Beethoven’s “Eroica” with Schoenberg’s Peace on Earth

BEETHOVEN’S “EROICA” WITH SCHOENBERG’S PEACE ON EARTH DECEMBER 17, 2020–JANUARY 16, 2021

Everything for…

YOUR HOME

…all under one roof.

Furniture | Electronics | Appliances | Flooring | Mattresses Open 11 Hours A Day • 6 Days A Week Monday-Saturday 10am – 9pm • Closed Sundays Shop online at rcwilley.com.

Unmatched Academic Results!

Start Early. Start Right.

An independent private school offering preschool through eighth grade

Challenger School offers uniquely fun and academic classes for preschool to eighth grade students. Our students learn to think for themselves and to value independence.

Farmington (801) 451-6565 1089 Shepard Creek Parkway

Lehi (801) 407-8777 3920 N. Traverse Mountain Blvd.

Holladay (801) 278-4797 4555 South 2300 East

West Jordan (801) 565-1058 2247 West 8660 South

Salt Lake (801) 487-4402 1325 South Main Street Sandy (801) 572-1910 10685 South 1000 East

Š 2020, Challenger Schools Challenger School admits students of any race, color, and national or ethnic origin.

DIXIE STATE UNIVERSITY

COLLEGE OF THE ARTS

ACADEMIC ART DANCE DIGITAL FILM MUSIC THEATRE

PROFESSIONAL CELEBRITY CONCERT SERIES DOCUTAH O.C. TANNER AMPHITHEATER SEARS ART MUSEUM

CONTENTS

TONIGHT’S CONCERT

6

Welcome

7

Utah Symphony

8

Board of Trustees

9

USUO 2020 Pandemic Activities

16

Season Sponsors

28

Donors

35

Administration

36

Planned Giving

37

Tanner & Crescendo Societies

19

38

Utah Symphony Guild

42

BEETHOVEN’S “EROICA” WITH SCHOENBERG’S PEACE ON EARTH DECEMBER 17, 2020– JANUARY 16, 2021

Education

44

Acknowledgments

20

ARTIST’S PROFILE

Program notes and artist bios for upcoming and past performances are available on utahsymphony.org.

24

NOTES ON THE PROGRAM

@UtahSymphony

Purchase tickets at utahsymphony.org or call 801-533-6683 PUBLISHER Mills Publishing, Inc. PRESIDENT Dan Miller OFFICE ADMINISTRATOR Cynthia Bell Snow ART DIRECTOR/PRODUCTION MANAGER Jackie Medina GRAPHIC DESIGN Ken Magleby UTAHSYMPHONY.ORG

/

GRAPHIC DESIGN/ WEB DEVELOPER Patrick Witmer ADVERTISING REPRESENTATIVES Paula Bell Dan Miller Paul Nicholas EDITOR Melissa Robison

(801) 533-NOTE

The UTAH SYMPHONY | UTAH OPERA program is published by Mills Publishing, Inc., 772 East 3300 South, Suite 200, Salt Lake City, Utah 84106. Phone: 801467-8833 Email: advertising@millspub. com Website: millspub.com. Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage.

Please contact us for playbill advertising opportunities. © COPYRIGHT 2020

5

WELCOME

In my short time in Utah, one thing has been remarkably clear: this state is filled with people who love and prioritize the arts. As your new President and CEO of Utah Symphony | Utah Opera, I couldn’t be more honored and excited to serve our community as we work together to uphold and build upon the legacy of this unique organization.

Steven Brosvik President & CEO

While many industries have taken a massive hit because of COVID-19, the arts in particular came to a complete stand-still last spring. All of us had to face the tough question: How do we preserve the magic of live performance when we cannot congregate as a community in person? I am so proud of the tireless efforts of USUO’s Board, staff, musicians, and community for coming together to find a path which has returned live performances for distanced audiences back to our stages.

I hope that you enjoy the creative programs we’re offering. They are designed not only to inspire, transport, and entertain you, but to do so with the safety of the public, our artists, and our staff as our foremost concern.

We still have discoveries, decisions, and milestones ahead of us, but let us relish this moment together.

Thank you for joining us in this communal experience of great live music. You play a leading role in fulfilling our mission, and the entire USUO family extends to you our heartfelt thanks. It is great to have you with us for this performance and we look forward to seeing you again and again this season.

6

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

UTAH SYMPHONY Thierry Fischer, Music Director

The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation Conner Gray Covington Associate Conductor

VIOLA* Brant Bayless

Principal The Sue & Walker Wallace Chair

Barlow Bradford Symphony Chorus Director

Yuan Qi

VIOLIN* Madeline Adkins

Associate Principal

Elizabeth Beilman† Julie Edwards Joel Gibbs Carl Johansen Scott Lewis John Posadas Whittney Thomas

Concertmaster The Jon M. & Karen Huntsman Chair, in honor of Wendell J. & Belva B. Ashton

Kathryn Eberle

Associate Concertmaster The Richard K. & Shirley S. Hemingway Chair

CELLO* Matthew Johnson

Ralph Matson†

Associate Concertmaster

Acting Principal The J. Ryan Selberg Memorial Chair

Laura Ha

Andrew Larson

Acting Associate Concertmaster

Acting Associate Principal

John Eckstein Walter Haman Anne Lee Louis-Philippe Robillard Kevin Shumway Pegsoon Whang

David Park

Assistant Concertmaster

Claude Halter

Principal Second

Wen Yuan Gu

BASS* David Yavornitzky

Associate Principal Second

Evgenia Zharzhavskaya

Principal

PICCOLO Caitlyn Valovick Moore

TRUMPET Travis Peterson

OBOE James Hall

Jeff Luke

Principal The Gerald B. & Barbara F. Stringfellow Chair

Robert Stephenson Associate Principal

Lissa Stolz ENGLISH HORN Lissa Stolz CLARINET Tad Calcara

Lee Livengood BASS CLARINET Lee Livengood E-FLAT CLARINET Erin Svoboda-Scott BASSOON Lori Wike

Caitlyn Valovick Moore

Llewellyn B. Humphreys Brian Blanchard Stephen Proser

• First Violin •• Second Violin

* String Seating Rotates † On Leave

# Sabbatical †† Substitute Member

UTAHSYMPHONY.ORG

Principal The Val A. Browning Chair

Lisa Byrnes

Associate Principal

/

(801) 533-NOTE

Principal

Sam Elliot

Associate Principal

BASS TROMBONE Graeme Mutchler

PERCUSSION Keith Carrick

Associate Principal

James Allyn Andrew Keller Edward Merritt Jens Tenbroek Thomas Zera

FLUTE Mercedes Smith

TROMBONE Mark Davidson

Erin Svoboda-Scott

Karen Wyatt•• Joseph Evans LoiAnne Eyring Lun Jiang Rebekah Johnson Veronica Kulig David Langr Melissa Thorley Lewis Hannah Linz•• Yuki MacQueen Alexander Martin Rebecca Moench Hugh Palmer• David Porter Lynn Maxine Rosen Barbara Ann Scowcroft• Ju Hyung Shin• Bonnie Terry• Julie Wunderle

Principal

Peter Margulies Paul Torrisi

TIMPANI George Brown

Corbin Johnston

HARP Louise Vickerman

Associate Principal

Principal The Norman C. & Barbara Lindquist Tanner Chair, in memory of Jean Lindquist Pell

Assistant Principal Second

Associate Principal

Principal

Principal The Edward & Barbara Moreton Chair

Leon Chodos

Associate Principal

Jennifer Rhodes CONTRABASSOON Leon Chodos HORN Edmund Rollett

Principal

Eric Hopkins

Associate Principal

Principal

Eric Hopkins Michael Pape KEYBOARD Jason Hardink Principal

LIBRARIANS Clovis Lark Principal

Katie Klich ORCHESTRA PERSONNEL Walt Zeschin Director of Orchestra Personnel

Andrew Williams

Orchestra Personnel Manager

Acting Principal

7

BOARD OF TRUSTEES ELECTED BOARD Thomas M. Love* Chair

David L. Dee* Alex J. Dunn Dr. Julie Aiken Hansen Senator Daniel Hemmert Stephen Tanner Irish Thomas N. Jacobson Abigail E. Magrane Brad W. Merrill Robin J. Milne Judy Moreton Dr. Dinesh C. Patel Frank R. Pignanelli Gary B. Porter Jason Price Shari H. Quinney Miguel R. Rovira Dr. Shane D. Stowell Naoma Tate Thomas Thatcher W. James Tozer Jr.

