The Crucible

PTC The Crucible

February 13 through February 28, 2015

The Crucible

By Arthur Miller

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PIONEER THEATRE COMPANY The resident professional theatre of the University of Utah The Roy W. and Elizabeth E. Simmons Pioneer Memorial Theatre C. Lowell Lees Main Stage

Karen Azenberg Artistic Director

Chris Lino Managing Director presents

by ARTHUR MILLER J. TODD ADAMS TOBIN ATKINSON BETSY HOGG PHILIP KERR JOHN LA GIOIA FLETCHER MC TAGGART ROBERT SCOTT SMITH DAVID SPENCER KURT ZISCHKE ANNA LOUISE BRINGS MICHAEL S. JOHNSON

CLAIRE BROWNELL PAUL KIERNAN JOHN MICHALSKI STEPHANIE WEEKS

ANNE CULLIMORE DECKER

BRIGHTON HERTFORD

MADISON MICUCCI

STEPHANIE PURCELL

SARAH SHIPPOBOTHAM

Set Design GARY ENGLISH

Costume Design CAROL WELLS-DAY

Sound Design JOSHUA C. HIGHT

Hair and Makeup Design AMANDA FRENCH

Lighting Design PHIL MONAT

Original Music MATTHEW BASHAW

Production Stage Manager MARY P. COSTELLO

Directed by

CHARLES MOREY Casting by Rich Cole Casting THE CRUCIBLE is presented by special arrangement with DRAMATIST’S PLAY SERVICES, INC. *The theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Supported in part by:

L-R: Madison Micucci (Abigail Williams) and Fletcher McTaggart (John Proctor)

801.581.6961 PioneerTheatre.org

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March 20 through April 4, 2015

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By Paul Rudnick

CAST OF CHARACTERS Cast in order of appearance

Betty Parris. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STEPHANIE PURCELL Reverend Samuel Parris. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PAUL KIERNAN* Tituba. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STEPHANIE WEEKS* Abigail Williams. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MADISON MICUCCI Susanna Wallcott . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRIGHTON HERTFORD Mrs. Ann Putnam. . . . . . . . . . . . . . . . . . . . . . . . . . . SARAH SHIPPOBOTHAM Thomas Putnam. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KURT ZISCHKE* Mercy Lewis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANNE LOUISE BRINGS Mary Warren. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BETSY HOGG* John Proctor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . FLETCHER MC TAGGART* Rebecca Nurse. . . . . . . . . . . . . . . . . . . . . . . . . . . ANNE CULLIMORE DECKER Giles Corey. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN MICHALSKI* Reverend John Hale. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .J. TODD ADAMS* Elizabeth Proctor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CLAIRE BROWNELL* Francis Nurse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN LA GIOIA* Ezekiel Cheever . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TOBIN ATKINSON* John Willard. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ROBERT SCOTT SMITH* Hopkins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MICHAEL S. JOHNSON Judge Hathorne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DAVID SPENCER* Deputy-Governor Danforth . . . . . . . . . . . . . . . . . . . . . . . . . . . . .PHILIP KERR* Sarah Good. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SARAH SHIPPOBOTHAM

SETTING ACT I, SCENE 1: . . . . . . . . . . . . . . . . . . . . . . . . . A bedroom in Reverend Samuel Parris’ house, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Salem, Massachusetts, in the spring of the year 1692.

ACT I, SCENE 2: . . . . . . . . . . . . . . . . . . The common room of Proctor’s house, eight days later.

ACT II, SCENE 1: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Five weeks later. A wood.

ACT II, SCENE 2: . . . . . . . . . . . . . . . The vestry of the Salem Meeting House, two weeks later.

ACT II, SCENE 3: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A cell in Salem jail, three months later.

THERE WILL BE ONE 15-MINUTE INTERMISSION

Understudies:

Understudies never substitute for listed players unless a specific announcement for the appearance is made at the time of the performance.

Anne Louise Brings – Abigail Williams Brighton Hertford – Mary Warren Michael S. Johnson – Reverend John Hale Stephanie Purcell – Elizabeth Proctor

AEA Stage Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN “JP” POLLARD* *Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

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THE CRUCIBLE

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DIRECTOR’S NOTES A Great Delusion of Satan

and, perhaps most importantly, the transcendence of spiritual over material values. It has, however, planted in the American psyche a tendency toward moral he astounding fact is that the events outlined in absolutism and religious zealotry that can create a this play are, in most essentials, true. climate in which diversity of thought and expression

For 300 years we have tried to understand the Salem witch trials of 1692 through historical, psycho- are not welcome, and in its worse excesses can inspire a violent fanaticism towards the “other” in not only logical, sociological, economic, and environmental studies; through art, literature, theatre and film. Every the individual, but the society as a whole. Fanaticism is certainly not a trait that is uniquely American – a age reaches its own conclusions. To some, the Devil cursory reading of yesterday’s events in the Middle was actually at work, though not in the accused but East will tell us that. But parochial zealotry stands the accusers. One of the “bewitched” girls apologized to the community many years later for having caused in such stark contrast to the democratic, humanistic traditions upon which our Republic is founded that the death of innocent people and said it was due “to we are particularly shocked when it appears in our a great delusion of Satan.” Some describe the trials own backyard. as an ill-concealed grab for land and political power.

The original colonists had emigrated to America There are Freudian and Jungian explications. There is with the clearly stated purpose of establishing “The a theory that a diseased crop of grain chemically induced hallucination in the accusers. There are Marxist Kingdom of God on Earth”, a semi-independent and there are feminist interpretations. But there is no commonwealth and religious paradise. It was a truly definitive answer. Arthur Miller in The Crucible society in which conformity of religious thought was unquestioned. The original charter stated that only touches on several of these potential explanations members of the Puritan Church were allowed the vote. for the witch-hunt. Ultimately, The Crucible is not Ecclesiastical and secular authority were one and really about why it happened, but about what this moral crisis brought forth from the average men and the same. The Puritans forbade all forms of worship other than their own and non-believers were actively women at the center of it. removed from the colony.

But why such an enduring fascination? Witch However, by 1692, the Massachusetts Bay Colony hunts throughout Europe in the 15th, 16th and 17th was a society in transition. Increased trade and century were far more widespread and ruthless, and prosperity brought new settlers, not all of whom were the Salem trials cannot hold a candle to the zeal, as like-minded on religious and social matters as the efficiency, or scope of the Spanish Inquisition. As an early colonists. In 1684, Charles II revoked the Massaexample of man’s capacity for violence to his fellow chusetts Bay Colony Charter, which left the entire govman, the Salem executions are hardly a blip when ernmental and legal system in doubt, including such compared to the enormous atrocities perpetrated in matters as ownership of private property. When a new more recent centuries. charter was granted in 1691 by the reasonably tolerant

Certainly, the fascination with a possibly William III (William of Orange), it tied New England supernatural event is enough to keep the Salem firmly to the British Empire by making the Colonial trials in the tabloids, if you will, but I think there is Government all Royal appointees. Most importantly, a deeper fascination – and one that is ultimately far more frightening than witches on broomsticks. I think the new charter extended the franchise to all male what holds our gaze on Salem is the fact that it tells us inhabitants possessing a “forty shilling freehold” or something compelling, disturbing, and very real about other property worth 40 pounds sterling. Church membership was no longer required as a qualification ourselves and about our national character.

The Puritan legacy remains a dominant force in for the vote.

The 17th Century world was seen as an enorAmerican culture. It has informed our collective con- sciousness with such important positive values as the mous battleground between the forces of good and evil – between God and the Devil, and the Devil’s work ethic, self reliance and self discipline, personal recruits were witches. The existence of witches was responsibility, moral rectitude, a rigorous honesty

T

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THE CRUCIBLE

DIRECTOR’S NOTES unquestioned. The Puritans believed they knew the revealed truth and it had been revealed only to them.

The battle between Christ and Satan was laid out very clearly and they knew which side they were on.

“This is a sharp time now, a precise time,” says Deputy Governor Danforth in The Crucible, “we live no longer in the dusky afternoon when evil mixed itself with good and befuddled the world. Now, by God’s Grace, the shining sun is up, and them that fear not light will surely praise it.”

Salem Village (now Danvers, Massachusetts) was a small agricultural community on the outskirts of the seaport of Salem, just north of Boston. It existed in a kind of political nether-world, outside the governmental structure of Salem itself, but without any effective governing body of its own to arbitrate the disputes of day-to-day life over such things as boundary lines and unsettled bills. Thus, petty disputes were left to fester and grow on their own and they most surely did so, increasing the pressures already building on this society in transition.

Ultimately, however, Arthur Miller’s The Crucible is not really about witch trials, superstition, religious bigotry, narrow-mindedness, or communal fear of the other. Those are the elements of the play’s subject matter, to be sure, but finally The Crucible is a play about individual conscience and the journey of one man as he responds to a world that is disintegrating into fear, bigotry, and hysteria. It is John Proctor’s journey upon which the play hangs. And it is ultimately not a journey toward nobility or goodness or self-sacrifice, but towards self-knowledge. And it is that fact which lifts The Crucible from the level of socio-political statement to the great American play which it most surely is.

“It doesn’t matter what you believe, so long as you don’t believe it completely.”

