A Doll's House, Part 2

SLAC – A Doll’s House, Part 2

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TABLE OF CONTENTS Welcome...............................................................................................................................................................6 A Doll’s House, Part 2...........................................................................................................................................7 Acknowledgments ............................................................................................................................................. 8 Corporate Sponsors...........................................................................................................................................10 Cast of Characters ............................................................................................................................................. 13 In The Room with Nancy Borgenicht..............................................................................................................14 The Door Slam Heard Round the World: a Dramaturgical Perspective.....................................................16 Reviews from the 1879 Premiere of A DOLL’S HOUSE in Copenhagen...................................................... 17 Who’s Who..........................................................................................................................................................18 New Play Sounding Series..............................................................................................................................24 Coming Next...................................................................................................................................................... 25 University Professional Theatre Program ....................................................................................................26 Sponsors, Friends, and Supporters ...............................................................................................................28 Salt Lake Acting Company Staff..................................................................................................................... 32 Board of Trustees.............................................................................................................................................. 33 For Our Audience............................................................................................................................................... 35 Green Room Gallery.........................................................................................................................................36

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WELCOME Happy New Year, and welcome to A DOLL’S HOUSE, PART 2 by Lucas Hnath. Salt Lake Acting Company starts the new year by rededicating ourselves to SLAC’s mission:

To engage and enrich community through brave contemporary theatre.

This mission statement defines us, and it’s joyfully at the heart of everything we do. Let’s break it down.

To engage and enrich community: Our community (audience, artists, anyone that walks through our door) is the heartbeat of this organization and breathes life into this place. I love it when our audience tells us about the significant impact SLAC makes in their lives. One of my favorite quotes is from longtime subscriber Willamarie Huelskamp. She says, “Salt Lake Acting Company makes living in Utah bearable.” Another quote that touches my heart is from another longtime subscriber, Peter Gibbs. I was helping him with the chair lift to the Upstairs Theatre, and he said, “Take me to heaven, that’s what I call SLAC, heaven.”

Peter was the first ‘new subscriber’ I obtained when hired to do so in 1998. High accolades, such as these, confirm that SLAC is a sparkling jewel in our community.

Through brave contemporary theatre: Our definition of theatre goes beyond the plays we produce. Theatre means creating the right environment that supports the play’s process; that helps SLAC’s staff to succeed in their positions; that leaves our audiences looking forward to coming back.

I hope you enjoy A DOLL’S HOUSE, PART 2, directed by Nancy Borgenicht. In remembering 1998, Nancy Borgenicht and Al Nevins hired me to obtain and retain SLAC Subscribers. Who knew that 22 years later, I would be running the company and have the honor of asking Nancy to direct this play? It speaks to the endless possibilities that are Salt Lake Acting Company.

It’s a delight to serve you through SLAC’s mission,

Cynthia Fleming Executive Artistic Director

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Presents

A DOLL’S HOUSE, PART 2 by

Lucas Hnath Director

Nancy Borgenicht

Set Design

Costume Design

Erik Reichert

La Beene

Sound Design/Composer

Dramaturg

Light Design

Matt Taylor** Props Design

Katelyn Limber Justin Ivie

Heather Nowlin

Production Stage Manager

Jennie Sant*

University Professional Theatre Program Assistant Light Design

Tawnie Robinson

* Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States ** The light designer of A DOLL’S HOUSE, PART 2 is represented by United Scenic Artists Local USA 829 of the IATSE Originally produced on Broadway by Scott Rudin, Eli Bush, Joey Parnes, Sue Wagner, and John Johnson Commissioned and first produced by South Coast Repertory A DOLL’S HOUSE, PART 2 benefited from a residency at New Dramatists A DOLL’S HOUSE, PART 2 is presented by special arrangement with Dramatists Play Service, Inc., New York.

acknowledgments

2019/2020

Salt Lake Acting Company gratefully acknowledges the following foundations and government agencies for their very generous sponsorship.

Their support is truly essential to SLAC’s success and vitality.

FOUNDATION AND GOVERNMENT SUPPORT SALT LAKE COUNTY ZOO, ARTS & PARKS (ZAP) THE SHUBERT FOUNDATION NATIONAL ENDOWMENT FOR THE ARTS UTAH DIVISION OF ARTS & MUSEUMS EMMA ECCLES JONES FOUNDATION GEORGE S. & DOLORES DORÉ ECCLES FOUNDATION TERENCE KEARNS STEPHENS CHARITABLE FUND ANONYMOUS B.W. BASTIAN FOUNDATION JOHN & MARCIA PRICE FAMILY FOUNDATION SALT LAKE CITY ARTS COUNCIL MARRINER S. ECCLES FOUNDATION NATIONAL NEW PLAY NETWORK MCCARTHEY FAMILY FOUNDATION LAWRENCE T. & JANET T. DEE FOUNDATION JARVIS & CONSTANCE DOCTOROW FAMILY FOUNDATION S.J. & JESSIE E. QUINNEY FOUNDATION HENRY W. & LESLIE M. ESKUCHE FOUNDATION UTAH HUMANITIES

This project is supported in part by Salt Lake County’s Zoo Arts and Parks program, Utah Division of Arts and Museums, with funding from the State of Utah and the Salt Lake City Arts Council.

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acknowledgments

2019/2020

Salt Lake Acting Company sincerely thanks the following Corporate Partners who make the 2019/2020 Season possible:

CORPORATE SUPPORT 1WIRE ALBION FINANCIAL GROUP AMAZON SMILE ANDERSON & KARRENBERG BÖHME DORSEY & WHITNEY FOUNDATION ESPECIALLY FOR YOU FIVE WIVES VODKA HENRIES DRY CLEANING HOLLAND & HART LLP LUX CATERING MASCHOFF BRENNAN MAZZA MILLS PUBLISHING, INC MARK MILLER SUBARU NJRA ARCHITECTS RED ROCK BREWING COMPANY ROCKY MOUNTAIN POWER FOUNDATION RYE SALT LAKE ROASTING COMPANY SMITH’S FOOD & DRUG STORES STORAGECRAFT TECHNOLOGY CORPORATION U.S. BANK FOUNDATION VETERINARY ORTHOPEDIC SERVICES A Doll’s House, Part 2

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Cast of Characters NORA . . . . . . . . . . . . . . . . . . Stacey Jenson* TORVALD. . . . . . . . . . . . . . . . . . Paul Mulder* ANNE MARIE. . . . . . . . . . . . . . . Annette Wright EMMY. . . . . . . . . . . . . . . . . . Rachael Merlot * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States

Clockwise from top left: Stacey Jenson, Annette Wright, Rachael Merlot, Paul Mulder

MILLS PUBLISHING, INC. Dan Miller, President; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Ken Magleby, Patrick Witmer, Graphic Design; Paula Bell, Dan Miller, Paul Nicholas, Chad Saunders, Advertising Representatives; Jessica Alder, Caleb Deane, Administrative Assistants The Salt Lake Acting Company playbill is published by Mills Publishing, Inc.,772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage.

Please contact us for playbill advertising opportunities. Copyright 2020.