Dr. Astrid Tuminez David Utrilla Kelly Ward Kim R. Wilson Thomas Wright* Henry C. Wurts

Herbert C. Livsey, Esq. David T. Mortensen Scott S. Parker David A. Petersen Patricia A. Richards*

Harris Simmons Verl R. Topham M. Walker Wallace David B. Winder

John Bates Howard S. Clark Kristen Fletcher

Richard G. Horne Ron Jibson E. Jeffery Smith

Spencer F. Eccles The Right Reverend Carolyn Tanner Irish Dr. Anthony W. Middleton, Jr. Edward Moreton Marilyn H. Neilson O. Don Ostler

Stanley B. Parrish Marcia Price David E. Salisbury Jeffrey W. Shields, Esq. Diana Ellis Smith

Joanne F. Shiebler Chair (Utah)

Susan H. Carlyle (Texas)

Harold W. Milner (Nevada)

David L. Brown (S. California)

Robert Dibblee (Virginia)

Marcia Price (Utah)

Anthon S. Cannon, Jr. (S. California)

Senator Orrin G. Hatch (Washington D.C.)

Doyle L. Arnold* Brian Greeff* Joanne F. Shiebler* Vice Chairs Annette W. Jarvis* Secretary John D’Arcy* Treasurer Steven Brosvik* President & CEO Dr. Stewart E. Barlow Judith M. Billings Gary L. Crocker

MUSICIAN REPRESENTATIVES Kathryn Eberle* Julie Edwards* EX OFFICIO Doyle Clayburn Utah Symphony Guild Nancy Pinto-Orton Onstage Ogden

LIFETIME BOARD William C. Bailey Kem C. Gardner* Jon Huntsman, Jr. G. Frank Joklik Clark D. Jones TRUSTEES EMERITI Carolyn Abravanel Dr. J. Richard Baringer Haven J. Barlow HONORARY BOARD Jesselie B. Anderson Kathryn Carter R. Don Cash Bruce L. Christensen Raymond J. Dardano Geralyn Dreyfous Lisa Eccles NATIONAL ADVISORY COUNCIL

8

*Executive Committee Member

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

USUO 2020 PANDEMIC ACTIVITIES

The Utah Symphony is thrilled to be back on the stage of Abravanel Hall! We express gratitude and thanks for the heartwarming support received from our community and colleagues during a time of uncertainty. While we haven’t been able to offer typical performances due to the COVID-19 pandemic, we’ve still been busy finding ways to connect the community—from a distance—through great live music. Below, discover how Utah Symphony has brightened social media feeds, curated online educational resources, contributed to pandemic relief efforts, and even given world premieres of new pieces from home during quarantine.

Within a week of Utah’s schools closing in March, our Education Department organized existing digital content, converted other items to be shared digitally, and developed new ideas to help support teachers, parents and students in our suddenly digital-only learning environment. Utah Symphony’s School from Home page now offers Virtual Assemblies, education videos featuring the Musicians of the Utah Symphony, symphony bingo, listening music scavenger hunts, and “Ask a Musician” boxes.

In addition, the new Virtual Listening Room on utahsymphony.org includes links to streaming, curated playlists, past performance clips, and Ghost Light Podcast episodes. The latter series includes a special edition talking about the ways that music has connected humanity in times of crisis throughout history, as well as “Music Knows Exactly How You Feel” and “Live Music After Corona.”

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

In April, our orchestra musicians, staff, opera chorus members, and our volunteer network teamed up to express thanks to all of our supporters who have donated tickets to cancelled performances and stepped up their donations to make sure this organization continues well into the future. The Utah Opera costume shop team also completed several hundred masks in just two weeks to donate to Salt Lake Regional Medical Center.

KSL TV included our very own Tad Calcara (whose Good Mornin’ video on has 16,000+ shares and over 1 million views on Facebook) in a feature about the creative ways that people are finding to use music as salve during isolation. Tad’s other popular videos include arrangements of George Gershwin’s Somebody Loves Me and Irving Berlin’s Puttin’ on the Ritz.

Four Utah Symphony trumpet players also

Tad Calcara

9

USUO 2020 PANDEMIC ACTIVITIES

Fanfare of Hope and Solidarity

recorded the theme song for ‘CBS Sunday Morning’ from their homes.

Other creative musical endeavors shared

by Utah Symphony musicians include Associate Principal Trombone Sam Elliot playing a Bach two-part invention with a ‘Sam Elliot from the past’; Violin Lynn Rosen playing Jean-Marie Leclair’s Sonata for Two Violins with herself; Associate Principal Clarinet Erin SvobodaScott playing all three parts of a klezmer folk tune; and Principal Trumpet Travis Peterson, with the aid of recent guest conductor Jerry Steichen (all the way from his living room in Manhattan), performing “The Lord’s Prayer” for Easter. Violin Yuki MacQueen took social distancing seriously by performing a duet from a distance of 2000 miles with a student of hers from Haiti, Alexandre Santya.

Concertmaster Madeline Adkins also joined seven of her concertmaster

10

colleagues from around the country to perform the slow movement of Bach’s Double Concerto in D Minor, all from their respective homes.

In May, Utah Symphony shared a musical thank you to essential workers featuring Utah Symphony musicians playing Aaron Copland’s Fanfare for the Common Man. Governor Gary Herbert, Congressional Representative Ben McAdams, and Senator Luz Escamilla joined Utah Symphony Musical Director Thierry Fischer and Interim President & CEO Pat Richards in a special introduction to the glorious music by our musicians set to photos of the valiant healthcare workers, essential staff, and first responders risking their lives to help us through this stressful time.

On May 8th, Utah Symphony celebrated our 80th anniversary! Our online birthday

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

USUO 2020 PANDEMIC ACTIVITIES

community. Humanity has and will always work together to further music’s flexible, diverse capacity and innate power. The magnificence and energy of massed musical resources, such as an orchestra, are humbling, inspiring, and exemplify hope, solidarity and teamwork.”

Dai Fujikara

party included interviews with Music Director Thierry Fischer, former orchestra members, and recent guest artist Augustin Hadelich; performances by Utah Symphony musicians; birthday wishes from previous guest artists; a special message from Interim President & CEO Pat Richards; and even cake! We hope that you were able to join the celebration.

May also brought the two world premieres of pieces commissioned by Utah Symphony. First was Fanfare of Hope and Solidarity by Augusta Read Thomas. This piece was composed in late April and early May and recorded by the musicians of the orchestra in their homes, then audio engineered by Stoker White and Funk Studios and video produced and edited

by Andrea Peterson. We believe this was the first world premiere by an American orchestra during the time of COVID-19.

Thomas shared her thoughts on the project: “I believe music feeds our souls.

Unbreakable is the power of art to build

12

The second premiere was Longing from Afar by Dai Fujikura. This piece is about being together even when we’re physically apart, and was recorded live via a video conference. Fujikura drew inspiration for this piece by “considering how all musicians make sound together even when we are all physically far apart.” Both premieres are still available on the Utah Symphony Facebook and YouTube pages.

One of the most exciting announcements of the summer was of the 2021 Deer Valley Music Festival, a year in advance!

If you bought tickets for the 2020 festival performances or the Temptations at Abravanel Hall, you will be sent new tickets for the corresponding 2021 concerts. For all of you who are dreaming of escaping into great live music in the mountains again, tickets for the 2021 festival are on sale now at deervalleymusicfestival.org.