Bertrand Russell “Fear is the enemy of love.” St. Augustine Charles Morey Director

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TIMELINE

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he events outlined in this play are, in most essentials, true. From March to October of 1692, hundreds were imprisoned: men and women, old and young, rich and poor, ranging from a respected church-going grandmother to a four year old child. Five died in prison, including an unnamed infant who was born in a jail cell to a condemned witch. Nineteen were hung from the limb of a tree on Gallows Hill. Many were tortured into confession by being tied feet to hands into “hoops.” Those who did confess were saved from the gallows and were encouraged to accuse their neighbors. One was tortured to death. Many of the imprisoned had their lands, homes, and goods confiscated and suffered the even greater torture to know their children were left untended to beg in the streets.

The following factual and documented events occurred: January 1692: Rev. Parris’ daughter Betty (9) and his niece, Abigail Williams (11), an orphan, begin acting strangely and babbling incoherently.

February 1692: Ann Putnam (12) and Elizabeth Hubbard (17), Mary Warren (20), Mercy Lewis (19), Mary Walcott (16) join the other girls in having fits. They accuse Tituba, the Parris’ household Caribbean Indian slave, of bewitching them. They also accuse Sarah Good and Sarah Osborne -- two women of bad reputation also.

March 1-5, 1692: The three accused are examined in the Salem Village Meetinghouse by Magistrates John Hathorne (great, great, grandfather of Nathaniel Hawthorne, who added the “w” to his name to distance himself from his ancestors) and Jonathan Corwin. Tituba confesses. All three women are sent to prison.

March 6-9, 1692: The girls accuse Martha Corey -- a respectable church member.

March 21, 1692: Martha Corey is sent to prison.

March 21-25, 1692: Ann Putnam, (Sr.) joins the girls in having fits. They accuse the 71-year-old Rebecca Nurse of bewitching them.

March 24, 1692: Rebecca Nurse and Sarah Good’s fourand-a-half-year-old daughter are sent to prison.

April 1692: Twenty-three more are jailed on the girls’ accusations: John and Elizabeth Proctor, Bridget Bishop, Giles Corey, Mary and Phillip English, and George Burroughs, the minister who preceded Samuel Parris as the pastor of Salem Village.

May 1692: Thirty-nine more are arrested and jailed.

June 1692: The new Governor of Massachusetts appoints a court to try the accused. William Stoughton, the Deputy Governor, is appointed chief judge. Bridget Bishop is tried, convicted and sentenced.

July 10, 1692: Bridget Bishop is hanged on Gallows Hill.

July 29, 1692: Sarah Good, Rebecca Nurse, Susannah Martin, Elizabeth Howe and Sarah Wildes are tried and convicted. Rebecca Nurse is acquitted – but the

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judges ask the jury to reconsider. They do so and she is condemned to death.

July 19, 1692: Sarah Good, Rebecca Nurse, Susannah Martin, Elizabeth Howe and Sarah Wildes are hanged on Gallows Hill.

August 5, 1692: George Burroughs, the Proctors, John Willard, George Jacobs, and Martha Carrier are brought to trial. On August 19, they are all hanged, with the exception of Elizabeth Proctor who is pregnant.

September 9, 1692: Six more sentenced to death.

September 17, 1692: Nine more sentenced to death. Five are spared however, one because of pregnancy, the other four confess. Giles Corey refuses to stand trial.

September 19, 1692: Giles Corey is pressed to death, just as described in the play.

September 22, 1692: Martha Cory, Mary Easty, Alice Parker, Mary Parker, Ann Pudeator, Margaret Scott, Wilmot Redd, and Samuel Wardwell are hanged. These are the last hangings.

October 1692: The afflicted girls are sent for by the town of Andover where fifty are accused and many confess.

Then by Gloucester, where four are imprisoned – but the girls have begun to name some prominent women, in particular the wife of the Governor, Lady Phipps.

October 3, 1692: Increase Mather delivers a sermon questioning the reliability of “spectral” evidence – the girls’ visions.

October 12, 1692: Sir William Phipps forbids further imprisonments for witchcraft, and subsequently dissolves the court.

May 1693: Sir William Phipps orders the release of all accused witches remaining in jail.

1706: Ann Putnam – now 26-years-old – formally apologizes in Salem Village Church for having caused the death of innocent people and says it was due to a “great delusion of Satan.”

THE CRUCIBLE

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OUR AMERICA

FebruAry 6–MAy 17, 2015

THE LATINO PRESENCE IN AMERICAN ART From the collections of the Smithsonian American Art Museum UMFA

page 16 PRESENTING SPONSOR: SPONSORS: S. J. and Jessie E. Quinney Foundation Ray, Quinney & Nebeker Foundation MARCIA AND JOHN PRICE MUSEUM BUILDING umfa.utah.edu Olga Albizu, Radiante, 1967, oil, Smithsonian American Art Museum.

Gift of JPMorgan Chase.

Our America: The Latino Presence in American Art is organized by the Smithsonian American Art Museum. Generous support for the exhibition has been provided by Altria Group, the Honorable Aida M. Alvarez; Judah Best, The James F. Dicke Family Endowment, Sheila Duignan and Mike Wilkins, Tania and Tom Evans, Friends of the National Museum of the American Latino, The Michael A. and the Honorable Marilyn Logsdon Mennello Endowment, Henry R. Muñoz III, Wells Fargo and Zions Bank.

Additional significant support was provided by The Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Support for “Treasures to Go,” the museum’s traveling exhibition program, comes from The C.F. Foundation, Atlanta.

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WHO’S WHO J. TODD ADAMS (Reverend John Hale) Four seasons at the Great Lakes Theater and Idaho Shakespeare Festival, including Much Ado About Nothing (Benedick) and Romeo and Juliet (Mercutio); two seasons at the Utah Shakespeare Festival, including Sherlock Holmes: The Final Adventure (Sherlock Holmes); Romeo and Juliet (Mercutio) at Denver Center Theatre Company; four seasons at Shakespeare Santa Cruz, including Henry IV pt. 1 (Hotspur), The Three Musketeers (Aramis), and A Midsummer Night’s Dream (Puck); The Importance of Being Earnest and The Real Thing at PCPA; Drawer Boy, Lonesome West, Entertaining Mister Sloane, and Cyrano de Bergerac at South Coast Repertory; Gross Indecency at the Mark Taper Forum; King Lear at San Diego Repertory; I Pagliacci at the Kennedy Center, directed by Franco Zeffirelli. Film/Television: Gilmore Girls, The West Wing, Flyboys and Warriors of Virtue.

TOBIN ATKINSON (Ezekiel Cheever) Tobin returns to PTC after Much Ado About Nothing and Twelve Angry Men. Regional credits include roles at the Utah Shakespeare Festival, Plan-B Theatre, SLAC, the Asolo (FL), the Studio (DC), and the Shakespeare Theatre (DC). Tobin holds an MFA in directing from the U of U and an MBA from AMU. He served as a U.S. Army rifleman in the 16th Infantry (2000-2004) and was later assigned to Army Entertainment where he led a production safely through Iraq and Afghanistan. He co-founded and ran Plan-B Theatre for eight years with Cheryl Cluff, and co-founded and currently runs Meat & Potato Theatre with Marynell Hinton. www.meatandpotato.org.

CLAIRE BROWNELL (Elizabeth Proctor) is thrilled to make her PTC debut. Credits include: Broadway & National Tour: The 39 Steps. Off Broadway: Indian Ink (with Rosemary Harris). Off-off Broadway: The King’s Whore. Regional Theatre: Shakespeare Theatre Company, An Ideal Husband and The Government Inspector; Hartford Stage, Boeing Boeing! (Connecticut Critics Circle Award); American PIONEER THEATRE COMPANY

Conservatory Theatre, The Rivals; Guthrie Lab, La Jolla Playhouse, Seattle Rep, Gulfshore Playhouse, Palm Beach Dramaworks, Maltz Jupiter Theater & Shakespeare on the Sound. Television: Inside Amy Schumer. Film: The Inspector, The Lady & The Thief, BFF, This is the Story of Ted and Alice. MFA from ACT. BETSY HOGG (Mary Warren) is thrilled to make her Pioneer Theatre debut with this very special play, in which she made her Broadway debut 13 years ago as Betty Parris. Other B’way: Peter and the Starcatcher (Molly Aster, closing company), Fiddler on the Roof. National Tour: Show Boat. Off-B’way/ Regional: The Prime of Miss Jean Brodie (The New Group), The Marriage of Figaro (McCarter Theatre), On Borrowed Time (Two River Theater), The Whale (Adirondack Theatre Festival), Adult (TerraNOVA), Summer of ‘42 (Bucks County Playhouse), A Maze (NYSAF). TV/Film: Onion SportsDome, Law & Order: SVU, The Missing Person, Rocket Science. Proud Northwestern graduate and AEA member. If you want to hear her read a book, check out audible.com.

PHILIP KERR (Deputy-Governor Danforth) is an honors graduate of Harvard and trained at the London Academy of Music and Dramatic Art. A veteran of seven Broadway productions, he has also appeared Off-Broadway at Roundabout, Public Theatre, MTC, CSC, Playwrights Horizons, and Carnegie Hall. Regional/LORT: Guthrie Theatre, American Conservatory Theatre, Yale Rep., Seattle Rep., Alley, Goodman, Hartford Stage, McCarter, La Jolla, St. Louis Rep., Cleveland Play House, Manitoba Theatre Centre, Kennedy Center, Huntington, Westport, Philadelphia Drama Guild, Chatauqua, etc., and New York, American, Colorado, Dallas, California Shakespeare Festivals. TV: NET, BBC, network. Other: Canada, Netherlands, National Dance Institute. Recipient of Chicago’s Joseph Jefferson Award Best Actor. Directed (SDC) over fifty productions. He will appear in Hamlet at Capital Rep. this spring.

