REUBEN PATERSON

REUBEN PATERSON The Aroma of Black 4 - 29 April 2015 www.milfordgalleries.co.nz

milford galleries queenstown

9A Earl Street (03) 442 6896 qtown@milfordgalleries.co.nz

In Languages of Fragrance (2015) glitter & synthetic polymer on canvas, frame: 1035 x 1035 x 55 mm

1

Reproduction (2015) glitter & synthetic polymer on canvas, frame: 635 x 635 x 55 mm

2

Vows (2013/15) glitter & synthetic polymer on canvas, stretcher (ø x d): 1500 x 40 mm

3

Smelling Flowers in the Dark (2015) glitter & synthetic polymer on canvas, stretcher (ø x d): 1000 x 37 mm

4

Jewellery of God (2015) glitter & synthetic polymer on canvas, stretcher (ø x d): 1000 x 37 mm

5

Shade (2015) glitter & synthetic polymer on canvas, frame: 1035 x 1035 x 55 mm

6

To Grow Unnoticed (2015) glitter & synthetic polymer on canvas, frame: 835 x 632 x 55 mm

7

The Petal’s Edge (2015) glitter & synthetic polymer on canvas, frame: 1235 x 1235 x 55 mm

8

Attracting Pollinators (2015) glitter & synthetic polymer on canvas, frame: 830 x 635 x 55 mm

9

Whakapapa I (2009/15) glitter & synthetic polymer on canvas, frame (ø x d): 1077 x 20 mm

10

Whakapapa II (2009/15) glitter & synthetic polymer on canvas, frame (ø x d): 1077 x 20 mm

11

Get Down on Your Knees XVI, XIII, XIX (2009/15) glitter & synthetic polymer on canvas, frames (ø x d): 330 x 32 mm each

12-14

The paradoxes inherent in Reuben Paterson’s collection of new works are telegraphed by the title of his exhibition, The Aroma of Black. Rational thought tells us that a colour has no scent, but it is irrational reactions and experiences that Paterson wishes to evoke. He experiments with illusory space, the visual tensions between stasis and flux, and the role of memory in constructing meaning.

Paterson continues to draw visual inspiration from textile traditions and through these explores the mutability of images. The printed patterns of fabric are translated into carefully constructed glitter paintings whose textured surfaces retain a sense of materiality. The floral images themselves are sharpedged and signal their shift from the soft fluidity of fabric to a fixed medium.

Petals, stems and leaves are assembled from clearly defined blocks of colour and the obvious artificiality of the flowers deliberately recalls the multiple abstractions required to achieve the form depicted on the canvas. The process of transformation is highlighted as well as its final outcome.

Transformation not only occurs during the process of creation but during the contemplation of the work. As Paterson’s floral imagery becomes more and more complex, the layers of depth he draws from the picture plane grows.

This is strongly evidenced in In Languages of Fragrance where individual petals in the red and pink poppies are outlined in black to emphasise fully the advancing properties of the colours. At times they seem barely contained by the picture plane and float above the soft green foliage. A subtle sweep of blue elements frame the central poppy, enhancing its dominance of the composition; smaller blooms fall back into the unmeasured depths of the rich black background. Groups of white spots complete the visual trickery as they hover over and above everything; to concentrate solely on them requires the eyes to physically re-focus and the rest of the work retreats into a blur.

The paradoxical illusion of a three-dimensional space existing on a twodimensional surface is extended further once the effects of light come into play. The constantly changing play of light on glitter creates a permanent state of flux and reinforces the unpredictability of what the eye sees and what actually exists. None of Paterson’s artworks can ever be seen in exactly the same way twice and are, therefore, in a continual state of re-creation.

As a painting changes with each viewing, a story changes with each telling: one shaped by the vagaries of light, the other by vagaries of memory. The mutable aspect of his artworks dovetails into Paterson’s exploration of familial and societal histories. Each glitter painting contains a plethora of visual and symbolic possibilities and the evanescence of the medium mirrors the transitory nature of history. A temporal dimension underpins the artist’s works, reinforcing the idea of narratives extending backwards and forwards through time. Paterson has always used his practice to speak to his own family histories and his works open a space for the viewer to consider the stories that grow up and out of their own memories and experiences.