Another exciting announcement came in June, with the appointment of Steven Brosvik as the next President and CEO of Utah Symphony | Utah Opera. Steve has many years’ experience in leadership roles with Baltimore Symphony, San Antonio Symphony, Houston Symphony and Nashville Symphony. He loves “Being one of the people who helps support

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

USUO 2020 PANDEMIC ACTIVITIES getting the music on the stage and supporting incredible musicians to be able to make that music for the audience.”

Another wonderful opportunity to support USUO came thanks to the Alternative Visions Fund, an anonymous donor advised fund of the Chicago Community Foundation, which has awarded USUO a matching challenge grant in support of the Alternative Visions COVID-19 Relief Fund Challenge at USUO. All contributions received before October 1 will be matched on a 1:1 basis up to a total maximum match of $500,000. If you have been considering a contribution to USUO or increasing your annual gift, doing so before October 1 will make your investment go twice as far.

In August, a new 5,000 square foot public art piece was unveiled in downtown Salt Lake City that celebrates the impact

of Utah women—past and present— in commemoration of the centennial anniversary of the 19th Amendment. The mural was commissioned by Zions Bank and is located on the east-facing wall of the Dinwoody Building located at 37 West 100 South. It includes current Utah Symphony musicians Concertmaster Madeline Adkins and Principal Flute Mercedes Smith, as well as long-time volunteer Lona Mae Lauritzen, and is a beautiful contribution to our community.

At another small, outdoor Park City event this summer, one guest remarked, “It was a thrill to just hear a live performance.

I had to wipe a tear away to hear such beautiful music.” We feel the same way, and hope you do tonight as well. Thank you for helping Utah Symphony to once again connect the community through great live music. Please enjoy our reimagined 2020–21 season!

GET OUT THERE & REDEFINE

FamilyTime

Let Ruby’s Inn host your family this winter season.

435-834-5341 • RUBYSINN.COM/SYMPHONY

SEASON SPONSORS

SEASON SPONSOR

MASTERWORKS SERIES SPONSOR

SALT LAKE COUNTY COMMUNITY PARTNERS ON DEMAND: MESSIAH SING-IN SPONSOR

Utah State Legislature Create in Utah funded by the CARES Act

SPECIAL THANKS

through Utah Arts & Museums

Utah Symphony | Utah Opera Season Sponsor | 2020-21

Enriching excellence in the arts in Utah for more than half a century.

George S. and Dolores DorĂŠ Eccles Foundation Board of Directors (l to r): Robert M. Graham , Spencer F. Eccles, Lisa Eccles

ON DEMAND SERIES

BEETHOVEN’S “EROICA” WITH SCHOENBERG’S PEACE ON EARTH DECEMBER 17, 2020–JANUARY 16, 2021

Thierry Fischer, conductor

BEETHOVEN

Symphony No. 3 “Eroica” SCHOENBERG (arr. Jeff Luke)

Peace on Earth

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

19

ARTIST’S PROFILES

I am incredibly grateful to be able to return to creating music with the Utah Symphony in Abravanel Hall. For a Symphony, experiencing sounds together with a live audience is essential to provide messages of hope, unity and solidarity.

With these first short concerts since the pandemic began, we want to evoke and symbolize alternately the quality of traditional world repertoire as well as music representing America’s diverse culture.

For Masterworks 1, we hope that on top of the treasures of Tchaikovsky’s Serenade for Strings, choosing to open the season with Fela Sowande’s Joyful Day before Samuel Barber’s Adagio can describe, express and embody black American culture, as well as pay tribute to those who have been lost in this difficult year and to those who are still suffering.

Thierry Fischer Music Director The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation

20

For MW2, we will open the concert with the irrepressible joy and inexhaustible source of energy of the Brandenburg Concerto No. 3, paired with Schoenberg’s Transfigured Night in the first part of the concert. We then will conclude with three very creative American composers representing our percussion, woodwind and brass sections.

Thank you for joining us for these concerts and for supporting Utah Symphony | Utah Opera. See you very soon for our 2020–21 “surprise” season.

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

NOTES ON THE PROGRAM

By Michael Clive

Ludwig van Beethoven (1770–1827)

Symphony No. 3 in E-flat Major, Op. 55, “Eroica” Performance time: 47 minutes

Today it doesn’t seem odd to us that the beauty and grandeur of a symphony can “say something”—a political utterance, an affirmation of philosophical values or a howl of protest. But that was not always the case. If one symphony can be called a turning point in the way Beethoven and the world viewed the form, it is the “Eroica.” Where Beethoven’s first two symphonies are graceful and decorously Classical, with the influence of Haydn and Mozart clearly heard, the Symphony No. 3 is a bold musical outcry that is longer in duration and more emphatic in its ideas than were its predecessors—literally a “Sinfonia Eroica,” or heroic symphony.

When Beethoven first conceived the idea of a heroic symphony, he had high hopes that Napoleon Bonaparte would prove to be the hero who would unite Europe—a champion of Enlightenment ideals and human freedom. By the time he finished composing the work, he was disillusioned. He had intended Napoleon as the dedicatee of the symphony: Like many intellectuals who opposed the oppressive regimes of central Europe, Beethoven saw Bonaparte as a potential savior, and as early as 1798 he considered writing a Napoleon-inspired symphony. Significantly, he composed much of the music for it during the summer of 1803, the year after he wrote UTAHSYMPHONY.ORG

/

(801) 533-NOTE

the Heiligenstadt Testament—the unsent letter to his brothers that revealed the depths of his feelings about his life, art and encroaching deafness. In our modern understanding of Beethoven’s lifetime of achievement, the Heiligenstadt Testament marks his transition from a young Classical composer to a unique musical mind grappling with ideas in a way no composer had done before.

When Bonaparte declared himself emperor, Beethoven viewed his gesture as a denial of the very ideals he saw as heroic—the spirit of equality, brotherhood and freedom we would later hear enshrined in the “Choral” Symphony.

According to one popular account circulated by Beethoven’s student Ferdinand Ries, the composer dramatically “undedicated” the Symphony No. 3, tearing Bonaparte’s name from the score, and what might have been the “Sinfonia Bonaparte” became the “Sinfonia Eroica.”

But as the eminent music historian Phillip Huscher points out, Beethoven himself was not entirely beyond personal politics; his decision to drop Bonaparte’s name from the score quickly followed his learning that Prince Lobkovitz would pay him generously for the honor. Later, after the dedication page had been destroyed, Beethoven temporarily changed his mind once again, understanding that a “Sonfonia Bonaparte” might augur well on his planned trip to Paris. Either way, this idea for a symphony was something new. Other composers were beginning to find ways of incorporating ideas and happenings in their music, but not like this.

Beethoven had produced a symphony that was not merely abstract and decorative, but bound up in philosophical 21

NOTES ON THE PROGRAM

ideas and world events, with suggestions of theatrical narrative and the concerns of oratorio. In the 20th century, the blistering symphonies of Dmitri Shostakovich, which held the Soviet dictator Josef Stalin to account in music, might never have been written without Beethoven’s Eroica setting the symphony on a new course.

The “Eroica” Symphony received its premiere performance in December 1804 in a private concert at the home of Prince Lobkowitz in Vienna. It was brought before the public at Vienna’s Theater an der Wien in April 1805.

With stentorian E-flat chords rumbling through the orchestra, the “Eroica” Symphony opens onto the largest orchestral movement composed up to that time. And though in those hugely scaled opening moments we don’t know how long the movement may last, the symphony already sounds “big” in its beginnings. These sonic blasts are followed by cello voices that suggest a main theme. But does this movement really have a “main theme” at all? The musical phrases we hear seem more concerned with movement and with a sense of tension, and it is through these means that the symphony builds a feeling of fateful importance within us.

