PRE-PRINT COVERS HIR
by Taylor Mac
FEB 11 â€“ MARCH 17 2018
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Table of Contents
Welcome�������������������������������������������������������������������������������������������������������� 6 HIR................................................................................................................. 7 Corporate Sponsors��������������������������������������������������������������������������������������� 8 Acknowledgements....................................................................................... 10 Cast of Characters........................................................................................ 13 In the Room with Tracy Callahan.................................................................. 14 Who’s Who����������������������������������������������������������������������������������������������������16 Playwrights' Lab��������������������������������������������������������������������������������������������23 Coming Next FUN HOME and SATURDAY'S VOYEUR......................................... 24 University Professional Theatre Program....................................................... 26 NPSS Free Reading........................................................................................ 27 Sponsors, Friends and Supporters................................................................ 28 Ring of Keys Campaign................................................................................. 31 Salt Lake Acting Company Staff���������������������������������������������������������������������32 Board of Trustees������������������������������������������������������������������������������������������33 Green Room Gallery...................................................................................... 35 For Our Audience������������������������������������������������������������������������������������������36
Welcome HIMSELF HIRSELF HEhim HIS
Paige makes a good point and as we welcome you to Salt Lake Acting Company and to HIR by Taylor Mac, we invite you to reimagine gender. Gender identity is how we perceive ourselves in the world and it goes beyond our biological makeup and is separate from who we are attracted to. Between the pronouns he and she, there are hundreds of varieties of personal gender pronouns. You can’t always know someone’s pronoun by looking at them; asking which pronoun they use shows respect and validation.
“What you think you know, you do not know. There are no longer two genders. No longer simply a Y and X chromosome, but an alphabet of genders. In these new genders, exists new pronouns. Max is no longer a she or a he. So you call Max, ze. You must use ze instead of the pronouns he or she and you must use the pronoun, hir, in place of the pronouns her or him.” Paige, the mother in HIR
I absolutely love the education I receive from the plays SLAC produces. I’m constantly rethinking my life. I revel in the understanding and ever-broadening awareness of what it means to be human and how we can improve our relationships with each other. A core value of SLAC is our inclusive and supportive work environment, and honoring personal gender pronouns is an important component of creating a safe place for staff, artists and audience. Thank you for being here, and cheers to expanding hearts and minds, Cynthia Executive Artistic Director She/her/hers
When we introduce ourselves at our first rehearsals, we state our personal gender pronoun. This is a baby step, and we are in the process of adding personal gender pronouns on all company contact sheets and even in the signatures of our emails. Using the wrong pronoun can make a person feel unsafe, dismissed, and the worst case scenario, erased. We all want to do the right thing and honor one’s identity, and as we learn, we will make mistakes. When you do refer to someone with the wrong pronoun, apologize and correct it. It is also important and good practice to use the correct personal gender pronoun when the person is not in the room and you’re speaking about them/hir/per/her/him.
Taylor Mac Director
Production Stage Manager
University Professional Theatre Program
Assistant Sound Design
Assistant Costume Design
Assistant Light Design
Martin C. Alcocer
* Member of Actorsâ€™ Equity Association, the Union of Professional Actors and Stage Managers in the United States **The lighting designer of HIR is represented by United Scenic Artists Local USA 829 of the IATSE Playwrights Horizons, Inc., New York City, produced the New York City Premiere of HIR Off-Broadway in 2015. HIR was developed and given its world premiere at Magic Theatre, San Francisco, CA. Loretta Greco, Producing Artistic Director Opening Night was February 4, 2014. HIR was workshopped as part of the Creativity Fun, a program of New Dramatists. HIR is presented by special arrangement with Dramatists Play Service,Inc., New York.
Corporate Sponsors 2017/2018 Salt Lake Acting Company sincerely thanks the following Corporate Partners who make the 2017/2018 Season possible:
Albion Financial Group Anderson & Karrenberg Clear Lamp LLC Dorsey & Whitney LLP Especially For You Fidelity Investments Henries Dry Cleaning Holland & Hart LLP Larry H. Miller Charities Maschoff Brennan Mazza Meditrina Mills Publishing, Inc NJRA Architects ProTel Red Rock Brewing Company Rocky Mountain Power Salt Lake Roasting Company SLUG Magazine Smithâ€™s Food & Drug Stores StorageCraft Technology Corporation US Bank Veterinary Orthopedic Services Wasatch Beers/Squatters Beers We Olive Wells Fargo Wilkinson Ferrari & Company XMission
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Acknowledgements The Salt Lake Acting Company gratefully acknowledges the following foundations and government agencies for their very generous sponsorship. Their support is truly essential to SLAC’s success and vitality.
Salt Lake County Zoo, Arts & Parks (ZAP) Salt Lake County Cultural Facilities Support Program National Endowment for the Arts Utah Division of Arts & Museums Salt Lake City Arts Council The Shubert Foundation, Inc. Emma Eccles Jones Foundation George S. & Dolores Doré Eccles Foundation B.W. Bastian Foundation John & Marcia Price Family Foundation Terence Kearns Stephens Charitable Fund Edgerton Foundation Marriner S. Eccles Foundation National New Play Network Lawrence T. & Janet T. Dee Foundation McCarthey Family Foundation Jarvis & Constance Doctorow Family Foundation Larry H. and Gail Miller Family Foundation Anonymous S.J. & Jessie E. Quinney Foundation The Richard K. & Shirley S. Hemingway Foundation Henry W. & Leslie M. Eskuche Foundation Utah Humanities U.S. Bank Foundation Weinholtz Family Foundation The Dramatists Guild Fund Rocky Mountain Power Foundation
This project is supported in part by Salt Lake County’s Zoo Arts and Parks program, Utah Division of Arts and Museums, with funding from the State of Utah and the Salt Lake City Arts Council.
