Jekyll & Hyde – The Musical

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PRESIDENT’S MESSAGE

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hank you for joining us for our 2016-2017 Season full of exciting shows, as well as some old favorites:

• We’ll kick off the Halloween season with Jekyll & Hyde, a thriller sure to keep you on the edge of your seat.

• As a special treat this year, The Grand Theatre is partnering with the University of Utah’s School of Music for Amahl and the Night Visitors December 1-3—a limited engagement and charming family show, so get your tickets now.

• January will once again feature our Backstage Concert Series, showcasing the amazing talents of Erica Hansen and Dee-Dee Darby-Duffin. January will also see the return of the renowned Sundance Film Festival to the Grand Theatre, the festival’s largest venue in Salt Lake City.

• The classical farce The Comedy of Errors will debut in February as the Grand’s first Shakespearean production in over 15 years. This rousing comedy will appear backstage, so get your tickets early.

• As always, March belongs to our American Classic Series. This year we are thrilled to present A Streetcar Named Desire, the Pulitzer Prize-winning play about love, betrayal, and tragedy that has captivated audiences for almost 70 years.

• To close out our season, we are very pleased to bring you the Tony Award-winning show Hairspray. Join us for teen romance, fabulous music, and plus-sized fun as we take you back to the days of the sock hop.

SLCC’s stunning Center for Arts and Media brings together the latest technology and resources in digital arts education, combines the best teachers in the valley, and puts them all in one environment – sharing, creating, inspiring, and collaborating throughout its 130,000 square feet.

The stage has been set for student success here at SLCC. We are your community college and our many resources – like this wonderful theatre – are here for everyone to enjoy. Please encourage your neighbors and colleagues to join us as we present professional community theatre here at The Grand.

Deneece G. Huftalin, PhD President, Salt Lake Community College

Special Thanks to the

Cultural Vision Fund for sponsoring the

American Classics Series Jekyll & Hyde

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FROM the DEAN’S DESK

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’m excited to welcome you to the Grand Theatre’s 2016-17 Season. Housed in the Center for Arts and Media at the SLCC South City Campus, The Grand continues its proud tradition of quality theatre with a season that promises to be full of engaging performances. The Grand is a community treasure that provides outstanding quality productions at reasonable prices and engages our community’s premier talent; professional, semiprofessional, amateur and student who are all dedicated to experiencing and providing you with exceptional theatrical events.

The Grand’s shows are just some of the many artistic and cultural events you’ll find here at the Center for Arts and Media. Our talented students participate in a wide array of fantastic offerings, including concerts and performances by our band, choir, and dance ensembles, engrossing visual art shows, screenings of thought-provoking films and documentaries, and powerful productions in our Black Box Theatre. We’re excited to serve as the largest Salt Lake City venue for the annual Sundance Film Festival, where you can join fellow film lovers to appreciate the very best cinema from around the world. At the Center, you’ll also find professional exhibits by SLCC faculty, students and local artists in our Eccles Art Gallery, free screenings and discussions with our professors on classic films, and stimulating lectures and presentations.

Art is “doing” and at the South City Campus we are “Doing”! I hope you can continue to join us throughout the 2016-2017 Season.

Richard Scott Dean, School of Arts, Communication and Media Salt Lake Community College www.slcc.edu/arts-comm www.grandtheatrecompany.com

Special Thanks to

Salt Lake City Arts Council 4

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Jekyll & Hyde

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Presents

Jekyll & Hyde Conceived for the stage by Steve Cuden & Frank Wildhorn

Book & Lyrics by

Leslie Bricusse

Music By

Frank Wildhorn

Orchestrations by Kim Scharnberg Arrangements by Jason Howland

Director ANNE STEWART MARK

Musical Director

KENNETH PLAIN

Stage Manager

CAROLINE CAIN

Set Designer

Lighting Designer

Sound Designer

Costume Designer

Assistant Costume Designer

Wigs, Hair and Makeup

Props Master

Fight Choreographer

Assistant Fight Choreographer

HALEE RASMUSSEN SETH MILLER ADAM DAY SHANNON MCCULLOCK CARLY MCCULLOCK HOPE BIRD MÁIRE NELLIGAN CHRISTOPHER DUVAL AVA KOSTIA

All Songs are: Lyrics by Leslie Bricusse and Music by Frank Wildhorn, except “Alive” (including “Alive (reprise)”), “First Transformation”, “His Work And Nothing More”, “Once Upon A Dream”, and “Murder! Murder!”, which have lyrics

by Steve Cuden, Leslie Bricusse, and Frank Wildhorn & Music by Frank Wildhorn Original Broadway Production by PACE Theatrical Group, Inc. 6

www.thegrandtheatrecompany.com

FROM our ARTISTIC DIRECTOR

W

elcome to The Grand’s 2016-2017 season! I’m so thrilled to have you join us as we kick-off the season with Jekyll & Hyde, the Musical.

