WILLIAMS, BAILEY, TAUREREWA

Mervyn

WILLIAMS Chris

BAILEY Lorene

TAUREREWA 18 August - 12 September 2012

www.milfordgalleries.co.nz

Milford Galleries Dunedin 18 Dowling Street (03) 477 7727 info@milfordhouse.co.nz

MERVYN WILLIAMS

1. MERVYN WILLIAMS, Celadon on Ice (2009) acrylic on canvas, stretcher: 803 x 803 x 34 mm

2. MERVYN WILLIAMS, Following Blue (2009) acrylic on canvas, stretcher: 803 x 803 x 34 mm

3. MERVYN WILLIAMS, Focus (2005) acrylic on canvas, stretcher: 803 x 803 x 34 mm

4. MERVYN WILLIAMS, Point Blank (2010) acrylic on canvas, stretcher: 803 x 803 x 34 mm

5. MERVYN WILLIAMS, Pale Nebula (2012) acrylic on canvas, stretcher: 918 x 916 x 33 mm

6. MERVYN WILLIAMS, Seeing Red (2012) acrylic on canvas, stretcher: 914 x 913 x 33 mm

CHRIS BAILEY

7. CHRIS BAILEY, Ngatokimatawhaorua (2012) totara, marine cordage, stain, steel base, post: 3000 x 220 x 140 mm, base: 400 x 395 x 9 mm

8. CHRIS BAILEY, Mamari (2012) totara, marine cordage, stain, steel base, post: 3000 x 215 x 135 mm, base: 400 x 395 x 9 mm

10. CHRIS BAILEY, Kaitiaki II ,,, (2012), granite, size: 602 x 157 x 195 mm each

LORENE TAUREREWA

11. LORENE TAUREREWA, The Strong Must Lead the Weak (2008)

oil on canvas, stretcher: 1218 x 1218 x 38 mm

12. LORENE TAUREREWA, What Will Become of Us (2008), oil on canvas, stretcher: 1212 x 1218 x 38 mm

13. LORENE TAUREREWA, Hear Without Listening (2008), oil on canvas, stretcher: 1215 x 1220 x 38 mm

15. LORENE TAUREREWA, The Wrongdoing of Social Law (2009)

watercolour on paper, frame: 870 x 795 mm

16. LORENE TAUREREWA, The Centripetal Influence of Love (2008)

watercolour on paper, frame: 870 x 795 mm

17. LORENE TAUREREWA, To Make an Arena of the World (2009)

watercolour on paper, frame: 975 x 865 mm

18. LORENE TAUREREWA, Intending to Go on from This Place (2009)

watercolour on paper, frame: 975 x 865 mm

The synergies that exist between the works of Chris Bailey, Lorene Taurerewa and Mervyn Williams deal with the exploitation of medium and its role in the subject of their diverse artworks.

For Waiheke-based sculptor Chris Bailey, the medium is intrinsically tied to the messages of his artworks and he relishes the inherent characteristics of each chosen piece of stone and wood. The stark planes of Bailey’s Kaitiaki mirror the unyielding nature of the stone and the crystalline granite is scored with dozens of lines, revealing the inner structures and ‘flesh’ of the material, much as lines of genealogy reveal the structures of whanau/family.

Made from totara, a traditional waka building material, his pou celebrate the sleekness of a canoe prow and chiselled indentations suggest the ripples of waters travelled. The wood grain speaks of the history of the totara, and the artist’s hands can be seen in every mark. Each pou is inscribed with a name that tells its individual story: “Matawhaorua was a sacred canoe and could not bring food on board, it was Māmari that brought the sustenance for the crew of Matawhaorua, and the seeds.” (1) For Mervyn Williams the medium also functions as the message in his paintings. Williams defies the flat surface of the painted canvas by creating illusory planes of perspective and three dimensional forms that only truly exist as plays of light and perception. Utilising the optical trickery of advancing and receding colours, his paintings suggest depth and protrusion; the use of circular forms and concentric circles further enhances this illusion.

Lorene Taurerewa uses delicate washes of hue and traces of line to delineate her subjects in both oil and watercolour paintings. The blurred and disfigured features of her characters mark them as outsiders, and Taurerewa’s deliberate use of empty space evokes further feelings of alienation. Either alone or in seemingly mismatched groupings, the artist has set her subjects adrift in a void with no markers to indicate where they have been or where they are going. The surface of the work becomes a blank stage where the players enact enigmatic, unscripted dramas.

