Molly Sweeney

2017 2018 SEASON

UtahPresents Cover Molly Sweeney

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MOLLY SWEENEY

by Brian Friel

In Partnership with The Division of Medical Ethics and Humanities and The Department of Theatre

Alexandra Harbold Nico Cheek-O’Donnell

with

Mark Fossen Gretchen Case

Director Dramaturg

Robin Wilks-Dunn Sydney Cheek-O’Donnell Dialect Coach Sarah Shippobotham Thursday and Friday, February 1 and 2, 2018 • 7:30PM Moot Courtroom in the S.J. Quinney College of Law

Please turn off all cell phones, pagers and other noisemakers.

The taking of photographs, and audio or video recordings is strictly prohibited.

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Cast Cast of Characters

Molly Sweeney. . . . . . . . . . . . . . . . . . . . . . . Alexandra Harbold Mr. Rice. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mark Fossen Frank Sweeney. . . . . . . . . . . . . . . . . . . . . Nico Cheek-O’Donnell Reader. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gretchen Case

Director. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Robin Wilks-Dunn Dramaturg. . . . . . . . . . . . . . . . . . . . . . Sydney Cheek-O’Donnell Dialect Coach. . . . . . . . . . . . . . . . . . . . . . . Sarah Shippobotham

MOLLY SWEENEY was first produced at the Gate Theatre, Dublin Michael Colgan, Artistic Director Subsequently produced by the Gate Theatre at the Almeida Theatre, London New York Premiere at the Laura Pels Theatre, presented by The Roundabout Theatre Company, The Gate Theatre, Dublin, Ireland, and Emanuel Azenberg.

MOLLY SWEENEY is presented by special arrangement with Dramatists Play Service, Inc., New York.

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Bio Gretchen A. Case (Reader) is an Associate Professor in the Division of Medical Ethics and Humanities at the University of Utah School of Medicine, where she teaches arts and humanities to students, residents, physicians, and other health care providers. Dr. Case is the playwright and performer of several published works related to medicine and oral history, including Tic(k) and Hx. She earned a PhD in Performance Studies from the University of California, Berkeley, and received her bachelors and masters degrees from the University of North Carolina at Chapel Hill. Dr. Case has taught performance studies, theatre, writing, and medical/health humanities at UNC-Chapel Hill, UC-Berkeley, Florida State University, Northwestern University, Duke University, and the University of Utah.

Nico Cheek-O’Donnell (Frank Sweeney) is thrilled to be reading Molly Sweeney with Andra, Mark, Robin and Utah Presents. Nico was also involved in a number of readings at SLAC over the past decade, and he’s performed in a couple of mainstage shows there too (End Days and The Overwhelming). He has also worked with Pioneer Theater Company and Plan B. A graduate of Carleton College, Nico worked in Minnesota with the Children’s Theater Co., Theatre de la Juene Lune, Frank Theater and the Jungle Theater. In the Northwest, he performed with Seattle Shakespeare Co., Wooden O, Book-It Rep, Montana Shakespeare in the Parks and Seattle Children’s Theater. Nico is a Licensed Clinical Social Worker at Huntsman Cancer Hospital, the spouse of a U of U Theatre professor and the proud father of two lovable hellions.

Sydney Cheek-O’Donnell (Dramaturg) is Associate Dean for Research in the College of Fine Arts and an Associate Professor in the Department of Theatre at the University of Utah. She has served as the dramaturg on more than 20 professional productions in Salt Lake City, Seattle, and Minneapolis. In addition, she works on the application of theatre in non-traditional places, like healthcare and STEM education. She teaches History of Theatre, Science on Stage, Dramaturgy, Directing, Theatre and Theory, and Gender on the Global Stage, and was head of Theatre Studies from 2005 to 2016. Dr. Cheek-O’Donnell earned a PhD in Theatre History and Dramatic Criticism from the University of Washington’s School of Drama in 2004, and received her undergraduate degree from Carleton College in Minnesota.