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IN THE ROOM with Nancy Borgenicht

MEANDERING THOUGHTS ON A DOLL’S HOUSE, PART 2 If you’ve never read or seen A DOLL’S HOUSE by Norwegian playwright Henrik Ibsen, you still may have heard of it---that really old play about Nora Somebody who slams the door and leaves her husband and children. Shocking when it was first seen in 1879 Copenhagen--shocking still. It was a revolutionary work of domestic realism --the first of its kind--- taking us into the marriage of a 19th Century middleclass Norwegian family. It changed theatre forever. Ibsen’s A DOLL’S HOUSE is now 141 years old and continues to be one of the most performed plays in the world.

Lucas Hnath, A DOLL’S HOUSE, PART 2 playwright ----pronounced “Nayth,” loves Ibsen. Hnath asked himself the same question audiences have been asking the past hundred plus years: When Nora Helmer slammed the door and left--- what happened to her? Hnath wanted to get inside Ibsen’s skin. Hnath found a bad translation of A DOLL’S HOUSE online and started cutting and pasting Ibsen’s dialogue, re-writing it his own way. He spoke to women scholars, read George Bernard Shaw’s essays on marriage, and found inspiration in the Greeks and their love for argumentative dialogue.

He kept futzing and playing until he got to the essence of what he wanted to say about marriage, divorce, family. He culled his characters down to four: Nora, the wife; Torvald, the husband; Anne Marie, Nora’s childhood Nanny and now her children’s Nanny; and Emmy, Nora’s grown daughter, whom she left when Emmy was four.

So. It’s fifteen years later---1894--- and Nora comes back! Why and what’s become of her? In those days, a woman on her own, could be a seamstress, a factory worker, a clerical worker, a prostitute, or a wife.

Divorce was rare, shameful, one lost the respect and weight of one’s name, a scandalous black mark that lasted a lifetime. Norwegian public records from 1894 list only seven divorces! The husband, of course, could divorce in a snap. The wife had to prove infidelity, impotence, desertion--or that, thanks to her husband, she now had syphilis. The husband had absolute custody of the children no matter who left whom. A married woman could not sign a loan, a bank check, a contract, an agreement of any sort. Had she come into the marriage with money, it now belonged to her husband. Women could not vote, could not own property, were treated like little dolls who could not think for themselves.

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IN THE ROOM Hnath has said in interviews that one doesn’t need to know Ibsen’s A DOLL’S HOUSE to see A DOLL’S HOUSE, PART 2. And no question, A DOLL’S HOUSE, PART 2 stands on its own. For us though, the beautiful audacity of Hnath to take on this hugely famous iconic play and character --- gave us no choice but to immerse ourselves in the original. Turns out it’s riveting. You also see why every serious actress dead or alive has played Nora or wants to play her still. The original, as well as A DOLL’S HOUSE, PART 2, asks the same questions: Is marriage a viable institution? Is it even necessary? What do men want? What do women want? What does the world want and why is the world so often wrong? Can it ever be a good thing to leave or be left? How much has changed? How much has not changed?

Ibsen’s A DOLL’S HOUSE is also very much about not talking. “We never talk,” Nora says, minutes before she leaves and slams the door. A DOLL’S HOUSE, PART 2 is all about talking! It is a two-person verbal boxing match between Nora and Anne Marie; Nora and Torvald, Nora and Emmy. We are witnesses to four points of view where no one wins and everyone is right.

A DOLL’S HOUSE, PART 2 is funny, sad, ridiculous, tragic, brave, sweet, loving, stupid, hurtful, selfish, touching, maddening---like life. The play moves like a bullet train. You are totally transported into 1894 Norway --but for some micro seconds, you may find yourself right here, right now!

It’s a trip. Thank you so much for coming. Vote.

Nancy Borgenicht, Director

Erik Reichert, Set Design with Nancy Borgenicht, Director

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THE DOOR SLAM HEARD ROUND THE WORLD

by Heather Nowlin, Production Dramaturg If you don’t remember (or never saw) Ibsen’s original A DOLL’S HOUSE, don’t worry: there’s absolutely no need to study up on the 140-year-old Norwegian play to enjoy Part Two. Even if you are familiar, here are some facts about the setting: • Nora, hitherto an extremely submissive wife, left her husband Torvald and their 3 children at the end of the first play • Divorce was practically unheard of then. Only 7 cases were recorded in the 1880s in Norway, a country of 2.2 million people • Protestant sensibility, in an effort to combat some of the effects of industrialization, had made the marriage contract and the family unit priority number one in civilized society • There were very few rights for women in Norway (or Europe, or America for that matter) at the time. A woman was considered her father’s property until she was married, at which time she became the property of her husband The moment Nora leaves her husband and family is the most famous part of the original story, and has been referred to as “the door slam heard round the world.” Nora’s actions in the play reverberated in the hearts of audiences, for good or for ill, and ushered in a cultural shift that had been brewing at the time – and that we’re still trying to figure out how to live with today.

When the original play premiered, audiences were shocked. They weren’t even used to hearing a play performed with realistic dialogue (they were used to metered verse at the theatre), let alone seeing a woman who shakes off her most sacred duties to marriage, family, and a happy ending.

No one expected to see Nora slam the door on Torvald and her children – but slam it she did, sending a shockwave of realization, and action, on the part of oppressed women in Western society.

So sit back, and enjoy the continuing conversation – it’s one we’re still discussing, and likely will be for, oh, at least 20 or 30 more years.

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REVIEWS FROM THE 1879 PREMIERE OF A DOLL’S HOUSE IN COPENHAGEN

Photo: Joshua Black

The Royal Theatre, Copenhagen.

Faedrelandet Copenhagen 22 December 1879 …It was obviously followed with great excitement at least up to the last scene, and the applause was strong both after the first and second acts, as it was after the final curtain. But we do want to ask the honorable audience members, if the impressions they received were of the kind they are used to getting from a genuinely poetical work of art and if the mood in which they left the theatre was the joyful happy and buoyed one …but it seems doubtful to us, if his latest work, its great technical merit and rich psychological interest notwithstanding, is a step in the right direction or-on the wrong track.”

Social Demokraten in Copenhagen 23 December 1879: Finally, an event at The Royal Theatre, and an event of the first class! This play touches the lives of thousands of families; oh yes there are thousands of such doll-homes, where the husband treats his wife as a child he amuses himself with, and so that is what the wives become….Who, after seeing this play has the courage to speak scornfully about run-away wives? Is there anyone who does not feel that it is this young and delightful young woman’s duty, her inescapable duty, to leave this gentleman, this husband, as he slowly sacrifices her on the altar of his egotism, and who fails to understand her values as a human being.”

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WHO’S WHO STACEY JENSON*

(Nora) is thrilled to be working with SLAC for the first time (a childhood dream).

Since arriving in SLC in August 2016 (after 15 years away), she has appeared in film: Brigsby Bear, Jewtah, Suburban Bliss, and The Glade of Ardet; as well as commercials for the BBB, the AARP, and Travelwise. She has also been seen onstage: GIDION’S KNOT (Pinnacle Acting Company), ION (The Classical Greek Theatre Festival), IDEATION, WHAT WE’RE UP AGAINST, DINNER, PAGE-TO-STAGE (Wasatch Theatre Company). In addition to acting, Stacey teaches private dialect sessions and has served as Dialect Coach for MARY POPPINS (Sandy Arts Guild), CABARET (SLCC), A VIEW FROM THE BRIDGE (The Grand), DRACULA, ECLIPSED, and THE RIVALS (University of Utah), and served as Dialect Consultant for ANGELS IN AMERICA (The National Theatre, London). She also directed TO BE FRANK… (SLCC). Stacey holds a BFA in Acting from the University of Utah’s Actor Training Program, an MFA in Acting from American Conservatory Theatre, and an MFA with Distinction in Voice Studies from The Royal Central School of Speech and Drama (London). Stacey is an Adjunct Professor with the U of U’s Actor Training Program and SLCC’s Theatre Program.

