REUBEN PATERSON

REUBEN PATERSON HOUSE OF RAINBOW 3 1 st M A R C H - 2 4 th A P R I L , 2 0 1 2

www.milfordgalleries.co.nz

Milford Galleries Dunedin 18 Dowling Street Dunedin (03) 477 7727 info@milfordhouse.co.nz

1. Knock on the Door (2012) glitter & synthetic polymer on canvas, stretcher (v x h x d): 2002 x 2002 x 38 mm

2. Button Up (2012), glitter & synthetic polymer on canvas, stretcher (ø x d): 1202 x 38 mm

3. House Invaders (2012), glitter & synthetic polymer on canvas, stretcher (ø x d): 2002 x 38 mm

4. If the Key Don't Fit (2012) glitter & synthetic polymer on canvas, stretcher (v x h x d): 2002 x 2004 x 38 mm

5. Button Down (2012), glitter & synthetic polymer on canvas, stretcher (ø x d): 1504 x 38 mm

6. This is My Floor (2012) glitter & synthetic polymer on canvas, stretcher (v x h x d): 840 x 710 x 35 mm

7. This is Where I Sleep (2012) glitter & synthetic polymer on canvas, stretcher (v x h x d): 842 x 712 x 35 mm

8. This is My Bed (2012) glitter & synthetic polymer on canvas, stretcher (v x h x d): 844 x 711 x 35 mm

9. I Can Dream in Peace (2012) glitter & synthetic polymer on canvas, stretcher (v x h x d): 845 x 712 x 35 mm

10. Trespass (2012) glitter & synthetic polymer on canvas, stretcher (v x h x d): 1200 x 1200 x 37 mm

EXHIBITION PRICELIST

1

Knock on the Door (2012)

27,500

2

Button Up (2012)

15,000

3

House Invaders (2012)

27,500

4

If the Key Don't Fit (2012)

27,500

5

Button Down (2012)

18,000

6

This is My Floor (2012)

9,500

7

This is Where I Sleep (2012)

9,500

8

This is My Bed (2012)

9,500

9

I Can Dream in Peace (2012)

9,500

10

Trespass (2012)

15,000

All prices are NZD and include GST; Prices are current at the time of the exhibition

Reuben Paterson’s “House of Rainbow” features the significant installation component of two large scale PVC panels and houses 10 paintings.

Paterson’s use of glitter makes the ordinary extraordinary. What at first may seem to be portions of fabric design or fragments of Pacific nostalgia, evolve in his hands to being images that are complex, subtle and deceptive.

This exhibition consciously refers to all his previous work but does so with a far greater certainty and confidence. He has introduced calligraphic flourishes that produce powerful sensations of the artist’s hand moving across the works. He has deepened spatial depth and introduced frontal layering into the role of surface. This plays with the viewer’s perception as well as embellishing (the contradictory) pictorial perspective.

Paterson’s paintings are in a constant state of visual flux as the chromatic qualities of glitter vary dramatically in direct response to light direction, intensity and as the viewer alters position. At first the works may seem simple but this is deceiving. Regardless of the original image source his “compareand-contrast approach with different cultures and artistic traditions intermingling” (1) also allows (as in introduces) complex narratives (through the roles of memory assertion and image accretion). In this way the works come to have plural realities. He “pumps meaning back into patterns” (2) with such considered precision that he “organises the eyes journey” (3) as we experience “freedom of interpretation” (4) and “perpetual transformation.”

(5) “Knock on the Door” is a masterful painting with dramatic kinetic qualities of capturing and throwing light. Flat planes of colour acquire tonal depths and

the powerful contrasts of black and gold build wonderful rhythms and a harmonic structure. In direct comparison “If the Key Don’t Fit” is much more organic and the resulting fluidity is equally and remarkably enthralling. “House Invaders,” the largest tondo, is in its surface flatness, exaggerated scale and koru presence “shimmeringly strange” (6) and utterly triumphant. The calligraphic gestures in “Button Down” seem suspended in time and held up by water. Yet “Button Up” develops a sculptural quality in which the modelling of shape induces powerful allusions to 3D volume.

Paterson’s technical virtuosity is everywhere seen in “House of Rainbow.” In “Trespass” he demonstrates that he can ‘bend it, shape it, anyway he wants it.’ He distorts and buckles the liquid forms, suggesting undercurrents surging from behind.