In the slow movement that follows, the sense of building tension continues, as if the symphony were brooding over the events of history as they take shape. This movement has come to be known as a funeral march; the critic Paul Bekker, for one, described it as conveying “the emotions of someone watching the funeral procession from afar, passing by, and then fading in the distance.” But 22

this is a halting rhythm—slow, yes, but not conducive to marching. Its solemnity seems to freeze and overwhelm us. Do we hear the sound of mourning for the past, or does the movement point us toward a dark, challenging future? This is one of the first symphonic movements whose slowness and gravity send a hush through the concert hall, and it remains one of the most seriously affecting movements in music. It is accorded a special reverence among musicians.

Tellingly, when the news of George Szell’s death reached Leonard Bernstein at Tanglewood in July 1970, Bernstein led the players of the Boston Symphony Orchestra in an unscheduled, emotioncharged performance of this movement in tribute to the Hungarian-born conductor.

Reportedly, there were not enough scores to go around—but the players did not need them.

With the third movement, the shape of the symphony begins to emerge as an Orphic struggle through darkness and toward light. It begins with surprising softness opening onto a trio dominated by horns.

The effect refreshes us and provides a sense of hope. And it propels us toward a fourth movement that surges with triumphant energy. Listeners who know their Beethoven are more than familiar with the melody that dominates the fourth movement of the “Eroica”; it is also heard in his ballet The Creatures of Prometheus and in the piano variations of Opus 33.

But this melody as framed for the ballet is just a catchy, danceable tune, cheerful and lyrical. In the “Eroica” it is something much more—an expression of apotheosis, joyful and heroic. Many listeners have described this movement as the awakening of a sleeping giant, but surely UTAHSYMPHONY.ORG

/

(801) 533-NOTE

NOTES ON THE PROGRAM

it is the symphony’s hero rising up. As the movement takes shape into a triumphant march, we can imagine the hero marching into a historic destiny as the symphony’s finale blazes with light.

Arnold Schoenberg (1874–1951)

Peace on Earth, Op. 13 Performance time: 9 minutes

If we acknowledge Arnold Schoenberg as the leader of classical music’s revolutionary “Second Viennese School”—as most musicologists do—then what exactly was the “First Viennese School”? Think of it as all the previous generations of traditional European classical composition, which gave us the

glories of Mozart, Haydn and Beethoven, along with the continuously evolving rules of harmony and structure that governed and challenged their creativity.

Composers have always tested the rules and explored the new, and in the cafés and concert halls of Vienna, their efforts were cultural patrimony—followed and argued over the way some sports fanatics root for their favorite teams today. As the 19th century drew to a close, Viennese listeners feared that centuries of traditional melody and harmony might leave composers with nothing new to try except atonality, a daunting prospect.

Two particular compositions by Arnold Schoenberg, Verklärte Nacht (1899) and Friede auf Erden (1907), charmed and terrified these listeners. Both are tonal

THERE IS NO

QUESTION! JOIN TODAY AT

WWW.UCREDITU.COM

Federally Insured by NCUA. ucreditu.com or contact University Credit Union at 801-481-8800.

NOTES ON THE PROGRAM

works that are ravishing in their textures and their surging lines, but they also are devoid of familiar harmonic boundaries. The first, “Transfigured Night,” was originally scored for string sextet; “Peace on Earth,” originally for unaccompanied mixed choir, is a motet that references the nativity of Christ and presents a utopian vision for a united and peaceful world. Were the free-flowing harmonics of these compositions the “last stop” on the way to atonality? It seemed possible. Schoenberg’s encyclopedic Harmonielehre, the foundational textbook that loosed atonality upon European and Western music, was first published in German in 1911, just four years after Fried auf Erden; he had been working on it for years. In it, he presents the development of twelve-tone harmonic development much as an engineer might present rules for constructing a building. It seemed that a completely new kind of music might well be at hand. Yet in 1930, Schoenberg turned back to tonality, without entirely repudiating the principles of atonal composition.

In early attempts to perform Friede auf Erden a cappella, as written, singers found it almost impossible to keep its meandering, seemingly ungovernable tonalities on track, and Schoenberg was forced to provide an instrumental accompaniment. Though later groups mastered it in performance, it remains on the short list of “most difficult choral works ever composed.” But it has always been admired and even revered, especially by professionals fortunate enough to hear it in live performance— truly a musician’s musical work. One of Schoenberg’s disciples, the composer Anton Webern, famously told him: “Have you even heard your chorus at all? In that case, do you know how beautiful it is?

Unprecedented! What a sound!”

24

By the time of Webern’s encomium (1928), the horrors of World War I had disillusioned Schoenberg, who renounced the message of Friede auf Erden in 1923.

But as we listen, its ecstatic vision remains persuasive. It has since been arranged in instrumental and vocal scorings.

Arrangement quotation from Jeff Luke: “I arrange a lot in my spare time, and was searching for a new project while sitting around during the Utah Symphony’s COVID-19 furlough. The country was in a state of unrest, with riots in many cities across America, so when I ran across the Schoenberg title, ‘Peace on Earth’ (Friede auf Erden), I knew what I had to write.

To me the danger in arranging a serious work is that one can detract from an already great piece of music by ignoring, or otherwise missing the point, of the composer’s original intent, so I soon found myself buried in a major project. I had to study the score for hours, listen to as many performances as I could find, and learn the meaning of the poem by Conrad Ferdinand Meyer on which the piece is based.

I have always felt that choral music translates well into brass, and I feel that is true for this piece as well. I used a large group of brass players for intense moments, and solo voices for intimate moments. For darker moments I used horn quartet, and for soprano sounds I used high trumpets.

With such a beautiful piece to work with, while being played by my amazing Utah Symphony brass colleagues and conducted by Maestro Fischer, I know it will be enjoyable for all.”

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

SALTLAKE.LITTLEAMERICA.COM | 801.596.5700

INDIVIDUAL SUPPORT We thank our generous donors for their annual support of Utah Symphony | Utah Opera.

This list includes donations received from July 1, 2019 to September 29 2020. * in-kind donation

** in-kind & cash donations

† deceased

ENCORE ($100,000 OR MORE) Anonymous Kem & Carolyn Gardner

Anthony & Renee Marlon Estate of Linda & Don Price

Jacquelyn Wentz

BRAVO ($50,000 TO $99,999) Scott & Kathie Amann Diane & Hal Brierley James A.† & Marilyn Parke

Patricia A. Richards & William K. Nichols** Elizabeth Solomon

Naoma Tate & the Family of Hal Tate Jim & Zibby Tozer Jack Wheatley

OVERTURE ($25,000 TO $49,999) Doyle Arnold & Anne Glarner Judy Brady & Drew W. Browning Michael & Vickie Callen John & Flora D’Arcy Brian & Detgen Greeff

Kristen Fletcher & Dan McPhun Susan & Tom Hodgson Tom & Lorie Jacobson G. Frank & Pamela Joklik Chuck & Crystal Maggelet Edward Moreton

Fred & Lucy Moreton Mark & Dianne Prothro Alice & Frank Puleo George Speciale John & Jean Yablonski Edward & Marelynn Zipser

MAESTRO ($10,000 TO $24,999) Anonymous A. Scott & Jesselie Anderson AKBankhead Fund Berenice J. Bradshaw Trust Thomas Billings & Judge Judith Billings Carol, Rete & Celine Browning Judy & Larry Brownstein Howard & Betty Clark Larry Clemmensen Marian Davis & David Parker Kathleen Digre & Michael Varner Pat & Sherry Duncan Spencer & Cleone† Eccles 28

Midge Farkas Thierry & Catherine Fischer** Doug & Connie Hayes Mary P.† & Jerald H. Jacobs Family Mr. & Mrs. Christopher J. Lansing Herbert† & Helga Lloyd Tom & Jamie Love Mr. & Mrs. Charles McEvoy Carol & Anthony W. Middleton, Jr., M.D. Amanda & Spencer Millerberg Richard & Robin Milne Terrell & Leah Nagata James & Ann Neal

