The Play That Goes Wrong

Illustration: Russ Gray

The Play That Goes Wrong front cover

DEC. 6 – 21, 2019

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JAN. 10 – 25, 2020

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MARY STUART AN EPIC POWER STRUGGLE THAT IS FULL OF INTRIGUE AND BETRAYAL, AND HAS THE FEEL OF AN ELIZABETHEAN POLITICAL THRILLER.

By:

JEAN STOCK GOLDSTONE & JOHN REICH

England’s Elizabeth I and Mary Queen of Scots: one queen will win; one must fall. Follow the politically-charged biographical drama and powerplay between two of history’s greatest Monarchs, who happened to be women. With inspiring female roles, and a theme grounded in the struggle between religion, womanhood and statesmanship, this highly-relevant play mirrors, explores and questions these issues present today.

P I O N E E R T H E A T R E C O M P A N Y The Roy W. and Elizabeth E. Simmons Pioneer Memorial Theatre Karen Azenberg Artistic Director

Christopher Massimine Managing Director

presents

THE PLAY THAT GOES WRONG BY

HENRY LEWIS, JONATHAN SAYER AND HENRY SHIELDS GREG BALLA

WILLIAM CONNELL BRANDON CONTRERAS

ARCHELAUS CRISANTO RUTH PFERDEHIRT JORDAN SOBEL HARRISON J. LIND

ERIC SANTAGATA

KIRSTEN WYATT

MORGAN WERDER

JESSICA WEYMAN

Set Design

Costume Design

Lighting Design

JAMES KRONZER

K. L. ALBERTS

KIRK BOOKMAN

Sound Design

Dialect Coach

Hair and Makeup Design

AMANDA FRENCH

ALLAN BRANSON SARAH SHIPPOBOTHAM

Associate Director

Production Stage Manager

CHRISTOPHER DUVAL

MARY P. COSTELLO

DIRECTOR

KAREN AZENBERG Casting by

BOB CLINE CASTING THE PLAY THAT GOES WRONG is presented by special arrangement with Dramatists Play Service, Inc., New York.

*The theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

CAST (in order of appearance) Trevor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ARCHELAUS CRISANTO* Annie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KIRSTEN WYATT* Chris . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . WILLIAM CONNELL* Jonathan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRANDON CONTRERAS* Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .GREG BALLA* Dennis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIC SANTAGATA* Sandra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RUTH PFERDEHIRT* Max . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JORDAN SOBEL* Cornley Polytechnic Stage Crew . . . . .HARRISON J. LIND, MORGAN WERDER, JESSICA WEYMAN Stage Managers . . . . . . . . . . . . MARY P. COSTELLO*, BECKY LYNN DAWSON* *Member of Actors’ Equity Association (AEA)

Understudies Chris . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Harrison J. Lind Sandra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Morgan Werder Annie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jessica Weyman

The cast of The Play That Goes Wrong and Winston, the dog.

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THE PLAY THAT GOES WRONG STAFF 1st Assistant Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Emily Nacrissa Griffith 2nd Assistant Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Emma Elzinga Production Electrician . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .John Masek Assistant Production Electrician . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Grae Melton Light Board Operator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .John Masek Spotlight Operator/Sound Crew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cade Beck Rail Head . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Grae Melton Deck Crew . . . . . . . . . . . . . . . . . . . . . . . . . . Andelin Anderson, William Hadden, Kira Kade, Micki Martinez Wardrobe Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Daniel Streed Wardrobe Running Crew . . . . . . . . . . . . . . . . . . . . . . . . .Serena Collins, Katerina Dransfield, Amber Rolfe Electricians . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ben Conn, Wesley Darton, Grae Melton, Rachael Harved, Lee Hollaar, Trish Whitekettle

Pioneer Theatre Company thanks the following for their support of this production:

Stacy Ballentyne Haze and Hard Kathie Horman George Maxwell Modern Display Winston

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Brandon Contreras as Jonathan

Pioneer Theatre Company’s production of

THE PLAY THAT GOES GNORW is made possible with season support provided by:

DIRECTOR'S NOTE “Dying is easy, comedy is difficult” has never been more true.

Comedy is very difficult to direct, to produce, and cast. Yet comedies are the most-requested type of production.

I understand. We live in a complex and often overwhelming world, and sometimes it’s great fun to be able to leave that world behind. To escape. To laugh.

To satisfy that desire, I am always on the lookout for a good comedy. Just about a year ago, many of you took part in our annual season-selection survey (I hope you will do so today) and weighed in on some of the titles I was considering for 2019– 2020. The Play That Goes Wrong was selected by 90% of the respondents as something they would want to see this season.

Ninety percent!

No play or musical has ever, in the history of Pioneer Theatre, gotten as strong a response. Yay! We should do that play, I thought to myself. And so we are…doing that play. I should direct that play, I thought to myself. And so I am…. And, as it turns out, it is one of the most complex shows I have ever directed. This comedy requires better acting than the most difficult Shakespearean drama, better timing than any musical, and a design that is both specific and flexible, so as to facilitate the development of the staging. It takes quite a team to put together a comedy: designers, technicians, stage managers, and actors working in concert to get all of the parts just right. In a comedy, timing is everything.

The Play That Goes Wrong has been an ideal way to kick off my personal holiday season. It’s an ambitious undertaking, but I’m fortunate to be surrounded by an insanely talented group of artists. For a crazy artistic director, there is nothing more fulfilling.

Thank you for supporting live theatre here in Utah. Thank you for joining us for this season. If you’re not a regular here at PTC, thank you for joining us for this production. Have a very wonderful holiday season and a happy, healthy New Year!

Karen Azenberg, Director

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WHO'S WHO IN THE CAST GREG BALLA (Robert) is thrilled to return to PTC after last year’s production of Miss Bennet: Christmas at Pemberley. Other credits include OffBroadway: Blue Man Group, Straight, You Can’t Kiss a Movie. Regional: The Cottage (Florida Studio Theatre), Only a Kingdom with Betty Buckley (John Drew Theater at Guild Hall), Ether Dome (La Jolla Playhouse, Hartford Stage, Huntington Theatre Company), Into the Woods, By the Way Meet Vera Stark (Lyric Stage Company), Someone Who’ll Watch Over Me (Bad Habit Productions), and Ragtime (Fiddlehead Theatre Company). Balla is a graduate of Fordham University Lincoln Center. www.imGregBalla.com.

of The Count of Monte Cristo (sans heels). He most recently finished the Pre-Broadway tryout of the new musical, Almost Famous at The Old Globe Theatre. TV: “Mr. Robot” (USA), 2018 NBCUniversal Upfront. New York: Road Show (New York City Center Encores!), Jerry Springer: The Opera (The New Group), Our Lady of 121st Street (Off-Broadway), The Secret Garden (Developmental Lab), Our Town (Actor’s Fund Reading), and The Hamilton Mixtape (The Public). Tour: In the Heights (1st National). Regional: Drury Lane Theatre, Berkshire Theatre Group, Portland Center Stage, Fulton Theatre and Artists Repertory Theatre. BFA from Pace University. www.BrandonAContreras.com Follow: @ OhHey_Brandon

WILLIAM CONNELL (Chris) NYC/ Regional credits include: INK, A View From the Bridge (2010 Broadway revival), The Coast of Utopia (Lincoln Center), Nureyev’s Eyes (George Street Playhouse), Alphabetical Order (Keen Company), Hamlet (Aspen Music Festival), One Man, Two Guvnors (PTC, Berkeley Repertory Theatre, South Coast Repertory), The Hour of Feeling (Humana Festival), The Winslow Boy (Repertory Theatre of St. Louis), The 39 Steps (Pennsylvania Shakespeare Festival.), The Importance of Being Earnest (Gulfshore Playhouse), The Voice of the Turtle (Merrimack Repertory Theatre), Pride and Prejudice (Geva Theatre Center), The Glass Menagerie (Two River Theater), Murder on the Nile (Dorset Theatre Festival), The Maddening Truth (Keen Company), As You Like It (Weston Playhouse Theatre Company), All’s Well That End’s Well (TFANA), TV and Film: “Bluff City Law,” “Blindspot,” “The Blacklist,” “Madam Secretary,” “Bull,” Ma, “Smash,” Not Fade Away, “Gossip Girl,” “Law & Order,” “Guiding Light.” BFA. UNCSA.