1. www.maoridictionary.co.nz. Accessed 7/8/12

EXHIBITION PRICELIST M E R V Y N

W I L L I A M S

1 Celadon on Ice (2009)

10,000

2 Following Blue (2009)

10,000

3 Focus (2005)

10,000

4 Point Blank (2010)

10,000

5 Pale Nebula (2012)

14,000

6 Seeing Red (2012)

14,000

C H R I S

B A I L E Y

7 Ngatokimatawhaorua (2012)

12,500

8 Mamari (2012)

12,500

9 Kaitiaki II (2012)

6,000

10 Kaitiaki III (2012)

6,000

L O R E N E

T A U R E R E W A

11 The Strong Must Lead the Weak (2008)

4,500

12 What Will Become of Us (2008)

4,500

13 Hear Without Listening (2008)

4,500

14 The Wrongdoing of Social Law (2009)

1,950

15 The Centripetal Influence of Love (2008)

1,950

16 To Make an Arena of the World (2009)

1,950

17 Intending to Go on from This Place (2009)

1,950

All prices are NZD and include GST; Prices are current at the time of the exhibition

MERVYN WILLIAMS b. 1940, lives Auckland

Pale Nebula (2012)

“My work is concerned with perception, the nature and interpretation of reality. I use subtle modulations of light and shade to create surfaces reminiscent of photography, spatially ambiguous, reflecting some other reality. I seek to re-examine the relationships between what we see and what we know, between empirical fact and deduction, reality and illusion.” (1) The planes of Mervyn Williams’ paintings protrude, ripple and undulate but the play of light he coerces from his works is full of trickery and illusion. In the tradition of abstract artists such as Mark Rothko and Milan Mrkusich, Williams explores the boundaries of his chosen medium.

Unlike these artists however, Williams defies the limits of the flat canvas surface, creating “visual magic…a conjuring up of surrogate realities.” (2) The protrusions and ripples seen in his paintings are compositions of paint and light, existing only in the eye; the mind endeavours to see what is actually present rather than what it expects to see.

Williams was born in Whakatane in 1940 and lives and works in Auckland. After studying at the Elam School of Fine Arts in Auckland, he learnt commercial screenprinting, and was involved in the printing of limited editions by painters such as Gordon Walters. Williams has exhibited regularly in New Zealand since 1966 and is represented in all major public and many private collections in this country as well as in private collections in North America, Europe, Japan and Australia.

1.

2.

Mervyn Williams quoted in Michael Dunn, “Contemporary Painting in New Zealand,” Craftsman House, Australia, 1996 Warwick Brown, “100 New Zealand Paintings”, Godwit, 1995

Mervyn Williams 2012 CV P a g e |1

Milford Galleries Dunedin

www.milfordgalleries.co.nz

MERVYN WILLIAMS b. 1940, lives Auckland EDUCATION 1957-58

Elam School of Fine Arts, University of Auckland

SELECTED SOLO EXHIBITIONS 2010 2008 2007 2006 2004 2003 2002 2001 1999 1997 1995 1993 1991/92 1989

1988 1987 1984 1983 1982 1981 1980 1979 1975

20 years of Painted Illusion, Artis Gallery, Auckland Round & Round, Artis Gallery, Auckland In the Round, Janne Land Gallery, Wellington Recent Paintings, Judith Anderson Gallery, Hawkes Bay Selected Works, Janne Land Gallery, Wellington Southern Oscillation, Milford Galleries Dunedin Quotrains, Janne Land Gallery , Wellington Quintessence, Michael Carr, Sydney, Australia Quintessence, Gow Langsford Gallery, Auckland The Nature of Things, Gow Langsford Gallery, Auckland The Nature of Things, SPAN Gallery, Melbourne, Australia In the Round: Recent Paintings, Gow Langsford Gallery, Auckland Exposures: New Paintings, Gow Langsford Gallery, Auckland New Work, Brooker Gallery, Wellington Between Darkness and Light, Gow Langsford Gallery, Auckland Points of Departure, Sarjeant Gallery, Wanganui In Different Light, Portfolio Gallery, Auckland Wood Works Wanganui, Gow Langsford Gallery, Auckland Works on Paper, Manawatu Art Gallery, Palmerston North Works in Progress, Sarjeant Gallery, Wanganui Recent Paintings, Gow Langsford Gallery, Auckland Recent Gouaches, Portfolio Gallery, Auckland Recent Paintings, Louise Beale Gallery, Wellington Recent Paintings, New Vision Gallery, Auckland Twelve Gouaches, New Vision Gallery, Auckland Recent Paintings, Louise Beale Gallery, Wellington Recent Paintings, RSK Art, Auckland Recent Paintings, Elva Bett Gallery, Wellington Recent Paintings, Barry Lett Galleries, Auckland Paintings and Drawings, Barry Lett Galleries, Auckland