PAUL KIERNAN (Reverend Samuel Parris) appeared with Pioneer Theatre Company in Odd Couple, Of Mice and Men, Man of La Mancha, Laughing Stock, Emma, 17

WHO’S WHO The Tempest, The Diary of Anne Frank, Twelve Angry Men, Pride and Prejudice and Amadeus, among others. Other credits include Much Ado About Nothing (Leonato) with Kentucky Shakespeare, Romeo and Juliet (Friar Lawrence) with Pennsylvania Shakespeare Festival, and Cyrano de Bergerac (Cyrano) with the Hangar Theater, Ithaca. Other productions include Macbeth, The Tempest, As You Like It and Much Ado About Nothing with Shakespeare Festival St. Louis. He received his MFA from Brandeis University and is a proud member of AEA. JOHN LA GIOIA (Francis Nurse) New York credits include On Borrowed Time (director George C. Scott), School for Scandal, Right You Are, Gemini, War of the Roses, Titus Andronicus, Pavlo Hummel, (NY Shakespeare Fest), Over the River and Through the Woods, Doubles. Regional credits include: Hedda Gabler (Alley Theater), Enemy of the People (Williamstown Festival), Inner Voices (Spoleto Festival, USA), A Midsummer Night’s Dream, All the Rage (Pittsburg Public) and more. Musical credits include Gypsy, West Side Story, The Fantasticks, and Bells Are Ringing. A regular on all NY based soap operas, he was Johnny Dallas on The Edge of Night for five years, with roles on Law and Order and Law and Order SUV. He has toured with Red Buttons, Tom Poston as Bogie in Play it Again, Sam, and Milton Berle in The Impossible Years.

FLETCHER MC TAGGART (John Proctor) is thankful to be back working at the Pioneer Theatre Company for his second production with us. He was last seen here as Tony Wendise in Dial M for Murder.

His most recent show was Murder Among Friends at the New Theatre in Kansas City staring opposite Morgan Fairchild. Some of his past productions include Noises Off at The Rep in St. Louis, Broadway: Leap Of Faith. Off -Broadway: Rose Rage, (The Duke), Biography (Pearl Theatre) Home front (La Mama) American Dreams (The Acting Company). Tours: As You Like It, (Acting Co.) Macbeth (Utah Shakespeare) Regional: The Crucible, (Barrington Stage Co.)

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played Reverend Hale, Contact, (Asolo Rep.), Rocket City, (Alabama Shakespeare) A Midsummer Nights Dream, (Lake Tahoe Shakespeare. Film: The Heat, dir.

Paul Feig. Television: As the World Turns, Law and Order, Six Degrees BFA: Ithaca College, MFA: George Washington University.

JOHN MICHALSKI (Giles Corey) John is marking his PTC debut with The Crucible. He just completed a run as Sigmund Freud in Freud’s Last Session. Prior to that, John played Harry Dangle in the opening production of the Repertory Theatre of St. Louis’ season, One Man Two Guvnors. Most recently, in New York, John performed briefly as Angel in the OffBroadway comedy, Under My Skin. An Associate Artist with New York Classical Theatre John has appeared as Prospero in The Tempest, Sir Toby Belch in Twelfth Night, as well as productions of Much Ado About Nothing, Richard III, Hamlet, King Lear and as Scrooge in A Fifteen Minute Christmas Carol. Over his career, John has appeared on and Off-Broadway, in two tours with The Acting Company and in theatres from coast to coast. John acquired a few basic skills as a member of group II of the Juilliard School’s Drama Division, under the legendary John Houseman.

ROBERT SCOTT SMITH (John Willard) NYC credits include Keeping Ishmael (Workshop); Pericles (SLANT); and the codevelopment of Roger Benington’s new work, Mormon Bird Play.

SLC acting credits include Shhh! Burlesque, Pains of Youth, and Santaland Diaries with Tooth and Nail Theatre; Rapture Blister Burn, Good People, CHARM (World Premiere), Swimming in the Shallows, Six Years, Big Love, BATBOY: The Musical, and Gross Indecency with Salt Lake Acting Company; OUR TOWN with The Grand Theatre; and BASH with Plan-B. Robert Scott is Founder and Co-Artistic Director of Flying Bobcat Theatrical Laboratory.

Recent collaborations include Lost in the Woods with the SLC Men’s Choir; Feast with choreographer Charlotte Boye-Christensen, NOW-ID and NYC Playwright Troy Deutsch. Education: MFA Old Globe Theatre San Diego; BFA ATP University of Utah.

THE CRUCIBLE

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KUED The University of Utah

WHO’S WHO DAVID SPENCER (Judge Hathorne) was last seen at PTC two seasons ago in the encore production of Les Misérables (as well as the original PTC production in 2007). In the interim he has spent quality time riding his motorcycle through the back roads of upstate New York while taking occasional jaunts to Jackson, Mississippi, to work at New Stage Theatre in The Grapes of Wrath (Jim Casy), A Christmas Carol (Scrooge), and most recently, All The Way (J. Edgar Hoover) and Peter Pan (Captain Hook). Over the past three decades he has worked so often at PTC that returning to PTC is like coming home. Sincerest thanks to Chuck Morey.

STEPHANIE WEEKS (Tituba) is truly thrilled to be making her PTC debut. She has performed Off- Broadway with Obie Award winning companies, Target Margin and Hoi Polloi. Some of her favorite roles include Salima in Ruined, Belle in A Christmas Carol, Charmian in Antony & Cleopatra and Shark in Oh My God I’m So Thirst(Y), Innovative Theater nomination. Film: Ex-Doofus..., Tribeca Film Festival. Training: London Academy of Music and Drama, MFA: American Conservatory Theater. www.stephaniejweeks.com KURT ZISCHKE (Thomas Putnam) At PTC: Julius Caesar (Brutus), 1776 (John Adams), Sherlock Holmes & The West End Horror (George Bernard Shaw), The Ladies’ Man (Gustave Aubin), 42nd Street (Pat Denning), Richard III, (Clarence) King Lear (Albany), The Tempest (Sebastian) and Camelot (King Arthur), where he met and married his Guinevere,Victoria Adams-Zischke. Broadway, Off-Broadway & National Tours include Signs Of Life, Whistle Down The Wind, The Buddy Holly Story, Baby Case, The Three Sisters, Antigone, King Lear, A Doll’s House, The Beaux’ Stratagem, George Abbott’s Broadway, Barbara’s Blue Kitchen, and Ulysses In Nighttown, among others. Regionally he has appeared in over 100 productions ranging from Jack Lawson in Race to Henry Higgins in My Fair Lady.

He is a graduate of Stanford University and The

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Neighborhood Playhouse, where he studied under Sanford Meisner.

ANNE LOUISE BRINGS (Mercy Lewis/ u/s Abigail Williams) has most recently been seen in Spark (Ali) with Pygmalion Productions.

Past favorites include August: Osage County (Jean), Beowulf (Wiglaf), Boeing Boeing (Gloria), a staged reading of Mad Gravity (Dakota), As You Like It (Rosalind), The Righteous and Very Real Housewives of Utah County (Lupita), Curtains (Georgia) and Antigone (Antigone).

Anne graduated from Westminster College with a B.F.A. in Theatre Performance.

ANNE CULLIMORE DECKER (Rebecca Nurse) is happy to be returning to Pioneer Theatre Company. Her most recent theatre credits: Rare Bird, Righteous & Very Real Housewives Of Utah County, Thirty-Three Variations, Loss Of Appetite. Her most recent film credits: A Life Less Ordinary, Darling Companion. Most recent awards: Utah’s 15; The States Most Influential Artists—2014.

BRIGHTON HERTFORD (Susanna Wallcott/ u/s Mary Warren) Agoura Hills, CA. SAG & AFTRA member for 28 years. Eight years as B.J. Jones on General Hospital (Daytime Emmy – Drama Series 1995) Guest star roles: Dawson’s Creek, 7th Heaven, and Everwood.

Irene Ryan Nomination - Pussycat in Pussycat (U of U). Lady Macbeth in Macbeth (Pardoe Theatre) and Millie Dillmount in Thoroughly Modern Millie (HCTO). Acting Training at University of Utah and BYU. BFA Acting.

MICHAEL S. JOHNSON (Hopkins/ u/s Reverend John Hale) is thrilled to be returning to Pioneer Theatre Company after appearing in Laughing Stock in 2013 and most recently the Play-by-Play reading of Alabama Story. Michael is a senior in the Actor Training Program at the University of Utah where he most recently appeared in The Three Penny Opera THE CRUCIBLE

WHO’S WHO and Blue Stockings. Michael is an intern at Plan-B Theatre Company.

MADISON MICUCCI (Abigail Williams) is thrilled to be performing for the first time with Pioneer Theatre Company! Favorite roles from recent productions include Dot in Sunday in the Park with George (University of Michigan) and Lisa in Orange is the New Black (Netflix). As a recent graduate of the musical theater program at the University of Michigan, she is honored to perform in such a classic play.