ARCHELAUS CRISANTO (Trevor) is excited to make his debut at Pioneer Theatre Company. An Oregon transplant, Crisanto is a regular fixture in Utah’s film and theatre communities, working both behind the camera and in front of it; onstage and off. Recently he was seen as a performer at Evermore Park creating the role of lovable charlatan turned Knight, Sir Rooster. Other credits include Speed in The Odd Couple, Claudius in Hamlet, and the titular role in Macbeth. He can be seen in numerous commercial and film projects. He is also an accomplished singer and songwriter but a terrible dancer.

RUTH PFERDEHIRT (Sandra) is delighted to be making her first appearance at PTC. Some of her favorite credits include: The Repertory Theatre of St. Louis – The Play That Goes Wrong (Regional Premiere), Billie Dawn in Born Yesterday, Brooke in Noises Off, and Dolly in One Man, Two Guvnors, the First National Tour of A Gentleman’s Guide To Love And Murder, Deb in Elf at Madison Square Garden, Time Flies and Other Comedies (Barrington), Kitty in The Drowsy Chaperone (Goodspeed Musicals), Electra in Gypsy (PCLO), Gwendolyn in The Importance of Being Earnest, The Blonde in Gentlemen Prefer Blondes, Paulette in Legally Blonde, Dory in Finding

BRANDON CONTRERAS (Jonathan) is thrilled to be back at PTC this season. He was last seen here causing mayhem in heels as part of the Concert Series production of La Cage aux Folles and before that, the U.S. Premiere 15

WHO'S WHO IN THE CAST Nemo: The Musical, and Dan Goggin’s Johnny Manhattan. BFA, University of Michigan. Thank you to Karen, Ed, and always to Michael. For my Dad. www.ruthpf.com

Musical (Crusty Elf/Mrs. Schwartz), Elf (Santa’s Elf), Shrek (Shoemaker’s Elf), Grease (Frenchy, 2007 revival), High Fidelity (Anna), The Pajama Game (Poopsie), Urinetown (Little Becky Two Shoes), …Charlie Brown (Lucy/Sally standby).

Regional favorites: Born for This (Tammy Faye Bakker), …Spelling Bee (Rona), Cabaret (Sally), Mame (Gooch), Sweet Charity (Charity), Guys & Dolls (Adelaide).

TELEVISION: “Blue Bloods,” “Naked Brothers Band,” “All My Children,” “ATWT.” TRAINING: BFA, University of Cincinnati, CCM. Proud member of Actors’ Equity Association. Instagram: @kirswyatt

ERIC SANTAGATA (Dennis) is thrilled to be back at PTC, having previously been involved in Sweeney Todd: The Demon Barber of Fleet Street, It Happened One Christmas, The Rocky Horror Show, and Rent. Broadway credits include Falsettos (Associate Director), The Scottsboro Boys (Assistant Director/Choreographer), Prince of Broadway, Bullets Over Broadway, Chaplin, and The Apple Tree. Other NYC credits include The Beast in the Jungle (Associate Director/Choreographer), A New Brain (Assistant Director), Dot (Associate Director), Happiness, Stairway to Paradise, and Face the Music.

Santagata has worked in London’s West End and at The Young Vic, as well as in regional theaters across the country. He serves on the board of Westport Country Playhouse’s resident conservatory, The Broadway Method Academy, and is also a pastry chef at Jean-Georges’ Inn at Pound Ridge. Love and gratitude to the always supportive Karen Azenberg.

HARRISON J. LIND (Cornley Polytechnic Stage Crew) is honored to be making his PTC debut. He is a senior in the Actor Training Program at the University of Utah and an intern with PTC this semester. He most recently appeared as Captain Absolute in the Department of Theatre’s production of The Rivals. He would like to express his gratitude to Amanda, Karen, his friends, mentors, and family for their consistent support and encouragement.

MORGAN WERDER (Cornley Polytechnic Stage Crew) is thrilled to be making their Pioneer Theatre Company debut! They are currently a senior at the University of Utah pursuing their BFA and an intern at PTC. Recent roles include Macbeth (Macbeth), Men On Boats (Dunn), and Big Love (Thyona). They are delighted to be in this playful and exciting production! Much love to their family and friends supporting them.

JORDAN SOBEL (Max) is an actor, percussionist, fight designer, and teaching artist hailing from San Diego, California. Off-Broadway: Soho Playhouse. Regional: Asolo Repertory Theatre, Huntington Theatre Company, American Repertory Theater, Playhouse on Park (CT Critic’s Circle Nomination for My Name is Asher Lev), Penguin Rep Theatre, Amphibian Stage, Company One. Television: NBC’s “The Village.” Training: MFA (FSU/ Asolo Conservatory for Actor Training). Sobel would like to thank the team at DGRW, Amanda, and his parents for their continuous love and support.

JESSICA WEYMAN (Cornley Polytechnic Stage Crew) is excited to be making her debut with Pioneer Theatre Company! She is a senior in the Actor Training Program at the University of Utah. Recent credits include Macbeth (Witch 2/Fleance), The Rivals (Julia Melville), Big Love

KIRSTEN WYATT (Annie) Previously seen at PTC in Peter Pan, Les Misérables, and A Comedy of Tenors.

Broadway: Annie (Lily St. Regis), A Christmas Story: The 16

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WHO'S WHO IN THE CAST (Ensemble), and Jesus Christ Superstar (Apostle) at the University of Utah. Much love to family and friends.

Mamma Mia!. His regional credits include Broadway, Off-Broadway, Sweeney Todd: The Demon Barber of Fleet Street at the Denver Center; Ragtime at the Arden Theater; Assassins at Signature Theater. He also designed scenery for Disney Cruise Lines Twice Charmed and has shows running on ten ships on the Norwegian Cruise Line fleet. TV credits include over 200 stand-up comedy specials for Comedy Central, Showtime, Netflix and Epix. He has worked with comedians such as Marc Maron, Bo Burnham, Tiffany Haddish, Pete Davidson, Nick Offerman, and Jim Gaffigan. Kronzer has been nominated 32 times for the Helen Hayes Award (DC) and has received the award eight times. His work can be seen at www.JamesKronzer.com.

KAREN AZENBERG (Director) This marks Karen Azenberg’s eighth season as Artistic Director at PTC. Favorite projects include the world premieres of Alabama Story and “i”; the regional premieres of Sting’s The Last Ship and Les Misérables; and The Curious Incident of the Dog in the Night-Time, Newsies, Sweet Charity, and The Rocky Horror Show. Originally from New York, her work there includes Lyrics and Lyricists (92nd St. Y), Blocks (a collaboration with Jonathan Larson), Prom Queens Unchained, and choreography for Richard Greenberg’s The Dazzle (Roundabout Theatre Company). Among her other credits are National Tours of Carousel and Brigadoon, West Side Story (over 15 productions), and productions at Indiana Repertory, Geva Theatre Center, Alabama Shakespeare Festival, Goodspeed, and Utah Shakespeare Festival.

