Wicked 2014

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JULY 9 – AUGUST 24, 2014

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CONTENTS

TITLE PAGE................................................... 6 CAST............................................................ 8 MUSICAL NUMBERS.................................... 10 WHO’S WHO IN THE CAST.......................... 13 STAFF FOR WICKED.................................... 34 FROM THE AUTHOR.................................... 41 INTERVIEW WITH WINNIE HOLZMAN.......... 42 INTERVIEW WITH EUGENE LEE..................... 44 PREMIUM SEATING TICKET HOLDERS........... 47 PATRON INFORMATION.............................. 52

John Ballard. . . . . . . . . . . . . . . . . . . . . President

Steve Boulay. . . . . . . . . . . . . . . . . . . . . . . . . COO Lee Marshall. . . . . . . . . . . . . . . . . . . . . . . . . CEO Bruce Granath . . . . . . . . . . . . . . . VP, Marketing Sean Bayles . . . . . . . . . . . . . . . . . . . . Box Office Alisha Boyce. . . . . . . . . . . . Marketing Assistant Michael Braxton. . . . . . . . . . . . . . National Sales Sandy Brewer. . . . . . . . . . . . . . . . . . . Box Office Robbi Covington. . . . . . . . . . . . . Graphic Design Madison Hajeb. . . . . . . . . . . . . Digital Marketing Jordan Halliday. . . . . . . . . . Graphic Design Kathryn Hess . . . . . . . . . . . . . . . . . Accounting Ryan Jones. . . . . . . . . . . . . . . . . . . . . Box Office Cate Kizerian . . . . . . . . . . . . . . . . . . . Operations Aubrey Langwith. . . . . . . . . . . . . . . . Group Sales Kathy Lustica . . . . . . . . . . . . . . . . . . . Marketing

Michele Madlena . . . . . . . . . . . . . . . Accounting Kristy Maple . . . . . . . . . . . . . . . . Tour Marketing Lauren Marshall . . . . . . . . . . . Social Media Amanda Mitchell. . . . . . . . . . . . . Office Manager Elisabeth Nebeker . . . . . . . . . . . . . . . Marketing Joey Nielson. . . . . . . . . . . . . . . . . . . . Operations Kris Olenicki . . . . . . . . . . . . . . . . . . . . Operations Shantelle Richman. . . . . . . . . . . Box Office Mary-Deon Roberts. . . . . . . . . . . . . Accounting Erin Rodgers. . . . . . . . . . . . . . . Graphic Design David Rooker . . . . . . . . . . . . . . . . . . Accounting Ian Simpson . . . . . . . . . . . . . . Social Media Grace Torreano. . . . . . . . . . . . . . . . Social Media Rachelle Tuten . . . . . . . . . . . . . . . . . . Box Office Mitzi VanArsdell . . . . . . . . . . . . . . . . . Marketing Tracie Yagi. . . . . . . . . . . . . . . . . . . . . . Box Office

Dan Miller, President; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Leslie Hanna, Ken Magleby, Patrick Witmer, Graphic Design; Paula Bell, Jim Copeland, Karen Malan, Dan Miller, Paul Nicholas, Advertising Representatives; Jessica Alder, Office Assistant; Kyrsten Holland, Administrative Assistant.

Wicked playbill is published by Mills Publishing, Inc.,772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com. Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. Copyright 2014.

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Marc Platt Universal Pictures The Araca Group and

Jon B. Platt David Stone

present

Music and Lyrics

Book

Stephen Schwartz

Winnie Holzman

Based on the novel by Gregory Maguire Starring

Emma Hunton

Gina Beck

Nick Adams Jenny Florkowski Tom Flynn Jesse JP Johnson Jud Williford Todd Anderson Shayla Beck Dina Bennett Nikki Bohne Lauren Boyd Kyle Brown Nirine S. Brown John Carroll Rick Desloge Tess Ferrell Timothy A. Fitz-Gerald Dominic Giudici Brenda Jean Hamilton Spencer Jones Kevin Jordan Sheila Karls Trevor Ryan Krahl Rebecca Kritzer Kelly Lafarga Marina Lazzaretto Allison Leo Marissa Lupp Sterling Masters Raymond Joel Matsamura Jonathan McGill Kevin McMahon Shanon Mari Mills Constantine Rousouli Christopher Russo Daniel Switzer

and

Alison Fraser Settings

Costumes

Eugene Lee

Lighting

Susan Hilferty

Projections

Tim Kazurinsky Tony Meola

Production Supervisor

Technical Supervisor

Wigs & Hair

Elaine J. McCarthy

Music Arrangements

Sound

Kenneth Posner

Tom Watson

Thom Widmann

Music Director

Dance Arrangements

Alex Lacamoire & Stephen Oremus Andrew Graham James Lynn Abbott

Associate Set Designer

Edward Pierce Casting

Telsey + Company Craig Burns, CSA

Special Effects

Chic Silber

Production Stage Manager

David O’Brien

Associate Choreographer

Corinne McFadden Herrera Press

Phillip Aleman

General Management

321 Theatrical Management

Orchestrations

William David Brohn Music Supervisor

Stephen Oremus Musical Staging by

Wayne Cilento Directed by

Joe Mantello Grammy Award-Winning Cast Recording on DECCA BROADWAY

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Jake Bell

Music Coordinator

Michael Keller Associate Director

Lisa Leguillou Executive Producers

Marcia Goldberg & Nina Essman

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CAST (in order of appearance) Glinda............................................................................................................................GINA BECK Witch’s Father...................................................................................................KEVIN McMAHON Witch’s Mother....................................................................................... MARINA LAZZARETTO Midwife................................................................................................................. DINA BENNETT Elphaba................................................................................................................ EMMA HUNTON Nessarose....................................................................................................JENNY FLORKOWSKI Boq...................................................................................................................JESSE JP JOHNSON Madame Morrible................................................................................................ALISON FRASER Doctor Dillamond................................................................ TOM FLYNN (7/9 - 7/31; 8/19 - 8/24) Doctor Dillamond............................................................................. JUD WILLIFORD (8/1 - 8/17) Fiyero........................................................................................................................ NICK ADAMS Ozian Official....................................................................................................KEVIN McMAHON The Wonderful Wizard of Oz.......................................................................... TIM KAZURINSKY Chistery.....................................................................................RAYMOND JOEL MATSAMURA Monkeys, Students, Denizens of the Emerald City, Palace Guards and Other Citizens of Oz..................................... SHAYLA BECK, DINA BENNETT, NIKKI BOHNE, LAUREN BOYD, KYLE BROWN, NIRINE S. BROWN, JOHN CARROLL, RICK DESLOGE, TIMOTHY A. FITZ-GERALD, SHEILA KARLS, TREVOR RYAN KRAHL, REBECCA KRITZER, MARINA LAZZARETTO, RAYMOND JOEL MATSAMURA, JONATHAN McGILL, KEVIN McMAHON, SHANON MARI MILLS, CONSTANTINE ROUSOULI, DANIEL SWITZER STANDBY FOR ELPHABA Emmy Raver-Lampman UNDERSTUDIES Understudies never substitute for listed players unless a specific announcement for the appearance is made at the time of the performance.

Understudy for Elphaba—Shayla Beck; for Glinda—Nikki Bohne, Shanon Mari Mills; for Fiyero—Kyle Brown, Timothy A. Fitz-Gerald, Constantine Rousouli; for The Wizard and Dr. Dillamond—Kevin McMahon, Christopher Russo; for Madame Morrible—Dina Bennett, Sheila Karls; for Boq—Rick Desloge, Daniel Switzer; for Nessarose—Shayla Beck, Tess Ferrell, Brenda Jean Hamilton; for Chistery—Todd Anderson, Dominic Giudici, Spencer Jones, Kevin Jordan; for Witch’s Father and Ozian Official—Timothy A. Fitz-Gerald, Constantine Rousouli, Christopher Russo SWINGS Todd Anderson, Tess Ferrell, Dominic Giudici, Brenda Jean Hamilton, Kevin Jordan, Kelly Lafarga, Allison Leo, Sterling Masters, Christopher Russo DANCE CAPTAINS/SWINGS Spencer Jones, Marissa Lupp THERE WILL BE ONE 15-MINUTE INTERMISSION.

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MUSICAL NUMBERS ACT I “No One Mourns the Wicked”..................................................................Glinda and Citizens of Oz “Dear Old Shiz”....................................................................................................................Students “The Wizard and I”............................................................................................... Morrible, Elphaba “What Is This Feeling?”.................................................................... Galinda, Elphaba and Students “Something Bad”................................................................................... Dr. Dillamond and Elphaba “Dancing Through Life”................................Fiyero, Galinda, Boq, Nessarose, Elphaba and Students “Popular”................................................................................................................................Galinda “I’m Not That Girl”.............................................................................................................. Elphaba “One Short Day”............................................... Elphaba, Glinda and Denizens of the Emerald City “A Sentimental Man”.......................................................................................................The Wizard “Defying Gravity”........................................................ Elphaba, Glinda, Guards and Citizens of Oz ACT II “No One Mourns the Wicked” (reprise)..................................................................... Citizens of Oz “Thank Goodness”................................................................... Glinda, Morrible and Citizens of Oz “The Wicked Witch of the East”......................................................... Elphaba, Nessarose and Boq “Wonderful”............................................................................................... The Wizard and Elphaba “I’m Not That Girl” (reprise).................................................................................................. Glinda “As Long As You’re Mine”................................................................................Elphaba and Fiyero “No Good Deed”................................................................................................................... Elphaba “March of the Witch Hunters”......................................................................Boq and Citizens of Oz “For Good”......................................................................................................... Glinda and Elphaba “Finale”......................................................................................................................................... All TRAVELING ORCHESTRA Conductor: Andrew Graham Associate Conductor/Keyboard 2: Adam R. McDonald Keyboard 1: Adam Laird Keyboard 3: Sean Greiner Guitar: Lou Garrett Drums: Greg Germann The Wicked touring musicians welcome nine local musicians who will be playing at all performances in Salt Lake City.

Orchestrations adapted by Christopher Jahnke

he use of any recording device, either audio or video, and the taking of T photographs, either with or without flash, is strictly prohibited.

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WHO’S WHO IN THE CAST EMMA HUNTON (Elphaba) still can’t believe she’s a part of this wonderful Wicked company!

Her past credits include the Broadway company of Spring Awakening (Ilse) as well as the OffBroadway company of Rent (Maureen). She was last on tour with the first national tour of Next to Normal (Natalie) and most recently played Ryan in the world premiere of Witness Uganda at the American Repertory Theater. Many thanks to Victoria, Telsey + Co., Joe and everyone involved at Wicked! @EmmaHunton.