RACHAEL MERLOT

Company’s award-winning production of BANG BANG, YOU’RE DEAD at the Great Salt Lake Fringe Festival of 2019. Other credits include THE WAKE OF JAMEY FOSTER (Collard) and LA FRONTERA/THE BORDER (DSU, Music Team Leader). She is immensely grateful for her theatre instructors, whose training continues to guide her every day. Much love and thanks to her family for their support!

Keep fighting for what you believe in!

PAUL MULDER*

(Torvald) was last seen at Salt Lake Acting Company in the world premiere of SEEING THE ELEPHANT and in GROSS INDECENCY: THE THREE TRIALS OF OSCAR WILDE. Paul graduated from The University of Utah Actor Training Program, and then moved to New York City. Paul performed Off-Broadway in a production of DR. DIETRICH’S PROCESS. Additional Off-off Broadway credits include; TWELFTH NIGHT, DANCING AT LUGHNASA, and ANGEL “UH” GOD. Regional credits include SINS OF THE FATHER at the Walnut Street Theatre, THE SECOND SHEPARD’S PLAY at Delaware Theatre Company. Locally Paul has appeared with SB Dance, Plan B Theatre, The Emily Company, and the Utah Opera Company. Paul keeps busy with many local TV commercials and film productions. Paul is delighted to be back on stage at Salt Lake Acting Company.

ANNETTE WRIGHT

(Emmy) is making her SLAC debut in A DOLL’S HOUSE, PART 2 and she couldn’t be more excited! She was last seen performing as Mom and Prosecutor in DeCaf Acting

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(Anne Marie) has been acting in almost every theatre around SLC since 1989. Recent credits at SLAC include SATURDAY’S VOYEUR 2019, A

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WHO’S WHO FUNNY THING HAPPENED ON THE WAY TO THE GYNECOLOGIC ONCOLOGY UNIT…, SATURDAY’S VOYEUR (2016, 2017), and BLOODY BLOODY ANDREW JACKSON. She loves to act in films and TV as well: you’ll see her in Austentatious, My Girlfriend’s Boyfriend, High School Musical 2, and a handful of Hallmark movies, including I’m Not Ready for Christmas, Christmas Land, and Sharing Christmas.

LUCAS HNATH (Playwright) A resident

playwright at New Dramatists since 2011, Lucas Hnath’s work has been produced at Actors Theatre of Louisville, University of Miami, The Culture Project, Target Margin and OntologicalHysteric Theater. Additionally, his plays have been developed at Ensemble Studio Theatre, Rattlestick Playwrights

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Theater, and Cleveland Public Theatre.

He has enjoyed playwriting residencies with The Royal Court Theatre and 24Seven Lab. He is a two-time winner of the Alfred P. Sloan Foundation Grant for his feature-length screenplays, The Painting, the Machine, and the Apple and Still Life. He is also a recipient of an EST/Sloan Project commission for his play, ISAAC’S EYE. Hnath received both his B.F.A. and M.F.A. from New York University’s Department of Dramatic Writing and is a lecturer in NYU’s Expository Writing Program.

NANCY BORGENICHT (Director) has

been part of Salt Lake Acting Company since 1974, serving as Co-Executive Producer with Allen Nevins from 19932005 and Interim Executive Producer

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WHO’S WHO from 2009-2010. She conceived and created SATURDAY’S VOYEUR in 1978.

As an actor, she has appeared in SLAC productions of MISS MARGARIDA’S WAY, HUNTING COCKROACHES, ON THE VERGE OR THE GEOGRAPHY OF YEARNING, THE MAIDS, SYLVIA PLATH: A DRAMATIC PORTRAIT, KENNEDY’S CHILDREN, THE IMPORTANCE OF BEING EARNEST. Her directing credits for SLAC include ANGELS IN AMERICA, WHITE MAN DANCING, OLEANNA, WOMEN AND WALLACE, CABBIES, COWBOYS & THE TREE OF THE WEEPING VIRGIN and SATURDAY’S VOYEUR. She most recently adapted and directed STAG’S LEAP, a Pulitzer Prize winning book of poems by Sharon Olds.

ERIK REICHERT (Set Design) is

honored to be selected as the set designer for SLACs production of A DOLL’S HOUSE, PART 2. He has previously set designed for STAG’S LEAP, THE WOLVES, and THE DANCE AND THE RAILROAD. He was assistant set designer on FORM OF A GIRL UNKNOWN. He currently works as the Construction Supervisor at SLAC.

LA BEENE (Costume Design) is an As-

sistant Professor of Costume Design and head of the BFA in Design and Technology at Utah Valley University. She has an MFA in Costume Design and Technology and has taught at the University of Utah, Brigham Young University and the University of North Carolina Charlotte.

Her recent credits include SHE LOVES ME at UVU, OF COLOR at Plan B Theatre Co., MAMMA MIA at Oregon Cabaret Theatre, ANNE OF GREEN GABLES at BYU, AMAZING GRACE with Utah Festival Opera and Music Theatre, and MARY POPPINS with Center Stage Youth Performers where she is the resident costume designer. She

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designed A FUNNY THING HAPPENED ON THE WAY TO THE GYNECOLOGIC ONCOLOGY UNIT AT MEMORIAL SLOAN KETTERING CANCER CENTER OF NEW YORK CITY last season at SLAC. She is thrilled to be back this season.

MATT TAYLOR (Lighting Design) is

a professional lighting designer for live entertainment and professor at Wayne State University in Detroit, MI where he leads the MFA program in Lighting Design. His professional work covers a wide range of genres and styles of live entertainment from concerts and cruise ships to traditional theatre and dance productions. He has worked extensively in New York City, Los Angeles, Atlanta and other major cultural hubs on Broadway, Off Broadway, as well as throughout regional houses. His work can regularly be seen at the Old Globe in San Diego, Ford’s Theatre in Washington, DC; Centro de Convenciones Figali in Panamá City, Panamá; Royal Caribbean Cruise Lines, Busch Gardens Williamsburg, and many others. Matt is a proud member of the professional designer’s union, United Scenic Artists Local 829. To see more of Matt’s work, visit www.matttaylordesign.com

KATELYN LIMBER (Sound Designer)

is thrilled to be working with SLAC again. Her previous credits with SLAC include: MERCURY (Assistant Sound Designer), THE WOLVES (ASM), SILENT DANCER (ASM), SATURDAY’S VOYEUR (ASM) and three heightened readings she sound designed: GRAB THEM BY THE PUSSY, REYKJAVIK, and REMARKABLY NORMAL. She has also sound designed for Pinnacle Acting Company (THE IMPORTANCE OF BEING EARNEST, TITUS

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WHO’S WHO ANDRONICUS, THE BEAUTY QUEEN OF LEENANE, GIDEON’S KNOT, MAURITIUS), Utah Repertory Theater (ANGELS IN AMERICA), The Classical Greek Theatre Festival (PROMETHEUS BOUND), and Westminster College (OUR COUNTRY’S GOOD, LOVE AND INFORMATION, and DON JUAN COMES BACK FROM THE WAR.) katelynlimber.com