SELECTED GROUP EXHIBITIONS 2012 2010 2008 2006

2005 2004 2000 1998 1997

1994

Mervyn Williams/Chris Bailey/Lorene Taurerewa, Milford Galleries Dunedin Significant Works, Milford Galleries Dunedin Sleight of Hand: Port Nelson Suter Biennale, The Suter Gallery, Nelson Summer Exhibition, milford galleries queenstown & milford galleries auckland Essence, milford galleries auckland Chosen, milford galleries auckland Winter Light, Janne Land Gallery, Wellington MasterWorks, milford galleries auckland Chosen, milford galleries auckland Frieze, Gow Langsford Gallery, Auckland Transit Of Venus, milford galleries auckland OverView - Abstraction & Still Life, Milford Galleries Dunedin Opposites Attract - Paul Dibble & Mervyn Williams, Michael Carr, Sydney, Australia Achromatic, Gow Langsford Gallery, Auckland Ross Bleckner Mark Francis, Leigh Martin & Mervyn Williams, Gow Langsford Gallery, Auckland Current Abstractions, Milford Galleries Dunedin Parallel Lines, Gordon Walters in Context, Auckland City Art Gallery

Mervyn Williams 2012 CV P a g e |2

Milford Galleries Dunedin

www.milfordgalleries.co.nz

1992 1990 1988 1984 1983 1982 1979 1978 1977 1972 1969 1967 1966

Surface Tension, Auckland City Art Gallery Out of the Woods, Sarjeant Gallery, Wanganui Faith and Works, Manawatu Art Gallery, Palmerston North Mervyn Williams & Gordon Walters, CSA Gallery, Christchurch Aspects Of Recent New Zealand Art, The Grid, Auckland Art Gallery Touring Exhibition Seven Painters/The Eighties, Touring Exhibition NZ Drawing Exhibition, CSA Gallery, Christchurch Auckland Painters Exhibition, Auckland City Art Gallery NZ Prints Exhibition, Auckland City Art Gallery Biennale Graphic Art, Paris, France Biennale of Graphic Art – Yugoslavia Pat Hanly & Mervyn Williams, , CSA Gallery, Christchurch Biennale of Graphic Art, Tokyo, Japan

AWARDS 1988 1981 1978 1969 1966

Artist In Residence – Wanagnui First Prize, Tokoroa Painting Award QE II Arts Council Grant NZ Print Council Samarkand Award First Prize, (Prints) Hay’s Art Award

COLLECTIONS Chartwell Collection, Auckland New Zealand Embassy, Washington DC, USA New Zealand Embassy, Consulate General, New York, USA Private collections USA, Canada, Europe, UK, Japan and Australia All major public and many private collections in New Zealand

SELECTED BIBLIOGRAPHY 2010 1996 1995 1992 1991 1989

1986 1985

Dunn, Michael, Looking Back: Mervyn Williams at 70, Art New Zealand, No 136, Summer 2010, pg 44-48 Dunn, Michael, Contemporary Painting in New Zealand, Craftsman House, Sydney, Australia, pg 204-207 Brown, Warwich, 100 New Zealand Paintings, Godwit Press, pg 96-97 Barton, Christina, Surface Tension: Ten Artists in the 90's, Auckland City Art Gallery Dunn, Michael, A Concise History of New Zealand Painting, Bateman Panaho, Rangihiroa, Points of Departure, Sarjeant Gallery, Wanganui Wedde, Ian, Mervyn Williams: Painting with his Feet in Wanganui, Art New Zealand, No 51, Winter 1989, pg 62-65 Bett, Elva, New Zealand Art: A Modern Perspective, Reed Methuen Dunn, Michael, Mervyn Williams, A Vision of Light, Art New Zealand, No 36, Spring 1985, pg 32-35

Sanctuary (Green) (2001)

Mervyn Williams 2012 CV P a g e |3

Milford Galleries Dunedin

www.milfordgalleries.co.nz

CHRIS BAILEY b. 1965, lives Waiheke Island

Toki Series IA (2012)

Hawaiki nui, Hawaiki roa, Hawaiki pamamao, I rapua mai ratou, ki te hi ika.

