Architecture student portfolio

MIKOŁAJ GOMÓŁKA

PORTFOLIO

Mikołaj Gomółka Born 04.12.1991 in Warsaw, Poland 2010-2014 Warsaw University of Technology (WAPW) 2012 (erasmus programme) Karlsruhe Institute for technology (KIT)

2

Shelter in the Valley Dance Pavilion The quarry of art Coworking space Recycled identity Reverse Green border Still a library?

Graphene institute

3

5 6 8 10 12 14 16 20 24

1 semester 2 semester 3 semester 4 semester 4 semester 5 semester 6 semester 7 semester 8 semester

4

1 Semester Initial design WAPW

Location: Kazimierz Poland

SHELTER IN THE VALLEY

Step 1 Analysis

Step 2 Intuition

Step 3 Representation

This project was introduced by the complex analysis and different kinds of constructive transformations.

The whole process started with the excursion to the valley of Norowy dół in Kazimierz Dolny. Our task was to collect as much observations and feelings of the nature and landscape characteristics as we could. Finally we had to describe our feelings in a graphic, sound, or a movie.

My reflection was based on the changing angle of trees and branches, which intersected with one another while token as a two dimensional graphic composition.

The reason was the valley form, which defined the direction trees are growing.

The goal was to invent the way to enable people to discover the described phenomenon. I imagined what happens when the observer changes the position and angle of observation.

I made the installation imitating forest and made a movie with the swinging camera.

Basing on the experience from the movie, I invented the swing, as the interactive installation, making us able to look at the nature from a different perspective. On the other hand, the swing is a long vertical object, and starts to be the next element of the composition.

Final task was to design the place allowing the wandering people some rest and protection from the wind and rain.

I developed the idea of the swing. First, I made it comfortable to sit by filling the bottom with the polyurethane foam. Than Idecided to made it visible by using the recycled truck covering, which would be in contrast to the natural colours.

Moreover, material of the covering is waterproof.

Finally, I designed how to stretch the covering on the lines, and how to hang the construction on the tree.

Selected frames of the movie

First sketches of the swing

Recycled covering

Plan

5

Detail

2 Semester Architecture WAPW

DANCE PAVILION History

Elevations

In 1953 in Warsaw there was a new dancing place opened. In a ruined city, still having a post-war trauma, it offered a possibility to forget the common problems and enjoy. It did not stand the test of time. However, the remaining survived. There is still a big circle visible among the garden lanes.

Task Main task of the project was to design the dancing pavilion in the park close to the river, in the location of the previous object. It should contain scene, dance floor, public toilets, locker rooms and small technical space.

Location

Aspiration My goal was to capture the features of the dynamic space, which dancing space is, and synthesise it in the architecture of planned object. The first, analytic step, was up to define a rule of the designed space, as much as to specify its characteristics and uniqueness.

Membrane effect in a day time

Process As I started to analyse dynamism and rhythm of dancing people, I observed that they create different figures, which are easy to transfer into a graphical composition. I decided to give a possibility to other people (visiting the park), to observe the dance. However, I did not want them to disturb and distract the dancers.

It caused the decision to make a half-transparent barrier between those two groups.

In the afternoon, the lights from inside would build a lot of dynamic, half-abstract shadows on the barrier, allowing the audience to admire the beauty of movement. Furthermore, during the day, the lights from outside would cast a shadow of the trees, moving on the wind, visible inside. As a material I propose a waterproof membrane, stretched on the steel construction.

First sketch of the form

6

Location: Warsaw Poland

Plan

Section

Concept models made of wood, calque and light

7

3 Semester Architecture WAPW

THE QUARRY OF ART

Design topic Art pavilion with two basic functions - organisation of artistic workshops and exhibition. The building should have also a small cafeteria as well for the visitors as for the workshop participants.

of the river line, which builds a viewing axis between the quarry and the town.

This circumstances offer a fantastic possibility of reflection and hide from civilisation.

Design issues

I decided to interfere with the quarry Location as strong as the quarry interferes with the natural landscape. The structure of Post-industrial space of the the building is based on two concert former quarry became the reference walls, perpendicularly piercing the to the following design considerations. slope. Among those two retaining Quarry is not only an inspiring form of walls there is a ceiling construction landscape, but in this case it gives also stretched. an unusual panoramic view. This value The viewing axis is the basis of my is caused by the location directly by project. All the communication is the Vistula river. On the other side of planned along one line. From the the river there is a baroque old-town northern entrance till the Kazimierz Dolny, which is a legendary glazed southern facade the artistic hub. Moreover, there is a curve field of view is getting wider, Pictures from the location

Location: Kazimierz Poland

because two main walls of the building are not parallel - they create an angle.