Karen is a past president of the Stage Directors and Choreographers Society (SDC). Her favorite productions are her son Alexander and her daughter Emelia.

K. L. ALBERTS (Costume Design) This year marks Alberts’ 32nd season with Pioneer Theatre Company.

In those years he has designed a wide range of shows: small dramas like Sweat and The Curious Incident of the Dog in the Night-Time, the comedies Private Lives and Scapino!, and many large scale musicals including Les Misérables (both PTC productions), The Producers, Elf – The Musical, and 42nd Street. Alberts was also honored to design the world premieres of three PTC productions: It Happened One Christmas, Dumas’ Camille and Laughing Stock. For the University of Utah Theatre Program he has designed Big Love, One the Verge, and The School for Scandal among others. He recently designed Oda Might, as well as An Evening With Two Awful Men and The Ice Front for Plan-B Theatre, and has spent many summers with the Utah Shakespeare Festival where his designs include Joseph...Dreamcoat, Big River, and Les Misérables (yet again!).

CHRISTOPHER DUVAL (Associate Director) has worked as an actor, fight director and director at such theatres as South Coast Repertory, Dallas Theatre Center, Syracuse Stage, Sacramento Theatre Company, Idaho Repertory Theatre, Laguna Playhouse, Utah Opera, Grand Theatre, Salt Lake Acting Company, Utah Shakespeare Festival, Colorado Shakespeare Festival, Montana Shakespeare in the Parks, Shakespeare Orange County and 16 years at the Oregon Shakespeare Festival. He is the Resident Fight Director at Pioneer Theatre Company and last appeared in Sweat, Much Ado About Nothing and in One Man, Two Guv’nors. He is the Head of the ATP at the University of Utah, is recognized as a Master Teacher (DAI), a Certified Teacher, Certified Fight Director and Theatrical Firearms Instructor (SAFD), and the author of Stage Combat Arts by Bloomsbury Methuen.

KIRK BOOKMAN (Lighting Design) designed PTC’s recent productions of Once, Twelfth Night, Newsies, Oliver!, and The Glass Menagerie. Broadway (National Actors Theatre): The Sunshine Boys (Jack Klugman and Tony Randall), The Gin Game (Julie Harris and Charles Durning), Gentlemen Prefer Blondes.

Off-Broadway credits include Charles Busch’s The Tribute Artist, The Divine Sister, Recent Tragic Events

JAMES KRONZER (Set Design) calls Washington, D.C. home. He designed 2018’s PTC production of 18

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L-R: Archelaus Crisanto (Trevor), Kirsten Wyatt (Annie)

Principal Sponsor of The Play That Goes Wrong

WHO'S WHO IN THE CAST and Memphis (regional premiere). Branson is a proud member of The Theatrical Sound Designers and Composers Association.

at Playwrights Horizons (starring Heather Graham), Right You Are (Tony Randall’s last stage appearance), Force Continuum at Atlantic Theater Company, My One Good Nerve (starring Ruby Dee), The Green Heart at Manhattan Theatre Club, The Shawl (staring Dianne Wiest), The Book of Liz (David and Amy Sedaris), Les MIZrahi (Isaac Mizrahi), June Moon. For the Irish Repertory Company: Playboy of the Western World, Eclipsed, The Importance of Being Earnest and Major Barbara. From stage production to large screen video: The Thomasheskys with New World Symphony and Company with the New York Philharmonic.

AMANDA FRENCH (Hair and Makeup Design) is happy to be returning to Pioneer Theatre Company where she has styled and designed over 120 productions in the last 17 years. French has been a wig master and hair and makeup designer for 30 years. She has worked for Montana Shakespeare in the Parks, the Utah Shakespeare Festival, Utah Opera, the Egyptian Theatre Company in Austin, Texas, and The University of Texas at Austin. French also spent 17 years as hair and makeup designer, and Adjunct Assistant Professor for the University of Utah’s Department of Theatre. She is a contributing writer in the ninth and tenth editions of Stage Makeup, by Corson, Glavan and Norcross. Amanda attended the University of Cincinnati, College-Conservatory of Music.

ALLAN BRANSON (Sound Design) is thrilled to be a part of Pioneer Theatre Company. He previously worked at The Arkansas Repertory Theatre as their resident sound designer for six seasons, where he designed such shows as Because of Winn-Dixie (world premiere), The Bridges of Madison County (regional premiere),

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WHO'S WHO IN THE CAST SARAH SHIPPOBOTHAM (Dialect Coach) is a graduate of the Central School of Speech and Drama in London. She teaches in the Actor Training Program at the University of Utah. Her work as dialect coach for PTC includes Once, Miss Bennet: Christmas at Pemberley, Sweeney Todd: The Demon Barber of Fleet Street, Oslo, Twelfth Night, The Curious Incident of the Dog in the Night-Time, The Last Ship, and Oliver!. She was seen on stage at PTC in The Curious Incident of the Dog in the Night-Time and King Charles III. Shippobotham has also worked as resident voice and dialect coach for the Shaw Festival in Canada for the past 18 years. This past summer she appeared at Utah Shakespeare Festival in Henry VI parts 2 and 3.

Misèrables, In the Heights, Next to Normal, and Rent.

Other stage management teams: Indiana Repertory Theatre, Connecticut Repertory Theatre, Boston Theatre Works, Grand Valley Shakespeare Festival, and the Utah Shakespeare Festival. Proud Equity member.

BECKY LYNN DAWSON (Stage Manager) joins PTC for her third season. She holds an MFA from Mason Gross School of the Arts and a BFA from Utah State University. Selected stage management credits include From Here to Eternity, Saturday Night Fever (MerryGo-Round Playhouse), The Spitfire Grill, Chicago, M. Butterfly (Northern Stage), The Christians (Gulfshore Playhouse), and Divinamente New York 2009 & 2010 (EH Arts International). She would like to send many thanks to her family for their continual support.

MARY P. COSTELLO (Production Stage Manager) has worked on over 60 productions during nine seasons with PTC. Favorites include Sting’s The Last Ship, Sweeney Todd: The Demon Barber of Fleet Street, Les

EMILY NACRISSA GRIFFITH (1st Assistant Stage Manager) graduated from UVU with a Bachelor of

Pioneer Theatre Company is pleased to thank Myriad Genetics for their sponsorship of this production.

L-R: Ruth Pferdehirt (Sandra), Jordan Sobel (Max) 22

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WHO'S WHO IN THE CAST Science in Theatre Arts with emphases in performance and design/technology. Griffith earned the Kennedy Center’s Meritorious Achievement Award for her work as the production stage manager of UVU’s Next to Normal, which received the Kennedy Center American College Theatre Festival national award for Outstanding Production.

One, completed filming in Summer 2019 and is due to start transmission from Christmas 2019. @mischiefcomedy and mischieftheatre.co.uk BOB CLINE (Casting) is the founder of Bob Cline Casting in New York. Broadway World recently named him one of New York’s “Ten Best.” He has cast film, TV, commercials, over 75 national tours, and numerous regional theaters across the country and has been associated with the casting for Pioneer Theatre Company for over a decade. Cline has also been a proud faculty member in Pace University’s theatre program, in charge of the senior BFA musical theatre majors for the last 16 years. He is the Associate Director of Broadway Artists Alliance, enjoys working with The Open Jar Institute, and often teaches through The Growing Studio and The Actor’s Loft.

EMMA ELZINGA (2nd Assistant Stage Manager) This is Emma’s first-time stage managing at PTC. Previous credits include working at Riverside Theatre Company on Bombbitty of Errors and Macbeth. She has been working as spot operator at Hale Centre Theatre for the past year.