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Cast of Characters ISAAC CONNOR.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Austin Archer* PAIGE CONNOR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christy Summerhays* MAX CONNOR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Liggera Edmonds-Allen ARNOLD CONNOR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Richard Scott*
* Member of Actorsâ€™ Equity Association, the Union of Professional Actors and Stage Managers in the United States
Liggera Edmonds-Allen, Austin Archer, Christy Summerhays, Richard Scott, Tracy Callahan
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In The Room with
Tracy Callahan The subject matter is timely and in many ways timeless. I feel challenged by all that must be accomplished in order to do the work justice. That is pretty exciting to me! What is your favorite part of the rehearsal process? Why?
Let’s start with your relationship with SLAC and how you came to know this play. I am originally from Chicago and came to Utah to work with Weber State’s Theatre Program about 23 years ago. SLAC was the first theatre I approached to see about directing projects. They hired me that season to co-direct an evening of one-act plays with three other local directors and I have been working on and off with them ever since. Although I knew about Taylor Mac and his unique performance style I was not aware of this play until I saw it on SLAC’s season and read it. I had a very strong reaction to the subject matter and Mac’s vision of domestic abuse and survival as well as the way he tore through the emotional gamut. What excites you about HIR and this production of it? It is like nothing I have ever directed—it is fresh and violent and sad and funny.
I like both my personal journey with the text in preparation for rehearsal and then discovering and unlocking all of the hidden truths of the play when I work with actors in the rehearsal room. I came to directing via acting so I feel a keen sense of the struggles and triumphs the actors experience as they cajole and at times wrestle the character from the page. Are there any unique challenges with this play? Hmmm where do I begin? I guess I would have to say that there is a unique balance in the play that Mac describes as “Absurd Realism”, absurdity that comes from a heightened but realistic point of view. Figuring out how to stretch the boundaries without losing the heart of the play is the blissful struggle of the text. Luckily I have surrounded myself with talented actors who are willing to experiment and explore the huge range that this play demands. Is there a character and/or theme in HIR that you particularly connect with? Why? The idea that we are “all everything” in the world and the way Mac explores gender roles and specifically the transgender character as a metaphor for society and the future is very
exciting. There is so much news about how we identify as though this is a new concept in the world but many cultures throughout history have accepted the idea of multiple genders. Until India came under British rule the notion of more than two genders was part of the culture. As the character Max, who is 17 and identifies as transgender says towards the end of the play, “HIRstory is not new. I’m not the new. I’m old. There is no new. How can you become new in a form that’s so old its experimentation is a craft.” We in the west are behind in our willingness to accept and embrace difference as a natural part of human existence. This view is one that I feel is both timely and a direct expression
of the kind of socially aware theatre I am most drawn to. What are you most looking forward to come opening night? I am interested to see how the play and this production lands on the audience. As with all plays, the ultimate test is how the audience receives the work that we have been exploring. I have found over the years that SLAC’s audiences are the most open and generous in the state but they are also discerning and hold us to a standard of excellence. That is exactly as it should be. It is a challenge that makes the journey all the more worthwhile.
WHO’S WHO AUSTIN ARCHER*
(Isaac) is thrilled to be back at SLAC for his 12th production with the company, having previously performed in five seasons of SATURDAY’S VOYEUR, as well as CLIMBING WITH TIGERS, THE CAT IN THE HAT, CLICK, CLACK MOO, HOW I BECAME A PIRATE, BLOODY, BLOODY ANDREW JACKSON, and TOO MUCH MEMORY. He has also been seen locally at Pioneer Theatre Company in NEWSIES, PETER AND THE STARCATCHER, SPELLING BEE, THE ROCKY HORROR SHOW, MUCH ADO ABOUT NOTHING, and A FEW GOOD MEN. Television credits include MINDHUNTER (Netflix), BLOOD AND OIL (ABC), EVERWOOD (The WB), and TOUCHED BY AN ANGEL (CBS). A playwright as well, his play JUMP will premier in April at Plan B Theatre Company as part of their 201718 season. All the love and thanks to my incredible family, and to SLAC for being such a wonderful artistic home away from home for me. Enjoy the show!
LIGGERA EDMONDSALLEN (Max) is so
excited to be performing on the SLAC stage! They have just returned to Utah from New York, where they worked as a theatrical consultant for Parity, designing youth theatre workshops for transgender teens. Their prior work includes the role of Cassidy in Good Company Theatre’s production of APPROPRIATE. They are also an Ogden based potter, playwright and poet. They would like to thank their moms, Alicia Washington, and Nicholas Maughan for their love and support.
(Arnold) has worked as an actor, director, producer and instructor in the Utah theatre community for more than 30 years. He has worked with Pioneer Theatre Company, Grand Theatre, Park City’s Egyptian Theatre, Utah Opera and SLAC. Richard ‘s history as an actor with SLAC goes back to the 1990’s with THE GHOSTMAN, VOICE OF THE PRAIRIE, GUN SHY and RIDE DOWN MOUNT MORGAN. He directed THE MAN FROM NEBRASKA at SLAC. He was awarded the Salt Lake City Artist Mayor’s Award in 2010 and is a member of Actors Equity. Richard is currently Dean of the School of Arts, Communications & Media at Salt Lake Community College’s South City campus.
(Paige) is so happy to be back at SLAC! Her previous roles with the company include Annette in GOD OF CARNAGE and Harper in ANGELS IN AMERICA. Most recently Christy was seen in two world premier plays at Plan B Theatre Company – as Hildeguard von Bingen in Tim Slover’s VIRTUE, and as Astrid in Eric Samuelson’s THE ICE FRONT. Christy is also an active member of the Utah film community and will be seen in the movie HEREDITARY starring Toni Collette and Gabrielle Byrne, filmed in Utah this year! Christy received her training at The American Academy of Dramatic Arts.