EXHIBITION PRICELIST 1

In Languages of Fragrance (2015)

15,000

2

Reproduction (2015)

3

Vows (2013/15)

22,500

4

Smelling Flowers in the Dark (2015)

15,000

5

Jewellery of God (2015)

15,000

6

Shade (2015)

15,000

7

To Grow Unnoticed (2015)

11,000

8

The Petal's Edge (2015)

17,500

9

Attracting Pollinators (2015)

11,000

10

Whakapapa I (2009/15)

12,500

11

Whakapapa II (2009/15)

12,500

12

Get Down on Your Knees XVI (2009/15)

1,450

13

Get Down on Your Knees XIII (2009/15)

1,450

14

Get Down on Your Knees XIX (2009/15)

1,450

9,500

All prices are NZD and include GST; Prices are current at the time of the exhibition

REUBEN PATERSON b. 1973, lives Auckland

"Now well-established artist, Reuben Paterson's exquisite use of a material we employ to give the everyday a sprinkle of magic dust - glitter - lifts things out of the real world to let us consider them anew.

The patterns and images he adapts are seductive in their familiarity and kitschness, but also in how they have become suddenly, shimmeringly strange." (1) "In a broader sense – whakapapa – or genealogy, has always been at the core of Paterson’s work. Of Ngati Rangitihi/ Ngai Tuhoe, Scottish and Pakeha descent, this artist’s work over the past 11 years has recorded, referenced and paid tribute to his whakapapa.” (2) "The painter himself wants to mystify you with details of Maori genealogy (Whakapapa), personal family history, sexual politics, his relationships and friends, native land rights, fabric, fashion and wallpaper design. Like a spiritually charged textile, they weave a cultural pattern that underscores the fundamental agenda of his artwork." (3) “Paterson’s works remind us of our connections to the past and how that influences our role in the future.

Contained on a canvas like bottled lightening, they challenge our perception and control the present as a state of flow, an analogy for capturing the elusive creative process as it shifts between boredom and inspiration.” (4) Born in Auckland, New Zealand 1973, Reuben Paterson is of Ngati Rangitihi, hapu of Te Arawa and Ngai Tuhoe tribes. He has received numerous awards and residencies including the Moet et Chandon Fellowship to Avize, France in 1997, the youngest recipient and the second Maori to receive the award. In 2005 he won the Development Prize in the Wallace Art Awards - the prize a three-month residency with the International Studio & Curatorial Program (ISCP) in New York valued at $15,000. Reuben Paterson has been exhibiting since 1995 and has had numerous prestigious public exhibitions: including the 8th Festival of Pacific Arts Biennale d’Art Contemporian, Noumea, New Caledonia, Te Papa Tongarewa, Museum of New Zealand, Wellington, the International Biennale of Contemporary Art at the National Gallery in Prague the Asia Pacific Triennial in Queensland and the 17th Biennale of Sydney, Australia.

1.

2.

3.

4.

Mark Amery, Beastly Beautiful’, Dominion Post, 2011 Dan Chappell, ‘Diamond Dust and Ancestral Stories’, Art News, Spring 2011 Ben Bergman, ‘Kaleidoscope Culture: the Glitter-amas of Reuben Paterson’, Art Monthly Australia, December 2010 Andrew Clifford, Bottled Lightning, 2012

Reuben Paterson 2015 CV P a g e |1

Milford Galleries Dunedin

www.milfordgalleries.co.nz

REUBEN PATERSON b. 1973, lives Auckland EDUCATION 2000 1997

Auckland College of Education Post Graduate Diploma of Teaching (Primary).

