Tchaikovsky Violin Concerto

2019–20 SEASON

TCHAIKOVSKY VIOLIN CONCERTO January 30, 2020 | 7:30PM

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WELCOME Dear Friends, Welcome to our 70th Anniversary Season! I am delighted to celebrate our rich history while looking forward to another exceptional season of only the finest music and dance. It has been an honor to be a part of creating this exciting collection of performances. As always, Utah Symphony has presented us with a slate of world-class performers and expertly crafted programming. We have worked hard to bring together a mix of beloved and soon-to-be favorites including everything from Beethoven to Wagner!

Reflecting on our roots showcasing classical ballet, we can’t wait to experience the Moscow Ballet and the Russian National Ballet here in Ogden, as well as the more contemporary approach brought to us by Dance Theatre of Harlem. There is truly something for everyone.

I hope that you have had the opportunity to learn about our new offerings this year. I would like to invite you to consider attending our new Downtown Series at The Monarch. Each concert is a unique fusion of styles presented in a relaxed atmosphere, performed by awardwinning musicians. We have also expanded our Family Series, and moved those concerts to Peery’s Egyptian Theater which will be an exciting experience for children of all ages.

And finally, I want to thank each of you for supporting Onstage Ogden by purchasing tickets, donating, volunteering, and spreading the word about our mission.

I am confident that our longevity is due to the support we receive from this community. I cannot overstate my gratitude and admiration for those who help us bring the best to Ogden each year!

With thanks,

Melissa Klein, Executive Director

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Onstage Ogden

BOARD & STAFF

BOARD OF DIRECTORS Mark Stratford President

Linda Forest Secretary

Russel King Onstage Ogden Foundation

Robert Fudge Past President

David Malone Treasurer

Nancy Pinto-Orton President Elect

Steven Carter Robbyn Dunn John Fromer Steven Hendricks Val Johnson

McClain Lindquist Zachary Nelson Robert Newman Carolyn Rich-Denson Susan Shreeve Joyce Stillwell Jon Wilson

Alan Hall Robert Harris

Thomas Moore Suzy Patterson

Paul C. Kunz Andrea Lane Michael S. Malmborg Dr. Judith Mitchell Meg Naisbitt Ellen Opprecht

Carolyn N. Rasmussen Sherm Smith Dr. Paul Sonntag Dotty Steimke

Dr. Ann Ellis Vice President ADVISORS Marlene Barnett Karen Fairbanks FOUNDATION Russel King Chair Marti M. Clayson Secretary Richard White Treasurer EXECUTIVE DIRECTOR Melissa Klein

EVENTS & OUTREACH MANAGER Andrew Barrett Watson

BOX OFFICE & MARKETING MANAGER Camille Washington

AUDIENCE ENGAGEMENT COORDINATOR Ginger Bess Simons

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801.399.9214

ONSTAGE OGDEN

In 1949, Beverly Lund and Ginny Mathei decided they wanted to add even more culture to Weber County. So, for the small fee of $400, they brought the Utah Symphony to Ogden for a single performance. Three hundred people attended the concert.

This 1949 concert was a big success, so the women decided to present even more concerts in Ogden. They organized a committee within the Welfare League (later the Junior League) to raise funds for the Symphony Concerts. Then, in 1957, this committee reformed and incorporated as the Ogden Guild. After a few more name changes and the addition of Ballet West performances in 1982, the organization became the Ogden Symphony Ballet Association.

Under the direction of numerous board members and long-serving Executive Directors like Jean Pell (27 years), and Sharon Macfarlane (14 years), Onstage Ogden has expanded our programming to include internationally renowned classical dance, vocal, and chamber music. Since our inception, we have presented over 800 performances to tens of thousands of Utahns.

In addition, Onstage Ogden actively works to engage and educate younger patrons.