Due to the landscape form, there is a difference between the number of floors on the north and south. The function division is clearly visible.

Highest level: main entrance, cafeteria, administration, cloakroom Middle level: exhibition room, auditorium.

This is the place, where the results of work are being shown.

Lowest level: workshops, storage facilities.

This area offers the widest field of view.

Users are completely isolated from the road and the parking space. It gives also the silence and peace.

Perspectivic view of the axis

Abstract sketches of the form

Topographic map of the area

Abstract model of the form

Quarry

Location

Kazimierz Dolny

8

Section

Solar p

anels

0 Plan

Hall Cloakroom

Office Conference room

Cefeteria

-1 Plan

Exhibition Auditorium

Northen elevation

-2 Plan

Small atelier

Small atelier

Southern elevation

Weastern elevation

Big atelier

Eastern elevation

Terrain section Nasiłów village

Pavilion Quarry Floodplains

9

River

4 Semester Interior design WAPW

COWORKING SPACE

Social changes

Possibilities of rearrangement

The issue of the knowledge society is mobility, which conditions the rate of our live and introduces us into the state of permanent temporality.

People not only less and less attach to one employer, but also workplace is not obliging any more.

Information flow is the key to the tertiary civilisation success.

Design aim Proposing the modern office solution, I pay special attention to movement ability of the furnishings. The sliding system, containing barriers, tables and lighting, allows to adjust the space to different types of needs of users.

When needed, both opened and divided spaces are possible to achieve.

Design solutions Form of screens associates with fragile origami. Construction is made of high-endurance carbon fiber tubes. On those tubes there is half-transparent membrane stretched.

Lightened from inside, it gives the shadow spectacle with people working inside. In the opposite direction, daylight comes inside, making work comfortable. The construction hangs on steel cables under the celling, and moves along the rails.

10

Location: Warsaw Poland

Plan

Sections

11

Location: Józefów Poland

RECYCLED IDENTITY

The house is planned for three-person family. On of the residents is physical disabled, so designed object is single-storeyed and contains no stairs at all.

p ar t of t h e id en t

o

od o f t h e o ld str u ion

e

o al

s

cl

a

i im

Northen elevation

ur

i

Functional needs

ct

h lis

Today old are wooden houses often demolished to make room for new investments. This process is increasing. I adjudged that as an architect I can not protect efficiently those historical monuments this is rather a task for conservators and local administration. However, I, as an architect, can confront with the results of the demolition. During the semester, I visited couple of demolishion spots, col-

I wanted the designed house to base on equal construction and material solutions, which are present in old buildings. I concluded, that wood, as a local building material, is responsible for local architectonical identity.

I tried to find the original substance and use it in a new structure. I decided to collect planks and other details from old, demolished houses, and attach it to new-built, as an element of contemporary detail. Thanks to that, new building would be at once set in the wide context, and, in some sort of way, is made of an old one.

It would become natural continuity of the predecessor.

rig in al m ng o ate r

Problems with the heritage

Design aspiration

ity

m

Józefów is a well-known summer resort near Warsaw, actually located entirely in the pine tree forest. Many reach capital city residents have settled it down since the beginning of the XX century. There has been a specific sort of architectonic style developed in the area, which is called „Świdermajer”. It is based only on wood, as well in construction aspect, as in decoration and facade. Main features are wooden frame construction and characteristic, ornamented planks on the elevation. In this sort of historical context, my task was to design a single family house.

lecting different types of architectonical elements, which became my further inspiration.

De

Historical context

W Re

Southern elevation

cli

em

po

detail fr rar y om

r

y ec

nt

12

Co

4 Semester Architecture WAPW

ng

Plan

Parents room

Writing place

Photographic darkroom

UTWORZONY PRZEZ PROGRAM EDUKACYJNY FIRMY AUTODESK

Kitchen

Living room

UTWORZONY PRZEZ PROGRAM EDUKACYJNY FIRMY AUTODESK

Son’s room

UTWORZONY PRZEZ PROGRAM EDUKACYJNY FIRMY AUTODESK

Section A-A

UTWORZONY PRZEZ PROGRAM EDUKACYJNY FIRMY AUTODESK

UTWORZONY PRZEZ PROGRAM EDUKACYJNY FIRMY AUTODESK

UTWORZONY PRZEZ PROGRAM EDUKACYJNY FIRMY AUTODESK

UTWORZONY PRZEZ PROGRAM EDUKACYJNY FIRMY AUTODESK

Pictures of the model. Base is made of original planks UTWORZONY PRZEZ PROGRAM EDUKACYJNY FIRMY AUTODESK