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Bios Mark Fossen (Mr. Rice) is an adjunct instructor in the University of Utah Theatre Department, and has worked as an actor, director, dramaturg, and teacher in the Salt Lake area since 2005. His directing credits include work with the University of Utah, Westminster College, The Grand Theatre, Pinnacle Acting Company, Wasatch Theatre, PYGmalion, and Utah Rep. As an actor, he has been seen in many Plan-B Theatre shows, including Clearing Bombs, for which he won the 2014 City Weekly ARTY award for Best Theatre Performance. Other local acting credits include work with Sackerson, PYGmalion, Meat & Potato, and Salt Lake Shakespeare. National credits include work at the California and Idaho Shakespeare Festivals, Berkeley Repertory Theatre, San Francisco’s Thick Description, and Chicago’s legendary Steppenwolf. He is a graduate of the University of Utah’s Theatre Studies Program, and received his MFA at the University of Idaho in Theatre Studies with a concentration in Directing. More information available at: http:/markfossen.info Brian Friel (Playwright) wrote The Enemy Within (1962); Philadelphia, Here I Come! (1964); The Loves Of Cass Mcguire (1966); Lovers (1967); Crystal And Fox (1968); The Mundy Scheme (1969); The Gentle Island (1971); The Freedom Of The City (1973); Volunteers (1975); Living Quarters (1977); Aristocrats (1979); Faith Healer (1979); Translations (1980); a translation of Three Sisters (1981); The Communication Cord (1982); an adaptation of Turgenev’s novel Fathers And Sons (1987); Making History (1988); Dancing At Lughnasa (1990); The London Vertigo (1991); an adaptation of A Month In The Country (1992); Wonderful Tennessee (1993); and Molly Sweeney (1994). Dancing At Lughnasa premiered at the Abbey Theatre, transferred to London’s West End, and then went on to Broadway, where it won three 1992 Tony Awards, including Best Play. The play has been performed around the world, including national tours in Ireland, England, and Australia. His plays have been performed extensively in Dublin at the Abbey, Gate, and Olympia theatres, and in many West End theatres in London. New York productions include Philadelphia, Here I Come!

(Helen Hayes, 1965); The Loves Of Cass Mcguire (Helen Hayes, 1966); The Mundy Scheme (Royale, 1969); The Freedom Of The City (Alvin, 1974); Faith Healer (Longacre, 1979); Lovers (Lincoln Center, 1986); Aristocrats (MTC, 1989); Dancing At Lughnasa (Plymouth, 1991); Wonderful Tennessee (Plymouth, 1993); Philadelphia, Here I Come! (Roundabout, 1994), and Translations (Plymouth, 1995). In 1992 Faith Healer was revived by King’s Head Theatre, London, and transferred to the Wyndham in the West End; and A Month In The 8

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Bios Country opened at the Gate Theatre in Dublin. Molly Sweeney opened at the Gate Theatre and transferred to the Almeida Theatre in London. Born in Omagh, County Tyrone, in Ireland in 1929, Mr. Friel began writing short stories for “The New Yorker” in 1959 and subsequently published two collections: “The Saucer of Larks” and “The Gold in the Sea.” His first radio plays were produced by the BBC, Belfast, in 1958. In 1989, BBC Radio devoted a six-play season to his work, the first living playwright to be so distinguished. He co-founded Field Day Theatre Company in Derry, Ireland, where Translations, The Communication Cord and Making History premiered.

Alexandra Harbold (Molly Sweeney) is Co-Founder and Co-Artistic Director of Flying Bobcat Theatrical Laboratory and an Adjunct Assistant Professor of Theatre at the University of Utah. Recent credits: directing You Never Can Tell (Babcock Theatre), Ion (Greek Classical Theatre Festival),

MOLLY SWEENEY

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UtahPresents Thanks NANCY PEERY MARRIOTT LEE AND AUDREY HOLLAAR ALICE AND KEVIN STEINER

for supporting these performances of MOLLY SWEENEY

MORE DRAMA ON KUED Sunday Nights Or watch at video.kued.org

Bios How Long Can You Stand on the Train Tracks: a game for two sisters (Flying Bobcat & Sackerson) ; acting in Hand to God (Salt Lake Acting Company) ; and dramaturging The Curious Incident of the Dog in the Night-time and The Last Ship (Pioneer Theatre Company). Upcoming projects: co-directing Jump (Plan-B Theatre with Flying Bobcat Theatrical Laboratory and the David Fetzer Ross Foundation for Emerging Artists), and directing Macbeth and The Bottom (Pinnacle Acting Company).

