Onward Michael Goodman for Wind Band
©2022 Unanimous Productions [ASCAP] All Rights Reserved.
Contact Information Michael Goodman 2732 Trappers Cove Trl. Apt. 2A Lansing, MI 489410 Email: michaelgoodman9@gmail.com michaelgoodmanmusic.com
Michael Goodman Composer
The composition faculty of Michigan State University has described Michael Goodman’s music as dramatic, humorous, and energetic. He views composition as a communicative tool that enhances his ideas both musical and philosophical. His music stems from personal, neurodivergent experiences of his own or close friends. He creates music that is organic by including acting, speech, humor, and drama. He is also known to combine various genres such as rock, jazz, and classical music to create a musical space that is uniquely expressive and authentic. Goodman’s compositions have been performed throughout North America, U.K., Portugal, Hong Kong, and Croatia by musicians, ensembles and festivals such as Sarah Lewis - 2nd oboist at Detroit Symphony Orchestra, Edward Goodman - assistant professor of saxophone at University of Arizona, the Jackson Symphony Orchestra (MI), Musique 21, University of the Pacific, The Great Noise Ensemble, ensemble mise-en, Mise-en Festival, and Charlotte New Music Festival. Goodman’s Test Drive was the winner of the New Music Ensemble Category in the Michigan State University Honors Composition Competition and his piece Piano was nominated as a finalist for the Keene State College Call for Scores event. Goodman received his Master of Music degree and his Bachelor of Music degree in music composition at Michigan State University while studying under Ricardo Lorenz, Jere Hutcheson, Charles Ruggiero, and Mark Sullivan. Goodman has also studied under Joel Hoffman, Armando Bayolo, William Bolcom, Michael Daugherty, David Dzubay, Kieran MacMillan, and Marc Mellits. In addition, Goodman received his Master of Arts degree in Arts Administration at Florida State University. Goodman currently resides in Lansing, MI as a composer/arts administration freelancer.
Pieces for Band From Within (2022) - for wind band - Duration ca. 5:35 minutes - Grade 3 Back 2 Work (2021) - for wind band - Duration ca. 2:00 minutes - Grade 1.5 Perseverance (2019) - for wind band - Duration ca. 6:15 minutes - Grade 4
Instrumentation Flute Oboe Bassoon 3 B♭ Clarinets Bass Clarinet 2 Alto Saxophones Tenor Saxophone Baritone Saxophone 2 B♭ Trumpets Horn 2 Trombones Euphonium ( and ) Tuba Timpani Marimba Vibraphone Snare Drum Tom-toms Bass Drum Percussion 1 Suspended Cymbal Crotales
Program Notes When you are determined to reaching your dreams and goals, there is nowhere to go, but up. Onward features: Oboe solo Trumpet solo Exposed percussion section Recommended for advanced middle school band and high school bands.
Grade 3 Transposed Score Performance Notes Vibraphone and Marimba - unless specified, use soft, yarn mallets.
Duration ca. 4:00 minutes
Onward Transposed Score
Michael Goodman
Fight
Flute
Oboe
Bassoon
1 Clarinet in B♭ 2.3
Bass Clarinet
Alto Saxophone 1.2
Tenor Saxophone
Baritone Saxophone
1 Trumpet in B♭ 2
French Horn in F
Trombone 1.2
Euphonium
Tuba
Timpani
= 132
Vibraphone
Snare Drum
Tom-toms
Bass Drum
Suspended Cymbal Crotales
drumsticks
1
2
3
yarn mallets soft,
soft, yarn mallets
Marimba
©2022 Unanimous Productions [ASCAP] All Rights Reserved.
4
5
2
Onward
Fl.
Ob.
Bsn
1 Cl. in B♭
2.3
B. Cl.
Tom.
B. Dr.
Sus. Cymb.
Timp.
Sn. Dr.
Euph.
Vib.
Tbn. 1.2
Mar.
F. Hn in F
Tba
T. Sax.
Tpt in B♭ 1.2
A. Sax. 1.2
Bar. Sax.
A
6
7
brass mallets
9
10
11
To Crot.
8
a2
12
13
Onward
Fl.
Ob.
Bsn
1 Cl. in B♭ 2 3
B. Cl.
A. Sax. 1 2
T. Sax.
Bar. Sax.