UTWORZONY PRZEZ PROGRAM EDUKACYJNY FIRMY AUTODESK

Renderings of the living room

13

UTWORZONY PRZEZ PROGRAM EDUKACYJNY FIRMY AUTODESK

UTWORZONY PRZEZ PROGRAM EDUKACYJNY FIRMY AUTODESK

Detail of the curtain made of old planks UTWORZONY PRZEZ PROGRAM EDUKACYJNY FIRMY AUTODESK

UTWORZONY PRZEZ PROGRAM EDUKACYJNY FIRMY AUTODESK

Section B-B

5 Semester Architecture WAPW

REVERSE

Facing the history

HOUSING BY THE OLD TOWN SQUARE

Location: Warsaw Poland

Marking of the ceramic covered roofs in Warsaw downtown on green - selection of the development area

In Warsaw Old Town there is a courtyard which is soon to be built over. The question is, what will be the following development of the courtyard. To avoid aggressive investment, probably allowed by the law, our task was to propose some balanced type of housing. Moreover, it should also match to the strong historical context. Especially, because the courtyard is located directly by one of two Old Town main squares.

During the analysis process, I observed that the Old Town is the only part of Warsaw where most of roofs are made out of ceramic roof tiles.

Main concept sketch

Precise location

I decided to arrange a terrace on the roof of my housing, to allow people to admire Old Town from the top (heads of the observers would be about two meters above most of the roofs). Due to this decision, I made up my mind to shift the ceramics, as a characteristic local material, from the roof to the walls.

The courtyard is full of greenery.

I did not want to loose this effect of almost wild nature present in the middle of the Old Town. Therefore I designed green loggias surrounding the building. Furthermore, I split the housing into two separate buildings. In result there is much more private atmosphere. There also couple trees possible to save due to this decision. The division introduces more light into apartments as well in the designed buildings as in already existing.

Model made of ceramics

To make the courtyard more vital space, I located different facilities on the ground floor.

14

Section A-A

Plan of the 2nd floor

Plan of the ground floor

Detail of the loggia

Elevations

15

Scarp

Agriculture

Gravel pit

Orchard

View point

Food production

Lake and beach

Food production

Further connection with Alsace

BMX and Extre me sports on the hills

1

2

Culture

Allotment Recreation

View point

6 Semester Urban design KIT

Meeting place Post industrial Wild nature Connection Sports Sport Culture

3

GREEN BORDER

Channel Water Recreation To Germany

Recreation

Facilities

Events

Water sports

New subdivision

Boat houses

4

5

6

NO MANS LAND OR EVERYBOTHYS LAND

7

Location: St. Louis France

Historical development 1880

1945

2013

Analysis on the model 1/1000 Connections

Functional areas

Main barriers

Dominants

Tram 3 line

Elements crystalising the structure

Searching for the identity People

Dominants

Highway

France

Analysing the skyline - finding the dominants

16

Nature

8

Introduction

line was soon to be opened. This line - Tram 3, connects Basel with St. Louis.

St. Louis is a french city located on the border of three countries Aspect one France, Germany and Switzerland.

Border with Germany goes along Redefining the border the Rhenium river, but border with Switzerland is a land border. Since are I concluded that due to the bounboth Switzerland and France members dary eliminating, some part of the of the Schengen Agreement, the border identity is being eliminated. I decided, is no longer dividing societies. However, surprisingly, to strengthen the border in the result, St. Louis became sort of instead of liquidating it. But, in some suburb of Basel, which is bigger, more sort of way, I designed new generation important swiss neighbour. People are of the border, which has completely often going from St. Louis to Basel to different function. Analysing the green work. During the visit, I did not observe areas, I found out that they create certain many sights of emotional relation sort of a chain, running along the border. between the city and its inhabitants. Therefore I proposed making a green Moreover, there exists a big immigrant border between Basel and St. Louis, group, which do not have any local which would have three basic funcidentity at all. But there are some sort tions: of identity-creating spots visible. For instance, important communication Due to the recreational function, route connecting France with inviting the swiss population to Switzerland highway and France. Those two nationalities would train line, running parallel to each meet in between, making sports together other.