GINA BECK (Glinda) is thrilled to be making her U.S. debut in Wicked! West End: Glinda in Wicked, Christine Daaé in The Phantom of the Opera and Cosette in Les Misérables. Regional: Letitia in The Belle’s Stratagem, Maria in The Sound of Music, Kate Hardcastle in The Kissing Dance, Wendy in Peter Pan and Rebecca in Imagine This. Opera: The Merry Widow, Madame Butterfly and L’elisir d’amore. BBC: “Doctors,” “The Return of Sherlock Holmes” and “The Crust.” Feature film: Turning Woman 3, Les Misérables. Concerts: Les Misérables 21st, Andrew Lloyd Webber’s 60th birthday, Les Misérables 25th DVD. Love to my loved ones back in the U.K. @gina_beck.

ALISON FRASER (Madame Morrible) is a two-time Tony Award nominee: The Secret Garden, Romance/Romance. Other Broadway: Gypsy, Tartuffe, Born Again and The Mystery of Edwin Drood. Roles she has originated include: Matron in Tennessee Williams’ In Masks Outrageous and Austere, Arsinoë in The School for Lies, Sister Walburga in The Divine Sister, Miss Drumgoole in Up Against It, Trina in Falsettos and In Trousers and Veronica Bailey on ItCouldBeWorse.tv. Twitter@alisonfraser.

TIM KAZURINSKY (The Wizard) was a cast member of “Saturday Night Live” 1981–84 (NBC) and played Officer Sweetchuck in three Police Academy films. Other films: Neighbors, My Bodyguard, Somewhere in Time. Other TV: “Curb Your Enthusiasm,” “Princess and the Pea,” “Married With Children.” Regional theater: The Second City, Midsummer Night’s Dream, The Odd Couple, Hairspray, Old Jews Telling Jokes.

Screenwriting: About Last Night…, For Keeps,

The Cherokee Kid, Strange Relations. This Wizard’s heart belongs to wife, Marcia.

NICK ADAMS (Fiyero) originated/starred on Broadway as Adam/Felicia in Priscilla Queen of the Desert (Two Audience Choice Awards, American Theater Hall of Fame Honoree, Astaire Award nomination). Broadway: A Chorus Line, Chicago, La Cage, Guys & Dolls, Pirate Queen. Film/TV: SATC2, An Englishman in NY, “Smash,” “ATWT,” “GL,” “DWTS.” Concerts: NY Pops (Carnegie Hall), Boston & Cincinnati Pops, Naples Philharmonic, Baltimore & Indianapolis Symphony. Boston Conservatory. nickadams.biz. @thenickadams.

JENNY FLORKOWSKI (Nessarose).

Broadway: Wicked. National tours: Irving Berlin’s White Christmas, 42nd Street, Cats. Regional: Goodspeed Opera House, Sacramento Music Circus, Walnut Street Theatre, North Shore Music Theatre, Ogunquit Playhouse, Maltz Jupiter Theatre, Kansas City Rep, Atlanta TOTS. She is also a proud member of the Spangles Dance Company—changing the world one body roll at a time! Love and thanks to her amazing family!

TOM FLYNN (Dr. Dillamond) happily returns to the first national tour, having most recently played the role of Dr. Dillamond on Broadway.

Broadway: Wicked, Tommy, Juan Darien and How to Succeed revival. National tours: Les Misérables, Evita, Chess and Terrence McNally’s The Lisbon Traviata. Regional theater: leading roles at The Mark Taper Forum, Huntington Theater, La Jolla Playhouse, Actor’s Theater of Louisville, Center Stage, O’Neill Center, Studio Arena, SCR, et al.

JESSE JP JOHNSON (Boq). After spending some time with the Broadway company, Jesse is stoked to be joining Wicked on the road!

Broadway: Glory Days (Jack), Xanadu, Altar Boyz (Luke). National tours: 9 to 5, Grease (Doody), Altar Boyz (Luke), Oklahoma!. TV: “One Life to Live.” Love and thanks to his fam, Telsey + Co., Penny Luedtke and all those who have been a big part of this new chapter in his life including his skateboard. jessejpjohnson.com.

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WHO’S WHO IN THE CAST JUD WILLIFORD (Dr. Dillamond) is an LA based actor/director and has been seen in regional theaters across the country including BOB (Echo theater company member), Around the World in 80 Days, Scapin (w/ Bill Irwin), 12 Angry Men (dir. Frank Galati), Time of Your Life (dir.

Tina Landau), Macbeth (title role), Saturn: the Musical (w/ Geoff Galfer/Alexander Oakwood) et al. As a director (Los Angeles): Matt and Ben, Tracers. Jud is a proud and active participant in his marriage to Mackenzie Kyle Williford.

EMMY RAVER-LAMPMAN (Standby for Elphaba) is ecstatic about joining the Wicked family! Favorites: A Night With Janis Joplin (Broadway), Jekyll & Hyde (Broadway/tour), Hair (Broadway/tour). Graduate of Marymount Manhattan College. Many thanks to Telsey + Co., Nicolosi & Co., the Wicked team, her loving parents and wonderful friends. *Huh?!* -maintenant.

TODD ANDERSON (Swing, u/s Chistery).

Broadway: A Chorus Line (u/s Zach, Mike, Al, Greg, Bobby), Sweet Charity, Boy From Oz. OffBroadway: The Wild Party, Garden of Earthly Delights. Tours: Dirty Rotten Scoundrels (u/s Freddy Benson), Tap Dogs.

SHAYLA BECK (Ensemble, u/s Elphaba, Nessarose) is beyond thrilled to join the cast of Wicked. Other credits: 9 to 5 (Doralee), Oklahoma! (Ado Annie), Grease (Frenchy), Dirty Rotten Scoundrels (Christine), Children of Eden (Eve), Les Misérables (Fantine). Special thanks to family and friends.

DINA BENNETT (Midwife, u/s Madame Morrible) is thrilled to join the Wicked tour!

Internationally recognized, she has been featured with Les Brown, Jr. and the Band of Renown and The Glenn Miller Orchestra. Regional: Titanic, Bat Boy, Song of Singapore, Lies & Legends, Chess, Pippin.

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WHO’S WHO IN THE CAST NIKKI BOHNE (Ensemble, u/s Glinda) was last seen on Broadway in Bring It On: the Musical (Eva, Campbell Standby). Nat’l tour: Legally Blonde (Elle Woods), Bring It On. Regional: Grease (Sandy), Aida (Amneris), Annie Get Your Gun (Annie). B.F.A. in Musical Theater from BYU. This one is for Mom. LAUREN BOYD (Ensemble). National tour: West Side Story (Bebecita, u/s Consuela). Disney’s Aladdin, “Dancing With The Stars,” IPB, PDT, ABT, SAB, SFB, PNB & Alonzo King’s Lines.

Love and gratitude to family and Savior Jesus.

Proud AEA member. @LaurenMBoyd.

KYLE BROWN (Ensemble, u/s Fiyero).

Broadway: Priscilla Queen of the Desert (Ensemble, Pointe soloist, u/s Frank), Legally Blonde (Carlos, u/s Kyle/Dewey). National tour: Legally Blonde. NY: Gentlemen Prefer Blondes (City Center Encores). Regional: A Chorus Line (Greg) at Paper Mill Playhouse, PCLO, MUNY, NSMT. Training: B.F.A. CCM, Walnut Hill School.

NIRINE S. BROWN (Ensemble) is flying high about joining Wicked! Credits: Radio City Rockette.

Training: Bernice Johnson (Alumni), KECDE, Devore Dance School, Alvin Aliey School. Forever grateful to God, Telsey + Co., Agent TScott, family and friends for believing in me.

JOHN CARROLL (Ensemble). Broadway: Follies, Women on the Verge… Off-Broadway/ tours: On The Town, Applause, No Strings, A Chorus Line, Chicago, Movin’ Out, Fosse.

Dance: Parsons Dance Company. Film/TV: Winter’s Tale, “SNL,” “Smash,” “Comedy Central,” “AGT.” Graduate: The Juilliard School.

Husband: Michael. www.TheJohnCarroll.com.

to-Be) at TUTS & Theatre Aspen, Sound of Music (Liesl) and Les Misérables (u/s Cosette) at Tuacahn.

Member AEA. Special thanks to Telsey + Co., friends, family and Sean! www.TessFerrell.com.

TIMOTHY A. FITZ-GERALD (Ensemble, u/s Fiyero, Witch’s Father, Ozian Official).

Broadway: Boy from Oz. Off-Broadway: Wind in the Willows, Reefer Madness. L.A.: Rocky Horror Show. National Tours: Titanic, Joseph…, Wicked (Chicago). Regional: Urinetown, Forever Plaid, The Fantasticks, Grey Gardens. Proud graduate of Syracuse University, and AEA member. Love to family friends and Bffys.

DOMINIC GIUDICI (Swing, u/s Chistery).

Credits: Wicked second national (Dance Captain/ Swing), Wicked first national (Chistery), Radio City Christmas Spectacular and Disney World.

Many thanks to my family, Grandma, Grandpa, The Harts, Linda, Telsey + Co. and Nicole.

Twitter: @DomJuice.

BRENDA JEAN HAMILTON (Swing, u/s Nessarose) is thrilled to join the Wicked tour after performing in the Broadway company.

Equity tours: Dirty Rotten Scoundrels, Some Like It Hot. Regional: A Chorus Line (Paper Mill Playhouse) and Joseph… (North Carolina Theater). Thanks Telsey + Co. and Clear Talent!

Love to family and Bffys!

SPENCER JONES (Dance Captain, Swing, u/s Chistery) is so thankful to be a part of this amazing show. Broadway: Wicked (Dance Captain). Tours: Grease, A Chorus Line, Footloose, The Music Man. NY: Radio City Christmas Spectacular.

Regional: Paper Mill Playhouse. For Mom, Dad, Ryan, Adam, and Huns!

RICK DESLOGE (Ensemble, u/s Boq) believes in dreams. Regional: Joseph…, Treasure Island, Grease, Forever Plaid…. Proud St. Louis native and IU grad, Rick thanks you for supporting the arts. Follow the journey @rickdesloge. www. rickdesloge.com. For my father.

KEVIN JORDAN (Swing, u/s Chistery) is proud to be part of the Wicked family. Other credits include Altar Boyz (Mark); Cats (Skimbleshanks); You’re a Good Man, Charlie Brown (Schroeder); A Chorus Line (Swing).

B.F.A. from BYU. Love to family and friends.

TESS FERRELL (Swing, u/s Nessarose).

Broadway: Wicked. National tours: Jesus Christ Superstar. Regional credits include: Annie (Star-

SHEILA KARLS (Ensemble, u/s Madame Morrible) is thrilled to be joining the cast of Wicked! Regional credits: The 25th Annual

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WHO’S WHO IN THE CAST Putnam County Spelling Bee (Rona Lisa); Legally Blonde, The Musical! (Enid); Cabaret (Sally Bowles). Training: Circle in the Square Theatre School, CalArts and Interlochen Arts Academy. Thanks to Mark and Steven!

