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TABLE OF CONTENTS PRESIDENT’S MESSAGE................................................................................4 TITLE PAGE.....................................................................................................5 FROM THE GRAND’S DIRECTOR..................................................................6 DIRECTOR’S NOTE.........................................................................................7 CAST OF CHARACTERS.................................................................................8 MUSICAL NUMBERS.......................................................................................9 WHO’S WHO IN THE CAST...........................................................................10 WHO’S WHO ON THE CREATIVE STAFF.....................................................12 PRODUCTION STAFF....................................................................................14 GRAND THEATRE DONATIONS...................................................................15 PATRON INFORMATION...............................................................................17

Special Thanks to

The Salt Lake County’s Zoo, Arts and Parks Program Fund for their generous financial support

THE LAST FIVE YEARS

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PRESIDENT’S MESSAGE

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hank you for joining us for The Last Five Years, the third production of our 25th Anniversary Season. After a smash run of Forever Plaid, we’re thrilled to return to the intimacy of Backstage at The Grand where you can get up close and personal with the performers.

The Last Five Years is a Drama Desk winner, has been translated into a handful of languages, and was named one of TIME Magazine’s 10 Best Shows of 2001. A testament to the show’s longevity, The Last Five Years enjoyed an Off-Broadway revival at Second Stage in 2013. The next year, a film adaptation was released starring Anna Kendrick and Jeremy Jordan.

This year’s season at the Grand Theatre is full of excitement! Fall brought in toe-tapping fun with Forever Plaid and Young Frankenstein; January saw the return of our Backstage Concert Series showcasing the Baby Boomer Comedy Show and A Tribute to Etta James & Simone. January also brought back the world renowned Sundance Film Festival, making the Grand Theatre the largest festival venue in Salt Lake City. Join us next month for our American Classic Series Picnic, followed by our season closer, The Full Monty.

Salt Lake Community College and the Grand Theatre have experienced tremendous expansion during the past several years. Our stunning Center For Arts and Media brings together the latest technology and resources in digital arts education, combines the best teachers in the valley, and puts them all in one environment - sharing, creating, inspiring, and collaborating throughout its 130,000 square feet. The stage has been set for student success here at SLCC. We truly are the community’s college and our many resources - like this wonderful theatre - are here for everyone to enjoy.

Please encourage your neighbors and colleagues to join us as we present professional community theatre here at The Grand. We are so glad you are with us tonight. Please enjoy the show!

Dr. Deneece G. Huftalin President Salt Lake Community College

Special Thanks to

Alternative Visions Fund 4

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Presents

The Last Five Years Written & Composed by

Jason Robert Brown

Halee Rasmussen

Mรกire Nelligan

Scenic Design

Properties Design

Josh Martin

Adam Day

Lighting Design

Sound Design

Megan Jensen

Josh Martin

Costume Design

Technical Director

Alex Marshall

Analysha Mulcock

Music Direction

Stage Manager

Stage Direction by

David Hanson

Originally Produced for the New York stage by Arielle Tepper and Marty Bell

Originally Produced by Northlight Theatre Chicago, IL

The Last Five Years Is presented through special arrangement with Music Theatre International (MTI).

All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 Phone: 212-541-4684 Fax: 212-397-4684 | www.MTIShows.com

A NOTE FROM THE GRAND’S DIRECTOR

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hank you for joining us as we celebrate our 25th anniversary season.

We’re excited to bring you another award-winning show as we present The Last Five Years Backstage at The Grand.

The Last Five Years is one of my favorite shows! The story is an emotional and powerful musical about two New Yorkers in their twenties who fall in and out of love over the course of five years. Written by acclaimed writer and composer Jason Robert Brown, the show is based on his real life experiences. The show’s unconventional structure consists of Cathy telling her story of their relationship from the end to the beginning, while Jamie tells his story from the beginning to the end. The two characters only appear on stage together once, as the two timelines cross in the middle of the show. I really hope you enjoy this show as much as I do!