For example, our Youth Guild has provided generations of high school students with opportunities to serve. We also offer a variety of education classes, from Masterworks Music Detectives to Music and Dance Explorers. And we are partnering with several local community organizations to expand these programs to reach even more children and students. Onstage Ogden is proud to celebrate 70 years sponsoring only the finest music and dance in the Greater Ogden area. We are honored participate in the enrichment of our community by presenting professional classical performance.

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2019–20 SEASON

MASTERWORKS SERIES The Planets September 12

DANCE & VOCAL SERIES Dance Theatre of Harlem November 9

Rachmaninoff’s Rhapsody on a Theme of Paganini October 24

Russian National Ballet January 20

Rachmaninoff’s Piano Concerto No. 3 November 7

BYU Vocal Point February 15

Tchaikovsky’s Violin Concerto January 30 Brahms’ Piano Concerto No. 2 April 9 ENTERTAINMENT SERIES The Music of John Williams September 19 A Broadway Christmas with Ashley Brown December 5 Women Rock February 13 The Temptations with the Utah Symphony April 16

Flamenco Vivo February 4

Chanticleer April 27 FAMILY SERIES Here Comes Santa Claus December 23 Sphinx Virtuosi March 11

SPECIAL EVENTS Patriotic Celebration at Snowbasin July 3 Great Russian Nutcracker November 29–30 DOWNTOWN SERIES Third Coast Percussion March 3 PUBLIQuartet March 31 Quarteto Nuevo April 2 Eighth Blackbird April 22

Carnival of the Animals March 17 Spanish Brass March 23 Snow White May 2 Youth Benefit Concert May 7

Arts

The Onstage Ogden’s 2019–2020 season is funded in part by grants from the National Endowment for the Arts, the Utah Division of Arts and Museums, Weber County Recreation, Arts, Museums, and Parks (RAMP) program, and Ogden City Arts.

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Tchaikovsky Violin Concerto January 30

Tchaikovsky’s Violin Concerto January 30, 2020 | 7:30PM

VAL A. BROWNING CENTER FOR THE PERFORMING ARTS THIERRY FISCHER, conductor KAREN GOMYO, violin

ANDREW NORMAN: Spiral TCHAIKOVSKY: Concerto in D Major for Violin and Orchestra, Op. 35 I. Allegro moderato II. Canzonetta: Andante III. Finale: Allegro vivacissimo KAREN GOMYO, violin

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R. STRAUSS: An Alpine Symphony, Op. 64

Night Sunrise The Ascent Entering the Forest Wandering near the stream At the waterfall Apparition On Blooming Meadows On the Alpine Pasture Going Astray On the Glacier Dangerous Moments At the summit View Fog arises The Sun Gradually Darkens Elegy Calm Before the Storm Sunset Vanishing Sound Night

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ARTISTS’ PROFILES Swiss conductor Thierry Fischer has been Music Director of the Utah Symphony since 2009 and becomes Music Director Emeritus in 2022. He is Principal Guest Conductor of the Seoul Philharmonic (2017–2020), and in March 2020 he begins as Music Director of the Sao Paulo Symphony.

In Utah he has revitalized the organization, instigating a major commissioning program, taking the orchestra to Carnegie Hall for the first time in 40 years, recording Mahler symphonies for Reference Records and a SaintSaëns cycle for Hyperion.

Thierry Fischer Music Director The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation

Recent guesting has included Boston Symphony, Cleveland Orchestra, London Philharmonic, Royal Philharmonic, Bergen Philharmonic, Rotterdam Philharmonic, BBC Symphony, Orchestra of the Age of Enlightenment, Maggio Musicale Firenze, Salzburg Mozarteumorchester, Orchestre de la Suisse Romande, Chamber Orchestra of Europe, Mostly Mozart New York, London Sinfonietta, and Ensemble Intercontemporain.

While Principal Conductor of the BBC National Orchestra of Wales (2006–2012), Fischer appeared every year at the BBC Proms, toured internationally, and recorded for Hyperion, Signum, and Orfeo. His recording of Frank Martin’s opera Der Sturm with the Netherlands Radio Philharmonic Orchestra and Chorus won the ICMA award in 2012 (opera category). In 2014 he released a Beethoven disc with the London Philharmonic on the Aparte label.