We’ve had a few changes over the summer that we’re really excited about.

First, I’m sure you’ve notice the new carpeting in the theatre, as well as the new architectural lighting that has been added. I think it really adds the finishing touches to our theatre and helps to highlight some of the beautiful plaster work. Second, in an effort to make your Grand experience more enjoyable, we’ve completely re-vamped our website, and added new tools to make The Grand App more interactive. Our new website is much easier to navigate, and is completely accessible from your mobile device; and with The Grand Theatre App, you’ll get special behind the scenes content from our shows, as well as special offers and discounts! Check out our new website at www.thegrandtheatrecompany.com and download The Grand App on Google play or the App Store. Just search for “Grand Theatre”.

Jekyll & Hyde, the Musical comes to life at The Grand Theatre in this thrilling tale conceived for the stage by Steve Cuden & Frank Wildhorn. The epic struggle between good and evil reaches new heights combining the passion of the gripping novel by Robert Louis Stevenson and the thrilling score from multi-Grammy and Tony nominated Frank Wildhorn & double Oscar and Grammy-winning Leslie Bricusse. In an attempt to cure his ailing father’s mental illness by separating ‘good’ from ‘evil’ in the human personality, talented physician Dr. Jekyll inadvertently creates an alternate personality of Mr. Hyde, who wreaks murderous havoc on the city of London.

As his fiancée Emma grows increasingly fearful for her betrothed, a prostitute, Lucy, finds herself dangerously involved with both the doctor and his alter ego. Struggling to control Hyde before he takes over for good, Jekyll must race to find a cure for the demon he has created. Jekyll & Hyde, the Musical has mesmerized audiences the world over. I hope you enjoy the show, and encourage you to share your experience at The Grand with your friends and family. Please join us for our next show in December, Amahl and the Night Visitors, a special limited engagement event brought to you in partnership with the University of Utah’s School of Music.

Thank you and enjoy the show!

Seth Miller Artistic & Executive Director of the Grand Theatre

George S. and Dolores Doré Eccles Foundation for their generous financial support Jekyll & Hyde

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A WORD from the DIRECTOR

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obert Louis Stevenson wrote Strange Case of Dr Jekyll and Mr Hyde in 1885 and it was published in January of 1886 as a “shilling shocker.” It was originally intended as an offering for Christmas the year before. (Charles Dickens’ A Christmas Carol was another such offering.)

It is one of the most famous horror stories of all time, along with Bram Stoker’s Dracula and Mary Shelley’s Frankenstein, and has been adapted into countless film and stage productions.

It deals with the properties of good and evil and has entered the collective consciousness and psychological terminology for such.

Everyone has heard the latest serial killer or homicidal maniac described as having a ‘Jekyll & Hyde personality’. People love to be frightened and enjoy such television stories as Criminal Minds, and late night offerings like the latest from HBO, The Tunnel. What makes a person psychopathic? What switch is flipped to make someone become a serial killer? I don’t think Stevenson cared about such things, and the Victorian audience for which it was written did not.

They, like us, enjoyed being shocked, chilled, and have their blood pressure raised. Jekyll & Hyde is a fine ‘bogey tale’ conceived in that tradition.

We present to you the Frank Wildhorn/Leslie Bricusse musical version, who added the characters of Emma, Jekyll’s long suffering fiancé, and Lucy, the whore with the heart of gold. We are now presented with the perfect love triangle, and we also see Hyde kill the people who stand in the way of Jekyll’s research, all of whom share at least one of the 7 deadly sins. (I leave it to the audience to guess which ones.) There is enough good and evil to go around with some wonderfully melodramatic music tossed in and more than one great ballad. It is the perfect October/Halloween “penny dreadful.”

Anne Stewart Mark Director

Special Thanks to

Utah Division of Arts & Museums

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www.thegrandtheatrecompany.com

CAST (In Order of Appearance) Gabriel John Utterson. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael Scott Johnson Henry Jekyll / Edward Hyde. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tyler Brignone Sir Danvers Carew. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jeffrey Owen Spider. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jake Trumbo Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rebecca Clarke Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jacob Eltzroth Lucy Harris. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Liz Terry Lord Savage. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jim Dale Simon Stride. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Daniel Pack Lady Beaconsfield. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dorothy Briggs Arnold The Bishop of Basingstoke . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Paul Chaus Sir Archibald Proops. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Skyler DeVries Poole. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jared Evans Nellie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christine Smith Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Allison Hogge Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cara Szeles Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Emily Dutson Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kylee Ogzewalla Emma. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hannah Bayles Jekyll & Hyde is presented through special arrangement with Music Theatre International (MTI).