HENRY SHIELDS, HENRY LEWIS, JONATHAN SAYER (Playwrights) Henry, Henry, and Jonathan met while training at The London Academy of Music and Dramatic Art (LAMDA). All core members of Mischief Theatre, they had already worked in comedy together for several years before they started out as a writing team. The three’s first piece was The Play That Goes Wrong (winner – Best New Comedy – Olivier Awards and What’s On Stage Awards). The show started out on the London and Edinburgh fringe before touring the UK and internationally and then returning to the West End in September 2014, where it is still running. It’s also playing on Broadway and heading out on a US tour in 2018 and has been performed in over 20 other countries around the world. Peter Pan Goes Wrong was the trio’s second piece, opening in November 2014 for a UK tour before a hugely successful West End season in Christmas 2015. Henry, Henry, and Jonathan recently adapted the script of Peter Pan Goes Wrong for the BBC, which was filmed with the original West End cast and broadcast to rave reviews on New Year’s Eve. They were invited back to wreak more havoc at the BBC in 2017 with Christmas Carol Goes Wrong on BBC1. The Comedy About A Bank Robbery marks their third writing project as a trio and earned them another Olivier Nomination. From Autumn 2019, Mischief will present a season at the Vaudeville Theatre in London and will premiere two shows written by Henry, Henry and Jonathan – Groan Ups and Magic Goes Wrong. The trio’s first project for TV, The Goes Wrong Show for BBC

PIONEER THEATRE COMPANY (PTC): Now celebrating its 58th season, the award-winning PTC is Utah’s premiere professional theatre and a leading arts organization of the West. Led by Artistic Director Karen Azenberg and Managing Director Christopher Massimine, PTC promotes community-building and education though presenting world-class productions; developing new socially resonant and universal work; hosting talks, lectures, and workshops that engage a versatile and inclusive demographic, while celebrating diversity in culture and society; and serving as the connecting bridge between art and scholarship as an affiliate of the University of Utah.

ACTORS’ EQUITY ASSOCIATION (AEA), founded in 1913, represents more than 51,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.

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FOR YOUR INFORMATION University of Utah is a non-smoking campus, both inside and outside all buildings.

Evening performances are at 7:00 p.m. Monday through Thursday, 7:30 p.m. Friday and Saturday; Saturday matinees at 2:00 p.m. Please avoid arriving after curtain time. To avoid disturbing other patrons, latecomers will be seated at the discretion of the House Manager. This policy has been instituted at the request of many of our patrons.

Season ticket holders may exchange their tickets for another performance of the same play by returning tickets to the box office at least 48 hours prior to the performance date. Tickets are non-refundable.

You may donate your tickets, helping yourself and Pioneer Theatre Company. If you are unable to attend a production, make a tax-deductible gift of your tickets to the Theatre so that we may re-sell them. Call the box office at least 48 hours prior to the performance date.

The Patron Services staff will serve you from 10:00 a.m. until 6:00 p.m., Monday through Friday. During the run of a show, the box office is open extended hours Monday through Saturday.

No children under age 5 are admitted to performances.

Emergency Exits are indicated to your right and left in the theatre. Please identify the exit closest to your seat location in case an emergency occurs.

The videotaping, photographing or other video or audio recording of this production is strictly prohibited.

This includes photos taken by phone.

SMART WATCHES, CELL PHONES, AND CAMERAS ARE DISRUPTIVE; even when set on silent or vibrate, they may disrupt wireless sound equipment.

Please leave your electronics in the car, or turn them off entirely while in the theatre.

TEXTING is disturbing to the actors and your fellow audience members. Do not text during the performance.

If you might need to be reached during a performance, leave your exact seat location with the box office. The number for emergency calls is 801-581-6963.

We have a hearing assistance system that allows our hard-of-hearing patrons to sit in any seat in the house.

Collateral required; inquire at coat check.

We welcome all persons. Those with special requirements should request assistance in advance.

Refreshments are not permitted in the auditorium, but are available in the main floor lobby pre-show, and during intermission. Bottled water and approved PTC drink containers are allowed in the theatre.

Pioneer Theatre Company’s Student Programs are made possible by major grants from

Simmons Family Foundation Meldrum Foundation Endowment Fund and The George Q. Morris Foundation

L-R: William Connell (Chris), Kirsten Wyatt (Annie), Eric Santagata (Dennis), and Greg Balla (Robert) 26

THE

CORNLEY

The

POLYTECHNIC

DRAMA

SOCIETY

PRESENTS

MURDER at HAVERSHAM MANOR WRITTEN BY

SUSIE H.K. BRIDESWELL

MAXWELL BENJAMIN CHESTERWITZ JONATHAN HARRIS DENNIS TIMBERTOP

CHRIS DANIELS

ROBERT JOHN PARRY III SANDRA WILKINSON

SET DESIGN

COSTUME DESIGN

LIGHTING DESIGN

CHRIS DANIELS

CHRIS DANIELS

TREVOR SANTOS

SOUND DESIGN

CHRIS DANIELS

HAIR DESIGN

DIALECT COACH

CHRIS DANIELS

CHRIS DANIELS

STAGE MANAGER ANNIE MACDONALD

DIRECTOR/FIGHT CHOREOGRAPHER

CHRIS DANIELS

Dear Theatre Goers, Thank you, thank you, thank you, for allowing us to present our fantastic production of THE MURDER AT HAVERSHAM MANOR here on our Cornley Polytechnic Drama Society stage.

The mystery of THE MURDER AT HAVERSHAM MANOR is the heart of the production. Deceit, love, treachery – it’s all on the page. And right when you think it’s someone – instead it is someone else! Truly this production is written by the hands of Ms. Brideswell – and there could there never be a story quite as tumultuous, loving, incredible, remarkable, questionable, intriguing, wonderous, interesting, stimulating, and exciting as this one.

If you ever get confused while watching the production, please know that ‘mystery,’ according to the Oxford Dictionary, means “a hidden or secret thing” so do not be alarmed when you are unclear on the direction of the story. A mystery story is supposed to be solved at the end. The point of mysteries is to also keep you in suspense, which according to the Oxford dictionary means “in a state of mental suspense.” So while you may be baffled by the action on stage, please know that you will leave the theatre knowing exactly what, and how, everything happened.

Enjoy the show!

Chris Daniels

Chris Daniels, Director

2

MAXWELL BENJAMIN CHESTERWITZ (Cecil Haversham/Arthur the Gardener) Maxwell was born to his two wonderful parents Lisa and Samuel Chesterwitz (Hi Mom!) on a lovely Tuesday in April. He weighed 2,273 grams. His favorite sandwich is ham with extra pickles and spicy mustard. Max has performed by holding his breath for 3 minutes and he has also played the trombone and the triangle with his primary and secondary school bands. Max would like to thank his parents, his physical education teacher, and his corgi, Stephen, for making him feel special.

DENNIS TIMBERTOP (Perkins) is thrilled to be back at CPDS, after most recently, appearing in the title role in last summer’s production of CAT. Other favorite credits include A View from the Crosswalk and A Doll’s Apartment. A mushroom farmer in the eastern tip of Nottinghamshire, Timbertop is a two-time winner of the Cornley Mycology Club’s prestigious honor The Fun-gi Award. He can also be found hosting trivia and karaoke every Thursday/Friday night at local hot spot, The Rusty Pipe. Many thanks to his fellow cast-mates and to his mom for sewing his costume.