As we look towards the next 25 years, we’re excited to introduce several new programs to make your experience with us even better. The new Grand Theatre app, offering exclusive behind the scenes looks at our shows, special offers and discounts, and the ability to pick up last-minute tickets on the go. Just search for “The Grand Theatre” on the App Store or on Google Play. We’re also thrilled to introduce our brand new ticketing software, making online purchases faster and easier. For the first time ever, you can now purchase season tickets and flex passes online.

Season ticket holders can also look forward to some new services as we roll out our new Season Subscriber Rewards Program. Some of the new services include reserved seating at our backstage shows and complimentary concession items at many of our productions. It’s just our way of saying thanks for being a Season Subscriber and supporting The Grand. For more information, or to join our Season Subscriber family, please visit or call the box office at (801) 957-3322, or go online at www.the-grand.org We hope you enjoy this production as much as we enjoyed bringing it to you! We’re proud of the professional quality theatre we bring the community at an affordable cost. We hope you’ll continue to help support our community by joining us in March for Picnic, this year’s American Classic.

Thank you and enjoy the show!

Seth Miller Interim Director

Special Thanks to

Cultural Vision Fund 6

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DIRECTOR’S NOTE

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here are rarely new types of stories to be told, but always original and innovative ways to tell them. The details may be unique, but the themes stay the same. We become introduced to the portrayal of a new relationship, and instantly we know the possible outcomes. Boy meets girl and all the romance, turbulence, separation and reconciliation that goes with it are themes that grace countless tellings of our favorite tales.

What makes that tired theme appeal to our sensibilities is the personal connections we form with the journey itself. It’s the ebb and flow as two people take us on a ride that we always hope will end in violins, rose petals and long held kisses. They’re everything we want, and rightfully so. But then, every once in a while, comes a love story that throws our view of the genre for an entirely different ride altogether Jason Robert Brown has beautifully crafted one of those stories. It could be told as any other tale of love could be. Instead, with an ingenious approach to the traditional ‘boy meets girl’ journey, he forces us to look at the idea through a new set of glasses. We watch the story of two lives intertwined together, but are also asked to consider them separately; not an easy feat. But in that attempt, we get the chance to see the concept of relationship in a new way.

There are three sides to every relationship story: one side for each person involved, and (usually somewhere in between the two) the actual truth. Brown peels away that third layer of absolute truth, not in an attempt to ignore it, but to expose it. He graciously allows us to decide what the truth may be. We get to choose the difference between ‘he said’ and ‘she said’ and recognize that there is always more to the story - that there is always more to our stories and our relationships.

No one is completely in the right, just as no one is always in the wrong. The truth lies somewhere in between.

It’s been my privilege to work with two amazingly talented actors in this telling of Jason Robert Brown’s unique story. Each moment of this process has been a thrill, watching them breathe life into these wonderfully complex characters. I am equally thrilled to be a small part in sharing this experience with you. Because, when it really comes down to it, you are not just an audience. You are the third side of our story.

David Hanson Director

Special Thanks to

George S. and Dolores Doré Eccles Foundation for their generous financial support

THE LAST FIVE YEARS

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CAST OF CHARACTERS & ORCHESTRA Cast Jamie.................................................................................................................. TREVOR DEAN Cathy.....................................................................................ASHLEY GARDNER CARLSON Orchestra Conductor & Piano.....................................................................................ALEX MARSHALL Violin..................................................................................................MATTHEW BREWSTER Cello 1.........................................................................................................EVELYN PARTNER Cello 2.............................................................................................................. CHRISTA DEAN Guitar...................................................................................................................GARY JENSEN Bass........................................................................................................................ JOHN YERKE

Special Thanks to

Salt Lake Community College

Special Thanks to

Northern Trust 8

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MUSICAL NUMBERS Still Hurting ......................................................................................................................... Cathy Shiksa Goddess.....................................................................................................................Jamie See I’m Smiling.................................................................................................................... Cathy Moving Too Fast...................................................................................................................Jamie I’m A Part of That................................................................................................................ Cathy The Schmuel Song................................................................................................................Jamie A Summer in Ohio.............................................................................................................. Cathy The Next Ten Minutes.......................................................................................... Jamie & Cathy A Miracle Would Happen / When You Come Home to Me........................... Jamie & Cathy Climbing Uphill / Audition Sequence.............................................................................. Cathy If I Didn’t Believe in You.....................................................................................................Jamie I Can Do Better Than That................................................................................................. Cathy Nobody Needs to Know......................................................................................................Jamie Goodbye Until Tomorrow / I Could Never Rescue You................................. Jamie & Cathy ~ There is no intermission during this production ~