Leslie Peterson & Kevin Higgins Stephen & Cydney Quinn Albert J. Roberts IV Carmen Rogers Sandefur Schmidt Dr. & Mrs. Charles W. Sorenson, Jr. Mr. & Mrs. G. B. Stringfellow Steve & Betty Suellentrop James R. & Susan Swartz Jonathan & Anne Symonds Norman C.† & Barbara L. Tanner † Tim & Judy Terrell

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

INDIVIDUAL SUPPORT ALLEGRO ($5,000 TO $9,999) Anonymous (5) Alan, Carol, & Annie Agle Edward R. Ashwood & Candice A. Johnson Dr. J.R. Baringer & Dr. Jeannette J. Townsend Dr. & Mrs. Clisto Beaty Mr. & Mrs. Neill Brownstein Mark & Marcy Casp John Clukey Marc & Kathryn Cohen Mr. & Mrs. Kenneth R. Cutler Willard & Julia Dere Patricia Dougall Eager Trust Mrs. Sarah Ehrlich Robert & Elisha Finney Wen Flatt Nash Foster Diana George David & SandyLee Griswold** Ray & Howard Grossman Chuck & Kathie Horman

The Right Reverend Carolyn Tanner Irish & Mr. Frederick Quinn Ken & Margo Jacobs Annette & Joseph Jarvis M. Craig Johns Michael Liess Bill Ligety & Cyndi Sharp Daniel & Deena Lofgren Beatrice Lufkin Nick Markosian Christopher & Julie McBeth Hallie & Ted McFetridge Michal & Maureen Mekjian Carol & Anthony W. Middleton, Jr., M.D. Joanne Mitchell Dr. Louis A. Moench & Deborah Moench Marilyn H. Neilson Dr. Stephen H. & Mary Nichols O. Don & Barbara Ostler

Dr. Thomas Parks & Dr. Patricia Legant Dr. Dinesh & Kalpana Patel Frank R. Pignanelli & D’Arcy Dixon Brooks & Lenna Quinn Dr. & Mrs.† Marvin L. Rallison James & Gail Riepe James & Anna Romano Ted & Lori Samuels Peggy & Ben Schapiro Barbara & Paul Schwartz D. Brent† & Suzanne Scott Gerald† & Sharon Seiner Dr. John Shigeoka Stuart & Mary Silloway Gibbs† & Catherine W. Smith Sidney Stern Memorial Trust Thomas & Marilyn Sutton Paul L. Wattis Dr. Rasmus Wegner Kathie & Hugh Zumbro

ABRAVANEL & PETERSON SOCIETY ($2,500 TO $4,999) Anonymous (6) Fred & Linda Babcock Tom & Carolee Baron Tina & John Barry Jennifer & Charles Beckham Dr. Melissa Bentley Donna Birsner Roger & Karen Blaylock Bill & Susan Bloomfield Mr. & Mrs. John Brubaker Richard & Suzanne Burbidge Michael & Christy Bush Mr. & Mrs. William D. Callister Vincent Cannella Hal & Cecile Christiansen The Chung Family George & Katie Coleman Debbi & Gary Cook Dr. Thomas D. & Joanne A. Coppin Thomas D. Dee III & Dr. Candace Dee UTAHSYMPHONY.ORG

/

Elizabeth deForest John D. Doppelheuer & Kirsten A. Hanson Blake & Linda Fisher Mr. Joseph F. Furlong III Robert & AnnieLewis Garda Heidi Gardner David & Sherrie Gee Jeffrey L. Giese, M.D. & Mary E. Giese Andrea Golding Sue & Gary Grant Arlen Hale Kenneth & Kate Handley Dr. Bradford D. Hare & Dr. Akiko Okifuji Mary Haskins Jeff & Peggy Hatch John Edward Henderson Deborah & Steve Horton Sunny & Wes Howell Dixie S. & Robert P. Huefner

(801) 533-NOTE

Michael Huerta & Ann Sowder Jay & Julie Jacobson Drs. Randy & Elizabeth Jensen Maxine & Bruce Johnson Dale & Beverly Johnson Dan & Jane Jones Dr. & Mrs. Michael A. Kalm Rick & Paulette Katzenbach Susan Keyes & Jim Sulat Jeanne Kimball Allison Kitching Howard & Merele Kosowsky Donald L. & Alice A. Lappe Gary & Suzanne Larsen Ms. Susan Loffler Dennis & Pat Lombardi David & Donna Lyon Steve Mahas Keith & Vicki Maio Brian & Shasha Mann Jed & Kathryn Marti 29

INDIVIDUAL DONORS

ABRAVANEL & PETERSON SOCIETY ($2,500 TO $4,999) CONTINUED Daniel & Noemi P. Mattis Tom & Janet McDougal David & Nickie McDowell George & Nancy Melling Brad Merrill John Mertens Mr. & Mrs. Richard Mithoff Ruth & William Ohlsen Dr. S. Keith & Barbara Petersen Ray Pickup

Gregory & Ann Robison Marilynn Roskelley & Paul Dorius Mark & Loulu Saltzman Margaret P. Sargent Shirley & Eric Schoenholz Dewelynn & J. Ryan† Selberg Mary & Doug Sinclair Jeffrey Starr Paul Taylor

Denise Torrisi Thomas† & Caroline Tucker Peter Margulies & Louise Vickerman Susan & David† Wagstaff Susan Warshaw Robert R. & Sue A. Webb Dan & Amy Wilcox David & Jerre Winder

PATRON ($1,500 TO $2,499) Anonymous (3) Fran Akita C. Kim & Jane Blair Mr. & Mrs. Lee Forrest Carter Mr. & Mrs. Fred L. Carter, Jr. William J. Coles & Joan L. Coles David & Karen Gardner Dee Michael Deputy Lawrence Dickerson & Marcela Donadio Margarita Donnelly Dr. Paul Dorgan

30

Thomas Fuller Dr. & Mrs. John Greenlee C. Chauncey & Emily Hall Christine St. Andre & Cliff Hardesty E. Art Woolston & Connie Jo Hepworth-Woolston Connie C. Holbrook Gordon Irving Bryce & Karen† Johnson Carl & Gillean Kjeldsberg Heidi & Edward Makowski Clifton & Terri McIntosh Warren K†. & Virginia G. McOmber

Joe Mulvehill Kenneth Roach & Cindy Powell Dr. Barbara S. Reid Frances Reiser Susan Rothman Janet Schaap Mr. August L. Schultz Thomas & Gayle Sherry Douglas & Susan Terry Astrid S. Tuminez Dr. Ralph & Judith Vander Heide John & Susan Walker Frank & Janell Weinstock

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

INDIVIDUAL DONORS

FRIEND ($1,000 TO $1,499) Anonymous (5) Madeline Adkins & John Forest Jim Alexander Christine A. Allred Clayton Anderson Dr. & Mrs. Jeffrey L. Anderson Pj Aniello Drs. Crystal & Dustin Armstrong Ian Arnold Curtis Atkisson, Jr. Mr. & Mrs. Lawrence R. Barusch Diane Banks Bromberg & Dr. Mark Bromberg Kevin Burdette Michael Carnes Dana Carroll & Jeannine Marlowe Carroll Michael & Beth Chardack William & Patricia Child Dr. & Mrs. David Coppin David & Carol Coulter Sandra Covey† Dorothy B. Cromer David & Donna Dalton James Dashner Dr. Kent C. DiFiore & Dr. Martha R. Humphrey Alice Edvalson Eric & Shellie Eide Larry Gerlach Bob & Mary Gilchrist Ralph & Rose Gochnour Kenneth & Amy Goodman Mr. Keith Guernsey John & Ilauna Gurr Dr. Elizabeth Hammond

