Welcome back for The Grand’s 2025 - 2026 theatrical season! We’re so excited that you could join us once again as we continue to bring you professional-quality theatre, at community theater prices. This year’s season features some great comedy and great drama. The production you’re about to see, THE FULL MONTY, is one of my favorite shows. This is the third time I’ve been able to work on this show, and each time has been more enjoyable than the last. It’s a show with a lot of heart, focusing on friendship, family, and self-acceptance, as well as some fun 1990s nostalgia (for those of us born in the 1900s). We’re thrilled to welcome back Jamie Rocha Allan, who has directed several shows here at The Grand. He has put together a fantastic cast, and our entire production team has done a wonderful job. I sincerely hope you enjoy the show! This year we are also proud to continue our partnership with Excellence in the Community to bring you free community concerts once a month featuring some of Utah’s most talented musicians. We hope you will join us for these free concerts and see just how much amazing talent we have in our great state. Please remember to show your continued support for The Grand by helping us spread the word about our productions and all the incredible local talent they showcase. We would not be able to continue without the ongoing support of patrons like you. Helping spread the word about our shows and events really does make a difference! Thank you, and ENJOY THE SHOW!
Seth Miller
Artistic and Executive Director
The Grand Theatre
FROM THE DRAMATURG
Throwing it back to the ‘90s: Past the boy bands, rollerblades, and beanie babies, our story begins with a less nostalgic reality of the time. While employment with the American Iron and Steel Institute peaked in 1953, by the mid 1980s it decreased by more than 60% and would continue to decline for decades. By the mid 1990s, it was clear the end was near, but it was too expensive to just shut everything down all at once - pensions had to be paid. What was once an environment of rapid growth and possibility became a negative environment where the inevitable was clear to all. Besides the obvious impacts of income loss, this type of displacement also increased anxiety, depression, feelings of isolation, and decreased self-worth.
As the workers grapple with their new status as failures in the eyes of their community and loved ones, they uncover deeper issues within themselves that often go unaddressed for men. We see how physical appearance is a large contributor in their self-worth. Even though Harold states that regardless of weight, everyone is beautiful, he immediately admits that he doesn’t actually believe that himself, and doesn’t know anyone who does. He, like the rest of the guys, see being fat and wrinkled as a personal failure. There is a real fear, universally experienced, of failing to meet society’s expectations of beauty that influences how they hold themselves and each other to these unrealistic standards. Poor self-image contributes to their inability to feel worthy to be seen as masculine, lovable, desirable… and worth seeing naked.
More than thirty years later, these are questions that human beings of all genders still ask themselves today. And much like the boys of Hot Metal, when we’re able to muster the courage to find self-acceptance, we also find strength in our vulnerability, power in friendship, and that worthiness we all deserve.
Michelle Lynn Huftalin and Briana Lindsay Fisher Assistant Directors
THE FULL MONTY
Presents
THE FULL MONTY THE BROADWAY MUSICAL
Book by TERRENCE MCNALLY
Music and Lyrics by
DAVID YAZBECK
Based on the Motion Picture released by Fox Searchlight Pictures and written by Simon Beaufoy, produced by Uberto Pasolini and directed by Peter Cattaneo
Stage Director
JAMIE ROCHA ALLAN
Musical Director GINGER BESS SIMONS
Choreographer
Fight Choreographer
Production Stage Manager
