DEMARRE MCGILL, FLUTE & BEETHOVEN’S 1ST SYMPHONY

DEMARRE MCGILL, FLUTE & BEETHOVEN’S 1ST SYMPHONY MAY 20–22, 2021

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CONTENTS

TONIGHT’S CONCERT

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Welcome

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Artistic Director’s Welcome

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Utah Symphony

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Board of Trustees

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Season Sponsors

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Donors

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Administration

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Planned Giving

DEMARRE MCGILL, FLUTE & BEETHOVEN’S 1ST SYMPHONY

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Tanner & Crescendo Societies

MAY 20–22, 2021

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Utah Symphony Guild

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Education

ARTISTS’ PROFILES

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Acknowledgments

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Program notes and artist bios for upcoming and past performances are available on utahsymphony.org.

@UtahSymphony

PUBLISHER Mills Publishing, Inc. PRESIDENT Dan Miller OFFICE ADMINISTRATOR Cynthia Bell Snow ART DIRECTOR/ PRODUCTION MANAGER Jackie Medina GRAPHIC DESIGN Ken Magleby UTAHSYMPHONY.ORG

NOTES ON THE PROGRAM

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WELCOME

Throughout history, the arts have helped humanity translate experiences when words alone do not suffice.

The arts have been, and continue to be, present when we need them the most. Orchestral music and Opera hold a moment in time and tell rich and moving stories that resonate with new and long-time listeners alike. Music is in our collective past, present, and future.

Steven Brosvik President & CEO

During this unique time in our history, Utah Symphony | Utah Opera has found creative ways to continue connecting our community through great music.

Your support helped us initiate safely distanced live performances from September through November, pivot to streamed performances when our venues were closed to live audiences in December, and create new online music education offerings distributed throughout our state via the Utah Education Network. This moment will reaffirm that, even (perhaps especially) in times of turmoil, we all recognize the importance of preserving our access to the arts. This season would not have been possible without the incredible generosity of the community leaders and donors recognized in the donor pages of this program.

Another important pillar of our community has stepped forward to help us deepen and broaden our support to ensure that USUO can continue to create great music well into the future. All new and increased contributions received through May 1, 2021, will be matched 1:1 by the George S. and Dolores Doré Eccles Foundation. With this announcement, the Foundation Trustees express optimism for a bright future filled with uplifting musical experiences, and encourage the community at large to participate with them in supporting Utah Symphony | Utah Opera. Please visit usuo.org/donate to learn more.

While our world has changed, the power of music and its vital place in our lives has not. Thank you for joining us today to demonstrate the importance of USUO in your life.

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UTAH SYMPHONY Thierry Fischer, Music Director

The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation Conner Gray Covington

Associate Conductor

Barlow Bradford Symphony Chorus Director

VIOLIN* Madeline Adkins

Concertmaster The Jon M. & Karen Huntsman Chair, in honor of Wendell J. & Belva B. Ashton

Kathryn Eberle

Associate Concertmaster The Richard K. & Shirley S. Hemingway Chair

Ralph Matson†

Associate Concertmaster

Laura Ha

Acting Associate Concertmaster

David Park

Assistant Concertmaster

Claude Halter

Principal Second

Wen Yuan Gu

Associate Principal Second

Evgenia Zharzhavskaya Assistant Principal Second

Karen Wyatt•• Joseph Evans LoiAnne Eyring Lun Jiang Rebekah Johnson Veronica Kulig David Langr Melissa Thorley Lewis Hannah Linz•• Yuki MacQueen Alexander Martin Rebecca Moench Hugh Palmer• David Porter Lynn Maxine Rosen Barbara Ann Scowcroft• Ju Hyung Shin• Bonnie Terry• Julie Wunderle • First Violin •• Second Violin

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VIOLA* Brant Bayless

Principal The Sue & Walker Wallace Chair

Yuan Qi

Associate Principal

Elizabeth Beilman† Julie Edwards Joel Gibbs Carl Johansen Scott Lewis John Posadas Whittney Thomas CELLO* Matthew Johnson Acting Principal The J. Ryan Selberg Memorial Chair

Andrew Larson

Acting Associate Principal

John Eckstein Walter Haman Anne Lee Louis-Philippe Robillard Kevin Shumway Pegsoon Whang BASS* David Yavornitzky Principal

Corbin Johnston Associate Principal

James Allyn Andrew Keller Edward Merritt Jens Tenbroek Thomas Zera HARP Louise Vickerman Principal

FLUTE Mercedes Smith

Principal The Val A. Browning Chair

Lisa Byrnes

PICCOLO Caitlyn Valovick Moore

TRUMPET Travis Peterson

OBOE James Hall

Jeff Luke

Principal The Gerald B. & Barbara F. Stringfellow Chair

Robert Stephenson Associate Principal

Lissa Stolz ENGLISH HORN Lissa Stolz CLARINET Tad Calcara

Associate Principal

Peter Margulies Paul Torrisi TROMBONE Mark Davidson Principal

Sam Elliot

Associate Principal

BASS TROMBONE Graeme Mutchler

Principal The Norman C. & Barbara Lindquist Tanner Chair, in memory of Jean Lindquist Pell

TIMPANI George Brown

Erin Svoboda-Scott

PERCUSSION Keith Carrick

Associate Principal

Lee Livengood BASS CLARINET Lee Livengood E-FLAT CLARINET Erin Svoboda-Scott BASSOON Lori Wike