UTAHSYMPHONY.ORG

/

Geraldine Hanni Jonathan Hart Lex Hemphill & Nancy Melich Craig & Tiffany Hess Peggy Hudson Stephen Irish Thomas Jacobson Eldon Jenkins & Amy Calara Chester & Marilyn Johnson Jill Johnson James R. Jones & Family Mr. & Mrs. Bruce M. Lake Gary Lambert Guttorm & Claudia Landro Tim & Angela Laros Mr. & Mrs. Melvyn L. Lefkowitz Harrison & Elaine Levy Julie & John Lund Miriam Mason & Greg Glynis MS. Mary Pat McCurdie Edward J. & Grace Mary McDonough MR. Jeffrey McNeal David Merrill Dr. Nicole L. Mihalopoulos & Joshua Scoville Hal & JeNeal Miller Drs. Jean & Richard R. Miller Henriette Mohebbizadeh Glenn & Dav Mosby Sir David Murrell IV & Mary Beckerle Renate B. Nebeker Ruzena Novak Dr. & Mrs. Richard

(801) 533-NOTE

T. O’Brien Lee K. Osborne Joseph J.† & Dorothy Moyle Palmer Dr. Marzia Pasquali & Ms. Nicola Longo Linda S. Pembroke Rori & Nancy Piggott Charles R. Pikler Arthur & Susan Ralph W.E. & Harriet R. Rasmussen Gina Rieke Lousje & Keith Rooker Miguel Rovira David & Lois Salisbury Brent & Jan Scharman James & Janet Schnitz Barbara Slaymaker Jerilyn McIntyre & David Smith Sheryl & James Snarr Dr. & Mrs. Michael H. Stevens Richard and Shannon Straight Richard & Janet Thompson Kenneth Uy David H. & Barbara S. Viskochil Dr. James C. Warenski Renee Waters Cindy Williams Mary Ann & Charles Williams Margaret & Gary Wirth David B. & Anne Wirthlin Marsha & Richard Workman Paul Wright

31

ENDOWMENT DONORS TO UTAH SYMPHONY | UTAH OPERA ENDOWMENT Utah Symphony | Utah Opera is grateful to those donors who have made commitments to our Endowment Fund. The Endowment Fund is a vital resource that helps the long-term well-being & stability of USUO, & through its annual earnings, supports our Annual Fund.

For further information, please contact 801-869-9015.

Gael Benson Edward Ashwood & Candice Johnson Estate of Alexander Bodi The Elizabeth Brown Dee Fund for Music in the Schools Lawrence T. & Janet T. Dee Foundation Thomas & Candace Dee

Hearst Foundation Roger & Susan Horn The Right Reverend Carolyn Tanner Irish & Frederick Quinn Edward & Barbara Moreton Estate of Pauline C. Pace Perkins-Prothro Foundation Kenneth† & Jerrie Randall

The Evelyn Rosenblatt Young Artist Award Bill & Joanne Shiebler James R. & Susan Swartz Norman C. Tanner & Barbara L. Tanner Trust O.C. Tanner Company M. Walker & Sue Wallace

GIFTS MADE IN HONOR Marie Nelson Bennett Neill & Linda Brownstein Peggy Chase Dreyfous Paula Fowler Kem Gardner

Burton & Elaine Gordon Barbara Scowcroft & Ralph Matson Matthew & Maria Proser Pat Richards

Bill & Joanne Shiebler Grant Gill Smith Dale Strobel Whittney Thomas J. Brian Whitesides

GIFTS MADE IN MEMORY Dennis Austin Jay T. Ball Dawn Ann Bailey Betty Bristow Robert H. Burgoyne, M.D. Doris Macfarlane Corry Kathie Dalton Dr. James Drake Robert Ehrlich William K. Evans, Jr. Crawford Gates Lowell P. Hicks Jamila Janata 32

Dr. Gary B. Kitching M.D. Harry Lakin Julia Lawrence Frank & Maxine McIntyre Warren K. (Sandy) McOmber Clyde Dennis Meadows Dr. Richard George Middleton Mary Muir Mary E. Nelson Jack Newton Richard Perkins

Glade & Mardean Peterson Rhoda Ramsey Richard Reiser Norman B. Ross Shirley Corbett Russell J. Ryan Selberg Venice Shields Ann O’Neill Shigeoka, M.D. Robert C. Sloan Dorotha Smart Barbara Tanner Maxine Winn

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

INSTITUTIONAL DONORS We thank our generous donors for their annual support of Utah Symphony | Utah Opera.

This list includes donations received from July 1, 2019 to September 29, 2020.

USUO’s 2020–21 season is funded in part by the CARES Act and the Utah State Legislature through Utah Arts & Museums. * in-kind donation

** in-kind & cash donation

$100,000 OR MORE The Church of Jesus Christ of Latter-Day Saints Foundation Lawrence T. & Janet T. Dee Foundation George S. & Dolores Doré Eccles Foundation Marriner S. Eccles Foundation The Florence J. Gillmor Foundation

Emma Eccles Jones Foundation Larry H. & Gail Miller Family Foundation John & Marcia Price Foundation O.C. Tanner Company Salt Lake County Shiebler Family Foundation Sorenson Legacy Foundation

State of Utah Summit County Restaurant Tax / RAP Tax Utah Division of Arts & Museums / National Endowment for the Arts Utah State Legislature / Utah State Board of Education Zions Bank

Kahlert Foundation League of American Orchestras

Grand America Hotel* William Randolph Hearst Foundation

Goldman Sachs Janet Q. Lawson Foundation Frederick Q. Lawson Foundation Love Communications* McCarthey Family Foundation Nora Eccles Treadwell

Foundation Charles Maxfield & Gloria F. Parrish Foundation Moreton Family Foundation Schmidt Family Foundation Simmons Family Foundation Struck* Utah Office of Tourism

$50,000 TO $99,999 Anonymous AHE/CI Trust Dominion Energy

$25,000 TO $49,999 Arnold Machinery Brent & Bonnie Jean Beesley Foundation Carol Franc Buck Foundation Cache Valley Electric Chevron Corporation C. Comstock Clayton Foundation

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

33

INSTITUTIONAL DONORS

$10,000 TO $24,999 Anonymous B.W. Bastian Foundation Bank of America Caffé Molise* HJ & BR Barlow Foundation Johnson Foundation of the Rockies Marie Eccles Caine FoundationRussell Family Matthew B. Ellis Foundation

Onstage Ogden Orange County Community Foundation Park City Chamber / Visitors Bureau Promontory R. Harold Burton Foundation Regence Blue Cross Blue Shield Richard K. & Shirley S. Hemingway Foundation

S.J. & Jessie E. Quinney Foundation The Christian V. & Lisa D. Young Family Foundation The Joseph & Evelyn Rosenblatt Charitable Fund Summit Sotheby’s WCF Insurance W. Mack & Julia S. Watkins Foundation

M Lazy M Foundation Microsoft Corporation Millcreek Coffee Roasters* Morris Murdock Travel Orem City CARE Tax Park City Community Foundation Rancho Market Ray, Quinney & Nebeker Foundation Raymond James & Associates Robert S. Carter Foundation Rocky Mountain Power Foundation Rodney H. & Carolyn Hansen Brady Charitable Foundation Rotary Club of Salt Lake Salt Lake City Arts Council

Snow, Christensen & Martineau Foundation Spitzberg-Rothman Foundation Summerhays Music Center Tesoro Petroleum Corporation Texas de Brazil* The Fanwood Foundation Western Office The Val A. Green & Edith D. Green Foundation US Bank Utah Autism Foundation Victor Herbert Foundation

$1,000 TO $9,999 AC Hotel Salt Lake City/Downtown* Adib’s Rug Gallery Bambara* Bertin Family Foundation Better Days CBRE City Creek Center Corning Incorporated Foundation D’Addario Foundation David Dee Fine Arts Grandeur Peak Global Advisors Henry W. & Leslie M. Eskuche Charitable Foundation Holland & Hart J. Wong’s Thai & Chinese Bistro*