I puta mai, a Aotearoa nei.

He turanga waewae mo nga ira tangata.

From deep in the Pacific, they came searching, and pulled from the sea, New Zealand - Aotearoa.

A standing place for mankind.

Chris Bailey (1) Drawing on his Ngati Hako, Te Aupouri, Ngati Porou and Irish ancestries, Chris Bailey’s sculptures are physical and symbolic markers of place, identity, and history. Predominantly working in stone and wood, Bailey exploits the characteristics of each medium to their fullest; his wooden pou strive skywards and rounded stone forms possess a weightiness that extends far beyond physical mass.

One of Bailey’s most recent commissions, ‘Pou Tu te Rangi’ (2011), stands in the Sanctuary Garden of Auckland’s new Britomart Precinct. The seven pou represent a family and Bailey explores ideas of ‘te kotahitanga (being as one), te piritahi (coming together), and te mahi tahi (working as one)’ (2).

Based on Waiheke Island, with an academic background in Maori Culture and Heritage, Bailey has worked as an artist for over 20 years and has exhibited both nationally and internationally. He has been awarded a number of Creative New Zealand grants and in 2010 was the subject of a documentary ‘Chris Bailey – Ringa Whao’, which looked at his journey to becoming a sculptor.

(1) http://chrisbaileysculpture.com/ Accessed 30/07/12 (2) http://britomart.org/whats-on/seven-pou-are-family-of-strength-and-unity Accessed 30/07/12

Chris Bailey 2012 CV P a g e |1

Milford Galleries Dunedin

www.milfordgalleries.co.nz

CHRIS BAILEY b. 1965, lives Waiheke Island EDUCATION BA Majoring in Maori and Cultural Heritage in progress, University of Auckland SOLO EXHIBITIONS 2012 Nga Korero Tupuna, FHE Galleries, Auckland 2011 Pou Tu te Rangi Installation, Britomart Precinct, Auckland 2009 Featured artist exhibiting in the show case Sculpture Court, Auckland Art Fair, Auckland 2008 Mana Whenua, Lane Gallery , Auckland Motuaarairoa, FHE Galleries, Auckland 2007 New Works, Waiheke Community Art Gallery, Auckland 2006 Chris Bailey- New Works, Waiheke Community Art Gallery, Auckland GROUP EXHIBITIONS 2012 Mervyn Williams/Chris Bailey/Lorene Taurerewa, Milford Galleries Dunedin The Review, milford galleries queenstown Mini Masterworks V, Spirit Wrestler Gallery, Vancouver, Canada Art Melbourne, Royal Exhibition Building, Melbourne, Australia 2011 Headland - Sculpture On the Gulf, Waiheke Island 2010 Waitakaruru Arboretum and Sculpture Park - Summer sculpture exhibition.

Group exhibition, FHE Galleries, Auckland Group exhibition, TOI Gallery, Waiheke Island 2009 NZ Room - 53rd Venice Biennale, St Maddalena Church, Venice, Italy 6x6 International Timber Carving Symposium, Lake Serraia, Baselga de Pine, Italy Mini Masterworks III, Spirit Wrestler Gallery, Vancouver, Canada 2008 Mini Masterworks, Spirit Wrestler Gallery, Vancouver, Canada Te Kahui o Matariki, North Art, Auckland Tiny Treasures, De Young Museum of Modern Art, San Francisco, USA Sculpture on the Shore, Auckland 2007 Maori Mark, Wellington Event Centre, Wellington Spirit Wrestler Gallery, Vancouver, Canada 2006/07 APEC, virtual exhibition, August 2006 – 2007 2006 Art Out There Sculpture in the landscape, Waiheke Island Creative NZ Exhibition, Tokyo, Japan Pacific Edge 2006, The Art Bungalow, Kerikeri, Bay of Islands Taatai Tupuna, Waiheke Community Art Gallery, Auckland 2005 Toi Maori- The Eternal Thread Exhibition, Yerba Buena Centre for Arts, San Francisco, USA Toi Iho, Museum of New Zealand Te Papa Tongarewa, Wellington Tau Ranga, Tauranga Arts Festival, Baycourt Community and Arts Centre, Tauranga Te Wairua o Aotearoa, The Art Bungalow, Kerikeri, Bay of Islands Matariki, Waiheke Community Art Gallery, Auckland AWARDS Chris has been recognized by the New Zealand Art Council for his stone work and as such granted Toi Iho status which formally recognizes authentic Maori art of a high artistic quality 2009 Commissioned by Creative NZ to produce carved timber seats for the New Zealand Room in collaboration with Katie Lockheart at the 53rd Venice Biennale, St Maddalena Church, Venice, Italy

