YEE-I-LANN:
UNTIL WE HUG AGAIN
于一蘭 ： 直到我們再度相擁 1
展場圖片
EXHIBITION VIEW
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《引言》 TRODUCT
190 × 150 厘米 塑膠彩布本 私人收藏
202190 × 150 cm Acrylic on canvas Private collection
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作品
ARTWORKS
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關於藝術家
ABOUT THE ARTIST 108
Born and currently living and working in Kota Kinabalu in the Malaysian Borneo state of Sabah, Yee I-Lann has been involved in various cultural sectors including film industries, the art academy and the music scene in Kuala Lumpur after completing her studies of visual art in Adelaide, Australia. Since 2017, Yee has lived and worked in her hometown of Kota Kinabalu and started working in collaboration with sea-based and inland-based communities to create art pieces with indigenous materials and techniques. At the same time, she serves as a board member for Forever Sabah, a non-profit organisation established for Sabah’s nature conservation and sustainability efforts. Known for her photo-imagery-based practices, Yee has been addressing the modern history of the Southeast Asia Archipelago and its colonial past and postcolonial present. Interrogating the nature of photographic imagery, which often subconsciously captures power structures such as hegemony, hierarchy and gender inequality embedded in societies while preserving them as memory or documentation, Yee has been disentangling historical narratives, presenting complex cultural identities and socio-political matters formed throughout the geopolitical history of Southeast Asia.
于一蘭生於馬來西亞婆羅洲沙巴州亞庇，並在該地居住及工作。
她在澳洲阿德萊德完成視覺藝術課程後，從事吉隆坡眾多的文化 產業，包括電影工業、藝術學院及音樂領域。自 2017 年，于一蘭 於家鄉亞庇生活和工作，並開始與海島和內陸社群合作，以當地
物料和技術來創作；她擔任永久沙巴（Forever Sabah）的董事成 員，這個非牟利組織的宗旨為推動沙巴的自然保育和可持續發展。
于一蘭的照片影像實踐為人熟悉，她一直致力述說東南亞群島的 現代歷史及其殖民的過去和現今後殖民時代。她質問攝影影像的 本質經常隱藏權力結構的意味，例如社會中根深柢固的霸權、等
級制度、性別不平等，同時又將它們猶如記憶及紀錄般保存。于
一蘭一直解構歷史敘事，展現在整個東南亞的地緣政治歷史中錯 綜複雜的文化身份及社會政治議題。
她的作品收藏於美國明尼阿波利斯美術館、日本東京森美術館、 澳洲坎培拉國立美術館、新加坡美術館、馬來西亞吉隆坡國家美 術館、英國倫敦瑞銀藝術藏品及法國巴黎的卡迪斯基金會。
Her works are included in the collections of prominent international art institutions including Minneapolis Institute of Art, Minneapolis, USA; Mori Art Museum, Tokyo, Japan; National Art Gallery of Australia, Canberra, Australia; Singapore Art Museum, Singapore; National Art Gallery, Kuala Lumpur, Malaysia; UBS Art Collection, London, UK and the Kadist Foundation, Paris, France.
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工藝與紡織 作為織製的 抗逆精神
CRAFT AND TEXTILES AS WOVEN RESILIENCE
高橋瑞木 展覽策展人
TAKAHASHI MIZUKI CURATOR OF THE EXHIBITION
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