Sarah Shippobotham (Dialect Coach) is a Professor in Acting, Dialects and Voice at the University of Utah. Sarah trained as an actor at The Welsh College of Music and Drama in Wales before gaining a Postgraduate Diploma in Voice Studies from The Central School of Speech and Drama in London.

Dialect and Voice coaching credits include seventeen seasons with the renowned Shaw Festival (Canada) and Pioneer Theatre Company where she has coached shows including The Curious Incident Of The Dog In The Night-Time, Oliver, The Last Ship and One Man Two Guvnors. 2011/12 Sarah spent 7 months in New Zealand working as Additional Dialect Coach on The Hobbit films. Sarah has directed many shows for the U of U Theatre Department including: Arcadia, The Importance Of Being Earnest, Romeo & Juliet. Later this semester she directs Our Country’s Good about the humanizing power of theatre.

Robin Wilks-Dunn (Director) most recently directed last year’s reading of Informed Consent for UtahPresents. Additional directing credits include numerous readings and productions at Salt Lake Acting Company, including David Kranes’ Loss Of Appetite, I’ll Eat You Last, Dottie: The Sister Lives On, Good People, and Boom, other Pygmalion and Grand Theatre shows include Remington and Weasel, Weyward Sisters, Good Body, Last Lists Of My Mad Mother, All My Sons, and Man Of La Mancha. She is pleased to have been part of SLAC’s playwrights’ lab and is also a reader for the Davey Foundation play competition at SLAC. She was formerly on the Board of Pygmalion Productions and was a script reader for Sundance Theatre Lab. Live Well!, a production she cowrote, has been touring schools for five years. As the Community Engagement Manager for UtahPresents she works to bring arts to children and the community.

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UtahPresents thanks the following individuals for their support during Love UT Give UT 2017 Zana U. Anderson Kristian W. Anderson John Thomas Armstrong Pete Ashdown Christine C. Busch Dennis M. Busch Susanne Busse Daniel Busse Suzanne Campbell Erica Casey Patricia A. Clay Candace C. Collins Pilar Davis Melissa Dawson Darrin Doman Victoria Petro Eschler Cynthia Fleming

Oscar G. Gonzales Stephanie Gosdis Janet Graham Rebecca Noonan Heale Paul Leland Hill Brooke Horejsi Sheri Jardine Kathleen Jones Brian R. Jurena Angela L. Keeton David Kirby Michael Lobb Kyle A. Mantas Lori K. McDonald Peter Morgan Keven Myhre Johnnae Nardone

Jeani Ann Park Katherine Potter Robert R. Prentice Jerry Rapier Clay M. Shubin Jordan B. Smith Krista Sorenson Alice L. Steiner R. Kyle Treadway Anne Bueno Vance John Webster Robin Wilks-Dunn Cameron Williams Peihui Wu Havilah M. Zeller

Follow UtahPresents on social media, then tag us in your photos and check-ins from tonight’s show and you could win tickets to an upcoming performance! facebook.com/utahpresents

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Donors $25,000 + Nancy Peery Marriott Foundation Salt Lake County Zoo, Arts & Parks University Guest House & Conference Center $10,000–$24,999 ArtWorks For Kids Hampton Inn & Suites Moutain West Small Business Finance John and Marcia Price Family Foundation Salt Lake City Arts Council Alice and Kevin Steiner Steven and Annette Suite $5,000–$9,999 Marney and Peter Billings Mike Ferro Robert and Mikelle Mansfield Mitchell Barlow & Mansfield Chrissy and Kurt Micek George Q. Morris Foundation Dinesh and Kalpana Patel Foundation Prince Yeates & Geldzahler Utah Division of Arts & Museums $2,500–$4,999 Peter Ashdown Analecia and Zeke Dumke, IV Every Blooming Thing Goldman Sachs Lee and Audrey Hollaar Richard K. and Shirley S. Hemingway Foundation