TAYLOR MAC (Playwright) (who uses “judy”, lowercase sic, not as a name but as a gender pronoun) is a playwright, actor, singer-songwriter, performance artist, director and producer. “A critical www.saltlakeactingcompany.org
WHO’S WHO darling of the New York scene” (NY Magazine), TimeOut NY has called Mac “One of the most exciting theater artists of our time” (naming judy a future theater legend). Judy’s work has been performed at New York City’s Lincoln Center, The Public Theatre and Playwrights Horizons, Los Angeles’s Royce Hall, Minneapolis’s Guthrie Theater, Chicago’s Steppenwolf Theatre, the Sydney Opera House, Boston’s American Repertory Theatre, Stockholm’s SodraTheatern, the Spoleto Festival, San Francisco’s Curran Theater and MOMA, and literally hundreds of other theaters, museums, music halls, opera houses, cabarets, and festivals around the globe. Judy is the author of seventeen full-length plays and performance pieces including HIR (placed on the top ten theater of 2015
lists of The New York Times, New York Magazine, and Time Out NY; published by North Western University Press and in American Theater Magazine), THE LILY'S REVENGE (Obie Award), THE WALK ACROSS AMERICA FOR MOTHER EARTH (named One of the Best Plays of 2011 by The New York Times), THE YOUNG LADIES OF (Chicago’s Jeff Award nomination for best solo), RED TIDE BLOOMING (Ethyl Eichelberger Award), THE BE(A)ST OF TAYLOR MAC (Edinburgh Festival’s Herald Angel Award) and in collaboration with Mandy Patinkin, Susan Stroman and Paul Ford, Mac created THE LAST TWO PEOPLE ON EARTH: AN APOCALYPTIC VAUDEVILLE. Mac is the recipient of multiple awards including the Doris Duke Performing Artist Award, a Guggenheim Award, the Herb Alpert Award
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WHO’S WHO in Theater, the Peter Zeisler Memorial Award, the Helen Merrill xPlaywriting Award and an Obie. An alumnus of New Dramatists judy is currently a New York Theater Workshop Usual Suspect and the Resident playwright at the Here Arts Center.
TRACY CALLAHAN (Director) is happy for the opportunity to direct Taylor Mac’s play HIR. Past directing projects at SLAC include last season’s WINTER by Playwright in Residence Julie Jensen, VENUS IN FUR, MANNING UP, COURSE 86B IN THE CATALOGUE, SIX YEARS and HOW I LEARNED TO DRIVE. Tracy is a freelance director and actor in the Salt Lake Area. She has been the Head of the Acting and Directing Program at Weber State University for the past 23 years where she has directed more than 40 productions. Tracy’s interests include new play development, and working with young artists with disabilities through the VSA program at The Kennedy Center For Performing Arts. JESSE PORTILLO** (Lighting Design)
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is happy to return to SLAC for his ninth season. Previous SLAC productions include THE TRUE STORY OF THE THREE LITTLE PIGS, DIARY OF A WORM, A SPIDER AND A FLY, CLIMBING WITH TIGERS, STREET LIGHT WOODPECKER, TWO STORIES, RED, THE PERSIAN QUARTER, HOW TO MAKE A ROPE SWING, and A YEAR WITH FROG AND TOAD. Other design credits include productions for Plan-B Theatre, Utah Festival Opera and Musical Theater, Pioneer Theatre Company, Arizona Broadway Theater, Egyptian Theatre Company, LOOK Musical Theatre, Idaho State University, Baylor University, Millikin University and Mobile Opera. Portillo holds an MFA in Lighting Design from Indiana University, and is an Assistant Professor at the College of Charleston. He is a member of the United States Institute for Theatre Technology
WHO’S WHO and United Scenic Artists Local 829.
CARA POMEROY (Set Design) is a graduate from the University of Utah Theatre department where she earned a BA in Theatre Studies with a focus on Scenic Design. Her recent credits include BULL SHARK ATTACK for Salt Lake Acting Company, THE OTHER PLACE, and KISS OF THE SPIDER WOMAN for Utah Repertory Theatre Company and PERDIDA at The Grand Theatre. She works as a carpenter and scenic painter for Pioneer Theatre Company. JENNIFER JACKSON (Composer/ Sound Designer) is excited to return for another season with SLAC. Previous design and/or original music credits include ROMEO AND JULIET (Yale Repertory Theatre); HAND TO GOD, HARBUR GATE, BULL SHARK ATTACK, STREETLIGHT WOODPECKER, BLACKBERRY WINTER, TWO STORIES (Salt Lake Acting Company); TWELFTH NIGHT, THE LAST FIVE YEARS, A MIDSUMMER NIGHT’S DREAM, HENRY IV, PART I (Salt Lake Shakespeare); ION (Westminster College) and THE ORPHAN (Children of an Idle Brain Theatre Company - of which she is a founding member). Her sound installations have been exhibited at the Yale University Art Gallery and the University of Utah. Jennifer holds a MFA from Yale School of Drama and is on the faculty of the University of Utah Department of Theatre where her credits include LOVE’S LABOUR’S LOST, THE TWO NOBLE KINSMEN, GOOD KIDS, and SCHOOL FOR LIES. jenjacksonsound.com JANICE JENSON (Prop Design) has
worked at Salt Lake Acting Company for the past 6 years as stage manager, Company Manager, and Associate Producer and currently serves as SLAC’s Producing Director. Janice is a proud
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WHO’S WHO member of Actor’s Equity Association and has stage managed over twenty shows at SLAC, including the last six SATURDAY’S VOYEUR’s. Previously, Janice has worked at Park City’s Egyptian Theatre, Dark Horse Company Theatre, Plan-B, and Tuacahn Center for the Arts. In 2008 Janice was selected as a USITT Stage Management Mentee, where she stage managed THE HISTORY OF DRAG. Janice is a graduate of BYU in Theatre Arts Studies and recently graduated from Westminster College with her Masters of Community Leadership.