Principal The Edward & Barbara Moreton Chair

Leon Chodos

Associate Principal

Jennifer Rhodes CONTRABASSOON Leon Chodos HORN Edmund Rollett

Principal

Eric Hopkins

Associate Principal

Principal

Eric Hopkins Michael Pape KEYBOARD Jason Hardink Principal

LIBRARIANS Clovis Lark Principal

Katie Klich ORCHESTRA PERSONNEL Walt Zeschin Director of Orchestra Personnel

Andrew Williams

Orchestra Personnel Manager

Acting Principal

Caitlyn Valovick Moore

Llewellyn B. Humphreys Brian Blanchard Stephen Proser

* String Seating Rotates † On Leave

# Sabbatical †† Substitute Member

Associate Principal

Principal

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BOARD OF TRUSTEES ELECTED BOARD Thomas M. Love* Chair

Gary L. Crocker David L. Dee* Dr. Julie Aiken Hansen Daniel Hemmert Stephen Tanner Irish Thomas N. Jacobson Abigail E. Magrane Brad W. Merrill Robin J. Milne Judy Moreton Dr. Dinesh C. Patel Frank R. Pignanelli Gary B. Porter Jason Price Shari H. Quinney Miguel R. Rovira Stan Sorensen Dr. Shane D. Stowell Naoma Tate Thomas Thatcher

W. James Tozer Dr. Astrid Tuminez David Utrilla Kelly Ward Kim R. Wilson Thomas Wright* Henry C. Wurts

Herbert C. Livsey, Esq. David T. Mortensen Scott S. Parker David A. Petersen Patricia A. Richards*

Harris Simmons Verl R. Topham David B. Winder

John Bates Howard S. Clark Kristen Fletcher

Richard G. Horne Ron Jibson E. Jeffery Smith

Spencer F. Eccles The Right Reverend Carolyn Tanner Irish Dr. Anthony W. Middleton, Jr. Edward Moreton Marilyn H. Neilson O. Don Ostler

Stanley B. Parrish Marcia Price David E. Salisbury Jeffrey W. Shields, Esq. Diana Ellis Smith

Joanne F. Shiebler Chair (Utah)

Susan H. Carlyle (Texas)

Harold W. Milner (Nevada)

David L. Brown (S. California)

Robert Dibblee (Virginia)

Marcia Price (Utah)

Anthon S. Cannon, Jr. (S. California)

Senator Orrin G. Hatch (Washington D.C.)

Doyle L. Arnold* Brian Greeff* Joanne F. Shiebler* Vice Chairs Annette W. Jarvis* Secretary John D’Arcy* Treasurer Steven Brosvik* President & CEO Austin Bankhead Dr. Stewart E. Barlow Judith M. Billings

MUSICIAN REPRESENTATIVES Kathryn Eberle* Julie Edwards* EX OFFICIO Doyle Clayburn Utah Symphony Guild Jennifer Webb Onstage Ogden

LIFETIME BOARD William C. Bailey Kem C. Gardner* Jon Huntsman, Jr. G. Frank Joklik Clark D. Jones TRUSTEES EMERITI Carolyn Abravanel Dr. J. Richard Baringer Haven J. Barlow HONORARY BOARD Jesselie B. Anderson Kathryn Carter R. Don Cash Bruce L. Christensen Raymond J. Dardano Geralyn Dreyfous Lisa Eccles NATIONAL ADVISORY COUNCIL

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*Executive Committee Member † Deceased UTAHSYMPHONY.ORG

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SEASON SPONSORS

SALT LAKE COUNTY COMMUNITY PARTNERS

KEM AND&CAROLYN GARDNER

ALTERNATIVE VISIONS FUND E N V IRONME N T • A RTS • H U M A N I T IE S

Utah Symphony | Utah Opera Season Sponsor | 2020-21

Enriching excellence in the arts in Utah for more than half a century.

George S. and Dolores Doré Eccles Foundation Board of Directors (l to r): Robert M. Graham , Spencer F. Eccles, Lisa Eccles

MASTERWORK SERIES

DEMARRE MCGILL, FLUTE & BEETHOVEN’S 1ST SYMPHONY MAY 20–22, 2021 / 7:30 / ABRAVANEL HALL

Thierry Fischer, conductor Demarre McGill, flute (Utah Symphony debut)

JOLIVET: Suite en concert

Modere Stabile Hardiment Calme - Veloce Demarre McGill, flute

BEETHOVEN: Symphony No. 1 in C Major, Op. 21 I. II. III. IV.

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Adagio molto - Allegro con brio Andante cantabile con moto Menuetto: Allegro molto e vivace Finale: Adagio - Allegro molto e vivace

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ARTISTS’ PROFILES

Thierry Fischer has been Music Director of the Sao Paulo Symphony since March 2020 and of the Utah Symphony since 2009, becoming Music Director Emeritus in 2023.

He was Principal Guest of the Seoul Philharmonic 2017–2020, Principal Conductor of the BBC National Orchestra of Wales 2006–2012, and Chief Conductor of the Nagoya Philharmonic 2008–2011 (now Honorary Guest Conductor).

In recent seasons he has conducted the Boston, Cleveland, Atlanta and Cincinnati symphonies, Mostly Mozart Festival Orchestra (New York), BBC Symphony, Oslo Philharmonic, Rotterdam Philharmonic, Maggio Musicale Firenze, Salzburg Mozarteumorchester, Orchestre de la Suisse Romande; also the Swedish and Munich chambers, Chamber Orchestra of Europe, Orchestra of the Age of Enlightenment and the Ensemble Intercontemporain. He has performed and commissioned many world premieres.