TREVOR RYAN KRAHL (Ensemble) joins us from New York City and is honored to be part of this cast! He thanks his friends and family for their endless love and support, without whom he would not be here.

REBECCA KRITZER (Ensemble) couldn’t be happier to join Wicked! In The Heights (first national/Actors’ Playhouse), Princess Cruise Lines. B.A. NYU magna cum laude. Unwavering gratitude to Telsey + Co., the creatives and my ridiculously supportive family. I’m lucky. reberoad.blogspot.com.

KELLY LAFARGA (Swing) feels honored to join Wicked. Film: Step Up 2: The Streets, Step Up 3D. TV: “Glee,” “Bones,” “How I Met Your Mother,” “Dancing with the Stars.” Tours: Eve, Donnie Klang. Marymount Manhattan College.

Thanks Mom, Nina and Sasha for their endless love and support. Dad, I love and miss you always.

MARINA LAZZARETTO (Witch’s Mother, Ensemble) is thrilled to be joining Wicked.

Broadway: West Side Story (Dance Captain).

Tours: Come Fly Away (first national), West Side Story (West End/European tour). Also The Radio City Christmas Spectacular (New York, Toronto). Many thanks to my wonderful family!

ALLISON LEO (Swing). Wicked Broadway, 1st Nat’l Tour, SF, Chicago; Aida Broadway, 1st Nat’l Tour (Dance Captain); Rent (World Tour). TV/film highlights: Winter’s Tale (Warner Bros.), A Christmas Carol (Disney), “Scrubs,” “Six Feet Under,” “AMA’s,” Rent, Charlie’s Angels. Asst. Choreographer: “State of the Union” (Showtime), Aida (Japan), Lennon (Broadway) and “Ugly Betty” (ABC).

MARISSA LUPP (Dance Captain, Swing) is stoked to be a Dance Captain after previously performing as a Glinda u/s and Swing. B.F.A.: NYU. Love and thanks to Mom, Dad, Telsey

+ Co, and the entire Wicked family—especially Jason and Shanna.

STERLING MASTERS (Swing) is happy to be back in the Emerald City! Wicked (Dance Captain), A Chorus Line, Joseph…Dreamcoat (Dance Captain), Thoroughly Modern Millie (Dance Captain), Fosse. Love and thanks to Corinne, MSA and her awesome family!

RAYMOND JOEL MATSAMURA (Chistery) is beyond thrilled to join such an incredible production. Credits: CATS (Pouncival), Jesus Christ Superstar (Bartholomew), Disney’s Aladdin Musical Spectacular (Ensemble). Thank you and love to family and friends. “Nothing is more powerful than beauty in a Wicked world.”

JONATHAN McGILL (Ensemble). L.A. native, NYU grad, and 5th year “Shiz University” Senior. Broadway: Wicked. Tour: Movin’ Out. NY: Radio City Christmas Spectacular. Thanks to God, Mom, family, and friends.

KEVIN McMAHON (Witch’s Father, Ozian Official, u/s The Wizard, Dr. Dillamond). National tours: City of Angels, Forever Plaid, Fantasticks.

Off-Broadway: Little Moon of Alban. Select regional: The Full Monty (Ovation nomination), A New Brain, A Little Night Music, Sweeney Todd.

Boston Conservatory graduate, CD on iTunes, more info: www.kevin-mcmahon.com.

SHANON MARI MILLS (Ensemble, u/s Glinda) is excited to be in Oz! Recent: Cathy Rigby is Peter Pan (Curly, u/s Peter—Off B’way, nat’l tour), Sugar (Sac. Circus), The Grinch…

(Pantages), South Pacific (Hollywood Bowl).

Love to Greg, M&D, S9, family and friends for your endless support!

CONSTANTINE ROUSOULI (Ensemble, u/s Fiyero, Witch’s Father, Ozian Official) is honored to be joining the cast of Wicked.

Broadway: Ghost, Hairspray (Link Larkin).

National Tours: Legally Blonde (Nikos/ Padamadan, u/s Warner), Hairspray. Regional: White Noise (u/s Jake and Duke). PBS Special “Broadway at the White House.”

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WHO’S WHO CHRISTOPHER RUSSO (Ensemble, u/s The Wizard, Dr. Dillamond, Witch’s Father, Ozian Official). Broadway: The Grapes of Wrath (Al Joad—Steppenwolf), Meet Me in St. Louis (John u/s). Equity national tours: Miss Saigon (Chris u/s), The Who’s Tommy (Ernie). TV: “Law & Order: CI,” “Baywatch Hawaii,” “North and South.” Film: The Manchurian Candidate; lead role in Limbo, an indie feature.

DANIEL SWITZER (Ensemble, u/s Boq). National tour: Mungojerrie in Cats (30th anniversary). Regional: The MUNY, Musical Theatre West, 3-D Theatricals, PCPA Theatrefest, Artists’ Ensemble. Thanks to Telsey + Co., Jodie, Rockford University, friends and family especially Mom and Grandma. Ecstatic to be traveling over the rainbow!

STEPHEN SCHWARTZ (Music and Lyrics) has contributed music and/or lyrics to Godspell, Bernstein’s Mass, Pippin, The Magic Show, The Baker’s Wife, Working (which he also adapted and directed), Rags and Children of Eden. For films, he collaborated with Alan Menken on the scores for Disney’s Pocahontas, The Hunchback of Notre Dame and Enchanted and wrote the songs for the DreamWorks animated feature The Prince of Egypt. His first opera, Séance on a Wet Afternoon, was presented by New York City Opera in April, 2011. Defying Gravity, a book about his professional career, was recently published by Applause Books. Mr. Schwartz is the artistic director of the ASCAP Musical Theatre Workshops and president of the Dramatists Guild.

Awards include three Academy Awards, four Grammy Awards, a star on the Hollywood Walk of Fame and a tiny handful of tennis trophies. He was recently inducted into the Theatre Hall of Fame. www.stephenschwartz.com.

WINNIE HOLZMAN (Book) received a Tony nomination and a Drama Desk Award for Wicked. She created the memorable television drama “My So-Called Life” which starred Claire Danes. Holzman got her start writing for the acclaimed drama “thirtysomething” and later executive produced (again with Marshall Herskovitz and Edward Zwick) “Once and Again.” Other theater work includes the musical

WHO’S WHO Birds of Paradise (with composer David Evans) and a 10-minute play called Post-its: Notes on a Marriage which she wrote with her husband, actor Paul Dooley. Features include: ’Til There Was You. Also an actress, Ms. Holzman appeared in Jerry Maguire and as Larry’s wife’s therapist on “Curb Your Enthusiasm.”

Most recently she teamed with her daughter, Savannah Dooley, to write and produce the new ABC Family series, “Huge.” She is a graduate of Princeton University, received an M.F.A. from the NYU Musical Theatre Program, and serves on the board of the Writers Guild Foundation.

JOE MANTELLO (Director). Directing credits include I’ll Eat You Last with Bette Midler, Other Desert Cities, The Pride, Pal Joey, 9 to 5 the Musical, November, The Receptionist, The Ritz, Three Days of Rain,The Odd Couple, Glengarry Glen Ross, Laugh Whore, Assassins (Tony Award), Take Me Out (Tony Award), Frankie and Johnny in the Clair de Lune, Design for Living, The Vagina Monologues, bash, Love! Valour!

Compassion!, Proposals, The Mineola Twins, Corpus Christi, Mizlansky/Zilinsky, Blue Window, God’s Heart, The Santaland Diaries, Snakebit, Three Hotels, Imagining Brad. Film: Love! Valour! Compassion! As an actor: The Normal Heart (Tony nom.), Angels in America (Tony nom.) and The Baltimore Waltz. Recipient of Outer Critics Circle, Drama Desk, Lucille Lortel, Helen Hayes, Clarence Derwent, Obie and Joe A. Callaway awards. He is a member of Naked Angels and an associate artist at the Roundabout.

WAYNE CILENTO (Musical Staging).

Broadway: Sweet Charity (Tony nom.), Aida, The Who’s Tommy (Tony, Drama Desk, Astaire awards), How to Succeed… (Tony nom.), Dream: The Johnny Mercer Musical (director/ choreographer; Tony nom., Best Choreography), Jerry’s Girls, Baby (Tony nom.). West End: The Who’s Tommy (Olivier nom.). Other credits: OffBroadway’s A Hot Minute and Angry Housewives, national tour of Spirit, …Forum at La Jolla (San Diego Drama Critics and Drama-Logue awards).

Performer credits: A Chorus Line (Mike, original cast), The Act, Seesaw, Perfectly Frank, Irene,

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WHO’S WHO IN THE CAST Big Deal, Rachel Lily Rosenblum and Dancin’ (Tony nom.). He has done musical staging for Liza Minnelli, Barry Manilow, Chita Rivera, Billy Joel, Donna Summer and Pete Townshend.

EUGENE LEE (Scenic Designer) has been resident designer at Trinity Rep since 1967.

He has B.F.A. degrees from the Art Institute of Chicago and Carnegie Mellon University, an M.F.A. from Yale Drama School and three honorary Ph.Ds. Mr. Lee has won three Tony Awards for Bernstein’s Candide, Sondheim’s Sweeney Todd and Wicked. He is the production designer for NBC’s “Saturday Night Live.”

Other New York theater work includes The Pirate Queen, Alice in Wonderland, The Normal Heart, Agnes of God, Ragtime, Uncle Vanya, Ruby Sunrise and A Number. Film credits include Coppola’s Hammett, Huston’s Mr. North and Malle’s Vanya on 42nd Street. Mr. Lee is an adjunct professor at Brown University and lives with his wife Brooke in Providence, where they raised their two sons.

D A Y N E S

SUSAN HILFERTY (Costume Designer) has designed more than 300 productions for theaters across America and internationally. Her directorial collaborators include Athol Fugard (set, costumes, co-director), Michael Mayer, James Lapine, Robert Falls, Robert Woodruff, Joe Mantello, JoAnne Akalaitis, Garland Wright, Mark Lamos, Frank Galati, Des McAnuff, Sharon Ott, David Petrarca, Richard Nelson, Christopher Ashley, Kenny Leon, Laurie Anderson, Tony Kushner, Carole Rothman, Garry Hynes and Emily Mann.

Recent work: Rigoletto at the Metropolitan Opera 2012/2013, Taylor Swift “Speak Now” World Tour 2011/2012. Broadway: Wonderland, Sondheim on Sondheim, Spring Awakening (Tony nom.), Lestat (Tony nom.), Assassins, Into the Woods (Hewes Award, Tony nom.), Dirty Blonde.