Rehearsal Stage Manager
Scenic Design
Properties Design
Lighting Design
Sound Design
Costume Design
Hair and Make-Up Design
Technical Director
Assistant Director
MIKE HERNANDEZ
ADRIANA LEMKE
AMELIA STENSRUD
CAROLINE CAIN
HALEE RASMUSSEN
MÁIRE NELLIGAN
DREW BIELINSKI
JOE KILLIAN
SHANNON MCCULLOCK
ERIN MCCULLOCK
ADAM DAY
BRIANA LINDSAY FISHER
MICHELLE LYNN HUFTALIN
Assistant Stage Manager IO CARLING
Originally Produced for Broadway by Fox Searchlight Pictures, Lindsay Law, and Thomas Hall
World Premiere at The Globe Theatres, San Diego, CA
Orchestrations by Harold Wheeler | Vocal And Incidental Music Arrangements by Ted Sperling | Dance Music Arrangements by Zane Mark
All authorized performance materials are also supplied by MTI. www.mtishows.com
CAST OF CHARACTERS
Jerry Lukowski
Dave Bukatinksy
Harold Nichols
Malcolm MacGregor
AARON NAYLOR
TREVOR BLAIR
SKYLAR HAWKER
DARRIN BURNETT
Ethan IAN FERNANDEZ ANDERSEN
Jeanette BRANDWYNN MICHELLE
Georgie Bukatinsky
Pam Lukowski
Vicki Nichols
Horse
Nathan Lukowski
Keno, Police Officer, and Dance Instructor
Reggie, Tony, Repo Man
Estelle
Teddy, Gary
Jonie, Georgie
Susan, Molly
Minister
Ensemble
MAGGIE GADD
BECCA LEMON
ALEXA SHAHEEN
KIIRT BANKS
OSCAR BATEMAN-RAPIER
ALEK HERNANDEZ
ELLIOT EJ PAYNE
SAVANNAH RUIZ
MATTHEW MOSS
MAKAYLA BARLOW
CHLOE RAY WOOD
HANS FENTON
MAKAYLA BARLOW
HANS FENTON
CHLOE RAY WOOD
Dance Captain
Vicki Understudy
Pam Understudy
ALEK HERNANDEZ
CHLOE RAY WOOD
MAKAYLA BARLOW
CHLOE RAY WOOD
BAND
Conductor GINGER BESS SIMONS
Piano 1 GINGER BESS SIMONS
Piano 2 SHARON DATUIN-STINER
Drums KYSON STOKER
Guitar KEEFER GLADE
Bass MAX SMITH
MUSICAL NUMBERS
ACT ONE
Scrap
It’s a Woman’s World Man
Big-Ass Rock
Life with Harold Big Black Man
You Rule My World
Michael Jordan’s Ball
INTERMISSION
ACT TWO
Jeanette’s Showbiz Number
Breeze Off the River
The Goods
You Walk with Me
You Rule My World (Reprise) Let It Go
SETTING:
1990s' Buffalo New York
ABOUT THE CAST
IAN FERNANDEZ ANDERSEN (Ethan) a senior in the MTP and is excited to perform at The Grand! His most recent credits include Sonny in Xanadu (Meldrum Theatre), Ernst in Spring Awakening (Babcock Theatre), Henry in Newsies (Sundance) and Rapunzel’s Prince in Into the Woods (Babcock Theatre). @ian_m_andersen
KIIRT BANKS (Horse) was born and raised in Dallas, TX. As a child, he loved listening to his mother’s Motown Records with dreams of becoming a recording artist and actor. After moving to Salt Lake City, he started to get serious about his career. Performing in numerous concerts and theatre shows such as To Kill A Mockingbird (Centerpoint), Ragtime (The Ruth) In The Heights (West Valley) and Hairy& Sherri (SLAC), to name a few. Kiirt has been able to make a positive impact through his career. Follow him on IG @kiirtbanks
MAKAYLA BARLOW (Joanie, Georgie, Vicki US) marks their first show at The Grand! Favorite past roles include Baker’s Wife from Into the Woods, Queen Elizabeth in The Pirate Queen, and Ruth in Pirates of Penzance. She has performed with artists like Steve Smith (Journey), Andrew Tolman (Imagine Dragons), and Christine Ohlman (“SNL”). When not on stage, Makayla studies Social Work in the UofU’s MSW program and holds a BS in Psychology. She’s thrilled to be part of The Full Monty and thanks the cast and crew!
OSCAR BATEMAN-RAPIER (Nathan) was in Charting Neverland and Mythic Quest at Youth Theatre at the U earlier this year. The Full Monty is his first show here at The Grand! He volunteers at Best Friends Animal Sanctuary and the Humane Society of Utah and is currently in seventh grade.
TREVOR BLAIR (Dave) is so jazzed to be back performing at The Grand! Previous credits here include Jesus Christ Superstar (Annas), Arsenic and Old Lace
(Officer Brophy), Sweeney Todd (Beadle Bamford), Dead Certain, and Curtains. He is so excited to be bringing this wonderful show to the Grand Theatre’s audience. He holds a BFA in Musical Theater from the University of Utah.