CHRIS DANIELS (Inspector Carter) Chris is the newly elected head of the Drama Society. For tonight’s show, he served as the voice coach, dialect coach, fight choreographer, casting director, and costume designer. He also plays the lead role and, of course, directed. The Society would like to thank Chris for his remarkable passion and efforts. Credits within the University: Hamlet in Hamlet, Macbeth in Macbeth, and Othello in Othello.

SANDRA WILKINSON (Florence Colleymoore) It has been said by many that Sandra Wilkinson was destined for stardom. Her debut performance was at 6 days old as the lead in The Nativity (Church Of The Holy Rood Cornley). Sandra sharpened her skills in pantos playing Egg #1 in Mother Goose; Chair #1 in Goldilocks; and Pumpkin #1, Mouse #1, and Shoe #2 in Cinderella (Acorn Theatre Guild). When Sandra stumbled upon The Cornley Polytechnic Drama Society she found her artistic home, and last year’s performance as Masha/ Irina US Olga was heralded as “Unthinkable.” She has also auditioned seven times for Sir Andrew Lloyd Webber’s upcoming reality television talent show “GRIZ! (The Search for Grizabella).” Sandra would like to thank each and every one of you for letting her touch you deeply with her performance.

JONATHAN HARRIS (Charles Haversham) is super dee duper thrilled and honored to have a speaking role in The Murder at Haversham Manor. A big thank you to the director, his idol/ mentor (and hopefully soon-to-be Best Friend) Chris for giving him his first speaking role this season after 23 shows with the company. Recent roles include: Waiting for Godot (Standby Godot), The Lion and The Wardrobe (Coat #4), Hamilton (Lobby Merch Seller), and his favorite, The Little Mermaid (Ariel Body Double). In his spare time Jonathan is always looking for a connection. He’s a Pisces with a Sagittarius Rising. He loves root beer floats, small hills with leaves on them, and videos of Huskies trying to say “I love you.” You can find him on Tinder, Match.com, Bumble, and OkCupid. He’s available for theatrical endeavors/ romantic inquires/catering starting December 22nd.

ANNIE MACDONALD (Stage Manager) has been Cornley Polytechnic Drama Society’s stage manager for three seasons. She also serves as wardrobe supervisor, set painter, spotlight operator, assistant to the assistant director, head usher, web site designer and progarmme typist.

She dedicates her work on this show to her two turtles, David Tennant and Matt Smith.

TREVOR SANTOS (Sound and Lighting Technician/Set Designer) has worked on numerous productions for Cornley Polytechnic. His participation is through special arrangement with Cornley Polytechnic’s Academic Probation/Disciplinary Council. The University would like to apologize on Mr. Santos’ behalf for his behavior during numerous productions, namely Dramatic Society productions of The Lion and The Wardrobe and the unfortunate circumstances surrounding the production of CAT. Trevor supports Manchester United FC and is also president of the University’s English New Wave Music Society.

ROBERT JOHN PARRY III (Thomas Colleymoore) This will mark Robert’s fifth production with the Cornley Polytechnic Drama Society, after appearing as The Lion in last year’s production of The Lion and The Wardrobe, for which he received multiple Olivier nominations. Past credits include: every role in Hamlet - twice, Coriolanus Takes a Shower (Westminster Players), STILL Waiting for Godot (Portsmith Playhouse), and his now famous one-man One Man, Two Governors. Robert is the author of multiple books on acting including, “Pretending to Listen,” “Everyone Is Looking At YOU,” “Incredibly Loud and Ferociously Funny,” “Acting In Dressing Gowns,” and most notably, “Respect for Backting: How to Act With Your Back.” Robert would like to thank his mother and father for conceiving such a prolific artist.

3

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CORNLEY POLYTECHNIC STAGE CREW (Stage Crew) All three of the stage crew are excited to be working.

Their combined credits include crewing the nativity scene at their local church and lighting the local pub on

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STAGE ARTS

FRIENDS OF PIONEER THEATRE COMPANY Pioneer Theatre Company Board of Trustees Mark Capone, Chair

Budget Chair Brandon Stringham Karen Azenberg Gregory N. Barrick Sandi Behnken Steven M. Brinton Nate Boyer Glen Clayburn Lori W. Creer John A. Dahlstrom, Jr. Craig N. Darrow

Stan VanderToolen, Vice Chair

Development Chair David R. Peterson

Marketing Chair Jeff Paris

Chris Massimine Michele Mattsson Eric Maxfield Lamont Richardson John W. Scheib, PhD Harris Smith Janette Sonnenberg Spencer Stewart Catherine W. Stringham

Daniel A. Reed, PhD Amy Wadsworth Heidi DeWitt Woodbury Emeritus A. Scott Anderson Edward F. Bates William H. Child Paul M. Durham

Nominating Chair Dan Lofgren Spencer F. Eccles David E. Gee Kathie Horman James Macfarlane Kevin R. Murray Harris Simmons J. Douglas Whisenant

Pioneer Theatre Guild Officers

Glen Clayburn, President Heather Benson, President-Elect Peggy Stanley, Vice President Anne Neeley, Secretary Kris Burton, Treasurer For information regarding PTC Guild membership, call Carolyn at 801-601-8847.

Corporate, Foundation, and Public Support

Pioneer Theatre Company is pleased to recognize the many businesses, foundations, public institutions, and corporate sponsors that support our mission. Thank you for your generous contributions.

Season Support Salt Lake County Zoo Arts and Parks Fund

Presenting Sponsors ($50,000 and above) George S. and Dolores Doré Eccles Foundation

Emma Eccles Jones Foundation Meldrum Foundation

Harris H. and Amanda P. Simmons Family Foundation

Dominion Energy The Shubert Foundation

Simmons Family Foundation

Anonymous Donor Andrea Golding Legacy Foundation Apple, Inc. + Burton Lumber + R. Harold Burton Foundation

George Q. Morris Foundation In memory of Gabrielle M. Woods College of Fine Arts Art Pass Program Cowboy Partners

BW Productions + Richard K. and Shirley S. Hemingway Foundation Gardner Company Holland & Hart, LLP

Robert and Barbara Patterson Family Memorial Foundation Myriad Genetics, Inc. Charles Maxfield and Gloria F. Parrish Foundation

Anonymous Donor Durham Jones & Pinegar

Spencer F. and Cleone P. Eccles Family Foundation Love Communications

Zions Bank

Executive Producers ($25,000 – $49,999) Steiner Foundation, Inc.

Utah Division of Arts and Museums

Producers ($10,000 – $24,999) Facebook, Inc. + Google Grants + L. T. and Janet T. Dee Foundation Marriner S. Eccles Foundation Huntsman Corporation

Larry H. and Gail Miller Family Foundation Pioneer Theatre Guild Taxi TV + W. Mack and Julia S. Watkins Foundation Wells Fargo

Benefactors ($5,000 – $9,999) Merit Medical Parr Brown Gee & Loveless Riverton Music Salt Lake City Arts Council Swartz Foundation

ThomasArts U.S. Bank Foundation UWM Men’s Shop

Directors Club ($2,500 – $4,999) Marathon Petroleum Corporation

John and Marcia Price Family Foundation The Summit Group

Associates ($1,000 – $2,499) Anser-fone + Jet Blue + New York Life Foundation The Boyer Company National Life Group Charitable PwC In memory of Terry Henderson + Foundation Rural Health Group

Snow, Christensen & Martineau Foundation

General Partners (up to $999) Adobe Anonymous Donor The Benevity Community Impact Fund Bonneville Radio + Cameo + Capital Broadcasting + Clear Channel +

Cumulus Radio + Discovery Gateway + Fidelity Charitable Gift Fund iHeart Media + KSTU + Lagoon + Microsoft Matching Gifts Program

National History Museum of Utah + Pizza Factory + Reagan Outdoor + Richard H. and JoAnn O. Keller Family Foundation Romney Lumber Co. Schwab Fund for Charitable Giving

35

Snowbird + Strong & Hanni, Law Firm Target + UofU Campus Store + UofU Marketng Department + Utah Museum of Fine Arts + Wilcox-Smith Foundation The Williams Companies, Inc.