She designs for opera, dance, film and TV and chairs Design at NYU/Tisch. Her numerous awards include the Tony, Drama Desk and Outer Critics Circle awards for Wicked.

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KENNETH POSNER (Lighting Designer) has more than 40 Broadway play and musical theater credits. He designs extensively off-Broadway and for resident theaters throughout the United States as well as internationally. He is the recipient of the Tony, Drama Desk and Outer Critics’ Circle awards. Broadway: Cinderella, Kinky Boots, Pippin, The Merchant of Venice, The Royal Family, The Coast of Utopia—Shipwrecked, Wicked, Hairspray, 9 to 5, Catch Me If You Can, Dirty Rotten Scoundrels, Legally Blonde, The Homecoming, The Odd Couple, Glengarry Glen Ross, …Charlie Brown, The Frogs, Little Women, The Goat…, Uncle Vanya, The Little Foxes and The Rose Tattoo. Opera credits include designs for the New York City Opera and the Chicago Symphony Orchestra. Kenneth was the recipient of the 2003 Obie Award for Sustained Excellence in Lighting Design.

TONY MEOLA (Sound Designer). Broadway: Lysistrata Jones (associate producer as well as sound design); Pal Joey; The Ritz; Laugh Whore; Man of La Mancha; Sweet Smell of Success; Copenhagen; Kiss Me, Kate; Footloose; The Lion King (Drama Desk Award); The Sound of Music; A Christmas Carol (MSG), Steel Pier; …Forum; The King and I; Moon Over Buffalo; Smokey Joe’s Cafe; Guys and Dolls; Five Guys Named Moe; She Loves Me; The Red Shoes; Anything Goes. London: Kiss Me, Kate; The Lion King; Smokey Joe’s Cafe; and Anything Goes. National and international: The Lion King, Les Misérables, Mozart, Der Gloeckner von Notre Dame. Tony is a graduate of Ithaca College’s Department of Theatre Arts. Thanks, Dick.

ELAINE J. McCARTHY (Projection Designer). Recent Broadway designs include The People in the Picture, Impressionism, Thurgood, Spamalot, Assassins, Man of La Mancha, Into the Woods and Judgement at Nuremberg. Opera designs include Moby Dick (Dallas Opera), Dead Man Walking (Houston Opera), Mazeppa (Metropolitan Opera), War and Peace (Kirov and Met Opera), Tan Dun’s The Gate and Peter Sellar’s The Peony Pavilion. Off-Broadway designs include Frequency Hopping (set and projection), Embedded, The Stendhal Syndrome, Suitcase, Speaking in Tongues and The Thing

WHO’S WHO IN THE CAST About Men. Regional designs include Distracted (set and projection), Limonade tous les Jours, Fran’s Bed, Once in a Lifetime, Cobb and Hair.

She received an Eddy Award in 2003.

TOM WATSON (Wig and Hair Designer) is head of the wig and makeup department at the Metropolitan Opera. He has designed wigs for more than 50 Broadway productions. Current and recent Broadway designs include On a Clear Day…; How to Succeed…; Wonderland; House of Blue Leaves; Born Yesterday; The Addams Family; Million Dollar Quartet; Rock of Ages; Promises, Promises; Elling; South Pacific; Sondheim on Sondheim; A View from the Bridge; and Sunday in the Park with George.

JOE DULUDE II (Makeup Designer). Makeup Designer for Wicked productions worldwide.

Broadway: Follies, The Normal Heart, Catch Me If You Can, Elf, Lend Me A Tenor, Grease, The Wedding Singer, Assassins, Into the Woods (key makeup Vanessa Williams). Film and Television: E!, Style, Lifetime, PBS, “Access Hollywood.” Print: Vanity Fair, Marie Claire, Vibe, Rolling Stone.

THOM WIDMANN (Production Supervisor).

Ten productions for Lincoln Center Theater including The Light in the Piazza, The Frogs and Contact. Other credits: The Sound of Music, The

King and I, Amy’s View, Skylight and the nat’l tour of An Inspector Calls. Graduate of SUNY Purchase. Adjunct faculty, Fordham University.

JAKE BELL (Technical Supervisor) has been a stage manager and technical production manager on Broadway for more than 25 years.

Broadway, national and international credits include The Phantom of the Opera, Billy Elliot, Les Misérables, Chitty Chitty Bang Bang, Miss Saigon, Swan Lake, Dreamgirls, Cats, Chess.

STEPHEN OREMUS (Music Supervisor/ Arranger). Broadway: Received the 2011 Tony and Drama Desk awards for co-orchestrating The Book of Mormon, as well as the 2012 Grammy Award for producing the cast recording; Worldwide Music Supervisor/Arranger of Wicked, Music Supervisor/Vocal Arranger/ Orchestrator of Kinky Boots, Book of Mormon, Avenue Q, All Shook Up and 9 to 5; Co-producer (with Dolly Parton) of the Grammy-nominated 9 to 5 Broadway cast recording. Other: Music Supervisor/Vocal Arranger/Orchestrator of tick, tick...BOOM!; Music Director of Andrew Lippa’s The Wild Party; Music Director/Conductor for the Rufus Wainwright Sings Judy Garland concerts.

WILLIAM DAVID BROHN (Orchestra­ tions) received the 1998 Tony Award for Best Orchestrations for Ragtime. Other credits include

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WHO’S WHO IN THE CAST Mary Poppins, Curtains, Miss Saigon, The Secret Garden, Show Boat, Crazy for You, Carousel, Sweet Smell of Success, Oklahoma! (B’way); Mary Poppins, Oliver!, My Fair Lady, South Pacific (London); and Betty Blue Eyes. He has provided arrangements for Marilyn Horne, James Galway, Placido Domingo and Joshua Bell’s recording on Sony Classical of Bernstein’s West Side Story Suite for Violin and Orchestra.

John O’Hurley), Avenue Q. National Tours: Avenue Q, Pippin, Thoroughly Modern Millie, Seussical the Musical (starring Cathy Rigby), The Music Man, Footloose and European tours of Hair and Grease. Regional: Aida, Annie, Footloose (MUNY), Aida, Fame (NSMT). Degrees from both Capital University in Columbus, Ohio and Trinity College of Music in London.

ALEX LACAMOIRE (Music Arrange­ments) is the Music Supervisor for In the Heights, which won him the 2008 Tony Award for Best Orchestrations and a 2008 Grammy Award for producing the cast album. Other Broadway credits as Music Director, Arranger and/or Orchestrator: 9 to 5, High Fidelity and Legally Blonde. Other favorite projects: Bat Boy: The Musical (off-B’way), the 2001 nat’l tour of Godspell, Captain Louie and The Wiz (City Center Encores!). Love to Mom, Dad, Little Sis and Ileana.

JAMES LYNN ABBOTT (Dance Arrange­ ments). Broadway: Aida, Tarzan, Bombay Dreams, Rent, Footloose, Joseph…, Cats, Sunset Boulevard and Miss Saigon. National tours include Starlight Express, Kiss of the Spider Woman, The Who’s Tommy and Jesus Christ Superstar. He has performed with Aretha Franklin, Dennis De­Y oung of Styx, Shirley Bassey, Bob Hope, Vanessa Williams and Elton John. Clients include Dr Pepper, Frito Lay, American Airlines and General Electric.

ANDREW GRAHAM (Musical Director). New York: Avenue Q. Las Vegas: Spamalot (starring

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Music Coordination for The Book of Mormon,

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The Addams Family, Memphis, Billy Elliot, Wicked, Mamma Mia, The Lion King, Barbra Streisand Concerts (1994/2001/2006/2007). Life is complete with wife Pamela Sousa, son Zachary and daughter Alexis.

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TELSEY + COMPANY (Casting). Broadway/ Tours: If/Then, The Bridges of Madison County, All the Way, Motown, Kinky Boots, Newsies, Rock of Ages, Evita, Porgy and Bess, Sister Act, Million Dollar Quartet. Off-Broadway: Atlantic, MCC, Signature. Regional: A.R.T., Dallas Theater Center, Goodman, La Jolla, Paper Mill, Signature. Film: Into the Woods, The Last Five Years, The Odd Life of Timothy Green, Friends with Kids, Margin Call, Sex and the City 1 & 2. TV: “Masters of Sex,” “The Sound of Music Live!,” “Smash,” “The Big C,” commercials. www.telseyandco.com.

LISA LEGUILLOU (Associate Director) worked with Joe Mantello on Frankie and Johnny…, Take Me Out and The Vagina Monologues. She appeared in eight Broadway shows; on TV in “Sex and the City,” “NYPD Blue” and “NY Undercover;” and in the films Changing Lanes, Center Stage, Everyone Says I Love You and HBO’s “Angels in America.”

STEPHEN SPOSITO (Resident Director).

As director: Shrek (national tour). As associate director: How to Succeed in Business…; Cat on a Hot Tin Roof; Promises, Promises; Dogfight.

Graduate of The University of Michigan (Directing Program).

DOMINICK AMENDUM (Assoc. Music Supervisor). Broadway: Wicked, First Date.

National tour: Wicked, Oliver!, Cabaret. OffB’way: The Kid, The Blue Flower. Regional: Secondhand Lions. Producer of multiple recordings including First Date cast album.

Thanks to Wicked family.

CORINNE McFADDEN HERRERA (Asso­ ciate Choreographer) has worked with, and assisted, Wayne Cilento on Sweet Charity (Broadway and national tour) and Wicked (Broadway). As a performer, Corinne was featured in the Broadway revival of Sweet Charity, and the

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WHO’S WHO IN THE CAST original companies of Aida and Wicked. She has also appeared in, and assistant choreographed, numerous commercials and music videos. Thanks to Mom, Dad, Manny and Wayne.

EDWARD PIERCE (Associate Scenic Designer) operates a NYC-based design studio specializing in the production design of Broadway, touring and international stage productions. With his team of artists, Edward provides first-class development and management of designs.

Notable collaborations include the Tony Awardwinning Wicked with Eugene Lee, Billy Elliot, The Pirate Queen, Aida, Ragtime, Cabaret and Noise/Funk. www.edwardpierce.com.

CHIC SILBER (Special Effects). Broadway: Sherlock Holmes; Edward Gorey’s Dracula; The Elephant Man; Amadeus; Nicholas Nickleby; Tintypes; Working; The Dresser; Alice in Wonderland; Grand Hotel; Piaf; Orpheus Descending; Moon Over Buffalo; Footloose; The Civil War; Aida; Kiss Me, Kate; Annie Get Your Gun; Dance of Death; Brooklyn; La Cage aux Folles; Godspell. Circus: Monte Carlo Circus Spectacular, Ringling Bros. and Barnum & Bailey, Clyde Beatty-Cole Bros.