SPENCER POTTER (Costume Design) is an Assistant Professor of Theatre at Westminster College and a freelance costume/set designer working between the Western and Mid-Atlantic regions. Spencer’s design
credits include: Salt Lake Acting Company (costumes) – THE TRUE STORY OF THE THREE LITTLE PIGS. Shenandoah Conservatory Winchester, Virginia (costume) – THE ROADS TO HOME, DIE FLEDERMAUS. The Lyric Repertory Company Logan, Utah (costumes) THE ODD COUPLE, (set) WAIT UNTIL DARK, SINGIN’ IN THE RAIN, NOISES OFF, AND THEN THERE WERE NONE, TONS OF MONEY, THE WOMAN IN BLACK, and STEEL MAGNOLIAS. Tuacahn Ivins, Utah (costumes) – THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE, ALADDIN (asst.) Cape May Stage Cape May, New Jersey (set): BILLY BISHOP GOES TO WAR, BUYER AND CELLAR, THE WHIPPING MAN, THE SEARCH FOR SIGNS OF INTELLIGENT LIFE, RED HOT PATRIOT, BLITHE SPIRIT, HOW TO MAKE A ROPE SWING. spencerpotterdesign.com
WHO’S WHO ADRIANA LEMKE (Fight Director) is
happy to be fight directing for Salt Lake Acting Company again after her last production here, SURELY GOODNESS AND MERCY. She is certified through Dueling Arts International and The Society of American Fight Directors. Adriana is grateful for the opportunity she had to be assistant fight director to Chris DuVal in Utah Shakespeare Festival’s 2015 season and Pioneer Theatre Company’s THE COUNT OF MONTE CRISTO and THE LAST SHIP. As fight director, Adriana has worked on several other shows including ION with The Classical Greek Theatre Festival, TWELFTH NIGHT with Salt Lake Shakespeare, HAMLET with nextStage Theatre at Sun Valley Shakespeare Festival, PICNIC with The Grand Theatre, and HAMLET: ALL FEMALE with The University of Utah and Flying Bobcat.
JENNIE SANT* (Stage Manager).
Previous shows at SLAC include SURELY GOODNESS AND MERCY, REYKJAVIK (reading), PLAYWRIGHTS LAB 2016 & 2017, HARBUR GATE, BULLSHARK ATTACK, STUPID FUCKING BIRD, TWO STORIES, BLACKBERRY WINTER, I’LL EAT YOU LAST: A CHAT WITH SUE MENGERS, VENUS IN FUR, MANNING UP, PERSIAN QUARTER and, ANGELES IN AMERICA I & II. Other credits include The Petite Palace WONDERLAND and PRINCESS WENDY, COPA Theatre, ANNIE, Pioneer Theatre Company, NEXT TO NORMAL, LES MISERABLES, THE PRODUCERS, PAINT YOUR WAGON, DOUBT, A MIDSUMMER NIHTS DREAM, THE FOREIGNER and VERTICAL HOUR. She has also worked for Salt Lake Shakes and Utah Contemporary Theatre.
EMILY CHUNG (Assistant Sound Design) is an aspiring sound designer studying at the University of Utah. In the past she has worked on productions at Judge Memorial Catholic High School including THE GOOD DOCTOR, GREASE, HARVEY, IN THE HEIGHTS, and THE DIARY OF ANNE FRANK.
MAURI HEFLEY (Assistant Costume
Design) is in their second year at Westminster College pursuing their B.A. in Performance with a minor in Civic Engagement. Some of their theatre credits include BELLWETHER (Light Board Operator), LUNA GALE (Light Board Operator), CLYBOURNE PARK (Run Crew) and SPRING AWAKENING (Assistant Stage Manager) all at Westminster College. Mauri is excited for the opportunity to partake in the University Professional Theatre Program through Salt Lake Acting Company and would like to thank their professor and mentor Spencer Potter.
MARTIN C. ALCOCER (Assistant Light Design) is excited to be back at SLAC as a part of the University Professional Training Program! He is currently in the Stage Management program at the University of Utah and will graduate this spring. Previous credits include lighting
WHO’S WHO design for LOVE LABOUR’S LOST (UTheatre), HOW LONG CAN YOU STAND ON THE TRAIN TRACKS, (Sackerson/Flying Bobcat) and assistant lighting design for HARBUR GATE and STREETLIGHT WOODPECKER (SLAC). As stage manager his most recent credit is STEEL PIER (UTheatre) and as assistant stage manager he recently worked on NEWSIES (Pioneer Theatre Company) and SATURDAY’S VOYEUR 2017 (SLAC). He would like to thank his friends, his family, and girlfriend for their continued support.
CYNTHIA FLEMING (Executive Artistic Director/Choreographer) has been in the world of dance and theatre professionally for over 37 years, during which time she performed in the Broadway, National and International companies with A CHORUS LINE. Since 1995 she has worn many hats at SLAC, including Choreographer, Director, Box Office Manager and Director of Audience Services. She developed SLAC’s high quality customer service titled: Mayberry meets Space Odyssey, which is the foundation for the record breaking number of subscribers. She conceived and created the position of Director of Communication and Audience Development and assembled the communication team to generate a renewed energy and excitement about the theatre. In 2010 she became Co-Executive Producer and is now honored to be SLAC’s Executive Artistic Director. Cynthia remains a working artist in the theatre and has choreographed many SLAC productions including SATURDAY’S VOYEUR for 15 years and directed/choreographed this musical for 5 years. Cynthia is proud to serve SLAC and its mission to engage and enrich community through brave contemporary theatre. SALT LAKE ACTING COMPANY – Salt Lake Acting Company is celebrating its 47th season, and continuing its mission is to engage and enrich community through brave contemporary theatre. Founded in 1970, SLAC is a not-for 22
profit 501(c)3 professional theatre dedicated to producing, commissioning, and developing new works and to supporting a community of professional artists. SLAC has been nationally recognized by the Shubert Foundation, the National Endowment for the Arts, the Pew Charitable Trusts, and the Edgerton Foundation, among others. SLAC operates under a SPT Actors Equity Association contract and is a Constituent Member of Theatre Communications Group (a national organization for nonprofit professional regional theatres), and the National New Play Network (a national alliance of non-profit professional theatres that champions the development, production, and continued life of new plays).