FRIENDS OF PIONEER THEATRE COMPANY Special Gifts Gifts to capital projects, artistic programming, and endowments secure the future of Pioneer Theatre Company. The donors listed are recognized for their important contributions to sustaining and enhancing artistic excellence.

Lino Endowment Dominic and Virginia Albo A. Scott and Jesselie Anderson Andrea and Kevin Barnes Edward F. Bates Lynette and Marsden Blanch Sara and Roger Boyer Marilyn and Robert Brinton Ted R. Capener Mark and Kelly Capone Angela and Zeke Dumke Elizabeth Terry Dunning Paul and Maren Durham

David Dynak Jodee Ferree Sheldon Furst and Ellen Liu David E. and Sherrie Gee Julie and Devon Glenn David H. Green Scott and Loree Hagen Haze & Hard Nancy Melich and J. Alexander Hemphill Jerry and Claudia Howells Bruce and Nancy Jensen Jerrold and Marge Jensen Tom and Carol Jepperson Bob Keener

Ross and Nancy Kendell Dale A. and Rachel B. Kimball Frank and Barbara Layden Linda J. Leckman Robert B. Lence Colleen R. Lindstrom Lofgren Family Jayne Luke Donna and David Lyon Jim and Carol Macfarlane Jack and Ann Mark Eric G. Maxfield Matthew L. Moore Charles L. Morey Diane L. Parisi

Steve Parks Dinesh and Kalpana Patel Foundation Dave and Sandi Pershing George Pesek Kevin and Jami Rindlisbacher David and Melinda Simmons Foundation Eric and Michele Thompson Phyllis Haskell and Doug Tims Stephen and Elizabeth Warner J. Douglas and Eleanor Whisenant Stan and Jill VanderToolen

Play-By-Play Bireley Endowment Susan Stoddard Heiner and Blake T. Heiner Lee and Audrey Hollaar

Wanda and Carvel Mattsson Memorial Fund William and Donna Vogel Marc and Barbara Mattsson

PTC True and Quasi Endowments Anonymous Eric Biedermann Roger and Sara Boyer Kem and Carolyn Gardner Francis and Joan Hanson

The Peter and Susan Stevens Endowment Susan Dolan Stevens and Peter Stevens

Special Projects Susan Dolan Stevens Haze & Hard

Meldrum Foundation Endowment Fund Meldrum Foundation

Spoor Endowment Chris Lino

Robin M. Woods Legacy Endowment – A fund to support the advancement of women in theatre

Annual Fund Support From Individuals Individual Sponsors ($5,000 and above) Most individual donors to PTC choose to support the general work of the company.

There are also opportunities to contribute gifts of $5,000 or more to specific productions or projects.

For more information call 801-581-6960.

Anonymous Donor Sandi Behnken

Judy Brady and Drew W. Browning

Hank and Pat Hemingway Kathie and Chuck Horman

Roger and Mary Lowe Katie and Ned Stringham

Directors Club ($2,500 – $4,999)

The Directors Club is a giving level recognizing donors who make an annual contribution of $2,500 or more to PTC. Members of the Directors Club receive exclusive benefits throughout the theatre season. For more information call 801-585-3196.

Robert Lence Lofgren Family James L. Macfarlane Chris and Maggie Massimine + Eric G. Maxfield Peter and Catherine Meldrum Kevin R. and Deon Murray Jeff Paris Gregory D. and Cynthia Phillips Margaret P. Sargent

Anonymous Donor A. Scott and Jesselie Anderson In memory of Stephen W. Barlow Bonnie Jean and H. Brent Beesley Lynette and Marsden Blanch Kristina and Kenneth Burton In honor of Chris Lino and Colleen Lindstrom

Nate Boyer Mark and Kelly Capone John and Kimberly Dahlstrom Craig and Stephanie Darrow Elizabeth Terry Dunning Susan F. Fleming Sandra E. Geary David E. and Sherrie Gee Jim and Irene Huber Dale A. and Rachel B. Kimball Linda J. Leckman, M.D.

Anonymous Donors (3) Jane Wollam Bebb Bill and Beth Beck Steven and Joan Brinton In memory of Art Brothers Michael and Alison Brown Robin and Marion Campbell Margaret Cragin-Masarone

Tim and Candace Dee Bob and Mary Gilchrist Lee and Audrey Hollaar Bruce and Maxine Johnson Sheldon R. Furst and Ellen Liu Doralee Madsen Nickie and David McDowell Nancy and George D. Melling

Richard Koehn and Sheryl Scott Harris H. and Amanda Simmons Dr. Brent and Janette Sonnenberg Kevin and Alice Steiner R. Eric and Michele Thompson* Stan and Jill VanderToolen * Todd and Michelle Wolfenbarger

Associates ($1,000 – $2,499) Steve and Alisa Parks Linda S. Pembroke John Netto and Catherine Putnam-Netto Joanne Rich Amy Wadsworth and David Richardson Brian and Janice Ruggles

36

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“It is breathtaking! I am walking away deeply inspired and profoundly moved!”

—Rita Cosby, Emmy Award-winning journalist

“A passionate mix of culture, dance, and hope. It’s absolutely wonderful and profound.”

—Dr. Ken Coates, dean of Faculty of the Arts, history professor, University of Waterloo

“It moved me… there was power, there was beauty. It was like poetry, but with instruments.”

—John Vishneski, conductor and clarinet player Shen Yun Performing Arts is a nonprofit organization based in New York.

Feb 25–26 • Mar 21–25 George S. and Dolores Doré Eccles Theater

Promo code: BW20 (limited-time offer) for savings on Feb. shows Shen Yun Returns with Entirely New 2020 Production and Live Orchestra

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ShenYun.com/SLC 888.633.6999 Presented by SAN FRANCISCO FALUN BUDDHA STUDY ASSOCIATION

FRIENDS OF PIONEER THEATRE COMPANY Angels ($500 – $999) Anonymous Donor Jon K. and Darleen Alley Christine A. Allred John and Linda Ashton Karen Azenberg and Augie Mericola Sandi Jo Behnken Mary Anne Berzins Eric Biedermann C. Kim and Jane C. Blair Kenneth and Karen Brewster Marilyn and Robert Brinton Darryl Butt Jeremy Conder Jim Dabakis

Michael D. Drews Robert and Liz Ence Chesley and Amy Erickson Naomi K. Feigal Bob and Mary Gilchrist David and Doris Gillette John and Elizabeth Hammond In honor of Ruth Hansen Hale Bonnie Hedman* Jennifer Hedman* Nancy Melich and J. Alexander Hemphill Larry and Tina Howard Maria and Andrew Hunt

Anonymous Donor Craig and Joanna Adamson Susan and Ken Albrecht Susan Allred James A. and Carol A. Anderson Johnny Anderson Kristin Wann Anderson Sandra and Marc Babitz Bryan and Tina Bagley Jim and Martha Bale Lonnie and Jill Baskett Beth and Bill Beck Reed and Jeanne Benson Randy J. Buchmiller Kenneth M. and Barbara L. Calney Doug and Barbara Campbell Robin Campbell Robert and Barbara Cherrington Dennis Coon Wilma and Willie Dolowitz Robert Doran Mark and Laurie Eliason Drs. Richard C. and Ann W. Engar Joan Erickson