STEPHANIE PURCELL (Betty Parris/ u/s Elizabeth Proctor) is excited to be making her PTC debut. She has performed and filmed with companies such as Utah Light Opera, the Grand Theatre, Centerpoint Legacy Theatre, Disney, ABC Family, and Salty Productions. Some of her favorite past shows includes: Urinetown (Hope), Into the Woods (The Baker’s Wife), Les Misérables (Cosette), The Voice of the Prairie (Frankie/Francis), and Romeo and Juliet (The Nurse). Stephanie received her BA in musical theatre from Weber State University.

SARAH SHIPPOBOTHAM (Mrs. Ann Putnam/Sarah Good) is thrilled to be making her debut for Pioneer Theatre Company. Previous roles include Elizabeth in The Syringa Tree for Utah Contemporary Theatre and Adult Woman in the Theatre Department’s production of Spring Awakening. Sarah is Head of the Actor Training Program at The University of Utah as well as one of the Voice and Dialect Coaches for The Shaw Festival in Canada.

CHARLES MOREY (Director) Artistic Director PTC, 1984 to 2012; directed more than ninety productions from Shakespeare to musicals to world premieres.

Artistic Director Peterborough Players, 1977-1988.

Other: New York; Ark Theatre Company, Ensemble Studio Theatre; Regional, Alabama Shakespeare Festival, Asolo Theatre Company, Repertory Theatre of St. Louis, Meadow Brook Theatre, American PIONEER THEATRE COMPANY

Stage Festival, PCPA Theatrefest, Indiana Repertory Theatre, Geva Theatre Center, Utah Shakespeare Festival, Contemporary American Theatre Festival, many others. Author of eleven plays that have received more than 200 productions and multiple awards from New York to Los Angeles, to Salt Lake City, Singapore, Israel, Austria, Australia, New Zealand, The Netherlands and Moscow where LAUGHING STOCK has been running for two years in Russian translation. Panelist and on-site evaluator for the National Endowment for the Arts; Board of Trustees, National Theatre Conference. BA: Dartmouth College. MFA: Columbia University. Fellow of the MacDowell Colony. www.CharlesMorey.com GARY M. ENGLISH (Scenic Designer) is the Founding Artistic Director of Connecticut Repertory Theatre and served as Artistic Director and Dept.

Head in Dramatic Arts for fifteen years. Recent major directing credits include The Miracle Worker and American Primitive, produced at The Berkshire Theatre Festival in Stockbridge, MA. As a designer, his work includes scenery and costumes for OffBroadway, television and over 70 productions at many of America’s leading repertory theatres. His most recent design credits includeThe Fantasticks, at The Repertory Theatre of St. Louis, The Light in the Piazza, and the world premiere of The Ladies Man, by Charles Morey, at Pioneer Theatre Company.

He is currently on the Board of Directors serving as Immediate Past President for U/RTA. He served as Commissioner of Scene Design for the United States Institute for Theatre Technology, USITT, as a panelist on the Connecticut Commission on the Arts, and is a member of the National Theatre Conference.

CAROL WELLS-DAY (Costume Designer) is one of PTC’s resident costume designers and the costume shop supervisor. Her recent designs for PTC include Peter and the Starcatcher, A Few Good Men, Something’s Afoot, Clybourne Park, A Christmas Carol: The Musical, Man of La Mancha, Next to Normal, Sunset Boulevard, Black Comedy, Dracula, Twelve Angry Men, Is He Dead?, Dial ‘M’ for Murder, The Light in the Piazza, The Heiress, Doubt, Lost in Yonkers, Pride and Prejudice, James Joyce’s The Dead, The Importance of Being Earnest, Brighton Beach Memoirs, Cyrano de Bergerac, Peter Pan, The Three Musketeers, Joyful Noise, Big River, As You Like It, The Count of Monte Cristo, A 21

WHO’S WHO Streetcar Named Desire, An Ideal Husband and Hay Fever. She worked for the Utah Shakespeare Festival for 13 years as a costume shop supervisor and designer. Carol has film and TV credits.

theatre. For more information on live performances with his band “Matthew and The Hope,” and to hear recorded music, please visit www.reverbnation.com/matthewandthehope.

PHIL MONAT (Lighting Designer) designed previous PTC productions of Man of La Mancha, Annie, White Christmas, Hamlet, Touch(ed), My Fair Lady, Paint Your Wagon, Five Guys Named Moe, Chicago, Copenhagen, Ragtime, Anything Goes, Steel Magnolias and Alexandre Dumas and the Lady of the Camelias. He has designed over 475 productions in regional theatres throughout the country, including productions at The Old Globe in San Diego, The Seattle Repertory Theatre, Cincinnati Playhouse in the Park, Milwaukee Rep, The Alliance Theatre, The Arizona Theatre Co., The Mark Taper Forum, La Jolla Playhouse, The Huntington Theatre, Alabama Shakespeare Festival, Cleveland Playhouse, Studio Arena Theatre, Paper Mill Playhouse and The Goodspeed Opera, among others. Broadway designs include Legends starring Joan Collins and Linda Evans, Sly Fox starring Richard Dreyfuss, Finian’s Rainbow, Sally Marr…and Her Escorts and Three From Brooklyn. Recent off-Broadway designs include Woman Before A Glass (Obie Award), Adult Entertainment, American Rhapsody and Berlin to Broadway with Kurt Weill.

AMANDA FRENCH (Hair and Makeup Designer) has been a Makeup and Hair Designer for over 25 years. She has worked for Montana Shakespeare in the Parks, the Utah Shakespeare Festival, the Utah Opera, Egyptian Theatre Company and the University of Texas at Austin. She is a contributing writer in the tenth edition of Stage Makeup by Corson, Glavan and Norcross, and her work can be seen in The Costume Technician’s Handbook by Ingham and Covey, and Wig Making and Styling: A Complete Guide for Theatre and Film by Ruskai and Lowery. She attended the College-Conservatory of Music at the University of Cincinnati where she studied with Hair and Makeup Designer Lenna Kaleva. She is a member of the United States Institute for Theatre Technology (USITT) and a current University of Utah adjunct professor of wigs and makeup.

JOSHUA C. HIGHT (Resident Sound Designer) A Graduate With Distinction of London’s Alchemea College of Audio Engineering, Joshua comes to us with many years of experience in professional audio systems repair and design, and has established himself as an exceptional live sound engineer in both London and Salt Lake City. Joshua is looking forward to a successful second season working in theater design with Pioneer Theatre Company. His other projects of note include working with Sommerset House for the 2012 Olympic Games, and PTC’s Elf—The Musical, A Few Good Men, Much Ado About Nothing, Deathtrap, Sweet Charity, The 25th Annual Putnam County Spelling Bee, The Rocky Horror Show, One Man, Two Guvnors and Alabama Story.

MATTHEW BASHAW (Original Music) is a Salt Lake City-based musician, who has been writing and performing original music professionally for over a decade. With support from Joshua C. Hight and Tiffin Brough, this is his second composition for

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MARY P. COSTELLO (Production Stage Manager) is joining Pioneer Theatre Company for her fourth season! Other PTC credits include: Peter and the Starcatcher, The Rocky Horror Show, The 25th Annual Putnam County Spelling Bee, Sweet Charity, Much Ado About Nothing, Elf—The Musical, Other Desert Cities, Something’s Afoot, Les Misérables, The Odd Couple, The Philadelphia Story, A Christmas Carol: The Musical, In the Heights, Man of La Mancha, Emma, Annie, The Tempest, Next to Normal and Rent.

Past credits include Connecticut Repertory Theatre, Berkshire Theatre Festival, Indiana Repertory Theatre, Boston Theatre Works, Utah Shakespeare Festival, Contemporary American Theatre Festival and Grand Valley Shakespeare Festival. Mary is a proud member of Actors’ Equity Association.

JOHN “JP” POLLARD (Stage Manager) is excited to join Pioneer Theatre Company directly from a threeseason residency at Barter Theatre in Abingdon, VA. He got his start in the theatre over 30 years ago, working with the likes of Kaye Ballard, Imogene Coca, Cesar Romero, Lee Meriweather and many others at Earl Holliman’s Fiesta Dinner Playhouse in his hometown of San Antonio, TX. Career highlights: the San Francisco run of The Search for Signs of Intelligent Life in the Universe starring Lily Tomlin, four THE CRUCIBLE

WHO’S WHO seasons at New Jersey’s Paper Mill Playhouse, and an international production of Grease – Das Musical, touring both Germany and Switzerland. In addition to theatre, he has previously spent time as personal assistant to actress Sarah Jessica Parker. Proud AEA member since 1983.

ANALYSHA MULCOCK (First Asst. Stage Manager) is excited to return to this position with Pioneer Theatre Company after working on Alabama Story, Peter and the Starcatcher, One Man, Two Guvnors, Sweet Charity, A Few Good Men and Something’s Afoot.

A graduate of the stage management program at the University of Utah, some of her other credits include A Flea in Her Ear (Babcock Theatre), Geography Club (Studio 115), Rare Bird (Babcock Theatre), and Sylvia and Songs for a New World (Pacific Conservatory of the Performing Arts). She would like to thank her family for all of their love and support.