All authorized performance materials are also supplied by MTI. www.MTIShows.com Musical recording provided by The MT Pit L.L.C. www.themtpit.com

Special Thanks to

ABC4 Utah and Utah Works!

Jekyll & Hyde

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MUSICAL NUMBERS Act I Prologue. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ORCHESTRA Lost In The Darkness/I Need to Know. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JEKYLL Facade . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BISHOP, UTTERSON, SIR DANVERS, ENSEMBLE Board of Governors. . . . . . . . . . . . . . . . . . . . . . . . . JEKYLL, BISHOP, PROOPS, SAVAGE, STRIDE, SIR DANVERS, LADY BEACONSFIELD Pursue the Truth/Facade. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JEKYLL, UTTERSON, ENSEMBLE The Engagement Party. . . . . . . . . . . . . . . . . . . . . SIR DANVERS, STRIDE, EMMA, JEKYLL, MEN Take Me As I Am. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JEKYLL, EMMA Letting Go. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SIR DANVERS, EMMA No One Knows Who I Am. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LUCY Bring On The Men. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LUCY, GIRLS Lucy & Jekyll at The Dregs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LUCY, JEKYLL This Is The Moment. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JEKYLL The Transformation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JEKYLL, HYDE Alive. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . HYDE, LUCY, ENSEMBLE His Work and Nothing More. . . . . . . . . . . . . . . . . JEKYLL, UTTERSON, EMMA, SIR DANVERS Sympathy, Tenderness. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LUCY Someone Like You. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LUCY Alive Reprise. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . HYDE ~ Intermission ~ Act II Murder, Murder. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . HYDE, CHORUS Once Upon A Dream. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMMA Streak of Madness. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMMA, JEKYLL In His Eyes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LUCY, EMMA Dangerous Game. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LUCY, HYDE, CHORUS Facade Reprise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SPIDER, CHORUS Angst . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JEKYLL A New Life. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LUCY Lucy’s Death . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . HYDE The Confrontation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JEKYLL, HYDE, CHORUS Facade Reprise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHORUS The Wedding. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JEKYLL, EMMA

Special Thanks to

Bastian Foundation 10

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WHO’S WHO in the CAST DOROTHY BRIGGS ARNOLD (Lady Beaconsfield) is making her first appearance at The Grand Theatre in the capacity of an actor, rather than an audience member. She most recently appeared in the 2015 Pioneer Memorial Theatre production of Fiddler on the Roof, as the character Mirala. She teaches Special Education for the Davis County School District and lives in Farmington.

HANNAH BAYLES (Emma Carew) is also making her Grand Theatre debut in Jekyll and Hyde. Some past roles include Ariel in The Little Mermaid, Fiona in Shrek the Musical, Rusty in Footloose and Kim in Bye Bye Birdie. Hannah is a certified voice teacher with the Institute for Vocal Advancement and teaches group voice and acting to kids and teens at Utah COPA. TYLER BRIGNONE (Jekyll / Hyde) is thrilled for the opportunity to perform in Salt Lake City with his first production at The Grand. Past roles include Beast in Beauty and the Beast, Tony in West Side Story, Bob Wallace in White Christmas, King Triton in The Little Mermaid, and Benjamin Pontipee in Seven Brides for Seven Brothers. Audiences may have seen Tyler in these productions at CenterPoint Legacy Theater, The Ziegfeld Theater, and The Egyptian Theater.

PAUL CHAUS (Bishop of Basingstoke) is alum of the University of Utah where he received a BFA in Acting. Most recently he assisted in writing a verbatim theater piece which won an award for best one man show at this year’s Great Salt Lake Fringe Festival. Some of his favorite roles include Brutus (Julius Caesar), Zeus (Metamorphosis) and Don Carlos Homenides de Histangua (A Flea in Her Ear).

REBECCA CLARKE (Ensemble) is so honored and excited to be a part of her first production here at Grand Theatre! She is currently a senior in the Vocal Performance program at the University of Utah. She was most recently seen as a member of the University’s pop a cappella group: Infrared. She is also currently member of the Lyric Opera Ensemble, with her favorite past performance being Massenet’s Cendrillon (Spirit). You can see her next in Amahl and the Night Visitors.