House on the Prairie The Musical (Paper Mill Playhouse), Christmas Eve with Christmas Eve (BC/EFA Benefit). Graduate of Columbia University. Endless love and thanks to my family and friends for their support, especially Mom, Dad and Sarah—for Mommom.

ELIZABETH LOHR (Assistant Stage Manager).

After many years working in regional theatre, Ms. Lohr began touring with Les Miserables in 2003 and joined Wicked in 2006. Ms. Lohr has been a member of Actors’ Equity Association since 1987.

GREGORY MAGUIRE (Author of Original Novel) published a dozen novels for children before writing his first adult novel, Wicked. A devotee of children’s fantasy, Maguire’s subsequent novels for adults are variations-on-a-theme: Confessions of an Ugly Stepsister considers Cinderella as a 17thcentury maid from Haarlem; Lost evokes the ghost of Charles Dickens’s Scrooge; and Mirror Mirror features a High Renaissance Snow White daunted by the wickedest stepmother, Lucrezia Borgia.

DAVID O’BRIEN (Production Stage Manager).

Broadway: Godspell, Wonderland, Lend Me a Tenor (2010), Grease!, The Pajama Game, Sweet Charity, Fiddler on the Roof (2004), Noises Off, Stones in His Pockets, Cats, Guys & Dolls, among others. Directing credits include 59th FIFA Congress (2009) at Atlantis (Nassau) as well as the most recent national tours of Grease (2008 and 2010).

ROLANDO A. LINARES (Stage Manager) comes from the Chicago company of Wicked.

He has worked as a stage manager at The Goodman Theatre in Chicago (A Christmas Carol, Electricidad, Proof, The Story and the world premiere of Bounce). Chicago Shakespeare Theater (Pacific Overtures, Romeo & Juliet).

Born and raised in Panama, he is a graduate of The Theatre School at DePaul University.

MOLLY BRAVERMAN (Assistant Stage Manager). Broadway: Wicked. Off-Broadway: The Picture of Dorian Gray. Regional: Little

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WHO’S WHO IN THE CAST Maguire’s novel Son of a Witch, a sequel to Wicked, is followed by A Lion Among Men and the final volume of the Wicked Years, Out of Oz. He lives in Massachusetts and Vermont with his husband, the painter Andy Newman, and their three children.

321 THEATRICAL MANAGEMENT (General Management) is currently represented

by Peter and the Starcatcher. Nina Essman, Nancy Nagel Gibbs and Marcia Goldberg’s past Broadway, Off-Broadway and national tour management credits include Bring It On: The Musical; Sister Act; Traces; Next To Normal; The 25th Annual Putnam County Spelling Bee; Man of La Mancha; The Graduate; I Love You, You’re Perfect, Now Change; and Bat Boy: The Musical. Additional individual productions include The Lion King; Smokey Joe’s Café; The Vagina Monologues; The Santaland Diaries; and The Diary of Anne Frank.

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MARC PLATT (Producer) is currently represented on Broadway by Wicked and If/

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NOW – OCT 18

Then. Broadway: Three Days of Rain, Pal Joey.

Off-Broadway: Matthew Bourne’s ballet Edward Scissorhands, Family Week. Films: 2 Guns, Drive, Scott Pilgrim vs. The World, Nine, Rachel Getting Married, Wanted, Legally Blonde, Legally Blonde 2, Winter’s Tale, Charlie St. Cloud, Cop Out, The Other Woman, Honey, Josie and the Pussycats, The Perfect Man, The Seeker: The Dark Is Rising.

Upcoming Films: Into The Woods, Song One, Lost River. Television: “Taking The Stage” (MTV); “Empire Falls” (HBO); “Once Upon A Mattress” (ABC); “The Path To 9/11” (ABC). Mr. Platt served as president for three movie studios (Orion, TriStar and Universal).

UNIVERSAL STAGE PRODUCTIONS (Producer) is the live-theater division of the world-famous motion picture studio, currently represented by the record-breaking phenomenon Wicked, now in its 10th hit year on Broadway, and the critically acclaimed musical adaptation of Billy Elliot, which won ten Tony Awards including Best Musical. Additional credits

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THE ARACA GROUP (Producer). Founded in 1997 by partners Matthew Rego, Michael Rego and Hank Unger, The Araca Group produces and merchandises live entertainment and theatrical events on Broadway and around the world. For more information please visit: araca.com.

JON B. PLATT (Producer). Tony Awards: Angels in America: Millennium Approaches (Pulitzer Prize), Perestroika, Clybourne Park (Pulitzer Prize), Copenhagen, God of Carnage, The Book of Mormon, Death of a Salesman.

Tony Award nominations: Wicked; Peter Pan; The Diary of Anne Frank; Hello, Dolly!; The Lonesome West; You’re Welcome America; Man of La Mancha; A View From the Bridge; The Motherf**cker With the Hat; Jerusalem; Venus in Fur; Nice Work If You Can Get It. Off-Broadway:

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STAFF FOR WICKED GENERAL MANAGEMENT 321 Theatrical Management Nina Essman, Nancy Nagel Gibbs, Marcia Goldberg CASTING TELSEY + COMPANY: Telsey + Company: Bernie Telsey CSA, Will Cantler CSA, David Vaccari CSA, Bethany Knox CSA, Craig Burns CSA, Tiffany Little Canfield CSA, Rachel Hoffman CSA, Justin Huff CSA, Patrick Goodwin CSA, Abbie Brady-Dalton CSA, David Morris, Cesar A. Rocha CSA, Andrew Femenella CSA, Karyn Casl CSA, Kristina Bramhall, Conrad Woolfe, Rachel Nadler, Rachel Minow, Sean Gannon, Scott Galina

TECHNICAL SUPERVISION JAKE BELL PRODUCTION SERVICES LTD. TOUR PRESS REPRESENTATIVE­­ Phillip Aleman Justin O’Neill COMPANY MANAGER............................STEVE QUINN ENGAGEMENT MANAGER..................KEN SILVERMAN PRODUCTION ADMINISTRATOR.........BOB BRINKERHOFF PRODUCTION STAGE MANAGER...............DAVID O’BRIEN Stage Manager.............................Rolando A. Linares Assistant Stage Managers...............Molly Braverman, Elizabeth Lohr Assistant Company Manager......... Rebecca Azenberg Resident Director.............................Stephen Sposito Associate Music Supervisor......... Dominick Amendum Dance Supervisor.................................... Mark Myars Assistant Choreographer............ Kristen Leigh Gorski Assistant to Mr. Schwartz...................... Michael Cole Assistant Scenic Designer.................... Nick Francone Oz Map Design..................................Francis Keeping Costume Coordinator for Wicked Worldwide.................Amanda Whidden Wig Coordinator.................................. J. Jared Janas Assistant Costume Designers................Amela Baksic, Amy Bradshaw, Amy Clark, Martin Lopez, Mary-Margaret O’Neill, Cathy Small Associate Lighting Designer....................Karen Spahn Assoc. Lighting Designer/ Automated Lights............................ Warren Flynn

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Assistant Lighting Designer.................... Aaron Spivey Assoc. Sound Designer/ Prod. Sound Engineer......................... Kai Harada Assistant Sound Designer........................Adam Rigby Projection Programmer............................ Hillary Knox Assistant Projection Designer.............. Jake Pinholster Projection Animators............................ Gareth Smith, Ari Sachter-Zeltzer Special Effects Associate.........................Aaron Waitz Flying Effects................................ZFX Flying Illusions Associate Hair Designer....................Charles LaPointe Production Carpenter.............................Rick Howard Head Carpenter................................ LaVoid McKibbin Automation Carpenter............................. Alden Corey Assistant Carpenters........................... Stuart Dobbie, Kent Hasper, Tony Ward Production Electrician...................... Robert Fehribach Head Electrician.......................................Todd Davis Assistant Electricians.......... Kevin Ankele, Edgar Vanegas Production Properties Supervisor....... George Wagner Head Properties................................Richard Dalglish Assistant Properties...................... Rachel Juozapaitis Head Sound Engineer......................Michael Weferling Assistant Sound Engineer...................... Mitch Tracey Production Wardrobe Supervisor.............Alyce Gilbert Wardrobe Supervisor.............................. Elmo Struck Assistant Wardrobe Supervisors....... Debbie Burkman, Janet Cadmus Hair Supervisor......................................Lisa Thomas Assistant Hair Supervisor........................David Bryant Makeup Design................................ Joseph Dulude II Makeup Supervisor............................ Christina Knapp Masks and Prosthetics.................W.M. Creations, Inc. Matthew W. Mungle, Miyo Yamamoto Advance Carpenters..................... Maikalili Brummett, Christopher Cory, Michael Eickmeyer, Dave Rader, Dennis Richards Advance Electricians............................... Michael Cornell, Jim Peliwo Advance Sound.................Brian Moore, Laurie Turnau Advance Wardrobe........................... Patricia Emmert Assistant Technical Supervisor..............Ana M. Garcia Music Preparation............. Anixter/Rice Music Service Synthesizer Programming................... Andrew Barrett Guitar Effects Programming...................Chuck Pierce Advertising................. Serino Coyne/Greg Corradetti, Caroline Thompson, Dana Zell

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EXCLUSIVE TOUR DIRECTION Stephen Lindsay Brett Sirota The Road Company www.theroadcompany.com

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CREDITS Scenery built by F&D Scene Changes. Scenic motion control featuring Stage Command Systems© by Scenic Technologies, a division of PRG. Lighting equipment from PRG Lighting; Sound equipment from PRG Audio, both divisions of Production Resource Group LLC. Special effects by Sunshine Scenic Studios & Aztec Stage Lighting. Video projection system by Scharff Weisberg Inc. Projections by Vermilion Border Productions. Costumes by Barbara Matera Ltd., Parsons-Meares Ltd., Tricorne, Eric Winterling, Scafati, & Cego. Millinery by Rodney Gordon & Lynne Mackey Shoes by T.O. Dey, Frederick Longtin, LaDuca & J.C. Theatrical. Flatheads & monkey wings by Michael Curry Design Inc. Life-casts by Todd Kleitsch and Sunday Englis. Fur by Fur & Furgery. Undergarments & hosiery by Bra*Tenders, Inc. Antique jewelry by Ilene Chazanof. Specialty jewelry & tiaras by Larry Vrba. Custom Oz accessories by LouLou Button.

Custom screening by Gene Mignola & Izquierdo Studios. Certain props by John Creech Designs & Den Design Studio. Nessarose armoire woodwork by The Woodworker Shop. Graphic props & spellbooks by Proper Decorum, Inc. Confetti by Artistry in Motion.

Puppets by Bob Flanagan. Electronic instruments & equipment from Victor’s House of Music & misc. percussion from Drummer’s World. Acoustic guitars

by Taylor Guitars; Guitar amplifiers by Mesa Boogie.