Fischer started out as Principal Flute in Hamburg and at the Zurich Opera. His conducting career began in his 30s when he replaced an ailing colleague, subsequently directing his first few concerts with the Chamber Orchestra of Europe where he was Principal Flute under Claudio Abbado. He spent his apprentice years in Holland, and became Principal Conductor and Artistic Advisor of the Ulster Orchestra 2001–2006. He was Chief Conductor of the Nagoya Philharmonic 2008–2011, making his Suntory Hall debut in Tokyo in May 2010, and is now Honorary Guest Conductor.

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ARTISTS’ PROFILES Praised by the Chicago Tribune as “a first-rate artist of real musical command, vitality, brilliance, and intensity,” violinist Karen Gomyo continues to captivate audiences worldwide.

Karen Gomyo Violin

Karen’s 2019–20 season features European debuts with Deutsches Symphonie-Orchester Berlin with Cristian Măcelaru, Orchestre de la Suisse Romande with Jonathan Nott, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern with Pietari Inkenen, BBC Scottish Symphony Orchestra with Gergely Madaras and Dresdner Philharmoniker with Roderick Cox, as well as returns to Bamberg Symphoniker and Polish National Radio Symphony, among others. Other recent European appearances include Philharmonia Orchestra, City of Birmingham Symphony Orchestra, Orchestre Symphonique de Radio France, WDR Sinfonieorchester Köln, Danish National Symphony, and in March 2019 Karen opened the Dubai Proms with the BBC Symphony and Ben Gernon. Further ahead Karen makes her debut at the Czech Philharmonic Orchestra with Semyon Bychkov.

Karen Gomyo plays on the “Aurora, exFoulis” Stradivarius violin of 1703 that was bought for her exclusive use by a private sponsor.

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Browning Center for Performing Arts at WSU

BYU VOCAL POINT February 15, 2020 | 7:30PM

CHANTICLEER April 27, 2020 | 7:30PM

ONSTAGE OGD E N | O n s t a g e O g d e n .org | 8 0 1 - 3 9 9 - 9 2 1 4

2 019-20 DAN C E & VOCAL S ER IES

FLAMENCO VIVO February 4, 2020 | 7:30PM

NOTES ON THE PROGRAM

hearing others he liked, particularly the energetic, five-movement Symphonie espagnole by the French composer Édouard Lalo.

Andrew Norman (b. 1979)

Spiral PERFORMANCE TIME: 5 MINUTES

It comes as no surprise that the young American composer Andrew Norman is based in Los Angeles. His music captures the dynamism of that multimedia entertainment capital, including the videogame genre, for which he has composed extensively. But this modern outlook is balanced by historical interests, including a fascination with musical notation that extends back to that art’s medieval roots.

A highly collaborative composer, he enjoys working with performers to explore the act of interpreting notation; and writes that he is “fascinated by the translation of written symbols into physical gesture and sound.”

Scored for a large orchestra featuring extended percussion and harp as well as prominent winds and brass, Spiral was commissioned in 2018 by the Berlin Philharmonic Orchestra. It was premiered at one of that orchestra’s last concerts under the baton of then-Music Director Simon Rattle. The name references the work’s “contracting cycles of material that gradually come into, and go beyond, focus.”

Pyotr Ilyich Tchaikovsky (1840–1893)

Concerto in D Major for Violin and Orchestra, Op. 35 PERFORMANCE TIME: 34 MINUTES

Tchaikovsky seized upon the idea of composing a concerto for violin after

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by Michael Clive

Reviewing the premiere performance in Vienna on December 4, 1881, Eduard Hanslick—the dean of the Viennese music critics and one of the era’s most influential tastemakers—lambasted it as “music that stinks to the ear,” one of the most infamous phrases in the annals of music history.

With hindsight it’s easy to dismiss such invective, but it tormented Tchaikovsky, who reportedly re-read Hanslick’s review until he had committed it to memory.