Also natural landscape or just using some culture facilities. gives some opportunity to Visible and spatial division between codifferentiate from dens-urbanized untries, strengthening local french idenBasel. The task of the project was tity and crystallising the city structure. to propose some form of Communicating the hills of Alsadevelopment of St. Louis to solve its ce with the Rhenium river, and, in problems. Additional circumstance result, with Germany, through the was, that the first international „Gateway St. Louis nowadaystram as Basel suburb of the three countries” bridge.

Analysis on the model 1/1000

Aspect two „Buckles” merging parts of the city To complete the „green belt”, containing the green-fields, there are couple of serious interventions necessary. Main problem are the highway and the train line. As a solution I chose the wildlife crossings, built above highways to provide the movement possibility for wild animals.

However, I decided also to create not only a „green bridge”, but also an „urban bridge”, containing buildings and public spaces.

Aspect three The international district „Customs Zone 2.0” There still exists a big custom area, which is not needed any more. I located the main „Buckle” there. This area would become the international district, suitable as well for the french as for the swiss people. I designed there a park, big housing subdivision, international, bilingual educational centre, and many sport facilities. This Strenghtening the„green borderborder”. is the main spot of the and changing the axis

„The buckle” - idea and solution

„Urban bridge”

„Green bridge”

17

Stocktaking of the city structure

Scheme of the communication s in Tra

g Hi Rhe

niu m

ay hw

Present substance Dominants To demolish

l axis

Historica

ery

New cycle route

en Gre

TRAM3

Scheme of the greenery

Scheme of functional areas

Offices and conference Trade and services Housing Education

Existing greenery Planned greenery Trees

Plan of the city changes 10

6Floor 9

1Floor

8

1. Recreation zone on the gravel pit

7

2. Orchards opened to the public 3. International education center 4. „Customs Zone +” - the garden

6 5

5. „Customs Zone +” - the subdivision 6. Reactivated social housing district

4

7. New housing instead of the mall 3

8. Recreation zone on the former dump 9. Office center near the train station 10. Translocated truck parking place

1

2

18

Visualisation of the subdivision

Section

Selected area of the plan

n

tio

c Se

19

7 Semester Architecture WAPW

STILL A LIBRARY?

Today is a library not only a book collection, but also the meeting place, where the atmosphere is different from other public spaces.

Silence and focus is a characteristic feeling present in a library. What will be the library in thirty, fifty or a hundred of years? Will it be needed in general? We do not know that for sure.

However, we can create conditions which will allow the object specificity to change according to the needs. In extreme situation, the specificity can give way to new functions, which would supplant the traditional idea of a library.

Strongly inspired by the Jorge Luis

First inspiration

Borges text -„The library of babel” - I developed the idea of vertical shafts, containing all functions of the building. According to the social and culture changes, I decided to make the construction as variable as possible, allowing all cellings to move or to vanish.

The shifts have different sizes. In the middle there re some wide spaces for the main functions such as auditorium, event place or big reeding room. Around the building there are a lot of smaller spaces for small workshops, ateliers and so on.

One side of the building is used as a book collection. This part will never

Illustration

Adaptation

Jorge Luis Borges: The library of babel „The universe (which others call the Library) is composed of an indefinite and perhaps infinite number of hexagonal galleries, with vast air shafts between, surrounded by very low railings. From any of the hexagons one can see, interminably, the upper and lower floors. The distribution of the galleries is invariable. Twenty shelves, five long shelves per side, cover all the sides except two; (...)”

20

Location: Warsaw Poland

be replaced by any other function. The more books will be needed, the more floors will be pulled down. At the end, if books are not needed any more, there will be only an empty shaft - a remaining of the material form of knowledge.

Using the local tradition of the harbour (building location is sticking to the Praga harbour), I found out the best way to move the cellings. I decided to continue the industry harbour tradition, and put the crane, sliding on the rails, laying on the top of the building. Thanks to that, the skyline of the district will remind the past of the area.