Rehearsed at New 42nd Street Studios. Natural herb cough drops courtesy of Ricola USA, Inc. The actors and stage managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States.

The musicians employed in this production are members of the American Federation of Musicians.

United Scenic Artists represents the designers and scenic painters for the American Theatre.

Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).

The Press Agents and Company Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers.

This production is produced by members of The Broadway League in collaboration with our professional union-represented employees.

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FROM THE AUTHOR THAT EMERALD spectacle, “Wicked” the musical, carts its son-et-lumière magic back into town this week.

The occasion allows me to consider whether the themes have acquired new meaning since they showed up first in my 1995 novel, and have been theatrically enhanced, besequined, and popularized in the years since.

“Wicked” is a story about an awkward girl, one with nascent magical powers and a steely sense of righteousness, who comes up against a ditzy opportunist named Glinda and a megalomaniacal dictator calling himself the Wizard of Oz. I modeled the green-skinned witch, Elphaba, after my heroines. The idealistic nerdess bears some chromosomal resemblance to the young Virginia Woolf, for her acerbity and intellect; and to the young Laura Nyro, for her invention and energy; and to the older Emily Dickinson, for her willingness to retire when the going gets unseemly.

The play crystallizes into a pink-and-green music box what in my novel was more obscurely put: The cost of the choices one has to make may bankrupt even the morally soundest among us. And weirdly, in the dozen years since “Wicked” was first published, my somewhat heavy-handed tropes about power and corruption, about hubris and need, about individuals and institutions, have come to seem less exaggerated.

In 1995, we had successfully concluded Operation Desert Storm. We were giddy with prospects of a peace dividend and were reducing the national debt.

The trouble spots were still trouble, but they were mostly Over There. Therefore, as I drew it, the political situation in Oz was not only obvious but, I admitted, even a bit quaint.

The novel hearkened back to Pinochet’s Chile and Hitler’s Deutschland, seasoned with a bit of Orwell’s “1984.” The Wizard was more Idi Amin than Lord Voldemort (Harry Potter was still two years out). I felt, and hoped, that I was writing about a kind of sordid American exceptionalism that we might just be outgrowing.

How naive we writers are, forgetting the endless inventiveness of evil.

While the play was in development, the horror of the attacks in 2001 detonated our fragile national sense of equanimity. Still, the work continued, with Winnie Holzman the brave dramatist and Stephen Schwartz the tunesmith, and the first out-of-town tryouts were held only 10 weeks after US forces and allies marched into Baghdad.

In the years since, the musical has gone from strength to strength. Is it self-delusion on my part to believe that the appeal of feminine strength and moxie, though a real draw to the play, distracts from another reason that “Wicked” found its unexpectedly stratospheric flight path?

Since the book was first published, think what we’ve been through: the 2000 contested presidential election, the attacks on American soil, Afghanistan,

Iraq, Katrina, Darfur, the election of a black president, the “birther” movement, the assassination of Osama Bin Laden, the new centrism of Mormonism, you name it. And the character of our national discourse has grown so shrill that it now borders on the hysterical. I used to fault the court of Incurious George and his cronies. Now I find the lack of civility and the evaporation of respect for different points of view to be rampant all over the political spectrum, including the soapbox I comfortably occupy.

The public, observable face of evil keeps changing; that’s how it survives. It employs an endless series of disguises, curtains, puppets to distract the unvigilant, trumpet voluntaries to swell the patriotic heart. But some time ago, in The New York Times, Michael Ignatieff wrote, “Good judgment in politics, it turns out, depends on being a critical judge of yourself.” He was reconsidering his early support of the war in Iraq.

(Let me put that more clearly: He began to examine his conscience about how and why he took what he subsequently considered the wrong position on that war. He now suggested that we should demand that our leaders prove themselves trustworthy, not just declare themselves so.)

“People with good judgment listen to warning bells within,” Ignatieff continued. But we are all screaming so loudly we can’t hear one another, let alone our own interior alarms.

Ten years since the Broadway opening -- eighteen years since the book was first published - -”Wicked” still examines the heady narcotic of believing one’s own press releases too earnestly. No one in “Wicked” demonstrates perfect judgment - certainly not the heroines, Elphaba and Glinda. The danger isn’t just that one’s noble aims might justify questionable means, but that the very quality of one’s moral zeal, the rightness of one’s cause (and, by extension how very flattering the rightness of one’s self) might justify the means.

That self-confidence is the root of fundamentalism of any stripe. In its jovial, tuneful way, “Wicked” still says: Beware dispatching the flying monkeys too fast.

The powerhouse chanteuses in the musical still belt that cautionary message. We can stand to hear it again.

Gregory Maguire is author of “Wicked” and the three sequels of The Wicked Years sequence, most recently “Out of Oz.”

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INTERVIEW WITH WINNIE HOLZMAN WRITER OF THE BOOK FOR WICKED What attracted you to Wicked?

Winnie Holzman: It’s the whole idea that things are not as they seem. What you think you know you don’t really know. It is the premise of the novel that you know certain things, but you don’t know the deeper story. The whole idea of this is there’s more to this than you know, and it’s more complicated than you think, which could be the subtitle for the musical. People are never what they seem on the surface. And it literally was a vision – [Stephen Schwartz] just saw that Wicked the novel was a Broadway musical. So then he brought me into his vision. He was in Connecticut and I was in L.A. so we began a whole relationship on the phone with long conversations of what Wicked should be.

Years before Stephen asked me to do it, I had bought the book and immediately called my agent and asked for them to look into the rights. I had only read the back of the book and I was so intrigued by what the book was about – taking this extreme figure of iconic wickedness and making her the heroine. I just love that she behaves in a human wicked way, and not in a wicked witch way.

How do you portray the friendship of Glinda and Elphaba in the musical?

WH: Their relationship was important in the book, but in our version, it’s the central relationship. It’s the story of these two girls and their friendship. We feel a great responsibility to the characters to do them justice and to the people who love the characters. It’s kind of a burden, but it’s also exciting because they are such rich characters.

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What do you think Stephen Schwartz’s songs add to the story?

WH: His songs are extremely emotional and tuneful and passionate. It’s a passionate, exuberant, emotional score. There are songs that will make you cry. There are songs that are really, really fun.

You had originally included Dorothy in the opening sequence and the Act Two witch hunt.

WH: She had lines and everything!

Who made the choice to cut her role so drastically?

WH: There was no decision not to mention Dorothy by name. But the more we shunted her aside, the funnier she got. Now, you only hear her crying offstage.

There is a lot of political content in Gregory Maguire’s novel. Did you include it in the musical?

WH: Politics is very much embedded in the story. The whole story is about a political leader who is unmasked as a fraud. Just like in our world, there is prejudice, there is darkness, there are the forces of evil. I don’t want to dictate what people should take away from it, but there is the whole idea of scapegoating people because they are different or because their message is unpopular, because they are saying what people don’t want to hear. The idea of making that person into an evil figure is so relevant to our lives.

Do you think people of all ages are capable of enjoying the show?

WH: It’s one of those shows that – wherever you’re at – you can get a lot out of it.

Photo courtesy of the WICKED Tour.

INTERVIEW WITH EUGENE LEE TONY AWARD WINNER - BEST SET DESIGN, FOR WICKED AND EDWARD PIERCE, ASSOCIATE SET DESIGNER What were some of your difficulties at the beginning in designing the set?

Eugene Lee: The script for Wicked is like a movie script – it jumps around a lot. I determined the problem was one of realism: how do you get from one scene to another?

So I put my director’s hat on, and we put together a full model and I tried to answer questions my way. There were directions in the script that said things like ‘Kitchen from the past appears.’ How does that happen? I thought, how about a pageant wagon? There’s a lot of that in the novel, of people pushing things around the community. And then there was the Clock of the Time Dragon [featured in the novel]. I had always wanted the dragon over the arch, because it was clock-like and kind of mechanical. We did the whole show, the way it was written, and tried to answer all the questions.

Edward Pierce: With this show, I began with a half-inch scale model of the set. It was a gigantic model. There was no drafting to it, just the model. We just built it. Sometimes it’s better to just do the model and get to the drafting later.

Edward, how would you describe your choices for the style of the set?

Edward Pierce: We opted to create an environment inspired by the inner workings of a clock. The shapes, textures, colors, and functional aspects of clock gears and mechanisms contributed to a permanent environmental structure, which defines the stage space.

it that way, but I really like it.’ He told me how to fix it all; I give him full credit for fixing my mistakes.

EP: The essence of the design that currently resides on stage at the Gershwin was present in that initial model.

Did you base any of your designs on the 1939 film The Wizard of Oz? EL: No, I didn’t. It is in your consciousness whether you see it or not.

What were some of the materials you used in the construction of the set?

EP: We were interested in natural, realistic materials, not the newest industrial-strength polymers. The wood we chose has proven to be the perfect material and continues to improve with age and distress. The show deck, which is constructed of natural maple, is equipped with seven automated tracks, all lined with steel for visual interest. To stay consistent with our concept of clock mechanisms, many of the automated deck units are designed to reveal the mechanics that operated them.

It sounds like a very heavy set.

EP: Ask the stagehands!

It also sounds like a complicated set.

EL: We are both architects and engineers.

EP: And sometimes, mechanics.

Eugene, how did director Joe Mantello react when he saw the giant model you had originally created of the set?

Eugene Lee: He was a little surprised by its size, I think. He stared at it and said, ‘Wow, I don’t quite see

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Original WICKED set design by Eugene Lee. Photo courtesy of the WICKED Tour.