Hanslick’s outburst is all the more shocking in light of the characteristically singing melodies with which this concerto abounds. Its first movement, an allegro moderato in D Major, is all graceful lyricism—seemingly an affectionate description of the scenic charms of Clarens, the Swiss resort town where it was composed. But its virtuosity and vigor seem to delineate the existential questions that are always present and passionately articulated in Tchaikovsky’s major works, especially in the symphonies. This emotional intensity reaches a climax in the buildup to the first cadenza.

The second movement, a serenely mournful andante cantabile, contrasts markedly with the first; the violin’s entry is melancholy, and it voices a singing lament that eventually gives way to a happier pastoral melody, like a song of spring.

Both moods shadow each other for the duration of the movement, as we alternate between brighter and darker soundscapes.

The concerto’s final movement follows the second without pause. It is extravagantly marked “allegro vivacissimo” and returns

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NOTES ON THE PROGRAM to the opening movement’s D Major key, recapturing its exuberant energy.

This movement also incorporates an energetic Russian dance (Hanslick’s “whiff of vodka”?) that leaps off the page as the violinist’s bow dances along with it.

A nostalgic second theme provides an emotional counterpoint to the movement’s higher-energy passages, but it is finally eclipsed by a passionate finale.

All of Strauss’ tone-poems are wordless, in contrast with many of Mahler’s epic compositions that were designated as symphonies but include sung texts. If the tone poems were not modern even in their day, we must still listen to them as if they were. Their abundant motifs, which range from deft touches to lush melodies, are embedded in dense chords whose slippery tonalities can change mid-phrase.

Richard Strauss (1864–1949)

The work traverses from night to morning and back to night, and thus from birth to death. As dawn breaks, the hiker begins his ascent, enters an alpine forest, and hikes alongside a brook to a waterfall.

After experiencing an apparition, he comes upon flowering meadows and pastureland, losing his way among thickets and then coming upon a glacier. He is beset by danger before finally reaching the alpine summit. Once he has achieved it and begins his descent into the mists, rain and sunset of an alpine evening, he is a different person—more aware of the eternal presence of nature and the cycle of creation and death.

An Alpine Symphony PERFORMANCE TIME: 51 MINUTES

Strauss’ most important compositions were tone poems such as Don Juan, Till Eulenspiegel and An Alpine Symphony. In a sense, tone-poems were his symphonies; though he was Mahler’s best ally in that composer’s Promethean struggles with the post-Beethoven symphony, Strauss was more interested in dramatic narrative than in symphonic construction. And while his contemporaries Zemlinsky, Schoenberg, and Berg suffered the fate of most pioneers and prophets, Strauss used his sheer virtuosity as a composer to earn a kind of honorary citizenship among the modernists. Many of his tonepoems are based on literary works—Also sprach Zarathustra, Till Eulenspiegel, Don Quixote. Some are frankly (and flatteringly) autobiographical—Ein Heldenleben (yes, Strauss himself is the eponymous hero) and the Alpine Symphony. All are symphonic in scope, basically symphonies in which the architecture of individualized narrative replaces the prescriptive architecture of traditional symphonic construction. (Anthony Burgess reversed this process in his novel Eroica.)

An Alpine Symphony is daring in its loving embrace of a pantheistic philosophy that finds the presence of God in the natural world. We can compare it with the ideas of the transcendentalists in America and in particular with Thoreau, who saw salvation in the wilderness. But in listening to this tone-poem, we hear music that is about as far from rustic as you can get: a gigantic orchestra playing dazzlingly sophisticated harmonies, exotic colors, and febrile textures.