ACTORS’ EQUITY ASSOCIATION
(AEA) – founded in 1913, represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. **The lighting designer of HIR is represented by United Scenic Artists Local USA 829 of the IATSE
The lighting designer of HIR is represented by United Scenic Artists Local USA 829 of the IATSE
FEBRUARY 19 â€“ 26, 2018 The fourth annual SLAC Lab is developing two new plays by two exciting writers, with the help and support of an eclectic mix of artists from across the country. SPARKS FLY UPWARD by Eleanor Burgess Director: Tlaloc Rivas Dramaturg: Megan Monaghan Rivas Cast: Cassandra Stokes-Wylie, Patrick Ssenjovu Stage Manager: Jennie Sant
DEATH OF A DRIVER by Will Snider Director: Kareem Fahmy Dramaturg: Alexandra Harbold Cast: Latoya Cameron, Tony Campisi, Merry Magee, Topher Rasmussen, William Richardson
Resource artists include: Adam Booth (storyteller), Mark Bly (dramaturg), David Kranes (playwright), Kenny Raskin (improv artist), Shannon Robert (scenic designer), Steffan Soule (magician), TBA (movement specialist) The 2018 SLAC Lab is made possible by support from the National New Play Network and SLACâ€™s generous and adventurous new play supporters.
Winner of 5 Tony Awards – Including Best Musical “FUN HOME breaks fresh ground as the first Broadway musical to feature a lesbian protagonist.” – Huffington Post “Pure musical satisfaction: bracingly honest, touchingly wise and bittersweetly funny.”– Washington Post “FUN HOME weaves tragedy and comedy into a wholly original American musical.” – LA Times “An uplifting musical drama of rare intensity, honesty and beauty.” – Daily News
APRIL 4 – MAY 13 2018
THIS SHOW WILL SELL OUT! GET YOUR TICKETS TODAY! Set in three stages of a woman’s life, FUN HOME tells a universal detective story about a child’s search to discover what is really going on with her parents as they hold up the perfect family façade. Heart-gripping songs about sexual awakening, repressed emotions, deep secrets, yearning, resentment, love. Home.
April 4th–May 13th 24
PACK YOUR PICNIC AND JOIN THE PARTY! Celebrate VOYEUR’s 40th birthday! 40 years of satirizing the bizarre realities of this place we lovingly call home. SLAC is the only theatre company in the nation that has a play written for us, about us, every year.
June 27 – September 2, 2018 HIR
University Professional Theatre Program SLAC is delighted to partner with local universities to heighten theatre students’ educational experience by taking them out of the classroom and hiring them at a professional theatre. During HIR we would like to welcome Martin C. Alcocer, Emily Chung, Liggera Edmonds-Allen, Claudia Escobar, Mauri Hefley, and Aaron Ross as a part of the University Professional Theatre Program. "I will further develop my design skills as well as my professional collaboration skills. This program will give me the opportunity to collaborate with other professionals." - Martin C. Alcocer | Assistant Light Design | U of U
"I’m learning about the entire sound design process, from planning, to set up, to implementation. I will become more knowledgeable about where and how sound travels through a theater and more proficient in controlling and directing sound in a live setting. This program will help me because it will allow me to experience the job of a sound designer by assisting one." – Emily Chung | Assistant Sound Design | U of U "My career focus is in theatrical studies in relation to transgender advocacy and representation, so this particular production and role also help my career by giving me experience working with cisgender professionals as a transgender performer. In an educational setting, being an advocate for myself and other transgender students is very important to me, and I am very eager to learn how to continue that work in a professional setting. " - Liggera Edmonds-Allen | Actor | DaVinci Academy "This program will give me valuable experience working with professionals in the field. I have a lot to learn and know that I can learn valuable lessons from everyone about the process, preparation, and level of expectation that goes into professional theater." - Claudia Escobar | Sound Board Operator | U of U
University Professional Theatre Program "This program will broaden my understanding of costume design as well as refine my skills and help me decide if this is something I would like to pursue further in my remaining time at Westminster." - Mauri Hefley | Assistant Costume Design | Westminster
"I will to further my skills and knowledge in technical theater operations and build positive working relationships in my local professional theater community. Through my experience in the UPTP program, I will establish a foundation of working knowledge and experience which will qualify me for continued work in the technical theater field." - Aaron Ross | Light Board Operator | Weber State
Sponsors: Anderson & Karrenberg, Terence K. Stephens Charitable Fund, John and Marcia Price Family Foundation, B.W. Bastian Foundation, Maschoff Brennan
Sponsors, Friends and Supporters Salt Lake Acting Company is a 501(c)3 non-profit professional theatre, and as such depends on the generosity of the following individuals, corporations, and public agencies who make the theatre's work possible and invest in its future. The giving tiers below are for donations received from September 1, 2016 - January 23, 2018. We thank you from the bottom of our hearts for your contribution to and partnership with SLAC! For information about SLAC’s Giving Program, and to correct any information below, please call Olivia Custodio at 801.363.7522 or email firstname.lastname@example.org. $100,000 and above Salt Lake County Zoo, Arts and Parks Program
$50,000-$99,999 Emma Eccles Jones Foundation The Shubert Foundation, Inc.