Upcoming Events Picnic The Full Monty

March & April 2016 May & June 2016

For more information and tickets, visit www.the-grand.org or find our new mobile app on Apple and Android devices by searching in the app store for “The Grand Theatre”.

THE LAST FIVE YEARS

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WHO’S WHO IN THE CAST TREVOR DEAN (Jamie) is excited to be playing another dream role, returning to The Grand Theatre after playing Igor in Young Frankenstein and Seymour Krelborn in last year’s Little Shop of Horrors. He has performed in theaters throughout the Rocky Mt Region, including: Salt Lake Acting Company, Hale Centre Theatre, Ziegfeld Theatre, Rose Wagoner Performing Arts, Wasatch Theatre Co., Jackson Hole Playmill and many others. Trevor was recently seen as Scuttle in Disney’s Little Mermaid. Some of his other favorite roles include: Ralph Waldo Emerson (Charm), Feuilly/Joly (Les Misérables), Evelyn Oakley (Anything Goes), Bob Wallace (White Christmas) and ‘Bud’ Rasmussen (Saturday’s Voyeur 2012-13).

ASHLEY GARDNER CARLSON (Cathy) is thrilled to be back on the Grand’s stage after appearing as Kira in Xanadu and Cinderella in Into the Woods. Regional credits include: Annie (star-to-be), A Chorus Line (Kristine), Sweet Charity (Charity understudy), Les Misérables (Cosette u/s), Miss Saigon (Ellen u/s) and Janet Weiss in Pioneer Theatre Company’s Rocky Horror Show starring Will Swenson and Tony Vincent.

Other credits include: Alabama Shakespeare Festival (Mary Poppins), Hale Centre Theatre (Oklahoma, The Foreigner and 42nd Street), Lyric Rep (Drowsy Chaperone, Nunsense, Woman in Black), Disneyland Entertainment, Stiletto Entertainment, the Lawrence Welk Resort, Deer Valley Music Festival (with Kristin Chenoweth and the Utah Symphony) and Utah Opera. Ashley holds an MBA from Westminster where she teaches musical theatre.

She also is the resident choreographer for Bonneville High School. Following The Last Five Years, Ashley will open Gypsy at Westminster College and Mary Poppins at Bonneville as choreographer before returning to the stage in the professional American premiere of Frank Wildhorn’s The Count of Monte Christo at Pioneer Theatre Company under Tony nominated director Marcia Milgrom Dodge.

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Special Thanks to

Utah Division of Arts & Museums

THE LAST FIVE YEARS

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WHO’S WHO ON THE CREATIVE STAFF ADAM DAY (Sound Design) has a BFA in Performing Arts Design from the University of Utah. Some of his recent credits include sound design for Forever Plaid (The Grand Theatre), live mix for NOWHERE (NOW-ID), sound design and live mix for Godspell (University of Utah), Little Shop of Horrors (The Grand Theatre), Lost in the Woods (Flying Bobcat Theatrical Laboratory), Feast (NOW-ID) and Spring Awakening (University of Utah). He also works as the Technical Coordinator at the Draper City Amphitheater where he just finished his sixth season.

DAVID HANSON (Director) David is returning to the director’s chair at The Grand after previously directing Fame the Musical.

His other recent directing credits include War of the Worlds, The Musical Comedy Murders of 1940, 5 Lesbians Eating a Quiche, Joyful Noise and Wait Until Dark. He has also most recently been seen performing on The Grand stage as The Monster in Young Frankenstein, the voice of Audrey II in Little Shop of Horrors, Georges in La Cage aux Folles, and in the US premiere of Not the Messiah. David is thrilled to be back at The Grand working with amazing designers, crew, and two phenomenal actors who truly bring this beautiful story to life.

community, performing in classical, rock, jazz, and musical theatre styles and playing with the city’s premier musical groups and institutions.