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UTAH SYMPHONY Thierry Fischer, Music Director

The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation Conner Gray Covington Associate Conductor

Barlow Bradford Symphony Chorus Director

VIOLIN* Madeline Adkins

Concertmaster The Jon M. & Karen Huntsman Chair, in honor of Wendell J. & Belva B. Ashton

Kathryn Eberle

Associate Concertmaster The Richard K. & Shirley S. Hemingway Chair

Ralph Matson†

Associate Concertmaster

David Porter

Acting Associate Concertmaster

David Park

Assistant Concertmaster

Claude Halter

Principal Second

Wen Yuan Gu

Associate Principal Second

Evgenia Zharzhavskaya Assistant Principal Second

VIOLA* Brant Bayless

Principal The Sue & Walker Wallace Chair

Elizabeth Beilman

Acting Associate Principal

Julie Edwards Joel Gibbs Carl Johansen Scott Lewis Leslie Richards†† Whittney Thomas CELLO* Rainer Eudeikis†

Principal The J. Ryan Selberg Memorial Chair

Matthew Johnson Acting Principal

Andrew Larson

Acting Associate Principal

John Eckstein Walter Haman Anne Lee Louis-Philippe Robillard Kevin Shumway Hannah ThomasHollands†† Pegsoon Whang BASS* David Yavornitzky Principal

TRUMPET Travis Peterson

OBOE James Hall

Jeff Luke

Principal The Gerald B. & Barbara F. Stringfellow Chair

Robert Stephenson Associate Principal

Lissa Stolz

Corbin Johnston

• First Violin •• Second Violin

* String Seating Rotates † On Leave

Associate Principal

James Allyn Benjamin Henderson†† Edward Merritt Jens Tenbroek Thomas Zera HARP Louise Vickerman Principal

FLUTE Mercedes Smith

Lisa Byrnes

Associate Principal

Peter Margulies# Paul Torrisi Alexander Pride†† TROMBONE Mark Davidson Principal

Sam Elliot

CLARINET Tad Calcara

BASS TROMBONE Graeme Mutchler

Principal The Norman C. & Barbara Lindquist Tanner Chair, in memory of Jean Lindquist Pell

Erin Svoboda-Scott Associate Principal

Lee Livengood

Associate Principal

TIMPANI George Brown Principal

Eric Hopkins

Associate Principal

PERCUSSION Keith Carrick Principal

BASS CLARINET Lee Livengood

Eric Hopkins Michael Pape

E-FLAT CLARINET Erin Svoboda-Scott

KEYBOARD Jason Hardink

BASSOON Lori Wike

Leon Chodos

Associate Principal

Jennifer Rhodes CONTRABASSOON Leon Chodos HORN Edmund Rollett Acting Principal

Principal The Val A. Browning Chair

Principal

ENGLISH HORN Lissa Stolz

Principal The Edward & Barbara Moreton Chair

Karen Wyatt•• Joseph Evans LoiAnne Eyring Laura Ha• Lun Jiang Rebekah Johnson# Veronica Kulig David Langr Melissa Thorley Lewis Hannah Linz•• Yuki MacQueen Alexander Martin Rebecca Moench Hugh Palmer• Lynn Maxine Rosen Barbara Ann Scowcroft• M. Judd Sheranian•• Ju Hyung Shin• Lynnette Stewart Bonnie Terry• Julie Wunderle

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PICCOLO Caitlyn Valovick Moore

Llewellyn B. Humphreys Brian Blanchard Stephen Proser

Associate Principal

Caitlyn Valovick Moore # Sabbatical †† Substitute Member

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LIBRARIANS Clovis Lark Principal

Katie Klich ORCHESTRA PERSONNEL Walt Zeschin Director of Orchestra Personnel

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FRIENDS OF ONSTAGE OGDEN Onstage Ogden thanks the following individuals, corporations, foundations, and public funding sources for their generous donations! Onstage Ogden is an exempt organization as described in section 501(c)(3) of the Internal Revenue Code. The following is a list of contributors from June 2019 through August 2019. Please contact Onstage Ogden’s Executive Director, Melissa Klein, at 801-399-9214 if you would like to make a donation or if your name has been inadvertently left off the following list or is misspelled. Thank you again for your generous support!