$20,000-$49,999 Dr. Dale Smith of Veterinary Orthopedic Services George S. and Dolores Doré Eccles Foundation The National Endowment for the Arts National New Play Network Salt Lake County Cultural Facilities Program Utah Division of Arts and Museums
$5,000-$19,999 Anderson and Karrenberg Anonymous B. W. Bastian Foundation Bryon Benevento James Dabakis Lawrence T. and Janet T. Dee Foundation Jarvis and Constance Doctorow Family Foundation Dorsey and Whitney Foundation In memory of Donald Hartmann Marriner S. Eccles Foundation Larry H. Miller Charities Larry H. and Gail Miller Family Foundation LGBTQ Community Endowment Fund McCarthey Family Foundation Kim Neville and Paul Frankel John and Marcia Price Family Foundation S.J. and Jessie E. Quinney Foundation The David Ross Fetzer Foundation for Emerging Artists Salt Lake City Arts Council Terence K. Stephens Charitable Fund
StorageCraft Technology Ray and Liz Thomason Donna and Michael Weinholtz Family Foundation Wilkinson-Ferrari and Co.
$2,500-$4,999 R. Harold Burton Foundation Henry W. and Leslie M. Eskuche Foundation Richard K. and Shirley S. Hemingway Foundation Marian Jacobsen Jane and Tami Marquardt Maschoff Brennan Allen Nevins from his family Pacificorp/Rocky Mountain Power Rocky Mountain Power Foundation Jeff and Joan Shreeve Heather Sneddon Sorenson Legacy Foundation Stephanie Steele in honor of Don and Colleen Sorensen Sweet Candy Fund for Health and Wellness Wells Fargo Foundation Brian Wilkinson and Mimi Charles
$1,000-$2,499 Claire Aplington and Keith Olson Byron and Deborah Barkley Tony Basso Beverley Taylor Sorenson Arts David Borgenicht and Suzanne Simons Nancy Borgenicht in support of the Tony Larimer Performing Arts Award Kenneth and Karen Brewster Brian Burn Mitchel and Annica Burns Callister, Nebeker and McCullough Kim Caramelli and Michael Walker Matthew Classen and Patricia Potter C. Comstock Clayton Foundation Cliff Coury and Stanna Frampton
Christopher and Pilar Dechet Dramatists Guild Fund for the Playwrights’ Lab Eric Eide and Shellie Messner Eide David Felt and Lynda Wendel Laura Fisher and Bob Bissland Cynthia and Jeff Fleming Wendy Hanson Robert and Marcia Harris Chris and Peter Helfrich in memory of Glen and Maxine Burnham Holland and Hart Janet Hough Tina and Larry Howard Richard Jackson Jay and Julie Jacobson in memory of Helen Sandack Frode Jensen Julie Jensen Roy and Anne Jespersen Brett Johnson Jocelyn Kearl and Lisa Killpack Key Bank Foundation Steven Labrum and Jenney Wilder Beatrice Lufkin and Peter Hansen Howard Mann Marghie Mannos Davis Mullholand Mystery Escape Room Gerry Nichols and Marcia Henderson Zelie and Carl Pforzheimer The PI Foundation, Inc. Joann and Bill Price Tina and Jonathan Ruga Adam Ruth Max and Teri Savage- Savage Scaffold and Equipment Brad Simons Christl Simons Alice Steiner Suzanne Stensaas and Richard Kanner Leland Swaner U.S. Bank Foundation Utah Humanities Michael Rubin and Sarah Woolsey
$500-$999 Laura Ault Steve Brinton Kate and Bert Bunnell Kathleen Cahill John and Wendy Carver Will and Melissa Connelly Roger and Judith Custodio Dru and Amy Damico Anne Cullimore and Ashby Decker in support of the Theatre Student Artist Series Dorothy Foster Mitch Frankel and Cindy Hung John and Ilauna Gurr Becca and Andrew Hall Stephanie and Tim Harpst Joy Haynes Richard Hirschi Ken Jarrell Dan McKnight Janice and Aaron Melder Michaela Mohr Ian and Brystal Olson Robin and Gordon Roberts Carolyn Pedone and John Rose Sonja Penttila and Lewis R. Boynton Pure Water Solutions of America LLC Christine Richman Gary and Joann Rieben Dean Rowell Aquashantina Scheibe Val and Barbara Singleton Susan Dolan Stevens Harvey and Freida Sweitzer Michelle Trush Gary Whiting Margaret Wirth Deepika de Silva and Jeff Black
$250-$499 Kent and Lauren Andersen Anonymous Lois and Stephen Baar Maurine Bachman Sylvie Backman David Baglino Ken Barfield Christina Beckwith and Todd Rushton Arleen Bedingfield
Sponsors, Friends and Supporters Judy and Bruce Bell in memory of Robyn Nelson Jerome & Jewelee Bennett Rick and Janis Bennion Vicki and Bill Bennion Barbara Bentley and Glenn Prestwich Cal and Laura Boardman Mark Boschert and Maureen Giggey Carolyn Braza Sid and Josephine Cowand Rena and Richard D’Souza Peter and Suzanne Dawson Cliff and Sharon Dutcher Elizabeth and Alan Evensen Roger G. Faix, MD Marcia Feldkamp and Chuck Norlin Steve and Marin Fogg Pete Gibbs Roxane Googin Naanue Gowan Bruce Granath with Magicspace Entertainment Richard and Anne Harper Colette Herrick and Allan Ainsworth Lee and Audrey Hollaar Jack and Ginger Horwitz Hilary Jacobs and Daniel Schelling Dawn Jensen John Johnson Donna and John Kimball Gerald Krueger Kyle Lamalfa Dave and Sandy Lamb Harla and Ken MacQueen Norma W. Matheson Ann and Alan Miller Adrianne and Marty Moore Karen Okabe Kristen Olsen Bill Orchow and Janet Martineau Jeffrey Paris Terry and David Peak Terry Pendley Ken Roach and Cindy Powell Betsy Ross Greg Ruther and Michelle Pickering Wallace Ring Brent Rushton Arnold Sanchez Evan and Lorraine Sanders Osman Sanyer Tina Seferos Don and Colleen Sorensen George Severson Kenneth and Claudia Sperling Mary Stanley Sonny and Kathy Tangaro