DARRIN BURNETT (Malcolm) is a graduate of Westminster University with a BFA in Acting. He is also a graduate of SLCC with an Associates of Applied Science in Theatre Arts. Educational credits include Ride the Cyclone, Stupid Ghost, The Aliens, First Date, Cock, Frankenstein (Westminster); The 25Th Annual Putnam County Spelling Bee, The Seagull, Fortinbras (SLCC). Regional Credits include Dance Nation (Voodoo Theatre Co.), Pride & Prejudice (The Grand), A Chorus Line (Empress Theater), A Gentleman’s Guide to Love & Murder, The Drowsy Chaperone (Midvale Arts), and dis/re/ connection (University of Washington).
HANS FENTON (Minister, Ens.) is a Senior theater student and performer currently pursuing his degree in Economics and Theater at University of Utah. Recent credits include A Chorus Line (Richie), You on the Moors Now (Player 2), and Dreamgirls (Ensemble). In addition to acting, Hans is a passionate singer-songwriter, musician, and voice artist. He is excited to continue honing his craft and is grateful to the cast, crew, and faculty for their support.
MAGGIE GADD (Georgie) is thrilled to be making her debut with The Grand and welcomes you with excitement! Performing is her greatest, most cherished passion in life. Maggie is a graduate of USU with a BA in vocal music and is known for having a “beautiful and timeless voice” and being “an absolute dream and spellbinding to see on the big stage.” Past credits include Mrs. Lovett in Sweeney Todd, the Baroness in Chitty Chitty Bang Bang, Olga Romanov in Anastasia: The Musical, Gargoyle in The Hunchback of Notre Dame, Miss Adelaide in Guys and Dolls, and Elaine in Arsenic and Old Lace. @maggie.grace14
ABOUT THE CAST
SKYLAR HAWKER (Harold) has been performing on stage for over 30 years, and is very excited to be performing again here at the Grand Theatre! He was last seen here two years ago in the ensemble of Sweeney Todd: The Demon Barber of Fleet Street. Recently, he played Bill Austin in the Sandy Arts Guild production of Mamma Mia!. Some of his other favorite roles include Ladislav Sipos in She Loves Me, Beadle Bamford in Sweeney Todd, and Spider in Jekyll & Hyde. When he is not onstage, you can probably find him in a poker tournament or at home with his amazing wife Melinda and their two cats, Bernie and Pedro.
ALEK HERNANDEZ
(Keno, Police, Dance Instructor) is pumped to be back at The Grand in The Full Monty! You might’ve seen him shaking things up as Bernardo in West Side Story or getting weird in The Rocky Horror Picture Show. He is excited to return to The Grand and share the stage one more time with everyone.
BECCA LEMON (Pam) is stoked to be performing on this stage again so soon! With 15+ years performing in the Utah theatre community, her most recent production was Ensemble for Jesus Christ Superstar at The Grand. Becca’s claim to fame is impersonating Patti LuPone in 3 different productions of Musical of Musicals: The Musical! She has a degree in Musical Theatre from Weber State and an MBA from WGU. Other favorite roles include Mabel in Pirates of Penzance, Cinderella in Into the Woods, Penelope Pennywise in Urinetown, and Ensemble in Something Rotten.
BRANDWYNN MICHELLE
(Jeanette) is honored to be a part of The Full Monty, her sophomore show at Grand Theatre. Powered by caffeine, chaos, and the love of theatre. She is deeply grateful to the cast, crew, and creative team for their support and effort. Cue the lights, raise the curtain-let’s make some theatre magic.
MATTHEW MOSS (Gary, Teddy) is pleased to be back on The Grand’s stage after being seen in last fall’s production of The Drowsy Chaperone. He has been seen on various other stages along the Wasatch Front, from CenterPoint in Centerville, to An Other Theatre Company in Provo. A few past favorite productions are Children of Eden and Perfect Arrangement.
AARON NAYLOR (Jerry) is thrilled to return to The Grand for his third production, taking on the role of Jerry in The Full Monty. A lifelong performer, Aaron is drawn to characters with grit, heart, and a touch of chaos, and he loves the challenge of finding the parts of himself that live inside them. Previous appearances at The Grand include Judas in Jesus Christ Superstar, and he’s tackled roles like the Emcee (Cabaret), Rodger (Rent), and Shakespeare (Something Rotten) elsewhere. He’s grateful to the cast, crew, and his family for their endless support, and promises to leave most of the stripping to the character.