Season Sponsor ($90,000+) Stewart Education Foundation

Series Sponsor ($20,000+) Alan & Jeanne Hall Foundation Norman C. & Barbara L. Tanner Charitable Trust Pinto Family Foundation

Concert Sponsor ($10,000+) George S. & Dolores Doré Eccles Foundation

Robert & Marcia Harris Ogden City Arts Matthew B. Ellis Foundation*

Diamond ($5,000–$9,999)

Dr. Robert Fudge & Sylvia Newman Thomas & Stephanie Moore

Platinum ($2,500–$4,999) Dr. William & Barbara Hughes

Gold ($1,000–$2,499)

America First Credit Union Glen & Genette Biddulph Evan & Geraldine Christensen Dr. & Mrs. Fred Clayson Dr. Rosemary Conover & C. Luckey Heath Brent & Vicki Cox Diana Ellis

Weber County RAMP

Val A. Browning Foundation Weber State University Lindquist College of Arts & Humanities Zions Bank

MSL Family Foundation* Richard K. & Shirley S. Hemingway Foundation Utah Division of Arts & Museums

Denise Sobel*

Marty & Carolyn Rasmussen

Rick & Karen Fairbanks Linda Forest Donna & Ralph Friz Judy & Leon Jones Paul C. & Cindy Kunz Drs. Jean & Richard Miller Dr. Judith Mitchell Maurine Naisbitt

*In Honor of Thomas & Stephanie Moore

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FRIENDS OF ONSTAGE OGDEN 70th Anniversary Club ($70–$99) Marsha Ashby Russell Ashment Paul & Georgia Bennion Evelyn Bertilson Renee Bohman & Jolene Kobe Laura & Randy Browne Kathleen Price Browning Child Culture Club Ray & Betty Christian Stephen & Judy Farr Gerry & Dixie Funk

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Arthur & Marian Budge in Memory of Sharon Macfarlane

Ladies Literary Club in Memory of Sharee Kunz

ADD YOUR NAME TO OUR LIST OF AMAZING DONORS! Support Onstage Ogden with Donations of: Cash in the form of . . . . . . . . . . . . . . . . . . . . . . . . Cash, Check, Credit Cards, Money Orders, Etc. Securities in the form of . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stocks, Bonds, Mutual Funds, Etc. Planned gifts in the form of . . . . . . . . . . . . . . . . . . . . . . . . . Wills, Bequests, Trusts, Annuities, Etc. Gifts-in-kind . . . . . . . . . . . . . . . . . . . . . . . . Services and tangible items to offset budgeted items Matching gifts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Inquire with your Company’s HR department

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801.399.9214

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2020 Season June 1 - October 10

RICHARD III THE COMEDY OF ERRORS PERICLES THE PIRATES OF PENZANCE ONE MAN, TWO GUVNORS INTO THE BREECHES! DESPERATE MEASURES CYMBELINE SHAKESPEARE’S WORST!

800-PLAYTIX bard.org #utahshakes René Thornton Jr. as Henry Condell in The Book of Will, 2019

U TA H ’ S PREPRINT W E E K LY P O L I T I C A L R O U N D U P

FRIDAYS 7:30PM

Utah’s PBS Station

“ my inspiration , my friend , my piano ”

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With specialty service for all ages, we’ve got you covered.

At Ogden Clinic, patient needs are met through consistent, quality healthcare. With over 20 locations in Davis and Weber County, and 24 specialties ranging from urology to women’s health, to dermatology, our doctors do their best to keep you feeling your best. And since we accept nearly all insurance plans, you have the freedom to choose the doctor that’s right for you.

S P E C I A LT Y S E R V I C E S • Allergy

• Hand & Upper Extremity

• Physical Therapy

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• Podiatry

• Dermatology

• Medical Weight Loss

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• Foot & Ankle

• Orthopedics

• Urgent Care

• Gastroenterology

• Pain Management

• Urology

• General Surgery

• Pediatrics

• Women’s Health

801.475.3000 ogdenclinic.com