Alex coaches students from both the Department of Theatre and School of Music and has been the musical director for many productions, including Hello, Dolly (Kingsbury Hall), American Idiot (Marriott Center for Dance), and many other award-winning and acclaimed productions such as You’re a Good Man, Charlie Brown, The Threepenny Opera, The Last Five Years, Avenue Q, Spring Awakening (Babcock Theatre), Sweeney Todd, and Songs For a New World (Studio 115). He was also commissioned to compose and music direct Pomp and Circumstance: A New Musical through the University of Utah.

JOSH MARTIN (Lighting Design) is delighted to be back at the Grand Theatre. Previously the Master Electrician for several years, his most recent designs at the Grand include Young Frankenstein, Forever Plaid, The Backstage at The Grand Concert Series, The Marvelous Wonderettes. He also designed a production of Grease for the Theatre Arts Conservatory on this stage and several concerts and events around the valley.

MEGAN JENSEN (Costume Designer) recently graduated from the University of Utah’s Performing Arts Design Program with an emphasis in costume design. Her recent credits include The Libation Bearers (The Shakespeare Theatre of New Jersey Next Stage Ensemble), The Threepenny Opera (Babcock Theatre), A Funny Thing Happened on the Way to the Forum (Babcock Theatre), and Forever Plaid (The Grand Theatre).

ANALYSHA MULCOCK (Stage Manager) is thrilled to be back at the Grand after working as an assistant stage manager on Once on This Island. She graduated from the University of Utah with a B.F.A. in Stage Management, which lead to her work as the First Assistant Stage Manager at the Pioneer Theatre Company. She has been the Stage Manager on many productions including A Flea in Her Ear (Babcock Theatre), MisFitting In (WY Tour), The Music Man (WWCC).

ALEX MARSHALL (Musical Director) is a versatile scholar, having completed two degrees from the University of Utah - a B.M. in Piano Performance and a B.S. in Biomedical Engineering. Hailed by the press as a musician “you have to see…perform to completely understand what a rare talent he is,” Alex can be found throughout Salt Lake as an active member of the professional musical

MÁIRE NELLIGAN (Properties Design) received a B.F.A. in theatre from Marietta College before attending graduate school at AU. She worked as a techie, a designer, an actor, and a director in the Midwest and Southwest before moving to Salt Lake. Máire took over as Properties Master for the Grand several seasons ago, debuting with Man of La Mancha. While her favorite show tends to be whichever she is currently working on, Miss

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WHO’S WHO ON THE CREATIVE STAFF Evers’ Boys and The Wizard of Oz are particularly memorable, and dressing last season’s La Cage aux Folle may well go down as the most fun ever.

Máire also works part-time for SLCC’s Fine Arts Department. Past performances include roles in Fuddy Meers, On the Verge and Dead Man’s Cell Phone. Directing experiences include The Good Doctor and Kaleidoscope.

HALEE RASMUSSEN (T.D.) received her B.F.A. in the Performing Arts Design Program from the University of Utah with a double emphasis in technical direction and set design in 2009. She is currently in her third year as the Assistant Technical Director and Scenic Charge Artist for the Department of Theatre at the University of Utah. Halee is elated to be in her fifth year as one of the resident set designers at The Grand Theatre. Other design credits include: Salt Lake Shakespeare Company, Utah Lyric Opera, Alligator Press Productions, Lagoon, Utah Cultural Arts Center, and the University of Utah; design assistant credits with Idaho Shakespeare Festival, Great Lakes Theatre Company, and Lake Tahoe Shakespeare Festival.

utahhumane.org

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Special Thanks to

ABC4 Utah and Utah Works! with Gretchen Jensen

THE LAST FIVE YEARS

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PRODUCTION STAFF Resident Staff Interim Director.......................................................................................................................... Seth Miller Operations Coordinator.............................................................................................................. Joe Killian Patron Services.......................................................................................................................Breezy Bassett Assistant Technical Director............................................................................................... Brandon Felter Photographer................................................................................................................................Steve Fidel