ELLIOT EJ PAYNE (Reggie, Tony, Repo) is a student at Westminster University, studying theater and vocal performance. You may have recently seen him in Dido and Aeneas, the Greek tragedy The Oresteia, or Dreamgirls at Grand Theatre. He’s thankful for the opportunity to learn and perform with such a dedicated cast and crew. Thank you for coming to the show and supporting live theater.
SAVANNAH RUIZ (Estelle) is excited to return to The Grand for this production! After a season of touring with Disney on Ice, Savannah is elated to return to stage. She loves theatre and is grateful to those who have supported this endeavor of hers. She advocates for those struggling with mental health. There is hope in help. Please call the National Alliance on Mental Illness at 800-950-6264 if you or someone you know is in crisis. Also visit afsp.org (American Foundation for Suicide Prevention) and nami.org (National
ABOUT THE CAST/BAND/CREATIVE TEAM
Alliance on Mental Illness) for more information and resources. No one is alone.
ALEXA SHAHEEN (Vicki) is absolutely ecstatic to be a part of her first production at The Grand. Her most recent Utah credits include: Xanadu (UofU), Don’t Let The Pigeon Drive The Bus! The Musical! (SLAC), Nightmare Cabaret (Lagoon), Close Encounters in the Beehive (SLAC), and SpongeBob the Musical (Kingsbury Hall, Youth Theatre at the U). Alexa is a native Oregonian currently in their fourth year in the Musical Theatre Program. @alexashaheentheatre
CHLOE RAY WOOD (Susan, Molly & Pam US) is delighted to be making her debut at Grand Theatre! Favorite past roles include Kathy Selden in Singin’ in the Rain, Little Red in Into the Woods, and Ronnette in Little Shop of Horrors. Chloe has performed as a lead singer and dancer in Stars on Stage and Legends in Concert at the Tennessee Shindig in TN, the Jackson Hole Playhouse in WY, and has enjoyed multiple seasons with Tuacahn Amphitheater. She was lucky enough to develop her improv techniques at the Upright Citizens Brigade in Los Angeles.
GINGER BESS SIMONS (Music Director, Keys) is a professional actress and singer who has taught voice for over 20 years. Ginger has been an Adjunct Faculty at both Weber State and Utah State University. She has music directed at West Valley Arts, Utah Festival Opera, Park City Egyptian, Murray City, Good Company Theatre, Las Vegas School of Rock, Seattle’s Village Youth Theatre, and Boston’s Northshore Music Youth Theatre. She studied Opera and Pedagogy at Utah State University and has a BA in Musical Theatre from WSU.”
SHARON DATUIN-STINER (Keys) has a Bachelor’s degree in keyboard performance from Weber State University and has been regularly performing in musical theater pits around Northern Utah for the last 9 years. She has also
recently been making classical appearances with Chamber Orchestra Ogden and teaches at the WSU Piano Preparatory Program. This is her first production at The Grand.
KEEFER GLADE (Guitar) is excited to be back at The Grand in another capacity after playing Pilate in “Jesus Christ Superstar”. A musician since 14, he has played for shows at Plan B Theatre, The Rose Wagner, and the University of Utah.
MAX SMITH (Bass) is a Sophomore at the University of Utah majoring in Jazz Guitar Performance. He has been performing on stages around the globe at many festivals, including the IASJ Festival in Klagenfurt, Umbria Jazz Festival in Italy, Telluride Jazz Festival in Colorado, and the North Sea Jazz Festival in Rotterdam. When he's not on stage you can probably find him bouldering or unicycling. He is very excited and grateful for the opportunity to perform at The Grand.
KYSON STOKER (Drums) is a Utah-based studio and live drummer known for his dynamic and expressive playing. He studied percussion at Utah Tech University under Dr. Glenn Webb and has been mentored by Mike Johnston and Aaron Sterling. Kyson’s passion lies in understanding the setting of each performance and shaping his sound to best serve the music - whether on stage or in the studio. He’s thrilled to be part of this production at Grand Theatre! Learn more at KysonStokerDrums.com.