TIMOTHY SWENSEN (Second Asst. Stage Manager) is excited to join Pioneer Theatre Company for the first time. Timothy is a junior in the University of Utah Stage Management program. Stage Management credits include The Owl Girl (Studio 115), The Last Five Years (Babcock Theatre), Moon

Over Buffalo (USU Eastern), A Christmas Story (USU Eastern), See How They Run (USU Eastern), The Drowsy Chaperone (OLRC), Nunsense (OLRC), and The Odd Couple (OLRC).

ARTHUR MILLER (1915-2005) was born in New York City and studied at the University of Michigan.

His plays include The Man Who Had All The Luck (1944), All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), A View From the Bridge and A Memory of Two Mondays (1955), After the Fall (1964), Incident at Vichy (1964), The Price (1968), The Creation of the World and Other Business (1972), The Archbishop’s Ceiling (1977), The American Clock (1980) And Playing For Time. Later plays include The Ride Down Mt. Morgan (1991), The Last Yankee (1993), Broken Glass (1994), Mr. Peters’ Connections (1998), Resurrection Blues (2002), and Finishing the Picture (2004). Other works include “Focus,” a novel (1945), “The Misfits,” a screenplay (1960), and the texts for “In Russia” (1969), “In the Country” (1977), and “Chinese Encounters” (1979), three books in collaboration with his wife, photographer Inge Morath. Memoirs include “Salesman in Beijing” (1984) and “Timebends,” an autobiography (1988).

Short fiction includes the collection “I Don’t Need

2015 IS OUR 40TH ANNIVERSARY! Visit our new website at: www.utahhumanities.org

#UtahHumanities | #IdeasInAction PIONEER THEATRE COMPANY

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WHO’S WHO You Anymore” (1967), the novella “Homely Girl, a Life” (1995) and “Presence: Stories” (2007). He was awarded the Avery Hopwood Award for Playwriting at University of Michigan in 1936. He twice won the New York Drama Critics Circle Award, received two Emmy awards and three Tony Awards for his plays, as well as a Tony Award for Lifetime Achievement. He also won an Obie award, a BBC Best Play Award, the George Foster Peabody Award, a Gold Medal for Drama from the National Institute of Arts and Letters, the Literary Lion Award from the New York Public Library, the John F. Kennedy Lifetime Achievement Award, and the Algur Meadows Award. He was named Jefferson Lecturer for the National Endowment for the Humanities in 2001.

He was awarded the 2002 Prince of Asturias Award for Letters and the 2003 Jerusalem Prize. He received honorary degrees from Oxford University and Harvard University and was awarded the Prix Moliere of the French theatre, the Dorothy and Lillian Gish Lifetime Achievement Award, and the Pulitzer Prize.

RICH COLE (Casting) has happily served as Pioneer Theatre Company’s casting director since 2001. He has helped to populate more than 500 shows for

Broadway, off-Broadway, National Tours, London, Dublin, Vienna and over thirty-five of this nation’s major regional theatres. For this work, the Casting Society of America thrice nominated him for the prestigious Artios Award. Also a director and playwright, he is the founding Artistic Director of New York’s The Urban Rock Project, whose critically acclaimed production of Patriot Acts was one of the highlights of a recent New York International Fringe Festival. His play Unnatural Acts won the 2002 OOBR Award for Excellence. Rich made his Salt Lake City directing debut with The Caucasian Chalk Circle for the U of U’s Department of Theatre.

ACTORS’ EQUITY ASSOCIATION (AEA) founded in 1913 represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions.

For more information, visit www.actorsequity.org.

FOR YOUR INFORMATION Emergency Exits are indicated to your right and left in the theatre. Please identify the exit closest to your seat location in case an emergency occurs.

The videotaping, photographing or other video or audio recording of this production is strictly prohibited. This includes photos taken by phone.

CELLULAR PHONES, CAMERAS AND PAGERS ARE NOT ALLOWED IN THE THEATRE. Even if set to silent or vibrate, they may disrupt wireless sound equipment. Please either leave your phone in your car or check it at the coat check.

“TEXTING” is disturbing to the actors, and your fellow audience members. Please refrain from use.

If you might need to be reached during a performance, leave your exact seat location with the box office. The number for emergency calls is 801-581-6963.

We have a hearing assistance system that allows our hard-of-hearing patrons to sit in any seat in the house. Deposit required; inquire at the coat check.

We welcome disabled persons. Those with special requirements should request assistance in advance.

Refreshments are not permitted in the auditorium, but are available in the main floor lobby during intermission and pre-show.

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Smoking is not permitted in University buildings. Please ask ushers for smoking locations.

Evening performances are at 7:30 p.m. Monday thru Thursday, 8:00 p.m. Friday and Saturday; Saturday matinees at 2:00 p.m. Please avoid arriving after curtain time. To avoid disturbing other patrons, latecomers will not be seated until a scene or act change. This policy has been instituted at the request of many of our patrons.

Season ticket holders may exchange their tickets for another performance of the same play. Return tickets to the box office at least 48 hours prior to the performance date.

Tickets are non-refundable.

You may donate your tickets, helping yourself and Pioneer Theatre Company. If you are unable to attend a production, make a tax-deductible gift of your tickets to the Theatre so that we may re-sell them. Call the box office 48 hours prior to the performance date.

The Patron Services staff will serve you from 10:00 a.m. until 6:00 p.m., Monday through Friday. During the run of a show, the box office is open Monday through Saturday from 10:00 a.m. until 8:30 p.m.

No children under age 5 admitted to performances.

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FRIENDS OF PIONEER THEATRE COMPANY Pioneer Theatre Company Board of Trustees

Kevin R. Murray, Chairman Stan D. VanderToolen Budget Chairman

Michael Pazzi Development Chairman

Karen Azenberg Nate Boyer Jack A. Buttars Mark Capone Fred Esplin Christian Gardner David H. Green Cheryl Groot Pat Hemingway

Harris H. Simmons, Vice-Chairman Derek J. Mattsson Marketing Chairman

David Huntsman Linda Leckman, M.D. Christopher Lino Dan Lofgren Matthew Moore Lamont R. Richardson Margot Shott R. Eric Thompson Raymond Tymas-Jones, Ph.D.

Paul Durham Nominating Chairman

Ruth V. Watkins, Ph.D. Gage Williams Todd Wolfenbarger

Thomas C. Jepperson Planning Chairman

Spencer F. Eccles David E. Gee Kathie Horman James Macfarlane Peter D. Meldrum Bruce T. Reese J. Douglas Whisenant

Emeritus A. Scott Anderson Edward F. Bates Kim H. Briggs William H. Child

Pioneer Theatre Guild Officers Cheryl Groot, President Doyle Clayburn, President-Elect Peggy Stanley, Vice President Carol Gibson, Secretary Kris Burton, Treasurer For information regarding PTC Guild membership, call Alana at 801-209-9483.

Corporate, Foundation, and Public Support Pioneer Theatre Company is pleased to recognize the many businesses, foundations, public institutions, and corporate sponsors that support our mission. Thank you for your generous contributions.

Season Sponsors Salt Lake County Zoo Arts and Parks Fund

Zions Bank

Presenting Sponsors ($50,000 and above) Emma Eccles Jones Foundation Executive Producers ($25,000 – $49,999) Reagan Advertising +

MediaOne + Questar Corporation

Simmons Family Foundation Utah Arts Council

The Bireley Foundation The Robert D. Kent, Jr. Trust Meldrum Foundation Pioneer Theatre Guild

Riverton Music The Shubert Foundation

B.W. Bastian Foundation R. Harold Burton Foundation L. T. and Janet T. Dee Foundation Marriner S. Eccles Foundation

Goldman Sachs & Co. Richard K. and Shirley S. Hemingway Foundation Holland & Hart, LLP

Anonymous Donor Cowboy Partners and Cowboy Properties

Durham Jones & Pinegar Spencer F. and Cleone P. Eccles Family Foundation

Anonymous Donor Anserfone + C. Comstock Clayton Foundation

Gastronomy, Inc. + Goldman Sachs & Co., Matching Gifts

Anonymous Donor ADP Foundation Boeing Cambia Health Solutions Canyon Culinary + Clark Planetarium + Delvie’s Plastics, Inc. + EnergySolutions + ExxonMobil Foundation

Fidelity Charitable Gift Fund Fugate Industrial Sales Green Mountain Coffee+ IBM International Foundation I.C. Group + Richard H. and Joann O. Keller Family Foundation The Leonardo+ Maschoff Brennan

Wells Fargo

Producers ($10,000 – $24,999) Harris H. and Amanda P. Simmons Family Foundation Steiner Foundation, Inc.

W. Mack and Julia S. Watkins Foundation Wheeler Foundation

Benefactors ($5,000 – $9,999) Media Max+ O.C. Tanner Company George Q. Morris Foundation S. J. and Jessie E. Quinney –In Memory of Gabrielle M. Woods Foundation Myriad Genetics, Inc. Salt Lake City Arts Council

Directors Club ($2,500 – $4,999) Modern Display/THA Investments Parr Brown Gee & Loveless Charles Maxfield and Gloria F. Parrish Foundation

Robert and Barbara Patterson Family Memorial Foundation PwC LLP

Associates ($1,000 – $2,499) John and Marcia Price Family Foundation Red Hanger Cleaners

Snow, Christensen & Martineau Foundation Thompson Michie Associates, LLC U.S. Bank Foundation

General Partners (up to $999)

Microsoft Matching Gifts Program The Natural History Museum of Utah + Nebeker Family Foundation Ray, Quinney & Nebeker Foundation Real Salt Lake + Red Butte Garden + Rodizio Grill+ State Farm Insurance Cos. Strong & Hanni, Law Firm

Thanksgiving Point + Tracy Aviary+ Utah’s Hogle Zoo + Utah Museum of Fine Arts + Utah Shakespeare Festival + Wilcox-Smith Foundation The Williams Companies, Inc. Xerox Corporation XMission L.C. +

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FRIENDS OF PIONEER THEATRE COMPANY Support From Individuals Individual Sponsors ($5,000 and above) Most individual donors to PTC choose to support the general work of the company. There are also opportunities to contribute gifts of $5,000 or more to specific productions or projects. For more information call 801-581-6960.