Development

Structural inspiration 1 - bamboo

Structural inspiration 2 - cells

Different heights of the levels

One organism containing many separated units

Switching classical Le Corbusier Dom-ino model

Sketch of the plan

As a result, instead of a free designed plan, we get the free section

Historical inspiration 1 - Old library High room, good proportions, books visible, good daylight access

Communication separated from the little inside worlds

Historical inspiration 2 - Milan castle Historical inspiration 3 - London after bombings holes in the facade - different combination of beams possible. Modularity

21

Lack of the roof, knowledge stronger than the violence

Schemat zmiany funkcji

Possible progress in time Możliwy scenariusz 2080

2040

2015

Only digital knowledge

Less and less books

Other functions

Library function

Allocation of function in shafts 1 Book collection 2 Group work, coworking, small re-

6m

3 Public space, events, exhibition, auditorium 4 Communication, services

Book collection

Layers of the building

Praga district in Warsaw

s

ur

o arb

H

ail nr

o ne

cra

o

hs

it fw

oo dr

els

an

p lar

ze Gla

Region in Praga district

Book rental Reading room

s

ing

ell nc

de

o wo ble

Hausing

ova

rem ed cat

fa

Pre

5 minutes walk

bri

Old Praga Praga Harbour

s

am

be ble

_konfrontacja mieszkańców różnych dzielnic > zbliżenie Pragi do reszty miasta Connections _charakterystyczna forma i sposób działania > utrwalanie tożsamości Pragi

ova

em nr

de

o Wo

a

bou

g ra

har

P rn

New

Cit

he ut So

ter

en yc

r

s

ed orc inf

ell tw

con

e cre

Precise location

Re

///////Lokalizacja 1/1000 - nowy obiekt strukturalizuje przestrzeń

View from the harbour

22

Section

600

300

900

450

300

600

Plan of the 2nd floor

40

23

8 Semester Bachelor Diploma WAPW

GRAPHENE INSTITUTE

Mission

Working conditions

Planed object is meant to serve not only as a science institute, but also as a place for conference and educational purpose. It is assumed to enable the full process of a technology development: establishing science and business collaboration, conceptual work in interdisciplinary teams, verification in modern laboratories, beginning of the production, presentation in the scientific community, commercialisation and finally public information in form of exhibition.

Basing on analysed psychology research results, I specified following features, which will have positive influence on work comfort and efficiency: opening the building on the greenery, intense natural lighting, and relationship between the activity of certain parts of brain and the celling hight in the interiors.

Localisation During the location choosing process, following features were particularly important: closeness of the intense urban tissue, proximity with industrial parts of the city, presence of the green spaces, and comfortable local and translocal communication. During the analysis I specified the locations, in which the City Development Strategy gives the possibility to locate the science park. One of them provided all required features. It was the area in the neighbourhood of the Warsaw Steelworks, close to the Subway station MĹ‚ociny.

Monastery as an inspiration As the basis for the typology development I choose the monastery objects.

They meet the features, about which I wrote. The different celling hight is taken from the basilica structure.

Monasteries have also big amount of gardens and courtyards, basing of the medival Hortus Conclusus concept.

They give a full privacy and feeling of safe separation from the loud and speeding external reality. Good natural ligting is good resolved in industry architecture. There is also a basilica type, but often with glazed celling.

Functional solutions

Location: Warsaw Poland

different access sections. In order to separate the production part from the office rooms I set the partition into loud and silent zone. Both gradations are perpendicular to each other, so there emerged a coordinate system.

One axis of the system sets the level of the public access, second axis sets the level intensity of noise.

Technical solutions Main technical issue of the building are so called Clean Rooms, which are the rooms with controlled environmental conditions.

Construction solutions Main construction issue of the building are the central corridors going between the courtyards. Their construction is fully made of glass, elevations are also 100% glazed (including downspout). In result, whole central part of the building from entrance till the wall of the laboratory is completely transparent. It is metaphorical reference to the transparency of graphene.

In order to provide safety and scientific secrets I set the access gradient which divides the building into four

1947

2004

2010

2013

?