PREMIUM SEATING TICKET HOLDERS

Peter And Diane Abercrombie Don Adams Mark Adams Michael Adams Suzanne Addison Patricia Aharonov Gwendolyn Ajax Ann Akers Frances Akita Maren Alitagtag Karalee Allen Jamie Allen Sheryl Allen Keith Allred Darla Alsop Roshelle Alvey Jeanie Aman Carolyn Anctil Shirley B. Andersen Derald Anderson Barbara K. Anderson Dean Anderson Gary Anderson Jeff Anderson Kathy Anderson Nancy Anderson Robert and Dareth Anderson Richard Andrew Susan Andrews Arlene Aoki Patricia Aoyagi John Apel Jackie Arbanas Lisa Arbogast Cathy Arends Doug Armstrong Susan Arsht Ken Ashdown Larry Ashton Katherine Astin Gary E. Atkin Marie Atkins Dwayne Atkinson Lawrence Austin Michelle Babcock Marc Babitz Linda Bachmeier Brian Bacigalupo Geraldine Backus Bernardino Balay Julie Balazs Jeff K. Baldwin Kathy Banks Brian R. Barlow Greg And Nancy Barrick Paul Barron Margie Barson Reid Barton Roslyn Bastone Marlon L. Bates Karlene Bauer Barbara Baumgardner

DANA Baur Wendy Beall Elizabeth Beck Sally Becker Gregory Beckstrom Donna Bedard Jan Beggs Jennifer Belmont Ric Belnap Carol Bennett Vicki Bennett Jodie Bennion Vicki Bennion J. Michael Bennion Steve & Sally Berger Scott & Freida Berlin Theresa Bermingham Brian and Christine Berrett Earl Best Nicholas Bielaczyc Michael & BJ Bilanzich Kathleen Bird Ann L. Bjorklund Linda Bjornberg O. Brent Black James R. & Jo Ann Black Laura B. Blackham Jo Ellen Blackham Connie Block Robert Bloss Harry Blough James Blundell Eric Bluth Brent Boehme Michael Bohney Trudy Bond Frances M. Bosch Kathleen Bourne J Thomas Bowen Harold Bowers Ii Virginia Bowman Robert Boyle Rebecca Brady Susan Brasher William Braun Matthew & Allyson Brickley Carol Briggs Connie And Robert Brinton Terry Briscoe Anita Brock Becky Brooks Ardith E. Brown Lisa Brown Penny Brown Roger And Jeen Brown Steven C. Brown Betty Browning Kate Bruce Mark Bryner Craig Buchi Marjorie And Mark Buchi

Kaye Budge Allan Buethe Max Buhler Beverly Bunce E. Patrese Burke Nikki Burke Ron Burnside Lynn T. Burton Lowry Bushnell, MD Denise Cable Jennifer Cahoon Lynne Calame Devin Calcut Merlin Calver Paulette Campbell Sherle D. Campbell Patricia Campbell Christie Canfield Pete and Cyndy Cannell Nancy R. Carbone Marsha Cardwell Suzanne Carling Bart Carlson Catherine Carpenter Myron J. Carpenter Dianne Carr Michael Carrasco Kathy Carson Kathy Carter Michelle Carter Truman & Kathleene Carver Carol Carver Heather Carver Ann Casper Brad Chamberlain Donna Chambers Bret Charlesworth Teri Chase-dunn Kathleen Chatelain Eugene Chatlian Lise Checketts Jodi Cheney Craig Cheney Brent Child Dale H. Christensen Jason Christensen Julie Christensen Clark & Gwen Christian Alan Christiansen, DMD Lenae Christison Carol Cise Kristen Clady James Clayton Brent Cogdill Orrin Colby Dean A. Collett Jerryle Collings Melanie Commons Bill J. Conner Terry Cononelos Heather & Peter Cooke Janet Cooley Sharon Coons

Judy Copier Sherrie Copier Leanne Copyak Dean Corbett Jacke Corbett Cherie B. Cotton Ceva Cottrell Judy Cottrell Joann Cowan Kathy Cowley Julie Coy Alex Coy Jr. Mark Coy Shauna Crabtree Diann Cragun Carolyn Crandall Jayceen Craven walker Shirley A. Crawford Holly & Bob Crawley Marie Crook Karen & Dan Crookston Jeanette Crosbie Florian Cuatto Evelyn Curley Glade Curtis Todd Curtis Leslie Dahlberg Angie Daly Morlene Dangerfield Mikelle Daugherty Valerie Davis Cheree Davis Kathy A. F. Davis Sharon Davis Debi Day Alan Dayley Alison Dean Diana Dean Michael Dee Annette Defries Mary Deluca Owen Denison Scott Deseelhorst Rhonda Devereaux Kathleen Dickinson Kathy Diehl Kristi Diemoz Sue Dintelman Thomas Disz Michael Dives Scott Dixon Patricia Dodge David S. Dolowitz Sally Domichel Deborah Don Iris Douglas Lori Douglas Ted J. Draney Carole Olsen Drecksel Kevin Dudley Susan Dudley Dick Dunlap Louis Dwire Janet East

Carl Ebert Margaret Eklund Betty Elder Nancy Eldridge Richard W. Elggren, DMD Carlette Elich Beverly Elkington Drew Elkins Kelly Ellis Brian Ellis Pat Ellis Steven B. & Russell P. Elmer-Daly Lynn Elwood & Jimmy Field Joni Endo Elaine England Brandon Engles Ron & Georgia Erickson Kathryn Etcheverry Lynne S. Etcheverry Connie Evans Tiffany Evans Stephanie Fackrell Eric Falk Elaine Farmer Alan Farr Karen Farver Blair Felton Michael Ferguson Nancy Ferrin Terry Ficklin Robert M. Finlayson Susie Fisher Kathie Fitch A. Brian Fitzgerald Suzanne Flitton Daniel Foerster Sheryl Folster Thomas Fortie Dorothy Foster DeAnn Fountaine Stanley Foutz Tina Fowler Stephen Fox Larry Fraga Kathy H. Frandsen Karen L. Freed Jacque Frei Lyman Frost Janene Fuller Anita Furlong Frank Furr Mike Furubayashi Vernon Gaffner, DMD James M. Galbraith Don Gale Patricia Gardiner Jean Gardner Dean Gardner Jeff Gardner Robert Garff Connie Garland Marilyn Garn

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PREMIUM SEATING TICKET HOLDERS Don N. Garner Marcia Garner Brian (Lillian) Garrett Arthur Garvin Ann Gavin De Ann Geary Julie Geary Tim Geffre Barbara Gelegotis Tom George Connie George Larry M. Gibson Jacob Glauser Linda Glissmeyer Lawrence Gonzales Louis & Stephanie Goodsell Bruce Gordon Brad Graff Lil Graves Brett Gray Bill Green Sandra Greenwood Tina Greenwood Jerry Griffin Curtis Grow Nanette Grow Dan Grundmann Tina Grundmann Trent Gundersen Joan Gurr Paul Guymon Barbara Guzman Bo Hall Jodi Hall Carol L. Hamilton Melony Hamilton Gordon Hammer Nancy Hammer Dan Hammon Dianne Hammon Brian Hanby Mark Hancock Marie Haney Joan Hanna David B. Hansen Scott Hansen Scott F. Hansen B.J. Hansen Brad Hansen Drew Hansen Gayla Hansen Joan Hansen Kassandra Hansen Kathleen Hansen Michael U. Hansen Michelle & Bruce Hansen Nancy Hansen Terry Hansen Linda Harmston Garold Hart Craig Hartman Lisa Harvego Janice Harvey Jeannie Hathenbruck Edward B. Havas Elaine Hawker Judy Haws Kathleen Haws

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Wendy & Gary Haws Margee Hayes Chris Hayes Janie Heaps Adin Heaps James C. Heard Susie Heaton Shannon Hebdon Ramona Hedgepeth Julie Hedman Ryan & Adrienne Heinz Bev Heinz Robert Heiser Kathryn Helgesen Henry S. Hemingway Julie K. Henderson Ingo Henningsen Kelly Herbert Michael Hickey Melinda Higham Gini Highfield Brian and Michelle Hill Heidi Hill J Brent Hill James Hillegas Lisa Himonas Dean Hirabayashi Christine Hirase-Bragg David Hirschi James Hisatake Suzanne Hodges Jodee Hoellein Stephanie Hofeling Michael & Amanda Hoffman David Hoffmann Janet Hoffmann Brian Hogge Roxanne Holbrook Pamela H. Holindrake Christine Holland Mark Holland Beth Hollingshead Richard Holmes Cliff Holt Ken Holt Shelly Holt Kris Hone David & Sissy Hooper Pam Hopkins Darris Howe Ginger Howell Kathleen Huber Cindy Huggard Tom Huiskamp Robert Hunter Brian Hutchinson Chad Hyatt Integrated Marketing Group David R. Irvine Loriann Isaacson Vincent J. Iturbe Dora Iwasaki Leann PoVey Jackson Myron Jackson Ron Jackson Sarah Jackson Noriene O. Jee

Brad T. Jefferies Wendy Jeffries David Jenkins Jessica Jenkins Brent Jensen Farrell Jensen Jeffrey Jensen Kohnie Jensen Kristie Jensen Michael Jensen Randy Jensen Steven Jensen Nancy Jeppeson Jean Jepsen Karen Jepson Ron Jewett Joanne Jirsa-Myers Orin Johanson Patti Johanson Rachel Johanson Curtis C. Johnson James L. Johnson Jill Johnson Kay Johnson Brett Johnson Curtis Johnson Harriet Johnson Jill Johnson Jon Johnson Shirley Johnson Val Johnson Kathryn Johnston Verna Lee Johnston Carlie Jones Cecelia Jones Daniel Jones Emi Jones Jacqueline Jones Michael D. Jones Peg Jones Richard Jones Robert A. Jones Julene Judd Paul D. Judd Zara Juillerat Tracy Karp Lynn Kartchner Carol Kaumo Paul Keller Safia Keller Karen Kellogg Mark Kelly Deon Kelsey Brad Kendall Katherine Kennedy Joan Kenner Kim Kenner Linda Kershaw Michael & Estelle Kevitch Karen Kiefer Patrick & Melanie Kilbourne Kris Kimball Barbara King Kimberly King Barbara Kingsbury Judy Knight Steve Knight Nancy Knowles

Bruce Kochevar, DDS Betty Kong Kristin Kooyman Michael Kottler Angela Krahulec Shelley Krehbiel Sherri Labaugh Barbara Ladakis David Lamb Becky Lambert Juline Lambert Tina and Bob Lambert Maryellyn Larcom Messrs. Bryce A. Laris & Kevin S. Smith Karen Larsen Ruth Larsen Lee Min Lau Mickey Lau Karen Bolton - Lazarakis Jody Lee Laura Lee Marjorie Leonard Sheri Levanger Jason Lew Callie Lewis Russell Lewis, DDS Drew Lewis Steven Lewis Lauren Liang LaVone Liddle Boyd Lindquist Patricia Lindsay Eric Linford Cara Lingstuyl Karen Lipscomb Kathy Llewellyn Deanna Lloyd Langford Lloyd Leesa Lloyd Max Loertscher Camille Loffredo Joan Loffredo Glenda G. Logan Pam Logan Robert Long Tami Long Richard Loomis Julie Loveridge Sandra Lowe Diane Luke Kathleen Lunak Marlisa Lund Dave Lundquist Katherine Lynch Nancy Lyon Anita Lyons Susan Ma Randall Macdonald Larry Macfarlane Devonya A. Madsen Craig J. Madson Crystal Maggelet Jan Mahoney Carol Manning Ron Mano Sharon Mardula Jule Marine Gia M. Maritsas