JIM DALE (Lord Savage) has performed in over 50 productions along the Wasatch Front from the Pioneer Theatre to the Egyptian Theater in Park City, from the Hale Theater in West Valley, The Grand at SLCC, to the CenterPoint Theater in Centerville! Some of his favorite roles include Henry Higgins, Don Quixote, Sweeney Todd, King Arthur, Emile de Beque, Capt. Hook, and El Gallo! Also, Charles in Blithe Spirit, Cromwell in A Man For All Seasons, Jack in Dancing at Lughnasa, and Baptitsta in A Taming Of The Shrew! For Roanne.

SKYLER DEVRIES (Sir Proops) is a sophomore in the Musical Theatre Program at the University of Utah. This is his first show at The Grand Theatre and his first show outside of High School. He attended East High School where he was an active member of the Drama Department performing in the Addams Family, West Side Story, and Shrek the Musical.

EMILY SUZETTE DUTSON (Ensemble) graduated with an Associate of Fine Arts degree in Musical Theatre from Western Wyoming Community College. She has experience in stage management, directing, choreography, acting

Special Thanks to

Alternative Visions Fund Jekyll & Hyde

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WHO’S WHO in the CAST and props management. Recently, Emily has been working with the Off Broadway Theatre as a performer and actor. Her favorite roles include Sister Robert Anne in Nunsense, the Little Redheaded Girl in Charlie Brown and an ensemble member in Jurassic Park City.

JACOB ELTZROTH (Ensemble / Fight Captain) is a graduate of the University of Utah, where he received his B.F.A. in acting (Actors Training Program). Previous appearances at The Grand include; Little Shop of Horrors (puppeteer/ ensemble), and Young Frankenstein (ensemble).

Other credits include: Philinte in The School for Lies (Studio 115), Trekkie Monster in Avenue Q (Babcock Theatre) and Tybalt in Romeo & Juliet (Studio 115).

JARED EVANS (Poole) is excited to be returning to The Grand Theatre. Audiences will remember him as Freddy Fellowes in The Grand Theatre’s production of Noises Off. Jared has been acting since his college days, and is eager to perform in another musical. He has also worked locally with Utah Shakespeare in the Park, and as a member of the improv group Crowdsourced Comedy.

ALLISON HOGGE (Ensemble) Allison is delighted to be debuting at The Grand Theatre with such a fun show! As a graduate of Weber State University with a BA in Musical Theatre, theatre has become her life. Her favorite, and most recent role, was a Silly Girl in Beauty and the Beast. Other favorite shows include Peter Pan, Aida, and Will Rodgers Follies.

MICHAEL SCOTT JOHNSON (Gabriel John Utterson) is thrilled to be returning to The Grand after playing Hal Carter in last season’s Picnic. Other credits include Twelfth Night (Salt Lake Shakespeare), The Crucible, Alabama Story, Laughing Stock (Pioneer Theatre Company), Marry Christmas and several episodes of Radio Hour (Plan-B Theatre Company). He will be making his debut at Pygmalion Theatre Company this spring in Silent Sky. Michael is a graduate of the University of Utah’s Actor Training Program where he appeared in such shows as The Threepenny Opera, Blue Stockings and Spring Awakening.

KYLEE OGZEWALLA (Ensemble / Dance Captain) is ecstatic to be making her debut at The Grand Theatre in Jekyll and Hyde. Originally from Salt Lake, she has spent the last few years traveling around the west in pursuit of her career as a performer. Recent production credits include The Little Mermaid (Flotsam), The Crucible (Abigail Williams), AIDA (Ensemble), Little Women (Jo) and Mary Poppins (Mary Poppins).

JEFFREY OWEN (Sir Danvers Carew) is excited to be back on The Grand Theatre Stage.

He appeared at The Grand as Dr. Douglas in The Etta Grace Theatre Company’s production of Miss Evers’ Boys. He also appeared The Grand’s production of Carousel as Jigger. Jeffrey was last seen in CenterPoint Legacy Theatre’s production of Hello Dolly as Horace Vandergelder. Other roles include Vanya in Vanya, Sonia, Masha and Spike (Wasatch Theatre Company) Carmichael in A Behanding in Spokane (The Hive Theatre) Herb in I Ought To Be In Pictures (Utah Theatre Artists

Special Thanks to Northern Trust 12

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WHO’S WHO in the CAST/CREATIVE STAFF Company) The Tin Man in The Wizard of Oz (Egyptian Theatre Company Park City). Enjoy!