Thierry Fischer Music Director The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation

He has led Utah Symphony in annual single composer cycles including Mahler, Ives and Nielsen; he has also released acclaimed performances of Mahler’s symphonies 1 and 8 on Reference Records, the latter with the world-renowned Mormon Tabernacle Choir. 2019 saw the first release of a Saint-Saens symphony cycle on Hyperion as part of an ongoing collaboration (also to excellent reviews). He has conducted the orchestra in Utah’s five national parks and forged outreach links in Haiti. In celebration of its 75th anniversary season in 2016, he brought the orchestra to Carnegie Hall for the first time in 40 years and released a CD of newly commissioned works by Nico Muhly, Andrew Norman, and Augusta Read Thomas.

For his inaugural concerts in Sao Paulo Fischer conducted Beethoven’s Missa Solemnis with the OSESP Orchestra and Chorus to launch their 2020 Beethoven season. Last season’s highlights also included three back-to-back Beethoven programmes with the Brussels Continued on the next page…

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ARTISTS’ PROFILES

Philharmonic at Flagey in Brussels; at the Southbank Centre he conducted Tristan Murail with the London Sinfonietta and Stravinsky’s Rite of Spring with the Royal Philharmonic Orchestra. In Autumn 2020, on top of concerts with his titled orchestras, he returned to the London Philharmonic for a streamed concert at the Royal Festival Hall.

Whilst Principal Conductor of the BBC National Orchestra of Wales 20062012 Fischer appeared every year at the BBC Proms, toured internationally, and recorded for Hyperion, Signum and Orfeo, winning the ICMA Award in 2012 for Frank Martin’s Der Sturm on Hyperion with the Netherlands Radio Philharmonic

Orchestra and Chorus. In 2014 he released a Beethoven disc with the London Philharmonic on the Aparte label.

Fischer started out as Principal Flute in Hamburg and at the Zurich Opera.

His conducting career began in his 30s when he replaced an ailing colleague, subsequently directing his first few concerts with the Chamber Orchestra of Europe where he was Principal Flute under Claudio Abbado. He spent his apprentice years in Holland, and became Principal Conductor and Artistic Advisor of the Ulster Orchestra 2001–2006.

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ARTISTS’ PROFILES

Winner of an Avery Fisher Career Grant and the Sphinx Medal of Excellence, Demarre McGill has appeared as soloist with numerous orchestras including the Philadelphia Orchestra, the Seattle, Pittsburgh, Dallas, San Diego and Baltimore Symphony Orchestras and, at age 15, the Chicago Symphony.

Demarre has participated in festivals around the globe, is co-founder of Art of Élan, a founding member of the Myriad Trio and, along with clarinetist Anthony McGill and pianist Michael McHale, founded the McGill/McHale Trio in 2014.

As an educator, he performs, coaches and presents master classes throughout the United States and in Europe, Asia and South Africa. Committed to teaching, he is on the faculty of the Aspen Music Festival and School, and holds the position of Associate Professor of Flute at the University of Cincinnati College-Conservatory of Music.

Demarre McGill Flute

Now principal flute of the Seattle Symphony, Demarre previously served as principal flute of the Dallas Symphony, San Diego Symphony, Florida Orchestra, and Santa Fe Opera Orchestra as well as acting principal flute of the Metropolitan Opera Orchestra and the Pittsburgh Symphony Orchestra.

A native of Chicago, Demarre studied there with Susan Levitin, and continued his studies at The Curtis Institute of Music and The Juilliard School with Jeffrey Khaner and Julius Baker.

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NOTES ON THE PROGRAM

By Micheal Clive

André Jolivet (1905–1974)

Suite en concert for flute and four percussionists Born in the Montmartre section of Paris, André Jolivet was the son of an artist father and pianist mother. His own interest in the arts emerged early, and at age 14 he began studying the cello and painting.

His parents—perhaps because of their firsthand knowledge of the difficulties of the artist’s life—encouraged him to become a teacher, but his music instructors believed he had a future in music, and so did André himself. From his earliest youth André regarded his music as a strong affirmation of his ardent non-conformism “It’s an attitude I’ve held to, come what may, one that will perhaps allow me in the future to express, in a way no less independently, but, I hope, more perfectly, the new relationships in sound which I am aware of and which I see are going to emerge.” Throughout his life Jolivet remained faithful to this goal.

Paul Le Flem, Jolivet’s first composition teacher, imbued him with a firm grounding in classical forms. Later exposure to the work of Arnold Schoenberg piqued Jolivet’s interest in more modern tonal techniques of composition, and he eventually became the sole European student of the influential modernist Edgard Varèse. These disparate influences are borne out in the wide range of Jolivet’s output, comprising

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more than 200 works. We can also hear in them the unique, almost mystical power that Jolivet accorded to the art of music itself: From the time of Mana (1935) to La Flèche du temps (1974), he expressed the need “to give back to music its original ancient meaning, when it was the magical, incantatory expression of the religious beliefs of human groups.”

Although Jolivet had no desire to found a school, he felt the need to write a kind of music that addressed itself to mankind in general. He sought to combine humanism and universalism.

Jolivet’s Suite en concert, also known as his second concerto (for flute), was composed at the behest of the eminent French flutist Jean-Pierre Rampal. Rampal had performed Jolivet’s first flute concerto so many times that he finally requested a second concerto from Jolivet. Clearly inspired by the challenge, Jolivet produced a work that flutists everywhere value as one of the most fascinating compositions in the repertory. Devotees of Jolivet’s music note that his choice of instruments is extremely significant: He cherished both flute and percussion as being instruments very near to the “primal” senses and origin of music he saw as essential.

The Suite is technically challenging to play. It stretches the limits of the percussion instruments as well as the flute with a rhythmic structure that is unusual and intricate. The sound has been characterized as primitive in character, giving rise to an almost frenzied energy; but it may be more accurate to describe this as the deep, “primal” sense

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of music’s origins that Jolivet pursued throughout his career as a composer. In this inner sense of the music in our blood and bones, Jolivet’s listeners hear the unique sound of genius.