JAMIE ROCHA ALLAN (Stage Director) is a Freelance Theatre Director specializing in the Classics and new writing. He completed his MFA in Theatre Directing at Birkbeck College London. Born and raised in London, Jamie is now based in the US. Jamie has worked at numerous Theatres and Universities both in the UK and US. He also serves as Artistic Director for Umbrella Theatre Company.
GINGER BESS (Music Director) is a professional actress and singer who has taught voice for over 20 years. Ginger has been an Adjunct Faculty at both Weber State and Utah State University. She has music directed at West Valley Arts, Utah
ABOUT THE CREATIVE TEAM
Festival Opera, Park City Egyptian, Murray City, Good Company Theatre, Las Vegas School of Rock, Seattle’s Village Youth Theatre, and Boston’s Northshore Music Youth Theatre. She studied Opera and Pedagogy at Utah State University and has a BA in Musical Theatre from WSU.
DREW BIELINSKI (Lighting Design)’s recent designs for at the Grand Theatre include the lighting for Harvey, Dead Certain, and Head Over Heels. Prior to living in Salt Lake City, he was the Lighting Supervisor for Teatro ZinZanni in Seattle, Washington, and was the Master Electrician for Riverside Theatre in Iowa City, Iowa. This past November, he earned certifications as a Laser Safety Officer and Laser Operator for laser entertainment shows. He is excited to kick off 2025 back here at The Grand to work with such wonderful and talented artists once again!
CAROLINE CAIN (Rehearsal SM) is a graduate of the U of U with her BFA in Stage Management. Caroline has worked for the Grand Theatre since 2008, becoming their resident stage manager in 2013. Her most recent credits include Jesus Christ Superstar, Pride and Prejudice, Sweeney Todd, Harvey, Head Over Heels, Noises Off (PSM); Rocky Horror Picture Show, West Side Story, First Date, Marvelous Wonderettes, Spamalot, and The Musical Comedy Murders of 1940. Other credits include Footpath Theatre Company’s Western Minerals and Their Origins (2025) Dead Certain (staged reading 2021), Heat Death of the Universe (2021), Plan-B Theatre’s Script in Hand Series (2018); The Great Salt Lake Fringe Festival (2016); Wasatch Theatre’s Vanya, Sonia, Masha and Spike (2016).
IO CARLING (ASM) is a student in the Stage Management program at the U of U. Io’s credits include: DREAMGIRLS (ASM Intern, Grand Theatre), Xanadu (2nd ASM Meldrum Theater), Amal and the Night Visitors and Other Holiday Favorites (ASM, Grand Theatre), Drowsy Chaperone (Backstage crew, The Grand), Dancing at Lughnasa (PA, Studio 115).
BRIANA LINDSAY FISHER (Asst. Director) is thrilled and honored to work with the exceptional team at the Grand Theatre. Briana studied Theater Performance at Utah Valley University and has been an actor, director, and producer across the state of Utah. Outside of theater, Briana works in
marketing and communications. Follow updates at @brianalindsayactor
MIKE HERNANDEZ (Choreographer) is so thankful to finally have the opportunity to choreograph at this theatre where he performed in JCSS, In the Heights, Hairspray and The Musical of Musicals the Musical. Recently, he played Rooster in Ogden Musical Theatre’s Annie and is set to choreograph their upcoming production of A Christmas Carol. Last fall, he choreographed Hart Theatre Company’s world premiere of The Hope for the Flowers. He is currently a resident artist with the Viva La Diva Show as a dancer, choreographer and impersonator. Choreography credits include: Heathers and BARE with Utah Rep; Damn Yankees at West Valley City; Lagoon; various Utah High Schools and two seasons with Youth Theatre at the U of U. He toured with Disney Live Stage Productions for over four years and then moved to Orlando where he performed at Walt Disney World and Seaworld, and was on the mascot team for Monster Jam.
MICHELLE LYNN HUFTALIN (Asst. Director) marks her first time working behind the scenes on a Grand production. You may have seen her on the Grand stage in productions such as The 39 Steps, [Title Of Show], Head Over Heels, First Date, Spamalot, Hairspray, and more. Michelle would like to thank Jamie and Seth for letting her try her hand somewhere new!