DANIEL PACK (Simon Stride) is excited to be making his debut here at The Grand Theater.

Some of his favorite recent roles include Frederick Frankenstein in Young Frankenstein, Motel the Taylor in Fiddler on the Roof, and Leo Bloom in The Producers. When he isn’t acting you can find him playing his cello or working as the technical director at the Ziegfeld Theater.

CHRISTINE SMITH (Nellie) is thrilled to be making her Grand Theatre debut in one of her favorite shows. Jekyll and Hyde is a show close to her heart as she fell in love with her now husband while performing together in a production at CenterPoint Legacy Theatre. She has been seen in several productions there, most recently as Belle in Beauty and the Beast.

CARA MICHELLE SZELES (Ensemble) is excited to be in her first production at The Grand.

A native New Yorker, she is making her Utah debut. She is a sophomore in the Musical Theatre Program at the University of Utah. Her past roles include Morticia in The Addams Family, June in Gypsy, and Serena in Legally Blonde.

LIZ TERRY (Lucy Harris) is excited to be returning to The Grand! She is a senior in the Musical Theatre Program at the U. Recent credits include The Full Monty (Joanie), American Idiot (Heather), Shrek The Musical (Gingy), and Hello Dolly.

JAKE TRUMBO (Spider) returns for his fourth production with The Grand Theatre after appearing in The Full Monty and two American classics series (Our Town and The Skin of Our Teeth). An alumni of Weber State University, he has worked on stage, film and voiceover work in Utah for more than 10 years with several different theater companies. Previous musical roles include El Gallo (The Fantasticks!) and Snoopy (You’re a Good Man Charlie Brown).

WHO’S WHO ON THE CREATIVE STAFF HOPE BIRD (Hair & Makeup Design) is a graduate of the University of Utah PAPD program with an emphasis in Wigs and Makeup.

Most recently she has been Wig Assistant for The Count of Monte Cristo (PTC) and Sweet Charity (PTC). She also designed wigs for Twelfth Night and You’re a Goodman Charlie Brown (Salt Lake Shakespeare), and The Children’s Hour (U of U Theatre Dept.).

CAROLINE CAIN (Stage Manager) is a graduate of the University of Utah with her BFA in Stage Management. Caroline has worked for The Grand Theatre since 2008 and during that time has stage managed The Full Monty, Picnic, Young Frankenstein, Always Patsy Cline (2015), Skin of Our Teeth, Forever Plaid (2014), Rings, Not the Messiah (2013/2014), and Heat; Production Stage Managed Our Town and assistant stage managed The Crucible, Wizard of Oz, Messiah, Miss Ever’s Boys and Urinetown. Other credits include The Great Salt Lake Fringe Festival

Special Thanks to Salt Lake Community College Jekyll & Hyde

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WHO’S WHO on the CREATIVE STAFF (2016), Vanya, Sonia, Masha and Spike (Wasatch Theatre Company), The Children’s Hour (U of U Babcock), and A Midsummer Night’s Dream (Salt Lake Shakespeare).

ADAM DAY (Sound Design) has a BFA in Performing Arts Design from the University of Utah. Some of his recent credits include sound design for Bring It On (University of Utah Theatre Department), Climbing With Tigers (Salt Lake Acting Company) sound design and live mix for The Last Five Years (The Grand Theatre), Young Frankenstein (The Grand Theatre), American Idiot (University of Utah Theatre Department), Godspell (University of Utah Theatre Department), Little Shop of Horrors (The Grand Theatre), Lost in the Woods (Flying Bobcat Theatrical Laboratory), and Feast (NOW-ID). He also works as the Technical Coordinator at the Draper City Amphitheater where he has been for the last seven seasons.

CHRIS DUVAL (Fight Choreographer) is an Associate Professor at the U of U Utah and the incoming Head of the Actor Training Program, where he teaches acting, voice, and stage combat.

He has worked as an actor and fight director throughout the country at such theatres as South Coast Repertory, Utah Shakespeare Festival, Idaho Repertory Theatre, Syracuse Stage, Dallas Theatre Center and many others. He is recognized as a Master Teacher with Dueling Arts International, a Certified Teacher with the Society of American Fight Directors, an Associate Teacher of Fitzmaurice Voice work, and holds a 2nd degree black belt in Aikido. This season he is directing at SLAC and the Colorado Shakespeare Festival, as well as fight directing at Utah Opera and PTC - where he serves as their Resident Fight Director. He is the author of “Stage Combat Arts” published by Bloomsbury Methuen.

AVA KOSTIA (Asst. Fight Choreographer) is a recent graduate of the BA Musical Theatre program at The Royal Conservatoire of Scotland.