University of Auckland: Elam School of Fine Arts Bachelor of Fine Arts (Major in painting, Minor in Art History)

SELECTED SOLO EXHIBITIONS 2015 2014

2013

2012

2011/12 2011

2010

2009 2008 2007 2006

2005

2004

2003

2001

The Aroma of Black, milford galleries queenstown Seasoned Pass, Corban Estate Arts Centre, Auckland At the Edge of the Mirror, Hastings City Art Gallery In the Company of Animals, Milford Galleries Dunedin The Golden Bearing (In situ at Pukekura Park), Govett Brewster Art Gallery, New Plymouth Sonic Boom, Martin Browne Contemporary, Sydney, Australia Earth, Wind & Fire, Nellie Castan Gallery, Melbourne, Australia Seek to Yield to Find, Brisbane City Council Vibrant Laneways, Edison Lane, Brisbane, Australia Te Pūtahitanga ō Rehua, Christchurch Art Gallery, Christchurch Meinongs's Jungle, Bartley + Company Art, Wellington Pleasure Seekers, Nellie Castan Gallery, Melbourne, Australia Twice Upon a Time, Gow Langsford Gallery, Auckland Bottled Lightning, Peloton Gallery, Sydney, Australia House of Rainbow, Milford Galleries Dunedin Bottled Lightning, Gus Fisher Gallery, Auckland Gazillion Swirl, Te Mahi Toi o Reuben Paterson, an exhibition in the Todd Foundation Learning Centre, Auckland Art Gallery She Beauty, He Beast - Glitter paintings by Reuben Paterson, Pataka, Porirua Flow, Nellie Castan Gallery, Melbourne, Australia Muscles and Ice Cream: In store installation and capsule collection, WORLD Store, Auckland Te Puthaitanga o Rehua, Te Manawa, Palmerston North Te Puthaitanga o Rehua, Dunedin Public Art Gallery Be Tender, (Digital Art Live), The Edge, Auckland Aere e Akamotu, BCA Gallery, Rarotonga Reuben Paterson: Whakapapa - Get Down Upon Your Knees, Tauranga Art Gallery The Water Between Us, Milford Galleries Dunedin Dear Beauty, Dear Beast, Gow Langsford Gallery, Auckland Peep Show, milford galleries queenstown The Painter's Lot, Milford Galleries Dunedin Reuben Paterson: When the Sun Rises and the Shadows Flee, Dunedin Public Art Gallery New Work, 64zero3 Gallery, Christchurch Square2, Wellington City Gallery He Aha te Mea Nui? What is the Greatest thing?, Dunedin Public Art Gallery He Aha te Mea Nui? What is the Greatest thing?, Institute of Modern Art, Brisbane, Australia He Aha te Mea Nui? What is the Greatest thing?, Institute of Modern Art, Brisbane, Australia (Permanent Art installation) The Art Café, Ikaria, Greece Narcissus, Gow Langsford Gallery Auckland Christchurch Biennial Art and Industry for the Project Echo curated by Tessa Giblin at Riccarton House, Christchurch The Customs of Tripping, Milford Galleries Dunedin Gow Langsford Gallery, Sydney, Australia Everything That Glitters Is Not Gold, milford galleries queenstown New Zealand Fashion Week In collaboration with WORLD Parliament Buildings Foreign Affairs Building, The Beehive, Wellington Dunedin Public Art Gallery Window Running concurrently with Milford Gallery Dunedin: When Paradise is not enough, Milford Galleries Dunedin Cameo Project, Te Tuhi, Pakuranga, Auckland