JUSTIN IVIE (Props Design/Producing

Director) came to SLAC as an actor in SATURDAY’S VOYEUR 2004. He’s since appeared in numerous SLAC shows including eleven SATURDAY’S VOYEURS (between 2004 and 2019), TOO MUCH MEMORY (2010), and STUPID FUCKING BIRD (2016). He’s also Stage Managed for seven SLAC shows and directed 2019’s THE CAKE. Justin has performed professionally for three decades and is a proud member of Actors’ Equity since 1998. He’s appeared in over a hundred productions nationally. Utah audiences have seen him in dozens of shows at Pioneer Theatre Company, Egyptian Theatre Company, Utah Musical Theatre, Lyric Repertory Theatre, and many others. He’s worn just about every hat in the business, working as a designer, manager, technician, builder, writer, and director in countless shows. Since 2006, Justin’s been the Managing Director of Walk-Ons, Inc. a Salt Lake company with a mission to bring low-cost theater to under-served audiences. Through their Senior Theatre Project, Walk-Ons has toured to over fifty Utah community centers and retirement facilities with a shifting line-up of original short plays by, for, and about seniors. An alumnus of Weber State University in Musical Theater, Justin earned his MFA in Acting at Northern Illinois University and completed an internship at Dublin’s Gaiety School.

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HEATHER NOWLIN (Dramaturg) is

thrilled to be working on her first SLAC production and the brilliant A DOLL’S HOUSE, PART 2. She has held a particular fondness for Ibsen ever since assistant directing “Part 1” many years ago. Other credits include LITTLE SHOP OF HORRORS (dramaturg), THE GLASS MENAGERIE (director), and BLITHE SPIRIT (director) at Southern Virginia University; THE LION IN WINTER (ASM) at Lime Kiln Theatre; CRIMES OF THE HEART (assistant director) and A DOLL’S HOUSE (director, staged reading) at StageRight Theatre; and 8 years as Assistant Marketing and Publicity Director for over 50 shows at Pioneer Theatre Company. BA, Performing Arts/English, Southern Virginia University. medium.com/@heathernowlin

JENNIE SANT* (AEA Production Stage

Manager) Previous shows at SLAC include PETE THE CAT, FORM OF A GIRL UNKNOWN, SATURDAYS VOYEUR 2018 & 2019, THE CAKE, PINKALICIOUS, HIR, SURELY GOODNESS AND MERCY, REYKJAVIK (reading), PLAYWRIGHTS LAB 2016 & 2017, HARBUR GATE, BULLSHARK ATTACK, STUPID F***ING BIRD, TWO STORIES, BLACKBERRY WINTER, I’LL EAT YOU LAST: A CHAT WITH SUE MENGERS, VENUS IN FUR, MANNING UP, PERSIAN QUARTER, and, ANGELS IN AMERICA I & II. Other credits include GOLD MOUNTAIN (Spike 150), THRILLER (Odyssey Dance Company), WONDERLAND and PRINCESS WENDY (The Petite Palace), ANNIE (COPA Theatre), NEXT TO NORMAL, LES MISERABLES, THE PRODUCERS, PAINT YOUR WAGON, DOUBT, A MIDSUMMER NIGHTS DREAM, THE FOREIGNER and VERTICAL HOUR (Pioneer Theatre Company). She has also worked for Salt Lake Shakespeare and Utah Contemporary Theatre.

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WHO’S WHO TAWNIE ROBINSON (UPTP Assistant

Lighting Designer) is just starting her senior year at Utah Valley University studying lighting design in their BFA program. Her upcoming designs are CHARLOTTES’S WEB at UVU and WENDY AND PETER PAN in the Eccles Black Box Theater. Tawnie is thrilled to be here working on her first show with the Salt Lake Acting Company.

CYNTHIA FLEMING (Executive Artistic

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Director) has been in the world of dance and theatre professionally for over 40 years, during which time she performed in the Broadway, National and International companies with A CHORUS LINE. Since 1995 she has worn many hats at SLAC, including Choreographer, Director, Box Office Manager and Director of Audience Services. She developed SLAC’s high quality customer service titled: Mayberry meets Space Odyssey, which is the foundation for the recordbreaking number of subscribers. She conceived and created the position of Director of Communication and Audience Development and assembled the communication team to generate a renewed energy and excitement about the theatre. In 2010 she became CoExecutive Producer and is now honored to be SLAC’s Executive Artistic Director.

Cynthia remains a working artist in the theatre and has choreographed many SLAC productions including SATURDAY’S VOYEUR for 16 years and directed/ choreographed this musical for 7 years.

Cynthia is proud to serve SLAC and its mission to engage and enrich community through brave contemporary theatre.

SALT LAKE ACTING COMPANY –

Salt Lake Acting Company’s mission is to engage and enrich community through brave contemporary theatre.

WHO’S WHO Founded in 1970, SLAC is a not-forprofit 501(c)3 professional theatre dedicated to producing, commissioning, and developing new works and to supporting a community of professional artists. SLAC has been nationally recognized by the Shubert Foundation, the National Endowment for the Arts, the Pew Charitable Trusts, and the Edgerton Foundation, among others.

SLAC operates under a SPT Actors Equity Association contract and is a Constituent Member of Theatre Communications Group (a national organization for nonprofit professional regional theatres), and the National New Play Network (a national alliance of non-profit professional theatres that champions the development, production, and continued life of new plays).

ACTORS’ EQUITY ASSOCIATION (AEA) – founded in 1913, represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. ** The set designer of A DOLL’S HOUSE, PART 2 is represented by United Scenic Artists Local USA 829 of the IATSE

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Building better websites to help build a better community

NEW PLAY SOUNDING SERIES

SLAC is proud to partner with

The Women’s Business Center of Utah (WBCUtah) helps Utah women build confidence, create opportunities, and experience success in business ownership.

To learn more about their amazing work, go to wbcutah.org A Doll’s House, Part 2

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COMING NEXT HOW TO TRANSCEND A HAPPY MARRIAGE UTAH PREMIERE

by Sarah Ruhl Director: Adrianne Moore April 8-May 10, 2020 A dinner party gone wild. Two married couples invite a mysterious woman (who hunts her own meat) along with her two lovers to a New Year’s Eve party. From the adventurous and provocative Sarah Ruhl comes a comedy that pushes the boundaries of marriage and the limits of friendship.

SATURDAY’S VOYEUR 2020 WORLD PREMIERE created by Allen Nevins & Nancy Borgenicht Director/Choreographer: Cynthia Fleming Musical Director: Michael Leavitt June 17-August 23, 2020 Join us for Utah’s most irreverent summer bash! SATURDAY’S VOYEUR is written for us, about us, every year in celebration of the peculiarities of this place we lovingly call home. Pack your picnic and come party!

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UNIVERSITY PROFESSIONAL THEATRE PROGRAM “As I get to work with and learn from the experience of other theatre professionals, I will not only expand my knowledge base but also my network. The knowledge gained will make me a more capable artist as I move on to other projects, and the network that I have is what will open doors to other projects in the future.”

– Tawnie Robinson, Assistant Lighting Designer

THANK YOU TO: The John & Marcia Price Family Foundation Terence Kearns Stephens Charitable Trust Anderson & Karrenberg Maschoff Brennan for their generous support of this program.