Mike Marker Sharon Markos Dan Markosian George Maroudas Lois K. Marquardt Allison Martin Lisa E. Martinez Shelly Mathews Kathleen Mathie Angie Matinkhah Jan Hocevar - Matthews Evalyn McBurnie Sue Mccraley John Mcfarland George E McGowan Dorothy Mcguire Jeanne Mcguire E. Bruce Mciff, MD Michael Mcintire Patrick Mckenna Paulette Mckenna Cecilia Mckinlay Claudia Mclachlan Rory S. Mclaren Candace Mclendon Patrick Mcmanus Lynn Mcmillan Roy P. Mcneil Pat Mcreavy Karen McWiggans Janet J. Mcwillis Bill & Nan Mead Jaye Mecham Valerie Melville Valerie Merges Chloe D. Merrill Kimberly Meyer Sharon Meyer Denece Mikolash Janet Miller Julie Miller Jeff P. Millington Mills Publishing Carlin Miner Cheryl Miner Paul Miner Linda Minhondo Ceanne Mitchell Ph D Regina Mitchell William Moeller Mary G. Monson Eric & Natalie Montague Ken Montague Robert W. Moore Randy Moore Sue Moore Susan Moore Sue R. Morgan Sltrri P. Morgen Chad Mortensen Marci Mortensen Susan Mortenson Vickie Mowrey Mitzi Moyeda Brenda Muggenborg Beverly L. Muir Lauren Mullen Janene Muller Adriana Munoz

PREMIUM SEATING TICKET HOLDERS Clark T. Murray Todd Musig Cindi Nadauld Cindy Nagasawa Frank Nakamura Mary Jo Naylor Andrew Nef Anne M. Nelsen Allan Nelson Bonnie M. Nelson Dorothy Nelson Bart Nelson Bonita Nelson David E. Nelson Holly Nelson Jody Nelson Leslie Nelson Michelle Nelson Christi Newbold Kathleen Newey Nancy Newlin Judy A. Newton Rebecca Nicholls Colleen Nielsen Douglas L. Nielsen Cindy Nielson David E. Nilsson Kathy Nixon Cathy Nolte Marilyn Nordstrom Renee North Teresa Novak Paul Nygaard Michael O’brien Judith Oki Christine Olsen Wendell Olsen Randy Olsen Zona Olsen Judith Olson Jeannie B. Oppliger Reta D. Oram Jeff Orr Kay Ortega J. Steven Ott Dahnelle Overly David Pack Jason Padgett Madaline C Padilla Suelyn & Guy Padjen Mary Palley Michelle Parker Mary Parsons Brett Partridge Peggy Pasin Rebecca Patrick Tyler M. & Candice Paulsen Lee & Jim Payne William Pearson Peter Pearson Marilyn Peck Megan Pedersen Susan Pedersen David Pedrazas Sonja Penttila Evan L. Perry, DDS Elaine R. Petersen Janet A. Petersen

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Charlotte Petersen Mark Petersen Randy Petersen Joe & Peggy Peterson Jack Peterson Marieta B. Peterson Phillip & Merlene Petty Joni Phillipp Tamara Phillips Curtis & Steven Phipps Elizabeth Pincock Randall Plant Fran Plemel Nanette Pollard Helen Poole Susan Poppen Linda Postman Dennis Potts Julie A. Poulson Crysta PoVey Jared PoVey Marline M. PoVey Lisa K. Pressgrove Maxine Preston Linda Price Marcia Price Terry Price Frank Prince J. Alex Quinn & Joe Warren Dawn Rametta Jack Rampton Kay Randle Kathy Rash Michelle Rasich Tomas & Kimberly Ratto Jay Rawlings Linda Ream Martha B.E. Reavis Jeffrey Record Kirk & Vickie Reeder Lu Anne Reeve Sunny Reinhold Bonnie Rembacz Delayne Reynolds Joanne Rice Michael Richards Patty Richards Peggy J. Richards Christine Richards Cindy Richards Mike Richmond Renard E. Richter Joann N. Rieben Barbara Rigby Cleo Riggs Kip Rishton Mary Riter Dorine Rivers Philip R. Rivers Peter Robbins Rhett Roberts Glenda Robinson Rick Robinson David Robison Rita Roessler Michelle Rogers Renae Romney Karen Romney

Susan Romney William Romney Susan Rope Sharon Roper Harold Rosenthal Bette C. Ross William L. Ross Linda Routh Jerry Rowley Robert Roylance Leslie Rudd Carol Ruddell Harold M. Rust Gary Don Salser Ken Salvesen Jon & Michelle Samuelson Leland Sather Von Satterthwaite Sandy Sayama Corine Sayler Robert Schaap Eric Schmidt Kathy Schmitz Christina Schmutz Sharon B. Schneider Mark Schneider Jake Schroader Joan Schuler Kay Schultz August Schultz Cheryl Schumer Catherine Seale Dixie Sells Sandra Sept Janet Sharp Keisha Shaw Marci Shaw Brad Shepherd Sally Sherwood Dan Shrum Sherry Shupe Victoria Shuput James Sielatycki Diane Sieve Kaye Simmonds Debra Skeen Denise Skuster Janice Slone Julie Smith Michael Smith Bruce & Karen Smith Jane Smith Karen Smith Nancy Smith Teresa Smith A T Smurthwaite Ronald Snarr Laverne Snow Marcy Sorenson Anita South JoAnn Sparks Alan Sparrow Luann Spendlove Brandon Spevak Dennis Staker Beau Stander Paula Standifird Stu Stanek Terese M. Stangl

Peter Steenblik Stan Stensrud Lou Ann Stevens Joy Stevenson Lynne Stevenson Nancy Stevenson Bonnie & Kent Stewart Charisse Stewart Joan H. Stokes Peggy Stone Linda Stover SannDee Stowell Janet C. Strickland Annie Strupp June Summers Kara Suzuki Bill Swensen Paul H. Swensen Anne Swenson Diane Swenson Jeri Sycamore Marilyn Sylvester Kathy Tachiki Becky Tachiki Fred & Judy Tamagawa Glen Tanner Gregory Tanner Cathy Tansimore Gary Taylor Kim H. Tebbs Vicky Telford Daniel Temkin Alain R. Templeman Mary Templeman Elizabeth Terrill Karen Terry Kay Terry Vickie Thalman Yvonne Thele Darryl W. Thomas Gloria C. Thompson Lisa A. Thompson Tony Thompson Randy Thurgood Margo Thurman Sue Thurman Melissa Tibbitts Natasha & Bob R. Tilley Sandie Tillotson Brad Tingey Jeanette M. Tolliver Robert Torghele Pete Trebesch James Triplett Sandee Trout Joy Trussel Linda Turpin Susan Turpin Anne & Richard Tyler Linda Kay Udy Nikole Upchurch Cristina R. Valentine Lane Valum Janelle Vanderwerf Jill Vanleeuwen Jeff Varanakis Kay Vasilias Stephanie P. Veasy Victor Velivis

Wendy Verhaal Patricia Vincent Alton Wagnon, Md Alex Walker David Walker Suzanne Walker Terry Walker Rosalie Walker-Kimball Georgianna & Stewart Wallace Kathy Wallberg Jeri Walton Robert K. Walton JoAnn M. Ward Craig Wardle Kari Waring Barbara Warner Julie Warner Georgia Warren Joanna Watson Paul Watson Gail Weatherston Sue Weaver Karla Webb Becki Wells Todd Wells Carol R. Wenger Deb Werthmann Western Wyoming Community College Holly Weston John Westover Tony Whitaker Karen White Cheryl Whittier Tracy Wiedmeier Robert B. Wiggins Mark & Mary Ann Wilcox Cindy Wilcox Lucille Williams Clint Williams John Williams Donald J. Winder Kay W. Winn Adrienne Winter Ginger Wiscombe Steven Wiseman Linda Wolcott Jerri Wolder Janette Wood Nancy Wood Dan Woodhead Ofelia & Thomas Woodring Kathy Wright Rhoda Wright Shirley Wright Garold S. Yost Jeremy Young Jim & Linda Young Nancy Young Toni Young Cathy Zabriskie Lois Zebre Debra Zimmerman

PATRON INFORMATION • Lost articles may be claimed at security.

• Anyone expecting emergency calls is urged to leave their seat locations and beepers with the house manager.

• Please silence all electronic time pieces and cell phones for the period of the performance.

• All casting is subject to change.

• For your own safety and the safety of other patrons, please do not exit the Theatre before the house lights are up.

• Any use of cameras and recording equipment in the Theatre, which is not authorized by the management, is strictly prohibited.

• No smoking, eating or drinking is permitted in the auditorium.

EMERGENCY EVACUATION INFORMATION In the event of an emergency, please REMAIN SEATED and listen to information given by management and ushers.

OutOn

The

To ensure the enjoyment of the majority of our patrons who arrive on time, and in deference to the artists, latecomers will not be admitted to the auditorium until there is an appropriate pause in the performance.

During some productions, this pause may not occur until the end of the first act.

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ASSISTIVE LISTENING DEVICES Capitol Theatre offers assistive listening devices free of charge and may be checked out at the coat check counter located in the lobby.

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dining guide

the new yorker 60 West Market Street. SLC’s premier dining establishment. Modern American cuisine is featured in refined dishes and approachable comfort food. From classic to innovative, from contemporary seafood to Angus Beef steaks – the menu provides options for every taste. Served in a casually elegant setting with impeccable service.

Private dining rooms for corporate and social events.

Lunch & Dinner. No membership required. L, D, LL, AT, RR, CC, VS. 801.363.0166 market street grill downtown 48

West Market Street. Unanimous favorites for seafood dining, providing exceptional service and award winning.

The contemporary menu features the highest quality available. Select from an abundant offering of fresh seafood flown in daily, Angus Beef steaks, and a variety of non-seafood dishes. Open 7 days a week serving breakfast, lunch, dinner, Sunday Brunch. B, L, D, C, AT, S, 22 East 100 South. Located in an historic LL,Martine CC, VS. 801.322.4668

brownstone, Martine offers Salt Lakers a martineexperience.

22 East 100 South.

Located in anEuropean historic cosmopolitan Cafe and Tapas.

Casual brownstone, Martine offers Salt LakersFree a cosmopolitan dining.

Extensive bar and wine service. valet parking. experience.

Cafe and2000 Tapas.

Casual Highly rated in Zagat survey (26).European L, D, T, dining.

LL, RA, Extensive bar and wine service. Highly rated in Zagat CC, VS. 801•363•9328 2000 survey (26). L, D, T, LL, RA, CC, VS. 801.363.9328

B-Breakfast L-Lunch D-Dinner S-Open Sunday DL-Delivery T-Take Out C-Children’s Menu SR-Senior Menu AT-After-Theatre LL-Liquor Licensee RR-Reservations Required RA-Reservations Accepted CC-Credit Cards Accepted VS-Vegetarian Selections

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Blue Lemon