Lars and Susan Erickson James and Ruth Ewers Dane and Kathy Finerfrock Larry and Shirley Florence Jan and Stan Foutz Beth C. and Peter T. Hanlon Gerry Hanni Richard Harper Ingo and Mary Henningsen Ross Owen and Larry Herndon Michael and Katherine Hodkin Virginia Huber John and Carol Huffman Bruce and Rhonda Irvine Darlene Jensen Randy and Liz Jensen Michele and Dave Jenson Tammy Jones Dr. Robert and Julie Kessler The Kohlburn Family The Kraiss Family Guttorm and Claudia Landro Janice and Harvey Lansing Darryl and Bonnie Lee Howard and Nancy Lemcke Bradley P. Rich and Dr. Erika Lloyd

Anonymous Donors (11) Mons Aase Carolyn Abravanel Vern and Barbara Adams Eva-Maria Adolphi Ann and Jared Ainsworth Dominic and Virginia Albo John and Sheryl Allen Kathy Aller Gloria and Irwin Altman Carole Ames Christine Anderson Diane Anderson Donna Andrews William M. Archer Paul and Cheryl Argyle Michael and Laurie Asmussen Linda K. Ballard

Landon Ray Barker Almina Barksdale Mary E. Barlow Joyce and John Barnes Mary L. Barnes Casey M. Barnett Robert Kyle Barnett Donald Barnhart Rachel L. Bates Nancy J. Behnken Lani Belisle Glenn D. Prestwich and Barbara L. Bentley Richard Charles Brandt Randy J. Buchmiller Dave and Lori Buhler John P. and Andrea M. Burke Thomas Chad Burt

Elise Hutchings In memory of Paul Hutchings Amy Haselhorst and Richard Irons Barbara H. Ivey In memory of Gresh Ivey Dr. Brent C. and Eve James Greg Hatch and Terry Kogan + Chris Lino Helga Lloyd Uri Loewenstein Donna and David Lyon Mary McCarthey Ashley and Brett Neilson James and Karen Nelson

Oren and Liz Nelson Maura and Serge Olszanskyj Diane L. Parisi John and Susanne Parsons Karen F. and Leon Peterson Wayne and Robyn Petty Barbara and John Reid Zoe and Lon Richardson, Jr. Harold and Debbie Rust Kent and LaRae Scott Marsha and Tom Swegle Marsha and Robert Tadje Cindy and Mark Vernon Julia and Hugh West David and Jeralynn Winder

Patrons ($250 – $499) Ronald and Danece Mangone Sue Marquardt Mary McCarthey Dr. and Mrs. Corey A. Miller Stephen and Sandy Morgan Tony and Mary Ann Morgan Michael E. Nash Sara Lee Neill Tim and Peggy J. Newman Karen H. Nichols Rosalie Notarianni In memory of Mary Asson Carol M. Oliver In memory of Paul F. Oliver Dinesh and Kalpana Patel Lewis Boynton and Sonja Penttila Joe Perry and Meredith Filson-Perry Bryce and Shonni Peterson Karen F. and Leon Peterson Frank and Patrica Pignanelli Nancy Pitstick Laszlo and Sandra Preysz Monika Preysz Thomas Quam George C. Rackham, Jr.

Michael B. Robinson Gary Sackett In memory of Darlene Sackett Michael Scott and Loretta Falvo-Scott Richard Koehn and Sheryl Scott David and Julianne Seal Janet and David Sharp Ralph and Kayleen Simmons Val and Barbara Singleton Patricia and Homer Smith Robert A. and Julie A. Sperling Mary O. Stanley Julie A. Stokes William and Saundra Stone Russell T. and Sandra Strauss George Sumner and Tina Hose-Sumner Robyn Toone Peter and Adrianne Watkins Elaine and Joe Weis Wayne and Carol Welninski Dr. and Mrs. H. James Williams Ben Wilson and Michele Mattsson

Contributors ($50 – $249) Lynn and Camille Bushman Kevin A. Cameron Brad and Leslie Campbell John C. and Leslie Z. Carey Martin Cathey Robert Chamberlain Brian E. Chapman Hal Christensen Renee Christensen Cathay Nelson Christiansen Ray and Bobbie Christiansen Carlyle Clarke Geraldine M. Clark Howard and Betty Clark Patricia and John Clay Brad V. Crawford John D’Arcy William Daniloff

38

Debbie Davis Kathy A. Davis Michael and Rebecca Davis James R. Dickson Bob and Sue Dintelman D’Arcy Dixon Kerry Stuhr Doane Jack and Joyce Dolcourt Anne and Sandy Dolowitz Emily Done Robert Doran Layle T. Erickson Damon C. and Brenda L. Fedor Sarah George and Richard Ford Carolyn C. Fredin Deon Freed Claudia J. Fruin Camille Fung

FRIENDS OF PIONEER THEATRE COMPANY Dennis C. Gassman Lynda Geddes Dietrich and LaDon Gehmlich Marc and Carol Gentner Karen Gilbert Family Julie and Devon Glenn Lewis and Ceselie Goodwin Dr. and Mrs. John Greenlee Jeanne Gunter Sandra Haak Mr. and Mrs. Ryan Hackett Maxine R. Haggerty Justin and Kristina Hansen Francis and Joan Hanson Janet and Ric Harnsberger Jonathan D. Hartford Don Harward Peter and Jan Haug Sandra Hayes Alan and Rosena Heal Catherine Ann Heiner Patti Hendricks Duane Hill Jason Hoggan Darris Howe Casey Huff Jane J. Hunt Karen Hyde Gilbert H. and Thelma P. Iker Colin Jackson Srikanth Jammulapati Elaine B. Jensen Andrea Johnson Mark and Sheila Johnson Candice J. Jorgensen Kathy Jorgensen Abraham Julander Ben and Jenn Kalm Kathleen M. Kaufman Jim and Maggie Kearns Fonda Kersey Russel R. and Jane T. King Richard and Gene Klatt

Scott William Knorpp Chelsey Kraatz Paul Kriekard Andrea Krupa Joan M. and Douglas S. Lake Richard Scott Lemons Keith and Kristen Leonard Anna and Claude LePendu Steve and Karin Liimatta Kirsten Likes Joan Lind James R. Moore and Kathryn Lindquist Pauline Lindsay Morris and Jane Linton Stephen Lobo Diane Luke Michael W. Luskin Bonnie R. Macfarlane Gary and Ruth Manville Ted and Shirley Marakis Frank and Diane McElwain Pam Arnott McLeese Neta McOmie Elliott Merrill Richard R. and Jean H. Miller Cyndee Miya Peggy Montrone Judith Moreton Gabriela Motyckova Michelle Murday Maura K. Naughton Bonnie Nell Craig Richard Nelson Dalmas H. Nelson John and Jennifer Newman Brenda Nibley Jean and Ralph Nuismer Linda B. Purcell Ogden William D. Ohlsen Tracy O’Keefe Kristi and Jeff Oritt Julie Olson

Tim Orton Elissa Oshinsky Ross Owen Chris James Oswald Ted and Kay Packard Brett Packham Linda D. Page Kirsten Park Nancy Parker Helen Patterson Mary Ann and William Payne Gary and Janet Peck Kathleen B. Pendleton Chris Peterson Jennifer Peterson Genevieve Peterson Sandra N. Peuler Colleen Pierce Walter J. Plumb Dennis Polster Anne Prince Carol Prince Roger and Susan Pyper Susan Reese Holly Ricklefs J. Kyle and JoAnn K. Robertson Shawn H. Robinson Julie Robideau Janet Rogers Mark and Mary Ellen Rosen Angela J. Roundy Alan Rowley Sid Rudolph Leonard and Alene Russon Jeffrey M. Sanchez Evan Sanders Robert and Karen Sawyer Paige St. Jeor Jane and Kent Sakashita Sarah W. Scheuller Larry P. Schumann C. Duwayne and Alice C. Schmidt