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www.luxcateringandevents.com

sponsors, friends and supporters Salt Lake Acting Company is a 501©3 non-profit professional theatre, and as such depends on the generosity of the following individuals, corporations, and public agencies who make the theatre’s work possible and invest in its future. The giving tiers below are for donations received from September 1, 2018-January 19, 2020 We thank you from the bottom of our hearts for your contribution to and partnership with SLAC! For information about SLAC’s Giving Program, and to correct any information below, please call Erika Ahlin at 801.363.7522 or email erika@saltlakeactingcompany.org. $50,000 and above

Salt Lake County Zoo Arts and Parks Program Shubert Foundation

Rocky Mountain Power Foundation S.J. & Jessie E. Quinney Foundation Stephanie Steele

Meet Me on 33rd Alice Larkin Steiner Susan & Peter Stevens Utah Humanities Wells Fargo Foundation Eldon Willis

Margaret Wirth Steven Yockey

$250-$499

Anonymous Michael Ramon Aguilar $1,000-$2,499 Bob Archibald and Mary Anonymous $500-$999 Ellen Navas Bruce W. Bastian Foundation Byron & Deborah Barkley Family Charitable Fund ABG’s Bar Dr. Larry Barusch Doctorow, Jarvis & Constance Jerome Bennett Maurine Bachman Christina Beckwith & Todd Family Foundation William & Diane Bohling Byron Barkley Rushton Emma Eccles Jones Bout Time Franchising Llc Crisse Bishop Arleen Bedingfield Foundation Deepika De Silva and Jeff Melinda Bell & Robert George S. and Dolores Dore Ellen Bush Brian Wilkinson & Mimi Black Pendleton Eccles Foundation Charles Kenneth & Karen Brewster Jerome, Jewelee and Britain Lawrence T. & Janet T. Dee Kyle Andrew Mantas & Cody Michaela Buccola and Marty Bennett Foundation Christensen Smyth Vicki & Bill Bennion McCarthey Family Christopher & Pilar Dechet Kate & Bert Bunnell Ann and Paul Bernstein Foundation Joe Zeidner & Susan Dillon Wendy & John J. Carver, II Allison Black Anonymous Eric Eide & Shellie Messner Max and Edee Chang Cal & Laura Boardman Ogden’s Own Distillery Eide Brian Wilkinson and Mimi Lewis Boynton and Sonja The John & Marcia Price LGBTQ Community Charles Penttila Family Foundation Endowment Fund Cheryl Cope Susan Brashear Salt Lake City Arts Council Larry Josie and Pat Fleming Jim Dabakis Carolyn Braza Dale Smith Bruce & Erika Granath David Kelby Johnson Mark & Pandora Brewer Veterinary Orthopedic John & Ilauna Gurr Memorial Foundation Erin Chesley Services Wendy Hanson Dorothy Foster Scott & Sam Christensen Utah Division of Arts & Stephanie and Tim Harpst David Free Leyda & Solana Cordova Museums Becca & Andrew Hall Rena & Richard D’Souza Utah Department of Heritage Shauna Hattonward Peter & Chris Helfrich in Richard & Anne Harper Cliff & Sharon Dutcher & Arts Memory of Glen and Jay and Julie Jacobson Chuck Norlin & Marcia Terence Kearns Stephens Maxine Burnham Barbara & Robert Kidd Feldkamp Charitable Fund John E Henderson Kroger Kim & Steve Francis Henry W. & Leslie Eskuche Dave & Sandy Lamb Brian W. And Cheryl B. Fox $5,000-$9,999 Foundation Henry & Marilyn Lieberman Ray & Harriett Gesteland Anonymous Lee and Audrey Hollaar Lynn McCarron Naanue Gowan Dorsey & Whitney Holland & Hart Phil & Sandy McCarthey Mr. Dave Gribbin Foundation Tina & Larry Howard Ann & Alan Miller Janet Hillis Marriner S. Eccles Ann & Julie Jensen Mill’s Publishing Matt & Wendy HobsonFoundation John Edward Henderson Dan Miller Rohrer Larry H. Miller Charities Dr. Richard E. Kanner & Scott Nichols and Steve Berg Jack & Ginger Horwitz Anonymous Suzanne Stensaas Stephanie Pappas Steven L Hudson Maschoff Brennan Lynn Keough Peck Hadfield Baxter & Marian Jacobsen Storagecraft Technology Jocelyn Kearl & Lisa Killpack Moore Karla Jennison Corporation Suzanne & Robert Larson John Rose & Carolyn Pedone Brett Johnson & Lisa Grant US Bank Foundation Howard Mann Phillips Gallery Staff Richard B. Justice Herbert I. & Else B. Michael Joni Plaehn Melissa Krall $2,500-$4,999 Foundation Patricia Potter & Matthew Henry & Marilyn M. Anderson & Karrenberg Clare Aplington & Keith Olson Classen Lieberman Bryon Benevento Jeff Paris Joann Price Dan W. McKnight Nancy Borgenicht in Support Rocky Mountain Power Pat & Liz Quealy Dr. Michaela Mohr of the Tony Larimer Foundation Jana Ramacher Aaron & Edie Murdock Performing Arts Award Sarah Woolsey & Michael Kenneth Raskin Terri O’Toole Cynthia & Jeff Fleming Rubin Robin & Gordon Roberts Terry & David Peak Bohme Michael Rubin & Sarah Dave & Jennifer Salazar Christy & James Pickens Douglas & Daniel Gaffin-Tilton Woolsey Brad Simons Greg Ruther & Michelle Mr. Richard & Bonnie Max & Teri Savage-Savage Jack Skalicky Pickering Jackson Scaffold and Equipment Michelle Trush Ried Prentice & Tisha Myers Mark Miller Subaru Aquashantina Scheibe Amy Wadsworth & David Rose & Nick Rees Kim Neville & Paul Frankel Val & Barbara Singleton Richardson Chuck Richardson Richard K. & Shirley Dale Smith & Lynn Keough Mary Weber Cynthia Richardson Hemingway Foundation

$10,000-$49,999

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sponsors, friends and supporters Mr. Greg Riley Hal & Kathleen Robins Arnold Sanchez Evan & Lorraine Sanders Mark Schneider Tina Seferos Don and Colleen Sorensen Sharon Spaulding Mary Stanley Scott Stites George Sumner & Tina Hose Marshall Thompson Helga an Miegroet Vickie Venne Holly & Lynn Webster Elaine B. Weis Stacie & John Whitford Gage Williams Judy Miller Wolf Tod & Mary Young