Reuben Paterson 2015 CV P a g e |2

Milford Galleries Dunedin

www.milfordgalleries.co.nz

SELECTED GROUP EXHIBITIONS 2015 2014

New Works, milford galleries queenstown Significant Works, Milford Galleries Dunedin The Review, milford galleries queenstown Summer Show, Milford Galleries Dunedin 2013 Large Works, Milford Galleries Dunedin E Tu Ake: Standing Strong, Musée de la civilisation in Québec City, Québec, Canada Architecture of the Heart, Hawkes Bay Museum, Hastings Contemporary Pacific and Asian Art, National Gallery of Victoria, Melbourne, Australia Flow Riders, Rotorua Museum, Rotorua 2012/2013 All That Glitters, Expressions Arts & Entertainment Centre, Upper Hutt 2012 E Tu Ake: Standing Strong, Museo Nacional de las Culturas in Mexico City; Significant Works, Milford Galleries Dunedin 2011 Koru Tuputupu: Redefining Kowhaiwhai, The University of Waikato, Hamilton E Tu Ake: Standing Strong, musée du quai Branly, Paris, France Oceania, Wellington City Art Gallery, Wellington CURRENT, October Gallery, London, UK Material Motives, Milford Galleries Dunedin Collecting Contemporary, Te Papa Tongarewa, Museum of New Zealand, Wellington Manstyle, National Gallery of Victoria, Melbourne, Australia E Tu Ake, Te Papa Tongarewa, Museum of New Zealand, Wellington Close Encounters: The Next 500 Years, Plug In, Institute of Contemporary Art, Winnipeg, Canada 2010 Small Works, Milford Galleries Dunedin Under, Lopdell House Gallery, Auckland The Beauty of Distance: Songs of Survival in a Precarious Age, 17th Biennale of Sydney, Cockatoo Island, Sydney, Australia Wairoa Maori Film Festival, Kahungunu Marae, Wairoa Puptiputi: The Flower in Contemporary New Zealand Art, Hastings City Art Gallery, Hastings 2009 Beloved, Dunedin Public Art Gallery APT6: The 6th Asia Pacific Triennial of Contemporary Art, Gallery of Modern Art, Brisbane, Australia Blue Planet, Christchurch Art Gallery Together Alone: Australian and New Zealand Fashion, National Gallery of Victoria, Melbourne, Australia Move Me, Webbs Auction House Reference Section, Whakatane District Museum and Gallery Am I Scared, Boy (eh): collection works from then and now, Govett - Brewster Art Gallery, New Plymouth 2008 Are you Right not to like Modern Art?, Te Manawa Museum, Palmerston North Spring Catalogue Exhibition, Gow Langsford Gallery, Auckland Dispelling the Myth: a look at changing attitudes towards Death, Te Manawa Museum, Palmerston North Dateline: Contemporary Art from the Pacific, Govett Brewster Gallery, New Plymouth Dateline: Contemporary Art from the Pacific, Galerie der Stadt Sindelfingen, Maichingen, Germany Dateline: Contemporary Art from the Pacific, Stadtgalerie, Kiel, Germany 2007 Pacifica, Cambridge University of Anthropology and Archaeology, Cambridge, UK Dateline: Contemporary Art from the Pacific, NBA Neuer Berliner Kunstverein, Berlin Hot, 64zero3 Gallery, Christchurch Of Deities and Mortals, Christchurch City Art Gallery Time Warp: NZ Artists and the Logie Collection, Christchurch City Art Gallery, Christchurch News from Islands, Campbell Town Art Centre, Sydney Love is the Key, Inanui Gallery, Rarotonga 2006 Te Hue Ipu – Artifact and Artwork, Pataka, Porirua nEUclear reactions, CAB Centro de Arte Caja De Burgos, Burgos, Spain; Museu d'Art Contemporani de Barcelona Plaça dels Àngels, Barcelona Object, Milford Galleries Dunedin YMCA, Sergeant Art Gallery, Wanganui 2005 Parallel Practices, Hawkes Bay Exhibition Centre, Hawkes Bay Reuben Paterson 2015 CV Milford Galleries Dunedin www.milfordgalleries.co.nz P a g e |3