She has studied and certified in Rapier and Dagger, as well as earning the highest testing recommendation in Broadsword. After being cast in PTC’s U.S. Professional Premier of The Count of Monte Cristo, Ava was named Fight Captain for the production, working with many 14

different weapons and hand-to-hand combat.

Recent performing credits include: BBC, National Theatre of Scotland, Godspell (Actor-Musician), West Side Story, and Titus Andronicus. Upcoming fight direction projects include the Utah Opera, PTC, SLAC, and assisting Stage Combat classes at the University of Utah.

ANNE STEWART MARK (Director) returns to The Grand after directing Noises Off here in 2014. Previous productions at The Grand: Oliver!; Having Our Say: The Delany Sisters’ First 100 Years; The Trip to Bountiful; Godspell and A Funny Thing Happened on the Way to the Forum.

For other theatres in the valley, she has directed Sexsting and two shorts in The Water Project for the Salt Lake Acting Company; Assassins and Chicago for DarkHorse Productions. She also assisted Charles Morey on The Foreigner for Pioneer Theatre Company and directed Talking Wales Finding Sir Formidor, Hejira, and Neglect for Utah Contemporary Theatre. Her acting credits are many and varied and she has been a proud member of Actors’ Equity for more than 33 years.

CARLY MCCULLOCK (Asst. Costume Design) is happy to be working on Jekyll & Hyde (her favorite musical). Carly attended the Performing Arts Design Program at the University of Utah. Her costume design work includes The Would Be Gentleman and Hay Fever for the Babcock Theater. She has also worked with the Utah Lyric Opera on Dialogues of the Carmelites. Other assistant design work includes Hipper and Hopper: Two Toadally Awesome Frogs, The In-Between, and various cosplay collaborations for Salt Lake Comicon. If you would like to view more of her design work visit her Etsy store Curly & Peach.

SHANNON MCCULLOCK (Costume Design) is extremely excited to be designing for The Grand Theatre! A Utah native, Shannon graduated from the University of Utah Performing Arts Design Program with Costuming Emphasis in 2010. She has done costume design and construction work for the following: University of Utah’s Babcock Theatre, Studio 115, the Utah Museum of Natural History, the Salt Lake Acting Company, and the Pioneer Theater Company.

www.thegrandtheatrecompany.com

WHO’S WHO on the CREATIVE STAFF SETH MILLER (Lighting Design) came to work at The Grand Theatre in 2007 as the Technical Director. He is now in his ninth season with The Grand and is currently the Executive Producer. He started out working in the Local 99 stage hands union, after which he attended the University of Utah for a degree in theatrical design. Seth began working at Lagoon Amusement Park in 1997 for their Entertainment Department as Staff Lighting Designer and still designs lights for their shows today. From 20012006, he worked at The Egyptian Theatre in Park City. He also works as a free-lance Lighting Designer for a variety of local theatre companies, as well as many corporate events around the country, including Walt Disney World for Disney Event Group and Harley Davidson’s Annual National Dealer’s Conventions.

MÁIRE NELLIGAN (Properties Design) received a BFA in theatre from Marietta College before attending graduate school at AU. She worked as a techie, a designer, an actor, and a director in the Midwest and Southwest before moving to Salt Lake. Máire took over as Properties Master for The Grand several seasons ago, debuting with Man of La Mancha. While her favorite show tends to be whichever she is currently working on, Miss Evers’ Boys and The Wizard of Oz are particularly memorable, and dressing La Cage aux Folle may well go down as the most fun ever. Past performances include roles in Fuddy Meers, On the Verge and Dead

Man’s Cell Phone. Directing experiences include The Good Doctor and Kaleidoscope.

KENNETH PLAIN (Music Director) happily returns to The Grand after last springs’s Full Monty. In 2015, Ken music directed the Sundance Film Festival opening night gala with the cast of Broadway’s Fun Home. Regional theaters include: Powerhouse, Theatre East, Sundance and Pioneer Theatre Company. Credits include: A Gentleman’s Guide to Love and Murder (workshop), Les Misérables, Elf, It Happened One Night and Spellbound (starring Sally Field), and the world premiere of Jones & Schmidt’s Mirette. Ken works as Lagoon entertainment’s musical director and is on the U of U theatre department’s music staff.

