is a freelance designer and engineer. His design credits include work at The Grand (Full Monty, Jesus Christ, DREAMGIRLS, Sweeney Todd, Pride & Prejudice, Eurydice, Skin of Our Teeth, etc.) PLAN-B, SLAC, Kingsbury Hall, Utah Presents, Utah PrideFest, Utah Arts Festival, the Edinburgh Fringe Festival, Utah Lyric Opera, video games and independent film.
ERIN MCCULLOCK (Hair & Makeup Design) has 20+ years’ experience designing hair and makeup. She is a life-long student
ABOUT THE CREATIVE TEAM
but studied at Stan Winston School of Character Arts. Her recent designs include The Full Monty, Sweeney Todd and The 39 Steps (The Grand); Pinkalicous (Salt Lake Acting Company); and assistant mask designer for Perdida (The Grand). Her favorite thing about designing is seeing everything come to life on opening night.
SHANNON MCCULLOCK (Costume Design) is a Utah based costume designer residing in Salt Lake City. She received her BFA in Performing Arts Design from the University of Utah in 2010. Shannon began designing for The Grand as Resident Costume Designer in 2016. Though her body of work emphasis is musical theater, she has also designed for opera, classical Greek theater, American classic theater, children’s theater, and music video. Her resident designer position finds her primarily designing for The Grand, however, she has also been fortunate to design for SLAC, the Utah Classical Greek Theater Festival, Westminster College Opera Studio, the U of U, and the Utah Museum of Natural History Children’s Theater Program.
JONATHAN MCDONALD (Music Director) is a Lehi-based collaborative pianist, arranger, and composer bringing over a decade of experience to the Utah theatre scene. Since 2020, Jonathan has music directed or played for nearly a dozen productions at The Grand, with highlights including Music Direction for Sweeney Todd, The Drowsy Chaperone, and In The Heights, as well as serving as Music Director, and Piano/Conductor for American Idiot, DREAMGIRLS, and Jesus Christ Superstar. Other Music Direction credits include Once, Into the Woods, and Little Women (Centerpoint Legacy Theatre) and The Sound of Music (The Ziegfeld Theater). He also served as Co-Music Director and Piano/ Conductor for Spring Awakening with Hart Theater Company. Jonathan holds a Bachelor of Music in Piano Performance, and is
honored to be the musical architect for this production of The Producers.
THOMAS MEEHAN (Book) received the Tony Award for co-writing the book for The Producers in 2001 and in 2003 for co-writing the book for Hairspray. He received his first Tony Award in 1977 for writing the book
Youth Futures is a Grand Theatre community partner that offers safety and shelter to Utah’s homeless youth. Please consider making a donation to help them continue to serve our community.
www.youthfuturesutah.org
ABOUT THE CREATIVE TEAM
of Annie, which was his first Broadway show, and has written the books for the musicals Rocky, Elf the Musical, Cry-Baby, Young Frankenstein, Chaplin, Bombay Dreams, I Remember Mama, Ain’t Broadway Grand and Annie Warbucks. In addition, he was a long-time contributor of humor to The New Yorker, an Emmy-Award winning writer of television comedy, and a collaborator on a number of screenplays, including Mel Brooks’ Spaceballs and To Be Or Not To Be. Mr. Meehan was also a member of the Council of the Dramatists Guild. He and his wife, Carolyn, divided their time between a home in Nantucket and an apartment in Greenwich Village, near which, on Hudson Street, she owned and presided over the long-running and near-legendary children’s store Peanut Butter & Jane.
MUSIC THEATRE INTERNATIONAL (MTI) is one of the world’s leading theatrical licensing agencies, granting theatres from around the world the rights to perform the greatest selection of musicals from Broadway and beyond. Founded in 1952 by composer Frank Loesser and orchestrator Don Walker, MTI is a driving force in advancing musical theatre as a vibrant and engaging art form. MTI works directly with the composers, lyricists and book writers of these musicals to provide official scripts, musical materials and dynamic theatrical resources to over 100,000 professional, community and school theatres in the US and in over 150 countries worldwide. MTI is particularly dedicated to educational theatre, and has created special collections to meet the needs of various types of performers and audiences. MTI’s Broadway Junior® shows are 30 and 60 minute musicals for performance by elementary and middle school-aged performers, while MTI’s School Editions are musicals annotated for performance by high school students. MTI maintains its global headquarters in New York City with additional offices in
London (MTI Europe) and Melbourne (MTI Australasia).
MÁIRE NELLIGAN (Prop Design) earned her degrees in theater eons ago and spent some time directing with HerVoice, a feminist theater troupe in Kent, Ohio. Moving West, she worked with local and semiprofessional theaters in Arizona. During the Arizona years, she also spent time as a fire watch and a ranch hand, as well as an adjunct professor at Cochise Community College. After moving to Utah, Máire worked for SLCC’s Fine Arts department before coming to work for The Grand. She loves being the prop master, and generally considers whichever show she’s currently working on to be her favorite. She will admit, however, that the two “most fun ever” were La Cage aux Folles and Spamalot.