Judy Brady and Drew W. Browning

Tom and Carol Jepperson *

Roger and Mary Lowe

Charles and Sharee Sorenson

Directors Club ($2,500 – $4,999) The Directors Club is a giving level recognizing donors who make an annual contribution of $2,500 or more to PTC. Members of the Directors Club receive exclusive benefits throughout the theatre season. For more information call 801-585-3196.

A. Scott and Jesselie Anderson Bonnie Jean and H. Brent Beesley Sandi Behnken Lynette and Marsden Blanch Sara and Roger Boyer Reed W. Brinton Mark and Kelly Capone Margaret Cragin-Masarone Katherine W. and Ezekiel R. Dumke, Jr.

Paul and Maren Durham Edna Firmage Richards Christian and Marie Gardner James H. and Mary Ann Gardner David E. and Sherrie Gee Kathie and Chuck Horman David and Michelle Huntsman Stephen and Lynn Jacobsen David R. Jolley * Dale A. and Rachel B. Kimball

Art and Rita Brothers Elizabeth Terry Dunning The Ellis Family - In Memory of Barbara M. Patterson Sheldon R. Furst and Ellen Liu

Dennis and Sherrie Gardner Frederick P., Jr. and Janet L. Geyser Bob and Mary Gilchrist David and Doris Gillette Devon M. and Julie H. Glenn

Anonymous Donors (7) Craig and Joanna Adamson Darlene Alley Christine A. Allred Dominic and Virginia Albo John and Linda Ashton Edward Ashwood and Candice Johnson Karen Azenberg and Augie Mericola Sandra and Marc Babitz Jim and Martha Bale Allen L. Barbieri Lynn and Diane Barnett Reed and Jeanne Benson Mary Anne Berzins C. Kim and Jane C. Blair Jerry and Marcella Borrowman Drs. Glen and Anneli Bowen Kenneth and Karen Brewster Kendall and Margie Brown Evie S. Brunner Randall J. and Suzan S. Buchmiller* Peggy Redford and Richard Buxton Kenneth M. and Barbara L. Calney Douglas and Bar Campbell Robert and Barbara Cherrington Edward and Carleen Clark Bruce and Lynn Cohne Philanthropic Fund Dr. and Mrs. Leland B. Cowan Morlene Dangerfield Jennifer C. Danielson* Al Davis Carol Day Ashby and Anne Cullimore Decker Tim and Candace Dee David and Jacqueline Deike

Steven and Celia Demman Karli Devall Anne and Sandy Dolowitz David Dolowitz Wilma and Willie Dolowitz Michael D. Drews Carrie and Randy Drown John S. and Evelyn B. Edwards Mark and Laurie Eliason Robert and Liz Ence Drs. Richard and Ann Engar Chesley and Amy Erickson Andrea Flynn Scott D. and Jan W. Folsom John A. Frederick R.D. and Linda L. Fugate Don and Doris Gale* Dietrich and LaDon Gehmlich Marc and Carol Gentner* Glen and Elizabeth Gerner Karen Gilbert Family Doris and David Gillette Kristin Wann Gorang Judy Grover Elizabeth Hammond Amy Haselhorst and Richard Irons Peter and Jan Haug Nancy Melich and J.Alexander Hemphill Leanne Hill W.K. and Janeal P. Hodges Lee and Audrey Hollaar Dr. Marilyn R. and John W. Holt Bruce and Saundra Hopkins Larry and Tina Howard Randy and Nikki Huizenga Dan Humiston and Jackie GianniniHumiston

Richard Koehn and Sheryl Scott Linda J. Leckman, MD Robert Lence Dan and Deena Lofgren James L. and Carol C. Macfarlane Peter and Catherine Meldrum Nancy and George Melling Kevin R. and Deon Murray Michael and Jan Pazzi David and Claudia Seiter

Margot L. Shott Jennifer P. Speers Kevin and Alice Steiner Julie and Val Stokes Karen Salzman and Craig Turner Stan and Jill VanderToolen * Chris and Heather Watkins + Todd and Michelle Wolfenbarger

Associates ($1,000 – $2,499) Doralee Madsen Nickie and David McDowell Nancy and George D. Melling Matthew L. Moore * Brenda Mueggenborg

Alan Overmoe Cynthia and Gregory Phillips In Memory of Janet Spain Spoor R. Eric and Michele Thompson Nathaniel Young +

Angels ($250 – $999)

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Maria and Andrew Hunt Elise and Paul Hutchings Gilbert H. and Thelma P. Iker Barbara H. and C. Gresham Ivey Michele and Dave Jenson Randy and Liz Jensen Rebecca Johns Maxine and Bruce Johnson Shirley and Earl Kilgore The Kohlburn Family The Kraiss Family Guttorm and Claudia Landro Evelyn and James Lee Howard and Nancy Lemcke Chris Lino Donald and Louise Lochhead David and Donna Lyon Karen and Craig Madson David and Elizabeth Mahas Ronald and Danece Mangone Dan and Debbie Markosian Sue Marquardt J. Michael and Mary Mattsson Mary McCarthey In Memory of Christopher B. McComas David and Nickie McDowell Brook and Terry Mercer Melina Nicolatus James Moss Sara Lee Neill James and Karen Nelson Oren and Liz Nelson Tim and Peggy J. Newman Karen H. Nichols Tubber and Mary Okuda Maura and Serge Olszanskyj Kristi Oritt

Terry H. Overmoe Diane L. Parisi Bonnie and James L. Parkin John and Susanne Parsons Dinesh and Kalpana Patel David and Elodie Payne Donna and Fred Lowell Petersen Robert and Virginia Peterson Wayne and Robyn Petty Nancy Pitstick Laszlo and Sandra Preysz Craig Pyper Beth and Marv Rallison Barbara Reid Bradley P. Rich and Dr. Erika Lloyd Helga and Herbert Lloyd Zoe and Lon Richardson, Jr. Brian and Janice Ruggles Harold Rust Gary G. and Darlene S. Sackett Irene Cannon Salahor Mary K. Schmidt Michael and Loretta Falvo-Scott David and Julianne Seal In Memory of Thomas Seal Harry and Becky Senekjian David and Janet Sharp Ralph and Kayleen Simmons Val and Barbara Singleton Patricia and Homer Smith Jennifer Snider* Robert A. and Julie A. Sperling Mary O. Stanley Martin D. and Lynda P. Steed* Lou Ann Stevens Elizabeth B. Stewart Kattie Gayla Stewart

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Angie Schworer (Nickie), Nancy Lemenager (Charity), Natalie Hill (Helene)

FRIENDS OF PIONEER THEATRE COMPANY William L. Stone Tom and Marsha Swegle Joe and Evalyn Terry Cindy and Mark Vernon

Dave and Barb Viskochil Amy Wadsworth Richard and Karla Webb Lisa Weaver

Roderick and Barbara Wendt Julia and Hugh West Barbara Wheat Beverly Wilcox

Anonymous Donors (6) Mons Aase Ken and Susan Albrecht Susan Allred Gloria and Irwin Altman Carol A. and James A. Anderson George J. Ator Brett Backman Bryan and Tina Bagley Linda K. Ballard Don Barlow Marcy and Stephen Barlow Lonnie and Jill Baskett Beth Q. Beck In Memory of L. Sue Biedermann Eric Biederman Maxine and Junior Bounous Lewis Boynton and Sonja Penttila Barbara B. Brunker John P. and Andrea M. Burke Steve Butler Mark Button Christine and Devin Calcut Coral and James Coffey Marjorie Coleman Kathie and Marshall Coopersmith Craig Darrow Mr. and Mrs. Michael W. Day Robert and Dana Earl - On behalf of George and Joan Earl*

Lars and Susan Erickson James and Ruth Ewers Robert L. and Alice M. Ezell* Morris L. Farmer Dane and Kathy Finerfrock Kathy and Craig Fineshriber Peter C. and Nicole F. Fisher George and Felicia Ford Stanley Foutz Richard K. Frerichs Dennis C. Gassman Marc S. Gentner Sarah George and Richard Ford Lily Grove John and Jeri Gust Clair and Vivian Hadley Scott A. and Loree D. Hagen Marvin and Gabriele Hammond Ken and Gerri Hanni Francis and Joan Hanson Susie and Mark Hindley W.K. and Janeal P. Hodges Michael and Katherine Hodkin Jason Hoggan Ervin R. and Jennifer Holmes John and Carol Huffman Karen Hyde Bruce and Rhonda Irvine Brent and Eve James Linda and Alan Jensen

