LIGHTWELL CULTURE MAGAZINE

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he has a degree in psychology and a teacher of Professional Training (Sociocultural and Community Services). She began with forays into punk, a style from which she has drawn several sources from which she has been able to spread her harshness to the field of rap, in which she declares herself a follower of Úrsula de Sondkalle, Mala Rodríguez, Arianna Puello or Violadores del Verso. She composes on the roots, in open defense of the land, the social demands (she ventures into feminism above all) and the party. She expresses a natural, honest rap that promotes a genuine approach to the diversity of origin. With her strength and intelligence, she confronts machismo in her musical sphere, claiming gender equality, as well as for the rest of social and cultural spaces. She manages all of her activity and collaborates in a radio program on the regional radio station À Punt. Her second album, Rural, received the award for best hip-hop album at the Ovidi Awards.

Writing and photography: Antonio Pozo
Fireta de Dones

Dones Artesanes

Paiporta

Sueca and Castello
Photography by Gabriel Rodríguez
Photography by Gabriel Rodríguez
Photography by Gabriel Rodríguez

he sixth edition of the Festival de Artes Escénicas Sin texto of Castellón was the most international of those held to date with acting groups from Peru, Portugal, the Netherlands, Italy, Chile..., and a total of 24 performances in five scenic spaces. Pieces for mass consumption were combined with other more intimate and lyrical ones, along with those essential for family audiences. There were also proposals of strong social and intercultural significance.

Photography by Gabriel Rodríguez

ime (from the Latin mimus, and this from the Greek μῖμος, whose meaning is imitation) is a literary genre that originated in Ancient Greece and that encompasses a series of texts for which without having fully defined characteristics it is usually accept some common features. It consisted of the theatrical representation, sung or spoken, of realities of everyday life of a popular nature. Another of its features is improvisation, which distinguishes it from other genres with which it is related, such as comedy. These representations used to be accompanied by dances or magic and sleight of hand shows. The actors who performed this type of theatrical pieces were also called mimes. Not to be confused with the pantomime genre.The oldest sources where references to the term mime (μῖμος) appear are a fragment of Aeschylus's The Edonians and Aristotle's Poetics. The term probably originated in Sicily, where it designated Sophron's compositions that were inspired by professional Sicilian mimes and whose great fame could be the reason that the term μῖμος prevailed over other terms that were used to designate this type of performance. Among other terms related to mime, it is often pointed out that magodo (or magodia) and lisiodo designated various variants of it: Aristoxeno pointed out that the magodo represented male and female characters in women's clothing while the lisiodo represented female characters in women's clothing and male characters in women's clothing. men's clothes For his part, Athenaeus described some themes used by the magodo: effeminate dances, representations of women, pimps, adulterers, or drunks who during a revelry appeared at the house of his beloved. Among the diversity of themes that can be ascribed to the mime are also the following: party goers who recount what happened at it, daydreams, invocations to Hecate for love disappointments, shoemakers, shameless thieves and pimps.

SUECA

lmost coinciding with the Castellón festival, the 25th MIM Sueca was held, a city located 33 km from Valencia. In this contest, only theater and street theater shows are exhibited in which the gesture, the gestures, the mime, the body and the movement of the performers are the main artistic element of the show, with its usual focus on revisions of the theater Greco-Latin pantomime, French pantomime from the 18th century, commedia del arte, works by clowns..., even the most innovative, avantgarde, original and contemporary proposals from national and international theater companies. Likewise, an interesting and educational program is developed in parallel, with courses and master classes aimed at performing arts professionals from the most prestigious masters of the genre: Jacques Lecoq, Yves Lebreton, Jerry Snell, Andreizj Leparski, Joan Font, Eduardo Haro Tecglen, Carles Santos, Sergi López…

Photography by Gabriel
Gabriel Rodríguez

by Gabriel Rodríguez

Photography

by Gabriel Rodríguez

Photography
Photography by Gabriel Rodríguez
Photography by Gabriel Rodríguez
Photography by Gabriel Rodríguez

The feminist group of Valencia suffers a persecution unbecoming of any democracy in the middle of the second decade of the Third Millennium. His vindictive actions are criminalized by a Justice out of his mind, supporting his attitude in the nefarious Gag Law. The Citizen Security Law enacted by former PrimeMinisterM.Rajoy remains in force, despite its repeal being included in the programs of the component forces of the most progressive government in the history of the Marca. The women of the AssembleaFeminista

deValènciahave faced, since 2018, 20 lawsuits and penalties of more than 11 thousand euros. On the part of the judiciary, discriminatory arguments towards theValencianlanguage are allegedly adduced in order not to admit documentation presentedbythelawyer of the piqueteras, prosecuted for their legitimate and non-violent participation in the feminist strikes of the years 2018 and 2019. With the conduct shown by the courts, the terror caused in some dominant social and economic sectors by the advance in real and effective gender equalityisrevealed.

Valencia

Writing and photography: Antonio Pozo

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