Ludwig van Beethoven (1770–1827)

Symphony No. 1 in C Major Music scholars—in fact, historians of all sorts—love to divide lives and eras into threes, and in Beethoven’s case, this practice began when he was still alive and has endured to the present day. But when it comes to his Symphony No. 1, generally categorized as “early Beethoven,” we learn more by considering that this important work came at the beginning of a new century.

More than just the calendar was changing.

Beethoven was 29 when he composed this symphony, in 1799 and 1800, and it represents the start of something new and epochal for him: his foray into symphonic form. His teachers Haydn and Mozart were masters of the symphony, and in his first attempt, Beethoven paid homage to their mastery while daring to innovate.

It’s no secret that Beethoven chafed under Haydn’s instruction, and we can well imagine that Beethoven’s questing, rebellious artistic spirit might have clashed with Haydn’s statesmanlike formalism.

Beethoven reserved his first efforts at the string quartet and the symphony, the two forms for which Haydn was most noted, for the very end of his “early” period, by which time he was fully confident of his

composing skills and his unique voice.

In his Symphony No. 1, Beethoven was keen to demonstrate his full command of the symphonic form as Haydn had used it, while broadening the form in scope and artistic ambition.

During his lifetime, Beethoven—along with the German writer Johann Wolfgang von Goethe—became one of the two most celebrated cultural figures in continental Europe. In 1800, though already famous, he had not yet reached that level of celebrity. But his first symphony was definitely a step in that direction.

Contemporary critics immediately recognized it as something new and important, hailing its beauty and originality.

One contemporary Viennese critic called the symphony “a masterpiece that does equal honor to [Beethoven’s] inventiveness and his musical knowledge.

Being just as beautiful and distinguished in its design as its execution, there prevails in it such a clear and lucid order, such a flow of the most pleasant melodies, and such a rich, but at the same time never wearisome, instrumentation that this symphony can justly be placed next to Mozart’s and Haydn’s.”

Considering the sense of grace and courtliness that prevails as we listen, it may be surprising to note that for some ears, Beethoven’s innovativeness was a little too bold. For example, the first movement opens with the dominant chord that moves to the subdominant…a little harmonic adventure that piques our curiosity before resolving into the tonic Continued on page 24…

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key. No other composer of the day would have dared to begin a symphony in this fashion, and according to one critic, “such a beginning is not suitable for the opening of a grand [concert hall.]”

name.” Beethoven surprises us again with the final movement, which opens with a stately adagio that shows no signs of going anywhere, then suddenly opens onto a brisk and bubbling finale.

For today’s listeners, this startling introduction has the opposite effect, opening our ears and sweeping us headlong into the onrush of music. And while the second movement begins with more traditional reserve—violins singing an elegant theme—Beethoven soon steps up the energy and then keeps it at a higher-than-customary level, whisking us along with a quick-stepping minuet. According to one present-day musicologist, it is “a scherzo in all but

“Early” Beethoven? Arguably, yes: This symphony shows the composer’s deference to the Classical style and the teachers who imparted it to him. But it also reveals the boldness of artistic spirit and the originality through which he would eventually leave Classicism behind, reinventing the symphony for future generations. The craft he honed in his “early” symphonies would eventually enable Beethoven to make the great philosophical statements of his later ones.

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Mr. August L. Schultz Thomas & Gayle Sherry Sheryl & James Snarr Elana Spitzberg & Avi Markowitz Christine St. Andre & Cliff Hardesty Jeff Tolk & Astrid Tuminez Dr. Ralph & Judith Vander Heide Susan & David† Wagstaff John & Susan Walker Sharon Walkington Frank & Janell Weinstock David & Jerre Winder E. Art Woolston & Connie Jo Hepworth-Woolston

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INDIVIDUAL DONORS

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INDIVIDUAL DONORS

FRIEND ($1,000 TO $1,499) Anonymous (4) Jim Alexander Ryan Aller Christine A. Allred Dr. & Mrs. Jeffrey L. Anderson Pj Aniello Ian Arnold Drs. Crystal & Dustin Armstrong Curtis Atkisson, Jr. David Bailey Mr. & Mrs. Lawrence R. Barusch David Bateman Alice & Bill Bierer Kevin Burdette Michael & Frances Carnes Dana Carroll & Jeannine Marlowe Carroll Mr. & Mrs. Fred L. Carter, Jr. William & Patricia Child Jeremiah Clawson Dorothy B. Cromer James Dashner Alice Edvalson Eric & Shellie Eide Eugene & Charlotte England Sheila & David Gardner Tracy & Scott Garmon Ralph & Rose Gochnour Mr. Keith Guernsey John & Ilauna Gurr Emily & Chauncey Hall Dr. Elizabeth Hammond Jonathan Hart Barbara E Higgins

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Connie C. Holbrook Stephen Irish Bryce & Karen† Johnson Chester & Marilyn Johnson Nicholas Johnson Gary Lambert Guttorm & Claudia Landro Tim & Angela Laros Harrison & Elaine Levy MS. Mary Pat McCurdie MR. Jeffrey McNeal Clifton & Terri McIntosh Warren K†. & Virginia G. McOmber Lex Hemphill & Nancy Melich David B. & Colleen A. Merrill Brad Merrill David Merrill Glenn & Dav Mosby Henriette Mohebbizadeh Dr. John C. & Karen Nelson Dr. & Mrs. Richard T. O'Brien Lee K. Osborne Dr. Marzia Pasquali & Ms. Nicola Longo Mr.† & Mrs. James Patterson Linda S. Pembroke Rori & Nancy Piggott Arthur & Susan Ralph Gina Rieke Marie Rosol Miguel Rovira Rachel Sabin David & Lois Salisbury Brent & Jan Scharman

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Dennis & Annabelle Shrieve Stuart & Mary Silloway Barbara Slaymaker Kenneth Uy Barbara Viskochil Brad & Linda Walton Dr. James C. Warenski Rochelle Warner Cindy Williams Margaret & Gary Wirth Marsha & Richard Workman Paul Wright

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ENDOWMENT DONORS TO UTAH SYMPHONY | UTAH OPERA ENDOWMENT Utah Symphony | Utah Opera is grateful to those donors who have made commitments to our Endowment Fund. The Endowment Fund is a vital resource that helps the long-term well-being & stability of USUO, & through its annual earnings, supports our Annual Fund.