Front of House Box Office Staff................................................................................................. Taylor Olpin, Orlia Parker, Michelle Johnson Santana, Bryce Wilson Chief Usher................................................................................................................................Cheryl Gren Senior Ushers...................................................................... Chad Hansen, Chuck Payne, Peggy Sprouse Ushers....................................................................................................Michael Boesch, Suzy Christensen

Running Crew Sound Technician.........................................................................................................................Adam Day Lightboard Operator............................................................................................................... Megan Willis

Build Crew Master Electrician.........................................................................................................Cara Ann Pomeroy Electricians.......................................................................................................................... Emily Mullaney, Tim Swensen, Megan Willis, Lara Wayman, Heather Poulsen Carpenter........................................................................................................ Josh Martin, Brandon Felter Scenic Artist.....................................................................................................................Krischelle Hansen

Special Thanks to our volunteer ushers for their dedication, professionalism, and hard work on this production.

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GRAND THEATRE DONATIONS Donation list reflects gifts made through January 01, 2016 $50,000 - $74,999

• Lynda G Wendel & David Felt • Salt Lake County’s • Patti Davies ZAP Fund • Ms. Elizabeth • Cultural Vision Fund Solomon • Alternative Visions Fund $250 - $499

• Kevin Rusch • Lindy Davis • Lorri Castro-Zenoni • Rosemary Emery • Nancy Brown • Nancy Ferrin • Susan Valentine • Bertley Hunt $15,000 - $24,999 • Gordon Storrs $50 - $99 • Anonymous • Brent Schneider • George S. and • Morlene Dangerfield • Michelle Andersen • Cara A. Pomeroy Dolores Doré Eccles • Gary & Joann • Mary Ellen Johnson • Chantelle M. Bender Foundation • Mozelle PrestridgeRieben • Anonymous Orton • Leslie Peterson • Heather Sachs • Adrien Swenson • Sharlee Smith • Linda Stone $10,000 - $14,999 • Andra Harbold • Aden Ross • William Vogel • SLCC Fine Arts & • Robert & Alice • Robert H. Millard $100 - $249 Lectures Burch • Joyce Riches • Northern Trust • Lyla Thoomas • Anonymous $1 - $49 • Anonymous • April Fossen • Tolford & Mary • Ashley D Carlson Young • Ms. Gail P. Davis $2,500 - $9,999 • Bradley Bishop • Charlene Adams • Diane Dangerfield • Anonymous • David Hanson • Steven Bernards • Donna Bachman • Bastian Foundation • Mrs. Coni Cutler • Esther M. Pomeroy • Michael & Inga • Salt Lake City Arts • Jacob Tonks • Ema Doenges Bilello Council • Kirk Bowden • Greg Enke • Patricia Derrick • Utah Arts Council • Julie Ferreira • Marlene & Thomas • Mark Fossen • Utah Division of • Megan McDowell • Sydney Hamblin Fortie Arts & Museums • Fen Hsieh • Miss Madison Lynn • Natalie A. Easter • Jill Nutting • Kevin Olsen Maxfield $1,000 - $2,499 • Rachel Colledge • Linda Palmer • Mr. Barry • Anonymous • Pat Thomas • Julia Short Mortenson • Rocky Mountain • Mike Smith • Eric Weber • Sharon Odekirk Power • Arthur Hupka • Celine Slam • James B. Pace • Boyce Yanik • Stephen Parker • Grand Youth • Leroy Peterson • Morlene Dangerfield • Bob & Sue Millard • Lynda Wendel • Pearl Angelos • Kenneth Parrish • Cheryl Brown • Amy Stephenson • Anonymous • Utah Humanities • Shellie Drage • Bob & Sharon • Jan Abramson Council • Arely Luque Mantyla • Debra King • Gary & Joann • Amanda Wines • William & Mary • Beliwa Maathuis Rieben Ann Payne • Brandon H. Rufener • Sheri Basinger • Spencer Holmgren • Jerry & Marcella • Bryan Griggs $500 - $999 • Justeen Jones Borrowman • Catherine Walker • Karl Jorgensen • Stephanie Harpst • Anne Cullimore • Denise Blackett • Katy Carpenter • Julie & Devon Glenn Decker • Jean Brown • Whitney Morris • Kathie Taggart • Maria Garciaz • Madison Maxfield • Grateful Patron • Joyce Riches