JOE KILLIAN (Sound Design) holds a B.F.A. in sound design and stage management from the University of Utah and currently serves as SLAC’s House Sound Engineer while also employed at Red Butte Garden. His design credits include work at The Grand (Jesus Christ, DREAMGIRLS, Sweeney Todd, Pride & Prejudice, Eurydice, Skin of Our Teeth, etc.) PLAN-B, SLAC, Kingsbury Hall, Utah Presents, Utah PrideFest, Utah Arts Festival, the Edinburgh Fringe Festival, Utah Lyric Opera, video games and independent film.
ERIN MCCULLOCK (Hair & Makeup Design) has 20+ years’ experience designing hair and makeup. She is a life-long student but studied at Stan Winston School of Character Arts. Her recent designs include Sweeney Todd and The 39 Steps (The Grand); Pinkalicous (Salt Lake Acting Company); and assistant mask designer for
ABOUT THE CREATIVE TEAM
Perdida (The Grand). Her favorite thing about designing is seeing everything come to life on opening night.
SHANNON MCCULLOCK (Costume Design) is a Utah based costume designer residing in Salt Lake City. She received her BFA in Performing Arts Design from the University of Utah in 2010. Shannon began designing for The Grand as Resident Costume Designer in 2016. Though her body of work emphasis is musical theater, she has also designed for opera, classical Greek theater, American classic theater, children’s theater, and music video. Her resident designer position finds her primarily designing for The Grand, however, she has also been fortunate to design for SLAC, the Utah Classical Greek Theater Festival, Westminster College Opera Studio, the U of U, and the Utah Museum of Natural History Children’s Theater Program.
MÁIRE NELLIGAN (Prop Design) earned her degrees in theater eons ago and spent some time directing with HerVoice, a feminist theater troupe in Kent, Ohio. Moving West, she worked with local and semi-professional theaters in Arizona. During the Arizona years, she also spent time as a fire watch and a ranch hand, as well as an adjunct professor at Cochise Community College. After moving to Utah, Máire worked for SLCC’s Fine Arts department before coming to work for The Grand. She loves being the prop master, and generally considers whichever show she’s currently working on to be her favorite. She
will admit, however, that the two “most fun ever” were La Cage aux Folles and Spamalot.
HALEE RASMUSSEN (Set Design) received her BFA from the University of Utah’s Performing Arts and Design Program with a double emphasis in technical direction and set design. She is currently the Assistant Technical Director and Scenic Charge Artist for the UofU Department of Theatre, and a resident set designer for The Grand. Halee feels fortunate to be able to call The Grand home. Other design credits include UofU Opera Ensemble, Plan B Theatre Company, Salt Lake Acting Company, Salt Lake Shakespeare Company, Alligator Press Productions, and Lagoon Entertainment; with assistant design credits from Idaho Shakespeare Festival, Great Lakes Theatre Company, and Lake Tahoe Shakespeare Festival.
AMELIA STENSRUD (Production SM) is thrilled to be back at The Grand this season. After graduating from Westminster University in May 2024, she has been working with The Grand on their SM team, as well as in Westminsters Admissions office as their Performing Arts Liaison. Her credits at The Grand include The Drowsy Chaperone (assistant stage manager), Jesus Christ Superstar (assistant stage manager) and Dreamgirls (assistant stage manager). Her other credits include God of Carnage (stage manager), The Aliens (assistant stage manager), The Taming (stage manager) and the Moors (stage manager).