Kathy Davis Sandra Jones & Denis Deck Ann and Neil Decker Klancy De Nevers Leeann Diamond Lidia Dilello & Derick Loyola Suzanne & Robert Larson Megan Donohue Ms. Sharon A. Donovan K Morgan and N Douglas Nancy and Ken DouglasMorgan Emily Drown Mr. Doug Superfan Edmunds Rick & Marla Fadel Ariana Farber Joree Felker Flourish Bakery/Unshackled, Board of Directors Betsy & David Folland Jan & Stan Foutz $100-$249 Robert and Allene Fowler Carolyn Abravanel Jim and Jessica French Steven Allnatt John Funk Kenneth & Julia Ament Ann & Spencer Galt Debbie Amundsen Donald J. Gamble Alan Anderson Anita M. Gander Robert Anderson Barbara Gelegotis Lori Aragon Marc & Carol Gentner Lois & Stephen Baar Anonymous Ed Turner Jr. & Steve Baker Joava Good Ken Barfield Mrs. Olivia M. Gordon Mary Barnes Scot D. Greeno Matthew Barrett Martin & Glynis Gregory Margaret Battin Bobby Sampson & Nancy Lola & Zafod Beatlebrox Gregovich Bruce & Judy Bell Kyle Gurley Neil Sarin & Heather Bertotti Dr. Julie Gustin Linda Thorn Bevins in Honor Kathleen Hall of Iraida Santaella Vd. de Anonymous Capt. B.F. Thorn USNR Rick Wayne Hanley Kaz Toelken & Dave Bigelow Todd Olsen & Nate Hansen Ms. Denise Blaylock Timothy & Gloria Hanson Ellen H Bloedel Richard Irons & Amy Janis Boettinger Haselhorst Geno Schupp and Janis Lara Haynes Boettinger Luckey Heath Rosemary Dennis & Connie Borup Conover Steve Boulay Janelle Heck Sherry Britt George & Sarah Hofmann Debra Buckway Alison Holmes Linda Burt Ira Rubinfeld & Willamarie Nancy Buttars Huelskamp Anonymous Susan Huff Robert Broadhead Connie Hunter Ms. Kathleen Cahill Laura Hutchings Leslie Zaricor Carey Karen Hyde Tina Cerling Daniel Schelling & Hilary Dennis M. Chavez Jacobs Susan Chilton Shannon Huff Jacobs & Paul Ms. Janet Christensen Jacobs Carole H Clark Elaine Jarvik Joan Coles Dawn M. Jensen Katherine Connors Brian Jensen-Severson Michael K Cooke Kelsie Jepsen & Tom Rosso Judy Cottrell Becky Johnson Sid & Jo Cowand Bruce & Maxine Johnson Mr. & Mr. Sid Cowand Bruce and Maxine Johnson Ms. Mary Cowan-Klein Chelsea Jones Jennifer Coyle Kirby Justesen R. Steve Creamer Karen Kelley Penny & Paul Dalrymple Donna & John Kimball

A Doll’s House, Part 2

Scott Kingdon Valerie Kittel Phyllis Mandel & David Kliger Kit Kobe Ms. Patricia A. Koch Rachel Kohan Dr. Gerald G. Krueger Vicky Larsen Lynne & Charles Lawler Skye Lazaro Carolyn & Tom Leitko Roger & Julia Lester Ruthann Libby Katherine Liddle Gary Lindstrom Sarah Lowe Mike Vaughan & Kathleen Lukken Harla & Ken MacQueen Mr. & Mrs. Edward & Heidi Makowski Robyn Mantas Marion Markham Theresa Martinez Anonymous Norma W. Matheson Noemi & Daniel Mattis Dudley McIlhenny Sinead McSweeney Elliott Merrill Tracie Merrill-Wilson Janet Miller Robert Millsap Shannon Minkel Brenda Moore Kevin & Alysse Morton Preston & Sandra Motes Anonymous Bree Murphy Ann Olsen Joe & Dorothy Palmer Nancy Parker William & Mary Ann Payne Terry Pendley Joe Peters Mr. Victor R. Petersen Victor R. & Evelyn Petersen Maureen Peterson Marge Pett Mark Pfitzner April & Michael Pheysey Dr. Glenn & Rhea Brouman Prestwich Joan Proctor Chad & Carrie Rau Kristen Ries & Maggie Snyder Lynn Rohland Maire Rosol Sandy & Wilford Rudert Brent Rushton Charles Saltzman & Ingrid Nygaard Osman Sanyer & Janice Davis Karl Seashore Bill Scott in Celebration of Ken Barfield’s Birthday E. William Scott Mr. George B. Severson Margo Simmons Cheryl Smith Kathleen Cahill and Robert Broadhead

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Jason Snyder Michael, Cathrine and Jenny Spaulding Kenneth & Claudia Sperling Frank & Vickie Steffey Dr. Mary & Sean Steinmann Tina Straley Jim Struve & Jeff Bell Harvey & Freida Sweitzer Diane H. Taylor Sara Timken Douglas Tripp Mrs. Sophia T. Davis-Valdez Jennifer Vasquez Anonymous Kathy and Brad Wallin Paul Watkins Mr. Henry O. Whiteside Nicky & Alex Wight Stephanie B & Park Willis Donald & Kristin Winder Betsy Wolf and David Ream Carl Wolfram Jo-Ann Wong Mrs. Sue Wood Lisa & Thomas Woodbury Adam & Francine Wright Sheila & Andy Yorkin Marjorie C. Young Mr. Paul C. Young Paul Young Anonymous Tamara Young

$10-$99

Ms. Erika S. Ahlin Steven and Beverly Allnatt Sandra Alverson Kathleen Anderson Krista Anderson Mandy Anger Michael & Julie Archer Mary Navas & Bob Archibald Orly Ardon Reshma and Connor Arrington R Larry & Alicia Ashton Julee Attig Lauren Bair Mr. Vahe Bandarian McKenzie Barkdull John & Joyce Barnes France Barral Charisse K. Baxter Tika Beard Peter C Behn Jane Elizabeth Bell Tamara & Robert Bell Glenn Lamson & Elizabeth Bellit Leona Blackbird Paula K Blackburn Mr. Lasse Boelius Jennifer Booth Elizabeth Bowman Jeff Bradley Mr. & Mr. Wesley R. Brady Oscar Bravo Alice Brown Paul Bruno Bruno Group Signature Solutions

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sponsors, friends and supporters Cynthia Buckingham and Jim Bach Jamie E Burnham Kathryn Burnham Danielle C Burnside Sherry Butler Teddie Butts Lanna Cairns Brent & Susan Cameron Heather Campbell Christina Canino Brown Ms. Nancy L. Cantor Debbie Carey Alisa Carlton The Right Reverend Helen Carpenter Tim Chambless Debbie Chandler Carol & Dennis Chart Sara Lee Chindlund Albert Cho Michelle Church Dr. Nancy B. Cohn Marcie & Russ Collett John Concannon Carolyn Connell Luckey Heath & Rosemary Conover Kate Conyers Hilary Coon Camille Cornabyjeffrey M Soderberg Rina Corson Anonymous Anonymous JoDeane Cruz Mary Culbertson Frank Cumberland Mrs. Helene Cuomo Marty Custen Olivia Custodio Lizzie Dalton Ann Davis Bill Davis Kambria Davis Rebecca W. Davis Rose Ann Milano & Joe Dayney Melanie Dern Ms. Debra Dickerson Marilyn Dillon John Downing Kathy & Kurt Dudley Mrs. Kala Faith Dulle John Durig Larry & Yvonne Eagan Ty Eldridge Annalyse Erickson Linda Erwin Paula Espinoza Barbara Fadel Karen Fakler Debra Falvo Yu Feng David Fernandez Susan Fleming Alan & Lynda Fletcher Mary Moss & Lynda Fletcher Steve & Marin Fogg April & Mark Fossen Allene Fowler Laurie Fraser