For further information, please contact 801-869-9015.

Gael Benson Edward Ashwood & Candice Johnson Estate of Alexander Bodi The Elizabeth Brown Dee Fund for Music in the Schools Lawrence T. & Janet T. Dee Foundation Thomas & Candace Dee

Hearst Foundation Roger & Susan Horn The Right Reverend Carolyn Tanner Irish & Frederick Quinn Edward & Barbara Moreton Estate of Pauline C. Pace Perkins-Prothro Foundation Kenneth† & Jerrie Randall

The Evelyn Rosenblatt Young Artist Award Bill & Joanne Shiebler James R. & Susan Swartz Norman C. Tanner & Barbara L. Tanner Trust O.C. Tanner Company M. Walker & Sue Wallace

GIFTS MADE IN HONOR Jan Bennett Marie Nelson Bennett Neill & Linda Brownstein Adrienne Coombs Anne & Ashby Decker Peggy Chase Dreyfous Paula Fowler

Kem Gardner Burton & Elaine Gordon Barbara Scowcroft & Ralph Matson Mary Muir Mrs. Barbara Nellestein Matthew & Maria Proser Pat Richards

Jim & Gail Riepe Joanne & Bill Shiebler Grant Gill Smith Dale Strobel Whittney Thomas Jim & Zibby Tozer J. Brian Whitesides

GIFTS MADE IN MEMORY Dennis Austin Jay T. Ball Dawn Ann Bailey Donald Basinger Betty Bristow Robert H. Burgoyne, M.D. Doris Macfarlane Corry Kathie Dalton Dr. James Drake Robert Ehrlich William K. Evans Jr. Leah Burrows Felt Loraine L. Felton Crawford Gates 34

Lowell P. Hicks Jamila Janata Dr. Gary B. Kitching M.D. Harry Lakin Andrea Lane Julia Lawrence Frank & Maxine McIntyre Warren K. (Sandy) McOmber Clyde Dennis Meadows Dr. Richard George Middleton Mary Muir Mary E. Nelson Jack Newton

Richard Perkins Glade & Mardean Peterson Rhoda Ramsey Richard Reiser Norman B. Ross Shirley Corbett Russell J. Ryan Selberg Venice Shields Ann O'Neill Shigeoka, M.D. Phillis "Philly" Sims Robert C. Sloan Dorotha Smart Barbara Tanner Maxine Winn

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INSTITUTIONAL DONORS We thank our generous donors for their annual support of Utah Symphony | Utah Opera. * in-kind donation

** in-kind & cash donation

$100,000 OR MORE Alternative Visions Fund Crocker Catalyst Fund The Church of Jesus Christ of Latter-day Saints Lawrence T. & Janet T. Dee Foundation George S. & Dolores Doré Eccles Foundation Marriner S. Eccles Foundation

The Florence J. Gillmtor Foundation Emma Eccles Jones Foundation LOVE Communications** Larry H. Miller Family Foundation O.C. Tanner Company Salt Lake County / Zoo, Arts, & Parks Program Shiebler Family Foundation

Sorenson Legacy Foundation State of Utah Utah Board of Education (Professional Outreach Programs in the Schools) William Randolph Hearst Foundation Zions Bank

Frederick Q. Lawson Foundation League of American Orchestras

Summit County Restaurant Tax / RAP Tax John & Marcia Price Foundation

Moreton Family Foundation Nora Eccles Treadwell Foundation Charles Maxfield & Gloria F. Parrish Foundation Theodore & Elizabeth Schmidt Family Foundation S.J. & Jessie E. Quinney Foundation

JoAnne L. Shrontz Family Foundation Simmons Family Foundation Utah Education Network Utah Symphony Guild

$50,000 TO $99,999 Anonymous Dominion Energy Janet Q. Lawson Foundation

$25,000 TO $49,999 Arnold Machinery Brent & Bonnie Jean Beesley Foundation Cache Valley Electric C. Comstock Clayton Foundation Goldman Sachs & Co. LLC JKS Legacy Foundation McCarthey Family Foundation

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INSTITUTIONAL DONORS $10,000 TO $24,999 Anonymous HJ & BR Barlow Foundation B.W. Bastian Foundation BMW of Murray R. Harold Burton Foundation Marie Eccles Caine FoundationRussell Family Cultural Vision Fund

Matthew B. Ellis Foundation Grandeur Peak Global Advisors Governor’s Office of Economic Development Richard K. & Shirley S. Hemingway Foundation Promontory Foundation Regence BlueCross BlueShield of Utah

The Joseph & Evelyn Rosenblatt Charitable Fund Salt Lake City Arts Council Summit Sotheby's The Swartz Foundation Utah Office of Tourism W. Mack & Julia S. Watkins Foundation The Christian V. & Lisa D. Young Family Foundation

Holland & Hart Kulynych Family Foundation II, Inc. M Lazy M Foundation Onstage Ogden Orem City CARE Tax Park City Community Foundation Raymond James & Associates Ray, Quinney & Nebeker Foundation