Utah Brewers Cooperative Vicki Venne Elaine Weis Henry Whiteside and Karol Kumpfer Dan and Teri Whittenburg Laurie Anne Williams Steve Yockey Marjorie Young Tamara Young William Zwiebel
$100-$249 Darian Abegglen Ron Alexander Steven and Beverly Allnatt Kenneth and Julia Ament Debbie and Keith Amundsen Alan Anderson James and Carol Anderson Janet Anderson Anonymous Scott Argeris Kathryn Atwood Lori Ball Vahe Bandarian Larry Barusch Karin Baumgartner Lola and Zafod Beatlebrox Tracie Belt Blaire Bennion and Evan Benott Ann Bernstein Linda Thorn Bevins in honor of Iraida Santaella and Capt. Benjamin Franklin Thorn USNR Dave Bigelow and Suzanne Marychild Leona Blackbird Janis Boettinger & Eugene Schupp Alison Bond Dennis and Connie Borup Kathleen Bratcher Mark Brewer Beth Bruner Debra Buckway Lon and Constance Castleton Rebecca Chavez-Houck Rebecca Christman Carol and David Cise Marybeth Clark William and Violet Corkle Mary Cowan-Klein Marty Custen Paul and Penny Dalrymple Bonnie and Bill Daniloff Kathy Davis Denis Deck and Sandra Jones Jeanne DePaulis Lidia Dilello and Derick Loyola Debra and Mark Elstad in memory of Tony Larimer Joree Felker
Valerie Fisher Jan and Stan Foutz Susan and Chuck Furca Ray and Harriett Gesteland Thomas Godfrey Barry and Debbie Gomberg Terence Goodman Martin and Glynis Gregory Dave Gribbin Paula and Carlos Guerra Ken Hartner and Michele Taylor Amy Haselhorst and Richard Irons Luckey Heath Janelle Heck Karen Hill Brian Hin Matt and Wendy HobsonRohrer Robert Hoffman Karen Hyde Shannon Huff Jacobs and Paul Jacobs Elaine Jarvik Maxine Johnson Taylor Jones Ray and Nora Jordan Larry Josie and Pat Fleming Richard Justice Laura and Carol Kaim Traci Kalian Robert and Linda Keiter Karen and Steven Kelley Jeanne L. and Grant S. Kesler David Kliger and Phyllis Mandel Lynne Kraus Loren M. Kroenke Kroger Richard and Connie Larrabee Vicky Larsen Lynne and Charles Lawler Debbie and Brad Layman Roger and Julia Lester Katherine Liddle Henry Lieberman Gary and Sandra Lindstrom Terry and Wendee Long Jenny Lowe Kathleen Lukken and Mike Vaughan Edward and Heidi Makowski Theresa Martinez Noemi and Daniel Mattis Dudley McIlhenny Jeff and Alana Metcalf Rose Ann Milano and Joe Dayney Janet Miller Melinda Mitchell Ken Morgan and Nancy Douglas Preston and Sandra Motes Dorothy Mullins Jed and Amy Naisbitt
Dianne and Clay Northrop Terri O’Toole Ann Olsen Stephanie Pappas Nancy Parker William and Mary Ann Payne April and Michael Pheysey Zack Phifer Bonnie and Denis Phillips Christy and James Pickens Chad and Carrie Rau Blake Reese Chuck Richardson John Ritter Shannon Robert John Robbins Hal and Kathleen Robins Ira Rubinfeld and Willamarie Huelskamp Sandy and Wilf Rudert Charles Saltzman and Ingrid Nygaard Heather and Neil Sarin Mark Schneider Pamela Schroeder Bill and Martha Scott Jill and Richard Sheinberg Oren Shepherd Janet Silotti Margo Simmons Jill Smith Sandie and Colby Snook Kim and Mark Spragg Sean and Mary Steinmann Frank and Vickie Steffey Scott Stites Jim Struve and Jeff Bell George Sumner and Tina Hose Douglas Tate Herta Teitelbaum Douglas Tilton Wanda Updike Charlie and Eve Vincent Amy Wadsworth and David Richardson Brad and Kathy Wallin Mary Ware Becky Whipple Nicky and Alex Wight Jackie Winter Carol Withrow Family Trust Carl Wolfram Lisa Woodbury Jody Wong Holly and Paul Yakunich Tod and Mary Young Patrick Zwick
$50 to $99 Erika Ahlin Wendy Anderson Karen and David Anson in Honor of Karen Nielsen-Anson’s 30 years of contributions to live
Sponsors, Friends and Supporters theatre in Utah and the McGillis School Orly Ardon Stephanie Babalis Alexis Baigue P.R. Banks Katherine Barrus Walter Beam Jan Beggs Susan Boevers Roger and Cindy Bon Brad Boren Victoria and Robert Bourns Jason Bowcutt Casey Bowthorpe Nikki Boyer Sam Brings Rachel Bublitz Tony Campisi Penny and John Caywood Tina Cerling Marcie and Russ Collett Bruce Couch Kim Davison Dr. Anna Day Julie Delong Aida Detry Jorji Diaz Susan Dillon
Marilyn Domenick Elizabeth Drinkaus Lori Dunn Jennifer Eshelman Stefan Espinosa and Vanessa Ballam Barbara Fadel Kyle Fadel Rick and Marla Fadel John Fischer Cameron Fleck Anthony Fleming Paula Fowler Irene Fryer Rachel and Ryan Glad Kristi Glotzbach Bill and Virgina Gowski Sara Green Andra Harbold Susan Hermance Kim and Eric Irvine Chloe Jensen Tom Jensen Jerry and Carol Jenson Kelsie Jepsen Brenda and Casey Johnson Natalie Keezer Marlene Kirkpatrick Wynde Klauer