A Doll’s House, Part 2

Anonymous Chuck & Susan Furca Colina Colina Gadd Gadd Katherine & Mark Gardiner Ms. Lynn F. Gardner Lynda Geddes Julie George Thomas Gerke Anonymous Staci Glovsky Thomas Godfrey Cynthia Godsey Jane & David Gorrell Tom Gosse Mr. Michel Goulet Tom X & Peggy Gouvisis Lisa Grant Brenda Gray Bill & Cheryl Groot Karen McArthur & Bernard Grosser Kathleen Hall Shanna Hall Heather Hamilton Vicki Harding Maurine & Pete Graydon Harker Bradley Hatch Scott & Wendy Haupt Roger Haynes Cristi M. Hebert Kathleen & Tom Heffron Christina Heiner Marcia Henderson Deanne Hester Joslin Heyward Brandon Hines Deborah & Scott Hinton Richard Hirschi Carolyn & Bob Hoffman Jo Ann Holder Wendy Holliday Judith Horwitz Jennifer & Michael Hotchkin Jerry & Carol Jenson Kelsie Jepsen Bill P. Johnson Liam Johnson Sally Jones Christina-Mai Just Roxanne Kammerer Natalie Keezer Safia & Lester Keller Caroleen Virginia Kelly Fonda Kersey Heather L King Andy Kirol Gene Klatt Russell Klein Suzanne Knibbe Sue Marquardt & Patricia Knight Oliver Kokai-Means Jeffrey Kovnick Lynne Kraus Kim Kvarfordt Joshia Marc Ladenburg Mary Lagrandeur Brenda Larsen Jeff & Suzanne Law Laura M Layton Pauline & Jim Light

Ingie Lignell Terry & Wendee Long Elizabeth Lopez Jenny Lowe Mrs. Jenny Lowe Matt Lowell Deborah Luker John Lyon Marika Lyons Ms. Mindy MacDougall Mark & Mira Machlis Mr. Gene Mahalko Anonymous Rose & Andrew Maizner Cvijetin Majinovic Loreen Major Juliy Marie Paula & Mark Marine Ms. Tami & Jane Marquardt Mickael Lee Martinez Dr. Jan Winniford & Dan McCool Tana McDaniel Ms. Kathleen E. McDermott Nichole McGrath Chris McLain Lance McNees Michele & Michael McOmber Ms. Britney Mellen Mariah Mellus Jackie Mendelsen Kellie Michaelis Angela Micklos Laurie Moldawer Amanda Moore Peter & Nicole Mouskondis Mina Moylan Samantha Murphy Shannon Musgrave David & Jann Nelson Karen Nielsen-Anson Jill A. Nutting Nancy J Oconnor Gary & Lynda Oderda Patricia Offermann Mr. Craig S. Ogan Mary Ogan Karen Okabe Anonymous Jeff Orr Grace Perozek Jay Perry Ellis Valdez & Anna Marie Petroff Nitin Phadnis Kris Pierce David Pisani Kris Pittman Val Antczak & Barbara Polich Susan & Keith Pope Carol Prince Madeline Hughes Wilcox Quayle Brent Rammell Anastasia Ratliff Anonymous Mr. David W. Rebol Jonathan Reddoch Maren Reid Anonymous Wendy & Jacques Reymond Anonymous

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Joanne Rice Robert Earl Riley Ms. Becky Sue Roberts Sarah Roberts John Rodriguez Erica Rolston Thomas J. & Shirley C. Rossa Sylvia Russon Christopher Ruud Shelly & Danny Sanchez Susan Sandack Joanne Sayre & Michele Backes Grant Schettler Lisa Schneider Lauren Scholnick Pamela Schroeder Brittany Scottorn Robert Serpico Lindsay Sharp Jill & Richard Sheinberg Susan Sheppard Anonymous Kenneth J Simin Christl Simons Marguerite Slayman Mr. Steven Smith Jennifer Ann Smullin David & Kathy Sorensen Alex Soutter Susan Nims Stetich James R. Stewart Cassandra Stokes-Wylie Cassie Stokes-Wylie Emily Sullivan Jennifer Sundberg Lu Sweeney Sarah Thomas Ray Thomason Mary Thurston Shannon Liz Tilly Tahne S Timmons Holly Tuckett Nicole Emmett VanHecke Family Steve Varechok Victor Velivis Julia Vinson Lezlie Wade Bonnie Walsh Laurie Kirby & Ellen Walsh Ms. Lynnda Wangsgard Mr. & Mrs. Arthur M. Warsoff Elizabeth Watson Charlotte Westphal Von Whitby The Whittenburg Foundation James & Elaine Wightman Scott D. Williams Bobby Wilson in Honor of Joshua Black Jan Stucki Wilson Jenifer Wilson Jaclyn Wintle Nancy B Wolfe Paula Rhea Woods Lorilyn J Workman Charlyne & Paul Wozniak Gloria Wurst Betty Yanowitz Ms. Shelley E. Zimmer Rabbi Patrick Zwick

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RESTAURANT & BAR LOCALLY SOURCED × CRAFTED WITH LOVE BRUNCH MON-FRI 9AM-2:30PM SAT-SUN 9AM-3PM LUNCH MON-FRI 11AM-2:30PM

801.364.4655

DINNER WED-SAT 6PM-10PM 239 S 500 E SLC, UT 84102

salt lake acting company 2019/2020 Cynthia Fleming

Executive Artistic Director

Justin Ivie

Joshua Black

Director of Development

Cassandra Stokes-Wylie

Director of Marketing & Communications

Erika Ahlin

Producing Director

Literary Manager

John Downing

Topher Rasmussen

Accountant/Human Resources

Adriana Lemke

Nick Fleming

Director of Technology & Ticketing

Grants & Education Coordinator

Natalie Keezer

Audience Relationship & Subscriptions Specialist

McKenzie Barkdull

Audience Relationship & Accessibility Coordinator

Audience Relationship & Community Coordinator

Beret Brems, Jorji Diaz Fadel, Connor Johnson, Aaron Hoenig, McCall Kirby, Katelyn Limber, Andrew Maguire, Nat Nelson, Riley Nevins, Marc Nielson, Lane Richins, Emily Smiley, Alison Stroud, Hayden Warzek House Manager & Front of House Staff

Erik Reichert

Jennie Sant

Construction Supervisor

cade beck

Resident Production Stage Manager

Jacob Hunt

Master Electrician

Jeremy Eldridge

Assistant Master Electrician

Sound System Engineer

Peter Conover, John Hild, Lucy LeBohec

Quimby Roundy Curtis Hendrickson

Carpenters

Sara Shouse Wardrobe

Scenic Artists

Daniel Bunker

William Richardson

Light Operator

Sound Operator

James Loch, Marley Keith, Marissa Olsen, Aaron Gubler Electricians

J. T. Rogers

Artistic Associate

Allen Nevins & Nancy Borgenicht Artists in Residence

Kathleen Cahill & Julie Jensen Playwrights in Residence

dav.d Daniels, Mckenna Frandsen

Production Photography

Mills Publishing, Inc., Jackie Medina Graphic Design

dav.d Daniels, Matthew Pool Video Production

Dr. Osman Sanyer House Physician

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board of trustees 2019/2020 Kimberly Neville President Dorsey & Whitney, LLP

Kyle Mantas Vice President Wells Fargo Bank

Lisa Killpack Secretary Nu Skin

Jerome Bennett Treasurer Realty Experts

Brian Wilkinson Past President Wilkinson Ferrari & Co

Byron Barkley Board Member at Large Wilson Davis & Co

Stephanie Steele Board Member at Large Meet Me on 33rd

Terence K. Stephens Board Member at Large Artist

Ken Barfield

George Severson

Michaela Buccola

Annabel Sheinberg

DFG/Scott Sports

ABC 4/CW30

Sundance Institute

Planned Parenthood

Susan Dillon

Dale Smith

Jetblue Airways

Veterinary Orthopedic Services

Bruce Granath

Barbara Tharp

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Douglas Tilton

Gerry Nichols

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Broadway Across America

Comcast

StorageCraft Technology

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NJRA Architects

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FOR OUR AUDIENCE Your presence at Salt Lake Acting Company is met with sincere gratitude.