Rocky Mountain Power Foundation Rodney H. & Carolyn Hansen Brady Charitable Foundation Rotary Club of Salt Lake Snow, Christensen & Martineau Foundation Victor Herbert Foundation U.S. Bank Foundation Utah Autism Foundation

$1,000 TO $9,999 Anonymous Altabank Bertin Family Foundation Chinese Railroad Workers Descendants Association City Creek Center Corning Incorporated Foundation CBRE Fang Family Foundation The Val A. Green & Edith D. Green Foundation

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ADMINISTRATION ADMINISTRATION Steven Brosvik

DEVELOPMENT Leslie Peterson

PATRON SERVICES Faith Myers

David Green

Jessica Proctor

Merry Magee

Olivia Custodio

Mara Lefler

Heather Weinstock

Andrew J. Wilson

President & CEO

Vice President of Development

Senior Vice President & COO

Julie McBeth

Executive Assistant to the CEO

Collette Cook

Executive Assistant to the Sr. VP and COO & Office Manager

Director of Institutional Giving Director of Individual Giving Director of Special Events & DVMF Donor Relations

SYMPHONY ARTISTIC Thierry Fischer

Lisa Poppleton

Anthony Tolokan

Development Assistant

Grants Manager

Symphony Music Director

Ellesse Hargreaves

Vice President of Symphony Artistic Planning

OPERA ARTISTIC Christopher McBeth

Conner Gray Covington

Associate Conductor & Principal Conductor of the Deer Valley® Music Festival

Opera Artistic Director

Carol Anderson Principal Coach

Director of Patron Engagement Marketing Manager - Patron Loyalty Sales Manager

Patron Services Manager

Hallie Wilmes

Patron Services Assistant

Genevieve Gannon

Group Sales Associate

Alicia Ross Val Tholen

Sales Associates

Nicholas Barker Lorraine Fry Ellen Lewis Naomi Newton Ian Painter Talia Ricci Ananda Spike

Barlow Bradford

Michelle Peterson

Walt Zeschin

Michaella Calzaretta

Andrew Williams

Orchestra Personnel Manager

OPERA TECHNICAL Jared Porter

Executive Assistant to the Music Director & Symphony Chorus Manager

Kelly Nickle

Vice President of Finance & CFO

Dusty Terrell

Director of Information Technologies

Symphony Chorus Director

Director of Production

Director of Orchestra Personnel

Opera Chorus Master

Lance Jensen

SYMPHONY OPERATIONS Cassandra Dozet

Director of Orchestra Operations

Melissa Robison

Program Publication & Front of House Director

Senior Technical Director

ACCOUNTING & INFORMATION TECHNOLOGY Steve Hogan

Properties Master

Mike Lund

Scenic Charge Artist

Alison Mockli

COSTUMES Verona Green

Kyle Siedschlag

Costume Director

Amanda Reiser Meyer

Chip Dance

Wardrobe Supervisor

Production & Stage Manager

Milivoj Poletan

Kate Henry

Tailor

Operations Manager Properties Manager & Assistant Stage Manager

Lyndsay Keith

Artist Logistics Coordinator

Robyne Anderson

2 Assistant Stage Manager nd

Payroll & Benefits Manager Accounts Payable Specialist

Jared Mollenkopf

Patron Information Systems Manager

EDUCATION Paula Fowler

Cutter/Draper

Director of Education & Community Outreach

Milliner & Craftsperson

Symphony Education Manager

MARKETING & COMMUNICATIONS Jon Miles

Symphony Education Assistant

Tiffany Lent

Jeff F. Herbig

Ticket Agents

Donna Thomas

Kyleene Johnson Annie Jones

Vice President of Marketing & Public Relations

Kathleen Sykes

Content & Social Media Manager

Robert Bedont

Marketing Manager - Audience Development

Nina Starling

Website Content Coordinator

We would also like to recognize our interns and temporary and contracted staff for their work and dedication to the success of utah symphony | utah opera.

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PLANNED GIVING

SUPPORT GREAT LIVE MUSIC IN OUR COMMUNITY WITH A GIFT TO THE ANNUAL FUND Please join our wonderful Utah Symphony | Utah Opera family of donors who sustain great live music in our community. As a 501(c)(3) non-profit organization, USUO is thankful for your generosity that supports our musicians, singers, artisans, crew and staff. Your gift now will make an impact as we plan for the future.

The CARES Act has enacted new rules around charitable giving. The bill makes a new charitable deduction available for up to $300 per taxpayer, regardless of whether you itemize your deductions. Furthermore, if you do itemize, you may elect to deduct qualified contributions of up to 100% of your adjusted gross income in 2020. Please consult your tax advisor or financial planner to determine the impact of CARES Act changes on your personal tax situation.

CONSIDER USUO IN YOUR ESTATE PLANNING We never know what the future holds, but our eyes have been opened to how crucial planning ahead is. The pandemic has caused many of us to contemplate our legacy, assess our priorities, and plan for the future. Perhaps now more than ever, we recognize how important and meaningful it is to have a place where we can gather as a community to be uplifted and inspired by great music. If you want to ensure the future legacy of Utah Symphony | Utah Opera for future audiences to enjoy, please include USUO in your estate planning.

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TANNER AND CRESCENDO SOCIETIES

“YOU ARE THE MUSIC WHILE THE MUSIC LASTS.”~T.S. Eliot

Utah Symphony | Utah Opera offers sincere thanks to our patrons who have included USUO in their financial and estate planning.

Please contact Leslie Peterson at lpeterson@usuo.org or 801-869-9012 for more information, or visit our website at usuo.giftplans.org.