2004

2003

2002

2001

2000 1997 1996 1995

The Walters Show, Pataka, Porirua nEUclear reactions, Prague Biennial, Chzeqe Republic, IBCA Tau Ana, Waikato Museum, Hamilton In Flower, 64ZERO3 Gallery, Christchurch YMCA, Saergent Art Gallery, Wanganui 9th Pacific Biennale, Palau Islands, Pacific Ocean, Micronesia Transit of Venus, Milford Galleries Dunedin "Wish You Were Here" Hazlehurst Gallery, Sydney Flowerpower, Pataka, Porirua Ike and thanks for all the Ika, Artspace Auckland (Travelling from Lithuania through Rarotonga to New Zealand) Tau Ana, Wanganui Art Museum, Hamilton Abstraction, Milford Gallery, Dunedin Ike, and thanks for the Ika, Rarotonga Cultural Centre Lithuania Maori in Lithuania, Lithuanian Siuolaikinio Meno Centre, Lituania Contemporary Perspective in Portraiture, Te Tuhi – The Mark, Auckland Taiaawhio: Te Tiimatanga, Museum of New Zealand, Te Papa Tongarewa, Wellington Flaunt – Art, Fashion, and Culture, Auckland City Art Gallery, Auckland Contemporary Acquisitions, Auckland Art Gallery (New Gallery), Auckland The Koru and Kowhaiwhai, Contemporary Renaissance of Kowhaiwhai Painting, Pataka Gallery, Porirua Abstraction, Milford Galleries, Dunedin Taiaawhio: Te Tiimatanga, Museum of New Zealand, Te Papa Tongarewa, Wellington: Dale Frank, Richard Thompson, Paul Hartigan and Reuben Paterson, Gow Langsford Gallery, Auckland Techno Maori, Wellington City Art Gallery; Pataka, Porirua Purangiaho, Auckland Art Gallery Mana Tangata, Te Wa, Wanganui The 8th Festival of pacific Arts Biennale d’Art Contemporian, Tijibaou Arts and Cultural Centre, Noumea, New Caledonia Peter Hills, the Art Fair Murders, Auckland Art Gallery Step on it, Christopher Moore Gallery, Wellington Quartet, Four to the Fore, 23A Gallery, Auckland Salute Pierre ET Gilles, George Fraser Gallery, Auckland

SELECTED AWARDS, RESIDENCIES AND COMMISSIONS 2014 2014 2013 2010 2009 2007 2006 2005

2004 2003 1997

Artist in Residence, Gouyong, Korea Public art work commission ‘Àndale Àndale’ completed for the Newmarket Railway Station, Auckland Artist in Residence, Govett Brewster Art Gallery, New Plymouth Artist in Residence, BCA Gallery, Rarotonga There Goes the Moon, commission for TV series New Artland, New Zealand Artspace Billboard, commission in Karangahape Road, Auckland International Studio Curatorial Program, Three month residency as part of the James Wallace Art Awards Development Prize, Manhattan, New York Two month residency to create permanent installation at The Art Caf, Kampos, Ikaria, Greece Wallace Art Awards, Development Prize Finalist, Castteleon City Arts Council Arts Prize, Castelleon, Spain Punatapu Lodge. Two month residency, Queenstown New Zealand Fashion Week, in collaboration with WORLD, Auckland Möet et Chandon Fellowship, two month residency, Avize, France

SELECTED COLLECTIONS Queensland Art Gallery, Brisbane, Australia National Gallery of Victoria, Melbourne, Australia National Gallery of Australia, Canberra, Australia Auckland Art Gallery Toi o Tamaki, Auckland Auckland University Collection, Auckland Te Papa Tongarewa, Wellington Reuben Paterson 2015 CV P a g e |4

Milford Galleries Dunedin

www.milfordgalleries.co.nz

Dunedin Public Art Gallery, Dunedin The Dowse Art Museum, Lower Hutt Sky City Casino Penthouse, Auckland Govett–Brewster, New Plymouth Christchurch City Art Gallery, Christchurch James Wallace Arts Trust, Auckland Otago Museum, Dunedin