Tpt in B♭ 1.2
F. Hn in F
Tbn. 1.2
Euph.
Tba
Timp.
Mar.
Vib.
Sn. Dr.
Tom.
B. Dr.
Crot.
2.
3.
14
15
a2
div.
16
17
3
18
19
20
21
To Sus. Cymb.
22
4
Onward
Fl.
Ob.
Bsn
1
Cl. in B♭
2.3
B. Cl.
A. Sax. 1 2
T. Sax.
Bar. Sax.
Tpt in B♭ 1.2
F. Hn in F
Tbn. 1.2
Euph.
Tba
Timp.
Mar.
Vib.
Sn. Dr.
Tom.
B. Dr.
Sus. Cymb.
23
24
25
one only
26
3.
2.
B
27
28
Onward
Fl.
Ob.
Bsn
1
Cl. in B♭
2 3
B. Cl.
A. Sax. 1 2
T. Sax.
Bar. Sax.
Tpt in B♭ 1 2
Tom.
B. Dr.
Sus. Cymb.
29
30
31
Sus. Cymb.
tutti
* only play the low A if the bari. sax has a low A key.
Timp.
Sn. Dr.
Euph.
Vib.
Tbn. 1.2
Mar.
F. Hn in F
Tba
5
drumsticks
32
33
34
6
Onward
Fl.
Ob.
Bsn
1 Cl. in B♭ 2.3
B. Cl.
A. Sax. 1.2
T. Sax.
Bar. Sax.
Tpt in B♭ 1.2
F. Hn in F
Tbn. 1.2
Euph.
Tba
Timp.
Mar.
Vib.
Sn. Dr.
Tom.
B. Dr.
Sus. Cymb.
35
36
37
C =
I: F to G
To Crot.
38
39
40
41
42
43
44
Onward
Fl.
Ob.
Bsn
1 Cl. in B♭ 2 3
B. Cl.
A. Sax. 1.2
T. Sax.
Bar. Sax.
Tpt in B♭ 1.2
F. Hn in F
Tbn. 1.2
Euph.
Tba
Timp.
Mar.
Vib.
Sn. Dr.
Tom.
B. Dr.
Crot.
2.
7
tutti
solo
Ob.
solo
D
3.
B. Cl. (if played, one only.)
B. Cl.
45
46
47
48
49
50
Crot.
51
52
53
8
Onward
Fl.
Ob.
Bsn
1 Cl. in B♭ 2 3
B. Cl.
A. Sax. 1.2
T. Sax.
Bar. Sax.
Tpt in B♭ 1.2
F. Hn in F
Tbn. 1.2
Euph.
Tba
Timp.
Mar.
Vib.
Sn. Dr.
Tom.
B. Dr.
Crot.
B. Cl.
54
55
56
57
58
59
60
61
Onward
Fl.
Ob.
Bsn
1 Cl. in B♭ 2 3
B. Cl.
A. Sax. 1.2
T. Sax.
Bar. Sax.
Tpt in B♭ 1.2
F. Hn in F
Tbn. 1.2
Euph.
Tba
Timp.
Mar.
Vib.
Sn. Dr.
Tom.
B. Dr.
Crot.
2.
3.
tutti
soli
1.
2.
a2
1.
62
63
solo
soli
E
9
64
65
66
67
68
69
70
10
Onward
Fl.
Ob.
Bsn
1 Cl. in B♭ 2 3
B. Cl.
A. Sax. 1 2
T. Sax.
Bar. Sax.
Tpt in B♭ 1 2
F. Hn in F
Tbn. 1 2
Euph.
Tba
Timp.
Mar.
Vib.
Sn. Dr.
Tom.
B. Dr.
Crot.
F
1.
2.
3.
2.
71
72
73
74
75
76
77
78
79
Onward
Fl.
Ob.
Bsn
1 Cl. in B♭ 2 3
B. Cl.
A. Sax. 1 2
T. Sax.
Bar. Sax.
Tpt in B♭ 1 2
F. Hn in F
Tbn. 1 2
Euph.
Tba
Timp.
Mar.
Vib.
Sn. Dr.
Tom.
B. Dr.
Crot.
1.
G
11
80
81
82
83
84
85
2.