Tina Seferos Kevin Shea Thomas and Joan Shreeve Lawanna M. Shurtliff Randy and Deb Skeen Patricia Smiley Tani and Martin Smihula Lynda M. Simmons Cathy Stutz-Smith A.J. and Leah Smith Deborah Smith Robert B. and Janet D. Smith Stuart Stanek Susan Dolan Stevens Kathy Stoker Drs. Barry and Connie Stults Russell T. and Sandra Strauss Paul G. Tarver Laila Tedford Yvonne B. Thele Joel and Pamela Thompson Guy L. and Elaine Thompson Kathy D. Van Orman Bill and Heidi Vriens Sydney Wagstaff Alison Walker Gwen and Clare Wardle David and Shauna Weight Sylvia Weight David and Dixie West John and RaeAnn White Henry O. Whiteside Charles Whiting Nancy G. Woodward Ron Sawdey and Cissy Wolff Joan Wong Betty and Frank Yanowitz Nancy Young Stuart and Barbara Young Tod and Mary Young Carl Youngblood Andrey Zharkikh

The donors acknowledged above made gifts and pledges between November 1, 2018 to November 15, 2019. + In-Kind Donation * This donor is recognized at the gift level equal to their donation plus a corporate match. Make your gift go further: Check to see if your company has a matching gift program. If you have any changes or questions regarding your program listing, please call 801-585-3196.

40

OUT OUT ON ON THE THE TOWN TOWN OUT ON THE TOWN

DINING GUIDE diningDINING guide GUIDE THE THENEW NEWYORKER YORKER60 60West WestMarket MarketStreet.

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Served Served ininaa around the corner from the Eccles Theater.

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B-Breakfast B-BreakfastL-Lunch L-Lunch D-Dinner D-Dinner S-Open S-Open SundayDL-Delivery DL-DeliveryT-Take T-TakeOut OutC-Children’s C-Children’sMenu MenuSR-Senior SR-SeniorMenu MenuAT-After-Theatre AT-After-Theatre Top: Image licensed

by Ingram ImageSunday LL-Liquor LL-LiquorLicensee LicenseeRR-Reservations RR-ReservationsRequired RequiredRA-Reservations RA-ReservationsAccepted AcceptedCC-Credit CC-CreditCards CardsAccepted AcceptedVS-Vegetarian VS-VegetarianSelections Selections B-Breakfast L-Lunch D-Dinner S-Open Sunday DL-Delivery T-Take Out C-Children’s Menu SR-Senior Menu AT-After-Theatre LL-Liquor Licensee RR-Reservations Required RA-Reservations Accepted CC-Credit Cards Accepted VS-Vegetarian Selections

Lost in the Woods

objets d’art reflecting the mystery of the universe paintings . jewelry . mirror . boxes

by award-winning artist STEPHANIE SAINT-THOMAS

The Loge Gallery is one floor up from the lobby of the Simmons Pioneer Theatre. Visit & talk with the artist, before or after The Play That Goes Wrong or during intermission.

Exhibit is also available during building hours, 10am - 6pm, Monday - Friday.

For purchases, call the Box Office at 801-581-6961.

PIONEER THEATRE COMPANY STAFF ARTISTIC DIRECTOR . . . . . . . . . KAREN AZENBERG

MANAGING DIRECTOR . . . . . . . CHRIS MASSIMINE

ARTISTIC Resident Fight Choreographer . . . . . . . . .Christopher DuVal Resident Scenic Designer . . . . . . . . . . . . . George Maxwell Resident Sound Designer . . . . . . . . . . . . . . . Allan Branson

PRODUCTION Production Manager . . . . . . . . . . . . . Reed Rossbach Production Stage Manager . . . . . . . Mary P. Costello Stage Manager . . . . . . . . . . . . . . . . . . Becky Lynn Dawson Technical Director. . . . . . . . . . . . . . . . . . John Mack DEVELOPMENT Charge Artist. . . . . . . . . . . . . . . . . . . . . . . . . Mark Jensen Director of Development . . . . . . . . . . . Diane L. Parisi Scenic Artist . . . . . . . . . . . . . . . . . . . . . . . Amanda McMall Manager of Individual Giving . . . . . . . . . .Merrill Matheson Stage Technicians . . . . . . . . . . . .Colton Orr, Andrew Smith, Development Assistant . . . . . . . . . . . . . . . . Erica Carvalho Matt Shapiro Painters . . . . . . . . . . . . . Brooke Morgan, Trish Whitekettle MANAGEMENT Props Master . . . . . . . . . . . . . . . . . Laura A. Walters Business Manager . . . . . . . . . . . . Jonathan Llenares Props Artisan . . . . . . . . . . . . . . . . . . . . . . . Barbara Nelson Company Manager . . . . . . . . . . . . . . Amanda Bowen Master Electrician . . . . . . . . . . . . . . . . .John Masek Asst. Business Manager . . . . . . . . . . . . . . . . Matt Bennett Technical Advisor . . . . . . . . . . . . . . . . . . . . . . .Lee Hollaar Costume Shop Manager . . . . . . . . . . .Phillip R. Lowe MARKETING First Hand . . . . . . . . . . . . . . . . . . . . . . . . . . . . .K.L. Alberts Director of Marketing & Comm. . . . . . . Kirsten Park Asst. Costume Shop Manager . . . . .Wendy Schow-Massine Publicity Manager . . . . . . . . . . . . . . . . . . . . .Vreni Romang Cutter/Drapers . . . . . . . . . . . . . . . .Wendy Schow-Massine, Photographer . . . . . . . . . . . . . . . . . . . . . . BW Productions Margo Seamons PTC Advertising . . . . . . . . . . . . . . . . . . . . . . . . . .Modern8 Millinery/Crafts Artisan . . . . . . . . . . . . . . .Wilson Leibering Stitchers . . . . . . . . . . . . . Amanda Andrews, Colleen Pierce PATRON SERVICES Wardrobe Supervisor. . . . . . . . . . . . . . . . . . . Daniel Streed Patron Services Manager . . . . . . . . . . . . Heidi Bruce Costume Rental Coordinator . . . . . . . . . . . . . . . Do’nel Ault House Manager/Asst. Patron Services . . . . . . . .Nikki Baum PTC/University of Utah Interns . . . . . . . . .Harrison J. Lind, Coodinator, Patron Services . . . . . . . . Jenifer Christensen Micki Martinez, Morgan Werder, Patron Services Representatives . . . . . . .Alexis Brinkerhoff, Jessica Weyman Erica Carvalho, Susannah Castleton, J.T. Hiskey, Ann Lopez, Sasha Pinegar, Caprice Schulte, Sophia White Concessions . . . . . . . . . . .Caroline Esparza, Amona Faatau, Ann Lopez, Katina Nikols, Abigail Raasch, Tom Roche, Ann Roelofs, Ian Shannon, Morgan Werder, Sophia White *The theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Cover Art by Russ Gray MILLS PUBLISHING STAFF Dan Miller, President; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Ken Magleby, Katie Steckler, Patrick Witmer, Graphic Design; Paula Bell, Dan Miller, Paul Nicholas, Chad Saunders, Advertising Representatives; Jessica Alder, Caleb Deane, Administrative Assistants.

The Pioneer Theatre Company program is published by Mills Publishing, Inc., 772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com. Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. Copyright 2019.

42

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