TANNER SOCIETY OF UTAH SYMPHONY

Beethoven Circle (gifts valued at more than $100,000) Anonymous (3) Doyle Arnold & Anne Glarner Edward R. Ashwood & Candice A. Johnson Dr. J. Richard Baringer Haven J. Barlow Marcy & Mark Casp Shelly Coburn Raymond & Diana Compton Anne C. Ewers

Mahler Circle

Anonymous (3) Eva-Maria Adolphi Dr. Robert H.† & Marianne Harding Burgoyne Mr. & Mrs. Kenneth E. Coombs Paul (Hap) & Ann† Green Robert & Carolee Harmon Richard G. & Shauna† Horne Virginia A. Hughes Ms. Marilyn Lindsay† Turid V. Lipman

Flemming & Lana Jensen James Read Lether Daniel & Noemi P. Mattis Anthony & Carol W. Middleton, Jr., M.D. Robert & Diane Miner Glenn Prestwich Kenneth A.† & Jeraldine S. Randall Mr.† & Mrs. Alvin Richer

Patricia A. Richards & William K. Nichols Sharon & David† Richards Harris H. & Amanda P. Simmons E. Jeffery & Joyce Smith G.B. & B.F. Stringfellow Norman† & Barbara† Tanner Mr. & Mrs. M. Walker Wallace

Herbert C. & Wilma Livsey Dianne May Jerry & Marcia McClain Jim & Andrea Naccarato Stephen H. & Mary Nichols Mr. & Mrs. Scott Parker Mr. & Mrs. Michael A. Pazzi Richard Q. Perry Chase† & Grethe Peterson Glenn H. & Karen F. Peterson Thomas A. & Sally† Quinn

Dan & June Ragan Mr. Grant Schettler Glenda & Robert† Shrader Mr. Robert C. Steiner & Dr. Jacquelyn Erbin† JoLynda Stillman Joann Svikhart Frederic & Marilyn† Wagner Jack R. & Mary Lois† Wheatley Edward J. & Marelynn Zipser

CRESCENDO SOCIETY OF UTAH OPERA Anonymous Mr. & Mrs. William C. Bailey Judy Brady & Drew W. Browning Dr. Robert H.† & Marianne Harding Burgoyne Shelly Coburn Dr. Richard J. & Mrs. Barbara N. Eliason Anne C. Ewers Edwin B. Firmage

Joseph & Pat Gartman Paul (Hap) & Ann† Green John & Jean† Henkels Edward R. Ashwood & Candice A. Johnson Clark D. Jones Turid V. Lipman Herbert C. & Wilma Livsey Richard W. & Frances P. Muir Marilyn H. Neilson

Carol & Ted Newlin Patricia A. Richards & William K. Nichols Mr.† & Mrs. Alvin Richer Jeffrey W. Shields G.B. & B.F. Stringfellow Norman† & Barbara Tanner Dr. Ralph & Judith Vander Heide Edward J. & Marelynn Zipser †Deceased

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UTAH SYMPHONY GUILD OUR MISSION

Because we believe great music can elevate the human spirit, the purpose of the Guild is to foster, promote, and facilitate the operation of the Utah Symphony Orchestra financially, socially, and educatonally.

It is our honor to maintain a gift shop throughout the year which raises funds for our orchestra. We have added all our available items to the “online store” and all proceeds go to USUO. We will continue adding events as social distancing requirements allow to aid in rasing funds for our great orchestra.

We will sponsor the Youth Guild and outreach violin lessons again this season, and we appreciate your ongoing support of these important community programs.

To join or renew your membership in the guild you may go to our web page and fill out the new members information. www.utahsymphonyguild.org Carolyn Abravanel Eva-Maria Adolphi Wendy Ajax Fran & Tom Akimoto Georgia L. Anderson Reva Anderson Margaret Anderson Wirth Linda Babcock Brenda Bailey William Scot Barraclough & Tom D. Camomile Dominic Barsi Randy & Jeni Bathemess Jean E. Barton Charmaine Bauer Suzanne & Clisto Beaty Maxine Beckstead Karol Behling Janet Bennett Heather Benson Eve Bertran-Hales & Don Hales Joan Blanck Rose Marie Breinholt Chip & Anne Browne Nancy Browning & Michael Homer Mary Ellen B. Caine Akemi Call Gertrud Carpenter

Mary A. Carter Renee Christensen Cecile Christiansen Lynne Church Dianne Clark Doyle Clayburn Melou Cline Beth & Boyle Cole Kathleen Coon Peggy Cordon Marcia Cowley-Keen Janet Cox Tom Cox Carolyn Creek-McCallister Susan L. Croft Wendy & John Crossman Kathryn C. Culbertson Robert & Caprene Curtis William and Bonnie Daniloff Frances Darger Marlene Dazley Joyce De Forest & Robert Duke De Forest Laura Diaz Moore Nancy Dietzler Amy Dixon Carol Elliott Judy Emery Jennifer Fairbourn Rosemary Fairbourn

Reece Fawcett Thierry & Catherine Fischer Carolyn Fredin Patricee Annee Gallagher Patricia A. Giovanazzo Marian & Sidney Green Simon Gretsch SandyLee & David Griswold Janet Hales Kathleen Hall Laurie Hallam Gerry Hanni Shirley M. Hanson Carolee Harmon Nancy Hayes Janet Healy Kristin Hill Sally W. Hodel Kathie & Chuck Horman Rebecca & Stephen Howard Leigh Hutchison Isabella Iasella Mateusz Jagiello Darlene Jenkins Carl Johansen Scott Johnson & Rebecca McGarry Beverly C. Johnson Arlene Jonsson Charlotte Jordan Continued on page 36…

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Reserve our Grand Choice Package to receive a $100 hotel credit to enjoy during your stay.