Kenworth Sales Company M Lazy M Foundation Geoff and Jonette Mangum PacifiCorp Parsons Behle & Latimer Rocky Mountain Power Steiner Foundation Kyle Treadway and Greg Pedroza Donna and Michael Weinholtz Western States Arts Federation XMISSION Zions Management Services Company $1,000-$2,499 The Castle Foundation Equality Utah Foundation John and Ilauna Gurr $500–$999 Havilah Clarke Cosette Joesten Lori McDonald $250–$499 Troy and Paula D’Ambrosio Eric and Shellie Eide Janet and Ric Harnsberger Thelma Iker David and Lisa Kieda $100–$249 Carolyn Abravanel Brent and Cheri Andrus John and Mary Burger Robert Carney Mark Christison

Church of Jesus Christ of Latter-day Saints Foundation Eli Lilly and Company Foundation Zach Emig Cynthia and Jeff Fleming John and Cathey Frederick Donald Gale David and Diana Gessel Robert and Mary Gilchrist Richard and Darlene Hirschi Brooke Horejsi Toni Hansen Michael Hilliard Pat and Boyer Jarvis Carolyn and Peter Kowalchik Robert Kraemer and Julia Barkmeier-Kraemer Lori Larsen Michael Lobb Deborah Magness Peter and Michelle Morgan Jeri and Richard Pugh Carolyn Rich-Denson John Robbins and Heather Ambrose Jordan Smith and Jennie NichollsSmith Jim and Krista Sorenson V. Randall and Susan Turpin Lauri Welch Jacqueline Wittmeyer and Christopher Hill And other anonymous donors

All gifts made between January 1 and December 31, 2017.

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Staff & Advisory Board Brooke Horejsi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Executive Director John Armstrong. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Events Manager Ashley Barentine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Light Technician Dennis Busch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Development Specialist Brooke Day. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ticket Office Manager Janet Graham . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Finance Manager Ryan Ireland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Box Office Manager Sheri Jardine. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Communications Manager Brian Jurena . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Production Manager Joe Killian. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sound Engineer Keven Myhre. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Operations Director Jennie Nicholls-Smith.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Associate Director of Development Alex Smith. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Events Manager Robin Wilks-Dunn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Community Engagement Manager Steve Wimmer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stage Manager

UTAHPRESENTS ADVISORY BOARD Krista Sorenson, Chair Margaret Billings Havilah Clarke Troy D’Ambrosio Mike Ferro Jake Garn Don Gale Dave Gessel

Chet Goodwin Russ Haynie Tiana Hood Marian Ingham Ti Kinikini David Kirby Swathy Mahasenan Robert Mansfield

Lori McDonald Chrissy Micek John Scheib Alice Steiner R. Kyle Treadway Raymond Tymas-Jones

Dan Miller, President; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Ken Magleby, Patrick Witmer, Graphic Design; Paula Bell, Karen Malan, Dan Miller, Paul Nicholas, Advertising Representatives; Jessica Alder, Office Assistant; KelliAnn Halvorsen Administrative Assistant The UtahPresents playbill is published by Mills Publishing, Inc.,772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. Copyright 2018.

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Patron Information •

In the event of an emergency, please walk to the nearest exit and follow instructions given by theatre personnel and ushers. Auditorium exits are clearly marked with lighted exit signs above each door. Move away from the building to a safe place.

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Ticket office is located on the lower plaza at Kingsbury Hall, east of the main staircase. For ticket information, call 801581-7100.

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Please leave your name, phone number and description of the lost item with the ticket office (581-7100) or house manager.

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Please silence mobile phones, watches and any other noise-making devices.

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