34

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

ADMINISTRATION ADMINISTRATION Steven Brosvik

Barlow Bradford

Symphony Chorus Director

PATRON SERVICES Faith Myers

David Green

Director of Orchestra Personnel

Merry Magee

President & CEO

Walt Zeschin

Senior Vice President & COO

Julie McBeth

Executive Assistant to the CEO

Collette Cook

Executive Assistant to the Sr. VP and COO & Office Manager

OPERA ARTISTIC Christopher McBeth

Andrew Williams

Orchestra Personnel Manager

Lance Jensen

Executive Assistant to the Music Director Symphony Chorus Manager

SYMPHONY OPERATIONS Cassandra Dozet

Director of Orchestra Operations

Opera Artistic Director

Melissa Robison

Carol Anderson Principal Coach

Program Publication & Front of House Director

Director of Production

Production & Stage Manager

Chip Dance

Michelle Peterson

Kate Henry

Michaella Calzaretta

Operations Manager

Opera Chorus Master

Brooke Hundley

Opera Production Coordinator

OPERA TECHNICAL Jared Porter

Jeff F. Herbig

Properties Manager & Assistant Stage Manager

Lyndsay Keith

Artist Logistics Coordinator

Senior Technical Director

Robyne Anderson

Kelly Nickle

2nd Assistant Stage Manager

Properties Master

DEVELOPMENT Leslie Peterson

Dusty Terrell

Scenic Charge Artist

Vice President of Development

COSTUMES Verona Green

Jessica Proctor

Director of Institutional Giving

Costume Director

Jessica Cetrone

Olivia Custodio

Kierstin Gibbs LisaAnn DeLapp

Heather Weinstock

Amanda Reiser Meyer

Lisa Poppleton

Milivoj Poletan

Nikki Orlando

Tiffany Lent

Ellesse Hargreaves

Donna Thomas

MARKETING & COMMUNICATIONS Jon Miles

Director of Individual Giving

Costume Rentals Supervisor

Director of Special Events & DVMF Donor Relations

Rentals Assistants

Grants Manager

Wardrobe Supervisor

Development Operations Manager

Tailor

Development Assistant

Cutter/Draper

Milliner & Craftsperson

Vice President of Marketing & Public Relations

SYMPHONY ARTISTIC Thierry Fischer

Symphony Music Director

Renée Huang

Vice President of Symphony Artistic Planning

Kathleen Sykes

Marketing Manager - Patron Loyalty

Mara Lefler

Sales Manager

Andrew J. Wilson

Patron Services Manager

Hallie Wilmes

Patron Services Assistant

Genevieve Gannon

Group Sales Associate

Jenna O’Dell Sarah Pehrson Powell Smith Sales Associates

Nicholas Barker Lorraine Fry Ellen Lewis Naomi Newton Ian Painter Talia Ricci Ananda Spike Ticket Agents

ACCOUNTING & INFORMATION TECHNOLOGY Steve Hogan

Vice President of Finance & CFO

Mike Lund

Director of Information Technologies

Karyn Cunliffe Controller

Alison Mockli

Payroll & Benefits Manager

Kyle Siedschlag

Accounts Payable Specialist

Jared Mollenkopf

Patron Information Systems Manager

EDUCATION Paula Fowler

Director of Education & Community Outreach

Kyleene Johnson

Symphony Education Manager

Annie Farnbach

Symphony Education Assistant

Director of Communications & Digital Media

Anthony Tolokan

Conner Gray Covington

Director of Patron Engagement

Digital Content Producer

Associate Conductor & Principal Conductor of the Deer Valley® Music Festival

Robert Bedont

Marketing Manager - Audience Development

Nina Starling

Website Content Coordinator We would also like to recognize our interns and temporary and contracted staff for their work and dedication to the success of utah symphony | utah opera.

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

35

PLANNED GIVING

SUPPORT GREAT LIVE MUSIC IN OUR COMMUNITY WITH A GIFT TO THE ANNUAL FUND Please join our wonderful Utah Symphony | Utah Opera family of donors who sustain great live music in our community. As a 501(c)(3) non-profit organization, USUO is thankful for your generosity that supports our musicians, singers, artisans, crew and staff. Your gift now will make an impact as we plan for the future.

The CARES Act has enacted new rules around charitable giving. The bill makes a new charitable deduction available for up to $300 per taxpayer, regardless of whether you itemize your deductions. Furthermore, if you do itemize, you may elect to deduct qualified contributions of up to 100% of your adjusted gross income in 2020. Please consult your tax advisor or financial planner to determine the impact of CARES Act changes on your personal tax situation.

CONSIDER USUO IN YOUR ESTATE PLANNING We never know what the future holds, but our eyes have been opened to how crucial planning ahead is. The pandemic has caused many of us to contemplate our legacy, assess our priorities, and plan for the future. Perhaps now more than ever, we recognize how important and meaningful it is to have a place where we can gather as a community to be uplifted and inspired by great music. If you want to ensure the future legacy of Utah Symphony | Utah Opera for future audiences to enjoy, please include USUO in your estate planning.

36

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

TANNER AND CRESCENDO SOCIETIES

“YOU ARE THE MUSIC WHILE THE MUSIC LASTS.”~T.S. Eliot

Utah Symphony | Utah Opera offers sincere thanks to our patrons who have included USUO in their financial and estate planning.

Please contact Leslie Peterson at lpeterson@usuo.org or 801-869-9012 for more information, or visit our website at usuo.giftplans.org.

TANNER SOCIETY OF UTAH SYMPHONY

Beethoven Circle (gifts valued at more than $100,000) Anonymous (3) Doyle Arnold & Anne Glarner Edward R. Ashwood & Candice A. Johnson Dr. J. Richard Baringer Haven J. Barlow Marcy & Mark Casp Shelly Coburn Raymond & Diana Compton Anne C. Ewers

Mahler Circle

Anonymous (3) Eva-Maria Adolphi Dr. Robert H.† & Marianne Harding Burgoyne Mr. & Mrs. Kenneth E. Coombs Paul (Hap) & Ann† Green Robert & Carolee Harmon Richard G. & Shauna† Horne Virginia A. Hughes Ms. Marilyn Lindsay† Turid V. Lipman

Flemming & Lana Jensen James Read Lether Daniel & Noemi P. Mattis Anthony & Carol W. Middleton, Jr., M.D. Robert & Diane Miner Glenn Prestwich Kenneth A.† & Jeraldine S. Randall Mr.† & Mrs. Alvin Richer

Patricia A. Richards & William K. Nichols Sharon & David† Richards Harris H. & Amanda P. Simmons E. Jeffery & Joyce Smith G.B. & B.F. Stringfellow Norman† & Barbara† Tanner Mr. & Mrs. M. Walker Wallace

Herbert C. & Wilma Livsey Dianne May Jerry & Marcia McClain Jim & Andrea Naccarato Stephen H. & Mary Nichols Mr. & Mrs. Scott Parker Mr. & Mrs. Michael A. Pazzi Richard Q. Perry Chase† & Grethe Peterson Glenn H. & Karen F. Peterson Thomas A. & Sally† Quinn

Dan & June Ragan Mr. Grant Schettler Glenda & Robert† Shrader Mr. Robert C. Steiner & Dr. Jacquelyn Erbin† JoLynda Stillman Joann Svikhart Frederic & Marilyn† Wagner Jack R. & Mary Lois† Wheatley Edward J. & Marelynn Zipser

CRESCENDO SOCIETY OF UTAH OPERA Anonymous Mr. & Mrs. William C. Bailey Judy Brady & Drew W. Browning Dr. Robert H.† & Marianne Harding Burgoyne Shelly Coburn Dr. Richard J. & Mrs. Barbara N. Eliason Anne C. Ewers Edwin B. Firmage

Joseph & Pat Gartman Paul (Hap) & Ann† Green John & Jean† Henkels Edward R. Ashwood & Candice A. Johnson Clark D. Jones Turid V. Lipman Herbert C. & Wilma Livsey Richard W. & Frances P. Muir Marilyn H. Neilson

Carol & Ted Newlin Patricia A. Richards & William K. Nichols Mr.† & Mrs. Alvin Richer Jeffrey W. Shields G.B. & B.F. Stringfellow Norman† & Barbara Tanner Dr. Ralph & Judith Vander Heide Edward J. & Marelynn Zipser †Deceased

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

37

UTAH SYMPHONY GUILD OUR MISSION

Because we believe great music can elevate the human spirit, the purpose of the Guild is to foster, promote, and facilitate the operation of the Utah Symphony Orchestra financially, socially, and educatonally.