HALEE RASMUSSEN (Set Design) received her BFA from the University of Utah’s Performing Arts and Design Program with a double emphasis in technical direction and set design. She is currently entering her fifth year as the Assistant Technical Director and Scenic Charge Artist for the UofU Department of Theatre, and her seventh year as resident set designer for The Grand Theatre. Other design credits include Utah Lyric Opera, Salt Lake Shakespeare Company, Alligator Press Productions, Lagoon Entertainment, and the University of Utah; with assistant design credits from Idaho Shakespeare Festival, Great Lakes Theatre Company, and Lake Tahoe Shakespeare Festival.

Special Thanks to

Centerpoint Legacy Theatre for their support of this production Jekyll & Hyde

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PRODUCTION STAFF Resident Staff Artistic/Executive Director. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Seth Miller Patron Services. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Breezy Bassett Technical Director. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brandon Felter Assistant Technical Director. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tim Swenson Photographers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Steve Fidel, Steve Speckman Marketing Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Quinn Smith Front of House Box Office Staff. . . . . . . . . . . . . . . . . . . . . . . . Taylor Olpin, Michelle Johnson Santana, Bryce Wilson Chief Usher. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cheryl Gren Senior Ushers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Chad Hansen, Chuck Payne, Peggy Sprouse Ushers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael Boesch, Frank Chavez, Suzy Christensen Running Crew Sound Technician. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adam Day Lightboard Operator. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Megan Willis Deck Technician. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Heather Poulsen, Trevor Wilson Spot Operators. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Riley Carlson, Bri Bold-Knighton Wardrobe Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ariana Hatch Build Crew Master Electrician . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Emily Mullaney Electricians . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Colby Avis, Bri Bold-Knighton, Riley Carlson, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Heather Poulsen, Megan Willis Carpenter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adam Day , Brandon Felter, Tim Swensen Scenic Artist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Krischelle Hansen

Special Thanks to Matt Lieshman for all his help and support of The Grand Theatre MILLS PUBLISHING, INC.

Dan Miller, President; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Leslie Hanna, Ken Magleby, Patrick Witmer, Graphic Design; Paula Bell, Karen Malan, Dan Miller, Paul Nicholas, Advertising Representatives; Jessica Alder, Office Assistant; Ruth Gainey, Administrative Assistant.

The Grand Theatre playbill is published by Mills Publishing, Inc., 772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com. Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. Copyright 2016

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www.thegrandtheatrecompany.com

GRAND THEATRE DONATIONS The Donation List reflects gifts made through September 20, 2016 $50,000 - $74,999 • Salt Lake County’s ZAP Fund • Cultural Vision Fund • Alternative Visions Fund

$250 - $499 • Gordon Storrs • Brent Schneider • Leslie Peterson • Sharlee Smith • Aden Ross

$50 - $99 • Michelle Andersen • Mary Ellen Johnson • Anonymous • Heather Sachs • Linda Stone • William Vogel $15,000 - $24,999 $100 - $249 • Robert H. Millard • George S. and • Anonymous • Joyce Riches Dolores Doré Eccles • Tolford & Mary Young • Magna Hahnel Foundation • Charlene Adams • John & Patricia Clay • Steven Bernards • Jennifer Klenk $10,000 - $14,999 • Mrs. Coni Cutler • SLCC Fine Arts & • Ema Doenges $1 - $49 Lectures • Greg Enke • Ms. Gail P. Davis • Northern Trust • Julie Ferreira • Diane Dangerfield • Anonymous • Sydney Hamblin • Donna Bachman • Fen Hsieh • Michael & Inga Bilello $2,500 - $9,999 • Kevin Olsen • Patricia Derrick • Anonymous • Linda Palmer • Marlene & Thomas • Bastian Foundation • Julia Short Fortie • Salt Lake City Arts • Eric & Janet Weber • Miss Madison Lynn Council • Celine Slam Maxfield • Utah Arts Council • Mr. Barry Mortenson • Utah Division of Arts • Grand Youth • Bob & Sue Millard • Sharon Odekirk & Museums • Amy Stephenson • James B. Pace • Jayne Luke • Bob & Sharon Mantyla • Leroy Peterson $1,000 - $2,499 • William & Mary Ann • Pearl Angelos • Anonymous Payne • Anonymous • Rocky Mountain • Jerry & Marcella • Jan Abramson Power Borrowman • Debra King • Boyce Yanik • Anne Cullimore • Beliwa Maathuis • Morlene Dangerfield Decker • Brandon H. Rufener • Kenneth Parrish • Maria Garciaz • Bryan Griggs • Utah Humanities • Grateful Patron • Catherine Walker Council • Stephanie Harpst • Denise Blackett • Gary & Joann Rieben • Don and Diana • Jean Brown Rosenkrantz • Madison Maxfield $500 - $999 • Debra M. Rufener • Joyce Riches • Stephanie Harpst • Magna Hahnel • Kevin Rusch • Julie & Devon Glenn • Nanci Shino • Lindy Davis • Kathie Taggart • Christine Allred • Lorri Castro-Zenoni • Lynda G Wendel & • William & Donna • Rosemary Emery David Felt Vogel • Nancy Brown • Patti Davies • Nancy Ferrin • Ms. Elizabeth Solomon • Barbara Cederholm • Susan Valentine • Gary & Joann Rieben • Bertley Hunt • Morlene Dangerfield • Anonymous