Susan Krusell Kristen Langelier Melissa Leilani Larson Robert Lawrence Ben and Katie Lieberman Kate Little Tito Livas Eb Madson Angela Mastaloudis Nancy Mesner Toni Montrone Dave Mortensen Jed and Lana Musgrave Dr. Maria Nemethy Jennie Nicholls-Smith Patricia Offermann Shelley Page Tyler Palo Tina Parker Carolyn Person Caroline Pinney Ruth Ann Poole Carol Prince Diana Ragsdale Sari Rauscher Becky Sue Roberts William and Sandra Roberts Staci Sain
Debra and Art Sandack Sue Savage and Bruce Sakashita Joanne Sayre and Michele Backes Ingrid Schmidt Maureen Shields Sarah Shippobotham Marilyn Smith and Bob Grant Len Smith Tanya Smith David Spencer Emilie Starr Cassandra Stokes-Wylie Ann and Terry St. Peter Kathryn Tonkovich Amy Torman Kathleen Tschishow Marjorie Tucker Rebecca Utz Julie and Robert Ward Gretchen Windt Gail Wix Gloria Wurst Betty Yanowitz
SPECIAL THANKS Salt Lake Acting Company would like to thank the following for their support:
Chelsea Yeates Especially for You! Jeff Fleming Salt Lake Roasting Company We Olive Westminster College Theatre Department 30
Salt Lake Acting Company 2017/2018 Cynthia Fleming
Executive Artistic Director
Associate Artistic Director
Director of Development
Emilie Starr, Merry Magee, Adriana Lemke Marketing & Audience Development
Beret Brems, Kelsey Jensen, McCall Kirby, Savannah Moffat, Mary-Helen Pitman, Topher Rasmussen, PJ Volk, Kallie Erickson, Hayden Warzek, Devin Barney, Connor Johnson, Mckenzie Barkdull House Managers & Front of House Staf f
Sound System Engineer
Light Board Operator
Sound Board Operator
Megan Branson, Lilly Smith, Lucy LeBohec Scenic Artists
Mike Abu, Cal Cruz, Heidi Frank Jacob Hunt, Marissa Olsen, Wardrobe Quimby Roundy Aaron Ross, Trever Wilson Carpenters Electricians
David Evanoff, J. T. Rogers, Matthew Sincell Artistic Associates
Allen Nevins & Nancy Borgenicht Artists in Residence
Kathleen Cahill & Julie Jensen Playwrights in Residence
Michael Yount Cover Design
Mills Publishing, Inc., Jackie Medina Graphic Design
David Daniels, dav.d photography Photographer
Dr. Osman Sanyer House Physician
Board of Trustees 2017/2018 Executive Committee:
Brian Wilkinson President Wilkinson Ferrari & Co
Kimberly Neville Vice President Dorsey & Whitney, LLP
Teri Whittenburg Treasurer/Secretary Whittenburg Wealth Partners
Marian Jacobsen Past President Byron Barkley Board Member at Large Wilson Davis & Co.
Stephanie Steele Board Member at Large Meet Me on 33rd
Ken Barfield DFG/Scott Sports
Jerome F. Bennett
Colette Herrick Insight Shift
SLC School District
Terence K. Stephens
MagicSpace Entertainment StorageCraft Technology Nu Skin
Wells Fargo Bank
Shannon McCann LCSW
Sorenson Unity Center ABC 4 / CW 30
ART 270 Gallery
Miller Sports Properties
Gerry Nichols NJRA Architects
GREEN ROOM GALLERY Salt Lake Acting Company is elated to continue our partnership with Art Access during the run of HIR. Art Access is a community-focused organization that strives to demonstrate that the arts are a universal vehicle for drawing out our similarities, celebrating our differences, and ultimately connecting us to each other. Through its philosophy of inclusion, Art Access serves people of all ages, backgrounds, and abilities. Art Access is proud to present work by local trans and genderqueer artists Ella Mendoza, Jaxton Mullineaux, and Mel Wise for the production of ‘Hir.’ As paradigms around gender and self-expression shift, we look to artists to show us the experience that has necessitated those shifts, and the joyful possibilities of our future. Green Room Featured Artists: Jaxton Mullineaux, Ella Mendoza, Mel Wise
'Deep Thought' by Jaxton Mullineaux
For Our Audience
Your presence at Salt Lake Acting Company is met with sincere gratitude. You make everything possible.
For tickets call the SLAC Box Office at 801-363-7522 or visit us online at saltlakeactingcompany.org. Box office hours are Monday to Friday 9am to 6pm, with extended hours during run of show.
Season Subscribers can always exchange their tickets, and it’s free! Just call 801-363-7522.
Discounts are available to groups of 10 or more. Call 801-363-7522 to discuss seating availability or Green Room reservations for your party. We’d love to take care of you and your friends.
Please identify the exit closest to your seat in case of emergency.
Late patrons will be seated by the House Manager during the first appropriate break.
The Upstairs Theatre is not wheelchair accessible, please call for further details. An ADA approved restroom is available in the lobby. The use of film, video or audio recording equipment in the theatre during a performance is expressly prohibited. Please turn off all cell phones.
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Salt Lake Acting Co.