You make everything possible.

Tickets:

Emergency Exits:

For tickets call the SLAC Box Office at 801-363-7522 or visit us online at saltlakeactingcompany.org. Box office hours are Monday to Friday 9am to 6pm, with extended hours during run of show.

Please identify the exit closest to your seat in case of emergency.

Late Patrons:

Late patrons will be seated by the House Manager during the first appropriate break.

Ticket Exchanges:

Wheelchair Accessibility:

Season Subscribers can always exchange their tickets, and it’s free! Just call 801-363-7522.

The Upstairs Theatre is not wheelchair accessible, please call for further details. An ADA approved restroom is available in the lobby.

Group Sales:

Discounts are available to groups of 10 or more.

Call 801-363-7522 to discuss seating availability or Green Room reservations for your party. We’d love to take care of you and your friends.

The use of film, video or audio recording equipment in the theatre during a performance is expressly prohibited.

Please turn off all cell phones.

OUT OUT ON ON THE THE TOWN TOWN OUT ON THE TOWN

dining guide diningdining guide guide THE THENEW NEWYORKER YORKER60 60West WestMarket MarketStreet.

Street.SLC’s SLC’s premier premierdining diningestablishment. establishment.Modern ModernAmerican American MARTINE 22 East 100 South.

Exceptional ambience, MARTINE 22 East 100 South.

Exceptional ambience, located in cuisine cuisineisisfeatured featuredininrefined refineddishes dishesand andapproachable approachable located infood. a historic brownstone.

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Martine offers Salt Lake Cityoffers afrom sophisticated Lake City a sophisticated dining experience kept– simple. contemporary contemporary seafood seafood toConveniently toAngus Angus Beef Beef steaks steaks –the the dining experiencelocated kept simple. located onthe Firstcorner South Conveniently onfor First South around menu menuprovides providesoptions options forevery every taste. taste.

Served Served ininaa around the corner from the Eccles Theater.

Extensive bar and wine from the Eccles Theater.

Extensive bar and wine service. casually casuallyelegant elegantsetting settingwith withimpeccable impeccableservice. service. service. martinecafe.com L,for T,corporate LL, RA,CC, CC,and VS. 801-363-9328 martinecafe.com L, D, T,D,corporate LL, RA, VS. 801-363-9328 Private Privatedining diningrooms rooms for and social socialevents. events.

Lunch Lunch&&Dinner.

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Consistently Rated Rated“Tops” “Tops”–Zagat –Zagat • anConsistently american contemporary café • 6060W.W.Independent Market MarketStreet Street• •801.363.0166 801.363.0166 Local, Chef Owned

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MARKET MARKET STREET STREET GRILL GRILL DOWNTOWN DOWNTOWN 48 48 SPENCER’S 255 South West Temple, SLC. Winner of Wine West West Market Market Street.

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Seasonal cocktails, inspired available. available.Select Selectfrom froman anabundant abundantoffering offeringofoffresh fresh desserts, flown and exceptional service your meal.

L, D, S, T, seafood seafood flown inindaily, daily,Angus Anguscomplement Beef Beefsteaks, steaks, and and aavariety variety ofof non-seafood non-seafood dishes. dishes.Open Open 7 7days daysaat aweek weekserving serving LL, RA, CC, VS. 801-238-4748 | Reservations Opentable.com

Most MostPopular PopularRestaurant Restaurant –Zagat –Zagat

4848W.W.Market MarketStreet Street(340 (340South) South) 801.322.4668 801.322.4668 complementary appetizer or dessert with entrée 801.238.4748 | 255 S West Temple

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South.Award Award winning winning ambience, ambience, SQUATTERS PUB BREWERY 147 West Broadway located located ahistoric historic brownstone.

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Locally Locally traditional pub favoritesdining such as bacon topped meatloaf, pizzas and sourced sourcedingredients, ingredients,pre-event pre-event$25 $25three threecourse courseprix prixfixe. fixe. aExtensive deliciousbar array of burgers, all pairedmartinecafe.com with our world-class beer and Extensive barand and wine wineservice. service. martinecafe.com atmosphere.

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B-Breakfast B-BreakfastL-Lunch L-Lunch D-Dinner D-Dinner S-Open S-Open SundayDL-Delivery DL-DeliveryT-Take T-TakeOut OutC-Children’s C-Children’sMenu MenuSR-Senior SR-SeniorMenu MenuAT-After-Theatre AT-After-Theatre Top: Image licensed

by Ingram ImageSunday LL-Liquor LL-LiquorLicensee LicenseeRR-Reservations RR-ReservationsRequired RequiredRA-Reservations RA-ReservationsAccepted AcceptedCC-Credit CC-CreditCards CardsAccepted AcceptedVS-Vegetarian VS-VegetarianSelections Selections B-Breakfast L-Lunch D-Dinner S-Open Sunday DL-Delivery T-Take Out C-Children’s Menu SR-Senior Menu AT-After-Theatre LL-Liquor Licensee RR-Reservations Required RA-Reservations Accepted CC-Credit Cards Accepted VS-Vegetarian Selections

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Green Room Gallery Salt Lake Acting Company is elated to continue our partnership with Art Access during the run of A DOLL’S HOUSE PART 2. Art Access is a community-focused organization that champions the arts as a universal vehicle for highlighting our similarities, celebrating our differences, and ultimately connecting us to each other. Through its philosophy of inclusion, Art Access serves people of all ages, backgrounds, and abilities.

WE LOVE OUR SUBSCRIBERS! Jim Anderson has been a season ticket holder for over 20 years. He is a craftsman who makes beautiful hand-turned bowls. He has generously donated a set to help raise funds for SLAC. Enter our opportunity drawing in the lobby for a chance to take these beautiful bowls home.

Jim Anderson as “Peanut Vendor” in SLAC’s production of MR. PERFECT by William Missouri Downs

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NOW OPEN AT OUR NEW LOCATION WEST TEMPLE AND 400 SOUTH IN THE HISTORIC EAGLES BUILDING.

Cafe Molise page 37

~ Italian Cuisine ~ ~ Wine Bar ~ 801-364-8833 801-359-2814 PREPRINT caffemolise.com PREPRINT btgwinebar.com

404 S West Temple • Salt Lake City, UT

Come visit Tin Angel in our new home 131 South Main inside the Grand Lobby of the Eccles Theater. Open for lunch and dinner Monday through Saturday and special hours during shows.

Tin Angel page 38

Coffee Garden page 38

801-328-4155 thetinangel.com

WE ARE RECOVERY Odyssey House page 38

21 X Winner Best of State 2019, 2018, 2017, 2015

PREPRINT

Odyssey House PREPRINT

YOUTH SERVICES

ADULT SERVICES

PARENT SERVICES

Post office Place 16 W MARKET ST. • 385.202.7500 FOOD • JAPANESE WHISKY • COCKTAILS

Takashi page 39

WHERE CULTURES COLLIDE TAKASHI 18 W MARKET ST. • 801.519.9595 LUNCH • DINNER • COCKTAILS

PREPRINT PREPRINT

A Gallery page 40

PREPRINT