THE FINE FAMILY
GRAND THEATRE DONATIONS
$50,000 - $150,000
Salt Lake County’s ZAP Fund
Alternative Visions Fund
$15,000 - $49,999
Pepsi Legacy • George S and Dolores
Dore Eccles Foundation
$2,500 - $9,999
Umbrella Theatre Company
Salt Lake Arts Council
Sorenson Legacy Foundation
Rocky Mountain Power
$1,000 - $2,499
The Fine Family
$500 - $999
Lee Hollar
$250 - $499
Richard Osborn
$100 - $249
Duane Millard • Marlene Fortie
Michael DuClair
Phillip Howland & Gregory Irwin
Tolford & Mary Young
$50 - $99
Lyn Simon • Barry Moldover
John Fackler
Vickie Balis
Julia LaPine
Jennifer King
Denise & Barry Blackett
Philp Howland • Rosine Oliver
Carolyn Rich-Denson
$1 - $49
Jo Adams • Cynthia Anderson
Silvia Araoz • Jennifer Bailey
Bryan Berrett • Leone Biesinger
Dawn Brandvold • Nain Christopherson
Katie Connolly • Ilse DeKoeyer
Karen Diehl • Jennifer Dobner
Carol Dwyer • Christina Echeverria
Lauren Erlacher • Ariana Escalante
Franz Feierbach • Michael Fields
Jon Fitch • Steve Gagon
Maurena Grossman • Jennifer Hamilton
Ric Hammond • Olesya Hanks
Elizabeth Hunter • Donna Jacobs
Rachel Jones • Susan Kohler
Ann Kronawitter • Sunshine Laier
Jill LaSalle • Dorothy Lines
Ryan Malavolta • Chase McCleary
Ronald Mclean • Dave Moore
Cathy Morton • Tammera Murillo
Paula Nafus • Leroy Peterson
Mardi Pearson • Tamara Pinder
Connie Pope • Rebecca Ragain
Bryn Rumjoue • Harold Sears
Carolyn Sharette • Brad Slaugh
Gordon Storrs • Bessann Swanson
Dan Tate • John Taylor • Jennifer Weiler
Mary Jane Whisenant • Kaye White
Nicolle Wilches • Felicia Wood
Jenny Xaykosy • Paul Zuckerman
Jo Duff
Donation list reflects gifts made February 23, 2023 through January 27, 2025
Though we make every effort to maintain an accurate list, if you find an error or would like to change your listing, please contact us at 801-957-3322
PRODUCTION STAFF
Resident Staff
Artistic and Executive Director .................................................................... Seth Miller
Patron Service Coordinator ................................................................... Natalie Trumbo
Marketing and Outreach Coordinator ................................................. Sophia Mancilla
Technical Director .......................................................................................... Adam Day
Associate Producer and Resident Stage Manager .....................................Caroline Cain
Electricians ....................................................................... Juno Alldredge, Logan Black Josie Maguna, Megan Willis
MILLS PUBLISHING, INC.
Dan Miller, President; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Ken Magleby, Patrick Witmer, Graphic Design; Paula Bell, Dan Miller, Advertising Representatives; Transcript Bulletin, Printer. Printed on “Recyclable” paper. PLEASE RECYCLE.
The Grand Theatre playbill is published by Mills Publishing, Inc., 772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com. Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. Copyright 2025.
AUDIO ENHANCEMENT EQUIPMENT is available for theatre patrons who are hearing impaired. The concession stand has Comtex wireless personal receivers, which allow a patron to sit anywhere in the theatre and receive high-fidelity audio. Because this service is not charged, you will be requested to leave your driver’s license with the cashier until the equipment is returned.
BABIES AND SMALL CHILDREN often make it uncomfortable for other theatre patrons. Therefore, no children under 5 are allowed. Small children must have their own seat.
DISABLED PATRONS may use wheelchair seating areas in the theatre. Each area can accommodate four wheelchair patrons and companion chairs. Ticket prices vary for each section. Aisle seats may be requested by patrons who can be assisted in the transfer from wheelchairs to theatre seats.
BOX OFFICE HOURS are from 12:00 PM to 5:00 PM Monday through Friday and 12:00 PM to 8:00 PM on the night of the performance, including Saturdays.
LATECOMERS will not be seated in their reserved seats until the end of a scene. Latecomers will be seated in available seating that will not disturb punctual theatre patrons.
LOST AND FOUND will be held by the head usher until the end of the performance. Thereafter, please contact the Box Office at 801.957.3322. All items, after a period of 24 hours, will be taken to Administrative Services in Room 1-060. They may be contacted at 801.957.2201.
PHOTOGRAPHY, AUDIO, OR VIDEO
RECORDING of any performance or the possession of any such device inside the theatre without written permission of management is prohibited. Offenders may be requested to leave and may be liable for damages and other lawful remedies.
THEATRE PARKING is available at no charge in the parking areas on the East and North side of the building. Ticketing will occur when parked in the disabled parking areas without a valid pass. Please note that parking meters are still active during performances.