The installation aspect of this powerful exhibition is another example of Reuben Paterson’s confidence and maturity. He actively uses his own motifs, using parts, portions and scale alteration as literal devices which add conflicting dialogues and intervene in what we see and how we see the works. He divides the gallery walls into differing spaces and the role performed by the PVC panels is variously flat or architectural rather than 2D. Upon these surfaces, into the varied illusory spaces and with numerous lateral dynamics interacting behind, have been placed the ten paintings of “House of Rainbow.”

In this substantial way Reuben Paterson has built a wharenui of the exhilaratingly new and tipped his hat to all that has gone before.

1.Rhoda Fowler, Introduction, Reuben Paterson, Bottled Lightning, The Gus Fisher Gallery, 2012 p.3 2.Mark Amery, Beastly Beautiful, Dominion Post, March 3 2011 3.Reuben Paterson quoted in Dan Chappell, Diamond Dust and Ancestral Stories, Art News NZ, Spring 2011 4.Andrew Clifford, Bottled Lightning p. 16 5.Reuben Paterson quoted by David Broker in Bottled Lightning P.16 6.Mark Amery, as above

REUBEN PATERSON b. 1973, lives Auckland

"Now well-established artist, Reuben Paterson's exquisite use of a material we employ to give the everyday a sprinkle of magic dust - glitter - lifts things out of the real world to let us consider them anew. The patterns and images he adapts are seductive in their familiarity and kitschness, but also in how they have become suddenly, shimmeringly strange." (1) "Paterson's works can be enjoyed on two levels. One is pure decoration, albeit of such a kitsch variety that only the most reckless interior decorator would employ for the purpose. The second level encompasses the first, but moves beyond into areas of irony, nostalgia and the most sought-after of styles: a synthesis of Maori and European." (2) "In a broader sense – whakapapa – or genealogy, has always been at the core of Paterson’s work. Of Ngati Rangitihi/ Ngai Tuhoe, Scottish and Pakeha descent, this artist’s work over the past 11 years has recorded, referenced and paid tribute to his whakapapa.” (3) "The painter himself wants to mystify you with details of Maori genealogy (Whakapapa), personal family history, sexual politics, his relationships and friends, native land rights, fabric, fashion and wallpaper design.

Like a spiritually charged textile, they weave a cultural pattern that underscores the fundamental agenda of his artwork." (4) Paterson continues the contemporary tradition of resuscitating and updating traditional Maori motifs by the use of non-traditional media that can be seen in the work of artists such as Sandy Adsett, Cliff Whiting and Buck Nin. His work extends the traditional Maori use of design and pattern, of weaving and layering. They may resemble glittering piupiu or fishing net or a swatch of fabric, or a detail from an haute-couture creation.

Born in Auckland, New Zealand 1973. Ngati Rangitihi, hapu of Te Arawa and Ngai Tuhoe tribes. He has received numerous awards and residencies including the Moet et Chandon Fellowship to Avize, France in 1997, the youngest recipient and the second Maori to receive the award. In 2005 he won the Development Prize in the Wallace Art Awards - the prize a three-month residency with the International Studio & Curatorial Program (ISCP) in New York valued at $15,000. Reuben Paterson has been exhibiting since 1995 and more recently has had numerous prestigious public exhibitions: including the 8th Festival of Pacific Arts Biennale d’Art Contemporian, Noumea, New Caledonia, Te Papa Tongarewa, Museum of New Zealand, Wellington, the International Biennale of Contemporary Art at the National Gallery in Prague the Asia Pacific Triennial in Queensland and the 17th Biennale of Sydney, Australia.

1. Mark Amery, ‘Beastly Beautiful’, Dominion Post, 2011 2. Warwick Brown, Seen This Century, Godwit, 2009 3. Dan Chappell, ‘Diamond Dust and Ancestral Stories’, Art News, Spring 2011 4. Ben Bergman, ‘Kaleidoscope Culture: the Glitter-amas of Reuben Paterson’, Art Monthly Australia, December 2010

Reuben Paterson 2012 CV P a g e |1

Milford Galleries Dunedin

www.milfordgalleries.co.nz

REUBEN PATERSON b. 1973, lives Auckland EDUCATION 2000 1997

Auckland College of Education Post Graduate Diploma of Teaching (Primary).