Chris Bailey 2012 CV P a g e |2

Milford Galleries Dunedin

www.milfordgalleries.co.nz

COLLECTIONS New Zealand Maritime Museum, Museum of New Zealand Te Papa Tongarewa, Wellington New Zealand Arts Council (Creative NZ) Private collections in New Zealand, USA, France, Italy and the UK SELECTED BIBLIOGRAPHY 2010 Chris Bailey - Ringa Whao, produced and directed by Stephanie Bennett 2008 Urlich & Libby Hakaraia, Colleen, Waata, Te Kahui o Matariki, Raupo Books, Auckland

Pou Tu te Rangi (2011) sculpture installation in the Britomart Precinct, Auckland

Chris Bailey 2012 CV P a g e |3

Milford Galleries Dunedin

www.milfordgalleries.co.nz

LORENE TAUREREWA lives New York, USA

The Strong Must Lead the Weak (2008)

“Taurerewa shifts scales and frames the way Shakespeare would set a play within a play, to structure different layers of fiction and thereby invert the relationships of cause and effect... These are not layers to be separated, rather roots hopelessly knotted, tangled from trying to grow in the inhospitable soil of our era, or perhaps of our human nature.” (1)

Tokoroa-born and New York-based, Taurerewa works in a range of media including charcoal, watercolours and oils. Her works tap into a world of the subconscious and raise many more questions than answers. Figures suggestive of freak show or circus escapees populate her drawn and painted worlds, their looming torsos creating a palpable sense of apprehension and unease.

‘Unnerved’, a group show at Brisbane’s Gallery of Modern Art in 2010 featured drawings from Taurerewa’s ‘Psychopompe’ series alongside works from Anne Noble, Michael Parekowhai and Lisa Reihana. Curator Maud Page described Taurerewa’s drawings as “Dark and otherworldly… [appearing] to exist outside time, emerging instead as the not-quite-controllable creations of psychological realms.”

(2) The set of 20 drawings were subsequently acquired by the Queensland Art Gallery for its permanent collection.

Taurerewa held a permanent position as Lecturer in Drawing in the School of Design at the Victoria University of Wellington from 2000-2009 and has featured in a regular schedule of national and international exhibitions throughout the last decade.

(1) (2)

McLeod, Warwick, ‘The Dealer’s Hand: Traditions of Representation in Drawings by Lorene Taurerewa 2008-2010’, Art Monthly Australia, Issue 248, April 2012, p34 Page, Maud, “Unnerved: Curator’s Essay” for “Unnerved: The New Zealand Project”, Gallery of Modern Art, Brisbane, 1 May – 4 July 2010.

Lorene Taurerewa 2012 CV P a g e |1

Milford Galleries Dunedin

www.milfordgalleries.co.nz

LORENE TAUREREWA lives New York, USA

EDUCATION 1996

Bachelor of Fine Art (Painting), Quay School of the Arts, Wanganui

SOLO EXHIBITIONS 2012 2011 2010

2009 2008

2007 2006

2005 2004 2002

Lorene Taurerewa, Thermostat Gallery, Palmerston North THE END, Artspace, Brooklyn, New York, USA The Company of Fools, Helen Gory Galerie, Melbourne, Australia Lorene Taurerewa, Suite Gallery, Wellington Sleight of Hand, PATAKA Museum of Arts and Cultures, Porirua Yardmeter Editions, Brooklyn, New York, USA More Eccentrickery, Chaffers Gallery, Wellington White Paintings, Oedipus Rex Gallery, Auckland Eccentriks, A.I.C.H Gallery, New York, USA Psychopompe, Oedipus Rex Gallery, Auckland Sensible World, Chaffers Gallery, Wellington Drawings, NZ Consulate, Santa Monica, Los Angeles, USA Degrees of Separation, Oedipus Rex Gallery, Auckland National Museum of Contemporary Art, Changdong Gallery, Seoul, Korea Lorene Taurerewa Drawing, PATAKA Museum of Arts and Cultures, Porirua Journey of 1000 Miles, Sarjeant Gallery, Wanganui Lorene Taurerewa: Here and Now, Fifty2gallery, Wellington Big Drawings, Lopdell House Gallery, Auckland Inherited Bodies, PATAKA Museum of Arts and Cultures, Porirua Body Speak, Neut Gallery, Wellington