CARA ANN POMEROY (Set Design) is a graduate from the University of Utah Theatre department where she earned a BA in Theatre Studies with a focus on Scenic Design. Previously Grand Theatre designs include Perdida and First Date. Other local design credits include Hir and Can I Say Yes To This Dress? for Salt Lake Acting Company, and Of Color and The Audacity for Plan B Theatre Company. Cara currently works as the Technical Director for Pioneer Theatre Company.
ARIKA SCHOCKMEL (Set Dresser) has worked extensively in props and costume crafts for theatre, television, and film across the Mountain West. Based in Salt Lake City, Arika is the Prop Manager for the U of U Department of Theatre, where she teaches Prop Design, and Construction classes. Arika has previously been employed as a fortune teller, burlesque hostess, and as an Equity actor, and Stage Manager. Proud member of S.P.M., the Society of Prop Managers.
$50,000 - $90,000
Salt Lake County’s ZAP Fund
$15,000 - $49,999
Pepsi Legacy • George S and Dolores Dore Eccles Foundation
$2,500 - $9,999
Sorenson Legacy Foundation • Rocky Mountain Power
$1,000 - $2,499
Perry Fine • Maggie Strasser
$250 - $499
Tolford and Mary Young
$100 - $249
William Payne • Diana and Marc Doty • Phillip Howland
$50 - $99
Donald Barford
Rich Bradarich
Strong
Douglas Tilton
Sheri Biel
Krishell Wolfgramm
Mollie Bolds
Dave Moore
Marci Rasch
Clarie Alverson
Krisit Callister
Fredrick Amusu
De Oliveira
Shandra
Gage Williams
Patrice Wagman
Cara Sjodin
$1 - $49
Nic Koelliker
Karli Fait
Erin Clayton-Anderson
Donation list reflects gifts made May 1, 2025 through April 23, 2026. Though we make every effort to maintain an accurate list, if you find an error or would like to change your listing, please contact us at 801-957-3322.
PRODUCTION STAFF
Resident Staff
Artistic and Executive Director .......................................... Seth Miller
Patron Service Coordinator ......................................... Natalie Trumbo
Marketing and Outreach Coordinator ................................ Sophia Mancilla
Technical Director ....................................................... Adam Day
Associate Producer and Resident Stage Manager ........................ Caroline Cain
Marketing Manager .................................................... Trina Polta
Photographer .................................................. Stephen Speckman
Front of House
Box Office Staff .
.Owen Briggs, Toni Byrd
Elaia Echeverria, Sheila Trujillo
Chief Usher ............................................. Cheryl Gren, Peggy Sprouse
Ushers Josh Alvarez, Richard Barnes, Brenda Barnes
Haley Luker, Lee Markham, Teresa Nordstrom Tauna Toole, Nigel Trujill
Running Crew
Audio Engineer ............................................... Porter Charlesworth
Lightboard Operator ............................................... Emily Mullaney
Rail .............................................................. Heather Poulsen
Deck & Wardrobe ........................................ Josie Maguna, Zach Nielson
Spot Operator ......................................... Juno Alldredge, Megan Willis
Build Crew
Carpenters ........................... Victoria Angelbuer, Adam Day, Heather Poulsen
Scenic Artists .............................. Io Carling, Josie Maguna, Heather Poulsen
Master Electrician Emily Mullaney
Electricians ................. Logan Black, Heather Poulsen, Josie Maguna, Megan Willis
PATRON INFORMATION
AUDIO ENHANCEMENT EQUIPMENT is available for theatre patrons who are hearing impaired. The concession stand has Comtex wireless personal receivers, which allow a patron to sit anywhere in the theatre and receive high-fidelity audio. Because this service is not charged, you will be requested to leave your driver’s license with the cashier until the equipment is returned. BABIES AND SMALL CHILDREN often make it uncomfortable for other theatre patrons. Therefore, no children under 5 are allowed. Small children must have their own seat.
DISABLED PATRONS may use wheelchair seating areas in the theatre. Each area can accommodate four wheelchair patrons and companion chairs. Ticket prices vary for each section. Aisle seats may be requested by patrons who can be assisted in the transfer from wheelchairs to theatre seats.
BOX OFFICE HOURS are from 12:00 PM to 5:00 PM Monday through Friday and 12:00 PM to 8:00 PM on the night of the performance, including Saturdays.
LATECOMERS will not be seated in their reserved seats until the end of a scene. Latecomers will be seated in available seating that will not disturb punctual theatre patrons.
LOST AND FOUND will be held by the head usher until the end of the performance. Thereafter, please contact the Box Office at 801.957.3322. All items, after a period of 24 hours, will be taken to Administrative Services in Room 1-060. They may be contacted at 801.957.2201.
PHOTOGRAPHY, AUDIO, OR VIDEO RECORDING of any performance or the possession of any such device inside the theatre without written permission of management is prohibited. Offenders may be requested to leave and may be liable for damages and other lawful remedies.
THEATRE PARKING is available at no charge in the parking areas on the East and North side of the building. Ticketing will occur when parked in the disabled parking areas without a valid pass. Please note that parking meters are still active during performances.
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