University of Auckland: Elam School of Fine Arts Bachelor of Fine Arts. (Major in painting, Minor in Art History)

SELECTED SOLO EXHIBITIONS 2012 2011/12

House of Rainbow, Milford Galleries Dunedin Bottled Lightning, Gus Fisher Gallery, Auckland Gazillion Swirl, Te Mahi Toi o Reuben Paterson, an exhibition in the Todd Foundation Learning Centre, Auckland Art Gallery

2011/12

2010

2009 2008 2007

2006

2005

2004

2003

2001

She Beauty, He Beast - Glitter paintings by Reuben Paterson, Pataka Main Gallery, Wellington Flow, Nellie Castan Gallery, Melbourne, Australia Muscles and Ice Cream: In store installation and capsule collection, WORLD Store, Auckland Te Puthaitanga o Rehua, Te Manawa, Palmerston North Te Puthaitanga o Rehua, Dunedin Public Art Gallery Be Tender, (Digital Art Live), The Edge, Auckland Aere e Akamotu, BCA Gallery, Rarotonga Reuben Paterson: Whakapapa - Get Down Upon Your Knees, Tauranga Art Gallery The Water Between Us, Milford Galleries Dunedin Dear Beauty, Dear Beast, Gow Langsford Gallery, Auckland Peep Show, milford galleries queenstown The Painter's Lot, milford galleries queenstown Gow Langsford Gallery Reuben Paterson: When the Sun Rises and the Shadows Flee, Dunedin Public Art Gallery New Work, 64zero3 Gallery, Christchurch Square2, Wellington City Gallery He Aha te Mea Nui? What is the Greatest thing?, Dunedin Public Art Gallery He Aha te Mea Nui? What is the Greatest thing?, Institute of Modern Art, Brisbane He Aha te Mea Nui? What is the Greatest thing?, Institute of Modern Art, Brisbane (Permanent Art installation) The Art Café, Ikaria, Greece Narcissus, Gow Langsford Gallery Auckland Christchurch Biennial Art and Industry for the Project Echo curated by Tessa Giblin at Riccarton House, Christchurch The Customs of Tripping , Milford Galleries Dunedin Gow Langsford Gallery, Sydney, Australia New Zealand Fashion Week In collaboration with WORLD Parliament Buildings Foreign Affairs Building, The Beehive, Wellington Dunedin Public Art Gallery Window Running concurrently with Milford Gallery Dunedin: When Paradise is not enough, Milford Galleries Dunedin Gow Langsford Gallery, Auckland Cameo Project, Te Tuhi, Pakuranga, Auckland

SELECTED GROUP EXHIBITIONS 2013 2012 2011

E Tu Ake: Standing Strong, Musée de la civilisation in Québec City, Québec, Canada E Tu Ake: Standing Strong, Museo Nacional de las Culturas in Mexico City; Koru Tuputupu: Redefining Kowhaiwhai, The University of Waikato, New Zealand E Tu Ake: Standing Strong, musée du quai Branly, Paris, France Oceania, Wellington City Art Gallery, Wellington CURRENT, October Gallery, London, UK Collecting Contemporary, Te Papa Tongarewa, Museum of New Zealand, Wellington Manstyle, National Gallery of Victoria, Melbourne, Australia E Tu Ake, Te Papa Tongarewa, Museum of New Zealand, Wellington