THE LAST FIVE YEARS

• Stephanie Harpst • Don and Diana Rosenkrantz • Debra M. Rufener • Magna Hahnel • Nanci Shino • Christine Allred

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GRAND THEATRE DONATIONS

You Can Help In So Many Ways The Grand Theatre is a 501 3(c) non-profit organization dedicated to being the community’s professional theatre. With your help, we can continue that proud traidtion.

Grand Theatre Wish List *Power Tools *Pneumatic Tools *Hand Tools

*Period Props *Specific cash donations to update and maintain equipment

Volunteer Opportunities for Ushers!

~Financial Contribution~

Please fill out the form below, or visit us online at www.the-grand.org

I would like to help the Grand Theatre continue its proud traditional of producing professional theatre.

Name(s):

(As you would like it to appear in our playbill)

Mailing Address: Phone:

Contribution Amount:

Check / Credit Card#

Exp:

Your name will appear in the Grand Theatre Donations section of our playbill for one year following your donation. We thank you for your support!

Please send this completed form, along with your donation to: Grand Theatre 1575 South State Street Salt Lake City, UT 84115 801.957.3033

or donate online at www.the-grand.org 16

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PATRON INFORMATION AUDIO ENHANCEMENT EQUIPMENT is available for theatre patrons who are hearingimpaired. The concession stand has Comtex wireless personal receivers which allow a patron to sit anywhere in the theatre and receive high fidelity audio. Because there is no charge for this service, you will be requested to leave your driver’s license with the cashier until the equipment is returned.

BABIES AND SMALL CHILDREN often make it uncomfortable for other theatre patrons.

Therefore, no children under 5 are allowed. Small children must have their own seat.

DISABLED PATRONS may use wheelchair seating areas in the theatre. Each area can accommodate four wheelchair patrons and companion chairs.

Ticket prices vary for each section. Aisle seats may be requested by patrons who can be assisted in the transfer from wheelchairs to theatre seats.

BOX OFFICE HOURS are 12:00PM to 5:00PM Monday through Friday and 12:00PM to 8:00PM on the night of a performance, including Saturdays.

LATECOMERS will not be seated in their reserved seats until the end of a scene.

Latecomers will be seated in available seating that will not disturb punctual theatre patrons.

LOST AND FOUND will be held by the head usher until the end of the performance. Thereafter, please contact the Box Office at 801. 957.3322. All items, after a period of 24 hours, will be taken to Administrative Services in Room 1-060. They may be contacted at 801.957.3301.

PHOTOGRAPHY, AUDIO OR VIDEO RECORDING of any performance or the possession of any such device inside this theatre without the written permission of management is prohibited.

Offenders may be requested to leave and may be liable for damages and other lawful remedies.

THEATRE PARKING is available at no charge in the parking areas on the East and North side of the building. Ticketing will occur when parked in the disabled parking areas without a proper pass. Please note that parking meters are still active during performances

Last year Utah Food Bank distributed 31.3 million meals to Utahns in need statewide.

1 in 5 Utah kids are unsure where their next meal will come from

423,000 people are food insecure —

15% of Utah’s population

Go to UtahFoodBank.org today to donate, find food drop-off locations, or to find out more about volunteering.

Special Thanks to

Salt Lake City Arts Council

Special Thanks to

Bastian Foundation MILLS PUBLISHING, INC. Dan Miller, President; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Leslie Hanna, Ken Magleby, Patrick Witmer, Graphic Design; Paula Bell, Karen Malan, Dan Miller, Paul Nicholas, Advertising Representatives; Jessica Alder, Office Assistant; Jody Martin, Administrative Assistant.

The Grand Theatre playbill is published by Mills Publishing, Inc., 772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com. Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. Copyright 2016

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