It is our honor to maintain a gift shop throughout the year which raises funds for our orchestra. We have added all our available items to the “online store” and all proceeds go to USUO. We will continue adding events as social distancing requirements allow to aid in rasing funds for our great orchestra.

We will sponsor the Youth Guild and outreach violin lessons again this season, and we appreciate your ongoing support of these important community programs.

To join or renew your membership in the guild you may go to our web page and fill out the new members information. www.utahsymphonyguild.org Carolyn Abravanel Eva-Maria Adolphi Wendy Ajax Fran & Tom Akimoto Georgia L. Anderson Reva Anderson Margaret Anderson Wirth Linda Babcock Brenda Bailey William Scot Barraclough & Tom D. Camomile Dominic Barsi Randy & Jeni Bathemess Jean E. Barton Charmaine Bauer Suzanne & Clisto Beaty Maxine Beckstead Karol Behling Janet Bennett Heather Benson Eve Bertran-Hales & Don Hales Joan Blanck Rose Marie Breinholt Chip & Anne Browne Nancy Browning & Michael Homer Mary Ellen B. Caine Akemi Call Gertrud Carpenter

Mary A. Carter Renee Christensen Cecile Christiansen Lynne Church Dianne Clark Doyle Clayburn Melou Cline Beth & Boyle Cole Kathleen Coon Peggy Cordon Marcia Cowley-Keen Janet Cox Tom Cox Carolyn Creek-McCallister Susan L. Croft Wendy & John Crossman Kathryn C. Culbertson Robert & Caprene Curtis William and Bonnie Daniloff Frances Darger Marlene Dazley Joyce De Forest & Robert Duke De Forest Laura Diaz Moore Nancy Dietzler Amy Dixon Carol Elliott Judy Emery Jennifer Fairbourn Rosemary Fairbourn

Reece Fawcett Thierry & Catherine Fischer Carolyn Fredin Patricee Annee Gallagher Patricia A. Giovanazzo Marian & Sidney Green Simon Gretsch SandyLee & David Griswold Janet Hales Kathleen Hall Laurie Hallam Gerry Hanni Shirley M. Hanson Carolee Harmon Nancy Hayes Janet Healy Kristin Hill Sally W. Hodel Kathie & Chuck Horman Rebecca & Stephen Howard Leigh Hutchison Isabella Iasella Mateusz Jagiello Darlene Jenkins Carl Johansen Scott Johnson & Rebecca McGarry Beverly C. Johnson Arlene Jonsson Charlotte Jordan Continued on page 36…

38

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

Getaway at the Grand Make plans to escape the ordinary with our Grand Choice Package and receive a $100 credit to enjoy during your stay.

GRANDA MERICA .COM | 800.304.8696

UTAH SYMPHONY GUILD

Ingrid Kaufman Cynthia Kilian Mary Lynn Kinsel Kathy Knowlton Allison Knudson Martin Krueger Kari Landro Angela Laros Lona Mae Lauritzen Nancy Laursen Liz Le Fevre Nora Linscott Wilma S. Livsey Donna Lyon Susan MacIan Carole & Malcolm MacLeod Jennifer & Gideon Malherbe Heidrun I. Mandy Rebecca Marriott-Champion Tonya Marshall Janice Maughan Maybell McCann Camilla McLaughlin Melissa Robison Ann Mentes Julia & Anna Meredith Henriette Mohebbizadeh Heather Moore Karen Morgan Jill Moriearty Sabra Moyes Renate Baron Nebeker Kent & Denise Nelson Bradley & Laurissa Neuenschwander Sylvia Newton Christine Nickerson

40

Jean Nielsen Carol Nixon Patti Noel Wilma Odell Delmira & Gary Pactoulick Catherine Paiz Judy Parmelee Barbara Patrick Helen Petersen Ann Petersen Leslie Peterson & Kevin Higgins Marilyn Phillips Mrs. Jane O. Piercey Mary-Margaret Pingree Janis Pope Marilyn Poulsen Sherry Poulson Jeana Quigley Carol & Gunter Radinger Hildegard Rayner Joanne Rich Marilyn Poulsen Gina Rieke Della V. Roberts and Warren Gilmour Lynn Rohland Alene M. Russon Martha Sammond Margaret Sargent Amanda & Jonathan Schmieder Glenda Shrader Nan Sibbett Joyce Skidmore Wilson Dorotha Smart Michele Smith

Dianne R. Smith Rita Smith Donna & Ron Smith Joan J. Smith Janette P. Sonnenberg Carol L. Sonntag Elise Stanley Sandra Steiner Marsh Robert Stephenson & Lisa Byrnes Ramona Sterling Jennifer Stroud Lorraine & Walter Stuecken Joann Svikhart Cayman L. Thomas Deborah Tuttle Shirley Van Wagenen Beth V. Cole and Dr. B. Cole Jenette L. Voss Susan Walles Robert & Tilda Wangerien Miriam H. Waterman Paul & Cynthia Watson Suzanne Weaver Heather Weinstock Susan & Brent Westergard Bonnie White Mr. & Mrs. Frank W. Williams Connie & Glenn Wimer Jerre Winder Pamela Wing Nicole Woodland Ethnie Wright & Hunter Gundersen Betty & Frank Yanowitz Red York Dwan Young

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

THANK YOU! During the time when concerts in Abravanel Hall, Capitol Theater, and the Deer Valley Music Festival were cancelled, the Excellence Concert Series featured Utah Symphony and Utah Opera musicians in live streamed concerts from the Gallivan Center.

Thank you for featuring our musicians and giving us quality performance opportunities during this difficult time.

ACKNOWLEDGMENTS

UTAH SYMPHONY | UTAH OPERA 123 West South Temple Salt Lake City, UT 84101 801-533-5626 EDITOR

Melissa Robison HUDSON PRINTING COMPANY www.hudsonprinting.com 241 West 1700 South Salt Lake City, UT 84115 801-486-4611 AUDITING AND ACCOUNTING SERVICES PROVIDED BY

Tanner, llc LEGAL REPRESENTATION PROVIDED BY

Ballard Spahr Andrews & Ingersoll, llp Dorsey & Whitney, LLP Holland & Hart, LLP Jones Waldo ADVERTISING MEDIA & WEBSITE SERVICES PROVIDED BY

Love Communications, Salt Lake City

ADVERTISING CREATIVE & BRANDING SERVICES PROVIDED BY

Struck, Salt Lake City / Portland

The organization is committed to equal opportunity in employment practices and actions, i.e. recruitment, employment, compensation, training, development, transfer, reassignment, corrective action and promotion, without regard to one or more of the following protected class: race, color, religion, sex, national origin, age, disability, family status, veteran status, sexual orientation, gender identity and political affiliation or belief.

Abravanel Hall and The Janet Quinney Lawson Capitol Theatre are owned and operated by the Salt Lake County Center for the Arts.

By participating in or attending any activity in connection with Utah Symphony | Utah Opera, whether on or off the performance premises, you consent to the use of any print or digital photographs, pictures, film, or videotape taken of you for publicity, promotion, television, websites, or any other use, and expressly waive any right of privacy, compensation, copyright, or ownership right connected to same.

Photo Credit: Austen Diamond

44

UTAHSYMPHONY.ORG

/

(801) 533-NOTE

VOLUNTEERING

WITH UTAH SYMPHONY | UTAH OPERA