Anonymous Donors (12) Carolyn Abravanel Natalie Allen Williams Carole Ames Judi Amsel Bob and Eleanor Anderson Carol D. Anderson John and Maria Anderson Kirk M. Anderson Rodney Anderson James M. Anjewierden William Robert Applegarth Robert Archuleta Paul and Cheryl Argyle April Armstrong Jill Astin Nelda Ault Martin W. Backer Julie Baird Enid Baker Mary Margaret Baldwin Charles Ball Laura Ballantyne Joyce Bangerter Barbara Bannon Melissa and Edward Barbanell Craig Cheney and Francie Barber Mary Barger Joyce and John Barnes

Mary L. Barnes Lawrence Barney+ Robert Kyle Barnett Douglas and Jill Barnhart Matthew Bates David J. Batson Brett and Janeen Bawden Jean Ann Bills Leona Blackbird Shirley Blanton Joan Bohn Roger and Cindy Bon Jean B. Braxton Patricia R. Brewer Linda Brill Suzanne Brinkerhoff Gary V. Broadbent Robert S. Brodstein Lora Beth Brown Frederick and Rama Buchanan Tom and Debra Burdett Leeaine W. Burnett Thomas Chad Burt Deanna and Dan Byck Brad and Leslie Campbell The Carver Family Michael J. and Carole A. Carr Deanna Chandler Chiyoko Chiba

Christine Wilkerson David and Jeralynn Winder Chris R. Wood

Patrons ($125 – $249) Leland and Margery Johnson Ben and Jenn Kalm Jim and Maggie Kearns Dr. Robert and Julie Kessler Joan M. and Douglas S. Lake Richard and Connie Larrabee Bonnie R. Macfarlane Robert Mahan and Cavell Alexander Ms. Cynthia Maki Gary and Ruth Manville Rick and Bonnie Marston David and Virginia Martin Leslie and Tim Martin Karen McArthur John M. and Christine McCullough Dave and Melanie Morgan James Moss Henry Muldowney Michael E. Nash Verda S. and Willard E. Nelson Joyce Nunn Patti O’Keefe Ross Owen and Larry Herndon Helen Patterson Karen F. and Leon Peterson Frank and Patrica Pignanelli Nancy Pitstick Glenn D. Prestwich and Barbara Bentley George C. Rackham, Jr.

David E. Richmond Kathleen and Michael Rodman Keri and L. Clark Romney Chris and Kori Russell Leonard and Alene Russon John Saltas Mr. and Mrs. James Schnitz Larry P. Schumann Howard C. Sharp Stuart and Mary Silloway Sharon and Terry Smith Shirley L. Smith Mr. and Mrs. Charles Sparrer Julie Spelman Susan Stevens Tamara Stevenson Russell T. and Sandra Strauss George Sumner and Tina HoseSumner Del Roy and Joyce D. Taylor Vicky L. Telford Guy L. and Elaine Thompson Anil and Jayashree Virkar William and Donna Vogel William Vriens Gwen and Clare Wardle P. Yogman and D. Walker Ron and Emma Willden Terri Wright Tod and Mary Young

Contributors ($50 – $124)

32

Blake and Tonya L. Christensen Hal M. Christensen Ray and Bobbie Christiansen Edward and Carleen Clark Geraldine Clark Robert R. Clark Patricia and John Clay Glen Clayburn Patti and Scott Clements Dave and Sue Click Susan D. Cole Paula R. Coleman Florencia Coletes Kay Conder Alan Connell Dennis W. Coon Hilary Coon Cathy Cornell James M. Cragun Emily Crane Leigh and Nancy Cropper Laura D’Anna Craig N. Darrow Daniel Dearden Eydie Debry Verlie G. Delange Kathy and Lawrence Derrick Thomas J. Devereux Jerry Diana

James R. Dickson Kyle Dillingham Bob and Sue Dintelman Joyce and Jack Dolcourt Dennis Dougherty Mrs. Susan P. Dowd Rebecca D. Duberow Michelle Dunbar Walter and Gloria Elston Jeannine Engel Brent Evans Roselind E. Evans Barbara Fasenmyer Ralph and Patricia Faulkner David Felt and Lynda Wendel Denise W. Ferguson Ed and Sharon Fisher Mr. Gregory W. Fisher Lou Jean Flint In Memory of Gloria Forcht Clynn and Katherine Ford Cecelia H. Foxley Arch L. Frantz Carolyn C. Fredin Geneal Fritzsche Marisa A. Frost Jean Gardner Kari Ghaffari Jaime Glauser

THE CRUCIBLE

FRIENDS OF PIONEER THEATRE COMPANY Ralph L. Gochnour Jerry K. Good Elizabeth Goodell Darcia Mallory-Gordon Randal Graham Ralph Grames Leland and Petra Gray Jana H. Green John E. and Anabel W. Greenlee Leslie H. Greenwood Marilyn Gull April Hagendorf Maxine R. Haggerty Joan C. Hahn Beth C. and Peter T. Hanlon AnnMarie Hannon Henry Paul Harris Mary Harris Virginia Harris Linda L. Haslam Patti Hendricks Robert C. Heitkamp Fritzie Hicks Dean and Elaine Holbrook Randy and Susan Hollis Treena Holm Jenna Holt Gerri Hoth Robert and Virginia Huber Paula H. Hurren Norma Huston Steven and Jean Ingleby Hillary Isenhour Vince Iturbe Paul Iwasaki Srikanth and Nimmy Jammulapati Danelle and Paul Jensen Elaine B. Jensen Alan D. Johnson Bruce and Maxine Johnson Kathleen Johnson Suzan and Val Johnson Kathy Jorgensen Beverly Joseph Rob D. Jolley Steve Jones Katherine E. Judd Frank and Dorothy Karras Kathleen M. Kaufman W.S. Kendall Shirley and Robert Knox Tatyana Koshevaya Xan Kotter Stan and Sophie Kouris Bonnie Lantz Clarann Larsen Jeff and Jane Larsen Anna and Claud LePendu Deborah Lewis Sara Sexton-Lewis Karin and Steve Liimatta Joan Lind Colleen R. Lindstrom Morris and Jane Linton Uri Loewenstein Diane Luke Michael W. Luskin Richard W. MacArthur Cleo and Max Malan

Ted and Shirley Marakis Andy and Tammy Marks John D. Marks Sue S. Martin J. Michael and Mary Mattsson - In Honor of James Macfarlane Karen McArthur Frank and Diane McElwain Sheena C. McFarland Mark and Dee Michelsen Barbara R. Miller Ridges Richard R. and Jean H. Miller Robert Miller Ronald C. Mills Janet Minden Bonnie Mitchell Cyndee Miya Carissa Sorensen Monroy James R. Moore and Kathryn Lindquist Kathy Moore James R. Moore and Kathryn Lindquist Judi and John Morrell Nick Morgan Julie Morriss Joni Moss Robert C. and Carol S. Moss Sharon Murphy Mr. and Mrs. Denis Muskat Maura K. Naughton In Memory of JoAnn Nelson John and Jennifer Newman Stephanie Nielson Emily Norton Rosalie Notarianni Jean and Ralph Nuismer J. Nunn Ingrid Nygaard Mary Anne O’Connell Patrick F. O’Neal William D. Ohlsen Mary Lou Oland-Wong Carol M. Oliver Julie Olson June M. Openshaw Kristi Oritt Gerry Orr Tim Orton Winnifred P. Ospital Cindy H. Ostler Nathan L. and Jennifer A. Pace Ted and Kay Packard Wayne Padgett Amy Palmer Kirsten Park Nancy Parker Paula Paterson Harry W. Patrick Kathryn R. Patterson In Memory of Barbara M. Patterson Janet Peck Megan B. Pedersen Linda S. Pembroke Alecia Peterson Wendy W. Phippen Colleen Pierce James Pierson Van Pilkington

PIONEER THEATRE COMPANY

Lynn O. Poulson Molly Prince Cindi K. Pugmire Roger and Susan Pyper Elaine Randolph Robyn Raybould and Ross Mossier Ralph and Rita Reese Jennifer Rhode Carolyn Rich-Denson Tammy Richards Brenda L. Richardson Del and Becky Ririe Benjamin Roa Susan J. Roberts Thomas A. and Maria E. Roberts J. Kyle and JoAnn K. Robertson Dr. John and Mary Jo Robinson Mark and Mary Ellen Rosen Thom and Shirley Rossa Diane W. Rossi Jane and Kent Sakashita Rachel and Andrew Sackett Larry P. Schumann Steven Schimmelpfennig Linda Schmunk Mary Beth Scholand Patrice Schulze Kent and LaRae Scott Tina Seferos

Cary Self Oren I. Shepherd Nanci Shino Michal Shorten Larry and Ruth Siebers Randall and Debra Skeen Barbara L. Sluder A.J. and Leah Smith Dale Smith Deborah Smith Kevin L. Smith Patricia Smith Ron W. and Marcia M. Smith Marvin and Kathryn Smullen Roger and Shirley Sorenson Tom and Karen Spalding Luann Spendlove Karen and Kerry Spiroff In Memory of William and Janet Spoor Sharon C. Steensma Robert A. Stephenson In Memory of Jo Stevenson James R. Stewart William and Susan Stillgebauer Kathy Stoker Jesse J. Suek Jennifer E. Swenson Marsha Tadje Bangs and Fran Tapscott

pioneer theatre company gratefully acknowledges the following businesses and individuals for their contributions to this production:

BYU Costume Shop Steve Schmid Xmission Utah Shakespeare Festival Costumes College of Social Work, U of U, NASW–Utah Chapter David Deike John Spafard 33

FRIENDS OF PIONEER THEATRE COMPANY Carol H. and Robert L. Tayler John Taylor Laila Tedford Ann Thomas Douglas N. Thompson and Mary Lynne Thompson Joel and Pamela Thompson David Timpson Mr. and Mrs. Walter Tincher Claire Turner Barbara Viskochil

Stefanie Voigt Christopher William Wade James and Linda Wagstaff Alison Walker Blaine and Hilea Walker In Memory of Carleen A. Wallace Kenneth Ward Stephen Jeffrey Watson David and Shauna Weight Lauri Welch David and Dixie West

Becky Whipple Charles T. White Tina R. Whitehead Helen R. Wight Brian R. Wilkin Elizabeth Williamson Patty J. Willoughby Ben Wilson Robert Wilson Jody Wong Melora Wood

Wendy Woodbury Nancy G. Woodward Arriann Woolf Dr. Richard and Shirley Wootton Arthur Yakumo Betty and Fred Yanowitz Gordon Yates Nancy Young Andrey Zharkikh Cathleen D. Zick

The donors acknowledged above made gifts and pledges between December 30, 2014 and January 30, 2015.