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Milford Galleries Dunedin

www.milfordgalleries.co.nz

Close Encounters: The Next 500 Years, Plug In, Institute of Contermporary Art, Winnipeg, Cana Small Works, Milford Galleries Dunedin Under, Lopdell House Gallery, Auckland The Beauty of Distance: Songs of Survival in a Precarious Age, 17th Biennale of Sydney, Cockatoo Island Wairoa Maori Film Festival, Kahungunu Marae, Wairoa Puptiputi: The Flower in Contemporary New Zealand Art, Hastings City Art Gallery, Hastings 2009 Beloved, Dunedin Public Art Gallery APT6: The 6th Asia Pacific Triennial of Contemporary Art, Gallery of Modern Art, Brisbane, Australia Blue Planet, Christchurch Art Gallery Together Alone: Australian and New Zealand Fashion, National Gallery of Victoria, Melbourne, Australia Move Me, Webbs Auction House Reference Section, Whakatane District Museum and Gallery Am I Scared, Boy (eh): collection works from then and now, Govett - Brewster Art Gallery, New Plymouth 2008 Are you Right not to like Modern Art?, Te Manawa Museum, Palmerston North Spring Catalogue Exhibition, Gow Langsford Gallery, Auckland Dispelling the Myth: a look at changing attitudes towards Death, Te Manawa Museum, Palmerston North Dateline: Contemporary Art from the Pacific, Govett Brewster Gallery, New Plymouth Dateline: Contemporary Art from the Pacific, Galerie der Stadt Sindelfingen, Maichingen, Germany Dateline: Contemporary Art from the Pacific , Stadtgalerie, Kiel, Germany 2007 Pacifica, Cambridge University of Anthropology and Archaeology, Cambridge England Dateline: Contemporary Art from the Pacific, NBA Neuer Berliner Kunstverein, Berlin Hot, 64zero3 Gallery, Christchurch Of Deities and Mortals, Christchurch City Art Gallery Time Warp: NZ Artists and the Logie Collection, Christchurch City Art Gallery, Christchurch News From Islands, Campbell Town Art Centre, Sydney Love is the Key, Inanui Gallery, Rarotonga 2006 Te Hue Ipu – Artifact and Artwork, Pataka, Porirua nEUclear reactions, CAB Centro de Arte Caja De Burgos, Burgos, Spain; Museu d'Art Contemporani de Barcelona Plaça dels Àngels, Barcelona Object, Milford Galleries Dunedin YMCA, Sergeant Art Gallery, Wanganui 2005 Parallel Practices, Hawkes Bay Exhibition Centre, Hawkes Bay The Walters Show, Pataka, Porirua nEUclear reactions, Prague Biennial, Chzeqe Republic:, IBCA Tau Ana, Waikato Museum, Hamilton In Flower, 64ZERO3 Gallery, Christchurch YMCA, Saergent Art Gallery, Wanganui 2004 9th Pacific Biennale, Palau Islands, Pacific Ocean Micronesia Transit of Venus, Milford Galleries Dunedin "Wish You Were Here" Hazlehurst Gallery, Sydney Flowerpower, Pataka Gallery, Porirua Ike and thanks for all the Ika, Artspace Auckland (Travelling from Lithuania through Rarotonga to New Zealand) Tau Ana, Wanganui Art Museum, Hamilton Abstraction, Milford Gallery, Dunedin 2003 Ike, and thanks for the Ika, Rarotonga Cultural Centre Lithuania Maori in Lithuania, Lithuanian Siuolaikinio Meno Centre, Lituania Contemporary Perspective in Portraiture, Te Tuhi – The Mark, Auckland Taiaawhio: Te Tiimatanga, Museum of New Zealand, Te Papa Tongarewa, Wellington Flaunt – Art, Fashion, and Culture, Auckland City Art Gallery, Auckland 2002 Contemporary Acquisitions, The New Gallery (annex of the National gallery) Auckland The Koru and Kowhaiwhai, Contemporary Renaissance of Kowhaiwhai Painting, Pataka Gallery, Porirua Abstraction, Milford Galleries, Dunedin Reuben Paterson 2012 CV Milford Galleries Dunedin www.milfordgalleries.co.nz 2010

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Taiaawhio: Te Tiimatanga, Museum of New Zealand, Te Papa Tongarewa, Wellington: Dale Frank, Richard Thompson, Paul Hartigan and Reuben Paterson, Gow Langsford Gallery, Auckland Techno Maori, Wellington City Art Gallery; Pataka Gallery Purangiaho, Auckland City Art Gallery Mana Tangata, Te Wa, Wanganui The 8th Festival of pacific Arts Biennale d’Art Contemporian, Tijibaou Arts and Cultural Centre, Noumea, New Caledonia Peter Hills, the Art Fair Murders, Auckland City Art Gallery Step on it, Christopher Moore Gallery, Wellington Quartet, Four to the Fore, 23A Gallery, Auckland Salute Pierre ET Gilles, George Fraser Gallery, Auckland

2001

2000 1997 1996 1995

RESIDENCIES & AWARDS 2010 2006

Residency, BCA Gallery, Rarotonga.