Theoretical model of graphene described by P.R. Wallece

Obtainment of graphene from the pencil graphite in Manchester

Nobel Prize for the graphene invitors, Andriej Gejm and Konstantine Nowosilow

Production of graphene starts in Poland

Building a graphene Institute

24

Aspects of the project Graphene features

tifi

Inventions

c

is

Bu

on

ati

uc

Co nt h b acts uis ne ss

wit

Ed

Commercialization

ba

i

nis

tic

ic ist ty ter ci c he ara Ch t in t jec ob

Sketches of the production process

25

Old

l

a gic

Typ

Educational

ne

New building type

on

olo

Ur

ss

ati

Affecting on the city

ien

Aesthetic

Sc

nfe r lec enc e, tur e

hec w t ies log no

Ne

pir

e f th e o on c r i u t So pira ins

Co

Scientific

exchange

Ins

Integration with urban structure

/n

ew

inu

str

y

s rea la n a i tr io us rat Ind ene g re

Monastery inspiration

Scheme of the surroundings

Plan of the monastery in Sankt Gallen

Functional gradations

Functional scheme

e zon iet Qu

3

one dz Lou

4 tion Sec

2 tion Sec 1 tion Sec

Sketch of the working conditions

3 tion Sec

2 1

i 4 7 6

5

1. Networking and administration 2. Conceptual work 3. Laboratory verification 4. Production initiation 5. Presentation among scientists 6. Commercialization 7. Public information

26

Section B-B c2

+6,22

1%

1%

+6,00

c9

+6,93 +5,00

+5,08

1%

+5,02 +4,60

c3

+2,85

c4

c8

c5

+3,20

Detal 1

+3,90

+3,10 +2,90

c1

c6

+0,00

-0,50

+0,00

-0,73 -2,00

-2,20

c7

-2,20

-3,00

-3,40

131

131

131

131

131

131

131

131

131

131

131

131

131

131

131

131

131

131

131

131

250

525

525

525

525

250

525

525

525

250

800

Section A-A c10 1%

+5,13

c13

+5,00

1%

c11

+4,10

1%

+5,13

1%

Detal 1

+4,60

1%

+3,50

1%

+3,10

+4,10

1%

+3,10

+0,00

-0,02

c12

+3,45

+3,10

+0,00

+0,00

-0,19 -0,50

-0,50

-0,50

-2,00

-2,20

-3,00

-3,40

Sekcja 4

30

420

525

525

525

48

590

525

48

Sekcja 3

425

525

250

125

150

150

150

150

15

185

185

15

150

150

150

150

125

Sekcja 2

200

Plan 525

525

220

525

525

250

2130

Sekcja 1

1250

525

525

220

525

s1

1605

250

800

220

845

30

220

40

30

2670

200

235

1

1250

235

320

1310

s15

s16 MAGAZYN ODCZYNNIKÓW 21,86 m2 220

WODA DEJONIZOWANA 21,54 m2

940

896

140

40

s2

2

399

1910

s14 / 10000 2,45 m2

370

4

5090

s13

940

s12

235

485

425

140

1440

s11

685 1045

235

155

3

s4

420 40

505

20

505

20

505

20

505

20

500

30

220

30

500

20

505

20

27

505 7910

20

500

30

220

30

500

20

505

20

500

30

220

845

183

153

153

480

s3

Northen elevations with materials

Graphite corrugated concrete

White polished concrete

Location

Close surroundings

11

10

5

9 8

1 7

3 1 2

6

2

8

12

4 6

7 8

1. Plac przed wejściem 2. Planowana druga pierzeja 3. Węzeł komunikacyjny Metro Młociny 4. Garaż wielokondygnacyjny P&R 5. Brama główna Huty Warszawa 6. Las 7. Ciąg pieszo-rowerowy 8. Istniejące i powstające osiedla

28

3

5 13

4

A Przykręcanie elementów stalowych spawanych z blach 3 mm.

Elementy mocowane są od boku do prefabrykowanego segmentu z przygotowanymi w prefabrykacji prętami gwintowanymi 10 mm.

Detailed section of the corridor +3,48

Przykręcanie d

Setup of the terrace

1%

+3,10

A

B

Przykręcanie elementów stalowych spawanych z blach 3 mm.

Elementy mocowane są od boku do prefabrykowanego segmentu z przygotowanymi w prefabrykacji prętami gwintowanymi 10 mm.

A

-0,02

B

1,5%

Przykręcanie dodatkowych wkrętów

10 mm od spodu.

C

+0,00

-0,22 -0,50

Przykręcanie elementów stalowych spawanych z blach 3 mm.

Elementy mocowane są od boku do prefabrykowanego segmentu z przygotowanymi w prefabrykacji prętami gwintowanymi 10 mm.

-0,35

Przykręcanie dodatkowych wkrętów

10 mm od spodu.

-1,70

29

Montaż na prętach Isocorb wystających ze ściany. Blaszane elementy zostawiają miejsce na rynnę odprowadzającą wodę do gruntu.

Montaż na prę zostawiają mie

30