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UTAH SYMPHONY GUILD

Ingrid Kaufman Cynthia Kilian Mary Lynn Kinsel Kathy Knowlton Allison Knudson Martin Krueger Kari Landro Angela Laros Lona Mae Lauritzen Nancy Laursen Liz Le Fevre Nora Linscott Wilma S. Livsey Donna Lyon Susan MacIan Carole & Malcolm MacLeod Jennifer & Gideon Malherbe Heidrun I. Mandy Rebecca Marriott-Champion Tonya Marshall Janice Maughan Maybell McCann Camilla McLaughlin Melissa Robison Ann Mentes Julia & Anna Meredith Henriette Mohebbizadeh Heather Moore Karen Morgan Jill Moriearty Sabra Moyes Renate Baron Nebeker Kent & Denise Nelson Bradley & Laurissa Neuenschwander Sylvia Newton Christine Nickerson

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Jean Nielsen Carol Nixon Patti Noel Wilma Odell Delmira & Gary Pactoulick Catherine Paiz Judy Parmelee Barbara Patrick Helen Petersen Ann Petersen Leslie Peterson & Kevin Higgins Marilyn Phillips Mrs. Jane O. Piercey Mary-Margaret Pingree Janis Pope Marilyn Poulsen Sherry Poulson Jeana Quigley Carol & Gunter Radinger Hildegard Rayner Joanne Rich Marilyn Poulsen Gina Rieke Della V. Roberts and Warren Gilmour Lynn Rohland Alene M. Russon Martha Sammond Margaret Sargent Amanda & Jonathan Schmieder Glenda Shrader Nan Sibbett Joyce Skidmore Wilson Dorotha Smart Michele Smith

Dianne R. Smith Rita Smith Donna & Ron Smith Joan J. Smith Janette P. Sonnenberg Carol L. Sonntag Elise Stanley Sandra Steiner Marsh Robert Stephenson & Lisa Byrnes Ramona Sterling Jennifer Stroud Lorraine & Walter Stuecken Joann Svikhart Cayman L. Thomas Deborah Tuttle Shirley Van Wagenen Beth V. Cole and Dr. B. Cole Jenette L. Voss Susan Walles Robert & Tilda Wangerien Miriam H. Waterman Paul & Cynthia Watson Suzanne Weaver Heather Weinstock Susan & Brent Westergard Bonnie White Mr. & Mrs. Frank W. Williams Connie & Glenn Wimer Jerre Winder Pamela Wing Nicole Woodland Ethnie Wright & Hunter Gundersen Betty & Frank Yanowitz Red York Dwan Young

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UTAH SYMPHONY EDUCATION

CONNECTING TO CLASSROOMS A DIGITAL CONCERT, ACTIVITY SHEETS, COMPOSER BIOGRAPHIES, PERFORMANCE VIDEOS, AND MANY MORE OFFERINGS FOR STUDENTS AND TEACHERS UTAH SYMPHONY EDUCATION CONCERT Is COVID-19 causing you to feel angry? Grateful for your family? Sad? Hopeful for the future? W hat about your students?

Experience all of the emotions surrounding this pandemic through music in our 30-minute digital concert which features brilliant pieces, an introduction to all of the instruments of the orchestra, and a look inside Abravanel Hall.

Contact Ky Johnson

lgohnson@usuo.org

MORE CREATIVI T Y Utah Symphony continues to create digital programs and opportunities designed for teachers and students whether they are learning in a physical classroom or online. We look forward to offering post-concert meet and greets with our musicians, ensemble coachings, and additional performance and education videos.

Stay tuned by visiting: utahsymphony.org/connectingtoclassrooms

TEACHING IS HARD. LET US HELP. UTAH SYMPHONY THIERRY FISCHER, MUSIC DIRECTOR

THANK YOU! During the time when concerts in Abravanel Hall, Capitol Theater, and the Deer Valley Music Festival were cancelled, the Excellence Concert Series featured Utah Symphony and Utah Opera musicians in live streamed concerts from the Gallivan Center.

Thank you for featuring our musicians and giving us quality performance opportunities during this difficult time.

ACKNOWLEDGMENTS

UTAH SYMPHONY | UTAH OPERA 123 West South Temple Salt Lake City, UT 84101 801-533-5626 EDITOR

Melissa Robison HUDSON PRINTING COMPANY www.hudsonprinting.com 241 West 1700 South Salt Lake City, UT 84115 801-486-4611 AUDITING AND ACCOUNTING SERVICES PROVIDED BY

Tanner, llc LEGAL REPRESENTATION PROVIDED BY

Ballard Spahr Andrews & Ingersoll, llp Dorsey & Whitney, LLP Holland & Hart, LLP Jones Waldo ADVERTISING MEDIA & WEBSITE SERVICES PROVIDED BY

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ADVERTISING CREATIVE & BRANDING SERVICES PROVIDED BY

Struck, Salt Lake City / Portland

The organization is committed to equal opportunity in employment practices and actions, i.e. recruitment, employment, compensation, training, development, transfer, reassignment, corrective action and promotion, without regard to one or more of the following protected class: race, color, religion, sex, national origin, age, disability, family status, veteran status, sexual orientation, gender identity and political affiliation or belief.

Abravanel Hall and The Janet Quinney Lawson Capitol Theatre are owned and operated by the Salt Lake County Center for the Arts.

By participating in or attending any activity in connection with Utah Symphony | Utah Opera, whether on or off the performance premises, you consent to the use of any print or digital photographs, pictures, film, or videotape taken of you for publicity, promotion, television, websites, or any other use, and expressly waive any right of privacy, compensation, copyright, or ownership right connected to same.

Photo Credit: Austen Diamond

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