International Studio Curatorial Program, Three month residency as part of the James Wallace Art Awards Development Prize, Manhattan, New York Ikaria, Greece. Two month residency to create permanent installation at The Art Caf, Kampos Wallace Art Awards, Development Prize Finalist, Castteleon City Arts Council Arts Prize, Castelleon, Spain Punatapu Lodge. Two month residency, Queenstown, New Zealand Moet et Chandon Fellowship. Two month residency, Avize, France Moet and Chandon Award

2005

2004 1997

COLLECTIONS National Gallery of Victoria, Melbourne, Australia National Gallery of Australia, Canberra, Australia Auckland City Art Gallery Toi o Tamaki, Auckland Auckland University Collection Te Papa Tongarewa, Wellington Dunedin Public Art Gallery, Dunedin The Dowse Art Museum, Lower Hutt Sky City Casino Penthouse Govett–Brewster, New Plymouth Christchurch City Art Gallery, Christchurch James Wallace Arts Trust, Auckland, New Zealand

SELECTED PUBLICATIONS 2012 2011

2010

2009

Clifford, Andrew. Reuben Paterson: Bottled Lightning, The Gus Fisher Gallery, 2012 Chappell, Dan. Diamond Dust and Ancestral Stories, Art News New Zealand, Volume 31, No 3, Spring 2011 pp. 74 - 77 Smith, Huhana. E Tu Ake: Maori Standing String, Te Papa Press, 2011 pp.42, 43, 146, 148 Amery, Mark. Beastly Beautiful, Dominion Post, Wellington, March 3, 2011 Hurrell, John. Paterson’s FLOW, Australian Art Collector, issue 56, April – June 2011 pp. 152 – 158 Winnipegs New Voyage of Discovery, Galleries West, Spring 2011 pp. 36 - 40 Ben Bergman. Kaleidoscope Culture: the Glitter-amas of Reuben Paterson, Art Monthly Australia, December 2010 17th Biennale of Sydney: The Beauty of Distance: Songs of Survival in a Precarious Age, Biennale of Sydney Ltd in association with Thames and Hudson, 2010 pp.212, 303 Seeto, Aaron. Ground Cover: Fiona Foley and Reuben Paterson. Indigenous Strategies for Public Art, Public Art Review, Issue 42, Spring/Summer 2010 pp. 32 – 35 Wood, Andrew Paul, Portrait, Urbis, Issue 61, 2010 pp.118 Broker, David. Kaleidoscope Culture, Contemporary Visual Art and Culture Broadsheet, Vol 38.4, pp.

274 -276 Clifford, Andrew, Roaming Around the Pacific, The New Zealand Herald, January 23, 2009, Weekend Herald Arts, pp. B13-B14 Parekowhai, Cushla, Real Art Roadshow, The Book, Midas Printing, 2009 pp. 170–171 Hurrell, John, Real Art Roadshow, The Book, Midas Printing, 2009 pp. 172–173

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Milford Galleries Dunedin

www.milfordgalleries.co.nz

Brown, Warwick, Seen this Century - 100 Contemporary New Zealand Artists a collectors guide, Random House, Auckland New Zealand, 2009 pp. 312 – 315 Hurrell, John, The Big Book of Essays, New Zealand Contemporary Art from the Real; Art Roadshow: Silver Collection, Real Art Charitable Trust, 2009 Goddard, Angela. The 6th Asia Pacific Triennial of Contemporary Art: Pathways Through History, Queensland Art Gallery, Brisbane, Australia, 2009 Fitzgerald, Michael. Sweet Dreams: The Paradox of Pop, Art and Australia, The 6th Asia-Pacific Triennial or Contemporary Art Focus Issue, Vol 47, No.2, Summer 2009 pp 290 – 291 and cover Rodriguez-Fominaya, Alvaro and Russell Storer, ArtPulse, Vol 1, No 2, December 2009 – February 2010 2008 Davenport, Rhana. Don’t Get Depressed Get Rad, Art and Australia, Vol 46, Summer, No 2, 2008 pp.