Special Gifts Gifts to Endowments, Capital Campaign, and New Play Readings Sandi Behnken The Bireley Foundation Roger and Sara Boyer Kristina and Kenneth Burton Ernst & Young Matching Program

Kem and Carolyn Gardner Dennis and Sherrie Gardner Francis and Joan Hanson Lee and Audrey Hollaar David R. Jolley Chris Lino

In Memory of Shannon Elizabeth and Amanda LaRae Maxwell Peter and Catherine Meldrum Kevin R. and Deon Murray Steve and Alisa Parks Michael and Jan Pazzi

Questar Arts Foundation William and Donna Vogel The IJ and JeannĂŠ Wagner Charitable Foundation Zions Bank

+In-Kind Donation * This donor is recognized at the gift level equal to their donation plus a corporate match. Make your gift go further: Check to see if your company has a matching gift program. If you have any changes or questions regarding your program listing, please call 801-585-3196.

34

THE CRUCIBLE

OUT ON THE TOWN

dining guide • An intimate euro café •

Consistently Rated “Tops”–Zagat 60 W. Market Street • 801.363.0166

THE NEW YORKER 60 West Market Street. SLC’s premier dining establishment. Modern American cuisine is featured in refined dishes and approachable comfort food. From classic to innovative, from contemporary seafood to Angus Beef steaks – the menu provides options for every taste. Served in a casually elegant setting with impeccable service.

Private dining rooms for corporate and social events.

Lunch & Dinner. No membership required. L, D, LL, AT, RR, CC, VS. 801.363.0166

Free Valet Parking 22 East 100 South

Phone • 801.363.9328 www.martinecafe.com

MARTINE 22 East 100 South. Award winning ambience, located in a historic brownstone. Martine offers Salt Lake City a sophisticated dining experience kept simple. Locally sourced ingredients, pre-event $25 three course prix fixe.

Extensive bar and wine service. martinecafe.com L, D, T, LL, RA, CC, VS. 801-363-9328 To advertise in the

OUT ON THE TOWN GUIDE, please contact Mills Publishing Inc. 801.467.8833

Top Photo: Image licensed by Ingram Image

B-Breakfast L-Lunch D-Dinner S-Open Sunday DL-Delivery T-Take Out C-Children’s Menu SR-Senior Menu AT-After-Theatre LL-Liquor Licensee RR-Reservations Required RA-Reservations Accepted CC-Credit Cards Accepted VS-Vegetarian Selections

Visit our handcrafted quilting display in the Loge Gallery

quilters

One floor up from the lobby of the Simmons Pioneer Memorial Theatre. Visit before, during intermission or after The Crucible!

Interested in purchasing?

Call 801-581-6961 or visit: pioneertheatre.org/loge-gallery

“Scalloped Flowers,” by Corinna Lyn Weir

PIONEER THEATRE COMPANY

35

PIONEER THEATRE COMPANY STAFF ARTISTIC STAFF Artistic Director. . . . . . . . . . . . . . . . . . . . . . . . . Karen Azenberg Resident Scenic Designer. . . . . . . . . . . . . . . . . . . . . . . George Maxwell Resident Costume Designer. . . . . . . . . . . . . . . . . . . . . . Carol Wells-Day Resident Sound Designer . . . . . . . . . . . . . . . . . . . . . . Joshua C. Hight PRODUCTION STAFF Production Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . Reed Rossbach Technical Director. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cody Curtis Scenic Artist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mark Jensen Charge Artist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Warren Gerritsen Painters . . . . . . . . . . . . . . . . . . . . . . . Cara Dellarusso, Miriam Gonzales Props Artisan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marshelle Spafard Stage Technicians. . . . . . . . . . . . . . . . . . . Tori Howsden, Megan Koretz,

John Mack, David Paxton Audio Technician. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Matt Bashaw Costume Shop Manager . . . . . . . . . . . . . . . . . . . . . . . . Carol Wells-Day Asst. Costume Shop Manager. . . . . . . . . . . . . . Wendy Schow-Massine Drapers/Cutters. . . . . . . . . . . . . . . . . . . . . . . . Wendy Schow-Massine,

Misty Reubens, Margo Seamons First Hand. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . K.L. Alberts Master Tailor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . George Pesek Stitchers. . . . . . . . . . . . . . . . . . . . . . . . . . . Do’nel Ault, Kathryn Jensen, Linda Nelson, Colleen Pierce Head of Crafts. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Aaron Swenson Millinery. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Holly Cole, Steve Schmid Craft Artisian . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Arika Schockmel Wig Master. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda French Wardrobe Supervisor. . . . . . . . . . . . . . . . . . . . . . . . . . . Aaron Swenson Costume Rental Coordinator. . . . . . . . . . . . . . . . . . . . . . . Elaine Kelbch Master Electrician. . . . . . . . . . . . . . . . . . . . . . . . . . Alexander Weisman 1st Assistant Electrician . . . . . . . . . . . . . . . . . . . . . . . . . Kelly Lisonbee Electricians. . . . . . . . . . . . . . . . . . Jenifer Christensen, William Hadden,

Lee Hollaar, Tyler Leckington,

John Masek, Rick Marston,

Alex Mericola, Alex Wannberg,

Garrett White

ADMINISTRATIVE STAFF Managing Director. . . . . . . . . . . . . . . . . . . . . . . . . . . Chris Lino Box Office/Patron Services Manager. . . . . . . . . . . . . . Colleen Lindstrom House Manager/Asst. Patron Services. . . . . . . . . . . . . . . Ruth Weisman Patron Services. . . . . . . . . . . . Mitchell Garets, Robyn Jones, Sara Kirby, Jaymon McDeVitt, Sasha Pinegar, Matthew Quigley, Celeste Vaifoou Business Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jack Mark Asst. Business Manager . . . . . . . . . . . . . . . . . . . . . . . . . . Matt Bennett Company Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Geertsen Concessions Supervisors. . . . . . . . . . . . . . . . . . . . . . . . Samantha Brimhall,

Haley Hoover, Carson Kohler,

Robyn Jones, Joanne Rowland Concessions Staff. . . . . . . . . . . . . . . . . . . . . Daniel Amsel, Annneli Castell,

Zoë Fetters, Clete Johansson, Brandy Oliver,

Bella Paolucci, Gwen Porter, Isabelle Porter Director of Development. . . . . . . . . . . . . . . . . . . . . . . . . . . Diane Parisi Director of Annual Giving . . . . . . . . . . . . . . . . . . . . . . . . . . Kaitlin Spas Development Assistant . . . . . . . . . . . . . . . . . . . . . . . Rebecca Williams Development Intern. . . . . . . . . . . . . . . . . . . . . . . . . . . Allisyn Thompson Director of Marketing & Communications . . . . . . . . . . . . . . Kirsten Park Photographer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alexander Weisman ADDITIONAL STAFF FOR THE CRUCIBLE First Asst. Stage Manager. . . . . . . . . . . . . . . . . . . . . Analysha Mulcock Second Asst. Stage Manager. . . . . . . . . . . . . . . . . . . Timothy Swensen Light Board Operator. . . . . . . . . . . . . . . . . . . . . . . . . . . . Kelly Lisonbee Rail Head . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shane Rogers Deck Crew . . . . . . . . . . . . . . . . . . . . . . Alicia Carlson, Cara DelloRusso,

Juliet Demars, Miriam Gonzales,

William Hadden, Tiffany Roberts Head Dresser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda Andrews Wardrobe Running Crew. . . . . . . . . . . . . . . Do’nel Ault, Brigitte Cramer, Jodie Liebowitz, Haley Nowicki, Amber Rolfe, Anna Schovaers

PTC Advertising by Modern8 • Cover Design by Mike Harris The theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

MILLS PUBLISHING STAFF Dan Miller, President; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Leslie Hanna, Ken Magleby, Patrick Witmer, Graphic Design; Paula Bell, Karen Malan, Dan Miller, Paul Nicholas, Advertising Representatives; Jessica Alder, Office Assistant; Kyrsten Holland, Administrative Assistant.

The Pioneer Theatre Company program is published by Mills Publishing, Inc., 772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com. Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. Copyright 2015.

36

THE CRUCIBLE

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