GROUP EXHIBITIONS 2012

2011

2010 2009

2008

2007

Mervyn Williams/Chris Bailey/Lorene Taurerewa, Milford Galleries Dunedin Intraspace Project, Waikato Museum, Hamilton Fountain Art Fair, New York, USA NORTHSIDE Art Exhibition, Many Conversations, Brooklyn, New York, USA Brucennial 2012, New York, USA Contemplations and Conjectures, Schick Art Gallery, Saratoga, New York, USA Influential Women, Kentler International Drawing Space, Brooklyn, New York, USA THE END, The Sugarbread House, Brooklyn, New York, USA Suit of Skin, Small Works Gallery, Brisbane, Australia Legends : Obsessions with the Incomprehensible and the Uncanny, La Trobe Regional Gallery, Melbourne, Australia WANDERLUST, Yes Gallery, Brooklyn, New York, USA GIMME SOME TRUTH: a Return to Form, In Rivers Gallery, Brooklyn, New York, USA Figuration Today: the Surrealist Influence, McLean Project for the Arts, Washington DC, USA Unnerved: The New Zealand Project, National Gallery of Victoria, Melbourne, Australia Unnerved: The New Zealand Project, Gallery of Modern Art, Brisbane, Australia Chrysalid, Amelia Johnson Gallery, Hong Kong INSIGHT: Contemporary Approaches to Drawing, Ann Street Gallery, New York, USA Soul Ideologie, Gallery Korea, Park Ave, New York, USA Drawing Center Viewing Program, New York, USA New Zealand Embassy, 3 person show, Paris, France Samoa Contemporary, PATAKA Museum of Arts and Cultures, Porirua Samoa Contemporary, Tauranga Public Art Gallery Essence of Asia: Eastern Influences in Western Art, Asian Fusion Gallery, New York, USA

Lorene Taurerewa 2012 CV P a g e |2

Milford Galleries Dunedin

www.milfordgalleries.co.nz

2004 2003 2002 2001 2000

Wahine Pasifika, Te Wa Gallery, Wanganui Dolly Mix (W)rappers, PATAKA Museum of Arts and Cultures, Porirua Summer Show, Te Wa Gallery, Wanganui Dolly Mix (W)rappers, Waikato Museum of Art and History, Hamilton Pacific Blue, Sarjeant Gallery, Wanganui

AWARDS 2006

IASK Residency: The National Artists Studio: National Museum of Contemporary Art, Korea Martin Hughes, Contemporary Pacific Art Award, Winner

COLLECTIONS Queensland Art Gallery | Gallery of Modern Art, Brisbane National Gallery of Victoria James Wallace Collection, Auckland PATAKA Museum of Arts and Cultures, Porirua Private and public collections in New Zealand, USA, Australia, Europe and Asia

SELECTED BIBLIOGRAPHY 2011 2010

2009

2008

2007 2005

McLeod, Warwick, The Dealer’s Hand: Traditions of Representation in Drawings by Lorene Taurerewa 2008 - 2011, Art Monthly Australia, November, 2011 Crawford, Ashley, Profile Lorene Taurerewa, Australian Art Collector, October – December 2010, pg 108 - 109 Martin-Chew, Louise, Impressive Kiwi Gothic, Australian Art Review, August 2010 Brown, Warwick, Seen This Century: 100 Contemporary New Zealand Artists, A Collectors Guide, Godwit, Auckland, pg 348 - 349 Lorene Taurerewa in New York, Film documentary for Kete Aronui Arts Program, KIWA Films, Auckland Greenpoint Gazette, New York, 10 October 2008 McNamara, TJ, Painted Canvas Reflects Better than a Mirror, NZ Herald, 1 May 2008 Cunnane, Abbey, Samoan. Sort of, NZ Listener, 3 May 2008 McNamara, TJ, City and Suburbs, Auckland Herald, 21 April 2007 Misool, Wolgan, Lorene Taurerewa, Korean Arts Monthly Magazine, February 2007, pg 55 Davidson, Owen, Spirit and Form, The Art of Lorene Taurerewa, Art New Zealand, No 117, Summer 2005/2006, pg 58 - 61 Chalmers, Linda, The Arrival of Contemporary Pacific, New Zealand Investor Monthly, March 2005, pg 3

What Will Become of Us (2008)

Lorene Taurerewa 2012 CV P a g e |3

Milford Galleries Dunedin

www.milfordgalleries.co.nz