256 - 265 2007 Seeto, Aaron. News from Islands, Exhibition Catalogue, Campelltown Arts Centre, Australia, 2007 Smith, Hunana (ed). Taiawhio II: Contemporary Maori Artists, Te Papa Press, 2007 Whippy, Sharon and Reuben Paterson. Reverie, Exhibition Catalogue, 207 2005 Watson, Aaron. Sparkle that shines, Artzone, No. 12, November 2005 - January 2006, p. 43 – 49 Barragn. NEUclear Reactions in International Biennale of Contemporary Art [Catalogue], National Gallery Prague, 2005, p. 60 – 61 Clifford, Andrew. Reuben Paterson’s glittering career, The New Zealand Herald, 8 April, 2005 Ngahiraka Mason. Open for Interpretation, Art New Zealand, Spring 2005 Paterson, Reuben. Meeting Dionysus, Art News, Summer 2005, p. 72 – 73 Barragan, Paco. International Biennale of Contemporary Art, National Gallery of Prague, 2005 Enlightened by Kowhaiwhai: The Art of Reuben Paterson, Celebrate Art NZ, Volume 8, Published by Interactive Education Ltd, 2005 Remember New Zealand, Exhibition Catalogue, New Zealand at the 26th Sao Paulo Biennial, Brazil, Published by Art Space, 2001 pp. 178-193 2004 Dignan, James. Abstraction and Still Life: An Overview, Milford Galleries, 2004 Dingwall, Richard. Family tribute woven from ancestral strands, Otago Daily Times, July 17, 2004 Ghirelli, Paola. A touch of sparkle, Herald Supplement, 23 September, 2004 Harris, Geoff. Maori Artists Exhibit at Leading Edge of New Era, The Northern Advocate, January 7, 2004 Hill , Peter. Trading Spaces in The Sydney Morning Herald, Spectrum, February 14-15, 2004, pp. 9 Leonie, Bridie. Kick your shoes off, do not fear, The Listener, August 28, 2004 Loxley, Anne. Results uneven when fishing for blue chips, The Sydney Morning Herald, February 24, 2004 pp.12 Tahua, Daniel. Reuben Paterson, Cause Celebre Magazine, April/May, 2004 Mane-Wheoki, Jonathan. Tau Ana, Whangarei Art Museum: Te Wharetoanga o Whangarei, Exhibition Catalogue, 2004 Paterson, Reuben. Daniel Te Huia, Cause Celebrate Magazine, 2004 Echo: Whakatata Mai: Do you see what I see? SCAPE: From a Different Angle, Exhibition Catalogue, New Zealand Community Trust, Arts and Industry Arts Biennial, 2004 Shand, Peter. We Fought Fashion and Lost, Auckland Museum: Tamaki Paenga Hira, 2004 2003 Bridgeman, Shelley. Glitz & Glamour, New Zealand House & Garden, July 2003 Burgess, Malcom. Darkness behind the glitter, The New Zealand Herald, May 18, 2003 Fowler, Rhoda. Portraiture: The Art of Social Commentary, exhibition catalogue, Te-Tuhi, Auckland, 2003 McEnteer, John. Fashioning links, Tuu Mai Magazine, November 2003 McNamara, T.J. All that glitters is not gold, The New Zealand Herald, May 22, 2003 2001 Fowler, R, The Wharenui that Dad Built, exhibition catalogue, Te-Tuhi, Auckland, 2001 Mason N. & Kisler M. (ed.) Purangiaho: Seeing Clearly, Auckland Art Gallery Toi o Tamaki, 2001 Rae, B. The Mark of Fisher, The New Zealand Herald, April 16, 2001, pp. B5 2000/1 Broker, D. Chic Pacifique, Eyeline: Contemporary Visual Arts, no. 44, Summer 2000/2001 2000 Mason, N. New Horizons: Future Directions, Biennale DArt Contempoarian de Noumea, Noumea Pacifique, 2000 1997 Baskett, P. Fine French Fellows, The New Zealand Herald, March 19, p. B9.

Paton-Tapsell, B. Fashion and Whakapapa, Mana Magazine, Issue 16, June/July 1997 Keall, Michael. Champagne Kid, Pavement Magazine, June/July 1997

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Milford Galleries Dunedin

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SELECTED TELEVISION The Big Art Trip: New Zealand arts programme highlighting contemporary art practices Queer Nation: Feature presentation Nightline News: Late night news channel World fashion Show 2003: Recording of fashion show with interviews and responses Kete Aronui Shorts: Produced by Kiwa Films for Maori Television, Directed by Jane Reeves

This Little Light of Mine (2011)

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Milford Galleries Dunedin

www.milfordgalleries.co.nz