86
87
88
12
Onward
Fl.
Ob.
Bsn
1 Cl. in B♭ 2 3
B. Cl.
A. Sax. 1 2
T. Sax.
Bar. Sax.
Tpt in B♭ 1 2
F. Hn in F
Tbn. 1 2
Euph.
Tba
Timp.
Mar.
Vib.
Sn. Dr.
Tom.
B. Dr.
Crot.
89
a2
a2
90
92
tutti
94
a2
a 2
93
91
tutti
div.
95
96
97
98
Onward
Fl.
Ob.
Bsn
1 Cl. in B♭
2.3
B. Cl.
T. Sax.
Tpt in B♭ 1 2
Tom.
B. Dr.
Crot.
99
100
101
102
Timp.
Sn. Dr.
a2
Euph.
Vib.
Tbn. 1 2
Mar.
a2
F. Hn in F
Tba
A. Sax. 1.2
Bar. Sax.
13
To Sus. Cymb.
103
104
H
Sus. Cymb.
105
106
14
Onward
Fl.
Ob.
Bsn
1 Cl. in B♭ 2.3
B. Cl.
A. Sax. 1.2
T. Sax.
Bar. Sax.
Tpt in B♭ 1 2
F. Hn in F
Tbn. 1 2
Euph.
Tba
Timp.
Mar.
Vib.
Sn. Dr.
Tom.
B. Dr.
Sus. Cymb.
I: G to F
sub. sub.
107
108
109
110
111
112
113
Onward
Fl.
Ob.
Bsn
1 Cl. in B♭ 2.3
B. Cl.
A. Sax. 1.2
T. Sax.
Bar. Sax.
Tpt in B♭ 1 2
F. Hn in F
Tbn. 1 2
Euph.
Tba
Timp.
Mar.
Vib.
Sn. Dr.
Tom.
B. Dr.
Sus. Cymb.
15
114
115
116
117
118
119
I =
Mar.
Mar.
2.
1.
120
121
16
Onward
Fl.
Ob.
Bsn
1 Cl. in B♭ 2 3
B. Cl.
A. Sax. 1 2
T. Sax.
Bar. Sax.
Tpt in B♭ 1 2
F. Hn in F
Tbn. 1 2
Euph.
Tba
Timp.
Mar.
Vib.
Sn. Dr.
Tom.
B. Dr.
Sus. Cymb.
J
122
123
124
125
126
127
128
129
130
Onward
Fl.
Ob.
Bsn
1 Cl. in B♭ 2 3
B. Cl.
A. Sax. 1 2
T. Sax.
Bar. Sax.
Tpt in B♭ 1 2
F. Hn in F
Tbn. 1 2
Euph.
Tba
Timp.
Mar.
Vib.
Sn. Dr.
Tom.
B. Dr.
Sus. Cymb.
3.
=
1.
2.
2.
17
II: C to B{@flat@}
131
132
133
134
135
136
137
138
139
18
Onward
Fl.
Ob.
Bsn
1 Cl. in B♭ 2 3
B. Cl.
A. Sax. 1 2
T. Sax.
Bar. Sax.
Tpt in B♭ 1 2
F. Hn in F
Tbn. 1 2
Euph.
Tba
Timp.
Mar.
Vib.
Sn. Dr.
Tom.
B. Dr.
Sus. Cymb.
140
141
142
143
144
145
146
div.
147
Onward
K
Fl.
Ob.
Bsn
1 Cl. in B♭ 2 3
B. Cl.
A. Sax. 1 2
T. Sax.
Bar. Sax.
Tpt in B♭ 1 2
F. Hn in F
Tbn. 1 2
Euph.
Tba
Timp.
Mar.
Vib.
Sn. Dr.
Tom.
B. Dr.
Sus. Cymb.
tutti
19
accel.
148
149
150
151
152
20
Onward
Fl.
Ob.
Bsn
1 Cl. in B♭ 2.3
B. Cl.
A. Sax. 1.2
T. Sax.
Bar. Sax.
Tpt in B♭ 1.2
F. Hn in F
Tbn. 1.2
Euph.
Tba
Timp.
Mar.
Vib.
Sn. Dr.
Tom.
B. Dr.
Sus. Cymb.
153
154
155
156
157
158