SELECTED PUBLICATIONS 2014 2013

Janke, Shelley. New Directions, Australian Art Collector, Issue 67 Jan - March 2014, pp 128-133 Paton, Justin. Shimmer and Swell, Bulletin, Issue 171, 2013, pp 33-40 Ryan, Judith. New to the Collection, National Gallery of Victoria, March/April 2013, p 62 2012 Clifford, Andrew. Reuben Paterson: Bottled Lightning, The Gus Fisher Gallery, 2012 2011 Chappell, Dan. Diamond Dust and Ancestral Stories, Art News New Zealand, Volume 31, No 3, Spring 2011 pp. 74 - 77 Smith, Huhana. E Tu Ake: Maori Standing String, Te Papa Press, 2011 pp.42, 43, 146, 148 Amery, Mark. Beastly Beautiful, Dominion Post, Wellington, March 3, 2011 Hurrell, John. Paterson’s FLOW, Australian Art Collector, issue 56, April – June 2011 pp. 152 – 158 Winnipegs New Voyage of Discovery, Galleries West, Spring 2011 pp. 36 - 40 2010 Ben Bergman. Kaleidoscope Culture: the Glitter-amas of Reuben Paterson, Art Monthly Australia, December 2010 17th Biennale of Sydney: The Beauty of Distance: Songs of Survival in a Precarious Age, Biennale of Sydney Ltd in association with Thames and Hudson, 2010 pp.212, 303 Seeto, Aaron. Ground Cover: Fiona Foley and Reuben Paterson. Indigenous Strategies for Public Art, Public Art Review, Issue 42, Spring/Summer 2010 pp. 32 – 35 Wood, Andrew Paul, Portrait, Urbis, Issue 61, 2010 pp.118 Broker, David. Kaleidoscope Culture, Contemporary Visual Art and Culture Broadsheet, Vol 38.4, pp. 274 -276 2009 Clifford, Andrew, Roaming Around the Pacific, The New Zealand Herald, January 23, 2009, Weekend Herald Arts, pp. B13-B14 Parekowhai, Cushla, Real Art Roadshow, The Book, Midas Printing, 2009 pp. 170–171 Hurrell, John, Real Art Roadshow, The Book, Midas Printing, 2009 pp. 172–173 Brown, Warwick, Seen this Century - 100 Contemporary New Zealand Artists a collectors guide, Random House, Auckland New Zealand, 2009 pp. 312 – 315 Hurrell, John, The Big Book of Essays, New Zealand Contemporary Art from the Real; Art Roadshow: Silver Collection, Real Art Charitable Trust, 2009 Goddard, Angela. The 6th Asia Pacific Triennial of Contemporary Art: Pathways Through History, Queensland Art Gallery, Brisbane, Australia, 2009 Fitzgerald, Michael. Sweet Dreams: The Paradox of Pop, Art and Australia, The 6th Asia-Pacific Triennial or Contemporary Art Focus Issue, Vol 47, No.2, Summer 2009 pp 290 – 291 and cover Rodriguez-Fominaya, Alvaro and Russell Storer, ArtPulse, Vol 1, No 2, December 2009 – February 2010 2008 Davenport, Rhana. Don’t Get Depressed Get Rad, Art and Australia, Vol 46, Summer, No 2, 2008 pp. 256 - 265 2007 Seeto, Aaron. News from Islands, Exhibition Catalogue, Campelltown Arts Centre, Australia, 2007 Smith, Hunana (ed). Taiawhio II: Contemporary Maori Artists, Te Papa Press, 2007 Whippy, Sharon and Reuben Paterson. Reverie, Exhibition Catalogue, 207 2005 Watson, Aaron. Sparkle that shines, Artzone, No. 12, November 2005 - January 2006, p. 43 – 49 Barragn. NEUclear Reactions in International Biennale of Contemporary Art [Catalogue], National Gallery Prague, 2005, p. 60 – 61 Clifford, Andrew. Reuben Paterson’s glittering career, The New Zealand Herald, 8 April, 2005 Ngahiraka Mason. Open for Interpretation, Art New Zealand, Spring 2005 Paterson, Reuben. Meeting Dionysus, Art News, Summer 2005, p. 72 – 73 Barragan, Paco. International Biennale of Contemporary Art, National Gallery of Prague, 2005 Enlightened by Kowhaiwhai: The Art of Reuben Paterson, Celebrate Art NZ, Volume 8, Published