• Cara A. Pomeroy • The Swindells • Audrey Whipple • Chantelle M. Bender • Mozelle Prestridge Orton • Adrien Swenson • Andra Harbold • Robert & Alice Burch • Lyla Thoomas • April Fossen • Ashley D Carlson • Bradley Bishop • David Hanson • Esther M. Pomeroy • Jacob Tonks • Kirk Bowden • Mark Fossen • Megan McDowell • Natalie A. Easter • Jill Nutting • Rachel Colledge • Pat Thomas • Mike Smith • Arthur Hupka • Stephen Parker • Lynda Wendel • Cheryl Brown • Shellie Drage • Arely Luque • Amanda Wines • Sheri Basinger • Spencer Holmgren • Justeen Jones • Karl Jorgensen • Katy Carpenter • Whitney Morris • Patricia Stoppi • Karyn Olsen • Tracie Merrill-Wilson • Jacob Ericksen • Michael Goleniewski • Leslie Ortiz • Anonymous • Charles Lepper

Though we make every effort to maintain an accurate list, if you find an error or would like to change your listing, please contact us at 801-957-3322 Jekyll & Hyde

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PATRON INFORMATION AUDIO ENHANCEMENT EQUIPMENT is available for theatre patrons who are hearing-impaired. The concession stand has Comtex wireless personal receivers which allow a patron to sit anywhere in the theatre and receive high fidelity audio. Because there is no charge for this service, you will be requested to leave your driver’s license with the cashier until the equipment is returned.

BABIES AND SMALL CHILDREN often make it uncomfortable for other theatre patrons. Therefore, no children under 5 are allowed. Small children must have their own seat.

DISABLED PATRONS may use wheelchair seating areas in the theatre. Each area can accommodate four wheelchair patrons and companion chairs. Ticket prices vary for each section. Aisle seats may be requested by patrons who can be assisted in the transfer from wheelchairs to theatre seats.

BOX OFFICE HOURS are 12:00PM to 5:00PM Monday through Friday and 12:00PM to 8:00PM on the night of a performance, including Saturdays.

LATECOMERS will not be seated in their reserved seats until the end of a scene. Latecomers will be seated in available seating that will not disturb punctual theatre patrons.

LOST AND FOUND will be held by the head usher until the end of the performance. Thereafter, please contact the Box Office at 801. 957.3322. All items, after a period of 24 hours, will be taken to Administrative Services in Room 1-060. They may be contacted at 801.957.3301.

PHOTOGRAPHY, AUDIO OR VIDEO RECORDING of any performance or the possession of any such device inside this theatre without the written permission of management is prohibited. Offenders may be requested to leave and may be liable for damages and other lawful remedies.

THEATRE PARKING is available at no charge in the parking areas on the East and North side of the building. Ticketing will occur when parked in the disabled parking areas without a proper pass.

Please note that parking meters are still active during performances

GRAND THEATRE DONATIONS You Can Help In So Many Ways

The Grand Theatre is a 501 3(c) non-profit organization dedicated to being the community’s professional theatre. With your help, we can continue that proud tradition.

Grand Theatre Wish List

Power Tools • Pneumatic Tools • Hand Tools • Period Props • Specific cash donations to update and maintain equipment

Volunteer Opportunities for Ushers!

Financial Contribution

Please fill out the form below, or donate online at http://grandtheatrecompany.com/ I would like to help the Grand Theatre continue its proud traditional of producing professional theatre.

Name(s):

(As you would like it to appear in our playbill)

Mailing Address: Phone:

Contribution Amount:

Check / Credit Card#

Exp:

Your name will appear in the Grand Theatre Donations section of our playbill for one year following your donation. We thank you for your support!

Please send this completed form, along with your donation to: Grand Theatre 1575 South State Street Salt Lake City, UT 84115 18

www.thegrandtheatrecompany.com

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AA/EO Institution • Rev. 09.29.16. Individuals needing ADA accommodations may contact the Disability Resource Center at 801-957- 4659.

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