by Interactive Education Ltd, 2005 Remember New Zealand, Exhibition Catalogue, New Zealand at the 26th Sao Paulo Biennial, Brazil, Published by Art Space, 2001 pp. 178-193 2004 Dignan, James. Abstraction and Still Life: An Overview, Milford Galleries, 2004 Dingwall, Richard. Family tribute woven from ancestral strands, Otago Daily Times, July 17, 2004 Reuben Paterson 2015 CV Milford Galleries Dunedin www.milfordgalleries.co.nz P a g e |5

Ghirelli, Paola. A touch of sparkle, Herald Supplement, 23 September, 2004 Harris, Geoff. Maori Artists Exhibit at Leading Edge of New Era, The Northern Advocate, January 7, 2004 Hill, Peter. Trading Spaces in the Sydney Morning Herald, Spectrum, February 14-15, 2004, pp. 9 Leonie, Bridie. Kick your shoes off, do not fear, The Listener, August 28, 2004 Loxley, Anne. Results uneven when fishing for blue chips, The Sydney Morning Herald, February 24, 2004 pp.12 Tahua, Daniel. Reuben Paterson, Cause Celebre Magazine, April/May, 2004 Mane-Wheoki, Jonathan. Tau Ana, Whangarei Art Museum: Te Wharetoanga o Whangarei, Exhibition Catalogue, 2004 Paterson, Reuben. Daniel Te Huia, Cause Celebrate Magazine, 2004 Echo: Whakatata Mai: Do you see what I see? SCAPE: From a Different Angle, Exhibition Catalogue, New Zealand Community Trust, Arts and Industry Arts Biennial, 2004 Shand, Peter. We Fought Fashion and Lost, Auckland Museum: Tamaki Paenga Hira, 2004 2003 Bridgeman, Shelley. Glitz & Glamour, New Zealand House & Garden, July 2003 Burgess, Malcom. Darkness behind the glitter, The New Zealand Herald, May 18, 2003 Fowler, Rhoda. Portraiture: The Art of Social Commentary, exhibition catalogue, Te-Tuhi, Auckland, 2003 McEnteer, John. Fashioning links, Tuu Mai Magazine, November 2003 McNamara, T.J. All that glitters is not gold, The New Zealand Herald, May 22, 2003 2001 Fowler, R, The Wharenui that Dad Built, exhibition catalogue, Te-Tuhi, Auckland, 2001 Mason N. & Kisler M. (ed.) Purangiaho: Seeing Clearly, Auckland Art Gallery Toi o Tamaki, 2001 Rae, B. The Mark of Fisher, The New Zealand Herald, April 16, 2001, pp. B5 2000/1 Broker, D. Chic Pacifique, Eyeline: Contemporary Visual Arts, no. 44, Summer 2000/2001 2000 Mason, N. New Horizons: Future Directions, Biennale DArt Contempoarian de Noumea, Noumea Pacifique, 2000 1997 Baskett, P. Fine French Fellows, The New Zealand Herald, March 19, p. B9.

Paton-Tapsell, B. Fashion and Whakapapa, Mana Magazine, Issue 16, June/July 1997 Keall, Michael. Champagne Kid, Pavement Magazine, June/July 1997

SELECTED TELEVISION The Big Art Trip: New Zealand arts programme highlighting contemporary art practices Queer Nation: Feature presentation Nightline News: Late night news channel World fashion Show 2003: Recording of fashion show with interviews and responses Kete Aronui Shorts: Produced by Kiwa Films for Maori Television, Directed by Jane Reeves

Reuben Paterson: The Nebula NGC in Scorpius (2014)

Reuben Paterson 2015 CV P a g e |6

Milford Galleries Dunedin

www.milfordgalleries.co.nz